#online surf shop uk

[starseedfxofficial]

Lebanon-Israel Ceasefire: Forex Opportunities Hidden in the Middle East News Shifting the Forex Landscape with Underground Middle East News The Forex market is like a game of chess. Each piece you move can either secure your success or lead to checkmate. Today, we’re diving into a secret corner of the financial news that’s quietly shifting the chessboard: the Middle East. The recent geopolitical moves in this region might sound like a far-off concern, but understanding them is the key to staying ahead in the Forex game. And trust me, these moves are worth a lot more than pawns. But let's keep it real. The Middle East news isn’t just about ceasefires and diplomacy; it’s also about the small ripples that become tidal waves—waves that smart traders can surf for profit. We’re going to break this down, underground-style, and I promise: no eye-glazing jargon, just clear insights and humor sprinkled in for good measure. After all, trading doesn’t have to be boring. Lebanon and Israel: On the Verge of a Truce or Another Bluff? Hezbollah, Israel, ceasefire—sounds like the usual rollercoaster, right? Well, it’s a bit more like realizing you’ve got two left shoes after an online shopping spree. Confusing and not entirely useful at first glance, but let’s polish this up a little. For traders, what’s happening between Israel and Lebanon isn’t just political theater. It’s also a massive game of signaling. When Israeli officials hint at a ceasefire—“we’re on the cusp”—it’s like someone saying they might, just maybe, buy Bitcoin at $40,000. Markets love signals, and when the Middle East throws up signs of peace, currencies like the Lebanese Pound could dance to a new tune. This isn’t just about Israel, though. Forex trading relies on catching these shifts before the broader market sees them. Every hint of ceasefire might be a chance to take a position on the USD/ILS or even the Euro, as broader stability in the Middle East can lead to unexpected currency correlations. Remember—the market is about perception as much as it is about fact. Iran, Nuclear Talks, and the Mystery Dance Iran and nuclear negotiations are like the Groundhog Day of international politics. We hear they’re going to meet up—this time with the UK, France, and Germany. But the real question is, does it matter for Forex? The answer is, definitely. Think of the nuclear talks as the fuel gauge for geopolitical risk in the region. The lower the risk (i.e., diplomacy goes smoothly), the higher the appetite for emerging markets, which could mean strength for currencies from countries aligned with Iranian diplomacy—like the Turkish Lira. Conversely, a faltering Iran-Europe discussion could mean increased volatility, pushing investors back into the safety of the USD. Traders should focus on timing: when are these talks scheduled? Friday—mark it down. If headlines start turning sour before then, you may want to hedge, and if things take a positive turn, keep your eyes on regional emerging market pairs. Drone Attacks: A Buzz in Ashdod and What It Means for Oil Hezbollah took to the skies over Ashdod Naval Base—a buzzing drone attack that’s the first of its kind, making headlines worldwide. To the average reader, this is just more bad news. But for us, it’s a hidden gem. Drone strikes near naval bases are a very real signal of heightened conflict risk, especially in oil transportation routes. Oil prices react to even the slightest whiff of disruption. And if oil is moving, you can bet that oil-dependent currencies like the CAD (Canadian Dollar) will move too. This isn’t the stuff of conspiracy theories—it’s about being a step ahead. When there’s pressure in the Gulf or around Israel’s coastline, it’s time to look at oil futures, then make your move on the USD/CAD. Murder, Politics, and Forex: How Israel’s Latest Crisis Affects Market Moves Okay, real talk: the news about Israeli Rabbi Zvi Kogan being murdered in the UAE is tragic, and beyond the personal loss, it’s also setting off political shockwaves. Iran has denied involvement, but you know how these accusations go—it’s a back-and-forth game where both sides deny until they’re blue in the face. But here’s where things get interesting for Forex traders. Israel’s Prime Minister called the act a terrorist attack, vowing to take action. The market loves safety, and incidents like this drive traders into safe-haven currencies—which usually means a stronger USD or JPY. Pay attention to Israeli government announcements here. If the situation escalates, or tensions with Iran heighten, expect investors to pile into safer waters. That means buying dollars or yen while everyone else is figuring out the politics. Why You Should Care: Insights You Won’t Hear on Mainstream News All this might seem distant, but every geopolitical twist and turn means opportunity for those who know where to look. Here's the hidden pattern: while most traders focus on macro indicators and big economic data, smart Forex traders understand that politics and sentiment in regions like the Middle East move markets in subtle, powerful ways. This is your chance to trade the shadows—to take advantage of trends that most traders dismiss as "just news." Did you know that during previous conflicts, the Lebanese Pound experienced micro-surges due to changes in investor confidence based on nothing more than a handful of rumors about ceasefires? Imagine having the inside scoop on which way the market would turn—that's where the edge is. By keeping a close eye on the dance between Iran, Israel, and the rest of the Middle East, you could potentially position yourself ahead of big market moves. This isn’t the kind of insight that your run-of-the-mill trader will pick up on; it’s what makes the difference between profit and regret. Ready to Take the Leap? Advanced Methods for Complex Markets Sure, you could sit this out and wait for "more stable times," but guess what? There are no stable times in the Forex world—only opportunities we seize or miss. Understanding political tensions isn’t just about reading the news, it’s about analyzing where the market is going to react—and taking that leap before everyone else. And hey, if all of this seems overwhelming, you don’t have to do it alone. Dive into our Forex Education for exclusive strategies, or get in on our Community Membership for expert analysis and live trading insights. This isn’t just about knowing what to do; it’s about knowing when and how to do it with precision. —————– Image Credits: Cover image at the top is AI-generated   Read the full article

[aestheno]

I get asked a lot about whether I wish I had been born in the United States and wish I were American instead of British. It usually surprises people when I respond saying that, no, I don't wish I were American, I don't resent growing up in the UK, and that I don't even think about becoming an American citizen one day. For someone who makes it a known part of her identity how much she wants to relocate to the United States, this is apparently quite a shocking opinion.

The United States and the United Kingdom are two measurably different countries. The gargantuan younger sister of the two is loud and boisterous; she is ambitious and annoying; she breaks the rules and feels not one shred of remorse; she befriends the misfits and invites in only those who have the gall to believe they can change the world - that they, an individual, are fundamentally special. The older sister is poised and proper, at least on the exterior as as she pretends nothing has changed; she's classically beautiful and frames all of her achievements on the dedicated wall of her house; she demands the correct steps be followed, and that reverence is earned only once you've taken them. She'd lose gracefully before winning scrappily, and her distaste for the delusional palpitates through her constituents. To her Frankenstein, the USA is the monster she doesn't quite want to claim, yet remains close enough that she can reap the rewards of the dirty work she doesn't want on her hands.

Either exist as quite the character in their own right. The free market republic vs the historic monarchy, power manufactured vs power inherited, the capital of new money vs the capital of old. But for all their differences, the combination of the two embosses the faces of a far more valuable coin. Crossing the Atlantic to merge one's life experience and culture with that of the other country is like creating metal alloy, with a resulting strength greater than either of the originals. The feeling of truly belonging to both societies is better than leaving one for the other, or never leaving one at all.

The evolution of my accent and dialect represent my straddling of these two cultures well: the inside jokes one shares with members of a culture can only be joined in with if one speaks the relevant language. The disdain amongst Europeans when I say 'Fahrenheit', 'soccer' or 'pounds' leans up against the confusion of Americans when I talk about 'coriander', 'crisps' and 'chemists', like a keystone bridge perfectly balancing my belonging between the two. My tour guide knowledge of Los Angeles lies dormant when I live life in London, and my expectation of one-a-minute public transport and Georgian terrace shopping streets sits idle when I am in California. While my Twitter page says I am based in 'LDN/LA', online acquaintances frequently ask me which city I actually live in.

If I were to reject my British heritage, I would be turning my back on the English countryside that formed the backdrop of my childhood; I'd be ignoring the camping trips and surfing holidays; the 800-year-old thatched cottage I grew up in and the narrow lanes through adjacent meadows that led us there. There'd be no grammar school education, no vacations to mainland Europe, no self-funded weekends in London; my globally prestigious degree would have been ten times as expensive on a ten times uglier campus, and my epilepsy diagnosis would have bankrupted me out of my dreams; my cultural heritage in the arts and sciences would be microscopically as impressive, losing figures as Isaac Newton, James Clerk Maxwell, Charles Darwin, David Bowie, Freddie Mercury, Christopher Nolan, George Orwell, William Shakespeare, Isambard Kingdom Brunel, John Lennon, Alexander Flemming, Alan Turing, Emmeline Pankhurst, JRR Tolkien as my forefathers. The landscape of London would be nothing but a tourist attraction to be romanticised from afar, rather than a place with which I share a personal connection, despite its lifetime beginning thousands of years before my own.

The USA is a universe the rest of the world grows up with: it is the set of a TV show, and its people are the characters. A British child can tell you about yellow schoolbuses and prom and downtown. So the idea of craving an existence wholly as an American is like craving being the default background noise. It's wishing you could remove your own cultural intricacies to have a life you watched on TV. Personally, I find it more appealing to fuse my life as a foreigner with my life I have chosen in America. To combine the flavours of both homes and live in the sunbeams of each. I want to possess membership to both clubs as someone who loves my chosen family just as much as the one I was born into.

Because the beauty of America isn't shown on the TV shows I saw as a kid. But it is more obvious to me as someone who natively appreciates the beauties of Europe. America's beauty isn't in its ancient architecture or how its Renaissance changed art forever. It's not in its 16th Century playwrites nor its 17th Century scientific breakthroughs. Its millennia-old institutions aren't global landmarks and its monarchy does not possess jewels displayed proudly in guarded towers. America has none of this. Its beauty is in the history it built for itself. It's in its belief in the power of the individual and the consequence of ambition and tenacity. It's how it sees an opportunity for glory, success and excellence and strives for it. How it creates unignorable craters in global culture. Its race to the moon contingent on its sleepless nights and deadset goals. Its two-pronged monument taller than any other on Earth, forcibly poking at the heavens as it raises its secular head and screams that greatness is not only for the gods. Its embrace of change - both good and bad - characteristic of its aversion to complacency. America didn't build the world, but it took the one it was given and refused to let only the kings and queens have a say in its running. It welcomed both explosive good and undeniable evil into the world as it has trial-and-errored its way to the top. And hiding neither behind the guise of centuries old establishments, it holds its hand to the next layman and tells him he can do one better. As the concrete societal standards in the UK ask you, 'What makes you think it can be you?', the US asks, 'Well, why can't it be?'

Both countries bear the responsibility for untold horrors across their histories, some still ongoing. The idealised versions of each land's ethos, in reality, is contaminated with injustice. And while the manmade landscape in Britain is strikingly beautiful, in America you'll find the opposite. But for every plain field or uninspiring environment in the UK, there is a spectacular natural wonder on US soil.

Residents of both countries feel the negative effects of the ways of life in each. The downsides of the American dream and free market society posture up against the cultural rigidity of the United Kingdom, and its subsurface classism working against any attempt of social mobility. But the sparkle of the wonders each country created still glistens excellently when held under a light.

To me, being a part of both worlds is a dream. My British past and my American future. My combination of these lands of inspiration - the way I can choose for my life to be touched by two places who have irreversibly touched all of human history. The intricacies of their societies and the stories of their people, whose struggles and dreams are just as much potential precursors to greatness as my own. Abandoning one for the other just makes me a flavour of person already tasted; it throws away the dimensions that have imbued me, that pave the unique steps to my own apotheosis. I cannot chase after a past I never had, but I can sculpt a future how I like with the one that I did. And as a result, I get to live a life enriched by two homes, two peoples, two worlds. In what universe would I ever choose to untangle that?

[kitewingandfoil]

Top 10 Places To Buy Cabrinha Kites In The UK

Kites, those wonderful creations that allow us to soar through the skies like majestic albatrosses (or at least try to), are vital for any kiteboarding enthusiast. If you're on the hunt for the perfect Cabrinha kite in the UK, look no further! We've compiled a list of the top 10 places where you can find these fantastic kites to take your kiteboarding game to the next level. So grab your towel, don't forget your trusty guidebook, and let's initiate on this whimsical journey to find the best Cabrinha kites in the UK!

Key Takeaways:

Choice is Plentiful: With the top 10 places to buy Cabrinha kites in the UK, you have a wide array of options to choose from.

Quality Assured: These top 10 places are known for their reputation and reliability in providing high-quality Cabrinha kites.

Convenience at Your Fingertips: Whether you prefer to shop online or visit a physical store, these top 10 places make it easy to get your hands on a Cabrinha kite.

Top 10 Places To Buy Cabrinha Kites In The UK

Online Retailers

One great option for purchasing Cabrinha kites in the UK is through online retailers. Websites such as Kite-Line and King of Watersports offer a wide selection of Cabrinha kites with convenient shipping options right to your doorstep.

Specialty Surf and Water Sports Stores

Places like The Kiteboard Centre in Brighton and Airtech Kitesurfing in Poole are fantastic options for buying Cabrinha kites in the UK. These specialty surf and water sports stores have knowledgeable staff who can help you find the perfect kite for your needs and offer expert advice on gear and accessories.

eBay - For those looking for a bargain or a rare find, eBay is a great place to look for Cabrinha kites. With both new and used options available, you might just snag a fantastic deal on the perfect kite for your next adventure.

More Options To Consider

Independent Kite Shops

Many independent kite shops across the UK offer a variety of Cabrinha kites for all levels of kiteboarders. Whether you're a beginner or a seasoned pro, these local shops provide personalized service and expertise to help you find the perfect kite for your needs. Check out these hidden gems for a unique shopping experience.

Outdoor Gear Retailers

Any outdoor gear retailer worth their salt will have a selection of Cabrinha kites available for purchase. From large chain stores to small boutique shops, you can find these high-quality kites in a variety of locations. So, if you're looking to add a Cabrinha kite to your collection along with other outdoor gear importants, be sure to explore what these retailers have to offer.

One such retailer that stands out is AdventureX, known for their top-notch selection of outdoor gear and knowledgeable staff who can guide you in your Cabrinha kite purchase. With multiple locations across the UK, AdventureX is a go-to destination for all your outdoor adventure needs.

Another retailer to consider is Summit Sports, a favorite among outdoor enthusiasts for their extensive range of equipment and gear, including Cabrinha kites. With a focus on quality products and customer satisfaction, Summit Sports is a reliable option for adding a Cabrinha kite to your gear arsenal.

What To Look For When Buying A Cabrinha Kite

Quality and Authenticity

Look for reputable retailers that are authorized Cabrinha dealers to ensure you are getting a genuine product. Quality is key when it comes to kitesurfing, so always check for the Cabrinha logo and quality craftsmanship to ensure you're getting a kite that will perform well and last for many sessions to come.

Price and Warranty

Buying a Cabrinha kite is an investment, so consider the price in relation to the warranty offered. A good warranty can give you peace of mind and protect your investment in case of any issues. Compare prices from different retailers, but remember that a slightly higher price with a better warranty may be worth it in the long run.

Another important factor to consider when looking at the price and warranty is the after-sales service provided by the retailer. A reliable retailer should offer good customer service, easy returns, and quick solutions to any problems that may arise with your Cabrinha kite.

To wrap up

The Top 10 Places To Buy Cabrinha Kites in the UK are truly out of this world! From surfing paradises like Cornwall to bustling cities like London, these top spots will have you soaring through the skies in no time. So, hitch a ride on your trusty kite and explore the UK with these fantastic retailers at your side. Don't panic, just kite on!

FAQ

Q: Why should I buy Cabrinha kites in the UK?

A: Buying Cabrinha kites in the UK offers a wide selection of top-quality products from a trusted brand, ensuring a fantastic kitesurfing experience.

Q: What are the top factors to consider when choosing where to buy Cabrinha kites in the UK?

A: When looking for the best place to buy Cabrinha kites in the UK, consider factors such as reputation, customer service, pricing, product variety, and after-sales support.

Q: Can you provide a list of the top 10 places to buy Cabrinha kites in the UK?

A: Sure! The top 10 places to buy Cabrinha kites in the UK include Windmadness, King of Watersports, The Kitesurf Centre, Robin Hood Watersports, 24-7 Boardsports, S2AS, Surface 2 Air Sports, 2XS, Wet n Dry Boardsports, and Juiced Camps.

[skyeheron]

Subcultures in Bournemouth

Looking for further design inspiration I wanted to look into subcultures within the youth of Bournemouth. Initially I looked at the surfing culture as the pier is one of the best spots here to surf at and is a key part of Bournemouth.

Bournemouth pier has long been a well-known surf spot, "first being surfed early in the 60’s by quite a few ‘radical dudes,’ the whole of the Dorset coast was then explored for new waves (which there were plenty of)."

Whilst many non-locals may not see Bournemouth as a surf spot, the pier offers sheltered along with a consistent break, attracting many local surfers.

Looking at how visual communication has been influenced by surf culture is a good starting point for how I can draw inspiration from this and put it into my own work.

A good point of inspiration is surfer David Carson. "He is the world’s most imitated graphic designer, at least among magazines that do “hip” and “edge” and who like to break every typographic rule there is while straight-jacketing themselves to another set of strictures".

Taking inspiration from surf and the ocean being wild and unexpected "six years ago, Carson designed, at BeachGrit‘s behest, 151 new logos for the WSL.

The existing logo, he said, “has no soul. The logo just doesn’t represent the sport very well. It’s pedestrian, unoriginal, forgettable,  safe, gentrified and corporate. All things surfing is NOT, at least to me.”

His creative style is clear in his designs and reflects his views on surfing culture and is something that could provide inspiration for my own designs and the way Bournemouth should be viewed.

Another notable subculture within Bournemouth is the "healthy growing skate scene with multiple cliques made of older OG's and a load of young rippers that can usually be found in any of the relatively okay skateparks surrounding our small seaside town".

"In the early days of skateboarding, skateboarders had to be resourceful and creative. They used DIY techniques to create their own custom boards and designs, which often involved repurposing old skateboards or other materials. This DIY ethos also extended to skateboard graphics, which were often hand-drawn or spray-painted onto the bottom of the boards. These early skateboard graphics were heavily influenced by surf culture, featuring waves, palm trees, and other beach motifs.

As skateboarding gained popularity in the 70s and 80s, it began to influence art movements like punk, street art, and graffiti. Skateboarders and artists began to collaborate, with skateboard companies commissioning artists to create graphics for their boards. The skateboarding industry also began to attract artists who were drawn to its rebellious spirit and DIY aesthetic. Skateboard graphics became more sophisticated, featuring intricate designs and bold colors that reflected the energy and attitude of skateboarding culture."

"One of the most influential skateboard artists of this era was Jim Phillips, who designed graphics for Santa Cruz Skateboards. Phillips' bold and colorful designs featured skeletons, monsters, and other irreverent imagery that became synonymous with the skateboarding subculture. Other prominent skateboard artists of this era included Vernon Courtlandt Johnson, who designed graphics for Powell-Peralta Skateboards, and Pushead, who worked with Zorlac Skateboards."

[foilboardshopuk]

Buy Online High flyer foil board in UK

Get the high flyer foil boards at the best prices in UK. With a range of different size, choose from the best brands of high flyer foil board. A high flyer is a recreational surfboard with a long, narrow fin running down the centre of the length of the board. The high flyer is used in small waves and to ride over flat water between swells.

[bestsneakerstore]

Online Shoe Shopping Tips

Are you buying shoes online? We bet, it is a various experience entirely! With numerous e-commerce stores giving amazing offers on sneakers, surfing for your favored set is one heck of a job. Yet when you get a deal, all will deserve it in the end.

Selecting the one you want is not a straightforward alternative. Aside from the footwear size and also its top quality, there are other variables to consider when you are shopping at the best online sneaker store. Don't think it is simple if you have a style or pattern in mind. You will be shocked at the selection of footwear, their pattern, as well as costs. However one thing is for sure, you will certainly not obtain these bargains in a physical shop. Yes, you have the advantage of trying and examining the shoes before you get. However if you recognize your footwear size, buying footwear online is the very best option.

Whether it is to pre-order sneakers online or shop for under retail footwear, we will help you with an useful overview for your next acquisition.

1. Get the right shoe size We will certainly start with a vital suggestion. The footwear you purchase online should be a best suit terms of size or size. It needs to adapt the form of your feet as well as not the other method round. You ought to have sufficient toe room as well as the base ought to be strongly supported if it is a high-heeled tennis shoe. We will aid you with getting the appropriate footwear dimension. It is simple. Area both your feet on an ordinary sheet of paper. Take dimensions from the idea to the bottom and also the widest part of your foot. Don't take dimensions if you have just returned from a swim or have maintained the feet down for a long time. The feet reduce or expand in some cases. You can take 2-3 trials for measurement till you get the right one.

2. Know what you want It doesn't make sense when you stand up one fine day and also decide to get footwear online. Get only if you have actually seen one in a physical store or your close friend wearing it and also you enjoyed the pattern. Make a note of what you require. From budget to the pattern, choose prior to you shop from the most effective online tennis shoe store. If you do not have any kind of selection in mind, you will certainly be perplexed with numerous varieties of sneakers. You wind up making the wrong selection and paying much more. Instead, a fixed pattern & spending plan narrows down your option and also makes online searching less complicated and also fast. Likewise, it quits spontaneous acquisitions that may otherwise make your budget plan and option go crazy.

3. Shop from trusted brand Always opt for reputed brand names when you intend to pre-order tennis shoes online. The prominent brand names currently have excellent reviews from sneaker fans. They have experience in manufacturing shoes of top quality and pattern. Despite the fact that they require a costs, it is worth the money. Another way to understand if the tennis shoe is worth purchasing is to read the testimonials. It supplies a sincere summary of the shoes and also assists you make notified buying decisions. The issue with buying footwear from any type of random brand name is it might not reward you each time. Some of the footwear may be terrific, yet some might confirm to be a disappointment. So constantly look for testimonials and go in for relied on brand names when you shop for shops online.

4. Different brands with various shoe sizes Not all brands adhere to the same requirements in shoe dimensions. You may be knowledgeable about the US and UK footwear size graphs. Double-check if you have actually selected the best shoe size before you make the final settlement. The very best online tennis shoe stores will have a dimension graph guide to aid customers select the best footwear dimension. And also you have to be added mindful when you pre-order tennis shoes online. On the internet tennis shoe launches are frustrating, and you need to rush before the stock overcomes in a few seconds. Right here, there is a greater chance of you going wrong with the shoe size. You can take the assistance of your good friend when pre-ordering sneakers so they inspect the details while you fast take place ticking the boxes online.

5. Check for the offers You never know when your finest online sneaker shop thinks of interesting offers. The best means to frequently be current with the new launches, offers, and also bargains is to sign up for their newsletter. The online sneaker store sends emails when something is interesting, so you know in advance around when to get footwear online. Another way to obtain discounts is to capitalize on their novice enrollment or buying option. The on-line shops usually exhibit a popup banner asking you to sign up for discount rates on the first acquisition. So, if you are a first-time customer, the on-line sneaker store will give you with promo codes you can avail of on your very first purchase.

6. Save your information If you are a normal customer at any sneaker shop online, save your card details, contact info, and shipping address in your account. The online shop motivates you to save the details for further usage when making the first acquisition. Click the alright switch. Do not worry. The popular on the internet sneaker shops have excellent information safety and security systems in place. Your personal information is protected on their servers. This keeping of information assists, particularly, when you pre-order tennis shoes online. You conserve valuable time when it is needed one of the most.

Wrap up There is nothing much better than sitting in the house and reaching buy a range of footwear at discounted rates. All you need is to obtain your footwear dimension right. It is the primary step in searching for shoes online. When you obtain the size, look for high quality, style, price, and also brand. As well as indeed, if it is Sole Seriouss, your ideal online sneaker shop, you make certain to reduce your shopping expenses.

Comply with these pointers we have actually mentioned over to make your on-line footwear shopping experience an unforgettable one. All the most effective to pre-order sneakers online. We assure you, it will certainly be very easy and also enjoyable!

Related Read:  Adidas Vs Nike - Who is Winning Sneakers War?

[colourkouk]

Buy Women's Tops Online UK, Women's Tops Sale Online

Between the tough times of pandemic, if you haven't got addicted to shopping online, you need to take a break from your work life and see how incredibly attractive deals await you if you start shopping online today itself. Surf on the internet, and you will find hundreds of amazing women's top sale online that will blow your mind. There is nothing you can't find online, from sizzling hot party wear tops to casual t-shirts. It will need some time to do the research, but the results you will get are totally worth it. If you choose to buy women's top online UK, you can compare different products available on different sites based on material, price, delivery duration, discount and user reviews.

Kimono top with ruffled statement sleeves in hand-block printed cotton featuring floral motifs.

100% cotton

Hand-block printed

Regular fit kimono top

Ruffled statement sleeves

Cold machine wash

Turn around hem finish

Model is 5'7", wearing a size XS.

Dress length: 24"

Relaxed fit swinger top with bell sleeves featuring a Shikarbaugh pattern in hand-block printed cotton.

100% cotton

Hand-block printed

Relaxed fit

Bell sleeves

Cold machine wash

Turn around hem finish

Model is 5'8", wearing a size XS.

Dress length: 30"

Grab the best deals!

[taxtotal]

How to find a name for your business?

It is important to name your business appropriately as it has a huge impact in the long run. A few questions that come to people’s minds are how can I find an appropriate name and what are the important factors while naming. If you are someone who has already commenced a business, you can understand the pain. If you are someone who found the name easily, then I have to say that you are very lucky. Often people face a dilemma while choosing, which is a good thing because it means you value your business. We take a look at some of the common naming techniques that can be used to find a name for your business.

5 ways to name your business.1. Try to invent a new name

You know a lot of organizations like this in which Google is the most famous. These words sound like a word but do not have a meaning. These are great ideas if you are creating a category of business or if you want to brand your business uniquely. Brainstorm ideas and words that you can potentially mix together and create a name. Such names are unique and the probability to get the .com domain will be high. However, being unique has its advantages, but also it will be a hard task to market and establish the brand.

2. Search for common words that are easy to read and pronounce

You do not want to keep a big or a tough name and make it hard for your customers. Keep it simple and make sure that it stays in their mind. If your name creates an enduring impression then that lays the foundation for a long-term valuable customer. An ideal name might not be a million miles away, it might be right in front of us. Therefore, it is always nice to look for something which is very common and something that resonates with your business service or product.

3. Descriptive names

Arguably the most simple method where your name conveys what you perform. It is a very effective naming technique that both the product and service industry businesses use. Such a name makes it easy for your customers to understand what is your business at a single glance.

4. Combining multiple words related to your business

Brainstorm words that convey the message and vision of your business. Then you can try to merge these words and create a brandable word that conveys the meaning to your customers. Facebook is a great example of such a name.

5. Misspellings

A technique that has been widely used over the past few years by numerous successful startups including Lyft. Such names are attractive and also when said convey a similar meaning. A major reason why companies use these tactics is due to the lack of availability of the domain for the original word.

A few important points to remember when choosing a name for your business1. Keep a name that also provides you with dimensions to grow.

Initially, when you start a business you might have a particular sector where you might focus to grow your business. But when you grow you will have possibilities to expand. Therefore, you should make sure that when you find a name for your business it does not restrict your growth and scope. It must be left open for the future and must not prevent you from entering different verticals. Any such limitations will mean that you will have to go through the hassle of branding and marketing again.

2. Try to get the .com name

Most of the businesses today have an online presence and with the pandemic where everyone has turned digital, this has become a necessity. The .com extension has the best appeal among people and also helps you in gaining a wider reach for the same reason. In case it is not available, you can try for any other top-level domains like .uk. However, it is always best to attain a .com domain.

3. Always check the ability to market the name of your business

Before you finalize your name, always ensure that you check your name is brandable. Ask for other people’s opinions and approach with an open mind. You should be flexible and willing to accept other’s opinions. Hence, finalize a name after gathering an initial response from a target group.

4. Give a clue about your business through your name

Sometimes when people walk down the lane or travel in a car or surf through the net they may see your advertisements or your shop. That would be the only attention span you get from certain customers. Hence, ensure the customers who see your company’s name must at least understand your business sector.

5. Check if your name is compliant with the Companies house rules.

Companies House has defined laws that need to be followed while naming your business. You cannot use a name that suggests a connection with the government. Anything considered offensive or would be considered as breaking the law can’t be used. You can’t use any sensitive words unless you have permission.

6. Get feedback on the name

Entrepreneurs often tend to get attached to a name and holds on. It is always best to get the customer’s opinion. You can check with your family and friends for an honest feedback. Moreover when you find a name for your business choose the appropriate one considering the response and all the other factors.

[abdulrimaazuk]

The advantages of digital marketing and SEO

It is undeniable that globally we are experiencing the digital age; internet has become indispensable, and the need to be able to access an incredible amount of information and online activities, an added value is added every day, we can almost say that without a connection, without the possibility of visiting, indeed surfing the web many things would be precluded from us; the net is an infinite source of everything, but really of everything.

With a vast assortment of sites and portals that deal with the most disparate issues, but what determines the quality and success especially of sites dedicated to commercial activities? The importance of positioning on the net

The success and affirmation of sites and portals on the net, especially those of a commercial nature, is due to the construction of particular strategies or that new science called marketing.

In fact, digital marketing is a complex activity that moves with a careful eye on the evolution of technologies and makes it possible to overcome the limits and boundaries given by other dissemination methodologies, between matter and digital in practice these borders have been just reset; marketing combined with good SEO, increases visibility and positioning in the shadow of Google which consequently also improves the "seller-customer" relationships and amplifies their quality and immediacy, precisely because the quality of the sites, of the e-commerce and online stores.

SEO consultant in England UK today boasts professional presences that deal with these issues and can offer high-profile consultancy on digital marketing supported by SEO.

Do you want to optimize your site? Here's what you need In this context, there are obviously more valid realities than others. This is why it is very important to contact a highly performing digital marketing consultant such as SEO Leader, who today is a significant presence in the digital marketing landscape; a figure who offers SEO support and advice. 

As we said, speed and experience are important in positioning a website in Google but also in other search engines; increase a site with authority, increasing its visibility as much as possible, to reach these objectives it is necessary to have a strong preparation especially in the SEO field which is a heuristic discipline. 

This is why we would like to quote and recommend the professional SEO Leader consultant ;marketing expert, he has followed for years the evolutions and changes of the Google algorithm, committing himself with great passion and experience, acquired in the field, day after day, a commitment that has given excellent results for hundreds of projects in different fields; and lasting success. SEO Leader: the best choice

Passion combined with problem solving skills and a very broad and systemic vision of all customizable techniques have been the winning weapon to arrive at providing services that inevitably lead to incomparable improvement and success. The importance of optimizing your site for search engines, especially in the commercial field, is fundamental; therefore relying on the hands of an expert as the SEO Leader consultant is deeply experienced means taking the right step to obtain amazing results for your website and for your business.

An unstoppable path studded with evolutionary successes

In fact, marketing in recent years has undergone a real leap forward, thanks to its diffusion on the internet and the advent of smartphones; digital marketing makes use of integrated initiatives, and manages to reach such a large amount of channels, that today it can be defined as the beating heart of commerce that spans tens of thousands of different sectors. 

This is also due to the fact that an increasingly large catchment area has realized that shopping, grocery shopping, payments, social and playful relationships, and all activities of interest if carried out online are immediate, simple, usable. intuitively. 

A simplification that is now unmissable, indispensable. The hectic times we live due to work and daily problems often do not allow us to shop in total tranquility, with attention, concentration, but this becomes possible if we optimize our needs through the web; this is why it is necessary to be able to take advantage of a large variety of sites, e-commerce, online stores, which can provide us with everything we need. 

Finding these places today is easier and also to distinguish between the renowned and performing portal from others that are less effective, the real must-haves of online commerce that are supported and driven precisely by digital marketing strategies.

Digital marketing and SEO in synergy

The main technological tools of marketing, which have evolved in a modern and dynamic way, summarize the old adage that said: “advertising is the soul of commerce”; digital marketing todaymakes use of the strategies of understanding, reading, and studying the individual needs of the customer, and takes a personalized perspective, aimed at establishing a long-term relationship with the customer; strengthening the positioning and image of the brand or brands it advertises.

 In this way, new and effective communication channels are made available, an offer of products and services practically without limits through the organization of events and incentives. 

The most advanced marketing makes use of attractive tools, with an elegant and refined appearance, of high quality content that illustrate and sponsor the products, up to the offer of promotions, bonuses, discounts, or commercial initiatives aimed at saving and favoring customer loyalty; but all this would not be possible without an excellent positioning on the web of sites. Here digital marketing and SEO work in synergy on both fronts. Position the sites in an excellent way by promoting their commercial activities, with campaigns and sponsors.

Mass customization

We can therefore speak of an applied mass customization, and product services, and initiatives of various kinds, through diversified channels, such as social media, official brand websites and commercial tactics that tend to streamline the offer of any product, making it thus more accessible to a greater number of users. Building a functional and effective marketing strategy is a complex activity, as we have already said, but which relies in a targeted manner on technological evolution and new professional figures. 

SEO Leader knows all this well and applies it. A job placed among the new professions, aimed precisely at developing an in-depth knowledge of all the techniques, which aim to improve commercial activities and social relations between seller and buyer, the processes that are created are a precise scale, a hierarchy of activities that contemplate the absolute visibility given by an unassailable positioning, communication, distribution, advertising of offers and enhancement of customers but also of partners and brands involved in initiatives, in national and international advertising campaigns.

The fundamental points of the missions

Fundamental in a good marketing strategy creation program are: the in-depth analysis of the general situation, the focus and achievement of objectives, the actual strategy that must be tested along the way, the application of the tactics put in place, the study of specific reactions and the control of the whole global program.

The analysis of the context is fundamental since a marketing strategy must know how to move within a specific territory of sales, promotion and dissemination of the characteristics of the quality of the products and services to be offered. Internal analyzes must develop resources made available by digital marketing operators, as does the SEO Leader consultant; they must then be analyzed and distributed in the best way. 

All aspects of the on-line environment to be positioned must also be analyzed, studying statistics on research, customer requests, the definition of objectives must take place after observing all the points already mentioned. The mission must be complete with all points and tested before being definitively put into operational status.

[beautifulletdownfics]

‘someday, someday’ :: tumblr edition, #27

In hindsight, given what was happening, I shouldn’t have answered my phone to the unknown number.

The week after we returned from New York was a whirlwind. Harry and I spent our first day back holed up together at his house, snoozing through jet lag and doing our laundry from the trip. I went straight back to rehearsals the day after that, fighting off a tickle in my throat I was adamant wasn’t going to turn into any kind of seasonal head-cold. Harry spent two days in his UK management office, sorting out all the paperwork and legal aspects of him working on his March EP in London with Rodger’s studio before he was straight to work writing and recording.

At some point, I would be joining him in the studio because, as Rod from his management company had alluded to in New York, Harry was hoping to include the song that I helped him with his new releases. He wanted to give me full writer's credit which I was instantly opposed to, but Harry was adamant that without being able to credit my contribution he wouldn't release the song. It was a beautiful song and as much as I was uncomfortable being included, it felt like daylight robbery to have it die because of me.

Alongside that, my dad arrived in town, and in-between my own rehearsals I managed to sneak into his and sit in on him working with the London Symphony. I spent most nights having dinner with him near his hotel and then getting the tube back to my own house because Harry was either out or had already crashed for the night and I didn’t have the heart to disturb his sleep patterns.

Between all this, it was increasingly becoming harder to ignore the chatter that seemed to be following me. I was more and more finding myself ignoring message notification on my phone, avoiding surfing any news sites, and I’d disabled what felt like every possible setting on my social media accounts. Friends from Blackpool and Cambridge were reaching out about Gavin and what he was saying, and more than a few of them were asking questions about Harry. I felt like I was the gatekeeper to some ridiculous secret everyone wanted details on, and what was making me feel sick about it was that, at this stage, the assumption in the gossip mill was simply that I knew Harry. Nobody had run far enough with the whole idea to predict I might be anything other than friends with the famous pop star.

I spent the whole week looking forward to the weekend. Friday night and Saturday were booked doing nothing in particular with Harry. Saturday evening would be spent with Harry, Rodger, Max, Gemma and Ned watching my Dad conduct the London Symphony Orchestra. And Sunday was reserved for spending at Harry’s dealing with whatever hangover resulted from the night before.

So really, answering an unknown caller on Friday just as I was about to text Harry I was on my way and walk into the tube was a stupid move.  It was almost certainly going to be someone that I definitely did not want to talk to; still, there was some part of my brain who thought perhaps it was someone from the orchestra whose number I hadn’t saved yet or a call about an appointment I forgot I made.

“Nina, as I live and breathe,” Gavin’s voice was smooth and precise in my ear, “You really did block me number, huh.”

I stopped walking and turned on my heel, trying to escape but having nowhere to go. I briefly considered hanging up out of sheer panic, but I didn’t like the precedence that set. Before I could figure out what the hell to do, he continued speaking. Holding my trumpet case in one hand and the phone in the other, I ducked into a shop alcove and stared blankly at the passing people in disbelief.

“You’re a tricky woman to get a hold of these days,” He crooned, “Shacking up with a pop star has changed you.”

"Gavin," I said, my voice shaking in a way I couldn't control, "What can I help you with?"

"Straight into assuming I need something from you," Gavin said with a tut, "I was calling to congratulate you. I underestimated you, which isn't something I care to admit."

I tried to give my voice a chipper edge, "That's big of you."

"What I can't figure out though is what he gets out of it," Gavin asked, sounding pleased with himself, "Styles doesn't strike me as needing numbers in the symphonic community."

"You don't know the first thing about Harry," I snapped quickly, immediately regretting it.

"Clearly," Gavin agreed eerily quickly, I'd played right into his hands, "Although no, that's probably not entirely fair to say. On paper, you're a catch. He'd have to have an ego on him, lesser men have fallen into the same trap."

"Gavin," I breathed out, losing my patience with his bating me. My heart was racing, and I turned back into the tube just so I could find somewhere to sit. "Why are you calling?"

"Just checking in," He said defensively, "Been getting loads of questions about you and wanted to speak to the legend herself. Couldn't believe Leon when he saw you at New Years, I was sorry to miss it."

"You're getting questions because you practically begged for the attention," I whispered quickly, suddenly surrounded by other people waiting for the train to pull up.

"Hey," He sneered down the phone, "I can share whatever the fuck I want online, hear me? It's not like Harry fucking Styles is going to sacrifice his perfect little media identity to correct the record for your sorry arse. Not that I technically said anything he needs to get his knickers in a twist about."

"What do you want from me?"

"Nothing," Gavin all but spat, "What on earth could you possibly have that I would want? It's pathetic to see really, you sucking off The Man to land that interview. Seems I was right, classical music can only get you so far ... You've had to get yourself a famous boyfriend to get anywhere."

"I was in the orchestra before Harry—"

"—Keep telling yourself that, love," He laughed.

"Gavin, just leave me alone, okay? Just ... Don't say shit online about Harry or me. You got the career you wanted, just back off mine, okay?"

"You owe me," He barked, "What on earth makes you think you can tell me how this is going to go?"

Dozens of other conversations with the same tone started layering over in my head, memories from years ago that had taken a long time to write over suddenly crashed through my mind and seized me up inside. He was just the same as always, and having been away from Gavin for so long supplied the harsh reality it—of what he had always been like—that much more jarring. I stopped speaking, which always resulted in Gavin's poison gaining momentum. I found a seat on the tube and pushed myself as far against the glass as I could, adrenalin was making my legs weak, and my eyes star.

"Do you know how embarrassing it was to have my girlfriend go fucking crazy and fall off the deep end?" He continued.

"I'm not crazy," I said weakly, feeling my eyes heat and my throat constrict.

He laughed sarcastically, "Love, you went full One Flew Over the Cuckoo's Nest, we all know it. Jesus Christ, the questions I got when you fucked off. Humiliating is an understatement, I—."

With shaking hands, I held my phone out in front of my face, hearing him continuing to speak but not understanding the words correctly. I pressed the hang-up button and hurrying to go into my call log and block the number. After my phone was safely on aeroplane mode, I slipped it under my thigh and looked out the window at the black tunnel passing by, my own reflection staring back at me.

I looked crazy.

+++

I loved the London underground.

On weekend nights everyone is dressed up and smells terrific, the carriages are dimly lit by flickering fluorescent lights, and there’s an air of something intrinsically seductive and winsome. Business people coming home have the relieved look of people who have earned their weekend breaks, and people on their way out have a joyous look of the pending release.

It can be so relaxing, and it's the only place in the world I have ever enjoyed the company of strangers. Because they're non-threatening, and I know they’re not expecting anything from me. I can be invisible, hiding behind anonymity and the simple fact that everyone has somewhere to be, people to meet and life to live.

I distracted myself with these thoughts as I sat on the train, swinging between digesting the call with Gavin and pretending it didn't happen by watching the people of London around me. I hadn't been paying attention to the train I got on and ended up heading in the opposite direction I usually did. I stumbled out of the carriage at some point and changed direction back into the city.

But when the Baker St underground came, I didn’t get off like I should have.

I needed to get on the Hammersmith and City line, but when Baker St came and disappeared again, and I was still firmly planted in my spot in the carriage. I did a quick calculation in my head and figured I could get off at Edgeware Rd, the next stop, and then go back.

But I didn’t.

I completely froze.

The station spun by, and the train breathed with passengers going off and new ones getting on.

Four stops came and went that way. I sat clasping my phone in my lap and trying everything I could to calm my thudding heart enough to allow me to get out at the next stop. I had to get off, I had to call Harry.

Or Max. Or Rodger. My dad. Anyone.

But I was sat on a train on the other side of London to them all. I told Harry I would let him know when my rehearsals finished for the day to see if he was still working with Rodger or if he was already heading home. If he was still with Rodger, we had plans to get dinner nearby before heading to North London where his home was. If Harry was already on his way home, I was going to get the tube to him.

An announcement came over the carriage speakers saying that the next stop, Shepherd’s Bush Market, was the last of the line and all passengers needed to disembark.

Ten minutes later, I found myself standing outside the station, trying to create an idea in my head of what was around this area. It was nearing seven o’clock by this stage, and the only thing I knew would be open was London Westfield, just a short walk away.

I put my phone into my blazer pocket, trying to forget I owned it at all, and followed the crowd into the shopping centre, my instrument case heavy at my side.

Most of the shops were shut, or closing, but the centre stayed open late for the cinema and restaurants dotted throughout.

I walked through numbly, my eyes flitting around all the different exhibits and stores. Most of them were familiar, but there was a level of comfort in the fact there were only a handful of other people I was sharing the space with. I liked being able to hear my heels click on the shiny floors, and the way the music playing through the speakers could be easily deciphered.

I recognised the Ed Sheeran song currently playing, but it was hearing another melody cut over it that halted me in my spot, and I wondered how it had been able to sneak up on me.

‘Romanza’ by Chopin.

A song more familiar to me than any pop song, one that had been familiar for years in a style that was as easy as breathing for me to inhabit.

My steps automatically quickened, and I found myself darting my gaze around, trying to follow the sound. I turned a final corner and hit what Rodger liked to refer to as the ‘Paris End’ of Westfield, where all the high end and designer stores were. The lighting up here was softer, the stores were guarded and underneath an impressive crystal chandelier was a black Bösendorfer grand piano.

There were armchairs arranged in a circle to the side of the piano, and I slowly slipped myself into one, putting my case down and not taking my eyes of the young man playing exquisitely for the whole shopping centre to hear. The acoustics were amazing.

With a small nod and a smile, he acknowledged my arrival but went back to his former state; eyes

closed, back swaying back and forward, and a blissfully serene look on his face. I was jealous of him.

The calmness of the piece eventually overtook me as well, and I rested my head back comfortably and shut my eyes to really hear what was being played. My heartbeat slowed, and the noise in my head disappeared. The scratchiness of my trousers and the damage my simple, black boots had done my feet disintegrated with it.

All that existed was a beautiful piano concerto being played, and my witnessing it.

Halfway through Debussy’s ‘Reflects Dan L’eau’ when I snapped back into the present by the bungle of three completely wrong notes, all in quick succession to each other. My eyes fluttered open and the way the shiny, reflective roof of the shopping centre took several moments to clear from my blurry eyes told me they had been shut for quite a while.

“Thought you’d drifted off, Miss,” he called out through a smile, slowing his playing and speaking over the piano. Something in the glint in his eye told me he knew messing up the notes would be the fastest way of catching my attention. His eyes fell on the instrument case at my feet.

“No,” I mumbled, sitting up straighter and watching as he nodded politely and then went back to concentrate on his playing, “I was just listening ...” I added quietly to myself.

The fact that he didn’t seem the slightest bit interested in why I was there, or why I didn’t appear to be making any move to leave pleased me. He simply went back to his playing, and I didn’t see him look my way again.

7:48pm, my phone screen read and when I turned aeroplane mode off the screen lit up with two missed calls from Harry and a string of texts, along with a missed call from Max.

5:12 Hiya, we're wrapping up now, I can swing by Southbank and pick you up for half-past? x

5:25 Sorry, make that 6. Traffic is shocking.

5:38 You're usually finished by now, everything okay?

6:10 Have I completely forgotten something I shouldn't have? Were you going to see your dad?

6:38 Babe, you're worrying me. Call me back x

He was worried, and I felt sick for it. Watching Harry's regular interactions with me and how he was going about a typical Friday night barely felt real. I didn’t know what I felt about what Gavin had said to me, but I knew that as soon as I pinpointed one emotion, the avalanche of all the rest would ensue. And following that would be an overriding sense of panic.

Panic was coming already though, seeping through the gaps and crevasses, damaging the wall blocking out what I was feeling. Because worrying about fear only brought it on faster, making it stronger. It was that double-edged sword of knowing something was coming but then inadvertently making it occur sooner.

I leant forward with my elbows on my knees and my head resting in my hands, putting all my attention on placing my feet in their black heels as close together and perfectly aligned as I could. My phone screen lit up on my lap, and my eyes were drawn to it before I could make myself ignore it.

Everything in me was screaming to call him but because I didn’t know what I would say to him I hesitated. All my mind could make my body focus on was the music swirling around me. It felt like a small miracle to have found it immediately after my conversation with Gavin, to have ended up on this armchair, under a crystal chandelier in the great hall of London Westfield listening to the greats; to Chopin, and Rachmaninoff, and Debussy, and Tchaikovsky. They were being played by a stranger I had never seen before and would never see again but for the last hour everything he had been telling me—everything he was saying through the notes his fingers were commanding—made sense to me. For the last hour, this had been my language, and he was the only other person in the world speaking it.

I looked back down to my phone on my lap. I knew what I had to do, but I didn’t want to. My chest hollowed, blood rushed to my feet, but my thumb was swiping across the glass surface despite the pooling dread.

Harry answered immediately.

“Hey, I've been worried, what's going on?” He urged in a hushed but desperate tone.

“I’m sorry, I'm okay,” I traced the line of my trousers with my thumbnail nervously. I wondered if Harry was at home or not.

I heard him take a deep breath, “You’re okay?” There were a few beats of silence, “Where are you,

Nina?”

“London Westfield,” I said softly.

“London ...” He paused, his voice almost sounding received for a moment like he could conjure a reason why I might have gone there, “Why are you out there?”

“I don’t know,” I muttered pathetically, but it was true. The line was silent for a few painful minutes.

"I'm confused."

"Can I come over?" I asked, my voice cracking.

"Of course," he said quickly, "What's wrong, though? Has something happened?"

"I'm not crazy," I told Harry.

"You're not," Harry said carefully, I clamped my eyes shut knowing I was putting him in a shitty position, "What's happened? I'll come and pick you up."

“Harry, you don't need to—”

“—I'm already in the car," He told me, "Now, tell me what's wrong."

I let out a frustrated sigh and tears slip out despite my telling myself not to, "It's stupid."

"Not if you're this upset by it."

"I spoke to Gavin."

"You spoke to ... What? How? Where was he?"

"Not in person," I corrected Harry, I could hear the sound of his car in the background, "He called on an unknown number, and I was stupid enough to answer. I know I shouldn't have—

“—Nina, what did he say?” Harry said evenly, but the directness of the question hit me square in the chest.

"I don't want to think about it."

"I'm fifteen minutes away. Please tell me, I don't want this fucker getting between us."

Slowly, I recounted the phone conversation to Harry, who quietly listened without interrupting. It was more upsetting the second time around, I found myself unable to believe it happened. To think I had let myself be treated that way at any point was shameful and by the time I finished telling Harry, I very much wished I hadn't started.

"I'm sorry," Harry said through a sigh, "You're not crazy, and you don't owe him a thing. Did he threaten you at all?"

I thought back over it all, "No, but I don't think hanging upon him was a good idea. He'll say more online now."

"And he'll only look like a bigger dickhead," Harry grumbled, "Hanging up was the right thing to do, you don't have to listen to his shit anymore, Nina. I've just parked, where are you?"

I told Harry my location as best I could, not having to wait very long for him to appear in my line of vision behind the piano player. He spotted me almost immediately as well, his face pulled into a frowned, worried one that I felt guilty for creating. Still, there was a lifting inside my chest at seeing him. His hair was slightly damp from a shower, and he was in comfortable clothes. I stayed seated until he was a few steps away, and my name fell from his lips, then I was up on my feet and pressed against his chest within moments.

Harry's arms wound around my back, and he rested his chin on the top of my head, "You are amazing and beautiful and talented and so loved, Nina. What he says doesn't count anymore. We're going to get you a new phone number, and if he starts spurting any more shit online, we'll take things further."

"I feel so stupid," I said quietly. "How did I let Gavin into my life in the first place?"

Harry cupped my face in his hands and bent down to be at my eye level, "We're not torturing ourselves with those kinds of thoughts, Nina. We're going back to celebrating that article because I won't have you shrinking yourself because of anyone else, myself included."

I looked at him for a few moments, seeing nothing but sincerity and belief there.

"I should have called you earlier." A smile teased his lips, "Yeah, but you called me, so that's a win."

"I'm sorry."

Harry placed a soft kiss against my lips, "Not necessary. You hungry? I'll buy you chicken nuggets on the way home."

+++

Royal Festival Hall was completely sold out.

My dad organised incredible floor seats for the six of us. Harry and I met Rodger, Max, Gemma and Ned at a restaurant nearby for dinner beforehand, so by the time, we arrived for the performance we were all well into enjoying each other's company.

As we followed an usher down the aisle to be shown our seats, Harry shuffled up behind me and took my hand in his, "Did I say yet how stunning you are?"

"Yes," I kept my eyes ahead but tilted my mouth his way so I could say it quietly, "You did."

"Phew," He said dramatically, squeezing my fingers. "Just checking."

By some incredible force of nature, Harry managed to pull me from the rut I was sure I was destined for before it happened. We spent the night before, at his house, I had a bath, and we watched 101 Dalmatians afterwards, Harry gently prodding me every so often to measure where I was at. I cried a few more times, Gavin's harsh words ringing in my ears even when I woke up the next morning.

Harry dragged me out of the house early, he went for a run while I walked through the Heath loosely following him. He ran literal laps around me and despite all his best attempts, he wasn't able to convince me to join him for anything more rigorous.

By the time the afternoon rolled around, and it was time to start getting ready for dinner with my flatmates and Gemma and Ned, I felt reassured and nearly entirely back to normal. The ugliness still existed somewhere, but Harry managed to drag me into the present and firmly plant me there. Nothing Gavin had said to me changed Harry or me.

I took a quick photo of the stage from our seats and sent it through to my family group chat. Harry leaned over from his seat next to me and briefly dropped his head on my shoulder. He watched my screen as I sent my brother a rude emoji and then sent my dad a good luck text. I was beside myself with excitement at the prospect of watching him lead this calibre of an orchestra.

"Open your girls chat," Harry rumbled right by my ear. Without thinking I did as I was told, fingers hovering over the screen, waiting to see what Harry would say to me to type. "Tell them to keep the first weekend of February free, I'd like them to come down for my birthday if they'd like to."

"Harry," I turned my head to look at him, "Really?"

"Yeah," He nodded earnestly, "I haven't really planned anything yet, but I'll do something. I'd like them there."

"Not just for my sake?"

"Not just for your sake," Harry reassured, "They're your people, and so they mean a lot to me as well."

Ladies, Harry's birthday is in a few weeks, and he'd love it if you could make it?

"Tell them there'll be free accommodation, food and alcohol," He nudged me, nodding at the iMessage I just sent. "I'll pay for them to fly down if that's easier. They can stay at mine."

"You don't have to do that, Harry, they'll come down on the train."

Harry dropped his palm onto my thigh, "I don't want to put them out. And it's not cheap getting down here, I know."

All expenses covered, so he says. The first weekend in Feb. He's offering tours of his linen cupboard as well. x

Harry laughed as he read over my shoulder, "Good one."

"Thanks," I replied brightly, locking the phone after checking it was on silent and dropping it into Harry's suit pocket between us. "And thank you for inviting them ... You and them getting on is a big deal to me."

"I know."

"I've had to unpack a lot of shame after Gavin, and I've always been wary of what they might think of me seeing someone else, whether they’d trust me again," I told him.

Harry squeezed my thigh, "I'm happy you have them. They're mad about you."

"Mad is right," I rolled my eyes, "You may come to regret inviting them. Once there's an open bar, not a lot can stop Bel and Georgie."

He wriggled his eyebrows at me, "Sounds brilliant."

Just as I was about to reply the house lights dropped and a hush came over the concert hall. Before the announcements started I curled my hand around to the other side of Harry's face and directed it towards me, he had just enough time to blink down at me in the dark before I pulled him closer for a kiss.

"Thank you," I said, pressing my lips against his again, "You're magic."

He gave me a dopey smile and then took my hand in his, resting it on his thigh gently. I stole it back from him briefly a few moments later to join the applause for my dad walking out onto the stage. The suite was Haydn’s ‘An Imaginary Orchestra Journey’ by Sir Simon Rattle, and I knew it was one of his favourites. That was the benefit of being the level my father was, he could walk into the London Symphony Orchestra and tell them what to play.

The orchestra was led through a warm-up, bubbling my chest and had me wriggling in my seat in excitement. Then, my dad turned to face the audience and stepped up to the microphone.

“Good evening,” He said, “My name is Richard Lawrence, and I’m so delighted to be here on holiday with you from my home at the Chamber Orchestra of Europe,” He smiled as the room swelled into applause again, “Thank you. We have a fun one for you tonight, I know! An orchestra having fun what a scandal!” The players chuckled behind him, “We’re bringing you a selection from Franz Joseph Haydn’s best movements, compiled by my good friend Sir Simon Rattle. This is ‘An Imaginary Orchestra Journey’.”

He turned back to his orchestra and raised his arms, waiting for the applause to come to a close before he dramatically dropped his hands and picked them up again, bringing the opening notes of the suite with him.

It wasn’t a suite that I didn’t have committed to memory, so sitting and listening on almost new ears was transformative. The players were fantastic, which I already had insight into having sat in on a few rehearsals throughout the work. Soloists propped the whole body up, and I shivered my way through parts. My dad was right, though, it was a fun suite.

“This is so cool,” Harry whispered into my ear halfway through. I turned to face him, and in the dim light, he watched the tears streaming down my face, Harry’s lips curved up and he scrunched his nose at me. He took my hand in his and turned back to keep watching.

By the end of the performance, I was on my feet applauding dad with hands in the air, and my makeup all cried off. I got a wink and a wave from my dad who searched us out in the audience at final bows. Arrangements were already made about where we needed to go afterwards to meet him, given that there were so many musicians in the greenrooms going backstage was tricky, I was given instructions as to how to get into the conductor's studio.

After giving my name at a fire exit, an assistant led us through greenrooms to a back suite that sat under the stage.

"This is incredible," Harry said, stepping in behind me and taking in the room, "This is definitely one of the best green rooms I've ever been in."

"It's pretty swish," My dad said happily from the other side of the room, his suit jacket draped over the small sofa, "I suppose if I pretended it might feel quite rock and roll."

"You were amazing, dad," I told him, rushing over for a hug, "Your players were incredible, and you kept them together, magnificently."

"Thank you, my sweet," He smiled, graciously accepting repeated congratulations from everyone else. I introduced him to Gemma and Ned, who both thanked him profusely for their tickets. "Now, what are you all up to now?" Dad asked us all, "I'm getting taken out by a few of the board, and I'm sure I could bring a posse such as yourselves?"

"We need to head off, unfortunately," Gemma spoke up first, "Ned is on night shift tomorrow."

Similarly, Rodger and Max both had either early work commitments or a big day ahead of them so didn't want a late night.

"We'll come," Harry offered readily, looking down at me, "Right?"

"If it's really not an issue?" I asked.

"It's absolutely not, my dear," My dad said, "And I dare say taking you both along will impress them enough to have me easily in work for the next decade. If you can just give me fifteen minutes to change and go see my players, I'll meet you in the Foyer."

The group said their farewells and Harry, and I joined them, we stood in the foyer for a while chatting. Gemma gave me a hug with the promise of catching up during the week without the boys. Then, it was just Harry, and I left waiting in a near-empty foyer.

"I stand by my comments months ago about loving seeing you cry over music," Harry told me once we were alone, resting his elbows on the cocktail table we were sitting at, "It's magic. I adore it."

I grinned, "My crying my way through our first date does make for a good story."

"I'm disappointed not to have made you cry myself with my Christmas gig," Harry smirked at me, "I have a right mind to be offended."

"Get an orchestra behind you and I just might," I returned quickly.

+++

Four days later, Harry was standing at the front desk chatting to a receptionist when I arrived at the recording studio. She spotted me immediately, and Harry followed where her attention left him for, an instant smile appearing on his face.

“Hello!” He called out to me, pushing off where he had been comfortably leaning against the desk to take a couple of steps towards me.

“Hi,” I gushed, trumpet case under my arm and a heavy backpack from rehearsals slipping off my arm.

“Let me take that,” Harry took the bag from my shoulder and pulled me in for a hug with his other arm, “Hi,” He kissed my head, and the leant back to look at me, “You get here okay?” I’d been here before to see Rodger, but instead of pointing that out, I smiled and nodded.

“I’ve got your pass,” Harry said, whipping a lanyard out of his pocket and adorning my neck with it before he took my hand and started walking, “Thanks, Jen!” He called back over his shoulder as we left the entrance.

Harry was bringing me in to work on the song that I contributed to all those months ago. I really didn’t know what more I was expected to do, from what Harry told me about his last week or so writing it was the lyrics of the song that he was working on the most. Numerous times I’d told him I didn’t need credit, but he was adamant.

“In here,” Harry directed me to a door, and he dropped my hand to prop it open for me, “After you.”

I walked in and immediately froze, there had to be at least ten or twelve people in the room. Harry nudged me in gently, making a quip about not lurking in doorways. He walked into the left where there was a large sitting area, the studio directly in front.

“Babes,” Rodger was to the right in front of the sound desk, I recognised the tech working with him who also gave me a nod.

“Hey,” I said, siding up to Rodger but throwing a tentative look back over my shoulder where Harry was in the middle of the bulk of the people in the room. “I’m—

A warm hand slipping into mine from behind, “Neens, I want you to meet some people.”

“We’ll start soon,” Rodger told me kindly, watching as I was pulled away.

Three people were working on laptops at a small free-standing table, another two on phones sat on one of the sofas, and then three men standing. They were wearing remnants of business suits they had obviously unassembled as the day went on; cuffs were folded up, ties and jackets had been shed, and collars were undone. I wondered if Harry could feel my hands shaking from the one he was holding onto, but if he did, he didn’t let on. I tried to wear a pleasant smile, but there was a sinking feeling that I was about to find myself well out of my depth.

Harry introduced me to his manager, the head of his record label and his business manager.

I felt sick.

Harry happily went on about how excited he was for today, and how this song was probably his favourite of the bunch they were working on for release. He interrupted to add more detail to my deliberately modest answer about what my schedule was like working in a professional orchestra. I hadn’t wanted to seem like I was showing off about myself in front of these arguably more impressive people, but Harry seemed giddy on the whole exchange happening. They were all lovely to me, I expected nothing less from people had chosen to work so closely with, but still, I was intimidated beyond belief and blind-sighted by them all being there at all.

“Excuse me,” I eventually managed to be courageous enough to say, “I’m just going to go to the bathroom.”

“I’ll—

—I know where it is, Harry,” I squeezed his arm, “I’ll be right back.”

I hurried out the room, and a little way down the hall before stopping at a small bench pushed up against the wall. I sat down slowly and rested my head back against the wall. I completely missed the sound of someone following me until I felt the cushion of the seat expand as Rodger sat down too.

“Really had your skates on getting out there,” He said evenly, “Everything okay?”

I pointed back to the studio a few metres away, “The head of his fucking label is in that room.”

Rodger’s expression softened, “He’s not here to intimidate you, Nina. They’re checking in on how recording is going and Harry wanted them to meet you.”

“Who the hell even has a business manager, Rodger?” I added quickly.

Rodger smiled, “Someone who’s in Harry’s position who cares about his career and the careers of the people who work for him.”

“I really don’t know why I’m here,” I hissed at Rodger. “All I did was change the key and alter a melody, and now I’m supposed to what? Pull a pop song out of my arse in front of a room full of people?”

“You fixed a dying song, Nina,” Rodger didn’t blink at my freak out, “The song is yours as far as Harry is concerned, it would be locked on a hard drive somewhere without you. Just because it feels like breathing to you doesn’t mean it’s not miraculous to the rest of us. I could never have done what you did, and neither could Harry. The song wasn’t going to exist and so if it’s going to it’s only right that you oversee it.”

“I don’t even remember what I did.”

“Liar,” Rodger shot back, “You could play it perfectly with your eyes closed, even if you haven’t thought of it since that day. Don’t bullshit me about forgetting a song, you couldn’t if you tried.”

“I’m just a trumpet player from Blackpool,” I said softly, “What am I doing here?”

“I’m not going to dignify that with an answer,” He replied, “I understand Harry’s team being here is daunting, but we’re gonna go back in there, you’re going to sit in front of the piano and look super cute in the headphones, and it’ll just be you and me at the desk, got it?”

I shut my eyes and nodded, “Don’t let me look bad.”

“That would be impossible,” Rodger stood up, and when I opened my eyes, he was holding a hand down for me. "C'mon."

I let him pull me to my feet and accepted the hug he held his arms out for, "I need to do a nervous wee."

"Off you go then," Rodger chuckled, "I'll get started setting things up in there."

After using the bathroom, I spent a few moments inspecting myself in the bathroom mirror, and I decided I didn’t look half as frazzled as I felt. An excited but sickening churning in my stomach was somehow disconnected from the thoughts in my head telling me making music with Harry was going to be a good thing, probably even a great thing.

So, taking stumbled steps and breathing in almost too deeply, I fisted my hands and placed one leg in front of the other. By the time I was down the corridor and at the door to the studio, I was breathing evenly, and my stomach felt more settled than it had all day.

I walked straight in, and as I passed Rodger at the sound desk I pointed in at the piano, he nodded without removing his headphones and waved me to go in.

The studio air was fresh, but the unmistakable smell of instruments filled my lungs. I stretched my fingers out as I approached the grand piano over to one side and sat down at the stool, pushing it in further so I could reach the peddles comfortably.

"Hear me?" Rodger asked through the set when I put the headphones over my head.

I held up a thumb his way.

"Brill," He said, "Take a few to get settled, and I'll corral the troops out here."

I stared at the keys for a brief moment before placing my fingers across them, fanning through a quiet set of scales and experimenting with how sensitive the keys were when I built the volume. The sound was beautiful, almost as beautiful as the baby grand at my parent's house. I closed my eyes and played around with a few melodies, humming where I thought a voice might sit above them.

"Rodger," I said, waiting for him to look up through the glass window, "Can I open the cover?"

He nodded, "Yeah, I'll come help, it's heavy."

He shuffled into the room a moment later, flipping a few clasps around the piano and then counting down so we could lift it in time.

"Thanks," I sat back down and played a series of major seventh chords to test out how the sound changed.

"What are you thinking? We going to get into piano bashing?" Rodger asked, crossing his arms over his chest and watching my hands.

"Not quite that extreme," I frowned and leaned forward to reach for the treble strings in front of me, "I think harmonic upper partials would give a raspy, ghosty sound that fits though, right? Like having violins without having to deal with violin players."

Rodger laughed at my dig, and I grinned at him, playing the melody from Harry's song while gently touching the overtone positions on the strings of the corresponding keys. A completely different sound filled the studio.

"That sounds sick," Harry appeared next to Rodger and peered into the piano cavity to see what my hands were doing. "Are you allowed to do that?"

"You are if you're Nina," Rodger hit Harry affectionately on the shoulder and then walked away citing a need to finish setting something up.

I stopped my experimenting and sat back on the piano seat, watching Harry watch me.

"Songs about pianos," He signalled softly.

I smiled at him and quickly found the opening chords of the first song that came into my head, "The piano is not firewood yet, they try to remember but still they forget that the heart beats in threes, just like a waltz and nothing can stop you from dancing."

When I paused and raised an eyebrow at him in a challenge, Harry arched his back to belt out his offering, "It's nine o'clock on a Saturday!"

"Stop! Wait," I laughed, ghosting the piano keys to find where I needed to start, "Let me play you an intro."

I played the intro to the iconic Billy Joel song once through and nodded Harry in when he needed to sing, he was smiling the whole time and miming having a harmonica up to his mouth. I stopped after the chorus and pulled my hands away from the key, wondering if this was how his time with Rodger usually went. I didn't like the thought I could be inserting myself as a silly distraction.

"Nerves flushed out?" Harry asked, showing more astuteness to where my head was at than I had given him credit for.

"Tell me where you're at with the song," I prompted him quietly, shuffling to one side of my seat and opening a space for him to join me.

"Well," Harry started, his thigh nestling warmly against mine, "I've completely rewritten the second verse and bridge—

—Tell me about it in terms of the music," I nudged my elbow into his side, "I don't do lyrics."

"Oh," He parroted, and then laughed at himself, "Right. Of course, well ... I'd like it to sound ... Hopeful?"

"So, we'll do a build," I suggested. "You're a guitar man, so I guess you'd—

—I think I want to just have the piano?"

"Just piano?" I questioned.

"Maybe not just piano," Harry swallowed slowly, "But just not be guitar-heavy. I'd like to include some ... Other instruments, I think."

"Other instruments?" I asked, amused by how hesitant he was with the term, his cheeks reddened when he realised I was mildly teasing him for his apprehension. "You don't have to do that because I'm here."

"Play it where we left it last time," Harry nodded at my hands, he cleared his throat and hummed for half a second before singing along with what I had started playing.

He sang in his chest voice, low and sweet with chilling resonance. It was truly beautiful, and I smiled at the way each line of the lyrics played perfectly into the next. Harry closed his eyes as I played into a pre-chorus of sorts, barely reaching to effortlessly switch up to his head voice for the end of each line. I watched him, so I knew when to extend the phrase or move to match his pitch, but Harry kept his eyes closed while he sang.

It wasn't until he fumbled over two lines in a row that he stopped and gave me a bashful smile, "I don't think what I rewrote fits. Let me go get my notebook and—Hey!"

I looked up toward the window to see who had earned Harry's light whine. There was a line of people at the window watching Harry and me at the piano. His manager gave Harry two thumbs up, but Harry flipped them all the bird as he joined them in the room to collect what he needed to continue.

"That sounded great," Rodger walked over to me and then launched into a whole bunch of the technical aspects of what we were about to start doing. A lot of it made sense, and I had been exposed to before, but I had questions about specific parts that he was patient in answering.

When Harry came back, he settled himself off to my left, where the recording mic was set up. He left the room again and returned with a pitcher of water and two glasses, placing it on the floor between us without saying a word. I watched him take a sip and then stepped up to the mic and slip on his own set of headphones.

"Okay, Nina," Rodger said to us through the glass again, "I've got the automatic transcription program on you, so we'll be getting the melodies down in real-time. I know," He assured me before I could protest, "You'll be able to manually edit things after. On the dark side, we're more about the recording than having a perfect transcription, yeah?"

"I didn't say a thing," I mumbled, embarrassed.

"Harry, mate," Rodger addressed him, "Let's go right through once, doesn't matter if we miss bits. Just give Nina the chance to play it out, and by the second take she'll be set."

"That's annoyingly impressive," Harry told him, adjusting where his headphones sat, "Is there a support group you can recommend?"

"I can hear you both."

"I'll get Max to put you on the mailing list," Rodger promised Harry, setting up a click track to guide our timing but then turning it right down so I could only just hear it.

Harry continued to banter with Rodger as the sound was tested, "Good, I'm going to need maximum support," he spoke into the microphone. "Test, this is a test. I am testing the microphone."

Rodger gave Harry a thumbs up and told me to play something on the piano so he could alter the levels on the boom mics positioned over the open cover. To spite them both, I started tapping out the basic tune of Ode to Joy, not looking at either of them as I did so.

I heard Rodger laugh through the headset, and Harry clapped beside me, "Genius at work."

While they both still were laughing, I switched to Mozart's Sonata No. 17, which shut them up very quickly. I looked over at Harry and gave him a smug smile as I played without hesitation or missing a note. He tried to hold my gaze, but his eyes zeroed in on my hands and were transfixed by their movements. I stopped playing abruptly, and he playfully narrowed his eyes at me.

"Yes?" I asked him sweetly.

"Put him in his place, he's a shit, Nina," Another voice spoke up.

Harry and I looked up to find his manager at the glass with a headset on, "You've never spoken wearing that before!"

"I've never felt the need to," was the reply to Harry's exclamation. "You usually behave yourself."

+++

Two and a half hours later, we had a song.

"It's beautiful," I wound my arms around Harry's waist where he had me tucked under his arm. My fingers played with the cords of our headphones where we stood together, listening to a rough cut of just Harry's isolated vocals.

"Give me a second," Rodger said, distracted by trying to layer the piano and backing vocals over Harry's track."Everyone ready?"

Most of Harry's team left throughout the afternoon, the people on phones and laptops had gone as well as the label head. Harry's manager, business manager and a videographer remained. His manager stood and came over to the desk, but the other two stayed seated on the sofa.

"Okay," Rodger decided he was sorted, clicking on his screen back to the start and pressing play.

Harry tugged the ends of my hair, ghosting his fingers up and down my neck as the opening notes filled our ears. We stood together behind Rodger sitting at the sound desk, the song playing out where we had grown used to hearing sections cut up and altered what felt like a hundred times over.

In the end, Harry hadn't entirely stayed true to his 'piano only' idea, I had managed to convince him to add in some strings which were computerised for now but would be live recorded down the track. We also ended up with bass drums to help with the build to the bridge. Throughout the afternoon, the piano part had been stripped back because I refused to let Harry's gorgeous lyrics drown in a sea of complicated notes and melodies.

The end result was a haunting but euphoric song that took Harry out of his comfort zone and showcased the raspiness and dimension of his voice. It was hopeful like he hoped earlier it would be, but it also gave voice to a vulnerable side of him. It wasn't a song with a strong personal narrative, he had written on the universal truth of life and love and the simplicity behind humanity that we rarely pay mind to.

The song ended, and Rodger slowly turned back to us, his face immediately lit up, "Look at you both!"

"What?" I sniffed, bringing the sleeve of my jumper up to my face, I craned my neck to look at Harry who had his hand covering his mouth.

When he looked down at me, Harry's eyes were wet, and he took a deep breath to steady himself. We both took in each other's faces and then started laughing. I hadn't seen Harry have such an emotional reaction to music, but I knew exactly what he was thinking about mine.

"I see tears, I've done it!" Harry did a little fist punch with his free arm.

"Excuse me," I cried out, "I cry all the damn time if anything I'm the one who's 'done it'. Look at you, you're a mess!"

"It's catching," Harry replied simply, leaning down to press one kiss on my cheek, "Thank you," he said to just me.

"The song is gorgeous," I told him.

"It sure is," He confirmed with an edge of wonder in his voice.

FEEDBACK MAKES ME NOT REGRET WRITING 8K WORDS FOR YOU

[lit--bitch]

Current-Reads (13/04/20 - 18/04/20) 🎺🐝

(Disclosure: I know one of the writers (Annie Dobson) I’m featuring in the current-reads this week through Writing Squad. I also know Tom Bland who runs Spontaneous Poetics but I don’t personally know the two writers whose work I’ve enjoyed on the zine. And I don’t know anybody else sadly, probably because I’m a loner and a loser). 

Here’s the standard preface: every Sunday without fail I throw up the freshest literature and photography I’ve read over the week, sometimes it’s a book, sometimes it’s a piece I saw in a magazine or an online zine, sometimes it’s something I saw on social media, etc. Sometimes I add ‘RECOMMEND’ next to a few of the titles, but that’s not to say I don’t recommend all of them, I just love some pieces more than others. C’est la vie. And any titles that you see in bold are hyperlinked so if you click or tap them they’ll direct you straight to the source... or shopping basket. 

Anyway I’m just gonna get right into it. 

So this week I’ve been reading C.C. Hannett / kmwgh’s Lockdown Life and Charles Theonia’s Two Poems on Queen Mob’s Teahouse, I’ve read Haibun/Uncertainty/A Promise To Your Clothes from Jane Burns on Spontaneous Poetics and I flipped right back to September 2019 and re-read E.A.B’s have a wank because it’s fitting advice for our current predicament. I’ve returned to Patrick Süskind’s Perfume and I’ve been falling in love with Ariana Reines’s The Cow all over again, (whose new collection, A Sand Book, I’ll be reviewing in a few weeks time). Also been reading Annie Dobson’s Before The Ghost Town on the Writing Squad’s Staying Home series which boasts brilliant work. I can never get over how many amazing writers there are in the world. I’ve also discovered a new photographer with a brand new book out from Palm* Studios, Molly Matalon’s When a Man Loves a Woman. 

***

E.A.B’s have a wank, Spontaneous Poetics (21/09/2019): I keep going back to this specific piece because this poem makes you feel like you’re stood outside the John Snow in Soho, completely wasted, having a cig with a friend who’s also pissed up too. That’s the feeling I get from E.A.B’s work. She’s memorable and familiar and probably has a decent right hook. This poem is short, succinct, and means exactly what it means. I love work that is entitled quite plainly, in a way doesn’t subvert expectation—it’s tongue-in-cheek and funny. It’s also pretty good advice for when you’re in the midst of a global pandemic... or a personal crisis, I’m not sure what the difference is anymore. She also has another one up on Spontaneous Poetics, which is equally brilliant, blue balls at the end of humanity. 

Jane Burn’s Haibun/Uncertainty/A Promise To Your Clothes, Spontaneous Poetics (17/04/2020): This is a deeply sad poem eclipsed by grief and time’s relentless push and pull. It also has some absolutely beautiful personification, and it’s in the description of these vernacular objects that you really feel the subject’s hurting. ‘You’ is so empowering here, because it attempts to universalise the reader’s accessibility to the ardour of experience in this work, but is equally an attempt to sever the writer’s ‘You’ from themselves as ‘I’. This poem tells us that some pain is so painful, we can never fully accept that it has been ours to bear. 

Annie Dobson’s Before The Ghost Town, Staying Home from The Writing Squad (RECOMMEND): I’m not saying this just to be kind, all of the work on Staying Home is absolutely brilliant (discluding my own work, I promise I’m not that full of it) but Annie’s piece happened to be one of the first I read and I still think about it. Annie probably doesn’t know this but I stalk her writing. I’m her big fat secret admirer. Quintessentially British, her work smacks of kitchen-sink realism and cherry chapsticks you get in the chemist’s. I always get a noughties vibe from Annie’s writing, I always know what she’s on about. She doesn’t make the banality of life mystical, she treats the ordinary as well, just ordinary, and that’s magical enough anyway. Before The Ghost Town is a mish-mash of genres, it’s an essay but it’s a thought piece but it reads like a diary-entry and is formatted like poetry in some places. More than anything it’s a document on civilisation in Lewisham during the Covid-19 pandemic, and how full the world is still despite the reductive effects of a worldwide crisis. It’s a political critique on how fucked the UK government is, and how community is still one of the most valuable things we have in a world that is trying to make you fight over the last bag of fucking bread flour. It’s honest and sad and retrospective. It’s also filled with promise. I absolutely loved it. 

Molly Matalon, When a Man Loves a Woman: For a long time I shot pictures of men on 35mm to 120mm. I often felt strange doing it. I was used to the dogma of typical male politics; boys don’t cry, having a tough dad, penis envy, etc. It didn’t interest me anymore; the object of masculinity in its most vulnerable, in its deepest sensitivities was the impetus behind my desire to photograph men. Molly Matalon takes pictures of men I wish I had taken. But I don’t think she reverses the power dynamics, per se, although you can absolutely make the case for this, even argue her work is a case for the female gaze. But for me, she strips away these typical power dynamics, she doesn’t polarise herself as the subject, or the object. I don’t see tensions between sexes in these images. I see vulnerability, I see trust, I see relationships. I see men just as worthy of depiction as flowers, as fruits. I feel softness, I feel curves. The photographs in When a Man Loves a Woman are works of of idealisation of woman is implied by man, man as woman, woman as man, the fragile unity in these two creatures, and their reciprocations. She’s absolutely one to watch. 

Ariana Reines, The Cow (RECOMMEND): Ariana Reines is a writer so dear to me, that I can’t really contain in words just how much impact she’s had on me. I salute Elizabeth Ellen (a wonderful writer, and an editor at HOBART magazine in Los Angeles) who, one day, was moving apartments and very generously sent me a box of books all the way from the USA to my parents’ house in Manchester. In that box amongst many books lay Tiqqun’s Theory of the Young-Girl translated by Ariana Reines, and her debut collection, The Cow. So if it wasn’t for Elizabeth, I wouldn’t have read any Ariana Reines until probably much later on in life. At least, I’d like to think I’d have come across Ariana at some point anyway. 

The Cow was published in 2006 by my all-time fav magazine/publisher, Fence. The Cow isn’t poetry, isn’t prose, it’s not an essay, it’s just not any genre at all. And the fact you can’t categorise it is just really is emblematic of Ariana Reines as a writer, because she doesn’t redefine the dimensions of genres, she fucking blitzes them up in a big genre-food-processor. The Cow is the mythologisation and de-mythologisation of the woman as cow. It is the consumption and defecation of woman as cow. It is a lamentation. It is raw. It is beastly. It is thoughts and statistics and menstruation and abbattoirs. It is a dark work of art, and it’s one of the most beautiful, angry and strong texts I’ve ever read. It’s one of those books I think about often. I’d be engrossed on London tubes re-reading this over and over. It’s absolutely everything. 

Patrick Süskind, Perfume (RECOMMEND): Ah, the mothership. Patrick Süskind is... one of a kind. I borrowed the book from my best friend James and after reading it, I read it again. I still haven’t given back James’s copy (which I really need to), and I recently bought a UK first-edition of Perfume so now I can say it’s on my bookshelf. Reading Perfume is an intoxicating experience... I guess it’s because of the way Süskind writes about smell, and he writes about it so vividly that, for me at least, it can induce olfactory hallucinations. It’s not just about the story of a murderer with a superhuman power for scent, it’s about our relationship with different smells we come across throughout our life, their pungency and their ability to kind of tattoo our memory. You can recall scents in a way that you might not be able to with sounds. I don’t remember fully the way my maternal grandmother sounded, she passed when I was a little girl, but I still know her smell. It’s Youth Dew and sweets. Perfume induces sensations and memories in me. It’s a text I go back to time and time again. 

C.C. Hannett / kmwgh’s Lockdown Life, Queen Mob’s Tea House (03/04/2020): Queen Mob’s Tea House is a new fav of mine and their zine kind of reminds me of the Richmond Tea Rooms in Manchester’s Gay Village. They’re a bit Alice in Wonderland, a bit occult, a bit down-the-rabbit-hole, pink and sparkly, with black lace. If that description of the zine borders on pretension then, sorry. I have zine synaethesia. So these poems from ‘C.C. Hannett / kmwgh’ (I’m not sure I understand the name) were awesome little tidbits on living through a global pandemic. An ellision of pop culture, absurdity and tenderness. A reminder that we will never get this time back, and that if you’ve got the luxury of being with your loved ones right now, cherish it. I also really loved the last line of this guy’s bio, no social media handles or website, just: “You can find him if you want to.” Lol. 

Charles Theonia, Two Poems, Queen Mob’s Tea House (24/05/2017) (RECOMMEND): I loved both of these poems but I mostly wanted to talk about ‘shame’. I enjoyed ‘shame’ for its density—it’s a single block paragraph—the format has a weight to it, like that of feeling shame. I know this was published in 2017, basically I was just surfing the zine’s website and clicked on Queen of Pentacles (I was intrigued bc I read Tarot) and this was the  latest entry on there. I enjoy the bluntness and conversational-ism of these two pieces, but I particularly loved ‘shame’ for the way it unpacks shame as a multi-faceted, festering spawn that drags you under, and under, and under. Its resonance is powerful. 

*** Anyway that is enough from me zis week. Next Friday I’m reviewing Charlotte Geater’s poems for my fbi agent which is again from Bad Betty Press. Stay safe, eat cake. xxxxxx

[jimdogma-blog]

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