#one day I'll redraw them all

[darnellthefirestarter]

I completely forgot about this drawing a while ago, and I don't think I ever posted it

I have too many aus, i want to draw mage Darnell and thief Pico but the vampires have invaded my brain space

[poorly-drawn-mdzs]

Bonus 8: How met your mother (CSSR design by @qourmet!)

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[lunarharp]

misc scribbles :)

[purenguyening]

Every time I think about this photo, I can't help but think, futojiko marriage canon now.

[crabbarts]

I still have that eggman rime WIP sitting in my last legacy desktop folder,, I worked so hard on that thing and finished all the frames only to lose interest and never animate it 🙃

[misiahasahardname]

i found a photo of me in the hospital after my first seizure and i am wearing the most HORRENDOUS combination of clothing imaginable 😭😭

thinking of redrawing it with mikey because epileptic 2012 mikey is real

[bigs-bigshot]

Fuck it, you get personal art too. You see I'm very gay and often I see characters and go 'this would be very attractive if this character was a man, had a soft belly, and was somehow tied to my current favorite character'. This is the result. All are he/him.

[marie-m-art]

Good Animated Omens - Behind the Scenes

Here's a behind-the-scenes look at the walk cycles I animated of Aziraphale and Crowley (original post here).

I'll reiterate that the character designs are @lookitsstevie's creation! I made builds in Toonboom Harmony based on their designs, and then animated the builds.

Long post under the cut, organized into four parts. Feel free to jump around or just click through the images and gifs to get an idea of the gist. (At least take a look at Part IV, where you'll see a version of Aziraphale without his jacket and a closeup of Crowley's torso!)

Hopefully this is interesting even if you don't know the first thing about animation. It's not a step-by-step-from-scratch tutorial, but it might give animators some ideas to think about when trying this software!

I'm happy to answer questions about what I cover here - comments, DM's, or ask-box questions are all fine by me. If you like any of the new gifs and want to reblog it on its own, I can make new posts for those upon request! (I'd prefer you don't reupload them, but if you do please at least credit me with a tag to my account - thank you!!)

Part I: The interface and some basics

Above is a screencap of the software interface.

In the centre is the Camera window, where all the drawing and animating is done. 

To the left, the Node View. It's a representation of how the pieces and layers that make the characters are grouped and connected to each other, which is what makes a character "build". Every piece in this window is called a node, and there are different types. Light blue "drawing nodes" contain the drawings themselves. Each drawing node usually has a green "peg" attached; the peg is used to move and rotate the drawing piece; you set a pivot point on each peg. Light grey nodes are groups that have more nodes within, and dark blue nodes are added effects (eg masks, the blur for the halo, etc).

Below, the Timeline - it's where keyframes are set and tweened. The red square dots indicate there is a new keyframe on a particular frame; the white dots indicate keyframes are on layers nested somewhere under the topmost visible layer. All the pieces of the characters can be found in the timeline and correspond to the pieces that exist in the Node View (and Camera). Typically you work with a collapsed view of the build layers in the timeline, which allows you to set keyframes on multiple layers at once.

To the right, a few tabs in this window - Tool Properties, Colour Palettes, and, shown on top here, the Library. The library is where you store your builds, so that you can bring in a fresh copy when animating a new scene. This library tab also has the Drawing Substitution window, which shows thumbnails of every drawing contained in a drawing node when that node is selected.

A second of animation is 24 frames long. Finished animation will often have keyframes on every second frame with the tweens removed, to help simulate the look and feel of traditional animation - this is known as animating "on twos", and saved time, money and paper in the old days. If you leave the tweens on, and/or have keyframes on every frame, the animation is "on ones".

My walks are on twos - it's the look I prefer.

When I say "tween" I'm specifically referring to the software feature that will automatically calculate and interpolate the path between two different poses/keys of a peg. An inbetween could be the result of using a tween, a new drawing, or both. On twos, an inbetween will look the same as any other keyframe on the timeline when you're finished - its relevance as a concept is during the process, not the end result.

Quality animation is achieved via a combination of moving/tweening pre-existing drawings using their pegs, and adding new drawings as hand-drawn inbetweens when needed. Toonboom Harmony also has nodes called "deformers": they offer a way to tween the shape of a drawing without needing to redraw inside the drawing node. (Part IV has the explanation for which pieces I used them for, and why.)

Part II: Navigating the builds

This is what their default poses with no animation look like.

Animation using builds is sometimes colloquially referred to as "puppet-style animation" because the way you can connect body parts to each other feels like making and handling a 2D digital puppet: you can connect a hand to a forearm so that they can move as a unit, and you can connect that unit to an upper arm to move the whole arm as a unit, and that arm gets connected to the torso, and so on.

When you want to connect two pieces, like a hand to a forearm, then you create another peg in the Node View and attach the two body parts together under that new peg. The screencaps below show the nodes that make up Aziraphale's and Crowley's entire builds inside their respective groups:

Things got a bit sloppy ... It looks extremely complicated, but once it's set up, you don't have to think about it too much when you're animating!

And I've zoomed in on the nodes that make their arms so you can see how there are pegs on top of pegs (all the green nodes), with wires connecting everything:

As I explained in Part I, new drawings are added and contained within a body part's drawing node (the light blue ones under the green ones), and the Drawing Substitution window is where you can see all the drawings that exist in a particular node. In the timeline, you set keyframes for moving the pegs, and you also choose which frame the new drawings will appear when applicable. You might have a lot of drawings stored in the nodes, but only what you set to appear in the timeline will be visible in the final animation.

You can select a body part in the camera view, and then find the corresponding layer in the Timeline or the Node View by pressing the "o" keyboard shortcut. If you select a body part by clicking on it, and then press the "b" keyboard shortcut, you will jump up to the next peg it's connected to. You can hide and unhide pieces using "d" and "a" respectively.

In the first capture above, I'm showing that the arm pieces can be moved separately or together, and you can see how the pegs in the Node View light up when I select them in the Camera window (hiding them turns them red). In the second capture, I pop down to the timeline to step back and forth between the poses - the light grey row (it appears between the rows of red dots) represents the hand's drawing node in the timeline.

Part III: Summary of animation process

In my head I imagined how their walks would differ from each other - Aziraphale bouncier but with very straight posture and limited arm movement, vs Crowley slinking and swaggering all over.

I also knew that I wanted the animation to look good for both a walking-on-the-spot version, and as a version walking across the screen (both versions are at the top of the post!).

Then I started doing some rough animation.

I set aside my finished builds for the roughs. For each character, I made a few drawing nodes and two pegs; a peg for the up-and-down upper body motion, which I tweened, and a peg for moving them across the screen. The legs and arms are drawing substitutions.

With these extremely rudimentary rough "builds", I worked out - how many frames long the walks would be, - how far the characters would move across the screen each step, - how much the upper bodies would move up and down, and - the key drawings of the legs and feet.

I didn't worry about animating clothing, hair, or Azi's arms in the rough stage. For those elements, the drawings would be spaced really close together and would be easier to figure out with tweens. (Note: this rudimentary setup would be sufficient if you want to clean up and inbetween characters by hand frame-by-frame instead of making full builds; my preference is build animation because the process is more fun for me)

Then I started working with the finished builds, using the roughs as a guide, and established the broadest motions first: the up-and-down motion in the upper bodies (I set a keyframe at the lowest point, a keyframe at the highest point, then tweened between them) and how far they'd travel across the screen. Then the feet were done.

I went back and forth between viewing them walking on the spot and walking across the screen to make sure that both versions worked. I also made sure they crossed the same amount of ground relative to each other.

After those crucial parts, I moved on to animating their arms, hair, torsos, clothing details, and finishing the legs, not necessarily in that order. I simulated twisting/rotating their torsos in 3d space by moving their waistcoats and lapels.

The first gif switches back and forth between versions (imagine a background scrolling by when they walk on the spot). The second gif is an example of bad "footslip" - they're moving at different speeds, and if you pay attention to their feet, Aziraphale appears to slip on ice while Crowley appears to slide forward on skates.

"You go too fast for me, Crowley!"

Part IV: Extras and details

Here is a version of Aziraphale's walk without his jacket, and a closeup of Crowley so you can see his swaying hips better:

One of the cool things about animating with builds is they lend themselves well to small modifications; the jacketless version took all of five minutes to make.

I'd be remiss not to include a close-up of Aziraphale's hair, the real star of the animation :) (Crowley's hair is also animated but I purposefully kept it understated since it's a much different texture.) And a closeup image of Crowley's snake tattoo:

The biggest unit for both of them are their upper bodies, which includes their pelvises. The up-and-down motion is only on one peg instead of on every single piece, which is handy because it means I can hide just that part of the animation when I want to work on the clothing details:

During the process of animation, I am often hiding then unhiding pieces like this so I can see what I'm doing.

Their clothing ended up being a lot of separate pieces, which I kept adding during animation rather than before, as it was hard to predict everything I needed. Their clothing also incorporates cutters (aka masks), and deformers (see explanation in Part I). In the next set of gifs the deformers show up as green outlines with handles and get turned on and off.

Aziraphale's torso functions as a mask for his clothing. The shape of his torso subtly changes via deformer. His lapels and waistcoat have V shapes that are masks/cutters (they cut a V shape out of those pieces); the same pieces that make the cutters also are used for the black lines of those V shapes via a special layering setup. The main shapes of his lapels are animated with deformers, and you can see how far beyond his torso shape they extend when I turn on the deformers in the second gif.

Deformers work best for shapes that change a little bit, and/or slowly. The minor shape changes in his and Crowley's clothes ended up being a great use case for deformers, because they pretty much tweened perfectly.

The reason I didn't use them on Aziraphale's legs was because those shapes change significantly between keys; I predicted I'd have to re-adjust every frame of a tweened deformer, so I drew the inbetweens by hand (halfway through, I realized I probably should have used them after all, but I was in too deep by then; hand drawing was fun though!). Deformers worked well on his bottom jacket:

Crowley's pelvis is layered above and below his thigh pieces and has a deformer. Also take a look at all the drawing substitutions for his hands:

And lastly the deformers on the hair:

Epilogue

I'm hoping the gifs all play at the same speed for everyone as they play for me. Hopefully the demo gifs are at least watchable, if not super clear... (I'll listen to feedback on the presentation of the information, for if I do similar posts in future!) Don't hesitate to ask questions about anything I covered, or about any details you noticed that I didn't elaborate on!

ko-fi.com/marieanimate

I'm shy about mentioning it, but I set up a Ko-fi account in case this post compels anyone to leave a small "tip" (but reblogging and sharing is just as good)!

Thanks for reading, and have a nice day!

[heck-theo]

Okokokokok- ignore how rough and messy some of these redraws/sketches are - but it's apparently also dinosaur month?? (WHY did no one ever tell me it's Jurassic June? I love dinosaurs) And like. What if Rise but dinosaurs?!

I don't often post such loose sketches but I wanted to show these off cause I really like some of this.

Design choices and dino species + the reasons I picked them bellow (looking for potential Donnie dino suggestions):

Clothes: Without the shell they really need clothes. They'd all have pretty much the same pants to keep some unity, except maybe Mikey (I decided they should all have the same pants after I finished the Mikey sketches, not sure if I'll keep the shorts or change to pants). Accessories are a mix of pre and post finale.

Raph - I think would keep it simple and practical but would also wear nice jackets and stuff when in casual situations. I need to work on giving him an alternative outfit and tweak his accessories a bit.

Donnie - An oversized pull-over hoodie cause we already know he loves that shit. We see him wearing it all the time. Easy enough. He wears a comfortable singlet underneath so the straps of his battle sail don't rub. Nice soft fabric, tight fit so it doesn't move around, tucks it into his pants, etc. When he wears the battle sail he won't overheat so he can wear hoodies basically all year round.

Leo - He's in one of those shirts with obnoxiously large arm holes and make it cropped cause 1. I think he would 2. I want it to be different from Raph and Donnie's singlets. He usually wears the shoulder strap off his shoulder but pulls it up when he needs to. He has some of the black bandages over his mid drift atm but I might just make his pants super high waisted in the final version. He'd probably wear a bomber jacket (also cropped?) over the top for cool weather, but doesn't like to hide his feathers.

Mikey - I think he'd mostly wear hand me downs when he's younger. He definitely goes through a stage of rebelling and wanting to pick his own and would find a middle ground of appreciating sharing some of his brother's clothes and modifying them, as long as he has the choice of his own available. Not sure if that would be before or after this design. At the moment he's got Raph's old shorts (from a loooong time ago), Leo's old shirt, and Donnie's old zip up hoodie. He does have his own accessories though, including pins instead of stickers.

Dinosaurs: I kept them all as non-avian dinosaurs, AKA not including animals that are colloquially considered dinos but aren't (like pterosaurs). I wanted to keep an even split of herbivore vs carnivore just so one wasn't the odd one out. I wanted to keep most of their body structure, colours and distinguishing features the same as canon. Obviously I added tails cause, yeah, of course haha. I did want them to be recognisable as different species of dino using distinct characteristics that their species is known for. I did ignore a lot of differences though, like size and bipedal vs quadruped (although the quadrupeds might be more likely to go to all fours, especially when fighting or afraid). Leo and Donnie are carnivores so have sharper teeth and claws.

Raph - Some kind of Ceratopsian (likely Triceratops or something very similar) and he was the first idea I had for this and I'm really happy with it. I think it just suits him. Trike Raph just came to me in an unprecedented moment of genius. His spikey frill replicates his spikey shell. His sturdiness, protectiveness and willingness to kick ass when needed, all scream trike to me.

Donnie - Spinosaurus but looking for other species recommendations. More details below: So I wanted to figure out a way for him to have tech with a similar function to his battle shell (in the sense that it's something that helped him in day to day life) and so I went with spino cause one possible theory about a function of spinosaurus' sail is temperature regulation. So his battle sail has heating/cooling systems as well as other tech. A spino's sail was probably not fragile but the battle sail would also help protect it from being targeted during fights or crushed during extreme impacts. It was also thought to be used for display, and what's more of a display than a battle sail? The only problem I have with this is that it's lacking part of what makes Donnie's battle shell so great, which is that it is essentially a prosthetic. Not quite the same as how prosthetics are used in people of course, just in the sense that it is replicating the functionality of a body part that he doesn't have (I can't think of a better word). Well he does have a shell but it doesn't function in the same way that his brothers shells do, which leaves him with less defense than they have, hence a big reason for the battle shell (I hope I explained this well, it was hard to try and word properly). I can't think of a good way to do this with dinos. I was thinking of a carno or something with tiny arms, then Donnie could have tech enhanced arms but I'm pretty much ignoring body structure in the others so it would be weird to have just Donnie be affected by a difference in limb structure/functionality. I was thinking prosthetic tail but every non avian dinosaur had a pretty substantial tail. Except therizinosaurus but even they hade pretty obvious tails. I'm open to suggestions for this one if anyone has ideas. It does have to be an extinct non-avian dinosaur (anything not in Avialae), preferably carnivore but if someone suggests a really good herbivore or omnivore then I can try and swap Mikey for a carnivore. I want there to be an even split. I also wanted to give him something different on his face, like his brothers, and that could only be a little spino crest and it crowds the top of his head but I can't put it anywhere else...

Leo - A type of Dromaeosaur. I was tossing up between this and a dilophosaur where his red stripes were part of the dilo's crest, cause I wasn't sure about giving him feathers. But dilo Leo was so plain compared to the rest and the crests were hard to get looking right so I went back to raptor Leo. I can definitely imagine him literally and metaphorically preening his feathers too. You can't really see it but he does also have that big raptor claw. Raptors were smart, tactical and worked in packs so I think that suits him. I wasn't specifically referencing how some artists draw Leo's stripes coming off his face (I was just trying to replicate his stripes somehow, even though it doesn't make a huge amount of sense) but I realised afterwards that it kinda looks like that and might have been subconsciously inspired by it.

Mikey - Is an Ankylosaur. I'm pretty happy with the species but I need to work out the design of his armour plating so that it looks interesting, cool and protective but isn't too chunky, too pointy or super lumpy looking. I went with an anky cause Mikey is often hiding in his shell and he can't do the same here but he could curl up in a defensive ball. Plus I could imagine him using his tail club in his razzmatazz fighting style. A little like his kusari-fundo or nunchacku/nunchucks (not sure on proper wording).

[hollowgears]

SHOWDOWN!

"If you're ever in the desert of the underground you better watch out! In the wild east lies a city full of criminals and outcasts who bow down to no one!"

Their sheriff is just as insane as the rest of them, always itching for a fight, the spotlight hog of the wild east, North star! If there's one person the scoundrels of the city listen to it's him, after all no monster can argue against a gun pointed at their face

Still- rumors say that the cruel sheriff actually has a heart behind his act, the monsters working under him act with a lot of respect, many rebels say that he gave them a home safe from the royal guard when no one else would...maybe there's still a heart of gold behind that rude exterior? Who knows!

Thoughts and extras:

Woah! I can't believe I finally got this done!

Starlo was a challenge to design for sure, his canon look is already so good! It was hard to make it different while still looking like something starlo could wear

My art has definitely improved quite a bit since starting this au (god I already feel like I need to redraw martlet!) and I wanted starlo to feel special as he was the first design that really...clicked y'know? I look at it and go: that's my boy!

Working on the au has also been a blast, and I can't thank you guys enough for the support, every reblog or fanart makes my days so much better

But enough about that! Let's talk of the star boy!

As you can see I struggled quite a bit with his outfit (this is not by far the first attempt I made at him) in the beginning I almost took his poncho away! The blasphemy!

Well I guess even now it doesn't exactly qualify as a poncho...but hey close enough

Starlo uses three guns, although only two of them are seen most of the time, in this au starlo actually gets a proper genocide fight, and that's when he pulls out the big guns! (Haha get it-)

He would also have a special type of attack, yellow bullets that cause bleeding (think like karma damage) however the number of these types of bullets he fires is completely dependent on your LV

I'll answer any questions y'all have about him on asks- trust me I'm always itching to talk about these silly guys...

Perhaps ceroba would be next? Although she will take a while, god my wrist needs a break! (And the pile of studying I have to do keeps growing larger...)

[prismsoup]

New emotes from the silly emotes redraw operation, featuring pebbles and srs (non-dp design for fun!!)

One day I'll make better versions without all that artifacting </3 but for now that's the best I've got

Again : feel free to use them in your own servers as long as I'm credited somewhere !!

[aimasup]

EPISODE 3 SPOILERS BELOW THE CUT

aka my live notes on the episode as I watch again

The second ep I couldn't do because it came out when I was still working, so no energy or time :(

Here we go, long post warning:

The cartoon biology is amazing, it would make sense they'd explore that with all the time on their hands, it's so damn creative

In an alternate universe they would make for fantastic circus tricks

Gangle is DRAWING

Jax obviously would want to know how the newest plaything ticks. jerk

Zooble's. New. Look. 10/10 I'm sorry Zooble I know you hate your body but you are a cartoon character with a cool design

The reason I don't redraw enough screenshots even though I badly want to is because if we sat here and picked out every pose, expression, shot, joke, and meaningful momeny that i especially loved, we'd be here all day

It's nice that Pomni is still inquisitive and here it's mixed with fear of the Gummigoo incident repeating, continuity! ( °▽° )

Caine probably does take plenty of user feedback: When Zooble never showed up, he probably took into account what they might like in an adventure and tailor it to include them!! Even comments like 'immature'. Headcanon territory again whoops

Ragatha's little hand shimmies at when saying the house is scary she's so adorable you guys

She always wants to make things fun or at least enjoyable for others, but she isn't super stable herself, nooooo

The cartoon gags being like, physically real is the right kind of wacky and horrifying, of course these humans would lose it after a while!! Fits the tone of the series well

"I remember my first wild take!" "Gangle I'll get it for you!"

Kinger is so helpful he always wants to help and he talks exactly like a nurturing figure ಥ⌣ಥ even if his mind is. Not all there

Jax would be the worstttt to be in a haunted house with. Or even just play a horror game with. He'd skip all the dialogue and take the cutscenes at face value bc he just wants directions to do things

Caine hunting Zooble down good lord

CAINE THAT IS NOT HOW YOU PLAY HIDE AND SEEK

Zooble is being held hostage by someone with worse memory issues than Kinger trying to give them therapy that they KNOW is pointless. Yikes

The 'specially for Zooble' horror is SUPERB!! Gooseworx your roots are showing

This has escape room vibes. A controlled environment designed for mystery and entertainment except this time the players were actually kidnapped

Kinger and Pomni duo is. So good

Kinger slowly becomes lucid while Pomni loses it

Also all the voice actors are so good all the characters' squeaks and stammers and yells are full of such emotion

The gags are great. The 2d bit was a surprise and welcomed! Made the monster unveiling itself to be more haunting

I'm not a huge fan personally of the 'scary moment followed by funny quip' because it can repetitive after a while, so I appreciate that it wasn't too much of the case here

It's always the non-horror shows that have at least one downright terrifying episode huh

Zooble being open with their feelings because they know it doesn't matter nooooo

Caine is squishy. I'm now realising this, he is very squishy, eyeballs and all, even though he's the most robotic of the sentient cast

Caine doesn't even apologise for his actions, which makes sense sadly

They are nailing his programmed helper nature of not understanding deeper issues out of his comprehension, including his own!! But he still holds immense power and needs to slow tf down asap!! The adventures are for Caine as much as they are for the humans, in this essay I will

And Zooble. Zooble doesn't totally isolate themself, they hang out with the others! It's just that their body is already so foreign and uncomfortable for them, why on earth would they want to bring it out for even more foreign and uncomfortable experiences? The tent isn't so bad, it's massive and there's enough annoying bullshit behind each curtain to keep things less monotonous. They want as much peace and quiet as they can get in this disquieting form in this world. Everyone is trying to get control of their own situations in some way. And it's canon that they were newest before Pomni, keep that in mind-- in THIS essay I will

Zooble has many choice words that come to mind when they see you, Caine

Also Caine's expressions will always be peak. Love how he doesn't show certain more intense (vulnerable) emotions the same way humans do, he flusters, freezes up or glitches out instead

RAGATHA AND GANGLE DESERVE A GIRLS NIGHT. GOOD. TIE UP THAT MEDDLING RABBIT

Kinger I am twirling my hair as we speak

He's being very calm! Still scared ofc but he's so used to the madness of the circus, and for the first time we're actually seeing that in a way that isn't him being PART of the madness

The possession was horrifying loveeee (shhh don't think about the content farms with possessed Pomni that may follow it's ok)

"How's your wife, Kinger?" uncalled for. (cocks shotgun) game's haunted

Seriously I very much doubt that Caine put that in on purpose. But it's not out of the question that the magic hell circus game that sucks your mind in forever would mix code and consciousness for some fucked up results. I believe it's called uhh divine machinery? Idk

Pomni, let it out girl

These adventures have not, in fact, gotten easier for her to adapt. Really shows that compassion matters huh

(or does it? Jax may have something to say about that)

It's canon! Queenie is canon! And the truth behind Kinger's pillow fort is even sadder than we imagined!

And what's also canon is that Zooble is a great listener!! They take note of everyone's behaviour even though they don't go on the adventures!! They distracted Caine from his crisis!! They ended up being the therapist!! And it's not even on purpose ajkshdksksjskslslsksl they have no idea how they ended up in either chair

Will Pomni have to go through each adventure and come out of them the only one carrying the experience. I hope not. That would hurt. But I hope so 👀

Ragatha! Getting appreciation! Pomni's hair tuck! How often does Ragatha hear that even? Also Pomni is getting closer with the others, already hanging out and stuff, good for her!! Our cantakerous jester is finding friendship!!

Please make it so that Caine's alliterative terms of endearment get worse every time. Please it's so funny

TADC IS ABOUT HUMAN CONNECTION AND ALSO VIDEO GAME/CARTOON PHYSICS RGHRGJEHHHSHH

[poorly-drawn-mdzs]

Thank you all for an incredible 500 days of love and support. I offer you: answers to questions that no one has asked.

(As always, more can be found in the tags <3)

[greenflowerceo]

hii im suuper late to my own week ik (i'll post the rest of the days from time to time, college applications were a pain </3 but i've got most of it down

This piece is a redraw of my very first post ! This has been a wip since the start of the year so my art style unsurprisingly changed a bunch as i tweaked the lines and colors. it's not the best but it's looking as good as it can be!

as for the zine, people are free to draw up pieces for the week up until the end of september and we can compile it all together! it's not really the usual zine format but who knows.. we can maybe try to figure out a way to formally start a more structured zine project for these two

Anyway! I've decided to dedicate my greenflower week posts to my headcanons I've made up for them from the past 4 years.. I figured you guys could take a peek into my brain since I haven't really been good at that unless you catch me in a vc :") there's a buncha hcs and old ass art i never posted finally unearthing under the cut if you wanna take a peek

So, first thing: Body headcanons..

i took super long getting what i want with this waay back when I started posting cause I was still figuring out a lot with my art. i couldn't get in good details/features that would properly differentiate them or make them fun to draw. I wasn't striving to be really innovative with the designs or anything, I just wanted them to feel like characters I like looking at and thinking about

finally, i'm somewhat able to settle on these as of right now! It will most likely update as the time passes and my art changes, but this is what I got!

basically the main idea is that i wanted Lloyd to be bulkier but sharper. grew up fast and has all these edges, but then you get to know him and he's just a big ol dork. Mostly wears loose-fitting clothes that hides his figure, but he's quite built underneath

Brad's a lil taller and pretty lanky. my art style may not be able to show that properly but lloyd can snap him in half <3 he also seems hella chill but that's probably cause he got balls of steel after living through a million ninjago invasions

This thing below is an old outfit concept I have for a project that I've been working on. does not reflect my current headcanons with his physical appearance but i do like his clothes

I think he loves his role as the green ninja, saving the world and such. it came with lots of baggage and reflection but i do promise that he enjoys it for the most part. I think him wearing green is kind of like wearing work clothes so he tends to avoid it on days when he's free to keep from being too ready to jump into ninja mode

i do tend to keep him in green though cause the fandom sure does love their color-coded ninja

anyway .. that's about most of what i've got for this that looks good enough to post, so here's a bunch of other doodles/sketches, both old and new ToT

oh and a quick comic too cause why not

one more: bonus greenflower yuri

thanks for coming to read this far :) there'll be more soon

[tomicscomics]

07/26/2024

When the carnivore diet gets out of hand.

JOKE-OGRAPHY: 1. In this Bible story, Jesus and His disciples go to rest on a mountainside, but a big crowd of followers tracks them down. They want to hear more of Jesus's cool Jesus-words and see more of Jesus's cool Jesus-deeds. Jesus asks Philip what they can feed everyone, and Philip replies incredulously that it'd cost 200 days' wages to buy everyone something little. Of course, Jesus was only testing his faith with one of His many Jesus-tricks. Then Andrew appears, escorting a kid who offers to share a few fish and some loaves of bread. Jesus accepts the food and passes some out to everyone, and somehow, there's plenty for over 5000 men (not including families that might have been with them). When Jesus asks His disciples to clean up, the leftovers fill twelve baskets -- way more than they started with. The people are all wowed, dazzled, and amused. 2. In this cartoon, I inject an extra bit of dialogue into the story. When Andrew introduces the boy, Jesus assumes Andrew is suggesting they eat the child, causing Andrew to panic until the boy clarifies his true purpose. Of course, Jesus only said this to test them, for He Himself knew what He was going to do (John 6:6), and is just being super hilarious.

AUTHOR'S NOTE: This cartoon is a Tomics "Second Coming," where I've taken an ancient comic that was already resurrected, and redraw it once again. You'll notice through these iterations that it's gone back and forth between length, but the pacing remains roughly the same throughout. The first version features my ancient desaturated style in all its boring wonder. The second features brighter colors but strangely greenish skin, and also a shorter and more to-the-point format. I think I prefer the longer version for setting a scene, but I could go either way -- and I have! Anyway, it's a very exclusive status for one of my comics to be redrawn twice. Maybe one day I'll redraw it a third time, but for now, how does it compare to its past selves?

[orengejoshi]

Love you art. My favorite thing is definitely your coloring. Flug does give t boy swag. Hope to see more of your drawing soon. Out of curiosity what do you hope for season 2?

Thank youu🥺💜

I know what you meant but just the entire term "T boy swag" reminded me of my fav rapper who just goes by "T" and since I wanted to do that for a while anyway (his songtexts would resonate with Flug so much) I used this as an excuse to redraw one of his album covers, so I love that, I'm gonna steal that heheh

(relatively unrelated for everyone except me lol but I always throw in some art when replying to asks)

umm yeah so... we're not even done with the first season, so idk. from S1-B I predict more of what we've had so far; more or less episodic comedy, slowly easing us into a connected plot. 6th episode already kinda introduced that.

it's gonna be one of those cartoons like TOH who start off silly and episodic in the first season and develop into a melodramatic serialized show from 2nd season onwards.

this is going to be an unpopular opinion but I actually do not 100% vibe with that, I prefer episodic cartoons like SpongeBob or South Park without overarching plot; comedy over drama. but it was always obvious that Villainous is gonna have a fuck ton of lore so I'm not disappointed.

my criticism rn is that I feel it's already way too many characters I'm sorry. it's getting pretty convoluted. I'm just not a fan of that but again pretty subjective. I can't bring myself to care for absolutely any character that we haven't seen animated yet. it's been too long for me to throw too many new characters in the mix, I've been nonstop hyperfixated since 7 years so I'm skeptical about changes.

as for the plot, I have no idea. we're in so early that I can't even imagine where this is gonna go.

for the end I wish that no ship with the main 3 becomes canon. it's just going to create fandom wars, just leave it open

I just want to see Flug happy...

I'll always just hope to get as much information about Flug as possible

definitely hope they explore Miss Heed's character too, as long as she doesn't end up with Flug l'm interested in her. I would like to see her getting worse (maybe switching sides?) before finally healing and learning to love herself

I want to know more about Goldheart and consequently about Flug's past

I wish for Demencia to snap out of her brainwash some day and learn about her past. I need Flug and Demencia to become real good friends and escape together with 505. I do NOT want them to become heroes but in order to find true happiness and peace they'll have to leave this place imo

but I think most of that is WAY in the future, this won't all happen in the 2nd season. but idk how long this series is gonna be, I doubt the crew even knows, so ye!