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archerygun · 8 months ago

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Guys I’m sorry. A single person asked me to elaborate. I’ve gotta elaborate now. I have permission from an internet stranger. Also, yes, I think I should be locked up and studied for science but exposing my insanity on the internet is the next best thing. @dye-it-rouge-et-noir this one is for you buddy.

This is a follow-up/part 2 post. If you’re seeing this post before part 1, part 1/the context is here = https://www.tumblr.com/archerygun/749484004313579520/alright-i-was-chatting-to-a-friend-about-james?source=share

(Splitting it up into sections because I want to try and contain myself from rambling nonstop for five straight minutes)

DESIGN EXPLANATION/BREAKDOWN

Sean Connery - A friend of mine did most of the design, I added the bottom half, the gun, the colours and a couple of motifs. I chose Thunderball as the film of focus because my friend mentioned his swimsuit was traumatising, and also because it’s the film with the jetpack in it. Generally focused on circular shapes and tear shapes because y’know… water. He’s orange because of the orange swimsuit that my friend called out lmao. And the flower on the neck bow is supposed to look like the one from the iconic white dinner suit that I tend to default to drawing Sean Connery Bond in because when he isn’t in dinner suits his dress sense is generally not as fun as I would like. The gun is based on the one from the James Bond image. You know the one.

I put simultaneously not enough thought and too much thought into this Jesus Christ. I think he’d have some sort of jetpack power-up or something. George Lazenby - He only did one film, so that did limit sources of inspiration. Fortunately, OHMSS is my favourite Bond film because everything about it is earnest and completely insane. I had to include his bowler hat from the intro because it was amazing and not enough Bonds wear hats, so he’d at least look distinctive. It’s set in an icy location for most of it, so that’s where most of the theming came from, the colour, etc; the diamond motif might have suited Sean Connery better all things considered but too late now. I took some costuming inspiration from his kilt outfit because it was strange and iconic and I think all Bonds should be made to wear it. He only really has one promo shot with a gun so I had to give the position of tiny gun guy to George Lazenby. He wields it well.

Roger Moore - I kinda just took the fact that he was the first Bond in space and ran with it. Used stars as a motif, etc. Particular inspiration was taken from this outfit:

And partial inspiration from his weird marine navy commander-style getup (for the shawl thing). It was legitimately way too hard to find a gun that wouldn’t accidentally cross over with a gun from another Bond so I picked the most Seventies gun I could possibly find for inspiration assuming that no other Bonds would ever use something similar. The upper body pose as usual is directly from the reference image. I felt like if I put all the Bonds in skirts, it’d get a bit repetitive and start looking bad, so I figured if any Bond was going to get trousers it would have to be the one that actually wore flares.

CHARACTER EXPLANATION/BREAKDOWN

Basically just how I’d pitch the three Bonds I’ve done so far if they were a group dynamic instead of solo iterations. Gonna do it in bullet points so it’s more comprehensible. (I don’t have any rhyme, reason or lore for this. It’s literally just me assigning three Bonds distinct personalities).

Sean Connery:

The group leader/group elder/tired old man

He can still be a slut if that’s what you want but minus the creepiness. Mutual engagement in passive flings? No problems with that.

Seen so much shit that he’s sorta nonchalant about everything and believes he’s overqualified for just about anything he’s asked to do.

✨War trauma✨

Suaveness and charm level 100. He’s a crabby old man most of the time but he’s so charming that the group let him get away with it.

He’s desensitised to like, literally everything. He will not hesitate to kill a man in cold blood if the situation demands it.

Pretty much believes that human beings are fundamentally bad, himself included.

Ultimately the one that’s willing to make the hard calls.

George Lazenby:

Like his actor before him he is the least qualified and probably lied to get into the secret service.

Optimistic, perceived as naive, ready to try and fight the narrative to change his fate.

The group child (and the youngest).

Quit the secret service after his new wife was assassinated on their wedding day and only comes back because shit has hit the fan (plot reasons. I don’t have a plot, I’m just speaking as if I’m pitching a TV show).

Doomed By The Narrative™️

Ridiculed or forgotten by everyone except the other Bonds

Sean Connery’s Bond respects him a great deal and secretly envies his more idealistic worldview, but won’t let him make the tough calls because he sees him as too naive and too unstable (willing to risk everything)

Roger Moore’s Bond HAS adopted him.

Roger Moore:

Literally feral

Master of British understatement (“Oh. That’s a bit of a shame.” as the world is literally ending around him)

He’s besties with Sean Connery’s Bond as the other sort of group elder

Despite how manic and wired he appears, he is terrifyingly competent and capable of being very serious

Team leader when Connery’s Bond is out of action

Dad figure. Not just to the other Bonds, but as a default personality. He will go parent mode on anyone he thinks he’s capable of saving.

Although if he doesn’t think you’re saveable he will not hesitate to shoot on sight if he runs out of options.

As far as ideas for the other three, Timothy Dalton is going to look evil and edgy but he’s just an enthusiastic dork and Daniel Craig is a stone cold killer with trust issues draped in bright pink bows. I haven’t seen any Pierce Brosnan movies so far so I might just have to vibe check him based on plot synopsis.

Closing thoughts? I want my brain removed and replaced with a better one. I’m sorry for everything you have witnessed today.

Also, these are based exclusively on the movies and not the books. I’m more digging into what makes each actor and era special and distinct.

If you sat through all that, well done, thank you, please don’t report me to the asylum and enjoy this image of Sean Connery.

#james bond 007 #james bond #007 #magical girl #pitch #writing idea #concept #sean connery #roger moore #george lazenby #ohmss #on her majesty's secret service #thunderball

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yestolerancepro · 1 year ago

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My dear girl, there are some things that just aren't done, such as drinking Dom Perignon '53 above the temperature of 38 degrees Fahrenheit. That's just as bad as listening to The Beatles without earmuffs!” A blog inspired by the music world of James Bond Part 5 The film is great but the title is well

Introduction

Hello there and welcome to the final chapter of this extended series of blogs looking at the musical tastes of James Bond over the last 60 years .This chapter covers those tricky titles from the Ian Fleming James Bond stories that the script writers producers and song writers had a real struggle with. Two of those tricky titles Thunderball and the Spy who loved me have been dealt with in prevous chapters of the blog.

This Chapter of the blog deals with On her Majesty’s Secret service and Octopussy.

Casting The New James Bond

In 1967, after five films, Sean Connery resigned from the role of James Bond and was not on speaking terms with Albert Broccoli during the filming of You Only Live Twice.[27] Over 400 actors, including many of the most famous performers in the Commonwealth, were considered for the role of James Bond.[17]

The confirmed front runners were Englishman John Richardson, Dutchman Hans De Vries, Australian Robert Campbell, Scotsman Anthony Rogers, Greek Giorgos Fountas[28] and Australian George Lazenby.[14] Broccoli also met with Terence Stamp about playing the part.[29] Broccoli was interested in rising star Oliver Reed but decided his public image was already too distinct.

Future Bond star Timothy Dalton was asked to audition after his appearance in The Lion in Winter but considered himself too young, as he was 25 years old and did not want to succeed Connery as Bond. In an interview in 1987 when he was playing Bond in The Living Daylights, Dalton said "I was 24-25 then, I had a good career then as a young man in films The Lion in Winter and Mr Broccoli kindly asked me if I was interested, I think I'm just too young for this role. I think Bond should be between 35 and 40, and as a 25-26 year old and I wouldn't have been right".[17]

Broccoli and Hunt eventually chose Lazenby after seeing him in a Fry's Chocolate Cream advertisement.[18] Lazenby dressed the part by sporting several sartorial Bond elements such as a Rolex Submariner wristwatch and a Savile Row suit (ordered for, but uncollected by, Connery), and going to Connery's barber at the Dorchester Hotel.[19] Broccoli noticed Lazenby as a Bond-type man based on his physique and character elements, and offered him an audition. The position was consolidated when Lazenby accidentally punched a professional wrestler, who was acting as stunt coordinator, in the face, impressing Broccoli with his ability to display aggression.[14

The film website Screenrant recently published an article called How all 6 James Bond actors compare to the Ian Fleming Iconic Book spy they said this about George Lazenby.

Lazenby only lasted one movie in the role of Bond, but he couldn’t have had a better shot at the part. The tragic On Her Majesty’s Secret Service wouldn’t have worked without anyone else in the role, and journalist Ben McIntyre argued that the actor came closest to embodying Fleming’s take on Bond in his 2008 book For Your Eyes Only. It’s easy to see where McIntyre’s argument comes from, as Lazenby’s Bond took himself more seriously than Connery's did, much like Fleming’s version of the spy. Outside an infamous fourth-wall-breaking opening gag, his storyline was also more grounded, which allowed Lazenby to embody Bond’s troubled side.

Casting the leading lady

For Tracy Draco, the producers wanted an established actress opposite neophyte Lazenby.[30] Brigitte Bardot was invited, but after she signed to appear in Shalako opposite Sean Connery, the deal fell through,[16] and Diana Rigg—who had already been the popular heroine Emma Peel in The Avengers—was cast instead.[8] Rigg said one of the reasons for accepting the role was that she always wanted to be in an epic film.[18]

The Iconic Villian in her Majesty’s secret Service

On her Majesty’s sees the return of Ernst Stavro Blofeild this time by Telly Savalas he was played Donald Pleasence in you only live twice and would be played by Charles Grey in the following film Diamonds are Forever.

Recently Screenrantly published an article on their website titled Every James Bonds Iconic Villian Ranked and for George Lazenby they chose Blofeild lets face it they couldn’t choose amybody else.

George Lazenby only ever starred in one Bond movie, so he only ever faced one Bond villain, and that movie was sandwiched into the middle of Sean Connery’s arc, so he had to share his villain with Connery. But that villain happened to be Bond’s ultimate big bad, Ernst Stavro Blofeld. Connery faced other unforgettable villains like Dr. No and Auric Goldfinger, but Blofeld was their boss. Blofeld’s portrayal in the Bond movies – particularly in You Only Live Twice – has influenced how supervillains are depicted on-screen for decades. Blofeld is the quintessential Bond villain: a diabolical criminal mastermind who’s always one step ahead of 007.

A bunch of different actors have put their own stamp on the role of Blofeld over the years. Telly Savalas played the character opposite Lazenby in On Her Majesty’s Secret Service and Charles Gray played the part opposite a returning Connery in Diamonds Are Forever. But the most iconic take on the character (by far) is Donald Pleasence’s chilling performance alongside Connery in You Only Live Twice. The glint in Pleasence’s scarred eye is both mesmerizing and unsettling; he’s a captivating presence whenever he appears on-screen. Every James Bond movie villain since Pleasence’s Blofeld has been competing for the silver medal.

OHMSS A unique James Bond film

Taking over from Somebody in the lead role is difficult enough but when you take over the lead role from somebody as well known as Sean Connery in the most successful film franchise that is James Bond that task is even harder still

Considering it was it was also George Lazenby’s first lead role in a major film I thought George Lazenby’s take on James Bond in his only film was excellent On Her Majesty’s secret service is a unique film in my view in that its more of a charector piece than your usual James Bond spy story indeed more than in any other Bond film the gadgets take a backseat to the story for once and its more about the love story between James Bond and Tracey Draco than anything else

This is highlighted by the fact as well that the What Culture website picked the relationship between the too as their moment of the whole film.

On Her Majesty's Secret Service, despite George Lazenby's terrible performance as Bond, is one of the most elite installments of the series. It does many things incredibly well, but it's Bond's relationship with Tracy di Vicenzo (Diana Rigg) that really makes the film linger in one's mind.

It seems clear the film put a huge amount of effort into this part of the story - in fact, at one point, the film basically stops in order to show a very nice romantic montage of the pair set to Louis Armstrong's "We Have All the Time in the World" - and while it made for a very different film compared to its predecessors, it sure as hell paid off.

OHMSS offers up a genuinely moving, chemistry-filled romance that pulls viewers right in and is so good that not even Lazenby can ruin it. Besides, any deficiencies in his performance are counter-balanced by Diana Rigg's wonderful turn as Tracy.

In the end, the film concludes with Tracy's murder and this scene is still absolutely devastating all these years later. With this tragic ending, OHMSS basically does something similar to what No Time to Die did decades later, but it did it far better.

Screenrant published an article called Each Bond actors defining scene 6 moments that defined James Bond for George Lazenby they Chose Tracy’s death scene

George Lazenby only played Bond in one movie, but it just so happened to be one of the greatest Bond movies of all time. On Her Majesty’s Secret Service sees 007 falling in love for the first time and ends with him marrying Contessa Teresa di Vicenzo, better known as Tracy. Just as Bond seems to get a happy ending, and he heads off on his honeymoon with Tracy, his bride is gunned down by his enemies in a drive-by shooting. This is one of the saddest moments in Bond history, and Lazenby nails the raw emotions of a widowed newlywed in tears, cradling his dead wife.

Tracy was never mentioned enough in later movies, but nonetheless, in OHMSS itself this love story is easily its greatest asset, although the cinematography, action sequences and the franchise's best incarnation of Blofeld (played here by Telly Savalas) deserve mention too.

Tracy’s Death was also included in another Screenrant article titled 10 greatest James Bonds scenes ranked from worst to best landing at number 5 in their list they had this to say:

George Lazenby only appeared in one James Bond movie, and the actor had the hard job of replacing Sean Connery, the original 007 who, according to many viewers, is still the greatest to ever play the role. However, Connery’s Bond wouldn’t have worked in On Her Majesty’s Secret Service, as evidenced by the movie’s strongest scene. When 007 married his love interest, Tracy (Diana Rigg), only for her to be murdered by Blofeld (Telly Savalas), the unstoppable spy experienced his most crushing defeat in the franchise’s history. Poignant and brutal, this scene marked a turning point for Bond’s unflappable screen persona.

Besides the James Bond and Tracey love story the film sees bond trying to stop Blofield spreading Germ warfair by using innocent girls which he calls his angels of death indeed the Colider film highlighted these ladies as one of the highlights of the film in their article The 16 deadliest Women in the James Bond franchise arriving on the list at number 10.

The Angels of Death are 12 extremely attractive, wealthy, and sophisticated women who were selected by Irma Bunt (see below) from various countries to assist the Head of the crime organization SPECTRE, Ernst Stavro Blofeld (Telly Savalas), in contaminating, sterilizing, and eventually ransoming the world's food supply.

“TOTAL Infertility! In plants and animals. Not just disease in a few herds, Mr. Bond. Or the loss of a single crop. But the destruction of a whole strain. Forever! If my demands are not met, I shall proceed with the systematic extinction of whole species of cereals and livestock all over the world!” - Blofeld

Though a global threat, the ladies are actually regularly brainwashed and hypnotized, unbeknownst to them, thinking they are simply being treated for their specific food allergies in a luxurious Alpine facility.

Irma Bunt played by the German actress Ilse Steppat made an appearance in the same list making number 7 in the chart so a film that a film considered by some as a flop does have some highlights this is what they had to say :

Portrayed by the German actress Ilse Steppat, Irma Bunt is the stern middle-aged subordinate of Blofeld’s who runs the “allergy institute” in the Swiss Alps, “helping” the ladies with their allergies by day, and brainwashing them in their sleep. When Bond (the underrated George Lazenby) checks into the facility as a patient, she thoroughly has his luggage inspected, and informs him she enforces strict rules on all guests, such as not disclosing last names or room numbers. But then, his cover is blown, and after a relentless car chase, there is a big explosion, causing Bond to believe Bunt is dead. However, she later turns up at his own wedding, and attempts to shoot him with an M16, but she kills his new bride instead

My thoughts on her Majestys secret service

Cinemagoers who came to see the film in 1969 most have had a big shock when they saw a more charector led story with a much more sensitive and emotional James Bond than they were used to but for me agaIn that's ok because sometimes a franchise even one like James Bond needs to take risk sometimes to stop it going stale and boring.

The film is will written and is well directored by Peter R Hunt It is the only Bond film to have been directed by him (with this serving as his directorial debut), he had served as a film editor and second unit director on previous films in the series.

OHMSS Brought to book

Peter R Hunt also had one of Ian Flemings best books to work with in Screenrants article which rated the 14 bond novels that Fleming wrote OHMSS came at number 4 in their chart they had this to say about the book

On Her Majesty's Secret Service followed the disaster that was The Spy Who Loved Me and, therefore, marked a return to form for both Fleming and the James Bond series. Though it contains much of the action and thrills of Fleming's other works, On Her Majesty's Secret Service offers a gentler and more tender approach than the previous entries. It all culminates in a gut-wrenching climax that once again proves that Fleming is far from a one-trick pony. An intriguing conspiracy and a worthy opponent in the form of Blofeld help make OHMSS a classic.

OHMSS features some of the best action scenes you will ever see in a Bond film the Stock car race and ski-ing sequences being particularly good that Yard Barker published an article called the 25 Greatest set peices in the Bond highlighting the films finale at Piz Gloria.

Again, listen to Soderbergh. This is an exquisitely shot and edited set-piece that kicks off with three helicopters assaulting Blofeld’s Piz Gloria stronghold, proceeds to crosscut between a tightly staged firefight and Tracy di Vicenzo (Diana Rigg) holding her own (and eventually killing) one of Blofeld’s thugs, then concludes with a (literally) breakneck bobsled chase. Director Peter Hunt’s aerial, exterior and interior photography matches perfectly; you’re always aware of where the characters are (including Bond as he belly-slides down an icy slope, machine gun blazing), and what they’re trying to achieve. This is how it’s done.

on this evidance then its such a shame that he never any more bond films after this.

If it was up to me Lazenby should have ignored his agents wishes and stayed in the role for one more film at least then perharps audiences would have got used to his more sensitive portrayal as James Bond

Mind you I think I am right in saying if George Lazenby had continued as James Bond we would not have had the Roger Moore era of James Bond that I loved as a child so perharps you can’t have everything you want

To watch a video review of OHMSS from the Oliver Harper YouTube channel click here https://www.youtube.com/watch?v=zfS0KRkQOo4

Music

John Barry who provided the soundtrack for the film which I conisder to be his best work for Bond provided an instrumential theme tune as he had done for the first two films Dr No and From Russia with love.

Barry felt it would be difficult to compose a theme song containing the title "On Her Majesty's Secret Service" unless it were written operatically, in the style of Gilbert and Sullivan. Leslie Bricusse had considered lyrics for the title song but director Peter R. Hunt allowed an instrumental title theme in the tradition of the first two Bond films. The theme is built around a lament bass, which establishes the story as a tragedy. Barry's composition was described as "one of the best title cuts, a wordless Moog-driven monster, suitable for skiing at breakneck speed or dancing with equal abandon.

The instrumental theme for ONHMSS is a John Barry classic . It would not grace the pop charts under its own steam. the dance band The Propellerheads would release a remix of theme working with David Arnold for his album James Bond remixed. the single reached number 7 in the UK charts you can listen to it by clicking here https://www.youtube.com/watch?v=zN8GcRGNWe4

Barry also composed the love song "We Have All the Time in the World", with lyrics by Burt Bacharach's regular lyricist Hal David, sung by Louis Armstrong. It is heard during the Bond–Tracy courtship montage, bridging Draco's birthday party in Portugal and Bond's burglary of the Gebrüder Gumbold law office in Bern, Switzerland.

The song doesn’t appear till 30 mins into the film gentle and reflective the song was the last studio recording by Louis Armstrong and features a beautiful and thrilling string arrangement that was modifed by Barry to play on Low strings as a jaunty theme for Bond in some of the films earlier sequences one of the most interesting and symbolic uses of music in the Bond film as 007 discusses Tracey with her father and Draco suggests that her daughter needs a man to dominate her !

Barry recalled Armstrong was very ill, but recorded the song in one take. Armstrong did, however, make some further recordings in 1970 and 1971. The song was re-released in 1994, achieving the number three position during a 13-week spell in the UK charts. When it was used for a Guinness infinity beer campaign.

The song was reused for a second Bond movie, when it was used as the soundtrack for the closing credits for the 2021 release No Time to Die.

To watch a trailer for on Her Majesty’s Secret sevice click here https://www.youtube.com/watch?v=dOLq5Rg9N-c&list=PL17vqAEJv6CUxmeZBk3JGDLBbcPEd4CDp&index=1

To watch a tribuite video for OHMSS click here https://www.youtube.com/watch?v=y35cTSFFeYU

Octopussy

Octopussy is a 1983 spy film and the thirteenth in the James Bond series produced by Eon Productions. It is the sixth to star Roger Moore as the MI6 agent James Bond. It was directed by John Glen and the screenplay was written by George MacDonald Fraser, Richard Maibaum and Michael G. Wilson.

The film's title is taken from a short story in Ian Fleming's 1966 short story collection Octopussy and The Living Daylights,

I like this film a lot again as with all the Bond films I enjoy it has a good mix of action and comedy and is well written and well directored by John Glenn ( his 2nd James Bond film after (for your eyes only)

His direction of the film was picked out of the What Culture website Best Bond moments article

Octopussy, with its stubborn insistence on prioritizing cringy comedy over thrills and a generally ill-conceived plot, is definitely one of the low points of the series (and one that totally ignored what made the previous film work) but it's not a total wash-out.

If there's one person who really comes out of the film with their dignity intact, it's John Glen, who directed five Bond movies, starting with For Your Eyes Only and finishing with Licence to Kill.

Glen is definitely one of the best directors the series ever had; he was already doing great work as an editor in the franchise, and once he stepped into the director's chair, he always directed with flair and precision, delivering many stunning visuals in the process.

Once again, just like with For Your Eyes Only, Glen does a smashing job and ensured that, despite how dated the film is on a writing level, it still looks absolutely terrific - especially during the picture's aerial action scenes.

The film also has Maud Adams this time returning as Octopussy She featured at number 9 in the 10 most deadliest women in the James Bond Franchise on the Movie web website who had this to say about Octopussy

Octopussy: [Bond sneaks into her room] Good evening. I wondered when you might arrive.

Bond: So, you are the mysterious Octopussy.

Octopussy: And you are James Bond, 007, licensed to kill. Am l to be your target for tonight?

Bond: Oh no, not necessarily. Depends how much you tell me about jewelry smuggling. And why one of our agents was killed in East Berlin.

Maud Adams plays Octopussy, a powerful smuggler of rare jewels, and the leader of an ancient cult of lone, fierce, and heavily trained acrobats, all of them women, and living on a secluded island in India. Her associate is an exiled Afghan prince, Kamal Khan, who also has members of the Cult of Octopus among his servants. Octopussy will eventually join forces with Bond (Roger Moore) against her ally

Music

Rather than use the word Octopussy in the title of the song the producers of the James Bond film did the most refreashing thing and decided not to mention it all instead we got a song called All Time High.

Once again John Barry provided the Soundtrack for the film theme "All Time High" with lyricist Tim Rice. "All Time High", sung by Rita Coolidge, is one of seven musical themes in the James Bond series whose song titles do not refer to the film's title. "All Time High" spent four weeks at number one on the United States' Adult Contemporary singles chart and reached number 36 on the Billboard Hot 100.[25]

To watch a video short about the making of Octopussy called 10 things you never new about Octopussy Click here https://www.youtube.com/watch?v=jhwpkASnFlM&t=32s

To watch a trailer for Octopussy click here https://www.youtube.com/watch?v=q1hLWZzgZvU

a lot of work has gone into this blog if you have read it and liked it please consider sending a donation to the Tolerance project by clicking on the above link https://gofund.me/5cf25de4

Notes

If your wondering where the title of this blog comes from it features in the 3rd James Bond film Goldfinger which is rightly seen by many as a classic Bond film and probably the best Bond film ever made. it was the first Bond film to make over a 100 million at the box office with a great mix of action comedy girls and gadgets and featured a great Goldfinger title song sung by Shirley Bassey the song itself made the top 30 in the UK charts

To watch a trailer for Goldfinger click here https://www.youtube.com/watch?v=MA65V-oLKa8&list=PL17vqAEJv6CUxmeZBk3JGDLBbcPEd4CDp&index=12

Thanks once again to Wikipedia for the background notes this time on the songs All time high and We have all the time in the world the Oliver Harper Youtube page for the OHMSS Retrospective review video Storm Chaser Z you tube channel for the viarous James bond videos and the Cinema Blend website for the series of articles called James Bond ranked

And Google Images for the viarous pictures of the viarous eras of James Bond

Pictures

1) Poster for OHMSS

2) Diana Rigg as Tracy

3) Diana Rigg as Tracey

4) Tracey and James Bond

5) The Angels of Death

6) Erima Bunt

7) Octpussy Poster

8) Octopussy herself

9) One of the many Posters for Goldfinger

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