#olivia marseille: threads
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oliviamarseille · 1 year ago
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closed to: billie nakano! (@billiesfm ) location: any bar/club
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"i got you this--since you're very occupied on whatever's on your phone." olivia says, sliding over whatever drink she could get for billie to have as she was focused tapping on the screen, whilst the trainer was just amused watching all the sorts of facial expressions she's seen for the past thirty minutes. "you look stupid like you're fighting for you life against whoever the fuck that is." she leans back against her seat, bringing her drink close to her lips. "listen, if you don't want your drink, m'gonna take it, billie. come on. what the fuck is it so important that we're wasting our cooldown? you wanna spar about it?"
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tittypriestess · 2 years ago
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OLIVIA MARSEILLE-CLARKE  ✑ tags
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cirquenuit-rp · 7 years ago
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We welcome the following characters into the Cirque family. Under the cut, you will find the full apps of the accepted characters. Please, go over the checklist, refer to this post, and make sure to send in your blog to the main in under 24 hours!
Calliope Hunte [Ashley Moore] played by Eva
Fee Lavrouye [Ruth Negga] played by Marie
Kalila Shain [Gal Gadot] played by Maggie
Olivia Sergeant [Halston Sage] played by Jen
Penelope ‘Penny’ Arden [Shailene Woodley] played by Deja
Sanni Wirtanen [Dakota Fanning] played by Beth
Scout Hallow [Lily Collins] played by Ashleigh
Alexander Blake [Leonardo DiCaprio] played by Matt
Marcellus Leonard Dyer [Bill Skarsgard] played by Ro
Silas Nakamura [Sen Mitsuji] played by Bella
Trevor Dewitt [Logan Lerman] played by Joseph 
Vicente ‘Vince’ Vega [Oscar Isaac] played by Frankie
Connie Stuart [Natalia Dyer] played by Bex
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Character Name: Calliope Hunte Age: 28 Gender/Preferred Pronouns: She/her From: Speightstown, Barbados Time in the Cirque: 5 years Faceclaim: Ashley Moore Act or Job: Contortionist
About the Character:
Calliope comes from a long line of Voodoo Queens in Barbados. The practice can be traced several generations before her, and led her to actively practice the religion for her entire life.
She began learning contortion at around eight years old. It was unintentional, as she started out learning traditional dance before realizing her natural hyper-flexibility. Often times, she’d use it to scare her siblings and kids at school .
Calliope often communicated with spirits when she was a teenager, doing it so often she began to view herself as ‘Chosen’. Because of her religious practices, her mother and aunts that she lived with never saw the frequent communication as a threat and often encouraged it.
She joined the circus to flee her gang-ridden hometown at the request of her mother. She wanted Calliope to be as far away from the violence as possible and ushered her away to the circus in the dead of night. Calliope used her unconventional skills as a contortionist to hold her own against other performers.
She has dabbled in aerial silks during her time at the circus, and can often be found practicing her contortion combined with the aerial silks. It’s also a handy way to sneak away and have alone time between her shows.
Character Name: Fee Lavrouye Age: 35 Gender/Preferred Pronouns: female, she/her From: Marseille, France Time in the Cirque: 8 years Faceclaim: Ruth Negga Act or Job: Medic, also helps out with costuming and other misc. tasks
About the Character:
A seamstress in her youth, she became a medic accidentally: four faulty floorboards, five broken bones, no emergency care, and one girl with a needle and thread who could stop the bleeding.
She’s naturally maternal, especially to the acro girls who come to her tent all the time. She loves to chat with them and has become quite the storyteller.
She sings sea shanties, drinking songs, and other nonsense under her breath while she sews.
She has many little siblings back in Marseille, and still writes them all letters, the old fashioned way.
Before joining the Cirque, she made costumes for the Paris Opera Ballet. She left shortly after the medical incident.
Character Name: Kalila Shain Age: Thirty-three. Gender/Preferred Pronouns: Cis female/feminine pronouns From: London, England Time in the Cirque: Four years. Faceclaim: Gal Gadot Act or Job: Medic About the Character:
When Kalila was a child, she wanted to be a unicorn. Once her otherwise very supportive parents convinced her that it simply wasn’t biologically possible, she decided she’d rather be a ballerina instead.
Her dance career was derailed following a car accident as a young adult. She wasn’t too severely injured, and neither were any of her friends who were in the car at the time, but she realized that her body just couldn’t quite rebound the way she needed it to to keep pursuing a career in dance. So, she decided that if she couldn’t be a dancer, she’d be a doctor and fix people’s bodies instead.
Kalila wants to help people. When she danced, it was about providing people with some sort of escape from whatever they were going through, even if it was only for a few hours. Now, she can see someone at their worst and gently pull them back together.
Her career at the circus started not long after she received her medical degree. Something had always itched under her skin, pulling her away from her sheltered upbringing. Travelling with the circus has opened her eyes to new cultures that she might not have otherwise experienced, and opened her ears to the stories of those around her.
Although she’s compassionate with her patients, Kalila absolutely will not hold back if someone isn’t following her medical direction. She tends to be snarky with “repeat offenders” (usually the daredevils) who she thinks end up in the medical office too frequently.
Character Name: Olivia Sergeant Age: 23 Gender/Preferred Pronouns: cisfemale, she/her From: Napa Valley, California Time in the Cirque: two years Faceclaim: Halston Sage Act or Job: tech crew, lighting 
About the Character:
After Olivia dropped out of college and couldn’t find the strength to tell her parents what she’d done, the circus found her. She was on track to graduate and go on to medical school but couldn’t stomach it, and seeing the opportunity for a new life she ran without looking back. She wrote her parents a letter as soon as she was out of town, but is using this time as a form of escape. She’s able to travel the world and think about what she really wanted from her life, all while in good company. Or at least that’s what she tells herself, after two years she feels just as unsure about her future, cementing her place with the troupe for the foreseeable future.
The Sergeants owned a winery and horse ranch. She never wanted for anything, and prior to this had never even held down a real job. It was a shock to her system when she had to suddenly go by someone else’s schedule and learn to budget her money. Even after all this time she can still get caught in a tricky financial situation after she’s spent her entire paycheck without thinking. It hasn’t resulting in any serious trouble yet, but it’s not something that she’s going to get under control any time soon.
Liv comes from a huge family, in terms of birth order she’s number four out of five. She was raised with three brothers and one much older sister, giving her the distinct ‘tomboy’ feeling that every little girl has when she spends all her time roughhousing with her brothers. Even when she was home she was continually lost in the shuffle of different activities, always watching her mother balance schedules and try to get everyone where they needed to be. The circus feels like home to her with all the rushing chaos and people, and she’d never thought she’d say it but thanks to her family she’s learned how to keep her cool and stay organized in this environment.
Originally she was going to sign on as a medic given her education, but there was an opening with the lighting crew and she jumped at the chance to learn a new skill set far away from the one she was running from. At first she was just another crew member but as time has gone on she’s slowly moved up the ranks and likes to think of herself as an assistant to the lighting board operator. When shows are particularly empty she’s even been allowed to run the board a few times- which she absolutely jumps at the chance to do.
She’s horrendous at keeping her own secrets but tries valiantly to keep other people’s. There’s something so genuine and bright about her that it’s hard to get mad even when it’s discovered that she’s spoiled something. She does make a big deal of apologizing, but she doesn’t often try to help clean up the messes she’s made, especially when they don’t directly affect her. A rule of thumb around the circus is not to tell Liv if there’s a surprise party being planned.
Character Name: Penelope “Penny” Arden Age: 25 Gender/Preferred Pronouns: She/Her From: Cartersville, Georgia Time in the Cirque: 4 months Faceclaim: Shailene Woodley Act or Job: Tightrope Walker About the Character:
Penny was a competitive gymnast throughout her adolescence, though she quit after her disgraceful failure in the US Olympic trials.
After her dreams of being an Olympian were crushed, Penelope conformed to the patterns and customs of her small town life. She married her high school sweetheart, worked as a waitress at her family’s restaurant, and almost considered starting a family.
On a whim and a desperate attempt to escape her now suffocating life, Penny ran away to join the circus– something she imagined only angsty teenagers did in old movies, not housewives in their mid-twenties. Surprisingly, though, she still had the talent and flexibility of her younger self and was able to perform well enough to score her place among the other distinguished acts of the Cirque.
Before joining the Cirque, Penny hadn’t travelled any farther than 20 miles from home. Now, she is overjoyed with her new freedom and takes every opportunity to explore the foreign city’s of The Cirque’s world tour. She collects souvenirs from each new location and her caravan is growing cramped with her findings.
Despite - or perhaps because of - her new freedom, Penny doesn’t plan to stay in the Cirque for long and is waiting for the right location where she can run off into the sunset.
Character Name: Sanni Wirtanen Age: 19 Gender/Preferred Pronouns: cis female, she/her pronouns From: Helsinki, Finland Time in the Cirque: 18 years Faceclaim: Dakota Fanning Act or Job: Shadow Theatre About the Character:
Born and raised in the Cirque de la Nuit by two performers from Finland, Sanni has a great relationship with her parents and no regrets about growing up in the circus.
Has tried her hand on mostly every act the circus has to offer but the only thing she is really good at is the trapeze.
Has been playing the accordion since she was five years old. Her accordion is her most prized possession and her favourite pastime.
Instead of becoming a trapeze artist or playing her accordion for the Cirque, Sanni opted to take over the shadow theatre as she finds it’s not as stressful or demanding. Quite picky with who she lets in on her little puppet troupe, she makes most puppets herself, rarely buying premade ones and refusing most gifts. Her stories, successful more often than not, are always improvised and she never bothers practicing them beforehand or writing them down. She only ever performs when she feels like it though.
Due to her parents insisting she gets a university degree, Sanni spent the last year studying economics in Helsinki. She quickly got fed up with how boring and static a student’s life can be though, which is why she ended up abruptly abandoning her studies at the end of her first year and suddenly returning home to the Cirque.
Character Name: Scout Hallow Age: 25 Gender/Preferred Pronouns: female; she/her From: Los Angeles, California Time in the Cirque: 3 years Faceclaim: Lily Collins Act or Job: Daredevil
About the Character: 
Scout’s mother was obsessed with fame and did everything in her power to get Scout to become the star she never could.
But show business is harsh and Scout’s mother was an alcoholic with a pending drug problem. She managed to get Scout a job as backstage at a local show but Scout was too shy to perform herself.
But Scout’s mother quickly spiraled out of control and disappeared one day, leaving Scout to fend for herself. The people at the show took care of her until the show eventually got shut down. At that point, she became homeless and fell into a bad crowd.
Because of her mother’s influence, Scout has an eating disorder that she has had for most of her life. This is due to the fact that Scout has never felt like she was good enough for her mother, being more interested in “boy things” (as her mother put it.)
She eventually discovered the circus and has been a part of it ever since. She had secretly been doing potentially life-threatening acts, which only fueled her eating disorder more. For her audition, Scout perfected these daredevil acts and that is how she got into the circus in the first place.
Character Name: Alexander Blake Age: 36 Gender/Preferred Pronouns: Male From: Stratford Ontario Canada Time in the Cirque: Twenty-one years Faceclaim: Leonardo DiCaprio Act or Job: Puppet Master  About the Character:
Alexander was born in a theatre town, with parents who were both well renowned stage actors. As such, performing has always been a part of his life, but he always felt like he was stuck in the shadow of his parents growing up, and that nothing he ever did would be good enough .
He took up puppeteering in his teens as a way to try and distinguish himself and set himself apart from his family legacy. He quickly discovered that it was his calling.
He ran away from home at the age of fifteen to join the circus (although he lied and claimed to be older at the time) He craved the adventure and excitement that was offered to him, and wanted to escape the pressures of trying to live up to the expectations everyone in his town had for him.
When the circus first arrives in a new town, Alexander will walk around the streets and listen to the sounds of the children playing. What he hears, he will often incorporate into his shows for the duration of the stay in that town. He also has conversations with the children after the show, and encourages them to come back, because he’ll incorporate those conversations into his show the next day.
Alexander was married to another cirque performer named Isabelle for four years, but she left two and half years ago, when a wealthy businessman came to the circus and took a liking to her.
Character Name: Marcellus Leonard Dyer Age: 26 Gender/Preferred Pronouns: Cis male, he/him From: Baltimore, Maryland Time in the Cirque: 2 years Faceclaim: Bill Skarsgard Act or Job: Tech Crew
About the Character:
Marcellus was the product of a rich, married couple that wasn’t suited to be parents of any kind. He was seen and treated more as an object rather than an actual person. His parents were highly abusive emotionally, mentally and physically. Yet, even then, Marcellus hardly acted out or against the way he was treated.
It became a common thing to see Marcellus as the aggressor for a lot of things. Fights and arguments are something he frequents in, but it’s always for a legitimate reason.  
Marcellus has always had a soft spot for children. The childhood he had gone through was terrible, and he hates the thought of coming across another child that has gone, and might still be going, through a similar lifestyle. The quickest way to anger him is when the well-being of a child is toyed or messed with.
He never really considered himself as a traveling man, but when he heard that Cirque de la Nuit was in town he decided to check it out. His curiosity got the better of him and the promise of traveling became too tempting for him to pass up.
He’s still young, but he’s far more insightful and intuitive than most think. Marcellus certainly enjoys several earthly pleasures, but he takes his job seriously.
Character Name: Silas Nakamura Age: 26 Gender/Preferred Pronouns: Cis male, he/him From: Sapporo, Japan + New York, USA Time in the Cirque: 6 years Faceclaim: Sen Mitsuji Act or Job: Catering (Sous-chef)
About the Character:
Silas never knew his father. His mother raised him on the road, where she worked as the Magician’s Assistant for a traveling circus.
He always wanted to be a Daredevil, and his mother encouraged it. He trained for the stunts from a young age, and picked up skills such as knife-throwing and tightrope walking.
Shortly after he turned 18, his dreams were dashed by an accident. He fell off his motorbike and suffered major injury. Silas lost part of his right leg, as well as any hope of becoming a circus performer. After recovering from the accident, he left his mother’s circus.
19-year-old Silas went to New York. There, he lived from pay check to pay check, and became an expert at feeling bad for himself. The Cirque came to town looking to hire a new catering team. Silas didn’t know why, but he applied. They hired him based on his history with the traveling circus.
Over the years, Silas has worked his way up from kitchen boy, and earned himself a reputation for being callous. He easily comes across as moody, bitter and impatient, but those he is close to know him to be caring, dedicated and observant.
Character Name: Trevor Dewitt Age: 25 Gender/Preferred Pronouns: He/Him From: Sydney, Australia Time in the Cirque: 1 Year Faceclaim: Logan Lerman Act or Job: Tiger Tamer
About the Character:
Trevor is from a rich family, but he never talks about them. It’s speculated that he was disowned, although for some reason he still has a constant flow of money coming towards him. Some think that his family is apart of some crime syndicate. Every time someone asks him about his family, he makes something unrealistic up and leaves it at that.
He is extremely laid back, and almost comes off as lazy. Trevor constantly seems like he’s hiding a lot about himself. He holds himself in way that hints at the danger that lurks behind his kind smile. Still, he would rather sit out a fight than participate in one unless he deems it necessary.
He really loves animals, and makes sure the tigers he works with are always cared for properly. He would never harm the creatures and treats them with respect.
Trevor is pretty quiet. Not because he’s shy or anything, he just doesn’t want to put forth the effort of speaking. When he does speak though, his words are heavily accented and are usually dripping with sarcasm.
He has a claw mark on his right cheek from an accident during one of his earlier shows. Of course, he will proudly place the blame on himself when asked about it.
Character Name: Vicente ‘Vince’ Vega Age: 38 Gender/Preferred Pronouns: Male; he/him From: Cleveland, OH, USA Time in the Cirque: 12 years Faceclaim: Oscar Isaac Act or Job: Clown About the Character:
He joined a relatively small circus group when he was 22 in Lima, Ohio until he was scouted by William White of Cirque de la Nuit in Paris when he was 26. Finding the ringmaster’s offers to be appealing, and with a child he has to support, he then joined the group and has been with them since then.
He was 24 and had been touring with his former circus group in Europe when he met a stunning escort after one of his shows. A relationship sparked between them, though it wasn’t anything serious; merely short-lived trysts, however, it resulted into a pregnancy that he found out weeks after they’ve stopped seeing each other, as he had to leave the town.
To ease his conscience, he’s been sending the woman monthly checks to support her raising the child on her own, and has been doing so for the past 14 years. He’s tried, several times, to meet his daughter, Alyssa, whom he’s only been allowed to see pictures of (she bears a striking resemblance to him more than with her mother, a fact that bears a heavy weight in his chest), but has been denied visits from by the woman.
Vince comes from a wealthy family, an owner of several restaurant chains in Cleveland. He’d earned his Bachelor’s Degree in Business from Kent State University, as his parents had wished for him to continue their legacy. However their plans had been foiled when he, on impulse, decided to join the circus that happened to be in town some time after he’d graduated. He hasn’t spoken to them since.
On the cusp of forty and still gallivanting through cities and multiple partners, he takes the time, every now and then, to reflect on his life. Most days, he’s content with where he is, but he can’t help but feel like he’d missed out on a completely different life offered to him by the opportunities well within his reach. He is tinged with regret, though tries subvert the could-have-beens with the applause he receives.
Character Name: Connie Stuart Age: twenty-one Gender/Preferred Pronouns: she/her & they/them From: troy, new york Time in the Cirque: thirteen months Faceclaim: Natalia Dyer Act or Job: Catering About the Character: 
Ask Connie where she’s from and she will lie. Troy, New York, is not real to her – it never was. She was born in New York City, and she will claim that’s where she grew up, not the tiny suburb where she doodled skylines on her window in expo markers. The city’s lights sparkled and reflected the girl’s own ambitions. It was perfect, but it was just a dream.  
Her mother was her inspiration. While they had left the city to live elsewhere, Mrs. Stuart still went back weekly. She delivered wedding cakes to prominent events, and Connie never wanted to do anything but be like her mother. Days were spent in the kitchen, flour clouds abound, and sugar covering every bare inch of skin and every surface on the counter.
She was admitted to Le Cordon Bleu after . They excelled there; they staged at pâtisseries and boulangeries within the Paris city limits, and it was a dream. It was with a reluctance they moved back stateside, but that had been the agreement they had made with her parents. They could go to school in France and have the tuition paid by them, and then they would come back to work with her mother at the event planning and catering business she ran.
It was miserable being stateside. They hated the lack of control, they hated being under her mother’s thumb. They knew they were more talented than their mother and they rubbed that fact in their face every chance they got. They one-upped, and showed off. Finally, they were told they could leave.
Maybe the circus wasn’t the best decision, but they wanted to rebel. They wanted to prove they knew what was best for them. And it was fun, at the very least. They liked moving around, they liked the freedom they had in helping aid with the menus. It was much more their speed. Though they don’t plan on staying there forever, for now it’s enough for them.
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oliviamarseille · 1 year ago
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closed to: billie nakano! (@billiesfm )
location: gym
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another slam on the mat. it was another day of class for billie and olivia. she has been lecturing, providing the singer pointers so far with every scenario she could think of that the other could potentially be in, with the shadow getting bolder by each kill, she knew everything was possible. that had been in her mind for days now, well, add that to the things that she was thinking about, the fact that billie is basically a popstar, a member of the group she's heard for the longest time, unaware of who they are, and...the moment they've shared back at the masquerade. she is great at hiding it, but she couldn't stop thinking about it, about the girl she's got pinned on her mat right now. "you're here, but you're not really here, billie..." olivia murmurs as she catches her breath.
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oliviamarseille · 1 year ago
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there was a hint of sadness in billie's voice that even olivia couldn't miss, and now her eyes possessed it too. she didn't exactly knew who these people were, of course she's heard about tiffany, given that it was the conrads who organized this masquerade ball. but at the same time, she didn't know the others much, not even their names, not that she was ignorant, but she avoids seeing the news as much as she could. before she knows it though, olivia already has her lips in billie's forehead, as an effort to comfort her, something that she hasn't done in so long, not since... "what's important is you're now here, i guess." she says in response as she pulls away, her mask thankfully concealing the confusion in her expression. her eyes has not left the other's as she slowly obeyed her command, taking a bite of the strawberry she offered. "good girl." olivia gives billie a slight smirk, then pops the rest of it in her mouth, immediately noticing the effect of what she just did to her. "mhmm, let's go." she takes the glass of champagne from the woman's hand, downing the rest of it and putting it down to the closest table, before leading them to the dance floor.
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❛ it's not just a party. ❜ the more melancholic undertone is not meant to come out in such a preeminent way, but there are some things she can't disguise as well as she'd like. she can't blame the trainer to think otherwise, however. while it hasn't been advertised as such, looking around makes it difficult to act like this isn't just another excuse to get drunk on somebody else's tab. but billie is taking tonight as it was intended ; honoring their latest losses. and looking out for the ones affected by them. ❛ i just had to talk to a few people . . ❜ explanations cut short, and she's grateful for the fabric that falls barely long enough to cover the apple of her cheeks. between holding olivia's gaze and hearing the command — she can feel them warming up, silently thanking whatever fashion gods that put that mask on her path tonight. executing directives in the confinement of a training room is expected, demanded even. this is something different, something that takes billie a beat too long to react. yet, complying comes easier than she thought it would, letting the witty response melt away on her tongue as a tentative bite is taken off the fruit. ❛ what are you waiting to take me on the dance floor, then. —— to, to the dance floor. ❜ tries to catch herself from putting her foot in her mouth, also being careful to not choke on her own words.
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oliviamarseille · 1 year ago
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closed to: brody martinez! ( @brodymartinez ) location: envy
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"that was an impressive set." olivia says in greeting to the other, joining brody by the bar. she arrived just in time as his set started. she actually has company, a date, whatever they're called, and have been their company. and she tried to see what is it that's entertaining about them, but eventually, she finds herself just ignoring them and instead, now her full attention is on the dj. he'd been one of the few tolerable people in town, as troublesome he could seem like. somehow, trouble gravitates to trouble. "so...you have somewhere else to be after this?"
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oliviamarseille · 1 year ago
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tag drop !
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oliviamarseille · 1 year ago
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olivia knew the peace had been too good to be true, and with the deaths picking up again, the shadow getting braver with every kill they make, the latest one was pretty bold, and she knew more people are going to contact her for a job to just find who the shadow is, if they were just one person or more the one, as it was before. she didn't have any kinds of lead if she was even going to take the job in the first place, not that she didn't want to do anything, but...for the first time, without a clue, the woman didn't actually know where to start with it. as she was trying to go through the missed calls and messages on her phone, whilst picking up a few groceries for herself, she unexpectedly bumps into someone. "shit--" she fumbles on her phone for a moment before sliding it in her pocket. she eyes the blonde standing before her from head to toe. "shit happens--hold up, you're...new in town, kind of, right?"
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@hidehillstart
Location: Ormond's Status: Open
Sienna had been so preoccupied with learning the ins and outs of feeding Greer Farm's horses and chickens, in trying not to murder the well cultivated garden and the fields of wheat, that she hadn't cooked properly for herself since she'd come to town. It was all frozen food and pizza, trips to the restaurants where she ordered extra and boxed half up to nibble later. Two months in and she was just now finally finding herself in Ormond's with a little grocery basket hanging from her elbow as she perused the produce. Deciding a box of strawberries would add perfectly to her purchases, she whirled around intending to head towards the cereal aisle, and met a wall of interference in the shape of another person. "Oh..." The sound came out of her, surprised but soft, her cheeks flushing with embarrassment as she swiftly stepped back. "Sorry...I'm so sorry...kind of lost sense of the space around me...I...are you...I'm sorry."
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oliviamarseille · 1 year ago
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"a few things to attend to, at a party, come on, billie..." olivia responds, with her voice still hushed as she stared at billie in the eyes through her mask, glancing back down for a moment at her lips. the pair always plays this kind of banter where one says a thing, and the other retaliates. tonight surely felt difference, as they were now dancing to a song obviously unfamiliar for both of them. but whatever it was, olivia was truly enjoying it. it wasn't unlike their usual dance, where someone gets thrown into the mat a couple of times and they call it a day, and that feeling was immediately confirm when billie entered olivia's bubble, and instead of pulling back, she feels herself getting drawn even more. "now we're talking..." she says as she watched billie take a sip of her champagne. and as billie previously mentioned, strawberry appetizers were being handed around. without looking away, olivia grabs on one for herself to take a bite, before bringing it closer to billie's lips this time. "eat..." she murmurs, her tone commanding, but hushed. "i won't forget about the dance, billie..." she closes the distance between their bodies and leans to whisper on her ear. "you know how much i don't like false promises."
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voice above a whisper to not disrupt the gentleness of the reunion, trying to carry home her chances at absolution from the slight negligence she's shown in the last few days. she's had good reasons to be distracted, but she's trying to not let them keep her from keeping her word. ❛ i've had a few things to attend to. ❜ and a few more on the back burner. but those can wait now, and she has to stop neglecting the time she promises to liv before the only one she'll want to allocate her again is on the clock where punches can legally be swung without repercussions. it's a contrasting touch to the sharp padded hands she's used to in the training room that finds its way on the low of her back, however. unexpected, but far from unwelcomed. ❛ will you forgive me if i offer you the next dance ? my only focus will be you, promise. ❜ olivia's hand makes it natural for billie to step in closer. her hand finds movement, but to retrieve the glass from olivia, usurping it from her hold to bring to her own lips for a shared drink.
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oliviamarseille · 1 year ago
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olivia had only been lingering around the start of the night as she lets her date off to socialize, a drink in her hand whilst she was just served appetizers here and there. of course, she's kept her attention on a few people, with the shadow still around, she tries to pick up on any suspicious movements around her. everyone has been having a pretty good time so far, innocent fun, having drinks, chitchatting, anything one would do at a ball like this. perhaps she had gotten a little bit too deep in her own thoughts that billie had snapped her out of it. "i was starting to think you've forgotten about your date, nakano..." she says in a hushed tone only for the both of them to hear, her free hand finding its way to the small of billie's back, as she sips on her drink. "you looked like you were having the best time so far..."
conrad's masquerade ball. w / @oliviamarseille.
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masking how one truly feels is a taught skill made easier to display with a proper mask decorating her features. hiding behind it is cowardly, definitely easy, but she deserves a more paved path tonight, she thinks. it's not obligations that brings her here — while she does have an engagement to fulfil later, half of her is excited and wants to be there, barely trumping the one that dreads the moment anytime her gaze falls onto the memorial table. ❛ can i interest you in something better than the distributed champagne and strawberries ? ❜ her date, as loosely as the term goes for tonight, is impossible yet to place in either half. she can't decide if the way her lingering eyes on olivia is a good or bad omen for tonight. billie's been reprimanded focus before, now's a good time as any to apologize for it.
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oliviamarseille · 1 year ago
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"that sounds like an overstatement, but looking at your eyebrows the whole time..." olivia trails off, referring to billie's furrowed eyebrows as she's deeply focused into typing, talking to whoever it was she was texting. it seemed serious, she won't lie, but it was none of her business, that doesn't mean she's not going to mess with the other, though. the trainer pretends to grab the drink she's gotten for billie, before she was able to take it for herself. "it is not your day, you're having a losing streak, and i'd say i'm having fun with it, and i am, actually, but..." she pauses to take a sip of her drink. "wait--anything? that compromise sounds good, i get to kick your butt, and..." and before she could even continue her sentence, the woman's phone buzzed, which makes olivia roll her eyes. she chuckles to herself, but she couldn't help but watch this little fight for her life billie was having. "if that phone isn't any close to important to you, it would've been already gone, if you ask me." she gives her a shrug. "go on, as long as i get my little compromise for tomorrow, then you're safe in my books." olivia gives her a teasing smirk. "but after that, you're going to focus on anything but that."
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❛ ——— huh ? ❜ gosh, did she zone out again ? the one thing more irritating than the constant buzzing of her phone in her pocket is when she doesn't let it go for what could be hours if she isn't stopped. ❛ hey, it's not stupid, i am fighting for every single inch of my life. ❜ and losing, might she add. so yeah, she looks insanely stupid. but liv doesn't need to know, if she can still save face since apparently it's been more than the few seconds she'd promised it would take. all billie needs is to finish this one tex— ❛ no, no, no, no. don't take that, i'll take it, thank you ! you're right, i'm sorry, no more of this. ❜ phone faces the table in a swift move, just in time to take the glass before olivia puts her threat to action, taking it to her mouth for a much needed drink. there's a displeased hum offered as an answer to her trainer's last question. ❛ throwing hands once for this is more than enough. you can beat my ass over literally anything else next session. ❜ she can only handle one loss at a time. which comes right back vibrating against the table they share, brown eyes leaving her company for a quick glance towards the device. ❛ oh fuck me, this can't be that serious . . okay, one last text i swear, bear with me pretty please ? ❜ her fingers itch for the slightest look of approval from olivia so she can finish this annoying business.
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