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#or C. that his name is Oxnard
mini-minish · 7 years
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Wolfsong • Meet Joe! 🐾
“He took my face in his hands and squished my cheeks together. “Why do you smell like that?” he demanded. “Where did you come from? Do you live in the woods? What are you? We just got here. Finally. Where is your house?” He put his forehead against mine and inhaled deeply. “I don’t get it!” he exclaimed. “What is it?” And then he was crawling up and over my shoulders, feet pressed against my chest and neck until he clambered onto my back, arms around my neck, chin hooked on my shoulder.”
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kuramirocket · 4 years
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Carlos Muñoz, Jr. remembers when he first began to ponder the meaning of his Mexican roots.Muñoz, now 80, was living in the crowded Segundo barrio of El Paso, Texas. His family—like thousands of other émigrés—had settled there decades earlier, refugees fleeing violence spawned by the Mexican Revolution.Neither of his parents had made it past elementary school, but they wanted more for their son. So young Carlos walked across town every day to an Anglo neighborhood where the local school had more resources than barrio campuses.In that world, Carlos became Charles—rechristened in fifth grade by a white teacher in an attempt to “Americanize” him.
His school records were altered to label him Charles. But nothing else about him changed. “I began to wonder about what that meant,” he recalls. “That was the first time that I started thinking about identity and culture and that kind of stuff.”
It wouldn’t be the last.
The next year his family moved from El Paso to Los Angeles, where they hopscotched among barrios from the Eastside to Downtown to South Los Angeles. And no matter whether his teachers called him Carlos or Charles, their ingrained attitudes about his Mexican heritage narrowed his path.
The counselors at Belmont High School steered Charles away from college prep and toward vocational ed, even though he was an honor student. They suggested he become a carpenter, like his dad.
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“If you were Black or Brown and a male at that time, you automatically got to be an industrial arts major,” he says. “You take the basic courses in English, history and government, but you don’t get the algebra and the biology courses.”
He didn’t realize until after he graduated with honors in 1958 that those courses he missed were required for admission to California’s public universities.
It would take six years for Charles to navigate a route—through community college, military service and a white-collar job that paid well but left him unfulfilled—to the campus of Cal State LA.
There, in the midst of a nascent Chicano rights movement, Charles reclaimed Carlos and played a key role in a history-making venture that would create new paths for Latino students: the creation at Cal State LA of the first Mexican American Studies program in the nation.
Its launch five decades ago—which Muñoz, then a graduate student, helped lead—would usher in a new era of ethnic studies across the Southwestern United States and ultimately around the country. Today more than 400 universities have programs dedicated to the study of the history, circumstances and culture of Latinos in America.
“Right now, there’s an awareness of ethnic studies. … But the beginnings of ethnic studies, as a discipline, were right here at Cal State LA,” says Professor Dolores Delgado Bernal, chair of what is now the Department of Chicana(o) and Latina(o) Studies.
“The discipline offers a lot to students, in terms of their identities, their intellect, what interests they pursue. Taking these courses allows students to say, ‘I can claim and be proud of who I am, and that allows me to better understand and accept others who are not like me.’ ”
“It’s becoming increasingly important to have that interdisciplinary background, and an understanding of other cultures and races,” Delgado Bernal says.
Today Muñoz is a professor emeritus in the Department of Ethnic Studies at UC Berkeley. He’s an author, political scientist, historian and scholar, specializing in social and revolutionary movements.
But the challenges Muñoz encountered on his journey from the barrio to the ivory tower typify the struggles that many Latino students still face today—and illustrate why Chicano Studies was necessary decades ago, and still has an important role to play.
In its early years, the Cal State LA program was a resource for local students who felt intimidated by college and invisible on campus.
The spotlight on Chicano history and culture allowed them to see themselves through a new lens, one scrubbed of stereotypes. And its sweeping scope connected them to other marginalized groups, illuminating struggles for equality that students found ultimately empowering.
“To me, the thing about Chicano Studies is that it was eye-opening to the truth and history,”  Carmen Ramírez, an Oxnard city councilwoman who attended Cal State LA for two years in the 1970s, says. “If you don’t know the truth, you can’t fix the future. … We need to know our history.”
And the dividends spread far beyond the campus, the student body and local communities. By its very existence, the Cal State LA program gave national credibility to the concept of ethnic studies as an intellectual pursuit.
“Chicano Studies opened the door to possibilities of employment on university faculties,” said Raul Ruiz, professor emeritus in the Department of Chicana and Chicano Studies at Cal State Northridge, which hired him in 1970. He earned a bachelor’s degree from Cal State LA in 1967, and went on to earn his master’s and Ph.D. at Harvard. Ruiz died this year at 78 years old. 
“Chicano Studies gave us opportunities to teach at the college level. And that was very significant in an era when many of us never had a Latino professor.”
At that time, “there were only about five Mexican Americans in the country with Ph.D.s in the social sciences,” recalls Muñoz, who earned his B.A. in political science from Cal State LA and a Ph.D. in government from the Claremont Graduate School.
Like Ruiz and Muñoz, several of the campus movement’s leaders went on to become college professors and scholarly experts in the field.
But even when they were offered faculty positions in Latino Studies, their contributions were often minimized or disregarded.
“Now we’re very visible at universities across the nation,” Muñoz says. “But during my career, I often had to face that perspective— you’re just ideologues, not scholars—from conservative faculty. It was not an easy path.”
For students like Ruiz, the path was equally challenging.
Ruiz had moved to Los Angeles from El Paso as a child in the 1950s. Told he wasn’t “college material,” Ruiz enrolled in Trade Tech, studied mechanical drawing and took a job drafting engineering plans for aviation systems. A year of that made him miserable, so he quit and in the mid-’60s applied to Cal State LA as an English major.
Then, as now, the Cal State LA campus was walking distance from one of the largest urban Mexican American communities in the United States. But few students in that community were being prepared for college.
The university experience seemed so remote that Eastside parents who could see the hillside campus from their yards thought “the building on the hill was the Sybil Brand Institute” for incarcerated women, Cal State LA Professor Ralph C. Guzmán told the University’s College Times newspaper in 1968.
Guzmán, who helped draft early Chicano Studies proposals, was one of just a handful of Latino faculty members then.
Ruiz was the only Mexican American kid in most of his classes, he said.
“I remember as an English major, the sense of me being up against everything. I remember making a presentation and the other students came at me hard with criticism,” Ruiz said. “I remember saying to myself, ‘Next time you’re going to know more than everybody else.’ ”
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Ultimately, that would motivate him to develop a rigorous background in research. But as a new student, he found the social isolation to be a destabilizing experience.
After a professor told him he was smart “but basically illiterate,” Ruiz spent hours alone in the library—after classes and before his post office job—teaching himself to write.
“I would practice writing sentences and improving them until I could write a paragraph, and then an essay,” he said. It took him six months to develop the skills he needed. The skills he should have been taught in high school.
Cal State LA already had a robust interdisciplinary program of Latin American Studies, with classes that focused on Mexican culture but had little connection to the American experience.
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“It was a marvelous program. It opened up my consciousness,” Ruiz said. But he came to realize that he knew more about Mexicans in Mexico than he did about families like his, “Mexicans in my own community.”
Beyond the University, in his own community, unrest and outrage were brewing. Mexican Americans had found their voice and were beginning to challenge the status quo. And nowhere did that coalesce more vividly than in the neighborhoods around Cal State LA.
“It was actually right here in the city of Los Angeles where the Chicano movement started,” noted legendary civil rights leader Dolores Huerta, when she visited campus to celebrate the 50th anniversary of Chicano Studies in September 2018.
The Chicano Studies program helped empower young activists and bring national attention to the challenges and concerns of Mexican Americans, she said.
Ruiz remembered what that felt like. “We were becoming part of this growing social movement that was sweeping the country, with massive anti-war protests and civil rights marches,” he recalled.
Community organizers rallied Eastside families to join the demonstrations. Student groups on campus worked together behind the scenes for change.
“I was not a radical person,” Ruiz said. “But you couldn’t help but become involved, or at least think about it.”
In March 1968, that awareness came to a head, as thousands of students at five high schools within a six-mile radius of Cal State LA walked out of classes and took to the streets, to challenge an educational system that didn’t recognize their worth or value their needs.
Thirteen adults would be arrested, jailed and charged with conspiracy for helping organize the walkouts. Muñoz—who’d proudly changed his name back to Carlos—was among them.
By then Muñoz was a Cal State LA graduate student and a U.S. veteran, who understood why students were walking out. The kid whom counselors steered away from college prep classes in high school was now on his way to becoming a university professor—and he was on the front lines of the battle to improve education for younger Latinos.
Police arrested Muñoz at gunpoint three months after the walkouts, as he sat at the kitchen table in his apartment doing his political science homework, and his wife and two young children slept upstairs. Muñoz spent two years on bail and faced a possible prison term of 66 years, until an appellate court dismissed the charges as a violation of the defendants’ First Amendment rights.
The walkouts alarmed the educational establishment, but energized the local community and moved education to the front of an activist agenda.
Cal State LA students, faculty and administration partnered with community groups to help broaden opportunities.
That summer Cal State LA’s student government voted to allocate $40,000 for an Educational Opportunity Program that would provide the support needed by students who were motivated but underprepared. Sixty-eight Latino and Black freshmen were admitted through the program that first year.
And University leaders agreed to work with student activists to get the Chicano Studies program up and running. The pioneering program was launched in the fall of 1968—with four courses and funding from student government.
Muñoz wound up teaching the program’s introductory course in the fall of 1968: Mexican American 100. Graduate student Gilbert Gonzalez taught Mexican American 111, a course on Mexican American history, and Professor Guzmán taught two upper-division classes.
“I was a first-year grad student in political science,” Muñoz recalls. “I had no teaching experience. I didn’t even know how the University worked. … We were very, very fortunate that there were progressive people in the administration. They were very helpful in generating support.”
In fact, the Chicano Studies movement at Cal State LA created a blueprint for collaboration—in an era when campus clashes were the primary tools of social and academic change.
Students worked with parents and with University leaders. Chicano and Black student groups supported one another. Both groups wanted a voice, a bigger presence on campus and a curriculum that reflected their culture and history.
Today, the Department of Chicana(o) and Latina(o) Studies offers more than 150 courses, taught by scholars from a wide range of disciplines. Its academic legacy is strong and its graduates have contributed immeasurably to the University, the region and beyond.
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The number of students majoring in Chicano Studies has grown by almost 40% over the past 18 months, said Department Chair Delgado Bernal at the anniversary celebration.
“Maybe that’s because of the political climate,” she surmised. “Students are looking to understand it, and to have the skills, knowledge and rhetoric to respond.”
Over the years, the department has opened new career paths for students, elevated the status of Chicano scholarship and empowered successive generations in ways that only understanding your culture and history can do.
Its success reflects the foresight of its founders and the University’s ongoing commitment to academic rigor, inclusion and equality.
“Our whole purpose was assisting our community, supporting the aspirations of students and asserting our right to be here,” Muñoz says of the department’s creation a half-century ago.
“We said let’s do something so our younger brothers and sisters won’t be victimized by racism, the way we were.”
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sidewalkstamps · 2 years
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C. Leonardt. Office Grocker St. Bet. 3. & 4. STS (Photo taken by Sara Velas on May 27, 2022 on Norwood St. between 21st and Washington Blvd.)
I believe this photo is from the OpenUCLA Collections - Los Angeles Times Photographic Collection, but my notes got a little mixed up this time so am not sure.
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Karl Heinrich was born in Luedenscherdt, Westphalia, Germany on March 27, 1855 and graduated with a degree in cement chemistry in Aachen, Germany. He married Anna Katharina Ballmann in Mannheim, Germany on September 20, 1883 (PCAD id: 3354). I am not sure when he anglicized his name to Carl. According to the Pacific Coast Architecture Database, Leonardt was 5′9.5″ with “blue eyes, black hair, and a light Caucasian complexion.” They apparently got this information from the California voter records of 1896. He became a naturalized U.S. citizen in 1890 in Los Angeles.
Before Los Angeles, he lived for a probably a couple years in Florida with his wife and then a year in San Antonio, Texas. They had three children: Amy Leonardt Powell (one source said her name was Emily), Clara Leonardt McGinnins, and Carl Adolph Leonardt.
He lived at 244 N. Breed Street in Los Angeles (Boyle Heights) from at least 1896 until 1900, according to voter records. I think this address is now part of the Breed Street Elementary School property.
The address in the stamp is near Los Angeles’s Little Tokyo.
He built many of Los Angeles’s notable buildings of his time, including the Los Angeles County Hall of Records #1 (demolished), L.A. County Courthouse, L.A. County Hall of Justice, Pacific Electric Building, Orpheum Theatre #3 (Downtown Los Angeles), Hotel Green (Pasadena), Hamburgers Building (last known as California Broadway Trade Center), and H. W. Hellman Building, plus the Ulysses S. Grant Hotel in San Diego. He also built “the sugar plants at Oxnard and Huntington Beach and many public and semipublic structures” (Los Angeles Herald article cited below). And, according to bridgehunter.com, Leonardt was the builder of the North Main Street Bridge concrete arch over the Los Angeles River on North Main Street in 1910.
In 1900, Leonardt was a director (and Vice President) of the Portland Cement Co. of Portland, Colorado, whose articles of incorporation were filed that year with the secretary of state. Already by this time, he was written up as having “had many years of practical experience in the manufacture and use of Portland cement, both in Europe and America” (Cement and Engineering News, Volumes 8-11, Cement and Engineering News, 1900).
In the same year, I see that he had something to do with the Pacific Technical Bureau for “‘Monier’ constructions,” but I can’t figure out what that means.
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He was part of the “Reception Committee” for St. Joseph’s Church’s dedication in May 1903. Unfortunately, the church burned down in 1983. He’s the center photo in the top row of this collage (created by Charles C. Pierce, USC’s digital library).
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Albert C. Martin, perhaps one of Los Angeles’s most impactful architects, first moved out to Los Angeles in 1904 because he had received an offer “from Carl Leonardt to be superintendent of construction for Carl Leonardt and Company,” which was at the time one of the biggest construction firms in the city. Martin worked in that position for about a year (Gonzalez, Antonio. Architects Who Built Southern California, p. 6, Arcadia Publishing, 2019).
In 1906, his partners in his business were Frank Joseph Capitain and Edward Leodore Mayberry Jr. (PCAD).
In the same year, he gave a review on the restoration possibilities and likely costs for buildings that were damaged by the great days-long fires after the 1906 San Francisco Earthquake. Interesting that they went all the way to L.A. for the ‘expert’ here and that Leonardt was that man (Steel and Iron, Volume 78, National Iron and Steel Publishing Company, 1906). I think this is basically an ‘advertorial’ for steel construction.
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In 1907, Leonardt won “the contract for the foundations of the new machine shops for the Santa Fe R.R.” and “for the erection of the roundhouse” in San Bernardino. I don’t think this is the current San Bernardino train station, which is quite beautiful but I believe was built significantly later. In the same year, he had the contract for a building in Phoenix, Arizona and a reinforced concrete depot, hotel, and roundhouse for the Atchison, Topeka & Santa Fe R.R. in Williams, Arizona (The Bridgemen’s Magazine, Volume 7, International Association of Bridge and Structural Iron Workers, 1907). The latter may be a part of the current Grand Canyon Railway system. Also during this year, Leonardt founded Southwestern Portland Cement, with corporate offices in Los Angeles but Division Headquarters in El Paso that covered plants in Odessa and Amarillo, Texas. They manufactured Portland cement from locally-quarried lime rock. He was president of Southwestern Portland Cement Company, at least as of 1918 (Los Angeles, California, City Directory, 1918, p. 1221). The company was acquired by Southdown, Inc. in 1971, long after Leonardt had died (El Paso Herald-Post, p. 48, July 5, 1976).
Around 1909, Leonardt was the principal in his own building contracting firm in Los Angeles. In this clipping from The Los Angeles Times on March 27, 1909, we learn of Leonardt’s connection to the Los Angeles City Market. And, this could perhaps be the context of the contractor stamp Sara found. Per the Chinese Historical Society of Southern California, “infighting amongst the shareholders and stall vendors led to the creation of two new markets in 1909; one was the City Market of Los Angeles on 9th Street and San Pedro, established by Mr. Louis Quan, while the other remained, in name, the Los Angeles Market Company, established on 6th Street and Alameda (the Southern Pacific railroad, wanting to run track through the 3rd and Central street location, exchanged this land for the lot on 6th street)” (Tara Finkle, “A History of the Los Angeles City Market, 1930-1950,” Gum Saan Journal, Vol. 32, No. 1, (2010), 24-38).
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As of 1910, Leonardt was also an officer of Union Portland Cement Co (incorporated in 1906 in Utah “to mine cement and operate railways, etc” with a factory at Devil’s Slide, Utah) [p. 3061, “Industrials: General Balance Sheet”], Rice Ranch Oil Co (incorporated in 1904 in California with 6 producing wells in Santa Barbara County) [p. 3404, “Mining and Oil Companies”], The Colorado Portland Cement Co. (incorporated in 1901 in Colorado “for the purpose of manufacturing and selling Portland cement, cement plaster, lime, clay and all operations necessary in connection therewith”) [p. 3497, “Addenda”], and Acme Portland Cement Co (incorporated in 1908 in Washington “to manufacture and sell cement”) [p. 2402, “Industrials”] {Moody’s Manual of Railroads and Corporations Securities, Moody Manual Company, 1910].
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In 1910, Leonardt’s only son died at 19 years old on West Adams Street “due to a blowout of a tire” that caused their automobile to “[turn] turtle into a ditch” (“Auto Overturns; Carl Leonardt’s Son Loses Life,” Los Angeles Herald, Volume 37, Number 314, 11 August 1910). He was home for the summer from Georgetown University. From this sad article, we also learn that Carl was a “millionaire contractor” who lived at “No. 2 Chester place,” which was in one of Los Angeles’s first gated communities. It was one of the most ‘hoity-toity’ neighborhoods - Edward and Estelle Doheny lived at 8 Chester Place as of 1901, but it became part of Mount St. Mary’s College starting with Leonardt’s #2 in 1962. He lived there until his wife died. For the remaining three years of his life, he lived with his daughter, Mrs. Frank Powell, at 687 S. Oxford Street. He had another daughter, Mrs. Felix McGinnis, in San Francisco, Ca.
As of 1913, Leonardt had become “one of the most famous contractors in the United States and one of the greatest constructors in the West.” I also like that the same article describes him as “rank[ing] among the most engrossed business men of [Los Angeles].” Around then he also “invested liberally” in oil development in California, “holding office and directorships in many of the more substantial oil companies” (”Los Angeles County Biographies: Carl Leonardt,” Press Reference Library, Western Edition. Notables of the West, Vol. 1, pg. 373, International News Service, 1913 transcribed by Marilyn R. Pankey on RootsWeb).
In the middle of that decade, Leonardt was involved in a lawsuit regarding the sugar warehouses he was operating and an insurance claim the insurance company felt they wouldn’t have had to pay if not for Leonardt’s wrongdoing. The courts sided with Leonardt but then with the insurance company on appeal (”Legal Decisions and Opinions: Storage Contracts--Actual or Implied,” Bulletin of the American Warehousemen’s Association, Volume 22, American Warehousemen’s Association, 1921). The publications describes this case as having “points of great importance to every warehouseman.”
I am not totally sure what’s going on here in 1915 but it seems like its probably illegal? (United States Federal Trade Commission. Report of the Federal Trade Commission on Price Bases Inquiry: The Basing-point Formula and Cement Prices, March, 1932. U.S. Government Printing Office, 1932.)
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1918 was also a busy year for Leonardt & Peck! They were the contractors for James Benton Van Nuys, who owned “Lot 3, Block 24, Ord’s Survey” on South Spring Street. They completed the concrete building on February 6. Plans were filed April 4 for “new fronts, terra cotta work, concrete and brick partitions, etc. in banking rooms at southwest corner of Sixth and Main streets” for Hellman Commercial Trust & Savings Bank. Leonardt & Peck also had “a contract at about $4000 for constructing partitions and finishing the store room in the Morris Plan Bank building on South Spring street;” Morgan, Walls & Morgan were the architects and the Weber Showcase & Fixture Company were to install plate glass store fronts. At that time, I believe Van Nuys also owned this building (PCAD id 17373). They “secured another fine contract from the American Can Company” to build a “hollow tile service building... and a two-story reinforced concrete machine shop ... at the company’s plant in Vernon.” They had previously been the “builders of the original plant ... and subsequently erected a big warehouse and other structures.” As you can see by everything else I’ve written in this post so far but also in the “Who’s Doing It?” section of Southwest Builder and Contractor, Leonardt & Peck were one of the busiest contractors in Southern California (Volume 51, F.W. Dodge Company, 1918).
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In 1919, there are a couple other potential origins of this particular contractor stamp Sara found! There are a couple options. One is that Leonardt wrecked a shed and a barn at 349 Crocker St., as listed in the October 31, 1919 issue on page 25. At this time, his office was in the H.W. Hellman Bldg, as part Leonardt & Peck, wreckers (which you may recall from earlier in this super long post that he built) (Southwest Builder and Contractor, Volume 54, Issues 14-26, 1919). This man has so many businesses! In November of that year, there’s another listing for 340-345 Crocker St., where Leonardt & Peck were to be ‘bldrs’ on brick stores.
In 1922, Leonardt & Peck appealed a case ruling in the Second Appellate District, Division one; Luella P. Jackson was the respondent. The case was regarding negligence in a “collision between automobile and concrete mixer.” Leonardt & Peck believed that a reasonable person would have noticed the mixer and that Jackson “in full daylight, ran into a corner of the hopper, which was attached to an arm of the mixer, thereby causing the hopper to break loose from its attachment and come down and rest on plaintiff’s machine .... failed to establish against defendant any negligent act authorizing a recovery.” I love that automobiles were routinely called ‘machines’ in the 1920s. The appellate court judge determined that “the negligence, if any there was, which produced the damage must be said to have been that of the drive of the automobile” (Reports of Cases Determined in the District Courts of Appeal of the State of California, Volume 57, Bancroft-Whitney Company, 1923).
In 1924, C Leonardt Improvement Company was incorporated as a “California stock corporation” with a “domestic state” of Nevada. It expired in 1971 (Bizapedia). They were part of a lawsuit in 1970 (Trade Cases, Commerce Clearing House, 1971).
In 1925, Leonardt built a ‘state-of-the-art’ cement plant in Ohio. It was designed by the company’s engineers based on ideas by Leonardt and a few others; it was also mostly built by their own company. In the same year, the Southwestern Portland Cement Co. “leased 2560 acres of gypsum deposits west of Alamogordo, N.M.” to build a gypsum plant (Rock Products: Devoted to the Production and Sale of Rock and Clay Products, Volume 28, Tradepress Publishing Corporation, 1925).
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He died at age 71 after an operation for “abdominal trouble” at the Good Samaritan Hospital, after living in Los Angeles for forty years, on February 14, 1927. He was buried at Calvary Cemetery (a Roman Catholic cemetery in East Los Angeles, established in 1896). By the time of his death, “his company [had] plants in Victorville, El Paso, Tex., and Dayton, O.” The “honorary pallbearers” included many notable men of the time, including E.L. Doheny, Irving H. Hellman, Secondo Guasti, W. G. Kerckhoff, Isadore B. Dockweiler, and many others (”Carl Leonardt Answers Call,” The Los Angeles Times, February 12, 1927, p. 29).
His estate filed an appeal with the U.S. Board of Tax Appeals in 1928 (Reports of the United States Board of Tax Appeals, Volume 13, p. 1424, U.S. Government Printing Office, Nov. 2, 1928).
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xeford2020 · 5 years
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Unpacking the History of Labels
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Crate Label, “Far West Brand Pears,” circa 1930 THF293059 As Project Curator for the William Davidson Foundation Initiative for Entrepreneurship, I research objects within The Henry Ford’s collections that tell entrepreneurial stories. Most recently, I delved into the Label Collection, which includes labels from alcoholic beverages, cigar boxes, medicines, various food related items, and miscellaneous products. This blog post highlights the West Coast fruit crate labels and canned food labels.
Label Lithography
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Can Label, “Defender Brand Tomatoes,” 1913-1918 THF293393 In the late 1800s, the preferred method of printing used to make image-centric labels like these was lithography. This process involved the transfer of an inked image from stone or metal plates to paper via a printing press. Skilled artists drew their images on flattened, smooth pieces of stone – traditionally limestone – to then be inked and transferred. Later, flexible, photosensitive metal plates were used on rotary and offset presses, making the lithographic process more efficient. The artists who worked in this medium were called lithographers. Some of the growers, as well as some of the packing and distribution companies, had their own lithography departments to produce labels. The majority, however, hired lithography companies to create their label designs. The introduction of color into the lithography process, known as chromolithography, transformed the advertising industry. Multi-colored lithographs involved several transfers of the same image from multiple stones, or plates, each with their own color ink in the desired layout. The more colors included in the image, the more transfers (and stones/plates) required to produce the desired result.
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Crate Label, “Atlas Brand Blackberries,” 1916-1930 THF113854  This label for Atlas Brand Blackberries is an example of single-color lithography and was produced through a single ink pass. The shading and variation seen in this image was created by the methods of stippling, linework, and applying different densities of the same color of ink to the page. The stippling method refers to the pattern of dots, which can be seen if you look closely at the fruit depicted on this label.
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Can Label, “Holly Brand Peaches,” circa 1916 THF293047 To enhance the attractiveness of a label some lithographers incorporated metallic pigments and dimensional, embossed areas into their designs. Metallic pigments created the shiny golden appearance that can be seen along the edges of this label for Holly Brand Yellow Cling Peaches. Fruit Crate Labels Before the 1860s, East and West Coast markets were essentially isolated. Because of differing climates, certain produce was only available to consumers living in the eastern United States during specific seasons while most produce in the West could be grown throughout the entire year. When the transcontinental railroad opened in 1869, eastern markets were opened to the West Coast produce industry for the first time. The railroad, along with the growing canning industry, allowed consumers to enjoy fruits and vegetables year-round – encouraging the establishment of more growers and packing companies in the West to meet the high demand. By the turn of the century and into the early twentieth-century, California fruit growers provided an abundance of fresh fruit to the national markets, transforming the American diet. With greater competition among growers and packing houses, the crate label became an important marketing tool. At the time, grocers were the link between customers and the products. Grocers obtained their goods from wholesale markets, choosing their products by price and intuition. The label had to stand out and appeal to the grocer who would then buy several crates of the product and sell it in his store. If the grocer heard that customers liked a certain brand over previous ones he’d supplied, he could make sure to purchase that particular brand again, using the crate label for identification. These fruit crate labels are often stunningly beautiful – more like mini-posters with broad color palettes, incredibly detailed images, and clever brand names. A common feature of label design was an image of where the fruits and vegetables were produced. Customers became enamored with the shining groves of oranges in the West and came to identify certain places with the best produce. Other labels feature popular motifs of the time and allow us to explore the trends in graphic design.
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Crate Label, “Orchard Brand Pears,” circa 1920 THF293065 California wasn’t the only state on the West Coast to produce delicious fruit. Washington was known for its many varieties of apples as well as other fruits, including pears.
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Crate Label, “Bocce Brand Zinfandel Grapes,” circa 1940 THF293043 
C. Mondavi & Sons’ “Bocce” label played up the family’s Italian roots, aligning its product with the quality grapes grown in Italian vineyards. This successful business was established by Cesare Mondavi, a Minnesota grocer and saloon owner who often traveled to California to select and ship grapes back home to make his own wine. After becoming enamored with the California climate, which reminded him of Italy, he moved his family to Lodi in 1923 to open a business growing and shipping grapes. His success allowed him to purchase a winery in 1946, which is still thriving today as C. K. Mondavi and Family.
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Crate Label, “Santa Rosa Brand Ventura County Lemons,” copyright 1927 THF293109 This label features the sprawling lemon groves in Oxnard, California. It also features the “Sunkist” logo, which became a popular brand known for its high-quality oranges and lemons.
Canned Food Labels The process of canning food has been around since the early 19th century, with products used as wartime provisions for French and British armies. Tin cans allowed food producers to safely transport their goods without fear of them breaking – as was common with glass jars and bottles – making cans a more economical container for foodstuffs. While canned foods were introduced to America by the 1820s, the demand for these products came four decades later during the American Civil War. Unlike glass jars or bottles, which allowed consumers to view the product inside, cans required identification. At first, labels were simply a tool to inform the customers of the product they were buying, who produced it, and where it was produced. As railroad networks expanded in the late 1800s and competition increased, more elaborate labels were created to appeal to customers in new markets across the country. The label became even more important after World War I when customers began selecting products for themselves in self-service grocery stores.
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Can Label, “Butterfly Brand Golden Pumpkin,” 1880-1895 THF113859
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Can Label, “Butterfly Brand Golden Wax Stringless Beans,” circa 1885 THF113860 Using the same design for several different products became a strategy for helping customers find the brand with which they were familiar. Olney and Floyd’s Butterfly Brand products were easy to identify with their colorful, eye-catching labels and signature butterfly.
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Can Label, “Bare Foot Boy Brand Tomatoes,” circa 1910 THF293079 Characters were a common feature in product advertising. The goal was to create an emotional or personal connection between the product and the customer – a practice that is still seen in marketing strategies today.
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Can Label, “Lynx Brand Puget Sound Salmon,” 1880-1900 THF109742 As canned goods made their way across the country, certain states became known for specific products. Washington, for instance, was known for its salmon industry and canned salmon was shipped from the Pacific Northwest all across the United States. This beautiful label was created by the Schmidt Lithograph Company – one of the most well-known companies in the lithography industry.
If you enjoyed this small sample of labels, visit our Digital Collections to see other fruit crate labels and  canned food labels in our collection.
Samantha Johnson is Project Curator for the William Davidson Foundation Initiative for Entrepreneurship at The Henry Ford.
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The Militant's Epic Militant CicLAvia Tour XXI!!
Interactive map! Click and drag to navigate. To view larger version, click here.
The 21st iteration of CicLAvia (and the second one of 2017) brings us the first all-new alignment since the Southeast Cities route from May, 2016. Which means...it's time for another Militant Angeleno Epic CicLAvia Tour guide!
[cue fanfare music]
This time around, we're on the second route not served by Metro Rail (though it is Metrolink-accessible), and visit the Los Angeles community of Atwater Village and the Jewel City of Glendale. Even though this route is a mini-CicLAvia route of just a little over three miles, there's tons of historical and notable points of interest along this route, and in fact, The Militant had to pare down the list just so he doesn't stay up until 5 a.m. like he usually does when he does these posts (ya, really)! So, without any delay...let's get it started!
1. Glendale-Hyperion Viaduct 1928 Hyperion Avenue, Silver Lake/Atwater Village
This 400 foot-long concrete arch bridge links the community of Silver Lake in the south with Atwater Village in the north, traversing the Los Angeles River below. Designed by Merrill Butler, who also designed another iconic Los Angeles River bridge downstream, the Sixth Street Viaduct (R.I.P.), the bridge replaced an old 1910 wooden crossing that was severely damaged during a 1927 flood. The current bridge was built later that year and opened in September 1928, which was also dedicated to World War I veterans and honorarily dubbed "Victory Memorial." In 1988, the bridge appeared in the movie, Who Framed Roger Rabbit? (and thus a smaller replica of the bridge was later built at Disney's California Adventure theme park in Anaheim, paying homage to the original Walt Disney Studios' neighborhood (located where the Gelson's supermarket stands today)). Recently, the bridge was Ground Zero in a 2013-2015 controversy over whether the eventual renovation of the bridge should be designed in a more bicycle/pedestrian-friendly manner vs. a more automobile-centric design.
The Militant visited this bridge in July of 2007 in a very early MA blog post.
2. Pacific Electric Bridge Abutments and Red Car Mural 1929 (dismantled 1955); 2004 Los Angeles River at Glendale Blvd, Atwater Village
If you follow The Militant, you should know by now that his legendary epic Pacific Electric Archaeology Map from 2015 features a set of seven concrete bridge abutments across the Los Angeles River as one of the remnant traces of Red Car infrastructure. A bridge once rested on these abutments from 1929 to 1955 that carried the beloved trolleys between Downtown Los Angeles to Burbank.  In 2004, local Atwater Village muralist Rafael Escamilla painted a mural on one of the abutments, which faces Red Car River Park, which was part of the old trolley's right-of-way. The line continued up Glendale Blvd and on to Brand Blvd in Glendale, before veering west on Glenoaks Blvd to Burbank.
3. Black Eyed Peas Recording Studio Opened 1996 3101 Glendale Blvd, Atwater Village
This nondescript brown two-story building on the corner of Glendale Blvd and Glenfeliz Ave features a recording studio (on the 2nd floor) owned by Los Angeles hip-hop/pop group Black Eyed Peas. Their first few albums were recorded here, including this '90s-era jam. Though the group uses more high-end recording facilities around the world, and will.i.am now has his own home studio in his Los Feliz residence, the facility is still used by members of the band and their extended musical family.
4. G-Son Studios/Beastie Boys Recording Studio Opened 1991 3208 1/2 Glendale Blvd, Atwater Village
The Peas aren't the only hip-hop influence on da AWV.  Groundbreaking NY rap trio the Beastie Boys transplanted themselves to this part of Los Angeles during the 1990s (influenced by their producer and musical collaborator, the Los Angeles-raised Mario Caldato, Jr.) and recorded the albums, Check Your Head, Ill Communication and Hello Nasty here in this loft space, known as G-Son Studios,  located above today's State Farm insurance office. The facility was also the headquarters of the Beasties' record label and magazine, Grand Royal. The studio was sold in 2006.
Oh yeah, R.I.P. MCA.
5. Atwater Village Redwood Tree 1964 Glendale Blvd median at Larga Ave., Atwater Village
You don't have to travel 203 miles to a national park in the Sierra Nevadas to see a redwood tree -- you can see one right here in Atwater Village during CicLAvia! This lone redwood was planted in the Glendale Blvd median by community members in 1964 and today stands at nearly 90 feet tall. Each December, the redwood is lighted by the Atwater Village Chamber of Commerce as a Christmas tree and the lighting ceremony has been an annual holiday community event for over 20 years.
6. Seeley's Furniture Building 1925/1946 1800 S. Brand Blvd, Glendale
Built in 1925 as a Spanish Baroque bank building by local architect Alfred Priest, the George Seeley Furniture Company took over the building in 1931,  expanded it in 1939, and in 1946 got the Streamline Moderne make-over that remains today. The furniture store with the iconic large red neon sign was in operation until 1994, when the company closed for good. The building underwent an $8 million restoration and re-opened in 2012 as a collection of leased offices and artists' studios now known as Seeley Studios.
7. Forest Lawn Memorial Park Glendale 1906 1712 S. Glendale Ave, Glendale
Past the world's largest wrought iron gates at the entrance is the original location of the Southern California cemetery chain and the final resting place of over 250,000 people, including the likes of Elizabeth Taylor, Walt Disney (no, he was not frozen), Michael Jackson and someone you know. Forest Lawn was founded in 1906 by businessman Hubert Eaton, who wanted to re-invent the cemetery by doing away with large tombstones and emphasizing landscaping and art. He also innovated the industry with an on-site mortuary. The large white building at the top of the hill with the cross on top of it (changed to a star during the Christmas holiday season) houses a free museum with rotating exhibitions, as well as the world's largest framed canvas painting, the 195-foot long The Crucifixion, completed in 1896 by Polish artist Jan Styka, who brought it to the U.S. to be displayed at the St. Louis 1904 World's Fair. Too large to be transported back to Poland, it remained in the U.S. and was lost for years until Eaton bought it in 1944 and constructed the building to display it. The Militant once rode his bike here to pay his respects to a departed operative, but was told by security that bikes weren't allowed. He asked the security where in the Forest Lawn's policies were bikes not allowed (it does not appear in any signs in the park) and the security staff couldn't find it. So there.
8. Glendale Train Station 1924 400 W. Cerritos Ave, Glendale
Originally known as the Tropico depot (more on this later), this Spanish Colonial Revival station, designed by MacDonald & Cuchot and opened in 1924, was built by the Southern Pacific Railroad, eventually serving Bay Area-bound trains such as the Daylight and the Lark. Amtrak took over train service in 1971. In 1982-1983, the Glendale station was a stop for the short-lived proto-commuter rail experiment known as CalTrain which ran from Los Angeles to Oxnard for all but 6 months. In 1989, the City of Glendale purchased the station from the Southern Pacific and in 1992, the station found real commuter service in the form of Metrolink, which serves Ventura County and the Antelope Valley. The station was renovated in 1999 and expanded to a multi-modal transportation center.
9. Tropico  1887 Glendale south of Chevy Chase Drive
The southwestern section of Glendale was once an independent town named Tropico. With fertile soil formed by the floodplains of the nearby Los Angeles River, the area was famous for its strawberry farms. It also grew a business district centered at San Fernando Road and Central Avenue (pictured left), and Forest Lawn Memorial Park was born as part of Tropico in 1906. The town became incorporated in 1911, but in 1917 its residents voted to be annexed to Glendale. Not much remains of any reference of Tropico, except for the Tropico Motel (401 W. Chevy Chase Dr) and the Tropico U.S. Post Office (120 E. Chevy Chase Dr).
10. Dinah's Fried Chicken 1967 4106 San Fernando Rd, Glendale
Just a couple blocks west of the CicLAvia route is Glendale's iconic Dinah's Fried Chicken, serving its popular boxes of fried chicken and gizzards since 1967. Established by a group of golfers, the Dinah's soft-of-chain operated a handful of restaurants around Southern California that were independently owned and operated but shared common recipes and branding (the Dinah's Family Restaurant in Culver City is the other remaining establishment). The 2006 motion picture, Little Miss Sunshine made Dinah's world-famous as their brightly-colored fried chicken buckets were featured in the film.
11. Chevy Chase Drive c. 1920s Chevy Chase Drive, Glendale
When The Militant was much younger (known as Lil'Mil), he used to wonder, when the family car drove through Glendale, why that guy from Saturday Night Live had a street named after him. It turns out the street was not named after the comedian born Cornelius Chase of Fletch and Clark Griswold fame (the name was apparently a nickname given to him by his grandmother), but after Scottish folklore, namely a story entitled The Ballad of Chevy Chase. The story refers to an apocryphal battle (the "chase") in the Cheviot Hills (no, not that Cheviot Hills) of Scotland (a.k.a. "Chevy") that thwarted off an invasion of the country. Why the Scottish reference? The Jewel City was developed in the 1880s by Leslie Coombs "L.C." Brand, a Scottish American businessman and real estate dude, whose name adorns the city's main street. And also, if it's noot Scottish, it's crap!
12. Riverdale Roundabout 2008 Riverdale Dr and Columbus Ave, Glendale
Since the last CicLAvia (Culver City meets Venice) in March featured a traffic circle, it's only fitting that you visit Glendale's only traffic circle, where Riverdale Drive intersects with Columbus Avenue, just a few short blocks west of the CicLAvia route. In 2008, Riverdale became Glendale's bike-friendly guinea pig, with the street re-configured with bike lanes to form an east-west corridor linking various parks within Glendale. So yes, you can visit this traffic circle via Glendale's existing bike infrastructure.
13. St. Mary's Armenian Apostolic Church  1926/1975 500 S. Central Ave, Glendale
Los Angeles might have Little Armenia, but Glendale has Big Armenia, with a population of 40% of all Glendalians being of Armenian descent.  Though Glendale has had an Armenian community dating back to the 1920s, the majority of them arrived in the late 1970s, when the diasporic Armenian community in Lebanon fled that country during its civil war, and when Armenians in Iran likewise left when the Shah fell from power and the current Islamic fundamentalist regime took over.  They settled in Glendale as it was close to the existing Armenian community in East Hollywood (now Little Armenia), yet more affordable to live.  In the 1990s, another wave of Armenians arrived in Glendale, this time from the former Soviet republic of Armenia, after the dissolution of the USSR. The community established its first house of worship in a small building on Carlton Drive in 1975, and in 1988, the growing congregation took over the 1926 Colonial-style former First Church of Christ Scientist on Central Avenue. Although the St. Mary's wanted to build a dome on the structure in the 1990s to match the traditional church architecture of the motherland, the building's historic preservation status prevented them from doing it.
14. Glendale Galleria 1976 100 W. Broadway, Glendale
Built as a means to invigorate the Glendale economy and to fill a regional void for The Broadway department store between Panorama City and Pasadena (the local chain was one of the mall's development partners and the anchor tenant), the Glendale Galleria opened on October 14, 1976. And while its sister shopping center in Sherman Oaks laid claim as the, like, total epicenter of 1980s Valley Girl culture, the more alliterate Glendale Galleria went on to become the fourth largest shopping mall in Southern California and the first location for chains such as Panda Express, The Disney Store and The Apple Store. Designed by architect Jon Jerde, its layout and style became an archetype for indoor shopping malls across the country during the 1970s and 1980s.  The mall was expanded with a new eastern wing across Central Ave in 1983 and underwent a 21st century facelift in 2012 in the wake of the opening of its next-door neighbor, The Americana at Brand.
The Militant may or many not have had his first date at this mall. In November 1992, during his first visit to California after winning the presidential election, then-president-elect Bill Clinton did some Holiday shopping at the Galleria with a crowd of over 30,000 to greet him (The Militant may or may not have been there, and may or may not have caught a glimpse of him in his limo as he left).
15.  Max's Of Manila Restaurant/Cattleman's Ranch 1980 313 W. Broadway, Glendale
In addition to a large Armenian community, Glendale is also home to a notable Filipino immigrant population. This rustic-looking building is the first American location (opened 1980) of a major Philippine restaurant chain, specializing in Filipino-style fried chicken (sounds like a culinary theme for this CicLAvia...). If this building looks familiar, the facade is used as the setting for Louis Huang's Orlando restaurant Cattleman's Ranch in the hit ABC TV series, Fresh Off The Boat.
16. Security Trust and Savings Bank/Site of Glendale Pacific Electric Depot 1923 100 N. Brand Blvd, Glendale
The first "high-rise" (as in over two stories) building in Glendale was this Classical style six-story building on the northeast corner of Brand Blvd and Broadway, designed by Alfred Priest (who also designed the Seeley's Furniture building down the street). This was the home of the Security Trust and Savings Bank, which was a popular local bank chain in Southern California at the time. The bank took over the former First National Bank of Glendale (founded by L.C. Brand) in 1921 and eventually became Security Pacific Bank, and is now part of the Bank of America borg. Before the bank building was built, this was the site of the Glendale Pacific Electric depot, built in 1906 to serve the electric railway line that ran up and down Brand Boulevard. L.C. Brand sought the help of his friend and fellow real estate guy Henry Huntington to build his electric trolley line through Glendale to help sell property tracts and to spur development. The rest is history. You can say the place has Brand's brand all over it.  This building  has a historical marker placed by the city recognizing the bank building's history and the PE station that stood here prior to it.
17.  The Alex Theatre 1925 216 N. Brand Blvd, Glendale
Designed by the architectural firm of Meyer & Holler (who also designed Grauman's Chinese and Egyptian theatres in Hollywood), The Alexander Theatre (named after Alexander Langley, of the Langley family that operated theatres around Southern California at the time) opened in 1925 as a venue for vaudeville entertainment, silent movies and staged plays. In 1939 the iconic facade and spire was built, designed by Lindley & Selkirk. The theatre also features a Wurlizer pipe organ, which was played by a live organist, which was the typical soundtrack for silent movies. The design of The Alex made it a popular location for world premieres of motion pictures, and from the 1940s to the 1980s, it existed as Glendale's premier movie palace. It was renovated in 1993 and is now owned by the City of Glendale for arts programming (The Los Angeles Chamber Orchestra makes its seasonal home here) and special events.
18.  Porto's Bakery 1982 315 N. Brand Blvd, Glendale Three things are absolutely guaranteed at Sunday's CicLAvia: 1) Sunny skies; 2) Smiling faces; and 3) A seriously long-ass line in front of Porto's. The legendary bakery was founded by the Porto family, who fled Fidel Castro's Cuba in the 1960s. The original location was actually in Silver Lake, on Sunset Boulevard and Silver Lake Drive (Los Angeles' Cuban community was once concentrated in the Echo Park-Silver Lake vicinity). In 1982, the family moved the bakery to Glendale where they actually did it and became legends. After over 45 years in business, Porto's sells 1.5 million cheese rolls and about 600,000 potato balls each month, and a little Yelp hype last year didn't hurt either. Porto's now boasts locations in Burbank, Downey, Buena Park and soon in West Covfeve Covina. Soon, places outside of Southern California will be clamoring to have a Porto's in their town, and numerous Porto's imitators will open up, each with lookalike beige, brown and yellow boxes, boasting that they're better than the original. It's good that this CicLAvia route is only three miles, so you can enjoy the route in its entirety while spending most of your day in the Porto's line.
19. Glendale Federal Savings Building 1959 401 N. Brand Blvd, Glendale
All you Mid-Century Modern fetishists, prepare to have an archigasm at CicLAvia! This quirky 10-story building, originally the home of Glendale Federal Savings, was designed by Peruvian-born architect W.A. Sarmiento, who made some bank out of drawing up bank buildings. But this was his most well-known structure, recognized by the Los Angeles Conservancy, which features an external elevator bank. Glendale Federal merged with California Federal in 1998, and today it's part of Citi Bank. The building is now home to the Hollywood Production Center (despite not actually being in Hollywood).
20. Vierendeel Truss Bridges  1937-1938 Verdugo Wash at Geneva Street, Glendale Verdugo Wash at Glenoaks Blvd, Glendale Verdugo Wash at Kenilworth Ave, Glendale
We began our Epic CicLAvia Tour with a bridge, so it's appropo that we end it with a bridge. Verdugo Wash, a 9 1/2-mile tributary of the Los Angeles River, runs south from La Crescenta paralleling the 2 Freeway, and west paralleling the 134 Freeway, where it flows in to the river near the Los Angeles Zoo area. As a part of President Franklin Roosevelt's Works Progress Administration program, the War Department's U.S. Engineers (the predecessor of the U.S. Army Corps of Engineers) built a series of eight steel bridges (using local steel manufactured by Consolidated Steel Corp. of Los Angeles) traversing Verdugo Wash, all in the Vierendeel Truss design, which was invented in 1896 by Belgian engineer Arthur Vierendeel. Unlike standard truss bridges, there are no diagonal members. Glendale is the home of the only Vierendeel Truss Bridges in the United States, the first of which was built at the Verdugo Wash's Central Avenue crossing. Brand Boulevard had a twin bridge, which had a separate girder bridge for the Pacific Electric in the middle. In the mid-1980s, all but three of the bridges (at Geneva Street, Glenoaks Avenue and Kenilworth Avenue) were torn down by the City of Glendale and replaced with boring concrete bridges (You can say that Glendale had some truss issues). Today you can admire the last remaining Vierendeel Truss bridges in America.
The Militant wants to raise a fist and give massive props to the Tropico Station Glendale blog, which provided an additional source of research info for this post! Happy CicLAvia on Sunday, and see you or not see you on the streets!
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Source: http://militantangeleno.blogspot.com/2017/06/the-militants-epic-militant-ciclavia.html
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Two Voices From MPLS: Medic and Abolitionist
Two Voices From MPLS: Medic and Abolitionist
On this episode, we’re featuring two voices from Minneapolis, the epicenter of mass demonstrations and uprising following the police murder of #GeorgeFloyd.
First up, you’ll hear from Jacquie, a professional medic living in Minneapolis. Jacquie talks about the impacts of corona virus on Black and Brown communities around the city, some of what she saw in the early days of the protests and the feelings expressed to her about the killing of George Floyd and the problem of police in our racist society. You can find a project of theirs on instagram by seeking @femmeempowermentproject.
Then, Tonja Honsey, executive director of the Minnsesota Freedom Fund, talks about bail and prison abolition, infrastructure to get folks out of jail and supporting the people in the streets. They’re online at MinneapolisFreedomFund.Org
Both interviewees shout out Black Visions Collective and Reclaim The Block, two police abolition projects in Minneapolis, and the Northstar Health Collective. Check our show notes for links to those projects, as well as bail funds for cities where solidarity protests have been met with police repression.
Announcements
Jalil Muntaqim
There is an effort right now to get compassionate release for Jalil Muntaqim, former Black Panther and member of the Black Liberation Army. Jalil has been held by New York state since 1971 and he recently has tested positive for the Corona Virus. His attempts at parole over the years have been stymied by police and racists pressuring and stacking the parole board for Jalil’s involvement in the death of two cops 5 decades ago. This has happened 12 times since 2002 when he became eligible. More info about his case at his support site, freejalil.com and check out this SFBayView article for how you can help push for his release.
Breaking the 4th Wall
Hey, y’all. First off, I just want to say how impressed I am at the power that people are drawing up from within in order to battle the police all over the country. Seeing videos and hearing stories from Minneapolis, Atlanta, Oakland, New York City, Omaha, Denver, St. Louis, Tucson, Los Angeles and elsewhere, plus the solidarity rallies and support coming out here and abroad is so heartwarming. This week, you’ll know, police in Minneapolis murdered George Floyd, an African American man and people were there to video tape it. Since then, people took the streets, were met with tear gas and rubber bullets, some held vigils while others held the streets and set fire to a corner of that world that holds them hostage, including a police precinct. The cops present at Floyd’s murder were fired, and finally the officer who murdered has been arrested. Mr. Last week, police murdered a Black Trans Man named Tony McDade in Tallahassee. Over the prior month and a half, that same force murdered two other African American men, Wilbon Woodard and Zackri Jones. On March 13th, Louisville police murdered Breonna Taylor, a medical First Responder, during a home raid. At a protest on May 28th for Breonna’s legacy, 7 people were shot by unknown parties. Video of the murder by a white, retired cop and his son in Glynn County, Georgia, of yet another African American man, Ahmaud Arbery, was released a few weeks back sparking protests and the eventual arrest of the killers. The police sat on that video since Mr. Arbery’s killing in February, allowing the killers to walk free.
Please stay safe out there, y’all. Already, some folks have died at these protests, riots and uprisings against the status quo. Wear masks to protect from covid but also to obscure your identity. Drink lots of water, get good sleep if you can, take care of each other and support each other in these hard times. You can keep up on ongoing struggle via ItsGoingDown.org’s site and social media presence, and you can watch amazing videos from Minneapolis via Unicorn Riot.
Housing Liberation in Minneapolis
"At 8:00pm on Friday, blocks from the epicenter of the uprising, we watched from a tent as armored vehicles and hundreds of national guard advanced on Hiawatha. The curfew was in effect and the state offered no options for a couple camped outside. The hotels promised to the large encampment across the highway left them and many other behind. The shelters were full. This couple finally found refuge in a largely vacant hotel a mile away. The next morning, they awoke to the burned remains of Chicago and Lake and learned that the hotel owners planned to evacuate. With nowhere else to go but with a community showing up to support, the couple declined to evacuate.
Together we invited displaced and unsheltered neighbors to join us. Overnight people came in with harrowing stories of terror from police and other white supremacists. National guard shot rubber bullets at us while we stood guard against that violence. At the time of this writing nearly 200 people have created sanctuary in the memory of former shelter worker George Floyd. We avenge Floyd's death in the flames of the third precinct and honor his life in the reclamation of hoarded property.
We have protected this building by occupying it. There is no going back to how things were - this isn't a Sheraton anymore, it is a sanctuary."
. ... . ..
playlist pending
. ... . ..
Bail & Anti-Repression Funds Across The U.S.
(taken from Evan Greer's tweeted link, accessed at 4pm eastern, May 31. Likely updated, and includes lawyer info)
National Bail Networks
http://nationalbailout.org/
https://www.communityjusticeexchange.org/nbfn-directory
https://bailproject.org/
By City / State:
Atlanta - https://actionnetwork.org/groups/atlanta-solidarity-fund
http://atlsolidarity.org/
Austin - https://reparation.atlas.thrinacia.com/campaign/24/400-1-bail-fund
Baltimore https://www.baltimoreactionlegal.org/community-bail-fund
Bay Area (San Fran, Oakland, San Jose, Vallejo, Santa Rosa, Santa Cruz) https://rally.org/ARCbailfund
Brooklyn - https://brooklynbailfund.org/donation-form
Boston - https://www.massbailfund.org/
Buffalo NY https://fundrazr.com/11fcAd
Charleston South Carolina https://www.gofundme.com/f/charleston-sc-protestor-bail-fund
Charlotte - Cash App: $WereStillHere Venmo: ResistanceisBeautiful Call: (980) 224-2097 bail support
PAYPAL = [email protected] CashApp = NcFreedomfund
Chattanooga http://www.calebcha.org/donate.html
Chicago - https://chicagobond.org/donate/
Cincinnati Ohio https://www.givelify.com/givenow/1.0/NTU5MjE=/selection
Cleveland - BLM Cleveland https://www.paypal.me/blmcle
Colorado - https://fundly.com/coloradofreedom
Columbia, South Carolina: Cashapp/Venmo: sodacitybail | 803-602-4589
Columbus - https://www.paypal.me/columbusfreedomfund
Connecticut http://www.ctbailfund.org/donate
Dallas- https://faithintx.org/bailfund/ https://svpdallas.z2systems.com/np/clients/svpdallas/donation.jsp
Denver - https://fundly.com/coloradofreedom
Detroit - https://www.detroitjustice.org/the-bail-project
Fargo & Morehead North Dakota https://www.paypal.com/pools/c/8oLGbaaeqf
Florida: https://www.floridajc.org/bail
https://www.lgbtqfund.org/donate-1 ← focus on LGBTQ individuals
https://hrcalachua.com/bail-fund-program/ 
Grand Rapids / Western Michigan https://secure.actblue.com/donate/kentcountyibond
Harrisburg, PA https://dauphincountybailfund.org/donate
Houston - https://www.paypal.me/blmhou https://www.restoringjustice.org/bail
Indianapolis - https://bailproject.org/
Kansas City - https://actionnetwork.org/fundraising/it-aint-over-legal-fund
Las Vegas - https://secure.actblue.com/donate/vegasfreedomfund
Los Angeles (inc. Oxnard, San Clemente, Santa Ana, Long Beach): https://www.gofundme.com/f/peoples-city-council-ticket-fund ← bail, supplies, transport overall fund
Louisville - https://actionnetwork.org/fundraising/louisville-community-bail-fund/
Madison, WI https://freethe350bailfund.wordpress.com/ Venmo: @Liam-Manjon | Cashapp: $FreeThe350BailFund | Paypal: [email protected]
Mass - https://www.massbailfund.org/
https://www.gofundme.com/f/fangbailfund
Memphis - https://justcity.org/what-we-do/mcbfund/
https://midsouthpeace.org/get-involved/donate-to-support-the-black-lives-matter-community-bail-fund/
Miami - https://www.paypal.me/freethemall
Michigan https://michigansolidaritybailfund.com 
Milwaukee - https://fundrazr.com/mkefreedomfund
Minneapolis https://minnesotafreedomfund.org/  ← asking for help in other areas. Click thru for links/direction
Minnesota - https://minnesotafreedomfund.org/
Nashville - call 615-495-5450
https://nashvillebailfund.org/
Nebraska  - https://www.paypal.me/neleftcoalition 
New Orleans - https://donorbox.org/safety-freedom-fund
New York- https://www.libertyfund.nyc/
https://emergencyreleasefund.com/ ← focused on trans humans
North Carolina PAYPAL = [email protected] CashApp = $NcFreedomfund
Oakland https://rally.org/ARCbailfund
http://www.antipoliceterrorproject.org/donate
Ohio - Canton/Akron https://www.paypal.com/pools/c/8pz5hovrmY
Orlando Florida https://communitybailfund.org/
Philly - https://www.phillybailout.com/donate.html
Phoenix https://secure.everyaction.com/lFZFGA1BpUa9kyYYgSxSKw2
 https://secure.actblue.com/donate/tsccbf
Pittsburgh - https://www.gofundme.com/f/aftercare-for https://www.bukitbailfund.org/donate
Portland - https://www.gofundme.com/f/pdx-protest-bail-fund
Raleigh/ Chapel Hill - https://www.takeactionch.com/donations
PAYPAL = [email protected] CashApp = $NcFreedomfund
Richmond - https://rvabailfund.org/donate
Rhode Island https://www.gofundme.com/f/fangbailfund
Roanoke -https://chuffed.org/project/rjs-bail-fund
Rockford IL (and Winnebago County) https://www.wincoilbondproject.org/donate
Salt Lake City, Utah https://www.gofundme.com/f/c2mvvn-support-protesters-arrested-by-slcpd
San Diego (inc La Mesa)  https://www.gofundme.com/f/help-us-raise-funds-to-support-our-community
San Jose https://siliconvalleydsa.org/donations/
https://rally.org/ARCbailfund
Seattle - https://donorbox.org/ncbf
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Moorpark is a city in Ventura County in Southern California. Moorpark was founded in 1900 when the application for the Moorpark Post Office was approved and Inocencio C. Villegas was named Moorpark's first postmaster on August 8 of that year. The townsite of Moorpark was owned and surveyed by Robert W. Poindexter and his wife, Madeline.
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The History of the Sebewaing, Michigan Sugar Factory
One of the men destined to join the ranks of Michigan’s pioneer sugar barons was John C. Liken. He was nearly 70 years old when the idea struck him and already rich beyond the dreams he probably had when he carved barrel staves for a living as an indigent immigrant in New York more than fifty years earlier. By 1900, he operated a big business in a small town that referred to him as the town father because his enterprise created the jobs that brought people to the town.
His annual sales during the years preceding 1900, in modern terms, equated to about $7.5 million. In a combination of enterprises that employed two hundred people, he operated four saw mills primarily engaged in manufacturing barrel staves, many of which he shipped to Germany, two flour mills, a major retail outlet for hardware, dry goods, groceries, and drugs which in 1884 employed nine clerks.
Liken’s enterprises were headquartered in a small town in Michigan’s “thumb”. The town was Sebewaing, a small collection of rustic homes nestled on the east shore of the Saginaw Bay some twenty-five miles northeast of Bay City. Its residents were day laborers who worked at one of Liken’s establishments or on one of the surrounding farms, or fished in the great Saginaw Bay that lapped the shores within walking distance of the town.
Sebewaing borrowed its name from the Chippewa word for crooked creek and some of its wealth from the abundant fishing in the bay. Not long before the 19th century came to a close, nearby forests fell to swift axes, making room for German settlers who quickly set about the twin tasks of removing stumps and planting crops.
Liken, a native of Lower Saxony in northwestern Germany met Wallburga Kunkle, the woman who would become his wife, in Binghamton, New York. She was a native of Bavaria and bore the name of a canonized nun who traveled to Germany from England in 748 to perform good works. St. Wallburga became the patron saint of plagues, famines and a host of other discomforts, including dog bites. John Liken had arrived in Binghamton after working for his passage aboard a sailing vessel.
After the birth of their fourth child, Emma, in 1864, who joined her siblings, Mary, born in 1856, Hannah born in 1858, and Charles, born in 1859, John and Walburga moved the family to Sebewaing, a Lutheran settlement that was attracting fishermen, farmers and timber men. The town’s population upon his arrival in 1865 was insufficient to proclaim it a village, but with the arrival of John Liken, that was about to change. He established a sawmill where he made barrel staves. Later, he would develop retail outlets, a creamery, granaries, and ships, incorporating in one person a source for all the goods and services required by the local farming community. The cream and crops, he placed on boats and shipped some thirty miles along the Saginaw Bay shoreline to Bay City, a bustling and growing city where the daily demand for groceries grew apace with its burgeoning population. In was in this connection, shipping, that he became acquainted with ship owner Captain Benjamin Boutell and it was through Captain Boutell that he would learn about sugar opportunities.
The hamlet grew into a village and the town folk began to think of Liken as the town father. Having brought two daughters and a son into the community, who like their father were all of good form, good health, and good cheer, it wasn’t unexpected that the Likens began to add substantially to the population. Mary took for a husband, Richard Martini and a few years later, Hannah allowed a youthful Christian Bach to turn her head (In later times, Christian adopted his middle name, Fred as his given name of preference. He appears in the Michigan sugar chronicles authored by Daniel Gutleben as C.F. Bach.) Charles and his wife, Elizabeth settled into the community to take up management of his father’s affairs.
John Liken had departed his Oldenburg home at the age of eighteen after completing a four-year apprenticeship in the cooperage trade. He would have known of sugar beets because of that experience and certainly would have been aware that men from his homeland had been enjoying some success with them in Michigan’s Bay County where three factories were then in operation and one more was underway and yet another was under construction in Saginaw.
Altogether, a total of eleven beet factories would soon pour sugar and profits into Michigan towns if one believed the hoopla created by railroads and others who would profit from the construction of factories. The excitement that had been stirring farmers and investors across the state seeped into Sebewaing. Liken saw no need to drum up support by the usual methods, holding town meetings, enlisting editors of local newspapers, hiring bands and front men to call upon the farmers. He was convinced of the need for a beet sugar factory and since a good portion of the local wealth resided in his coffers, he saw no need to persuade others to take up the cause. The Likens possessed sufficient resources to build a factory.
He formed an ad hock committee consisting of his son Charles, Richard Henry Martini, the husband of his daughter Hannah, and daughter Mary’s husband, Christian Fred Bach. All three had held important positions in Liken’s enterprises for many years and all were in their late 30’s, thus steeped in experience. In addition, the three resided next to one another on Center Street in Sebewaing, with Martini at Number 69, Charles next door at 68, and Bach at Number 67, thus the trio could convene at leisure and without formality. Should he and his committee approve the idea, the plan would go forward without the usual sale of stock to community members. It did not require a great amount of research on the part of the committee. They had plenty of arable land at their disposal. The Liken family controlled one thousand acres on their own account that combined with others, eliminated a need for a rail line to convey beets to a factory situated on Lake Huron’s shore. They had the financial capacity.
John C. had been generous. Each of his daughters and his son enjoyed full-time servants in their homes and each was well enough off to invest in the new sugar company on their own account and each had demonstrated managerial ability over a long period of time. They had every attribute needed for success in the new industry save one…experience in sugarbeets. News of the activity in Liken’s headquarters leaked into the community at large and inspired some farmers to plant beets, although a completed factory was nearly two years in the future. Those beets, when ready for market, were shipped to Bay City for processing.
Thinking to add the missing ingredient to an otherwise perfect equation for success, John Liken invited Benjamin Boutell and a few of his trusted friends to join in the endeavor. As a consequence, in a short time Liken learned first-hand, how the camel’s nose under the tent fable came into existence. Boutell, no doubt delighted that his expertise was in greater demand than his money, quickly enlisted men of wealth and experience. Among them was John Ross, who would soon become treasurer of the German-American Sugar Company, the last of four beet sugar factories built in Bay County. Next, came lumbermen Frederick Woodworth, William Smalley and William Penoyar, and a ship owner named William Sharp. When men of the stature of Ben Boutell and Penoyar signaled their interest, the floodgates opened; more men of wealth clamored for a stake in the new company. A pair of Saginaw attorneys Watts S. Humphrey and Thomas Harvey climbed aboard as did George B. Morley, legendary grain dealer and banker. Rasmus Hanson, a wealthy lumberman from Grayling, and future president of the German-American Sugar Company, bought in as did William H. Wallace, a quarry operator in nearby Bay Port.
Unwittingly, Liken in attracting investors from Saginaw and Bay City, brought together two distinct groups which could be described as two separate circles of influence. Boutell’s circle consisted of Bay County investors, Woodworth, Ross, Smalley, Sharp and Penoyar. George Morley’s circle included James MacPherson, Humphrey, Harvey, and William H. Wallace, all Saginaw residents, although Wallace was a native of nearby Port Hope and had been a long term resident of Bay Port, a village snugging the shoreline thirteen miles northeast of Sebewaing. In the wings was Ezra Rust, a wealthy Saginaw resident who had won a fortune in the lumber industry. While all of the Bay County investors had lumber interests, of the Saginaw group only MacPherson had a lumber background. The two circles would take up the sport of in-fighting once the new company got underway.
Representatives of what amounted to three distinct groups, Boutell’s Bay City contingent, Morley’s Saginaw faction, and John Liken’s family, gathered in Watts Humphrey’s Saginaw office in July 1901 to take up the matter of organization. Humphrey’s fame would come not from sugarbeet processing but from the fact that his then 12-year old son, George M. Humphrey, would one day achieve stature as the Secretary of the Treasury under President Dwight D. Eisenhower, serving from 1953 until 1957.
Wasting no time, the organizers had at hand, four representatives of construction firms specializing in building beet processing factories. They were Fuehrman & Hapke, E. H. Dyer, Kilby Manufacturing, and Oxnard Construction. It was expected that as soon as the shares were taken up by the attendees, a contract would be awarded to one of the four bidders. To Benjamin Boutell and his Bay City group, there was only one bid of any interest to them and that was the one from Kilby Manufacturing for $900,000. The price was a hefty $1,500 per ton of beet slicing capability, nearly double the $850 per ton price tag of the Essexville factory and almost $600 more per ton than the price for the German-American Sugar Company factory that was currently under construction. Oxnard’s bid of slightly more than $1,800 per ton (including, as usual, a Steffens process) and Dyer’s next to the lowest bid of $1,416 per ton were beaten out by Fuehrman & Hapke’s winning bid of $1,320 per ton for a total price of $792,000.
The first order of business called for the election of officer and directors, a normally placid affair when the company founders knew one another as well as did the gathering in Humphrey’s office. Representatives of each of the three main shareholder groups secured positions. Bay City lumberman, W. C. Penoyar was given the presidency, while Sebewaing’s Christian Bach took on the vice-presidency, and the Saginaw group saw William Baker and Thomas Harvey took the secretary and treasurer seats. Benjamin Boutell and William Wallace joined the executive committee. At the top of the agenda was the matter of deciding on the winning bid for the factory’s construction, which would be, as usual, a full turnkey operation. That’s when the temporary alliance between Bay City, Huron County, and Saginaw County investors fractured.
Boutell’s crowd, said the low bid made no difference, they would accept none other than the one submitted by Kilby. To the Saginaw group, this was tantamount to drawing a line in the sand. They believed firmly in awarding the contract to the lowest bidder. Accordingly, the Sebewaing-Saginaw representatives who controlled three of the officer positions, ignoring the fact that Boutell and his friends controlled 45 percent of the company and that a member of their faction just secured the presidency, gave the nod to Fuehrman & Hapke. Boutell and company recoiling from the suggestion that anyone except Kilby would build a factory in which they had invested, cancelled their stock subscriptions, resigned their positions and withdrew from the board of directors.
When the dust settled, Boutell and his co-investors were out and the Saginaw contingent held the controlling interest at 55 percent with control divided between the Morley and Rust families. The Rust family headed by Ezra Rust would leave its mark on the City of Saginaw in the form of a city park and a major thoroughfare bearing its name. Ezra’s confidence in the sugar industry may have stemmed from a stint he served as an engineer in a Cuban sugar mill during his youth. Morley held 5,000 shares in his own name, while various members of the Rust family held 4,000 shares. Family members and friends of John Liken held 45 percent.
The sudden withdrawal of Bay City investors necessitated a second election. The presidency went to Thomas Harvey. John Liken’s son-in-law, Christian Bach, retained the vice-president’s post and a seat at the director’s table. Liken’s son, Charles, accepted an appointment as treasurer but did not win a board seat. William F. Schmitt, a minor stockholder and Christian Bach’s sister Emma’s suitor, became secretary. In time and after having been tested by fire, he would prove that his advancement was owed entirely to his skill, not to his relationship to the Bach family. In 1906, he took charge of the Sebewaing factory which he then guided for six years before leaving the company for a senior position with Continental Sugar Company. Directors, in addition to Harvey and Christian Bach, included William H. Wallace, Watts Humphrey, George Morley, James MacPherson, who replaced Benjamin Boutell, and Richard Martini.
The appointed contractor for the factory’s construction, Henry Theodore Julius Fuehrman, normally addressed as Jules, arrived from New York where he had constructed a similar factory at Lyons and before that, Pekin, Illinois. He appeared in September for the groundbreaking ceremony. With him was his partner, Theodore Hapke who won high regard from area farmers of German extraction because of his knowledge of sugarbeets and his ability to explain the subject in the mother tongue.
Fuehrman had been closely involved with the construction of a beet factory in Grand Island, Nebraska, which to his good fortune happened to be in the place after Germany that he called home. He was the only son of Henry and Tulia Fuehrman of Brunswick, Germany. Beginning at the age of fourteen, he served an apprenticeship in the mason’s trade. After deciding to prepare himself for the duties of an architect, he devoted himself to the study of architecture in different polytechnic institutions throughout his native land. When twenty years of age, he entered the Germany Army, serving one year, and in 1882, he emigrated to America where after spending two years in Chicago he settled in Grand Island. There he accepted a number of commissions, including the design of the city hall, a church, a university, and eventually the Oxnard beet sugar factory in Grand Island.
Fuehrman’s success attracted the prestigious architectural firm of Post & McCord, the firm that built the roof over Madison Square Garden and the large iron frames for the skyscrapers that dotted Broadway and Wall Street and in 1931 would construct the world’s tallest skyscraper, the Empire State Building. Post & McCord partnered with the equally prestigious American Bridge Company, thus the Sebewaing factory’s formation was destined to be of solid construction. With William H. Wallace serving on the board of directors, the question of whether the foundation was going to be made of solid stones or the new building material, concrete, was resolved without discussion. The stones came from Wallace’s quarry, thirteen miles distant where they were carved by his expert workmen into squares that conformed to the architect’s specifications. Crushed stone from the same source made roadways for hauling equipment and later, beets to the factory. Already the community was enjoying the fruits of the presence of a sugar factory, improved roads and a richer economy as workers discovered gainful employment on the many work crews needed to fashion a factory that would soon win recognition as one of the largest of its kind in the nation.
Emile Brysselbout, Fuehrman and Hapke’s newest partner, was also on hand. Brysselbout’s credentials included the recently constructed Charlevoix, Michigan sugarbeet factory and he had supervised the construction of the Essexville factory.
The cornerstone was laid on October 21, 1901 but the absence of qualified engineers delayed construction. Experienced construction engineers had become a premium in a nation that suddenly could not have enough beet sugar factories. Twenty-five beet sugar factories were constructed between 1900 and 1905 of which ten were in Michigan. Adding to the difficulties was Fuehrman’s absence. He had departed for Dresden, Ontario to construct a similar factory for Captain James Davidson, a Bay City magnate who had decided to dedicate a portion of his wealth to the beet industry.
By appearances, Davidson’s contract held greater importance for Fuehrman than did Sebewaing’s. William Wallace, noted for always taking a firm hand where one was needed, approached Brysselbout with the insistence that Joseph Eckert be hired. Eckert was a man with a can-do reputation and one who would tolerate no obstacles in the path to his goal. Eckert had just finished an assignment at Mendall Bialy’s West Bay City Sugar Company where he had increased productivity more than one-third.
Gutleben relates that when Eckert arrived in Sebewaing, he found nature busy at the task of reclaiming the site. Weeds and wild flowers occupied the space intended for a factory. The few columns that had been erected on Wallace’s stone foundations were poised as if ready to fall to earth. Worse, there was no gear on hand to correct the steelwork in place or to install the balance of it. Fuehrman promised a steam engine but its delivery would have to wait until the steel erection work in Dresden was finished. It was April. The farmers wanted to know if they should plant a beet crop. “Plant ’em!” exclaimed Eckert who then placed an order for the delivery of a steam engine to be charged against Fuehrman & Hapke’s account. Wallace backed the credit. Fuehrman’s complexion turned the color of spoiled liver during his next visit; he fired his innovative engineer for insubordination. Wallace accompanied by Brysselbout turned the decision around in a hurried meeting with Fuehrman.
One of the advantages of having Brysselbout and Eckert on staff was their ability to draw men of similar skill. Brysselbout, inspired by Eckert’s enthusiasm and unquestioned role as chief project engineer after Fuehrman’s failed effort to fire him, secured experienced and highly educated operators, men like Hugo Peters, an 1898 graduate of Leipzig University who would become Sebewaing’s first factory superintendent. James Dooley soon followed. He carried a reputation for practical application of scientific principles and a cool head during emergencies. Eckert attracted outstanding engineers such as Eugene Stoeckly and Pete Kinyon, a master at erecting the steal grids that became the frames for the factories. Nearby farmers, long experienced with neighbors William Wallace, “Bill” to all, and John Liken, both hard driving can-do business leaders, had full confidence that a factory would stand in their midst at harvest time, as promised. They set about planting the second sugarbeet crop in Huron County with results that would prove fortuitous for themselves and for the investors.
When the trees began to blaze red and orange and cool dawn breezes dried the morning dew before farmers stepped from their doors, the county’s first sugarbeet crop waited in neat soldiery rows for men, women and even children to approach them. A lifter, a device designed to loosen the beet from earth’s hold, operated by the farmer, would proceed across the field at a walking pace. Harvesters would follow, pulling the beets from the ground then knocking two of them together to loosen soils and then casting them into a pile to await topping. Eventually, automated motor driven machines would perform the task, a task enhanced by pre-topping and then cleaning of the beets via a shaking system and dumped into waiting trucks. But for now, it was brute work.
On October 10, 1902, it was done. The main building sixty-seven by 258 feet and five floors comprising approximately sixty thousand square feet, made of brick and filled with the most modern equipment available to the industry, opened for business. In a town where the average home consisted of fewer than seven hundred square feet of space, it was an awesome presence. It was one of the grandest and largest buildings constructed in the American Midwest up to that time.
It was agreed that only one man in all of Huron County deserved the honor of delivering the first load of beets to the factory, the man whose dream set off the chain of events that led to the magnificent building now standing at the end of the town’s main street. He was John C. Liken. His family had gathered round two months before on August 9, to celebrate his seventieth birthday and now at an age beyond that which men commonly set aside for the cessation of physical labor, he guided a team of four horses drawing a gaily decorated wagon brimming with sugarbeets onto the scales. The Liken family, standing beside the constructors, Bill Wallace and a contingent from Saginaw, applauded the advance of the high-stepping horses and the contented Mr. Liken. Within the week, Hugo Peter conducted an operational test, allowing only water through the factory to test the readiness as well as the harmony of the equipment. After making a few adjustments to correct weaknesses detected during the water test, he ordered the slicing of beets to begin on October 27.
The farmers delivered beets containing 13.23 percent sugar of which they harvested nearly seven tons to the acre. According to Gutleben’s history, the factory yielded more than 91,000 hundredweight of sugar on an extraction rate of seventy-one per cent giving it returns greater than from the West Bay City’s factory, the Essexville factory, the Bay City Sugar Company and certainly Benton Harbor, Kalamazoo, and the first year of operation at the Caro factory. The operational results mirrored those of the Kilby built Alma factory. Financial results, however, were far greater because the 48,250 tons of beets delivered by Sebewaing growers exceeded by two-hundred fifty percent the 19,100 tons delivered by Alma growers for that factory’s first campaign. Sebewaing growers delivered the greatest number of beets delivered to a single factory up until that time, loud evidence of the confidence Huron County farmers placed in Wallace, Liken, and Bach, confidence, as events revealed, that was not misplaced. Estimated profits for Sebewaing’s first year of operation approximated $140,000, 26 percent on sales and providing a 17 percent return on investment.
Soon, two important personages representing the American Sugar Refining Company called on Bill Wallace. They were Henry Niese, head of operations and W. B. Thomas from the company’s treasury department (Thomas would become president of American Sugar Refining on December 20, 1907 following the death of Henry O. Havemeyer earlier that month.). Their mission was to scout candidates for admission to the Sugar Trust. The visit occasioned a significant change in the company’s make-up when Charles B. Warren, a Detroit attorney who represented the interests of the American Sugar Refining Company arrived shortly afterward to offer an investment of $325,000. The company issued an additional thirty-five thousand shares of stock of which he acquired 32,500; other shareholders each increased their stake by approximately 8.3 percent, effectively giving Warren a 50 percent interest in the company with the other half in the hands of the Liken family (24 percent) and Morley’s Saginaw investors (26 percent).
The bloom of youth still graced the cheeks of Charles Beecher Warren when he appeared in Sebewaing like a godsend to drop what would amount to in current dollars nearly seven million dollars in a start-up company managed entirely by local investors. His youth disguised a young man bearing a sound education and a steely resolve to make something of himself. Before his time passed, he would become the US ambassador to two nations (Japan in 1921 and Mexico in 1924), write the regulations for conscription during World War I, head a major law firm and direct the affairs of a number of corporations.
In 1903 when visiting Sebewaing, however, he resembled not so much the power broker and respected lawyer he would become but instead, a pleasant young man with a pocket full of cash. He was fresh from Saginaw where he persuaded the owners of the Carrollton factory to take his cash in exchange for a 60 percent stake in the factory that came into existence when Boutell’s Bay City crowd parted company with the Sebewaing investors. He would, over the course of a few years, dispense more than three and half million dollars in Michigan alone ($60 million in current dollars) while acquiring sugar companies that would immediately report to the New York office of the American Sugar Refining Company-not bad for someone who had been taking rooms in a boarding house situated near Cass Avenue in Detroit in 1900.
His rise to power began six years earlier when he was appointed associate counsel for the US government in hearings before the joint high commission in the Bering Sea controversy with Great Britain. The matter concerned England’s perceived right to harvest seals notwithstanding the United States opinion that extinction would surely follow that practice. By 1900, he was a partner in the law firm of Shaw, Warren, Cady & Oakes a Detroit firm representing a number of banks and manufacturing firms, chief among them the American Sugar Refining Company. A few years hence, he would adopt the title of president of Michigan Sugar Company, a position he would hold for 19 years in addition to the presidency of a sugar company in Iowa and another in Minnesota. During that same time period he returned to the international arena once again where his carefully watched performance won accolades from imminent lawyers in Europe and America. This time, he appeared on behalf of the United States before the Hague tribunal to resolve a dispute between the United States and England concerning North Atlantic fishing rights.
The son of a small town newspaper editor, Robert Warren, he listed Bay City as his birthplace, but because of the nature of his father’s profession, moved from time to time while growing up, always within Michigan. He graduated first from Albion College then attended and graduated from the University of Michigan before attending the Detroit College of Law where he graduated LL.B. At the Detroit College of Law, he studied under Don. M. Dickenson and then joined Dickenson’s firm when he was admitted to the bar in 1893, the year he graduated. A few years later, he joined John C. Shaw and William B Cady in organizing a separate law firm, a firm he would eventually head throughout his career. Early on, displaying an understanding of the value of macro management, he tended to see to the installation of experienced managers and then leave them unmolested as they carried out the day to day requirements of conducting business.
Much as Caro served as a training ground for factory operators, Sebewaing acted as a school for factory managers who were sent throughout America to beet and cane factories owned by American Sugar Refining Company and others. Hugo Peters moved on to Dresden to oversee James Davidson’s operation and then took similar positions in Idaho, Utah, California and even the West Indies. In 1920, Peters turned his attention to spectro-photometric analysis for the US Bureau of Standards, making serious contributions to color analysis. Jim Dooley stayed on as manager at Sebewaing for a few years then headed operations for all of Michigan Sugar Company when it came into existence in 1906. Wilfred Van Duker, Sebewaing’s first chief chemist, dedicated the larger portion of his career to improving cane milling in Hawaii. There, he eventually managed four sugar estates. Richard Henry Martini became General Agricultural Superintendent for Michigan Sugar Company and Henry Pety moved on to Utah for a superintendency before returning to Michigan to manage the Mount Pleasant factory. The Sebewaing factory continued to expand by adding physical structures and equipment in the form of diffusion towers, automated affairs that replaced the older battery operations, evaporators, modern centrifugals, storage bins and other equipment that caused the daily beet slicing capacity to gradually expand from 600 tons per day to more than 5,000 tons per day.
Sources:
Estimated profits for the first year of operation: Records did not survive. The author determined an estimated profit by applying an estimated selling price of $5.12 for each one hundred pounds to the total hundredweight available for sale and then deducted costs estimated at$3.57 per one hundred pounds.
GUTTLEBEN, Daniel, The Sugar Tramp – 1954 p. 182 concerning purchase of sugar factories by the Sugar Trust, p. 177 concerning organization of Sebewaing Sugar and operating results, printed by Bay Cities Duplicating Company, San Francisco, California
MICHIGAN ANNUAL REPORTS, Michigan Archives, Lansing, Michigan: Sebewaing Sugar 1903, 1904 Sebewaing Lumber, 1901, 1904 Bay Port Fish, 1901
Saginaw Courier Herald, July 11, 1901 – reporting on the meeting of stockholders of the newly formed Sebewaing Sugar Company.
Portrait and biographical album of Huron County: John C. Liken, Christian F. Bach, Richard Martini
U.S. Census reports for Sebewaing, 1900, 1910
Source by Thomas Mahar
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