#op familiar

[pupp4]

[ariadne-mouse]

Hello, family

[kacievvbbbb]

You ever think about how Mihawk definitely does not hear his name alot?

Like there are probably only 2 people in the entire world that consistently refer to him by name. To the rest of the world he’s just an epithet. He might as well have no real name for as little as he hears it.

He’ll hear it at introductions always preface by his epithet, he’ll see it in the bounty posters and notice it in the history books. But barely anyone will ever calm him that. Just a pink headed ghost girl and the red headed half of the most complicated situationship panning 20 years.

You ever think about how Shanks probably has a thousand and one nicknames for Mihawk he cycles through at a whim but maybe Mihawk’s favorite will always be the soft way in which Shanks calls out his given name like that’s all there is too it like there’s a Mihawk that exists all on its own. No matter the situation Shanks calls him Mihawk and he has his full attention

[marsuro]

Wordtober day 12: Taa (Swahili)

Lights/lanterns! Zoro getting lost on his bday in Utrecht while it’s St. Maarten

[hanakou-often]

HANAKOU NATION START YOUR ENGINES!! Even though February's months away, I wanted to give people (me) ample time to get their ducks in a row. While I'm only on tumblr, I'm aware that there's other Hanakouers on other platforms so feel free to participate/share this on other places too!! If y'all have any questions, my inbox is always open! C:

[mintypsii]

SPLATS YOUR SANUSO🐙🦑🎶

designs by @/arttlars :3

[egophiliac]

Hello!! I followed you for your absolutely amazing Twisted Wonderland comics (thank you for making them, by the way-) but I saw you posting about something called Ride Kamens? I haven’t heard of it before, what’s it about? Or if that’s a bit much to ask, where could I find more info about it? It seems right up my alley 👀

Thank you!

thank you! :> :> :> (this is also for the other anon who asked about where to find it, I am honored to be infecting the world spreading interest in this silly game)

Ride Kamens is still doing prerelease marketing and isn't out yet; it's set for "early summer 2024", so a bit yet to go! similar to Twst, it's a mobile game about anime boys loosely based on an existing franchise (Kamen Rider), although it seems like it's going to be more standalone/won't require familiarity with Rider going in.

the (very) basic premise is that your player character has just taken over their late father's role as a secret agent, supporting the city's superheroes by running a secret base disguised as a cafe (plus you have a personal butler for some reason) (the reason is because it's amazing). you also have to help the heroes regain their lost memories, and it looks like it'll have a bit of a route/choice aspect there (not romance, just different endings to the character episodes depending on what you do). the details are kinda hard to tell at this point but the characters seem like a really fun bunch; there's definitely big "idiots with emotional problems" energy which I am extremely into.

all the official info is in Japanese only at the moment, but here's the website and the ride_kamens twitter! (though the twitter is sort of overtaken by posts about the AnimeJapan exhibit right now, whoops.) and I believe some people are already planning on doing translations for it too? lots to look forward to! :D

[14dayswithyou]

That is all thank you

ANSWERED: Art credit for da first Ren meme goes to @meo-eiru!!

BUT HELPPPPP THESE ARE SO FUNNY JDSGJH T_T The Moth meme + Uno meme had me CACKLING lmaoooooooo

[lord-squiggletits]

One of my favorite parts of phase 2 (and indeed one of the few moments I resonated with IDW Prowl) was when the neutrals were coming back to Cybertron and Prowl said that he refused to let Autobots be pushed aside and overruled after they were the ones who fought for freedom for 4 million years (the exact wording escapes me atm).

And I mean, that resentment still holds true even once the colonists come on bc like. As much as it's true that Cybertron's culture is fucked up, and as funny as it can be to paint Cybertronians as a bunch of weirdos who consider trying to kill someone as a common greeting not important enough to hold a grudge over.... The colonists POV kind of pissed me off a lot of times, as did the narrative tone/implications that Cybertronians are forever warlike and doomed to die by their own hands bc it just strikes me as an extremely judgemental and unsympathetic way to deal with a huge group of people with massive war PTSD and political/social tensions that were rampant even before the war?

Like, imagine living in a society rife with bigotry and discrimination where you get locked into certain occupations and social strata based on how you were born. The political tension is so bad there's a string of assassinations of politicians and leaders. The whole planet erupts into an outright war that leads (even unintentionally) to famine and chemical/biological warfare that destroys your planet. Both sides of the war are so entrenched in their pre-war sides and resentment for each other that this war lasts 4 million years and you don't even have a home planet any more. Then your home planet gets restored and a bunch of sheltered fucks come home and go "ewww why are you so violent?? You're a bunch of freaks just go live in the wilderness so that our home can belong to The Pure People Who Weren't Stupid And Evil Enough To Be Trapped In War" and then a bunch of colonists from places that know nothing about your history go "lol you people are so weird?? 🤣🤣 I don't get why y'all are fighting can't you just like, stop??? Oh okay you people are just fucked up and evil and stupid then" ((their planets are based on colonialism where their Primes wiped out the native populations btw whereas the Autobots and OP in particular fought to save organics. But that never gets brought up as a point in their favor)) as if the damage of a lifetime of war and a society that was broken even before the war can just magically go away now that the war is over.

Prowl fucking sucks but he was basically the only person that pointed out the injustice of that.

And then from then on out most of the characters from other colonies like Caminus and wherever else are going "i fucking hate you and your conflicts" w/ people like literal-nobody Slide and various Camiens getting to just sit there lecturing Optimus about how Cybertronians are too violent for their own good and how their conflicts are stupid, with only brief sympathetic moments where the Cybertronians get to be recognized as their own ppl who deserve sympathy before going right back to being lambasted.

Like I literally struggled to enjoy the story at multiple points because there was only so much I could take of the characters I knew and loved being raked over coals constantly while barely getting to defend themselves or be defended by the narrative so like. It was just fucking depressing and a little infuriating to read exRID/OP

[rutilation]

This opening is replete with symbolism. 

Flower language has been a recent fascination of mine.

Do you want to make my new hyperfixation your problem? If so, then let's take a deep dive into the first opening before the new one airs tomorrow.

Before I start, here are a couple of things to keep in mind.

While the use of flower language in this show mostly lines up with Japanese hanakotoba, there are still a number of flowers here that hold particular significance within Chinese culture, and thus have additional meanings that don't line up with those from Japan.  I’ll be mentioning them alongside the Japanese meanings where I deem it relevant.

The following will contain light spoilers of content from the novels/manga which has not been animated at the time of writing. I'll try to be vague and sparing with it, but there are a few flowers I can't discuss without them.

Past the title card, the opening begins with eight blooming flowers dancing through the frame in rapid succession.  These represent the storylines covered by the first cour of the anime in order of appearance, and each can be found in the episode(s) they signify.  From the top:

Rhododendron: This plant is all over the first two episodes, so I'm going to cover its appearances before delving into its meaning. In episode one, there are two shots of the buds of this plant, one as Lihua gives birth, and then again as the doctor examines her baby. They're finally shown in full bloom as one of her ladies disregards the branch Maomao used to warn of the toxic makeup. In the following episode, Gyokuyou has seemingly taken a liking to the flower that saved her daughter's life, and a few clusters can be seen in a vase during several shots before Maomao uses them as an example of a seemingly innocuous plant that could cause accidental poisoning, and indeed, if you look closely at the background during the scene with the soldiers, you can see what appear to be rhododendron shrubs. There are actually quite a few different possible meanings for the many granular varieties of Rhododendrons/azaleas.  Luckily, the characters said the name of the plant out loud for me: shakunage.  So, this is Rhododendron subg. Hymenanthes.  In hanakotoba it means dignity and majesty, but also, on account of its poison, danger and caution. Those last two meanings clearly line up with its ominous usage in these first episodes, growing and maturing as the babies grew sicker. But in addition to their function as a warning of danger, I think there's a case to be made that they also represent Gyokuyou herself. As I stated earlier, she starts keeping them after the first episode, and Hongniang later starts growing the closely-related azaleas in the jade pavilion as well. As for how its meanings apply to her, Gyokuyou is regal, magnanimous, and never loses her composure (unless it's at Jinshi's expense lol,) but she's also described by Gaoshun as shrewd and cautious, being unwilling to hire any lady she doesn't absolutely trust, and constantly gleaning information to send back to her family. These all fit with the dual meanings of rhododendron. In Chinese culture, rhododendrons and azaleas represent womanhood and passion, as well as home and a desire for homecoming.

Cotton rose: A type of hibiscus, this represents Fuyou, decorating both her person and her chambers in episode 3.  It means 'delicate beauty' and 'graceful lover.' I think these are referring to both her skill in dancing, as well as her affectation of frailty and neuroticism. As far as I could dig up, its unique tendency to change color based on the time of day doesn't have particular bearing on its meaning in either Chinese or Japanese culture, but the story itself uses it as a metaphor for Fuyou hiding her passion, will, and cunning behind a wallflower exterior.

Balloon flower:  In hanakotoba, it represents undying love, sincerity, and grace. These grow in the crystal pavilion, adorn the iconography of Lihua's furniture, and likely inform her blue and violet color scheme. Its last two descriptors gesture towards Lihua's style and personality. She's elegant and staid, but she also takes everything quite seriously, and wears her heart on her sleeve. As for the undying love element, I see that as alluding to her love for her son, her agony at his passing, and her hopes of reclaiming that love again through having another child.

Violet: This one actually tripped me up for the longest time.  The flowers in the opening looked like hostas to me, but no matter how closely I looked at the backgrounds in this show, I couldn’t find anything along those lines.  Eventually though, I caught on that these must be the violets from episode five, even if they’re a different color from those shown in the episode.  And also droopier.  Anyway, violets mean humility, sincerity, and ‘a little bit of happiness.’  In the episode proper, they are crushed underfoot as Maomao narrates about the lengths she had to go to keep herself safe while growing up in the red-light district, illustrating how even the modest aspirations of an ordinary peasant are in perpetual danger in such a cutthroat environment.

Chinese aster: Daisies and asters are my least favorite flowers to identify.  They all look the same.  As such, I’m a little less confident about this one, but I think it’s a Chinese aster.  The leaves and buds look similar, and the context in which it appears in episode six suits its meaning.  As Lishu’s ladies disparage her so-called pickiness, a shot of this flower opens the episode.  While the Chinese aster’s meaning changes based on color, white in particular means ‘please believe me.’ I think that speaks for itself

Toad lily:  This appears twice during episode eight, where Maomao gets drawn into the mystery of an attempted murder during her vacation.  Toad lilies symbolize hidden thoughts and intentions, alluding both to the possible conspiracy on the part of the women of the brothel, and to the fact that Maomao will never really know the truth of the incident, having to content herself with speculation.

Sacred bamboo: This one is easy to miss, because while the plant is in full bloom in the opening, it’s laden with berries in the show proper.  This is Nandina, a.k.a. the sacred bamboo, a mainstay of autumn and winter floral arrangements in both China and Japan.  It’s considered auspicious, symbolizing a reversal of ill fortune into prosperity--the precise opposite of how it’s presented in episode nine of the show.  There, Maomao fiddles with the plant as she contemplates all the instances she’s seen of good fortune being struck down by tragedy, and the prospect of that same sword of Damocles falling upon her head as well, a harbinger of eucatasrophe being used to symbolize straight catastrophe.  Also worth noting is the fact that the plant is very poisonous, so much so that it has a reputation for killing any birds which try to eat its berries; I think that bit of trivia might be the inspiration behind the decision to ironically invert its lucky image.  In addition to its central appearance in episode nine, it can also be seen in Lishu’s chambers in episode ten, mixed in among the vases of white camellias.

Japanese azalea: These mean passion and steadfastness, alluding, in my view, to Fengming’s devotion towards Ah-duo.  Fun fact: did you know that honey made from toxic azaleas, termed ‘mad honey,’ is sometimes manufactured on purpose?  It’s not super legal in most of the world, but apparently it can be used as a psychedelic.

After this, we see a panning shot of seven flowers, with the top four representing the high-ranking concubines, and the bottom three representing the high-ranking courtesans. While the first set of flowers grew from buds and flew across the screen, this set consists of still images. If I were to hazard a guess as to why, I'd say that it's because those previous flowers were conveying the movement of emergent stories, while these upcoming flowers portray the relatively static personality traits of individual characters. I'm going to tackle these in reverse order, as the first three flowers to appear are somewhat tricky to talk about.

Peony: This flower represents Gyokuyou, and in addition to appearing in her non-diegetic floral backgrounds, it also decorates the tapestries of the jade pavilion. In Chinese culture, peonies are one of, if not the most, important flowers. They represent feminine beauty, pride, honor, renown, wealth, prosperity, high-status, opulence, and a nobility of spirit. They are considered to be the king of flowers, and were historically only permitted to be grown by nobility. All of these superlatives are likely alluding towards Gyokuyou's status as the emperor's favorite consort, with the best shot at becoming empress.

Balloon flower: See above.

Lily-of-the-valley: This means purity, chastity, humility, and 'happiness will come again.' While the first three all seem to fit Lishu on their face, I find myself curious about the fourth meaning. I'm only partway through the third novel, but if this indicates that, at some point in the future, Lishu finally catches a break, then I'll certainly be happy to see it.

Dendrobium: In China, orchids in general are associated with elegance, refinement, and good taste, which fits with Maomao's description of the garnet pavilion as being beautiful in a minimalist sort of way. They also represent the virtues of an ideal gentleman-scholar: integrity, humility, temperance, and nobility. Furthermore, they are considered emblematic of spring; it, along with bamboo, chrysanthemum, and plum blossom, represent the four seasons. Returning to Japanese symbolism, the flower associated with Ah-duo seems to specifically be Dendrobium nobile. Nobile in particular means 'honest and to-the-point' in hanakotoba, likely alluding to Ah-duo's candid personality, and the fact that she is on casual terms with the emperor.

Regarding the final three flowers, the show itself doesn't explicitly tie any one of them to a particular courtesan--their flowers only appear as a group in episode twelve. But, by contemplating their meanings, and with some help from the characters' wiki pages, we can make some educated guesses.

Yulan Magnolia: This one, I'm guessing, represents Joka. On one hand, I'm kind of dumping her with this because the other two flowers just seem to fit the other two courtesans better, but its attributes nonetheless seem to accord what we know of her character--which admittedly isn't very much. In hanakotoba the yulan magnolia means nobility, sublimity and a love of nature. In China, its pretty similar: purity, nobility, dignity. It's also worth noting that they're commonly planted around Buddhist temples in China, and have been for many centuries, granting them an air of spiritual profundity. Joka is said to be aloof and cold, which is part of her appeal as a courtesan. While chrysanthemums and plum blossoms have a warmer aspect to their meanings, the loftiness of magnolia hews more closely to her characterization. Then there's the matter of her name, which is apparently a stage name. It translates to 'Lady Ka' (or 'Hua,' if you want to go with the Mandarin pronunciation.) Now, the 'ka' in her name is written as 華, and in the story, that character is only permitted to be used by the emperor and his family. So, for her to use it, even as a stage name, is a pretty bold pretense to nobility.

Chrysanthemum: In Japan, chrysanthemums are associated with nobility and the imperial family. In China, they are associated with longevity, endurance, and vitality, on account of their long-lasting blooms that persist late into autumn. I think this is most likely to be Pairin's flower. She's one of the few courtesans who's in her line of work because she wants to be, and is flourishing in an environment where others are desperate and debt-ridden. That covers 'vitality,' and Lihaku can attest to her endurance, if you know what I mean... Moving on, its mentioned in the novels that she's actually in her thirties, but still looks quite young, again harkening to the chrysanthemum's persistence.

As far as symbolism is concerned, chrysanthemums do seem to fit her character better than magnolias. But, something that gives me pause is her name, which means 'white bell,' on account of yulan magnolias being white and having a bell-like shape. I still think it's most likely that the chrysanthemum, and not the magnolia, belongs to her, but it was too notable a coincidence to not at least mention.

Plum Blossom: We can safely assume this one refers to Meimei, as her name is written with the character for plum. As plum trees are among the earliest to bloom each year, and will even bloom while snow still covers their branches, both China and Japan associate them with resilience, hope, inner-strength, and renewal. We don't know much about Meimei either, but my impression of her is that she seems to be the nicest and most even-keeled of Maomao's sisters.

Following this parade of showy flowers, we finally glimpse the emblem of our protagonist, Oxalis corniculata, the creeping wood sorrel, downcast and huddled amidst the underbrush of a forest. Whereas the other flowers we've seen thus far are primarily ornamental (even if some are also edible/medicinal,) wood sorrel is herbaceous and weedy, and is unlikely to grace any vases, wreaths, or arrangements. If it were spotted in a noble's garden, it would likely be uprooted, but to the peasant who finds it growing in a ditch, it's a tasty snack.

In hanakotoba, wood sorrel means joy, 'shining heart,' and 'a mother's love.' All three descriptors, I believe, are relevant to Maomao's character. Despite her flat affect, Maomao has a strong passion and sense of joie de vivre driving her through life. Those further along in either the novels or the manga will recognize 'a mother's love' as (somewhat ironically) gesturing towards her complicated relationship with her mother. As for 'shining heart,' I think that will become apparent as we go further through the opening.

But, before we do that, I'd like to take a moment to examine the moments when wood sorrel appears in the show itself. Thus far, by my recollection, it has appeared in episodes one, three, and twelve. The opening shot of the first episode is of a wood sorrel, informing the viewer in no uncertain terms that this is Maomao's flower, (in case the opening was too subtle.) In the third episode, several wood sorrels dot the field where Fuyou sits with her lover, symbolizing how Maomao has aided and protected them. In episode twelve, a single wood sorrel is tucked inside a lavish bouquet of her sister's flowers, a visual gag paralleling them fussing and fawning over her.

Returning to the opening, Maomao is shown contemplating a subtle glow in her closed hands while a reflected, sunlit version of herself glances back at her. Then, as all the previous flowers fall away, as Maomao casts the light up into the air, its glow illuminating her face, the wood sorrel finally stands upright, and blooms in full.

Now is a good time to mention a relevant characteristic of creeping wood sorrel: it only blooms in direct sunlight. When crowded by other plants, it curls in on itself, closing both its flower and leaves. This serves as a clear metaphor for Maomao's personality; under most circumstances, she seeks to be invisible and unobtrusive, but when she's in her element, she commands attention and respect.

Following this, we have her magical girl-esque transformation sequence, with her outstretched hands forming the shape of a blooming flower as she dances through a whirl of yellow wood sorrel petals. She then bows down in imitation of the flower, taking the light back into her chest (there's that shining heart I mentioned earlier,) as she dissolves into the stoic, unassuming version of herself once more, closing out the opening. (Jinshi who?)

I'd like to end this analysis with an observation. While the real wood sorrel exists at the perpetual mercy of outside forces, Maomao is not merely reacting to a light source that exists beyond her control. The light exists within her, and she chooses when it will shine down for all to see, and when she will hide it away in the depths of her heart. To those who've gotten this far, thank you so much for reading.

[yellowocaballero]

So fucking glad to see someone talk about SSS Class revival hunter 😭 I lived it so much and I feel like no one ever mentions it against more popular titles like ORV or even The Lout of the counts family, so I'm so glad to come here and see your amazing takes :>

Thank you for the ask which lets me talk about SSSCRH (the version I read was titled 'Suicide Hunter', which tbh I like more - no beating around the bush).

It's hard to draw an accurate comparison since I'm going off just the webtoon for SSSCRH, while I'm going off both the webtoon and the webnovel for ORV. And I love ORV, ORV is my media blorbo right now, it hydraulic presses my brain, I am writing ORV fanfic - it's, like, funner to enjoy. But SSSRH is just better. In the vast majority of ways it is is better. It's better than the holy trinity by a wide margin. TW talk of suicide obviously.

I can't believe I'm saying this but you need a basic understanding of Buddhism in order to understand SSSCRH. It's not about Gongja's suicides - he doesn't suicide from depression or lack of self-esteem. SSSCRH is about suffering in the Buddhist sense - dukkha. I don't want to make this an essay, so I might reblog this with more information, but extremely shortly:

The Four Noble Truths of Buddhism is the truth of suffering, the truth of the cause of suffering, the truth of the end of suffering, and the truth of the path that leads to the end of suffering. You've heard that Buddhists say 'life is suffering'. To put it one way that doesn't require defining a lot of words: the cause of suffering is experiencing the world as we percieve it instead of how it truly is. Suffering isn't just being miserable and in pain, and life isn't suffering because life sucks and global warming exists and people voted for Trump. Life is suffering because we can experience beautiful and joyful moments in this world, but we do not exist in the moment of that happiness or place our ego/'self' between us and that happiness. Living in that moment, accepting the moment as it is unconditionally, is freedom from suffering. The Buddha tries to free people from suffering through teaching Buddhism.

"What does this have to do with the webnovel and manwha about a guy murdering himself thousands of times" it has everything to do with it. Because SSSCRH is about suffering, and it is about using suffering as a tool in order to experience a world unfiltered by ego and break down the artificial boundaries between human beings. Suffering in SSSCRH is not a bad thing. Gongja has the unique capability to (reincarnate.) experience a person's suffering in unity with them, which dissolves the delusion of separation between people and puts us in touch with the reality of oneness.

The Murim arc was fucking insane because Gongja pulls a Big Bodhisattva Move and walks through the suffering of the world in order to achieve full understanding of the human experience. He takes all of the suffering of the world into himself and is liberated. You can tell it's Buddhist because death was not presented as a bad thing - death was an aspect of a happy ending for the Heavenly Demon lady, because she was finishing her life according to her own joy, and because her teachings were passed on she did not truly die.

But the purpose of embracing suffering is to discover the ability to fully embrace life, and that's where Heavenly Demon's teachings were incomplete - as the ghost dude said, Gongja hasn't even experienced his own full life and the infinite capability for his own happiness. You can only feel the depths of sadness when you've felt the depths of happiness. Sadness deserves its place in the world and it can strengthen you, but so does happiness.

Gongja is attention-seeking, envious, and unbelievably petty. When he drills down into his own desires and why he wants the things he wants, you see that he has a very strong sense of justice and right and wrong - he realizes he doesn't want to be famous, he wants to be acknowledged, but on an even deeper level he is desperate for love and to be loved. Everything he does is to experience love, and as such he learns to love others. His love for the Flamey Asshole was purely parasocial and ego-filled, with no concern for who he was as a human. Throughout the manwha, he grows to care for people as they truly are and pierce through any delusions or misleading outward appearances. He has released all attachment to life and death, and as such does not fear death, and as such has taken a step on the road towards becoming a Boddhisatva who frees others from the cycle of samsara, and as a result has learned sick sword techniques and is sooo good at beating people up.

I think the only other thing I want to mention here because otherwise this is an essay: in almost every time loop/regression story, only the final regression matters. In stories with dungeon monsters and NPCs, only the humans matter. The regressor exists in a space where there are no consequences for their actions, so they act terribly and do whatever because none of it matters. In Groundhog Day Bill Murray acts like an asshole because he can. That's not the case here. Everything Gongja does matters. The NPCs are fake, but Gongja never treats them as anything less than real people who deserve life. Once he understands a person's life he never treats them as unimportant. No loop is thrown away and no person or life is disregarded. His choices matter, the way he treats others matters, and Gongja never treats anybody as if they don't matter except for himself.

That was not short. There is a lot more. The female characters are so good and so rich. From a craft perspective it is excellently paced and has a wonderful sense of set-up/payoff and balances tone and maintains a lot of momentum, which is really hard in a time loop story. You have to do a few very specific things to write OP characters well and SSSCRH does it very well. There's more to say from a craft perspective and it's hard to judge accurately from a webtoon but it's good. I was so strangely struck the entire time about how sincere and genuine it was, how it said what it said with no trace of irony of confusion, and I think that's what stuck with me the most.

TL;DR: SSS Class Revival Hunter is good for a lot of very normal reasons, such as excellent pacing and set-up/pay off and characters, but it's also so sincerely and genuinely Buddhist that it blew my tits clean off.

[ariadne-mouse]

for the doodle prompt: moonward’s fiona & jacob on a taxidermy pufferfish drink date OR evoroa demolishing a giant fruit basket as she deserves

Okay so this ended up being a lot more than a silly doodle, but let's be real it's what Evoroa and Gona deserve. I've decided Keyleth and some other level 20s - druids or worshippers of the Wildmother - decided to magically encourage the gardens into some cross-seasonal stuff so that their moon guests can see and try a bunch of things.

[s0fter-sin]

it’s the sound that tips him off.

it’s late, half-past hell by his last count, and mactavish knows there shouldn’t be a single soul in the showers this time of night. though he’s sure if he asked, he’d be told a soul isn’t in there.

just a ghost.

he almost chokes on the thick steam filling the locker room; humid and hazy and the perfect cover. or it would be, if the man collapsed in the far stall cared about hiding.

mactavish hates himself a little for the low sigh that falls from his lips. he wishes he wasn't so disappointed; that the promises he's heard over and over and watched be broken as many times hadn't wedged their way into his heart and convinced him that maybe, maybe this could be the time it sticks.

he doesn't know what's worse; the disappointment or the lack of surprise.

he holds his breath through the steam and leans over the limp body; stinging hot water hitting his back, instantly soaking through his clothes and already starting to burn. he flicks the tap enough to take the bulk of the heat out and straightens; a groan startling out of the man beneath him at the sudden lash of tepid water.

mactavish crouches, knees clicking and hooks a hand under his bicep to pull him up straight against the wall. if there was any vomit on his skin, it's been washed away by the pelting stream and he supposes he can count himself lucky for that. he tilts his limp head back and slips his fingers into his mouth; holding down his tongue and ignores the way it lazily jolts under his fingers to check his airway.

clear.

another small victory.

mactavish pulls his fingers out and cups his chin, keeping him tilted up and moves in the way of the water again so he can pull at his eyelid.

the eye he's met with is cloudy, so dilated there's hardly a ring of blue left.

he sighs again; hand falling away and letting his eye fall shut. "god damnit, riley."

riley moans, all his weight resting on the hand holding his jaw.

"aye, 'm talking ‘bout you," he grunts tiredly.

he lets riley's head fall forward to grab his arm, pulling him away from the wall to sit behind him; propping his body up against his chest. he leans his head back over his shoulder, keeping his face out of the water and his airway open just in case he hasn't actually finished throwing up.

he takes the rag riley'd half-managed to soap up and mechanically runs it over him; cataloguing new bruises and cuts and checking if the old ones are healing. sickly yellow fingerprints ring his hips, red splotches paint his ribs; too new to have settled into the deep purple he knows they’ll become.

riley slowly makes more noise as he rubs life into his body; still lying limp against his front but his head's starting to roll restlessly on his shoulder. he swipes between his legs and carefully doesn't think a single thing about what he finds.

"sean?" he rasps and mactavish's hand stills; eyes falling shut. he bites his check, hand clenching around the rag tight enough to shake and breathes hard out his nose.

he doesn't say a word, just forces himself to go back to cleaning.

he's not sure what would come out of his mouth if he did.

riley isn't conscious enough to hear him anyway.

he runs his fingers over his inner elbows for tracks and manages to muster some relief when he doesn't find any. seems to be a pill and booze night; far from the worst condition he's found him in.

he rinses him off, running a curtesy hand over his shaved head only for it to fall back to his jaw; his thumb stroking over the thick scar carved into his cheek.

"you gotta stop doin' this," he whispers.

he isn’t sure if he’s talking to riley or himself.

mactavish gathers up riley's too-light body into his arms and turns off the shower. his head lolls into his throat and he throws a towel over his dripping body and another over his shoulder. it doesn't stop him from tracking water all the way to his quarters but he'd like to see someone try to put in a complaint about it.

he lays out the other towel on the bed and sets riley down; moving his body into the recovery position in an all-too familiar routine. he dries him enough that he won't soak the covers as he pulls them up to his chest and kicks the waste bin within grabbing distance of the bed.

he goes to pull off his sodden clothes when a different noise makes him freeze.

a low sniffle.

mactavish slowly turns back to the bed to find riley's eyes squinting open; glazed with tears as he kneads at the covers.

he stares at him for a moment as he looks around the room and those hazy eyes lock on him for the first time. "cap'n?"

he swallows. "aye; s'just me, riley."

his hand pokes out from under the covers and for all the promises he's made himself - all the “never again”s and “this is the last time”s - at the end of the day, he's weak.

he sits on the side of the bed and takes riley's hand in his; already so cold after nearly boiling himself alive.

"y' mad a' me?" he sniffs.

mactavish runs his tongue over his lip and slowly shakes his head. "no, i'm not mad at you."

"prom'se?" he pushes.

he reaches out and caresses his temple with his thumb. his hand almost covers his head and it cuts like a knife to remember just how small riley is. "aye," he says, hushed. "i promise."

riley's eyes fall shut, voicelessly murmuring 'promise’ to himself over and over.

"I’ll ge’ bett'r," he slurs and between one breath and the next, he's out.

mactavish sighs, running his hand in a final pass over his head and stares at a face that looks so much younger in sleep; bruised and sallow skin hidden in the shadows. "i know you will."

he presses a slow kiss to his forehead, shutting his eyes against the grief that wells in his heart and gets up to pull a chair over to the bed; settling in for another long night's vigil of watching his broken lieutenant sleep, ready to tilt him over if he throws up, eyes locked on the slow rise and fall of his chest fearing tonight may finally be the time it stops.

[r0semultiverse]

THE EDGE OF SLEEP WAS SO FUCKING GOOD AND ACTUALLY GOT ME EMOTIONAL AT TIMES!

Please go watch it on your family’s Amazon Prime accounts, rate it 5 stars, add it to playlist, like it, do all the things! Tweet about it and talk about it! 💜

Also fuck Amazon for giving Markipkier an NDA that lasts until the show was supposed to come out on October 18th where he wasn’t able to talk about what platform it would be on. Fuck Amazon for not marketing it or advertising it whatsoever and not even publishing the trailer. This unannounced early release feels like intentional malicious sabotage against an indie film maker. 👀

WE WANT SEASON 2 WE WANT IRON LUNG, DON’T HOLD IRON LUNG IN DEVELOPMENT HELL I STG! 😖

[the-meme-monarch]

mm yeah spaghetti so good *puts finger to ear piece* hold on. there's a tornado warning

[kacievvbbbb]

Watching Dressrosa and seeing Zoro watch Luffy's colosseum battle on the screen I was suddenly hit by the fact that in a Modern AU he'd probably be the most obnoxious kind of soccer fan.

You know the one that probably picks a new favorite team every match and is only a soccer fan when they are actively watching soccer. I can honestly just imagine him screaming at the screen and being all dramatic at the team talking about honor and shit. No actual practical knowledge of soccer though.

I just think he and Mihawk would just be the kind of people that like sport in a Modern AU they are athletes themselves but they also just like competition and adrenaline and so sports. Except Mihawk atleast attempts to possess a basic knowledge of the rules and plays of sports he watches while Zoro will watch a sport he's never heard of in his life, chooses a random dude that's "got guts" and root for them so wholeheartedly you'd think he's supported them all his life.

All this to say that goth family watches the World Cup as part of "family bonding time" and

-Mihawk is rooting for 3 separate countries, the 2 that his data says are statically most probably going to win and his home country cause he has some "patriotic pride". He watches intensely but never actually reacts to anything.

-Zoro is rooting for whichever team is playing against whatever team Mihawk is repping at the moment. He has no stakes in this longterm whatsoever exceot that he gets his fill of trolling Mihawk, sports adrenaline and on the rare occasion his team wins he gets to be a smug asshole to the man who raised him 😌. He screams at the T.V so much you'd think he had money on the line.

-Perona liked the idea of styling cute matching jerseys so much so that she forgot how much she hates watching sport. She is very bored and unhappy and hopes that somehow both of them lose. She judges the outfits (the jerseys) of different countries and their coaches on a scale that only she really understands but all must suffer through.

-Shanks is there because this is the only time Mihawk will hold his hand even though he is squeezing so hard his bones might be ground to dust. (the only indicator that Mihaw is affected at all by what is happening). He's bar hopper he's used to seeing random sports he doesn't understand played on green fields running in the background of his mild buzz to drunken fool binge. He's just glad to be included.