#one piece original charakter

[novemberhope]

[koszmarnybudyn]

Dndads spoilers for episode 23!!!!!

I made doodles and im gonna use them for evil.

So much happened so there is a lot of text. Why do these episodes always happen when i have school work?! They all have fidget cubes (they are so neurodivergent my god). All members of my family inerupted me in the tensest moments how dare they. Normal was so good?!? And the doodler?!? The Hermie reveal was somehow not the craziest thing, and he dropped charakter and his voice changed?!! I just wanted some sexy confident poison ivy stuff but we got angst. Im so glad we got to see the original dads. This is my favorite episode like ever. And the paralleals between Lark saying they have to kill the dodler and Normal saying they gotta save him?!? And Jodie and Scam are together? And Scam was on the dads team?! And honestly Grant is a goddamn mess (Terry does have issueas but he holds the title of the most stable one). Link deserves to set boundries!!!! And Normal too!!! He feels like a dissapointed and like his whole family hates him!!!! He finally snaped it was so good!!!!! This whole episode was great!!! I cant wait for the fanfic!!!! And the fanart!!!! So GOOOOOOOODDDD!!!!! i felt kinda meh about the last one so this was such a good change. And Barry was always a dickhead even to his mother, which is expected but honestly i might just hate him more than willy (dont get me wrong i hate willy, but he is more scary evil where as barry is shithead gaslighter evil). Will i already have a finished piece today maybe. If i could animate i so would, escpecially the doodler reveal of what it fears and wants. Were getting back home soon (probablly)!!!!! I wanna make comics but i also want a transcript to do that.

[lamaisongaga]

         FASHION CREDITS: “HOUSE OF GUCCI” PART I

After the huge success “A Star is Born” has been, Lady Gaga appears again on the silver screen as the main charakter in Ridley Scott’s “House of Gucci”. 

The biographical crime film, which celebrated its release on November 24, 2021, tells the story of Italian socialite Patrizia Reggiani who was tried and convicted of orchestrating the assassination of her ex-husband's and former head of the Gucci fashion house Maurizio Gucci, portrayed by Adam Driver.

Award-winning costume designer Janty Yates put together and designed many of the looks for Gaga. Glam by Sarah Tanno-Stewart and hair by Frederic Aspiras. Here’s the first part of our fashion breakdown!

Patrizia is being introduced to us as a young girl who works as an accountant at her father’s transportation business.

Gaga sported this Art Deco-printed, olive-green plunging dress with tiered hem  – a custom piece designed by Janty Yates and turned into reality by her cutter Dominic Young and his team. Janty and Dominic created the majority of Gaga’s looks for the film and you’ll see all of them here!

For the masquerade party at night, the Italian-American beauty wears this custom Janty Yates x Dominic Young cocktail dress with bows on the shoulders, rendered in red silk and draped to create a beautiful knot on the front, based on the pink Chanel Fall/Winter 1987 Haute Couture dress Reggiani originally wore to a party.

Next, she carried the Original Venice Shop gold metal Dulcinea mask with strass and stick (€88).

Bvlgari was one of the major jewelry houses that provided some stunning pieces to be worn by Gaga in the movie! First up, these earrings set in platinum with two oval Mozambique rubies, round brilliant diamonds, and pavé set diamonds...

...and matching necklace, both from the "Magnifica" high joaillerie collection.

The black beaded clutch with gold metal frame is signed by Villanueva Carey, a label specializing in women’s evening bags.

Most of LG’s gloves in the movie are signed by Paula Rowan whose pieces were also worn in Gaga's latest Vogue editorial! Here, Montserrat black silk opera-length gloves.

She also wore the Gianvito Rossi Montecarlo D’Orsay red suede ankle tie pumps with crystal ankle strap.

The two meet again at the library where she’s wearing a rare vintage Burberry brown & beige plaid trenchcoat with buckle details and silk lining.

Underneath, she wore a Denner Cashmere polo jumper in white and a bespoke Dominic Young blue pleated skirt.

She paired it with the Hermés L'Entente Cordiale scarf - a print created by Loic Dubigeon which dates back to 1994. A splendid carre that takes us around France and history in exquisite detail.

Also, her personal vintage bag and Bruno Magli yellow leather loafer pumps with horsebit detail!

She receives a call by Maurizio while wearing this Tina pink silk camisole dress with fabulous lace trim along the neckline...

...and these black fur pom pom mules from Jaimies “Les iconiques de la féminité” collection.

On her and Maurizio’s first date at the Galleria Vittorio Emanuele II, Patrizia wore an Eco Italy puff sleeve blouse, custom Dominic Young laser-cut skirt in taupe, and this vintage 1970s orange knit cape with butterfly, heart and snowflake motifs – a piece from her own wardrobe!

Her large straw hat is by Pieroni, the gold-tone stud earrings from H&M, her other jewelry and leather bag by Pikkio, watch by Tudor and shoes by POMPEI.

She’s also clad in these Paula Rowan Aida tan suede leather gloves.

The love story continues and Gaga is seen rocking this Max Mara Studio Spring/Summer 2021 Guido brown & ivory polka-dot midi dress with detachable elongated cognac-colored leather belt and concealed button front!

Her tan leather V-strap pumps are designed by Janty Yates for her.

She carried her necessities inside a vintage Gucci tan leather flap clutch with gold-tone hardware.

For the boat date, Gagaloo wore this romantic Sandro Dami floral-printed mini dress with ruffled, asymmetrical hem and crossover neckline.

She matched it with her aforementioned Burberry coat and Bruno Magli loafers.

When meeting Rodolfo Gucci for the first time, Patrizia wears this custom Dominic Young colorful Monet-inspired printed dress with long sleeves.

The waist was cinched with this rare vintage Saint Laurent red leather and gold metal belt. 

She also carried this vintage Gucci ivory leather purse with gold-tone metal hardware. Other accessories included Pikkio jewelry and POMPEI heels.

For her infamous sex scene, Patrizia rocked this Maje Roman botanical-printed mini dress with ivory lace insets. The costume department had the dress slightly altered by giving it a V-neckline!

Gaga wore it with a La Perla Brigitta bra, matching Brazilian lace briefs and Exotique off-white lace suspender belt.

The look was accessorized with another pair of H&M stud earrings...

...Wolford white lace stockings, Pikkio jewelry and bespoke POMPEI heels.

Here comes the bride! For her grand wedding, Patrizia wore a custom Dominic Young 80s-inspired romantic white lace appliqué hi-lo wedding dress with matching long veil, and bridal jewelry from Pikkio!

"Everything was sewn by hand so it took between eight and ten weeks to make that gown. We actually had the photographs of Patrizia herself at her actual wedding, and made a replica of the quite plain dress she wore for that as well. We didn’t decide until the morning we were shooting the wedding scene which one we were going to use. LG put both of them on, but in the end the more OTT one won – it was just overwhelmingly beautiful." Janty told Dazed.

The Manolo Blahnik Hangisi white satin pumps with crystal buckle detail were the perfect bridal shoe choice.

Click here to check out part II!

[yashika1984]

Explain Fanworks to Dummies

 There are People out there, who trying bring Artists down, just because they go not confirm with the Content they create. 

But... let me Try to explain, it in that way that even a wet piece of Bread, like the person who send me the Asks, maybe understand  how things are.

Series like Dragon Ball have a huge Fanbase. There are Millions of Fans. Different People have different tastes. This is okay.

There are Fans who write Fanfictions, there are Fans who draw Fanarts or Fancomics, who make cosplay and many, many more. 

And the Thing on Fanworks is, and that´s the Point..... You can do what ever is in your Mind. You can create new charakters, you can ship Characters wich in Series would never come together you can just do what YOU want and what YOU like. (And yes even Adult content, of course)

So why are there still people who try to destroy others just because of a fucking fandom? If you don´t like, go and search for things you like, do you really think you will change a other Fans opinion?

If I want draw Adult content, its only MY decision. If others want draw Adult Content, they should do it. If people want to draw SFW stuff, it´s nice, too.

And do I (And I am not the only one with Adult content) destroy Toriyamas work?

Hell no, because Original Series and Fandom Stuff are  different Things. 

We´re living in fucking hard times, we should enjoy what we have and stand more to each other.

But I think that will never happen because Humans are weird. 

Sorry for the Wall of Text but I need to say this.

Stay safe.

[kontrakolektiv]

ＬＥＴＴＥＲＳ  ＴＯ  ＢＥ－ＬＯＶＥＤ

umelecký projekt | kolektívny akt | online/offline |  február - november 2021

Umelecká akcia Listy milova-né/ným je hybridným literárnym dielom so zámerom vytvoriť objekt fungujúci ako umelecký artefakt a úžitkový produkt zároveň. Výstupom je ručne-vyrobená pohľadnica zobrazujúca kolaboratívnu dadaistickú báseň na prednej strane a originálnu sieťotlačovú grafiku na zadnej strane.

Na projekte participovalo 15 vybraných dobrovoľníkov z celého sveta, ktorí prostredníctvom fiktívneho, ručne-napísaného dopisu adresovanému svojmu milovanému vytvorili obsahový základ pre tvorbu kolaboratívnej básne v štýle tzv. Found poetry – inak nazývanej Blackout poetry – dadaistickej formy automatickej poézie vznikajúcej selektívnou prácou, pri ktorej autor pracuje s vopred napísaným textom.

Inštrukcie k napísaniu listu predstavovali spojovník vedúci k vzniku celistvého básnického diela. Účastníci do svojho dopisu museli zakomponovať tajomstvo; niečo, čo adresátovi nikdy nemali odvahu povedať; niečo, čo v pôvodnej básnickej reči ostáva skryté za metaforami, no na ich vlastnom kuse papiera dostáva podobu reálnej, osobnej výpovede.

Výsledná báseň je tvorená náhodným vyškrtávaním slov z participantovho listu napísanom v cudzom jazyku, čo znemožňuje ovplyvniť jej význam a finálne znenie. Prostredníctvom stratégie využívajúcej náhodu ako konštitučný prvok skúmame koncept autorstva v literárnej praxi, zároveň sa nad tvorbou poézie zamýšľame z hľadiska jej prirodzenej spontaneity a automatickosti. Zaujíma nás, či je možné vytvoriť báseň bez toho, aby sa autor pre jej napísanie vedome rozhodol.

Budúcnosť umeleckej praxe vnímame oslobodene od linearity a previazanosti, naopak, umeleckým dielam pripisujeme nesúrodý a vzťahový charakter, v rámci ktorého veríme, že je možné alternovať úžitkový predmet za galerijný exponát a po skončení výstavy ho stanoveným spôsobom plnohodnotne využiť.

Exhibícia je zostavená z troch originálnych fyzických vyhotovení a online platformy prezentujúcej zvyšných pätnásť elektronických kópií pohľadníc. V rámci výstavnej stratégie skúmame možnosti digitálneho vystavovania, ktoré predstavuje jednu z alternatív udržateľnejšej umeleckej produkcie. Navyše, recipienti sú konfrontovaní len s kópiou diela. Originálny artefakt sa nachádza mimo galerijného priestoru, v skutočnom svete, v ktorom participant hľadá pre objekt vecné uplatnenie. Prostredníctvom projektu sa snažíme priamo reagovať na potenciálnu trvanlivosť a životnosť estetických artefaktov.

／ＥＮ

art project | collective act | online/offline |  february - november 2021

Artistic action Letters to be-loved is a hybrid poetical artwork with intention of creating an object which can be consumed as a utility and artistic artifact at the same time. The final output is represented in the form of a crafted handmade postcard depicting a collaborative Dadaistic poem (front side) and original screen-print design (back side).

The project involved 15 participants, who received the task to address a fictional hand-written letter to their beloved one. This letter was later used as a content base for creating a unique poem in the style of Found Poetry – also called Blackout Poetry – one of the Dadaistic forms of automatic writing, in which the author uses selective work and pre-written text.

Despite the content and aesthetics diverseness, profiled in the language or in different hand-writing styles, all poems stand on a common base represented in the instructions for writing the letter. ​Participants were asked to incorporate one untold secret – something they were never able to address to their beloved one. Something, which in the poetic language remains hidden behind metaphors, but on their piece of paper takes the form of a real, personal statement.

The final poem is determined by randomly deleting or highlighting words occurring in the text written in a foreign language. This fact makes it almost impossible to influence the meaning of the poem itself. We examine the concept of authorship in literary practice through a strategy using chance as a constitutive element. Our ambition is to define the method of composing a poem without the author's conscious decision about what to write exactly.

Perceiving the future of artistic production with more incoherent and relational character, we believe that is possible to alternate a utility object into a gallery exhibit, which later – after the exhibition – can be used in a useful manner. To its full extent.

The exhibition is composed of three physical originals while the remaining fifteen copies of the original postcards are presented through an online platform. Our aim in this exhibition is to explore the possibilities of the digital exhibition as one of the alternatives for more sustainable art production. In addition, the recipients are confronted only with a copy of the artwork – the original artifacts are located outside the gallery space, in the real world, where participants are looking for a true usage of the object (postcard). This artistic action is our way of responding to the potential durability and longevity of aesthetic artifacts.

１１ ／ ２０２１

[the-booted-kat]

Eine Katze mit neun Leben

(for English, please see below) Selina Kyle ist eine Kämpferin. Sowohl im Boxring als auch im Alltag. Ihre siebenundzwanzig tätowierten Leopardenflecken sind ein stiller Zeuge davon. Einer für jeden Sieg. Nach zweijähriger Abwesenheit kehrt sie in ihre Heimatstadt Gotham City zurück und bringt tagsüber die feine Gesellschaft als Partygirl Holly durcheinander. Nachts dagegen sind weder Schmuck noch Gemälde vor Catwoman sicher. Allerdings locken streunende Katzen auch unweigerlich Fänger an. „Catwoman – Diebin von Gotham City“ oder auch „Catwoman – Soulstealer“, wie die Geschichte im englischen Original heißt, behandelt Themen wie Gerechtigkeit, Loyalität und Freundschaft. Selina Kyle steht als Diebin eigentlich auf der Seite der Antihelden und Schurken, allerdings hebt sie sich durch ihre moralischen Werte und die Hintergründe ihres Handelns deutlich von diesen ab. Auch, wenn sie nicht den Weg der Rechtschaffenheit wählt, vertritt sie die Seite der Gerechtigkeit. Als Leser ist man Selina in bestimmten Erkenntnissen ein Stück voraus, was der Spannung allerdings keinen Abbruch tut. Auch und vor allem deshalb nicht, weil die Charaktere nicht vorhersehbar agieren. Während Sarah J. Maas für ihren Umgang mit LGBTQ+ Charakteren in „Das Reich der sieben Höfe“ stark kritisiert worden ist, gefällt mir der Umgang damit in „Catwoman“ sehr gut, da es eher beiläufig und damit als selbstverständlich behandelt wird. Sarah J. Maas schreibt auch in „Catwoman“ fesselnd wie immer, was die Geschichte für mich stellenweise gerettet hat. Während des Lesens habe ich die Geschichte in drei Abschnitte eingeteilt: den Anfang, einen Mittelteil, der etwa bis zur Hälfte ging und die Auflösung der Ereignisse. Mit dem Mittelteil habe ich mich etwas schwergetan, weil Selina auf mich stellenweise sogar etwas unsympathisch wirkte. Allerdings wurde beim Weiterlesen deutlich, warum sie so handelt, wodurch ich mich wieder mit ihrem Charakter versöhnen konnte. Wenn man die anderen Werke von Sarah J. Maas kennt, dann fallen einem unweigerlich ein paar Parallelen auf, die aber weder vordergründig aufdringlich noch in irgendeiner Art und Weise störend sind. Der dritte Band in der DC Icons Reihe liest sich genauso spannend wie seine Vorgänger und lässt ein bisschen darauf hoffen, dass Wonderwoman, Batman, und Catwoman im vierten und letzten Band „Superman – Dawnbreaker“ auf Clark Kent treffen. _________________ A cat with nine lives Selina Kyle is a fighter. Not just in the boxing ring but in her everyday life as well. Her twentyseven tattoed leopardspots are telling that story quietly, too. One spot for every fight she won. After two years away from her hometown she now returns to Gotham City and confuses the society of the rich as the partygirl Holly by day. By night not a single piece of value is safe from Catwoman. But stray cats usually attract hunters.

“Catwoman – Soulstealer“ deals with topics like justice, loyalty and friendship. As a thief Selina Kyle is most likely to be on the side od the antiheroes and villains but her moral code keeps her far from that side. Even if she does not choose the path of righteousness she definitely fights for justice. The reader knows certain aspects before Selina does but this does not effect the suspense. Especially as the characters are not predictable. While Sarah J. Maas has been criticed for her depiction of LGBTQ+ characters in “A Court of Thorns and Roses” I really like the depiction of them in “Catwoman” because it is just mentioned casually and therefore seen as perfectly natural.

Sarah J. Maas’s writing style is captivating as ever what in some parts saved the story for me. While reading I divided the story into three parts: the beginning, a middle part that runs approximately until the half of the novel and the resolution of the events. The middle part I found somewhat difficult to read, as Selina even appeared to be unsympathetic (but perhaps that was just me, comparing her to Leigh Bardugo’s Wonderwoman). As I read further it came perfectly clear why she acted how she did so I could reconcile with her character. If you have read the other works by Sarah J, Maas you can not help to find some parallels to her other stories, which are neither in the foreground nor are they in any way disturbing. The third novel in the DC Icons series is as thrilling as its predecessors and makes one hope that Wonderwoman, Batman and Catwoman finally meet Clark Kent in the last installment “Superman - Dawnbreaker“.