#ooooh my god this is so long I'm so sorry I am literally incapable of being concise

[youichi-kuramochi]

dearest viv,

how the FUCK do you connect scenes?

i forgot what sign off i was gonna use

started with an r

umm

fuck. whatever

i cant remember if it was regards or respectfully. maybe respectfully?? yeah since i was yelling?? ok

respectfully,

honey ʕ ﹒ ᴥ ﹒ ʔ

ALDFKJGALDFKGDLFJ THIS WAS THE FUNNIEST ASK TO WAKE UP TO THANK YOU FOR THAT OMG

ANYWAY............ do u mean like in general or me personally lmao bc my answer to the second is probably like. totally unhelpful bc I just kinda vibe it most of the time when I’m writing adflkjagdfk at least first drafts. editing is another story (standby. we’ll get there lmao)

[sidebar: OH MY GOD THIS ANSWER GOT SO LONG I’M SO SORRY IF THIS WAS A JOKEY ASK AND I JUST RAMBLED UNNECESSARILY FOR LIKE FOREVER I am just. I am very passionate about writing even though my own process is a Mess aldkfjglkgf anyway I’m putting this under a cut bc uh. this really got away from me]

alright so theoretically??? I think transitions are less important than like. there should be a point each scene is trying to make. it either develops character or plot or relationships or any combination of those, and you need to have enough to make that point and then it can end (though I overelaborate a lot so. idk. I don’t think I follow most of this advice even though I understand it In Theory adlfkgjlkf). similarly, when you string the scenes together, they should to build towards a larger narrative arc. like because character a learned this thing about themself in the previous scene, now they can confront character b about something else. or because of this character establishing moment, we can now have this character do this thing because we, the readers, now have some insight into their motivations/fears/desires/etc. or whatever. I guess this is sort of about transitions lmao but the point is that the larger narrative should connect, not that you need to be super careful always about making the words/physical scenes themselves connect, if that makes sense

imo scenes can start and end abruptly and like as long as the narrative point is made you don’t really miss out on much. I’m terrible at actually doing this which is why my fics all wind up so long but I don’t mind it at all when I’m reading. I think it’s really cool when someone can make a really powerful point with far fewer words than I ever could. idk who told me this maybe a professor or maybe I just read it somewhere but it’s often a good move to drop readers right in the middle of the action like you don’t need that much buildup to it (unless the buildup serves a purpose. maybe your character is hesitating. maybe they’re overthinking.) you might need more buildup/general exposition in the beginning to get us acquainted with the world of the fic, but especially as you go on, exposition only as needed can be a good move. something something kill your darlings, y’know?

actually this last bit I do follow sometimes lmao I often wind up with several pages of just. unused text that I’d written and then decided was extraneous to the point I was trying to make or made a scene drag on or just didn’t click. like for my current ongoing fic, I have entire scenes I’ve cut. I wrote 2k of a high school scene that I ended up only using slivers of for flashbacks. there was a scene when onigiri miya opened at one point. for my bkak big bang fic I literally have over 6k that I took out completely that if I had kept in would’ve given the whole thing a completely different tone that I decided I didn’t like after I’d already written like half the fic. so I scrapped them. I usually save these, not do anything with really but just because deleting text forever is hard lmao so saving the writing somewhere, if not in the fic itself, makes it easier for me to cut

ALL THAT SAID it’s also totally cool to just trust your gut and run with a vague idea. like this kind of writing should be fun and I wouldn’t let worrying about this stuff get in the way of having a good time. and also everyone’s process is different!! everyone’s writing style is different and your writing probably won’t have the same tone or style as writers you admire and that’s okay!! it’s a good thing, even, imo. that’s what’s so cool about writing and honestly a lot of my favorite writers do not write like I do and I love that

and when I said I vibe it w my fics I really honestly do 90% of the time. I usually have a general sense of where I’m going but it’s more enjoyable for me discover things on the way. some people swear by outlines, I fundamentally do not other than like. AT MAX writing a short bullet point list of scenes I want to include as I think of them bc my brain is like a sieve. and usually weeks after starting something, I’ll write a line/paragraph/scene and have an epiphany like oh my god. oh my god I get what this whole piece is trying to say. (this is my favorite part of writing tbh. discovering that moment) and once I have that, it’s much easier to figure out what belongs and what doesn’t when I go back and edit earlier scenes and make sure that everything ties together

and also, finally, (sorry I know I’ve been rambling for a while now I swear this is the last point) I want to note that all of this gets easier and more natural with practice. I’ve been writing for over 10 years, on and off. ao3 says I have 500k+ of published fic, not to mention I probably as much if not more from abandoned wips that will never see the light of day AND a bunch of stuff floating around on livejournal (lol) from the pre-ao3 days, so I have written. a LOT. and over time you sort of hone your intuition about what works for you and what doesn’t and at least for me, now I think a lot less abt the nitty gritty and just go wherever my writing takes me and I’ll usually land in the general vicinity of making sense. I think anyone can get there (or wherever it is you’d like to be if this isn’t your style). the trick is just to keep writing! it’s a skill like everything else ☺️