#okay this is the thing i've been doing obsessively sjkdlfsf

[queernarchy]

Statement of Elizabeth Williams, regarding a box of tapes found in the basement of her student house. Statement given October 18th, 2018, 105 Hill Top Road, Oxford.

[INT. OXFORD, 105 HILLTOP RD, UPSTAIRS BEDROOM]

[TAPE CLICKS ON]

[SOUNDS OF BETH STUTTERING, APPARENTLY SEARCHING FOR SOMETHING TO SAY]

[A SHAKY INHALE]

BETH

Right. Um. I, uh. Right.

[PAUSE]

BETH

To be perfectly honest, I’m not really sure what I’m doing. I- I found this. It’s the only one I’ve found in the box that’s blank. You know, I’ve never actually seen a tape recorder, like in real life? It’s quite - Well, I’m not even sure I know how to use it. Except … I do. Because I turned it on. I hit the button and now I’m talking to it, like it’s a person. Like I’m crazy, which … I might be. God, I might be. 

[BREATH]

BETH

I probably am. In fact, I hope I am. I hope I was just dreaming it all up. Another sign of an overactive imagination. Spending too much time with those books and not in the real world, as mum would say.

[PAUSE]

Even if it was real, there is no reason for me to be talking to you - no, to this. [TO HERSELF] It’s a tape recorder, Beth, it’s not a person. [BACK TO NORMAL] But I am. It feels right to, to tell you. So I’m going to. I’m going to tell you what happened and then it’ll be over. And I can go back to my life. 

BETH (STATEMENT)

I’m not great at this. The talking, the explaining, the storytelling, it’s not really my thing, at least not anymore. 

When I was a kid it was easy, you know? I was always latching onto one thing or another, letting it consume my brain and then going on and on about it to whatever poor soul I could corner long enough into listening. My parents didn’t let me use a computer until I was well into my teens - something about them making nightmares worse? It was all bollocks, really, how would they know that if they never actually let me use one? But, anyways, before that I used to spend hours in the Wokingham library touring the sections. Once, when I was twelve, I read a book on oceanography: Vanished Ocean: How Tethys Reshaped the World, and spent a solid week scouring the corners of every bookshelf for anything I could find on ancient supercontinents or vanished fault lines before giving my report to the first unlucky and unsuspecting librarian who happened to be out in the open. [LAUGHS] Poor Mike.

I never cared what the genre was, nonfiction, mystery, fantasy, that was never important to me. I just loved the pursuit, and the compelling joy of walking through a new world. It was like a secret between me and the writer, something that we knew that nobody else did. 

I always dreamed of being a writer too one day, but like I said, the storytelling part never actually came natural to me, no matter how many books I consumed. I suppose it must have been that lack of skill that bugged the people around me to no end. My father spent most of his time at work and I didn’t really get along with my brother or sister, but let’s just say that my mum was never as ... enthusiastic about my new interests as I was. 

It wasn’t her fault, I was deeply, deeply irritating. But to my credit, the minute I realized that, well, that’s when I finally started to shut up. Thinking back, I think that’s where it started. I had always kind of been afraid of pretty much anything and everything. But when I got old enough, I started to routinely feel a gripping terror bubbling up through my stomach, my chest, shaking my limbs and rooting me to the spot whenever I spoke for more than a minute at a time. 

All this to say, a few years ago I graduated secondary school with absolutely no skill in writing, the one thing I actually enjoyed, and a lot of anxiety. It seems inevitable that I would end up studying library sciences, doesn’t it? It’s practically what I’ve always done anyways - sorting and researching. And a future as a librarian with a couple cats and a cozy cottage, surrounded by books, well … there are worse things. Much worse. 

I moved into student housing right before my first term started at Oriel. I call it student housing, but it’s not, not technically. The actual dorms were a bit out of my price range, so when I saw an ad looking for flatmates in Cowley, only a 20 minute bus ride from the college, it seemed meant to be. There were ten living here all together, to start. George moved into his boyfriend’s place last year, leaving nine of us. [DARKLY] Well, eight, now, I suppose.

It was a proper house, renovated a few years back, I think, but it was already thoroughly  trashed by the time I showed up. It was one of those places that, the minute you walked through the door, you could just feel the grime lurking between the worn couches and stained mattresses, that musty smell of overuse. I tried to ignore it, I did, but one Friday night a couple weeks after I’d settled in, I waited until everyone had gone and walked to the closest shop to buy a blacklight. It went about as well as you’d expect. I spent that entire weekend scrubbing this house from top to bottom. I even cleaned Sam’s room. It’s not like I’m a germaphobe or anything, I just like to know where things have been. And if they dirty again, well, at least I know it’s the slobbery of my friends rather than that of strangers. 

I didn’t touch the basement, though. None of us ever did. I’m not sure why, it was always just an unspoken agreement between us. I must have asked about it when I moved in. I must have. I mean, it would be one thing if it just never came up, if it was just an unfinished and unsafe part of the house we didn’t go down to and that was that. But, you know, thinking about it now, we didn’t even mention it, not once. It’s amazing, isn’t it, what you can ignore. Right up to the moment you’re devoured by it.

I don’t remember the exact moment things started to feel wrong. Can’t have been more than a couple weeks ago. It was subtle, at first. Doors swinging closed on their own, misplaced items, shadows that didn’t really ... fit. All things that could be chalked up to the mind playing tricks out of boredom, or fatigue - just a consequence of one too many sleepless nights. I didn’t really think about it too hard, even when Sam brought it up at breakfast, started insisting the place was haunted. That was easy to dismiss, she’s always going on about some supernatural this or that and I don’t believe in ghosts, but even that would have been easily digestible as an explanation. 

It was like that for a few days, and all the while, that feeling of wrongness lurked in the background, pulsing beneath us. I honestly don’t know if I would have even taken notice if Milton hadn’t started behaving the way he did. Milton is - was - every bit the hipster film student of your wildest imaginations. I swear, I saw him wear a beret once, completely unironically. We’d been friends, as I was one of the few people who would listen to him ramble on about whatever arthouse film had caught his attention that week. We got on fine, well, actually, for flatmates at least. That’s not to say that I always liked him - I’d acted in a few of his student films, just by convenience, and he wasn’t exactly the most easy to work with. Everything always had to be just the way he wanted it, down the most minute detail. I swear, if he could have tied strings around our limbs and puppeted us from afar, he would have. [PAUSE] Sorry, that’s … that’s poor taste. 

It had to do with the cassettes. You see, Milton had always insisted on using magnetic tape for his recordings, refusing to even entertain the idea of a digital camera. Something about being more authentic - I never understood it, but far be it from me to get in between a film major and their precious ‘analog charm.’ He loved those tapes, and we all got used to seeing dozens scattered throughout the house at any one time. Which is why it struck me as odd when last week, they vanished entirely. When I asked him about it, he just said that he'd been editing a new project that he needed them for. I wasn’t sure what kind of project would require that many cassettes all at once, but he certainly spent enough time working on it. He’d be locked away in his room for hours, sounds of whirring machinery coming from behind his door. When he did come out, he was exhausted, gaunt. I tried talking to him about it, you know, but he’d just ignore me.

It was strange behavior, sure, but not supernatural. Perhaps I would have chalked it up to stress, just a bad week, but that’s when the nightmares started. I had always had them, just a side effect of my anxiety, but they’d died down a couple years ago, after I moved to Oxford. One sleep after this started, though, I saw Milton. He was sat at a desk, a mess of cassettes unspooled into piles of thin black magnetic tape scattered across it. He was tangled in tape as well, almost every limb bound by it. He stared at the pile in front of him with dull eyes, completely still. 

I didn’t realize until the tape began to lift his arms that he wasn’t just tangled in it. The long, metallic strands were embedded directly into his skin. The strands controlling every movement, he grabbed a spool, and, very slowly, raised it to his mouth. His jaw unhinged, farther than anything natural, and he began to stuff the tape down his throat. Again, and again, and again, until the entire pile was gone. I had never felt relief the way I had when I finally woke from that dream. I didn’t know that was only the first time that I would have it.

I woke from one of these nightmares late one night, heart beating fast and body sticky with sweat. I climbed downstairs, trying to clear my head, and found Milton sitting in the living room, staring at our small television screen playing his movie. At least, that’s what I assumed it was. There was no coherence, no audio, just rapid, violent black and white images that flashed across the screen sporadically and bits of static that faded in and out at random. Occasionally, I’d see the corrupted and disjointed image of my own face cross the screen, along with the other actors. The pattern was hypnotic. Every few minutes, the images would perfectly align, shaping spindly, bony legs that almost seemed to reach beyond the glass face of the TV.

After a while, I finally managed to ask him if he was alright, if the cassette had become corrupted somehow, if there was any way to fix it. He had always been so fiercely protective of his tapes, and with the state it was in I expected him to be furious, or devastated, at least concerned. But when he turned, there was none of that written into his face. Just a calm, blank expression. He studied me carefully for a long moment, before finally speaking. ‘We should feed our guest. She’s so happy to have arrived, and she is very hungry.’ He smiled after he said that. When he did, I could have sworn I saw that thin black film tape weaved inside him - webbed in the back of his throat and threaded right through the fleshy center of his tongue. I went back up the stairs immediately and locked my door, sat in bed until the sun came up.

I managed to avoid him the days after that. I thought about telling the others, trying to explain it to them, but I knew it wouldn’t end well. They wouldn’t believe me, why would they? I wasn’t even sure that I believed me. I thought about moving out, of course I did, but I had nowhere to go. No money, no real friends outside of the ones I already lived with. And who knows if I was just overreacting, imagining it all. So I decided I’d just ignore him as much as I could until he went back to normal or I’d saved up enough money for a new place.

It didn’t last, though. It was three days ago that it happened. It was late, and I had carelessly lost time sitting in the kitchen, studying for my history exam. I was alone when he walked in. He didn’t say a word, just, met my eyes with that calm look, like an invitation. Then he turned, with a finality I had never seen before, opened the door to the basement, and vanished down the stairs. 

I shouldn’t have followed him. I could have just walked away, went upstairs and buried my head in my pillow. But I didn’t. I had to know. To see. 

So, I walked down those old stone steps, dodging cobwebs. I don’t remember if I closed the door behind me, or if it did that part on its own. The cellar was warm, far too warm for October. It was unfinished, and empty save for an old, lidded cardboard box that sat neatly in the center of the room. A long, jagged crack ran through the floor and up into the far wall, as though the foundation had been damaged in an earthquake or something. Milton stood facing away from me, towards the crack in the wall, whispering something I couldn’t quite make out. I called out to him, and he turned to face me, expression wild with … something. Excitement? Panic? He had started to say something before, all at once, dozens of shadowy, spindly tendrils, adorned with what looked like coarse hairs crept from the crack and began to wrap themselves around him.

I felt that familiar terror bubble up, running cold through my veins, stronger than I’d ever felt it before. I wanted to run or scream, but I couldn’t. He didn’t scream either, but I could see the fear growing in his eyes, silently pleading. He didn’t move, not even as the tendrils began to … unspool him. They reached into him, breaking into his body like plaster, and pulled. He was hoisted from the ground, his limbs yanked in different directions and elongated. They just dangled there, arms and legs and head only still attached by threads of dark, magnetic tape, like an old, torn doll hanging together by string. And then the tendrils began to move him. They took their time puppeting him, and at the end, they pulled up his head, forcing his gaze to meet mine. His cheeks were strung up into a grin, but I saw the tears that flowed freely down his contorted face. 

I don’t know how long I stood there, watching him stripped him apart, piece by piece, slowly and deliberately. I couldn’t move, couldn’t speak. I felt hot tears roll down my cheeks, although I couldn’t tell if they’d come from the terror of it all or simply because I no longer possessed the ability to blink. I watched and watched. And when it was over, and he was gone, I waited. I waited for them to take me, a part of me just relieved that I didn’t have to watch anymore. I had already shut my eyes tightly before I understood that I could. I felt my hands twitch, regaining their will. When I finally opened my eyes again, I was alone, in that old, dank basement, with nothing but that long dark crack, and, in the center of the floor, the cobweb covered cardboard box, now open, and filled to the brim with tapes. 

I don’t remember the rest of the night with any real clarity. I know I stood there for a while. I know at some point I calmly bent down, picked up the box, and walked it upstairs. I spent most of the last two days just staring at it. I’ve missed all of my classes. Sam has come to see me a couple of times, to ask how I am. This morning she actually brought me a plate of spaghetti. Imagine that, spaghetti for breakfast. I do appreciate the thought, even if it makes no practical sense whatsoever. Must be an American thing. She did mention that a man stopped by yesterday. Short, greying hair, lots of weird scars, asking about ‘strange happenings’ in the house. Sam told him about her hauntings, and apparently he had been, less than impressed. He told her he was sorry, and that she should move out, and then left without another word. [LAUGH] Creep.

I finally got up the nerve to look into the box. It’s pretty much what it says on the tin: Tapes and stationary. And cobwebs. So many goddamn cobwebs. 

Nobody has said anything about Milton. I expect in the next few days someone will notice he’s gone. How do you explain something like that? I’ve been seeing it again, though. My nightmares … my nightmares have been getting worse. I keep ending up back there. I just watch, and watch, and watch, and I can’t turn away. 

BETH (POST STATEMENT)

Statement ends, I suppose.

[STATIC RISES]

[STUTTERS, CONFUSED]

…. Statement? I, I don’t, I didn’t -

[STATIC FALLS]

[A SHORT SIGH]

I don’t feel better. I really thought I would. I don’t know why. Why in the world did I think that telling my stupid story to this thing would make me feel better? 

The box is still sitting at the foot of my bed. I want to get rid of it, I do. So why don’t I just toss it? It would be so easy. Just … throw it out. But I can’t. 

[RIFLING THROUGH THE TAPES]

Oh, huh - 

[STATIC RISES]

This tape’s blank as well. I thought I’d sorted through them all, but I guess I missed one. Hm. 

[TOSSES THE TAPE ASIDE]

They’re quite interesting, you know. I haven’t played any of the tapes yet, but I glanced at a few of the written accounts. Some of them are so illegible I can’t even read them but others are. Compelling. They make me feel, right. Scared, but [SIGHS]. I don’t know how to explain it. 

I did some research on them, the ones I read anyways. I say research, I mean some quick Googling, a bit of asking around. They’re not real. The Magnus Institute, that’s the logo printed onto the stationary, isn’t a real place. And, as far as I can tell, these people … these people don’t exist. Anywhere. I mean, I found a few names that match but nobody who lines up to the descriptions and when I reach out to them they claim to know nothing about any of it. One of the people I called, Timothy Hodge, his name is, actually gave me the number of his psychiatrist. [LAUGH]

So maybe it’s fiction. A collection of short stories about fictional people and fictional suffering. Just a practical joke. Except, I know that it’s not. I can’t explain how, I just … Know. 

I should probably move out. Only an idiot would stay in this place, after something like that. When I leave this room, I’m going to have to walk by that basement door. Every single day.. I should leave. I want to leave. I will leave. Just, not yet. 

I need to understand, to unravel the mystery, and I’m getting the feeling that there is something in this box that’ll help me do just that. I’ll try to record whatever I find out. I do have another blank tape, after all. [HM] End recording. 

[TAPE CLICKS OFF]