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amphtaminedreams · 4 years ago

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The Eras of Lana Del Rey: Lookbook no.9

Hi to anyone reading,

Hope you’re okay! AND that you didn’t end up here because you searched the Lana Del Rey tag so you could see people ranting about her-you’re about to be very disappointed. Sorry. This is not about to be some Question for the Culture discourse because the world is bleak enough right now and the last thing we all need is to be reminded of that saga.

Being a Lana Del Rey fan is easy, they said. She’s not a controversial artist, they said. And yet 2020 had to do what it does best and fuck everything up.

Whether people like her or not, it’s made me so angry reading all the abuse she’s been getting about her appearance for the last couple of weeks, because I really thought that if we could agree on anything it was that attacking individuals for the way they look because you dislike something they’ve done (with the exception of shit like racist tattoos and blackfishing) is, you know, awful and judgemental as fuck? Like you do realise when you treat the word fat as a pejorative that the fat people you don’t have a problem with understood that you meant it as an insult too? I think what all those people tweeting about Lana’s weight, and that includes some of her fans, are forgetting is that she was in her early 20s when she was thrust into the limelight. As much as there’s this conspiracy that her dad bought her a career in the music industry, she’d made the decision to go it alone and had lived in a trailer park as a struggling musician for years. On top of that, we have the unreleased tracks with lyrics seemingly referencing an eating disorder in her younger years. OF COURSE her body is going to look different. Why is it that we treat weight gain as an inherently bad thing without any insight into the other factors that constitute a person’s “health”? It’s fucking insane that so many feel they have the right to comment on other’s bodies in the first place and it breaks my heart that she might be reading these comments. This wasn’t intended to necessarily be a rant about how much I love this woman but all the shit I’ve read about her on the internet these past few months have pushed me to it. You'll respect your queen of alternative music or I shall stan twice as hard on your behalf. You can thank me later when you come to your senses xoxo

I’d love to say it was intentional that I finally finished this post the week Violet Bent Backwards Over the Grass was released but that would imply I have my shit way more together than I actually do. If I’m being completely honest, I’ve only heard L.A Who am I to Love You so far 1). because I want to wait for the hard copy for the rest and that doesn’t turn up til September and 2). because I do not have my shit together, lol. That being said, there is no doubt in my mind that I am going to love it-one thing I have always loved about Lana’s lyrics is how well they paint a picture and this is something that poetry only more freely allows for the exploration of. That ability to create such a strong narrative voice and atmosphere is a talent that extends to her visuals and the production of her records too, and is something I really missed when it comes to the Norman Fucking Rockwell era. I’m just going to say it: a strong aesthetic is to NFR as memorable songs are to Lust for Life. Lacking. Am I allowed to say that as a fan? The collaborations don’t do it for me, okay, and as as NFR is concerned, aside from The Greatest/Fuck It I Love You video which went down the whole neon surfer girl route, it’s hard to identify a cohesive theme. It’s understandable that at this point, she would want to just focus purely on the music, and it goes without saying that NFR will stand the test of time in that regard but I don’t think we can deny that when people think of Lana in the future, it’s not gonna be a green windbreaker that comes into their heads.

^Illustration credit to Filip Kozak (https://filipkozaksart.tumblr.com/?fbclid=IwAR3vwLX2pNxoFNhTPD1ky14LllPqlLtL1GxGlD79xuHxdtzcHLw-6aNBZWo)

And here’s where this Filip Kozak illustration comes into it; after years of it sitting in my camera roll for years, it finally has a use. There’s really nothing better to illustrate how mundane life has become this year than the disproportionate level of excitement my photo-hoarding-self experienced realising it would fit perfectly into this post and is thus eligible for deletion. Up there with being able to fit a whole box of biscuits onto the shelf at work rather than having to individually take out as many as I can and then shove them on top of the existing box of biscuits one by one. Truly riveting content on this Tumblr page. Back to the point-by using this as my stimulus for the post rather than the Lana Del Rey albums as outfits tag that went round on Twitter, I can conveniently exclude NFR as an outfit inspiration category, and that saves me from having to buy a charity shop windbreaker with its price bumped up 150% by some upper middle class Depop e-girl or boy who uses the word peng as a descriptor like it’s a nervous tic. To make up for leaving out NFR, I’ve tried to branch out a bit and do the outfits not just based on the music videos or album covers but also from street style and stage looks and photoshoots from around the same period too. It was hard not to be influenced by the general “vibe” and sound of the albums either when I was planning outfits, whether it’s the grand, orchestral instrumentals of Born to Die or the 70s psychedelic rock inspired riffs of Ultraviolence and hopefully that’ll show as well! Enjoy:D

Born to Die (Release Date: 27th January 2012)

It’s been 8 years, and when you ask most people what they think of when they hear the name Lana Del Rey, they’ll probably dismiss her as the one who sings about being sad and doing coke and sleeping with older men. That’s the Born to Die impact. Say what you want but it’s one of only a handful of albums released by a female artist to have spent more than 300 weeks on the Billboard 200 chart and it really established the mythos of “Lana Del Rey” because before all this, before all the think pieces from other women claiming she’d set feminism back hundreds of years with her music, before she ousted grayscale Effy Stonem as the queen of angsty teen Tumblr (which as you can probably guess was a subsection of the internet I was very much engulfed by, lmao), she was just Lizzie Grant, a relatively normal aspiring singer songwriter in her early twenties. But as Lana Del Rey, she was someone else-some beautiful, mystical being that personified the sentiment of being born in the wrong era. Whilst every other singer’s record labels seemed to be trying desperately to thrust them into the future and keep them on top of all the musical and stylistic trends, it was refreshing to hear someone whose music and visuals captured all the most glamorous elements of the past. Part Priscilla Presley/Jackie O reincarnation (the National Anthem video really illustrated how Lana is just as much a storyteller as she is a musician), part high level mobster’s wayward wife à la Michelle Pfeiffer in Scarface, she was the good girl by day and the bad girl by night, and I think that’s a duality we can all relate to or would like to think we’re interesting enough to relate to deep down.

Her style from around this period was EVERYTHING. She had those grungy Tumblr girl elements, the camo jacket and the oversized pieces and the leather jackets, but she also heavily drew on the styles and silhouettes of the 50s and 60s with the beehives and the new look Dior inspired cinched waist dresses. Even now in 2020, I think this period is what most people would think if they were asked to describe Lana’s style. I made sure I got the grungy pieces in there with the chunky boots and the vinyl and the oversized leather but the foundation of her looks back then were usually these daintier throwback pieces like the white silk dress and the corset and the mint fur trimmed coat (House of Sunny’s Penny Pistachio coat).

Favourite lyrics from the album? “Now my life is sweet like cinnamon, like a fucking dream I'm living in” from Radio. Nobody asked but I’m gonna give it to you anyway.

Born to Die: The Paradise Edition (Release Date: 9th November 2012)

Lana’s Paradise EP contains probably my absolute favourite song of her’s, Ride, and with that, the beautiful opening monologue that will stay in my mind forever. This era was of course ushered in by Tropico, the short film that included the premiere of the songs Bel Air, Body Electric and Gods and Monsters, which established the ethereal tone of this period-it’s in the name, after all. Both the album and the videos were other-worldly and leaned heavily on religious symbolism which I’m sure pissed off many a middle-aged bible basher at the time. Most prominent in her lyrics were reflections on the freedom of the open road which corresponded with visuals of biker gangs and desert dwellers and modern interpretations of the Wild West, as was an attempt to capture the nature of the so-called “American spirit” which as Lana portrayed it shared more qualities with a kind of celestial, transient being than any kind of solid concept or identity. She played an emotionally detached stripper and a haunted saloon-style-bar singer (almost looking like a runaway bride) and Eve the “first woman” all in the same album and honestly, if that’s not iconic, I don’t know what is. We saw SO many incredible red carpet looks in this period too which built upon this idea of her as the fallen angel tempted by original sin that Tropico established; I feel like this era was all about laying bare the soul of the character she played, this broken, delicate but ultimately liberated being that was so dangerous to the idea of the strong, stable modern feminist ideal. She went about it in COMPLETELY the wrong way in a post that betrayed the ignorance of the privilege she has as a white female performer, but I think this is what she was getting at in it and Ultraviolence only went on to bolster her critics.

In response to the criticism she still receives about the choice to wear a Native American war bonnet in her Ride music video, I’d like to say that it really seems like she’s learnt from that-actions speak louder than words and so though it’s not my place to say whether this makes up for that error, the work she’s done with Native American reparations-focussed foundations since and the money she’s donated to the cause says a lot about her intentions. Again, I want to stress that it’s not my place to say! But it’s a detail that is often overlooked so I thought I’d mention it here.

“I was a singer, not a very popular one. I once had dreams of becoming a beautiful poet. But upon an unfortunate series of events saw those dreams dashed and divided like a million stars in the night sky, that I wished on over and over again, sparkling and broken. But I didn’t really mind because I knew that it takes getting everything you ever wanted and then losing it to know what true freedom is.”

Ultraviolence (Release Date: 13th June 2014)

AH, Ultraviolence. My favourite of Lana’s albums and imo, a masterpiece. ONE skip. ONE. Sorry Guns and Roses. I got stoned in my back garden and listened to this (for research purposes ofc, heh) and ended up deciding that this is what I want to listen to when I die (also whilst stoned). It sounds dramatic but listening to this album in that state of mind is such a heavenly experience that I’d be too zen to notice myself slipping away into nothingness on the basis that if I didn’t as long as I could stay in that bubble of awe, nothingness forever wouldn’t be so scary after all. I know, I know, that sentence has big Jaden Smith’s old tweets energy. But if an album is what helps me get over an existential crisis, I beg you allow me the nonsensical ramblings about how I felt like I was ascending into the stars.

Though in terms of the lyrical content the public perception is probably correct, I think the reputation Ultraviolence has as Lana’s darkest, most gothic album (which is something I’ve in incorporated into the outfits I put together) is mistaken; instrumentally and visually it drew more on 70s psychedelic rock and the bohemian counter culture of the period than anything, and her stage looks are a clear reflection of that, and also the outfits I was most excited to channel. It seems counter-intuitive to the moody atmosphere I associate the tracklist with but it’s my go-to summer album; it’s raw (probably her most stripped back work along with NFR, lots of the songs are barely edited) and it’s gloomy but let’s be real, hot as fuck-don’t bother making a sex playlist, just put Ultraviolence on shuffle, and you’re good to go. This was the album where Lana debuted some of her most criticised lyrics and where the notion that she glamourises abuse comes from, one of the points she also seemed to be getting at in the Instagram post, but imo it’s fair to say that she sang truthfully about the initial allure of a dangerous relationship and the nature of the mindset that facilitates staying with somebody poisonous where you do feel like you’re nothing without them. Turning horrific experiences into romantic tragedies is how Lana has always made her music and yeah, out of context there are some fucked up lyrics on the album, but policing how a woman expresses her trauma and complaining that she glorifies weakness because she wrote honestly about the reality of a complicated partnership is hardly any more “feminist” than the lyrics themselves. I can only guess that the reason Lana felt the need to bring up this criticism in 2020 is because these darker themes are going to be revisited in her upcoming album and that in spite of the issues with the way she expressed herself, this time critics will be more accepting of how she chooses to address these themes.

On a lighter note “yeah my boyfriend's pretty cool, but he's not as cool as me” will always be a great line. Simple but effective. If my boyfriend ever is cooler than me it’ll be doing Lana a disservice.

Honeymoon (Release Date: 18th September 2015)

Considering that a lot of other Lana fans are of the opinion that this is her best album, I find it weird that I really don’t remember all that much about this period, other than High by the Beach being released and then hearing Salvatore and Freak for the first time. I guess because she didn’t do a Honeymoon specific tour and didn’t make that many public appearances in this period? It was definitely harder for me to find visual reference points beyond the HbtB music video and the cover art, so I mostly drew on the general vibe of the album, a cinematic accompaniment to a summer in Italy or the South of France, filled with exotic instrumentals and the sense of impending romantic doom that Lana does so well. I suppose if I associate the visuals of this era with anything it’s idyllic florals and warm tones, bygone country club pool days, a rich American’s vacation in Southern Europe, long walks on the beach (and as our Lord and Saviour Jujubee once said, big dicks and fried chicken). Apparently inspired by Lana’s relationship with Francesco Carrozini, it’s a hazy story of some ultra-feminine, submissive archetype becoming unhealthily enchanted by a mysterious “foreign man” who’s ultimately not all that good for her, which as the story goes turned out to be quite prophetic. Going against the grain, it’s my least favourite of her albums after Lust for Life, but in spite of that, I will always remember how obsessed I was with the sax riffs (I think? I don’t know my instruments all that well so forgive me, lol) on Freak and I definitely understand why it’s a firm favourite for so many.

“You could be a bad motherfucker, but that don’t make you a man.” was truly a cultural reset of a line.

-on an unrelated note, OMG, I never realised how I have my mouth open in literally every fucking photo I take, somebody tell me how to pose, please and thank you-

Lust for Life (Release Date: 21 July 2017)

Lust for Life is a controversial one. On the one hand, I appreciate that this album was the victory cry of a happier, more independent, politically-aware Lana in spite of it apparently being a far more optimistic sounding album than the one she wanted to release, but on the other there were way too many collaborations for me and this meant that the album lacked a sense of cohesion and the characteristic narrative thread that usually runs throughout her tracklist. Aside from Love, Cherry, Get Free and Tomorrow Never Came, most of the songs on the album aren’t hugely memorable and it’s a crying shame that a collaboration with STEVIE FUCKING NICKS of all people left so much to be desired. Coming from two witchy icons, I expected something absolutely magical so maybe I was setting myself up for failure, but come on. We could’ve had a real anthem there.

Aesthetically speaking however, this is one of my favourite eras for Lana, which is unsurprising when you consider the tracklist contains references to both Woodstock and Coachella. I’m not gonna lie, I think seeing Coachella fashion in my early teens was my style awakening-I remember seeing Vanessa Hudgens’ outfits and being like, wow, I want to be her (oh, what a fall from grace)-so the late 60s/early 70s flower power groupie style Lana adopted in this period really spoke to me. It was all long hair and dreamy pastels, and this era included some of the most head-to-toe coordinated looks we’ve ever seen from her. Of course I couldn’t completely abandon the grungy touches that I love, that I tend to associate with the early Lana street style days and the Paradise and Ultraviolence music videos rather than with this album, but I’m never gonna pass up an opportunity to whack out a good floral two piece and putting together Lust for Life inspired looks is the perfect excuse to do that.

So, that marks the end of this post! If you made it to the end, thank you so much for reading! I have a Yesstyle lookbook and review to edit but now that I’ve finished that, I’m trying to go down more of a style inspiration focussed route with my lookbooks rather than just putting together outfits from clothes I’ve just bought (though I might still do one every so often to bring in a new season-let’s just ignore the fact that they’re all blending into one bc climate change for now, one catastrophe at a time please universe). I find that if you have a specific idea in mind of what you want, it’s super easy to find something similar on Depop and Ebay and that way you avoid buying new things and also take old things off a person’s hands that might otherwise end up being thrown out by a charity shop and then dumped into a landfill from there. Something I’d LOVE to do before this year is out is put together a lookbook based on the most stylish TV shows of the last decade, but that probably won’t be for a while-even so, if you have any recommendations of series to watch which could fit into this category, let me know!

To finish, I need to go a little bit off-topic so forgive me, but I truly don’t know why this even needs to be said: WEAR A FUCKING MASK. IT IS NOT A POLITICAL ISSUE. IT IS A BASIC HYGIENIC PRACTICE THAT HELPS SPREAD THE STOP OF A HIGHLY CONTAGIOUS DISEASE! RUDIMENTAL SCIENCE! NOT A CHANCE TO PROVE HOW “EDGY” YOU ARE! SERIOUSLY, STOP MAKING A FUCKING PANDEMIC ABOUT YOURSELF! NOBODY ENJOYS WEARING THEM BUT THEY HELP PROTECT OTHERS! SO UNLESS YOU HAVE A VALID MEDICAL REASON NOT TO BE WEARING ONE, DON’T BE A SELFISH PRICK!

Sorry to sign off on a rant-y note with something that has nothing to do with Lana, lol, but all the stupidity has been grinding me gears lately and I had to let it out on behalf of all retail workers: if we can wear a mask for 9 hours at a time, YOU can tolerate the mild discomfort of wearing one for 10 minutes. I know this doesn’t apply to the majority of people but there’s always a couple of arseholes, isn’t there!?

Stay safe,

Lauren x

#ldr #lana #lana del rey #fashion #fashion blogger #style blogger #outfit inspo

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dcarhcarts · 5 years ago

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What’s your OTP for your Muse(s)

Call it a copout but I don’t want to list cause it will.......be v v long but in general any canon ships, also Muse x Happiness

What are you willing to RP when it comes to shipping?

Pretty much everything up to explicit NSFW. I will take fade to blacks. The caveat being that EVERYTHING IS COMMUNICATED. Please don’t spring a fade to black/random pregnancy/a massive breakup/idk whatever else on me without talking to me first?? I don’t mind horribly if the relationship is a little toxic....but like, intentionally. Like we both know that it’s toxic and we’re actively wriitng it toxically in an interesting...way?

How large does the age gap have to be to make it uncomfortable?

I think....more than 8? My grandparents are 8 years apart so personally for me this is the largest age gap I know a couple to have. Obviously, that age gap being not uncomfortable is always dependent on the fact that both muses are of age. Shipping an underage character with an adult is just....no thnx.

Are you selective when shipping?

Yes and no. This is a trick answer. On the one hand I’m not and on the other hand I am? I get the ship feels very fast if our interaction/plotting sparks the Chemistry Feel, but also the Chemistry Feel is very specific and if I don’t feel it, I don’t feel it. IDK if that’s selectivity or just......normal shipping.

And then there’s also the fact that in general if our muses have a canon relationship, odds are that I probably ship them and want to write shippy stuff. B u t the kicker with all of that is that I don’t like shipping with someone just based off a canon connection bc there is every possibility that I will figure out later on that our portrayals don’t mesh very well or that I don’t actually have the Chemistry Feel from between our muses during the interaction, and I like...I never want to ship for the sake of having the ship? So like.....always talk to me first. Some plotting or interaction would be Best before we decide if shipping can happen.

How far do steamy moments have to go before they’re considered NSFW?

When clothes start coming off or when That Kind of Touching (tm) starts happening. That’s where I’d like a fade to black thnx haha no sexual NSFW on this blog pls thnx.

Who are other muses you ship your muse with?

Hi is this where I LOVE ALL MY SHIP PARTNERS cause here i come. if i missed anyone it’s honestly cause i just got off a 4 hour shift of nothing but leaving answering machine messages and my brain is mush.

@personnages I’m only tagging one blog so I don’t spam the hell out of you but bUDDY PAL WE PLAY SHIP ROULETTE SO MUCH. There are so many that if I put all of them I’ll probably lose my place and cry but my favorites include: Pierre/Marya, Sonya/Andrei, Cass/Anya, plus you be the OG mr. darcy to my lizzie / OG andrei to my pierretasha so like!!!! legendary!!

@gcneralvaganov my partner in crime re: Glenya, Glima, and Glimya. You’re?? actually the 8th wonder in the world??? and I love you???

@skylarkmuses IN THIS HOUSE WE STAN SUSAN/TARAN. SURAN???? TASAN???? ANYWAY WE STAN. Just. I love them. They temper each other perfectly. ALso Im yelling about the mcfreaking Anya/Death Angel and we haven’t even really gotten shippy in thread

@outofthelight / @slackerphilosopher The Evan to my Zoe, the Henry to my Natalie <3 love ya Callie. love that we agree that our kids deserve i n f i n t e softness.

@starblcssd a sAINT AND MY SAVING GRACE WHO ADDED DIMA AFTER FIVE YEARS OF ME CRYING ON THE TAG. Like everyone else you write, your Dima?? may as well have just walked off the stage and straight into these posts.

@moretreasurewithin aNOTHER SAINT WHO PLAYS DIMA AND S O WELL I LOVE YOU and all our threads. I love how our Dimya ship has a bit more taste of the animated movie to it!!

@anastcsie what would dima be w/o *john mulaney voice* HIS WIFE??????? look dima is basically ned from the try guys with how much he talks/thinks about his wife probably.

@spareisms Dima adores???? the squishiest princess. Anna’s his sunshine, that’s it, thank you.

@tsvxtok while we’re on the topic of people dima adores.....Dima would literally die for Senya ok??? it’s established c a n o n facts. not that you’re going to let him die, but I can try, can’t I? lololol

@soulcrossed tHE SOPHIE TO MY HOWL. THE MICHAEL TO MY MARTHA. AND HOPEFULLY, IF I HECKLE YOU ENOUGH, THE BEN TO MY LETTIE. in any case, you’re brilliant, I love that we’re literally the entire hmc rpc, and i’m so soft for all our kids???

Does one have to ask to ship with you?

Yes. Please. Even if it’s a canon ship that you know explicitly I ship, honestly. Please always ask. If you’re too shy to ask, send me an ask with “<3?” or smth, and I ‘ l l take it upon myself to hop into your IMs and guess which ship we might want to talk about until I get it right. 99% of the time I’ll say yes, but it’s just 1) good manners 2) good to let me know? because sometimes we’re writing something vaguely shippy but I would just like the verbal confirmation? it’s almost like my muse poking yours and being like “so are we dating now” except it’s me poking you and being like “are we shipping now??”

And also sometimes our muses have clear chemistry but I have Hard Lines on how I ship with that muse (i.e.....Anatole). Or sometimes I don’t really want to ship, and your muse might just have to have unrequited feelings.

How often do you like to ship?

I am a l w a y s onboard when there’s chemistry. If my muse is making heart eyes obviously I can’t stop them lmao. Likewise if they’re really not feeling it....sorry nah.

Are you multiship?

Y e p. Multimuse, Multifandom, h e l l a multiship.

Are you ship obsessed or ship more-or-less?

I’m not ship-obsessed but I think ships are fun, and I would like ships for my muses. I spent a long time doing rp like...avoiding ships, bc they were generally not a part of the rp experience that I really enjoyed, based on past experience? But now I’ve got the Most Wonderful Ship Partners and while I don’t n e e d ships, I know that I want them!

What is your favorite ship in your current fandom?

"Current fandom” lmao who is that????? How do I pick out of my 1701 fandoms?? I mean........I’ve been looking at a l o t of Kastle edits lately....sooooo that? I’m also catching up on my Punisher sooooo.

Finally, how does one ship with you?

COMMUNICATION!! Plotting! You can skip the initial interaction thread and hop straight into my IMs/Discord if you want, but plotting is the most important element I can think of when it comes to shipping with me. Always let me know what’s going on. Always build on our character relationships. And like..........tell me outright if you wanna ship!!

tagged by: @skylarkmuses

tagging: .....uhhh whoever wants to I guess, this thing got v long and i don’t wanna accidentally put pressure on anyone jfaskl;jflsadf

#( tagging game ) ✵ ~ DARLING IF YOU LOVE ME WOULD YOU LET ME KNOW ~ /#((i'm just. posting all the tagging games lmao))

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serenagaywaterford · 5 years ago

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Curious. Where would you like to see the cast post-THT? Could be a specific show, genre, behind the camera, anything.. Personally I'd love to see how Yvonne does as a director. Maybe more comedy for Lizzie? Come to think of it, Yvonne is pretty funny too. Who do you think can be mega famous?

I hadn’t thought about it at all tbh.

Isn’t Lizzie already pretty freakin’ famous? Maybe I’m crazy but she seems to be to me. I don’t think Yvonne will ever be mega famous simply cos she doesn’t strike me as the type to particularly care about that? And she’s so overlooked an underrated by critics so often and it boggles my mind.

I’d honestly….like to see Yvonne write and direct an episode of THT with full freedom to do whatever she chooses. she’s the only one who seems to actually care about the show anymore. I know the question is about post-THT but I thought i’d throw this in here. I think if anybody can nail it, it’s her. Lizzie… NO. Not again. Deffo none of the others. God, can you imagine Fiennes doing an ep? Oh hell no.

anyway, this isnt about that is it?

I wouldn’t mind seeing Lizzie direct, as long as she’s NOT in it. Cos THT’s S3 just proved she’s pretty obsessed with herself onscreen so if she’s directing, I don’t want it to be something she’s also starring in. too much cinematographic masturbation for me. A comedy would be interesting too.

Yvonne… I’d like to see her in a not shitty drama. No stupid spy or serial killer shows. Just something NORMAL. Or deeper. Maybe an hbo miniseries or something. or a show like the deuce where it’s heavy and well-produced. her filmography is pretty… how do i say this? lmao. unrefined, i suppose. crappy thrillers and shitty horror films, and then dexter and chuck lmao. she needs better material to show off her talent. (THT was heading there and then fucked her over in s3).

Fiennes… .can fade away. idec. same goes for max. he can just keep fucking young girls and riding their coattails until he gets his comeuppance eventually idgaf.

Samira getting a lead role in something, would be nice.

i’d like to see ann dowd write something perhaps. i don’t know why exactly, or what. i have no idea why i think this.

i’d want to see yvonne in a film where she plays a musician and gets to play guitar and sing cos it drives me wild. i’d die for this scene and that vid i just posted to somehow be in the same film. so basically i want elisabeth moss to write a film and yvonne to direct it, starring the two of them together. is that too much? it doesn’t have to be a heavy drama. just. i dunno.

#Anonymous

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simplylove101 · 6 years ago

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Influential TV Shows

Okay this is kinda random and why I prob won’t tag the shows I list cuz this is more just something I wanted to get out of my head after watching J&J’s latest podcast where they were talking about this topic. They kept it to 7 shows each and while that would certainly be interesting to try, that’s kinda hard. lol I went about grouping some of them - shows that shaped me growing up, shows that impacted me/stuck with me, comfort shows/watch with the family, taught me about fandoms, etc. And saying something about each of them. Anyway, this is stupid but here we go lol:

The Shows Growing Up:

Sailor Moon: Okay, nobody make fun of me. lol This is the first show I remember really watching as a kid that wasn't Barney or whatever, something I decided to watch by myself and it actually had an ongoing story. And ofc it took time for me to realize that this was just an English dubbed version that they would play on Cartoon Network. Looking back on it, it’s a little cringey (the voice readings, Serena being a bit of a crybaby) but seeing girls, even if it was animated, kicking ass over evil as a group made an impression on me so it’s no wonder I would watch it religiously after school and was sad when they stopped airing it. And ofc I watched all the movies too. I was a shameless fan. lmao I also eventually read the manga and appreciated it.

Hey Arnold: As a kid, I would watch Cartoon Network & Nickelodeon (& eventually Disney when I got a little bit older), and I think one of the Nickelodeon shows that really stuck with me as a kid, like Rugrats, was this one. It had a wide range of really distinct characters. It was genuinely funny. And I did love the dynamic between Arnold & Helga (who was interesting & sometimes they would let her be the protagonist of an ep instead of him, like the therapist one which is a def fave) even if her crush was kinda as stalkerish as you can get why maintaining innocence. lol And you know what? I did totally watch the recent movie they did where it tied up loose ends like getting these two together and allowing her to grow as a character. Gotta say it was rewarding after all this time. lol

All That: I feel like I gotta put this here because I watched this show all the time as a kid. And I think it’s something that really taught me about comedy. I had seen things from Saturday Night Live growing up cuz of my parents but this was my Nickelodeon version with people that weren’t much older than me at the time so I could really get what was going on/enjoy it. It’s also the first place where we saw people like Amanda Bynes & Kenan Thompson & Kel Mitchell (which is partly why I later watched things like The Amanda Show and Kenan & Kel) What can I say? As a young person, it was just really cool seeing kids being funny. Yeah, there was some cheese but I didn’t care. It stayed with me.

Boy Meets World/Sister, Sister/Lizzie McGuire/Even Stevens: I kinda cheated here and bundled these shows because these are four of the shows I watched on Disney growing up (Disney showed reruns of Boy Meets World & Sister, Sister for the record) There were others like That’s So Raven, Suite Life, Wizards of Waverly sort of, Proud Family to name a few but these shows I picked have such iconic episodes that I still remember well and love. Like Even Stevens - musical episode hands down Idc. Boy Meets World - Scream-inspired Halloween ep for sure. Yes, there was cheesiness with all these shows. Sometimes very after-school special, but they shaped me I think. Also gotta mention, I remember thinking of Hilary Duff as my idol. lol

The Ones I Watched With the Fam:

That 70′s Show: Now the thing with my family is that we were one where for a time we would watch tv while eating dinner and my dad would have control of what channel we watched. It was always this way, which meant it would either be Law & Order or Seinfeld (the second one I was cool with and I almost included it on here cuz it’s such a staple comedy but eh,,, I appreciated it more later on. It felt more forced on me at the time) This is probably one of the only shows I can say my whole family truly agreed on watching all together tho, including my sister who generally watches trashy reality shows. This show will always remain one of my faves, because it was hilarious. It got a little weaker towards the end (We do NOT speak about Season 8) but I loved how it was a true ensemble sitcom where everyone brought something to the table and enjoyed the different dynamics between the group. The funny running gags, Jackie & Hyde still remain one of my all-time otps, and Kelso is probably the funniest & lovable dumb character I can think of (If nothing else, Ashton Kutcher was meant to play this part ok) It was nice to have something my whole family could enjoy together. It was a rarity so this show has a special place in my heart for that alone.

Joan of Arcadia: Another show that has a place in my heart, despite it only lasting 2 seasons and it ending on a bad note (major cliffhanger, still never fully making things right w/ Adam after destroying his character, ultimately S2 was problematic but still) because this is a show that I watched religiously (pun not actually intended here lol) with my mom every Friday it was on. What I loved about it was that the concept is centered around Joan talking to God yet it generally wasn’t being preachy. Joan wasn’t always willing to do what God wanted her to do, and things didn’t always turn out how she wanted. It was a kinda perfect blend for me and my mom to watch together. After this we were more willing to watch stuff as a pair cuz we were close but this started all that. I remember always being curious how God would appear to Joan cuz it was always changing, but there were some fave recurring ones like Cute Guy God, Goth God & Old Lady God to name a few. heh Joan was played wonderfully by the awesome Amber Tamblyn who could always make me cry (naturally she played my fave Tibby in the Sisterhood of the Traveling Pants movies too lol) and she had awesome friends in Adam & Grace (who were my faves) and family. I rewatched this show and you know, I’d say S1 holds up and even the first half of S2. Heck, the episode where Joan & Adam break up towards the end of it, while totally heartbreaking and PISSES me off cuz bad writing for Adam, was solid simply for the acting so there’s that. lol

Buffy the Vampire Slayer: Putting this show under this category because this was a show that I mostly got into because my sister loved it growing up. I was really young when it came out so I mostly remembered bits & pieces when I later watched it when I got a little older. It stuck with me tho cuz ofc the awesome Sarah Michelle Gellar playing badass Buffy (she was my sister’s idol) and it was a genuinely funny and smart show. It also got dark too. It wasn’t always solid towards the end, but I think it mostly nailed the actual ending (why Anya had to die tho... Spike I got but ugh) Anyway, this was kinda a big deal cuz it was the only thing my sister and I really watched together that wasn’t bad reality television or me barely paying attention to Dawson’s Creek at the time lol This showed that my sister could have taste when she wanted to (lmao sorry)

The Carol Burnett Show: I had to mention this show because this is one that got me, really my family, through dealing with my mom’s dementia. We chose to care for her at home instead of putting her in a nursing home. We did this for 2 years until her death. And the one thing we (excluding my sister cuz her & old stuff don’t mix) could always count on cheering us up was this show. My dad told me that my mom loved this show growing up and that’s why we turned on for her. So luckily memory or no memory, she still had a sense of humor and she knew when to laugh. And with good reason. This show is hilarious. So iconic. Carol Burnett was/is rightfully loved dearly for this show. I wish I had more I could say, but this was truly a comfort show when I desperately needed it so I am forever grateful that it existed.

Honorable Mention: Young & Hungry - another show that got us through that dark period, my dad actually really enjoyed this, despite seeming skeptical, and eventually started calling it the “Josh & Gaby Show” lmao Only thing is we never finished it together so oops. Not so much influential maybe but worth mentioning it felt like since it was underrated, got me thru a tough time, was hilarious and I loved that cast a lot. Emily Osment deserved to be the lead of her own show. Comedy queen.

The Ones That Brought Out the Fangirl In Me AKA The Teen Years:

The O.C/One Tree Hill/Gossip Girl/The Vampire Diaries: Another category where I’m just grouping them up together cuz ultimately it wasn’t about high art with these shows. They were the staple teen shows that everyone was watching and well, I was one of those people. lol It all started with The O.C. It was one of those ‘at the right time’ kinda things cuz I just went into the 6th grade when S1 started and it was such a big hit that everyone was always talking about it and there were even shirts involved (I never went that far lol) but this is where my need to explore YouTube came and then I was making fanvids. Gossip Girl is the one where I actually inserted myself into a fandom for the first time. My goodness the cringe that came with it but it gave me two of the longest online friendships I’ve ever had so I don’t regret it. (Shoutout to @backtothestart02 here as one of them) And well, three of these shows taught me the toxicity that can come from fandom. So I’ve been less vocal/more aware with other shows because of it. There’s problematic stuff in all of these but they were entertaining most of the time despite frustration (lol)

Honorable Mention: Teen Wolf - Had to mention this one cuz this was a show where I had a group of friends who all watched this together and we talked about it til the end (even when we weren’t happy with it lol) I was never really vocal in the fandom cuz by this point I was wary of them (fandoms I mean), but it was nice to share a show with people who felt similarly about it. As a show, I truly loved it up to 3B. Some of my favorite episodes were the ones that almost felt standalone-ish (3x06 AKA Motel California still remains my fave to this day) Lastly, it’s because of this show I was introduced to Dylan O’Brien who I always refer to as my ‘always & forever’ guy so yeah lol

Maybe Superhero Shows Are Worth Watching lol:

The Flash/Daredevil/Cloak & Dagger/Runaways: So I’m someone who growing up, beyond Spider-Man and Batman, never really jumped at superhero movies. I still don’t to an extent but I’m more willing to watch stuff now. I think because when it comes to TV, I’m willing to check out at least an ep. I got into The Flash because my friend Lauren was really into it (and still very much is now) and wanted me to check it out so I did. I sorta watched Arrow before it until a point so I’d seen Barry’s appearances on it and remembered thinking he was precious so I wasn’t surprised that I liked him as a main character. I do think these later seasons have lost some quality but I think the earlier ones were very solid and Grant is perfect in the role. Daredevil... R.I.P. That show was so high quality so the fact that Netflix cancelled it is just rude. Now... Cloak & Dagger has been one of those surprises for me cuz it was such a slow burn that when it really got going it left me wanting more. That S1 finale was so solid. Cannot wait for S2. Love the dynamic between Ty & Tandy. Now Runaways isn’t perfect but it’s my biggest fandom right now and I’m proud of that fact. It’s a show that highlights diversity with 4 PoC leads & 4 kickass ladies (Nico & Gert are my bb girls), healthy ships including an LGBTQ couple currently as the main one (tho it is Gertchase that owns my heart), and overall a pretty great cast that meshes well like the thrown together family they portray. It even got me back into writing fanfic again. A miracle tbh. lol

Overall Just Amazing:

This Is Us: I just think that this show pulled me in the second they revealed that first plot twist in the pilot. It surprised me and then they kept doing that a bit after. Now it’s more about how it has the ability to make me cry every ep and feel things. It doesn’t always touch me the same it did in that first season (it was an emotional year for me tbh) but it does have a class act cast who can always pull at my heart strings.

Boardwalk Empire: This technically could have went under something I sort of watched with my dad, but it is kinda a weird show to share I guess. We didn’t usually watch it together (saved some awkward convos sometimes lol) but always talked about each episode weekly and it was kinda fun cuz it was usually in-depth. My dad still quotes things from it to this day. He also once said that he considers S1 the best TV season he’s ever watched. I agree that it was great. For me, the first 3 seasons are solid while the last 2 felt different but still pretty good. There was such quality to it. Great acting headed by Steve Buscemi. What can I say? I have a thing for gangster stories. I could say more but I’ll stop. lol

Stranger Things: The show that really turned me into a binge-watcher. I had just gotten Netflix and what show did I decide to watch on my birthday? This show. I had seen things in the media about the kids from it and I was like, they’re adorable!! And ofc I got hooked when I actually watched the show. It just has everything in it that I like: mystery, thrills, humor, hint of romance, awesome acting, music moments, nostalgia. This was my obsession for a while until I got into some other things but if you don’t think I’m totally pumped for S3, then you best believe I’m watching it all in a day if I can. lol

Community: This is a show that reminded me how a show can think totally outside of the box and still have a lot of heart with its comedy. I love situations where a group of misfits come together and become a family. I love that this show celebrates being different. Troy Barnes remains one of my favorite TV characters ever (& omg his friendship with Abed is pure goals!!) and Donald Glover played him perfectly. And Alison Brie is just adorable as Annie. Love this group of weirdos. The quality was different after S3 but I still adore it.

Into the Badlands: Have to mention this show because what it has been doing action-wise is just incredible. The fighting sequences are out of this world. I’m always excited to see how they top it. Also, an Asian male lead? Go dude! The whole cast is wonderful and everything is just high quality, ok? Also, that cinematography!! Can’t believe it’s ending when it comes back. Sadness.

One Day at a Time: This is more of a recent discovery for me (had friends who watched it and knew it was good but only decided to check it out not too long ago) but it’s already made its impact on me. This show has so much heart to it. The writers put so much care into their work when they bring up these controversial issues in the episodes. All while being totally hilarious (but also trust me, I manage to cry at least 1 or twice an ep lol) A show centered on a Cuban family, plenty of good rep for LGBTQ/non-binary people while also handling things like depression/anxiety, addiction, immigration, etc. It’s definitely making its mark on TV. Also, Rita Moreno is a living legend who I adore. I love this cast so much.

12 Monkeys: I. loved. this. show! I still think it had the best series finale that I have seen in a while. It wrapped up things so well that I was smiling for a while after watching it. I couldn’t believe that of all shows this one gave me a happy ending. lol Casserole remains one of my all-time ships because they were truly epic and pulled at my heart strings so many times. Jennifer Goines was my queen. But seriously, a show about time travel that managed to make sense? So impressed. And the visuals? gahhh

Friday Night Lights: Last, but most definitely not least, this show is just up there as one of the all-time bests IDC. The fact that at first glance the show seems centered only about football and it got me to keep watching definitely says something. lol This show had so much heart, the cast was excellent, an ending that was pretty much perfect. Coach & Tami Taylor were relationship goals. Honestly one of the best portrayals of a married couple I’ve ever seen because they were very much a team (while yes there was the occasional bickering that you gotta love) and it just felt real, you know? Also, it’s a show that proved that you can come back from a sophomore slump (yeah S2 was the worst season) and continue to be great.I can’t decide if it’s my favorite show of all-time but it’s certainly one of the first ones to come to mind. So glad I decided to give it a chance.

There’s probably a couple other shows I could list here but some I haven’t finished yet and don’t feel ready to put them on here yet. This is just what I could come up with.

#about me #influential tv shows

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nomdeguerreblogs · 7 years ago

Text

Some Thoughts About S4

Thanks to the anon who prompted this mini-thesis because. So. Many. Thoughts.

Tommy faces the morning sun and closes his eyes to regret and grief. Another series dawns…

Let’s start with the big question: ‘Is John Shelby Going to be Bumped Off?’ Short answer, I think so. I’ve vacillated a lot tbh, because being so spoiled it feels massively telegraphed, to the extent that it could be deliberate misdirection. Although that the evidence for it in the trailer is far from conclusive for people who casually watch the show is kind of proof in itself I think - there is still meant to be a question mark. But when you combine Esme weeping in (I’d bet on it because of her height and the necklace) Lizzie’s embrace; John and Esme’s absence at the family meeting; the Watery Lane bts shots without him joining the swagger; the wearing of black at that family meeting and elsewhere; that John and Esme haven’t had terribly much to do together since s1 and now are heavily featured; and Joe Cole not spending so much time on set it’s feeling ominous. Sure, it could still be smoke-and-mirrors. The tweeds of the promo pic suggest he goes country (the absence); and the black dress Esme’s in from that promo is the same as the one she’s wearing in a scene with John when he’s clearly very much alive. Her tears could be shock for his near-death (there are the scenes outside the hospital) or the untimely demise of one of their children. I don’t think the black is a ruse though, they all seem too united in anger at Tommy, and it’s not for our golden wrapper Harry Kirton at that point. The trailer heavily suggests that at least one of them will die, and wise money would be on John. At least it looks like there might be relatable grief this time.

About the family meeting, it is nice to see them in the gambling den again. I am terribly pleased Johnny Dogs and Charlie Strong are there too. But my favourite bit of the entire trailer is Finn’s Look™ at Tommy. They’ve come a long way since “that’s why you should never pretend to be me.” As if Finn ever had the choice to depart that shadow. I’ll miss Harry for whatever reason he’s leaving, he looks like a baby F. Scott Fitzgerald with that parting.

The Michael, Arthur and John scene with the policemen is likely a follow-up to s3. They are either being walked to the noose or a sentencing. They clearly all make it, past that point anyway.

Paul Anderson can break me with a twitch of his moustache and the dribble of a tear. Please never kill off Arthur, SK, I beg. Or Linda, I like her and that revolver was so cheering…

Michael and Ada don’t appear much in the trailer, but I think in combination with their ‘ranking’ in the s4 promo pic (and the comparative luxury of both’s outfits in said image), that’s because they’re still going to be the ‘legitimate’ side of the business - Chief Accountant and Head of Property and Acquisitions. Here’s hoping they share a plot, it could be enormous fun.

Polly facing the gallows must be her follow-on scene from the cliffhanger; she has the same hairstyle and blouse as 3.06. She clearly survives to do other things, which is great because SK needs her for balance. She’s the heart of the family, after all. The scene of her dressed in a fabulous floral kimono-type thing, taking a moment, is overlaid briefly by the zoetrope of the Edwardian (Victorian?) woman, perhaps representing something she once aspired to be, spinning round and around and it seems Polly herself will be sent reeling this series. She has a couple of quite different hairstyles - is there an element of disguise? Also the holster.

Speaking of hair, Charlie has a Peaky cut lmao. Tommy’s mini me. Perhaps nits were a problem at Arrow House? Tommy continues to have Dodgy Taste™ in artworks.

Adrien Brody appears to be another threat from Northern Ireland by that accent. Knowing SK, he’ll be ‘establishment’ of some kind as well; Tommy is always working against ‘them above,’ being as bad in order to survive ergo badder by the series, and there’s no other character we know of yet that could fulfil that role. But hell, Brody could be dubiously linked to the US government and have a legacy accent. He seems to be reprising Sabini in a murky tunnel at one point.

Alfie isn’t looking any healthier, or happier. Is the beach where that machine gun enters the country? Bravo the Woody cameo!!! I am desperately keen for Tommy and Alfie to have a fight on wet sand it would be hilarious.

Speaking of the machine gun, I LOVE the styling of that shootout! First time Peaky’s felt like a Western since s1 and I am digging it deeply.

ALSO pumped about the boxing match which I’ve been looking forward to since that ticket surfaced (date: 12 February 1926, Golliath vs Gold). Jack Rowan’s character is a bit of dark horse, though I’m guessing he’s the ‘Gold’ of the ticket bc his opponent is a fair bit bigger - he’s victorious in the ring, as well as there with Aidan Gillen’s character who is still thankfully lovely despite the hair - what ARE they there for? Anyway, that’s a publicly demonstrative thing Tommy’s doing with the gunshot at the end of the fight - it’s a message surely. The massive Union Jack AND Saint George’s Cross on the wall feel significant, especially possibly in conjunction with an Irish villain.

The girl under the bridge… I’ll come down off the fence and say I think that’s Charlie Murphy. I’d bet on it. One of my favourite mutuals (who’s very good at these things) swears blind it’s Lizzie, but there’s something about the profile where the cheeks meet her mouth and that tiny bump in her nose. Her hair looks longer than Lizzie’s s4 bob too. It is better than comparing Gaite and Annabelle’s breasts. Anyway, we’ve found our love interest of the series. Jury’s out on whether she’ll be the only one or one of two or three; my anxiety about Lizzie is unabated and May’s in s4. It would be the first series since one to not give Tommy three ladies. *sigh* *crosses fingers* The scene itself calls a bit to Ada and Freddie in 1.01, who met in the tunnel to hide their relationship. We’ll see; whatever it is it’s more intimate than the ‘hands’ bit of the s2 promo or the drunk snogging of s3. I’m just not that interested any more. At least it doesn’t look like she’s a queen on Tommy’s ever-more-acquisitive series of bedpost notches.

That scene in the cell with Arthur? No idea. And the tunnel-walking with gun raised in the lighting that seems designed against intravenous drug use is also a mystery. Though it looks like Victoria Baths to me and there isn’t even a whiff of May so at least that bit of plot is probably not facing reprise.

Cautious optimism abounds for a series that looks to be bringing all those chickens home to roost. There was no emotion that wasn’t pain or fear and after s3 that is apt and deserved. Here’s to the bleak midwinter!

#peaky blinders #s4 #s4 theories #mine #i'm a bit worried about the way location's going to work but otherwise...#looking up

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