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annabethy · 4 years ago

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under the mistletoe, watching the fire glow day 20: childhood

Character A and Character B are estranged childhood best friends,, percabeth,, this is definitely my favorite day

Percy Jackson is seven years old when he falls in love.

He doesn’t know it at the time, or for a long time after that.

When he first meets her on the swings, when she’s sitting by herself, he thinks she looks like a princess. Her curls are pretty and blonde, not a hair out of place. The first thing he really notices, though, is that she looks sad.

Looking back on it, he thinks that maybe that’s why he approached her. Percy was never the kid to step out and make friends first. But she looked like she could use it.

So as he sits next to her on the swings, he asks her, “What’s your name?”

She looks up from where her feet were kicking at the dirt, covering her pretty princess shoes in specks of black and brown. Her eyes are a striking grey – the kind that he could not possibly forget, even at the ripe age of seven. She tells him, “Annabeth,” and doesn’t say another word.

He responds with, “I’m Percy,” and follows her lead, silence settling all around them. He tries again the next day when he finds her sitting by herself on the same swings during recess. Today, she’s in a blue dress, and he tells her that it’s her favorite color.

“Really?” she asks, kicking the dirt again. “My daddy wanted me to wear the pink one.”

“I think the blue one looks better than pink,” he says.

At twelve years old, he thinks that’s when she became his best friend. That wonderfully dull day when the grey clouds rolled overhead on a chilly October day. It was the day the clouds matched her eyes too, he remembers.

It was the day he fell in love.

Percy Jackson is twelve years old when his heart first breaks.

He’s sitting in the grass outside her house, watching her cry. The tears roll down her face, and matching tears roll down his. It’s funny because they do everything together. They experience love and heartbreak and friendship and tears at once, and always together.

Percy and Annabeth, together forever and always.

Or so he thought.

But it’s only a week later that she moves out officially, and he never sees her again. They’d promised to keep in touch, but like all friendships, it always fades. She’s in California, and he’s in New York, and they’re both twelve. So young and wrongfully full of hope. But that was them too. Hopeful and bright, wishing of a future together.

At eighteen years old, he remembers their promise to find each other again. It had been an offhand comment, one that they’d seen in TV shows and movies. If they both turned twenty and weren’t married, then they’d marry each other. Percy can look back on it with a smile, because twenty was so young. So much life yet to come. But they had been ready to marry each other.

Maybe it was them being naïve, or maybe it was them being in love and looking for an excuse to stay by each other’s side.

Percy Jackson is eighteen years old when he gets his first girlfriend. Her name is Rachel, and he thinks that she’s really pretty.

(Not as pretty as Annabeth was, but he doesn’t tell her that.)

(He doesn’t need to. She already knows.)

At twenty-two years old, he now understands that he was always in love with Annabeth. It was rooted so deep inside of him that it made him who he was. There was never any getting over her because she’s what made him him. He was so young when he met her that he was still creating himself and his personality, and when she became a part of his life, she became a part of him.

There’s no one to blame for his failed relationship except himself. Somehow, Percy isn’t too upset anyways because he loved Rachel, but he never loved her the way he loved Annabeth, and he never would.

Percy Jackson is twenty-two years old when his heart aches for her.

There is a girl that looks just like him standing across the street. Or at least he thinks so. He hasn’t actually seen what she looks like because she hadn’t had a phone when she moved, and any forms of social media he’s sure she has now, she didn’t then. He’d lost contact with her entire family too.

But there’s something about her calling to him. She has those beautiful blonde ringlets down her back, not a hair out of place, and she is wearing a blue felt coat that falls to below her knees. Her shoes are white, with specks of black and brown as though she’s been kicking at the dirt, and it brings a smile to his face. Annabeth never did grow out of that habit for as long as he knew her.

Percy crosses the street, but he has no intentions of actually speaking to the stranger. He just needs to get back to his apartment, and she happens to be standing in the way of that. She turns just as he passes by, so he doesn’t get a glimpse of her face, but that’s okay. Millions of people live in New York City, and it is not possible that the one standing before him is her.

But then he is unsure if it’s his imagination when there is a faint, “Annabeth!” called from somewhere along the sidewalk, and she turns to the voice, and he turns to her.

His heart stops. She’s looking at someone else, but he can see the striking grey eyes that match the clouds overhead on this wintery December day, two days before Christmas. It has to be his imagination because she doesn’t move, but then she starts towards the voice, and he hears her name again, and it’s her.

Percy chases after her, weaving through the crowds along the street, and she is so close –

So close –

Percy’s fingers curl around her shoulder without thinking, and she jumps, whirling around, and he catches fear in her eyes that causes him to shrink back.

His voice is stuck in his throat because he is face to face with the girl he fell in love with fifteen years ago, and there is recognition in her eyes.

“Percy?”

“Yeah,” he chokes out.

Then she smiles and laughs, pulling him in for an immediate hug. “Oh my god, Percy.”

His arms wrap snugly around her, and she smells so good, and is as perfect as he remembers. He’s afraid if he opens his eyes, she’s going to disappear. “Open your eyes, silly,” she says.

He tells her truthfully, “I’m scared you’ll disappear if I do.”

She laughs again, a beautiful sound to his ears. Her hand slides into his, thumb rubbing soothingly. “I’m right here.”

So he opens his eyes, and she’s looking earnestly at him. He’s towering over her now, different from when she was taller than him at twelve years old.

“You’re somehow even prettier than I remembered,” he says before he can stop himself. His face blushes suddenly as he realizes what he just said, and he’s about to apologize before she stops him.

“I’d hope so,” she teases. “I was twelve! Braces were not a good look.” “You made them work,” he says, stepping to the side when someone tries to slide by. Everything is suddenly overwhelming, the sounds of cars rushing by and chatter all around, the honking of horns. He spots someone standing over Annabeth’s shoulder patiently. “I’m sorry, am I interrupting something?”

Annabeth shakes her head and motions the girl closer. She’s pretty too, but she doesn’t even begin to hold a flame to Annabeth. “This is my friend Piper. We were just walking around the city for a bit before heading home. Piper, this is my best friend from when I was younger. I told you about Percy?”

Piper makes a sly face at Annabeth, to which Annabeth pointedly ignores. Piper reaches a hand forwards to shake his hand. “How could I not have heard of the famous Percy? She talks about you all the time.”

“I talk about you a healthy amount,” Annabeth corrects. “He was my best friend.”

“The way you speak of him, I would’ve thought you still were.”

Annabeth and Percy lock eyes. “Yeah, well, I guess we just fell out of touch.”

“It’s a shame,” Piper says. “You two would have been cute as husband and wife.”

The statement makes Percy’s heart flutter. “Husband and wife?”

Annabeth rolls her eyes playfully. “I told Piper about our agreement to get married at twenty. I think we may have missed the deadline, though.”

Percy laughs. “I guess we did.”

They fall into a silence, and then Piper says, “I should get going. I’ll leave the two of you to get reacquainted, maybe even married.”

“Yes, thank you, Piper,” Annabeth says.

“I’ll see you at home, love,” she says. “Be safe.”

“I will,” Annabeth answers. They both watch as Piper leaves, and then Percy’s addressing her.

“Home?” he asks. “Where exactly is that now?”

“New York, actually. I moved here for university. I wasn’t sure if you still lived here though.”

“I couldn’t move away from here,” he jokes. “I had to stay put in case you ever decided to come back so you’d know where to find me.”

“I’m not going to lie, Percy. You’re a part of the reason I decided to come back,” she says. She shifts her feet like she wants to say something but doesn’t know if she should. “There’s so much to say I don’t even know where to start.”

And Percy knows exactly what she means. “Why don’t we go back to my place? I can make us some hot chocolate and we can catch up.”

“I’d like that.”

It’s a quick five minutes spent walking before they’re back to his apartment. He opens the door and is immediately overcome with warmth, a drastic change from outside. Annabeth steps inside, kicking off her shoes slowly as she looks around.

“This is a nice place,” she says. “You live alone?”

“Yeah. I tried the roommate thing, but it just didn’t work out. My job pays well enough for it, though.”

“And what is your job?”

“Oh, uh – I work at an aquarium. Nothing too fancy yet, but I do get to play with animals a lot. I’m a marine biologist.”

“I always knew you’d be,” she teases.

“And I always knew you’d be an architect,” he says. “Did that come true?”

“It did, actually. I’ve made it pretty far pretty fast too, and whenever people ask how I did it, I tell them you. You were always the person to cheer me on when we were younger. It helped a lot more than I think you realized.”

“I’m glad.”

They both sit on the couch, close but still far enough to keep a couple of inches between them. He faces her, one leg up on the couch, and she leans into him. It feels comforting, like they’d never been split apart.

Percy suddenly remembers when they were twelve and agreed to marry each other when they reached twenty. It causes him to start laughing, and he’s sure he looks insane.

“You okay?” she asks, amused.

“I’m just remembering – we could be married by now. I mean, obviously we wouldn’t be, but we really said we’d be twenty and marry each other.”

“We really did that,” she agrees.

“I don’t know why we chose twenty,” he admits. “Why not thirty?” He snickers. “We were so young we didn’t even understand that most people aren’t married by twenty, or even done with school.”

She smiles softly. “I knew, Percy.”

“What?”

“I knew twenty was too young to be married.”

“Then why did you agree to it?”

“Because I loved you,” she says. “I thought it was obvious.”

“I loved you too.”

She gives him a look. “It was more than just loving you. I was in love with you, and I wanted a reason to marry you. Even if I was twelve.”

“I’m hurt,” he says, a hand over his heart. But his heart is beating so fast he wouldn’t be surprised if it plops right out of her chest. “You were in love with me?”

“Would you be alright if I said I still was?”

“I’d be more than alright with that,” he says, “considering I’m quite certain I’m still in love with you too.”

She smirks but doesn’t move. “Something’s changed, Percy.”

“What?”

“I can’t read you anymore. I used to be able to tell what you were feeling, but now… I can’t tell if you’re joking.”

“I’m really not,” he assures her. “It’s insane, and probably way too soon to say this after seeing you again, but I would actually drop everything and marry you if you just said yes.”

“I’m tempted to,” she says.

“My mom would be over the moon.”

Annabeth coos. “How is your mom?” “She’s doing well. She had another baby, actually. I have a little sister, Estelle. She’s four now.”

“I’m happy for her.”

“Me too.”

And they’re silent again, but her face is right in front of his, and she may not be able to read him anymore, but he can surely read her.

He wants to kiss her badly because even after ten years, his love has never disappeared. He could live another lifetime and still be head over heels for her. So he whispers, “Can I kiss you?”

And she answers, “Yes.”

It’s everything he could’ve imagined. His breath is taken away, and her lips fit his perfectly. She’s soft and warm, and she’s beautiful and perfect, and now she’s here in his arms.

He pulls away, and when he looks her in the eyes, he sees a burning passion. And he feels it in his stomach too. Because a simple kiss will not make up for lost time. And it’s been ten years, but when a love is as strong as theirs, there is no point in waiting.

It happens fast. Percy’s shirt is pulled over his head, and hers follows soon after. They quickly make their way to his bedroom, and everything happens so fast after that that he is unable to keep up. His heart pounds, brain goes numb, lips swollen with every agonizing kiss she places on him.

It’s heaven and hell, fire and rain, and Percy and Annabeth.

Percy Jackson fell in love at seven years old.

He is twenty-two years old, and that love is finally his.

#percy jackson #percabeth #annabeth chase #pjo #percy jackson and the olympians #my writing

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chaeiimimi · 3 years ago

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06 𝓑𝓪𝓫𝔂 𝓟𝓪𝓷𝓲𝓬!

Synopsis: Sakusa Kiyoomi, a young ravishing man, an athlete for the Japanese volleyball team and comes from a very prominent family around Japan. He was perfect, looks, wealth and fame. But you can’t have everything in life, can you? Sakusa, the germophobic athlete, suddenly wakes up one day and sees a baby boy in a basket in front of his door step, in the basket was a letter, a letter from his past lover, saying that the child was his. The panic look on the spiker’s face was almost comical, knowing that his life would turn into a complete 360, that day was his first time ever to miss a volleyball practice and to call Komori to ask for a babysitter. You.

Notice: the only thing I own is the plot, the art and the characters aren't mine and they all belong to their respective owners.

Safe to say you didn’t get as much sleep as you hoped that night

“eh?” you were shocked, you didn’t expect him to do it so soon

“yeah, they work from home tomorrow, we should pay them a visit”

“we?” you were flabbergasted, you? You’re meeting the elite and respected Sakusa Family?

“yeah, do you have any problems with that?” yes, a lot

“n-no sir”

So now you left a note on the kitchen counter saying you are going to the market to get some ingredients for the dish you were going to cook for Sakusa’s parents

Since you were young, your parents always taught you that you cannot visit a home empty handed, it was proper courtesy and showed respect and appreciation for having you in their home.

You strolled along the market looking at fresh produce, you opted for seafood, since it’s healthier for older people

A huge salmon caught your eyes and miso-zuke salmon immediately popped in your head, you looked at your watch, it was only five in the morning, you can let it marinate for how many hours and grill it for 30 minutes, which will be enough time to bring it for lunch

You bought it from the vendor who was very kind and even gave you a discount, after that you went to a bakery supplies to get some carrot décor and some ingredients to make icing, you were planning to make a cake less sweet so Sakusa’s parents can eat as well

With that, you head home

You saw Sakusa seating by the coffee table, sipping coffee and reviewing the forms you filled out

“good morning sir” you say as you take the things you bought to the kitchen

“we really don’t need to bring them anything you know” he says as, eyes still not leaving the papers

“I know, but my parents always tell me to not visit anyone’s house empty-handed, it’s a sign of courtesy”

He just nodded and said “suit yourself”

You begin making the marinade, thankfully the fish vendor was kind enough to slice the salmon up for you

About half way through you heard Kaito’s cry and you were about to wipe your hands to get to him when Sakusa stood up

“I got him, continue your work”

You nodded and did exactly that, it took fifteen minutes to make the marinade, you soaked the salmon in it , coverd it, and put in inside the freezer

Sakusa went out with a calm Kaito, he sat in the coffee table , his son carefully cradled in his one arm as his other hand held the forms he hasn’t reviewed yet

Looks like he got the hang of carrying Kaito you said inside your head as you smiled to yourself

You slowly mixed the ingredients together not noticing that Sakusa was now behind you

“what are you doing?” you flinched , surprised by your boss sudden speaking

“I’m making a cake sir” you said holding your chest

It wasn’t clear, heck if you didn’t spend your three months with him you wouldn’t have noticed the small smile grazing his lips

And you regret noticing because you were now flustered

You cleared your throat

“where’s Kaito?” you asked, focusing your attention back to your task

“he’s sleeping” he answered

Your mouth formed into an ‘o’

“is it normal for babies to sleep so much” he asked, his voice genuinely concern

You chuckled “apparently, it is sir, sleep is actually healthy for baby, aside from them having small stomach and get full easily, their tiredness can also be the cause of a growth spurt or developmental leap” you say in as-a-matter-of-fact tone

He nods as he watches you pour the mixture to a cake mold, which he didn’t even know he had

“does your parents like cake sir?” you asked as you put the dough into the oven

“my mom eats it occasionally, my dad is a sucker for it, we try to make him cut it out for a bit, it’s bad for his health”

You nod, Sakusa has been a bit talkative since your talk last night

“in that case, I’ll make the buttercream frosting less sweet” you say as you washed your hands to prepare to make the frosting

Sakusa watched you as you make the frosting, a lot of thoughts inside his head

“is she doing this to impress my parents?”

“why would she want to impress my parents?”

“does she likes-“

Sakusa shook his head profusely muttering small no’s you were just nice and polite, yea, that’s it

He cleared his throat and went to the coffee table, he finished reviewing the forms you filled out and all of them were perfect, he opened his desktop and began with his work at the company again

The timer went off and it was time to take the cake out of the oven

Kaito was awake and mindlessly babbling in his crib while Sakusa watched replays of some volleyball games

You set the cake on a cooling rack to let it cool down for a while

You decided to clean the house while waiting for the cake to cool down

you wiped some shelves, throw out the trash and vacuumed, by the time you were finished cleaning , the cake was already cool, you begin frosting it, putting crushed nuts at the side of the cake and decorating the top of the cake with candy carrots and some edible decorative leaves, you slowly put it in the fridge

you sighed

“you need to rest” Sakusa says as he gets himself some water

You looked at the time and it was already 10

You shook your head “I just need to grill the salmon sir” and so you did grill the tuna for thirty minutes, gave Kaito a bath for twenty minutes, showered and changed yourself into a simple sundress

By the time you were done packing everything it was already 11:30

You and Sakusa made your way to his car, Kaito was in his baby seat and his father placed him on the back seat, you were about to seat beside Kaito when he cleared his throat

“won’t I look like a personal driver if the both of you sat there?”

You immediately got up and sat at the shotgun seat

The ride was quiet, it was a comfortable silence though, Kaito’s occasional babbles while you were still amazed by the rich neighborhood and Sakusa’s eyes are focused on the road

You arrived at his paren’ts place in fifteen minutes and you could hear the voices of people from afar

You entered the house-no, this was a freaking castle, it was huge, there was a guard, some gardeners and maids

Sakusa parked his car, you got out, he carried Kaito’s baby seat which had a handle while you carried the cake and the salmon-sizu

You walked to the backyard where you saw some children, you recognize some of them as Sakusa’s older siblings’ children, they looked like they were having an outdoor barbecue by their pool-side

Sakusa cleared his throat

They all stopped dead in their tracks eyes wide open

Sakusa glared at them “geez you guys don’t need to act like you saw a ghost”

“well what do you expect you barely visit us here?!” you assumed that it was his brother you spoke

His mother and father looked at you, and you felt very small

“woah and you- you- holy crap your married?!”

And with just one sentence there was a fiasco

“Uncle Kiyoomi is married? We have a new aunt?” a kid who was about nine said and rushed towards new but his sisters were already all up on you

“woah when did you guys get married?”

“when did you meet?”

“what company does your family own?”

“your dress looks so good?”

“do you like chanel?”

You were overwhelmed and couldn’t talk

Your boss sighed “she’s not my wife, she’s my son’s nanny and househelper”

They stopped on their tracks, as you stood there and smiled awkwardly

“but you’re too pretty to be a nanny!”

One of his nieces explained

“you have a son?!” Sakusa’s brother exclaimed

“I know right” Sakusa says nonchalantly

Sakusa was a calm compared to his very lively family

“you impregnated your househelper?” Sakusa’s father asked confused

Your eyes widened and you shook your head profusely

“it’s Nami’s” Sakusa sighed and handed his parents a letter, his brother and two sisters stood beside their parents to read the letter as well

They were dumbfounded when they finished reading, you can’t blame them, you had the same reaction when you first read that letter as well

“what a cruel woman…” Sakusa’s mother says, it seems like she was the first one to recover

Sakusa looked at his son who was looking up at him while sucking on his pacifier

“I don’t need her to raise my son” Sakusa says sternly, his family members looked at him

Sakusa took Kaito in his arms “everyone, this is Sakusa Kaito, my son” he says while Kaito babbles and cracked a toothless smile

There was a moment of silence

When...

“Oh my lord! what a handsome baby!” Sakusa’s mother gushed and approached Sakusa and took Kaito from him

“holy hell bro he looks just like you!” his brother also says, as he pinch Kaito’s cheeks

“I want him to model for my baby line AAAHHHHH” his sister, which you assumed to be Aiko Sakusa a famous fashion designer

Sakusa Kairo the eldest among the siblings, a pilot and owns an airlines company

Akemi, the third child, a famous architect, she owns an architectural firm

And Sakusa Kiyoomi the youngest, Athlete-Entrepreneur manages a chain of hotels and restaurants

And of course Sakusa Arisa and Sakusa Katashi, the founder of Sakusa Empire

These people are one of the most influential family in japan, yet when you looked at them they look quite normal

Sakusa looked kind of distant, but you could see the softness in his features as he stares at his son being cradled and passed around by his family members

You did notice that his father was emotionlessly staring at the scene

“Kiyoomi you haven’t introduce your “helper” to us yet” Akemi says teasingly

Sakusa shook his head

“this is Y/N she’s Komori’s friend , she helps around my house and takes care of Kaito” he says as stood beside you

The whole family except for Komori’s dad looked at you with almost teary eyes

“thank you for dealing with our ill-mannered kiyoomi” his mother says

“You’re too pretty to be a nanny though, if you ever consider modeling come to me” Aiko says as she held both of your hands

You bowed to them politely “It’s a pleasure to meet you, Sir Kiyoomi is a good boss to me” you said, feeling all stiff and awkward

“chill out Y/N-san we don’t bite” Kairo chuckled

You nodded awkwardly, Sakusa nudged you and pointed at the items you were holding

“oh, we bought you some salmon-sizu and carrot cake, I hope you like it” you said as you showed them the things you bought

“Y/N-chan I love you already” Akemi says as she took the carrot cake from you and led you to the table

In no time the family were all eating and having fun, you had Kaito in your arms and was feeding him

“Y/n dear, this salmon and cake are so delicious, where did you buy them?”

You quickly realized that your boss’ mother was a sweet lady

“oh, I made them ma’am, my mother is a baker, it’s her recipe, I tweaked it a bit for it to make it less quick, my father is a fish broker, he told me that salmon is a healthy fish to serve” you smiled at her

“Y/N-chan you’re too kind, I hope my brother isn’t being a jerk to you” Aiko says as she eats cake

You chuckled at them

“Y/N-chan, how is our Kiyoomi?” Akemi asked

“Sir Sakusa is doing fine I think, he’s just a bit tired from volleyball and the company, he also makes time for Kaito whenever he can, he’s still a little bit confuse and clumsy”

Kairo, Akemi, Aiko and Mrs. Sakusa nodded together

“Y/N-chan do you like Kiyoomi?” Aiko asked which made you flustered

“I-I- yes-yes b-but- as a boss- I like him as a person-like a boss-“

“geez no need to get flustered now, we were only asking” Kairo said as he chuckled

“we don’t mind if you like him though, we’ll be delighted to have you here” Akemi says and smiled at you

You were now as red as a tomato

After the conversation, you were left with Kaito, he was now wide awake and you were playing with him

Only then did you noticed Sakusa’s father staring at you two

You cleared your throat, you got up, carrying Kaito, you cleaned up the plates near Sakusa’s father

Kaito pointed at his grandfather

You quietly approached the man

“sir, do you want to hold him?” you asked

He looks up at you, you smiled at him and slowly sat Kaito on his lap

He looks at Kaito emotionlessly, when Kaito smiled at him and babbles “babababa!”

For the first time today, you saw a soft smile made its way to Sakusa’s father’s face

“he looks just like him” the elderly man mumbles

“I can see that sir” you smiled softly at them, slowly taking out your phone and quietly took a picture of the scene, not knowing that some of the eyes of the family were on you

“she’s a good woman” Sakusa’s mother says to his son

“she is” Kiyoomi says as he stares at you, having a small conversation with his father, it’s very rare for him to communicate or interact with people other than business matters, but he doesn’t seem to have any trouble conversing with you

“do you like her Kiyo?” his mother asks teasingly

“mom, no” Kiyoomi sighs and takes a sip of his lemonade

Although his parents were mostly absent during his childhood, him and his siblings maintained a close relationship with them, and both his mother and father always made time for them on the weekends

A lot of people assumed that they were like the rich family from dramas, the tension and stuff but it was far from that, they were pretty normal, and chaotic at times

“Your salmon-sizu was very good” your boss’ dad says as you took Kaito from him, the baby has already fallen asleep

“thank you sir, it was my dad’s recipe, he says it’s good for your health” you smiled as you cradled Kaito

He smiled and got up from his seat to join the rest of his family, you laid Kaito on his baby seat and wiped the sweat off his forehead

The rest of the day were spent with you helping the maids with grilling, but Aiko quickly swooped in and wanted you to join the party, so there you were surrounded by your boss’ nieces and nephews

“you’re not uncle Kiyo’s girlfriend?” Arata, who was around seven years old asked you, he was Kairo’s son

You chuckled and shook your head

“but I want you to be my aunt, aunt y/n” Chizu who was Aiko’s daughter, said with pleading eyes

You just chuckled at them and diverted their attention to something else, you told them stories your parents and sister used to tell you when you were young, their eyes sparkled with fascination, even Mika and Eichi who were both teenagers were interested in your stories as well that they tore their eyes off of their phone screens

Later in the night you guys played uno, you taught them the basics, these kids didn’t know anything about games outside their phones

You couldn’t really relate to the adult’s conversation since they were talking about businesses so you hang out with the kids, and you were loving every moment of it, despite being born from rich families, they were really nice and humble, Eichi was very similar to his grandfather and his Uncle KIyoomi but he was polite nonetheless

It was finally time to leave, the kids were tired and the same to the adults

“come visit us soon aunt y/n” Mira says sleepily she was Akemi’s only child

You smiled at them and waved

“you better come back Y/N-chan we want another one of your carrot cake” Aiko says as you bowed to them

“dear, if ever Kiyo fires you, you are free to apply at our house” says Kiyoomi’s mother says as you leave

Your boss sighs as you finally entered his car

“they really like you” he mumbles

“I guess they do?” you chuckled

“hey y/n, thank you”

You tilt your head in confusion “for what sir?”

“just, thank you”

Taglist: @meri-soni-meri-tamanna @seashellmichellee @tetsuhoes @akaashislovelywife @strawberryzos @kuroohoeee @underratedmage @popping-cherries @uwu-iwanttodie @wonhyuksstuff @ @knmsapplepi @stormcastello @si-m-p

#haikyuu x reader #sakusa kiyoomi x reader #haikyuu x y/n #sakusa x reader #sakusa kiyoomi

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im-a-lonelyheart · 4 years ago

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Fitzsimmons Family Headcanons in case canon fails me

And before they destroy them. Buckle up.

(I wrote this in less than an hour and english is not my first language, sooo sorry for any mistakes)

Edit: I re-posted it because it wasn’t showing up in the tags. sorry.

Enjoy! (Gift credit: X)

They finally decide to retire to their cottage.

Daisy and May lived with them for a while but at different times. Daisy around the time their first kid was born and May when the youngest was a kid already.

May and Daisy totally live together in the USA.

Fitzsimmons started a biomedical company, they make prostetics and medical supplies. They fund small researchers and become relatively known in the medical field (under aliases of course). They run their company from their home as much as they can.

Deke got bored of his company, so he eventually fused it with FS’s, he has enough money to travel around the world and be whatever he wants. Once was a TV chef, and he got bored and became a travel blogger, then launched a clothing line so it goes…

Tried to convince the team to turn their story into a broadway musical. They all said no. He brings it up everytime they are all together (you never know)

Fitzsimmons have three kids, they were all planned ;) of course

Daisy teases Fitz about how the three of them look like Jemma. “You are adopted”. the son is the only one who kinda looks like him. Fitz doesn’ t mind.

After the kids go their own ways they leave together again.

Have their own quinjet in case of emergencies, they say. Let’s be honest after years of flying with SHIELD, commercial flights lost their charm.

Look retired Fitzsimmons would be that kind of couple who travels the world together (properly this time), they say the quinjet is to visit their friends and Family around the world but would randomly send pictures of them in front of a famous landmark.

Mackenzie Skye Fitzsimmons (Daisy calls her Kye) (Born around 2021) (Quarantine baby) or (Timetravel baby)

They never asked Deke about their daughter’s name in the original timeline, but once they told him, judging by his reaction they knew it was this. (but in the lighthouse timeline her nickname was Kenzie)

Fitz was really adamant on this name, Jemma thought it was cute and a great way to honor their best friends, but years later he told the kid:

“you were named after two of the bravest persons I’ve ever met”.

Jemma just stared into the space as it dawned on her that her husband was really an idiot.

He winked at her and she forgave him. Eventually.

When she was a toddler Fitzsimmons moved back to the city and left their cottage, they wanted their daughter to have the best education and also didn’t want to wake her up early because the closest school was still an hour away.

Around that time Daisy found Bobbi, they met up, and Bobbi introduced her to her baby son Owen.

“oh my god. I need to call Fitzsimmons”

“what”

“shhhh. wait, it’s connecting... Hey guys! Look who is here! Bobbi and her baby Owen Shaw”

Fitz spits his tea all over his phone. Bobbi doesn’t know what’s going on, and they eventually explain it to her, well, after Daisy stops laughing and Fitz stops coughing.

Bobbi and Hunter had changed names and moved to England. After learning that Fitzsimmons live nearby, they make plans to see each other as much as they can. Look this is my headcanon AU so Fitzsimmons offer them positions in their company, Bobbi in the lab and Hunter in a made up security position that doesn’t fit his nametag.

Some weekends Fitz and Hunter take the babies to the park together, while Jemma and Bobbi work or hang out together. One day kye and Owen were playing and Owen proudly declared he was going to be an astronaut. Fitz was like “you and your son are the bane of my existence”.

The kids become best friends. Duh

BUT this is Bobbi and Hunter we are talking about, they’re nomads so they eventually move out around Europe and America, when the kid started high school they agreed to stay in one place.

Anyways,

Amazing kid, took a while for her parents to figure out the whole parenting thing but she was so great, as long as things went her way.

Fitz can’t say no to her. A dog? We’ll manage. Ice cream for breakfast? c’mon you know how convincing she can be.

She is a really calm kid, well behaved. Responsible older sister, mom friend, but messy af. “look mom, I have a system and I know where everything is”.

Nicest kid you’ll ever meet, but if you mess with her siblings be careful, you never know if you will find trash in your backpack.

She is an MD. Eventually, her parents moved back to the countryside but she stayed in the city with her sister to finish her education.

Makes friends everywhere she goes.

She and Owen started dating in their teens but were on and off several times, they even briefly dated other people because one of them would get scared of things becoming too serious (even more when they learned that Uncle Deke was genetically their son).

In their late twenties they decided to get married as a compromise to stay together and work things out, after all, some things are inevitable.

They had two kids: Daniel Shaw (Deke, but They wanted him to be his own person so they changed the name), Gabrielle Shaw (Born as Oliver Shaw)

Owen worked for a while for SWORD. Eventually decide to move to Germany to work as researchers.

Margaret Abigail Fitzsimmons (Maggie) (Born 2025)

The odd one. Grew up to be a successful artist. Really independent as a child, could play hours by herself or caually chill around her parents or her brother’s crib.

Despite being the only one in her family who isn’t into science, she loves doing experiments all the time, in the name of aesthetic. One time turned the dog blue. There’s a fire extinguisher in the living room just because of her. Banned from her parents’ lab “Pretty colors can go boom”. Aparently.

After being constantly told she is diferent from the rest of her family, she feels happy when someone tells her she looks like her mom. She scoffs but she doesn’t really mind.

Acts though but is a softie, vegan, activist, animal lover. Loves to tease everyone, prankster, makes fun of her mom but it’s the first person she thinks of when something troubles her. Late night calls are not unheard of.

Can’t commit to a single hobby. Photography, cooking, volunteer work... name something, and she has probably already tried it.

Really close to Deke, sometimes travels with him. They are kindred spirits. Feel like only them understand the need to explore and try new things.

She grew up to resent shield. Look she loves what her parents and their friends did, but hates how it affected them. Forgive and forget? in this economy??

Lives in Paris by herself but somehow always manages to get everyone to come to her art exhibits. You won’t be able to stop her once she sets her mind to something. Stubborn as her dad.

Doesn’t want kids, maybe one day if she feels ready she will adopt but she is happy as an aunt.

Matthew Phillip Fitzsimmons (Matthew) (Born 2030)

Ray of sunshine, Momma’s boy. He loves it when his parents take him to their lab. Ever since he could walk he is always following his sisters around, if they are up to something he is the first one to know. They love to tease him, but he has enough blackmail material to get them to shut up. He would never use it tho.

Computer genius. He has his own video game company. Launched his first video game at 16. Fitz is mildly offended he sees the Framework code as “old stuff”.

He is a sweetheart, adores his parents and calls them every single day. He met his wife in college and has been happy ever since. It was fast and passionate, they got married within a year and a few years later they had a baby.

Truly an example of living fast.

Melissa Fitzsimmons (his daughter) a sweetheart, may is her godmother. (The babies’ baby’s baby, i cry). The cousins are thick as thieves.

May loves the kid, “age is making you softer”, Daisy tells her and laughs, May’s glare while holding a baby is too much for her.

Emma Johnson (born 2029) (the honorary fourth kid)

Daisy’s daughter. Jemma cried when she told her the baby’s name. She wanted May and Jemma in the delivering room with her.

I can see Daisy being a badass single mother but I also see her finding love, I haven’t made up my mind but I think she will be loved either way.

Only child, so loves to hang out with the FS kids.

She and Matthew are best friends since they were little, even having video calls when they couldn’t see each other in person.

Fitz and Daisy had a bet on whether they would get together, but it was called off when it became apparent Emma wasn’t interested in men altogether. She was the first woman in his wedding.

The “Quake” legacy was too much for her so she decided to focus in something different. Currently works as an architect and on her spare time works as a freelance illustrator.

All I can imagine is a scene where the are all together in a field (probably the same one where they buried Coulson and Loop!Fitz) May, Fitzsimmons and Daisy. They try to meet up there at least once a year to chat and reminisce about old times, sometimes with Deke, Mack and Elena (and their twin boys) or just them.

Their kids are playing while their parents watch, but May’s watching them, with their backs to her they almost look like the kids she met in the bus all those years ago. Coulson would’ve been so proud, this is the future we were fighting for all along, she thinks.

“You did good”.

Daisy turns around with a soft smile on her face and says “yes, we did.”

The end

#Fitzsimmons #fstag #fsfic #agents of shield #agents of s.h.i.e.l.d.#Jemma simmons #Leo fitz #Daisy Johnson #Melinda May #SHIELD headcanons #I have hope that i will like their ending #this is how i see them right now #I will probably adapt them to fit whatever happens in the finale

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stellar-alley · 5 years ago

Text

•If The World Was Ending•

This one shot is based off of the song If The World Was Ending by JP Saxe and Julia Michales. Sorry about no italics, when i copied it over they didn’t change and I can’t go and change all of them.

I was distracted

And in traffic

I didn't feel it

When the earthquake happened

Edward Kaspbrak, risk analyst, fellow New Yorker, was stuck in the one thing he hated most, traffic. The air conditioner in his car was on high, the mid-June air was hot and humid. As much as he craved to open the windows and get some fresh air, he knew how prone he was to road rage, especially during traffic, and wasn’t in the mood to hear his victim’s response. He just wanted to curse them out in peace.

“What the fuck is going on? MOVE ASSHAT!” He shouted at the car in front of him that just randomly halted. He watched in confusion as the driver, a teenage girl, stepped out of her car and looked around. Then he noticed a couple other drivers doing the same. Traffic had completely stopped around him, it created a weird vibe, New York became quieter for a moment and it was very unnerving.

Eddie considered it for a moment, everyone’s stopped so you’re not gonna get hit by a car, he thought before he followed suit and got out of his car.

“What the hell is going on?” He asked the closest person to him, which was the teenage girl. She had short wavy brown hair and wore a jean vest and matching shorts.

“You didn’t feel it?” Her voice is filled with concern as she raises an eyebrow.

“Feel what?”.

“The earthquake,” She says.

But it really got me thinkin'

Were you out drinkin'?

Were you in the living room

Chillin' watchin' television?

The news sent a wave of worries through Eddie’s body, he raked his hand through his hair. His gaze went slightly blurry as he tried to examine his surroundings, seeing if anything had collapsed or if people were screaming.

The teen must’ve noticed his change in emotion as she continued with, “It wasn’t major or anything. The news guy said everything is fine. But you know New Yorkers, they overreact and all” She smiled nervously at him, worried that she’d used the wrong words.

There’d been a policeman a couple of cars down and she advised everyone to get back into their cars and wait for the traffic to pick up again. So Eddie got back into his car. It took awhile for the traffic to pick up again but it did.

His knuckles turned white, gripping the steering wheel as his mind began to race with the thought of what his wife, Myra, must be thinking right now.“She’s probably throwing a fit right now cause I’m not home” he sighed as he glanced at his phone on its stand. He noticed that it wasn’t able to connect to wifi or data. The lines must be down or something…. Shit. Eddie realized, knowing that would only make things worse.

“Ah fuck me”, he sighed in frustriation. Only then did Eddie reluctantly release one of his hands from the steering wheel to pinch the bridge or his nose.

Eds, at least buy me dinner first, a voice popped into Eddie’s head, but it wasn’t his. Oh no, he’d never refer to himself as that terrible nickname. Only one person ever called him that nowadays... Richie.

I wonder what the ‘famous comedian’ Richie Trashmouth Tozier is doing. Eddie smirked at the idea. He wondered if Richie was blackout drunk, high as a bird, or jerking it in his room. That’s something Eddie had been doing a lot of lately, especially when times were tough back at his apartment with Myra. (not jerking off, thinking or Richie)

His mind would wonder about his childhood best friend, how he was doing, what his latest comedy sketch was about (since he started writing his own stuff after the IT incident), he also worried about Richie’s bad habits. Ever since he was a teen he had a bit of a smoking problem, cigarettes and weed, and some drinking. But Eddie knew it only grew worse with time. Richie explained how he had actually been pretty clean until Mike called him, then he relapsed. Eddie knew that after the fight, after Richie got stuck in the fucking deadlights, he had been suffering from night terrors, which prompted his insomnia, which made more time for him to drink and smoke.

It's been a year now

Think I've figured out how

How to let you go and let communication die out

Sadly he hasn’t talked to Richie in a year, since the incident, since he left the hospital. He lived without Richie for so long, it should’ve been easy to forget about him again. But now he had old memories that weren’t there before, ones of a childhood he forgot he lived through. It’s been a year now, and Eddie has finally pushed down all of the feelings for his childhood crush. He was letting Richie go, finally able to let the communication die out.

Eddie had been in the hospital for over a month and Richie was the only one who stayed, Bev had to go file a divorce, Ben had architect stuff to architect, Bill had a movie to finish and a wife to apologize to, Mike had a world to see, and Stan had a vacation to take with his wife. As much as they all wanted to stay, the only reason they didn’t was that they knew Eddie was safe in Richie’s care.

The day before Eddie officially woke up, he had been in and out of consciousness and he could hear bits and pieces of conversations, hell, sometimes he even saw flashes of the room around him. But there was one conversation that stuck out to him, the one he remembered the most.

Richie was by his side, the only one in the room, voice low. Although he couldn’t see Richie, he could tell that he’d been crying. Richie started out by talking about some of his favourite memories with him from their childhood, from before they left Derry. The hot days at the quarry, their cuddles in the hammock, the nights Richie had nightmares (yes he had them even as a kid so that makes these current nightmares so much worse, cause he had to handle them alone) and would sneak into Eddie’s room during the late hours of the night. Those were the nights that they’d talk until Richie’s mind was at ease, about nothing yet everything all at the same time. If Richie felt better he’d head home, but most nights they’d fall asleep in each other’s arms. Richie’s mind filled with worries about falling into the same nightmare again so Eddie would hold him close to make sure Richie felt safe as sleep took him away.

Then Richie continued to talk about how close he and Eddie had been, and how even when he moved away, and forgot, he always knew he’d been missing something. He explained how that night at the Jade of the Orient, he finally felt whole again. Eddie blacked out for a little bit afterwards, he still kicks himself for that, even though he had no control over it. But he came back just in time to hear the end of Richie’s speech.

“Eds… I know we argue, I call you out and annoy the ever-living shit out of you, but those are the conversations I live for. You know every joke I make is just me trying to get you to laugh, right? I knew how hard it was at home for you, so I always wanted to give you the chuckles that you never got at home” Richie stopped for a moment. He let out a little chuckle himself, “That last year we had together was the best year of my fucking life. Because it was you and me against the world. A-And the day you left… Eddie I kick myself every day for not saying it back. Because I love you, so fucking much” he took a moment to collect himself. “It’s funny to think that I never realized it sooner, all of the early mornings and late nights, scalding summer days and afternoons in the freezing winter. I loved you since the day you squished your small, cute, ass in that hammock with me. I’ve loved you since the day you skipped school to take care of me when I threw up. Fuck…. Eddie I’ve loved you since fifth grade when you gave me that stupid valentine card with the cat cause you knew I never got any. I never stopped loving you-” Eddie drifted off, unable to hear the rest of the confession. Though he couldn’t hear him, he did feel a hand lay over his, and his fingers laced together with another’s. Then he felt Richie plant an ever so soft kiss on his forehead.

I never told Richie that I’d overheard him, how could I? How could I just randomly admit to him that when we were cuddled up in that hammock, I felt more at home than I have in my entire life? How I suddenly felt safe when his arms wrapped around me. How my heart skipped a beat every time our skin accidentally touched. And how I secretly adored every damn stupid nickname you called me because they were something that only you and I shared. They were mine, and I was yours. How can I admit that that year, was a year I cherished until the day I forgot it, because of that fucking clown.

After all of his memories returned to him after the incident, Eddie recalled a day he swore he could never forget, the day before he left for college. He was going to some out of state college to escape his mother, who’s grip had only gotten worse over the years.

Richie and Eddie had started dating about a year prior. After years of silent pinning and pent up emotions, Richie finally burst and admitted his feelings for him. That year, their final year of highschool, was one for the history books. The two were inseparable, determined to spend every living second together before Eddie had to leave for college. And they did, for the most part.

Almost every night Richie would sneak into Eddie’s room and the two would kiss and make out, then snuggle the rest of the night away. At school they always found time for each other, in between classes, secretly meeting in the bathroom, even discreetly holding hands under their desks.

The one thing they never did was say ‘I Love you’. Both of them were subconsciously waiting until the time was right. Eddie thought the right time was the day he left for college.

“What am I going to do without my Chee? Who’s gonna give me stupid nicknames and crawl through my window now?” Eddie hugged Richie tightly.

“You’ll find someone, I know you will” Richie brushed the comment aside. It’s something he’d been doing for the past week or so. Whenever Eddie mentioned the future, him coming back for Christmas or Richie coming up to visit him, Richie always brushed it under the rug, never in the mood to talk about it. Eddie always assumed it was because he wanted to live in the moment and not worry about the future, but even then, he seemed distant.

A voice rang overhead, announcing that Eddie’s flight was now boarding.

Here goes nothing

He looked up at Richie, who’s eyes seemed sad and dark. “Richie, I want you to know that I will always love you” Eddie’s voice was quiet, almost vulnerable.

Richie pulled away and hesitated before saying “E-Eddie, I-I don’t know if I can do this whole long distance thing. You’re so, so good, and you deserve someone who can be there for you-”.

Eddie was taken aback, suddenly disgusted by how he thought Richie would ever love him back, “Rich, what are you talking about? Just last week you said you were okay with his”.

“Yeah? Well that was last week, and this is now. I just don’t wanna hold you back from meeting new- and better people when you’re away” Richie quickly hugged Eddie, not wanting to continue the conversation as he knew the tears it’d bring. “I’m sorry” He whispered as he gave Eddie one finally look, then left.

It was the day that changed everything for Eddie. The day he wished he could forget since it clouded his vision, kept him up at night, and distracted him from almost everything. One day he did forget it, but it all came back the day he saw Richie Tozier at the Jade of the Orient.

Neither of them had brought up the breakup, neither did any of the other Losers. They were all aware that it was a sensitive topic and opted to keep the mood light while reliving their childhood memories. The mood wasn't worried between Richie and Eddie, but it wasn't the same either. It was as if things had gone back to when they were just friends, the constant banter and bickering.

I know, you know, we know

You weren't down for forever and it's fine

I know, you know, we know

We weren't meant for each other and it's fine

After Eddie was released from the hospital, he had gotten on his first flight to New York and returned to Myra. He’d convinced himself that everything he heard during his coma was a dream. After so many years of internalized homophobia, it was hard to stop now.

He’d thanked Richie for everything and insisted he was okay. He made sure Richie would head back to LA and continue his job, but he also made him promise to start writing his own material. He told Richie it’d finally convince him to go to one of his shows. Sadly he still had yet to purchase a ticket or even watch his shows on Netflix. Now, every time he saw famous comedian Richie Tozier, he could only remember the boy he’d once give the world for, the boy who didn’t love him back.

But if the world was ending

You'd come over, right?

You'd come over and you'd stay the night

Would you love me for the hell of it?

The sky'd be falling and I'd hold you tight

And there wouldn't be a reason why

We would even have to say goodbye

If the world was ending

You'd come over, right?

Right?

Even though he forgot, Eddie always knew something was off. No matter who he was with, it never felt right. That’s because Richie Tozier had taken a piece of his heart the day he never said it back. Then the day Eddie left the hospital, he’d left an even bigger piece with the boy he still loved.

If the world was ending

You'd come over, right?

Right?

His phone beeped, indicating that he'd received a text.

Ben: Hey Eddie, just wanted to check in and make sure you're safe, heard about the earthquake. Bev says hi!

It was from Ben. Eddie noticed his phone was back on data, so that text was followed by a million texts and calls from Myra. He clicked on the contact and clicked the call button.

“Hey, Eddie!” Ben's voice sounded relieved, “How's a going, is everything okay?”.

“Hey, yeah… I'm okay” Eddie hesitated, “Just shaken” he breathed. If he were talking to anyone else he would've just said he was okay, but Ben was a Loser, and Losers never lied.

“Good I'm glad to he-” Ben was suddenly cut off by the sound of his wife's voice from beside him.

“Ask if he's heard from Richie!” Bev's voice got louder as she spoke, most likely approaching from another room.

“R-Richie? Why would I have heard from him?” Eddie tensed up, caught off guard.

He was met with the sounds of muffled talking and someone grabbing the phone, “Hey Eddie, sorry- I was just wondering cause well, Richie was in his New York apartment for the week and we texted him to see if he was okay but he didn’t answer-” Bev explained.

“Wait- Richie’s in New York? Really?” Eddie tried to hide the excitement in his voice but failed.

“Y-Yeah, didn’t he tell you?” She sounded confused.

The truth was, as much as Eddie wanted to, he never asked Richie for his number when they reunited. Neither did Richie.

Eddie spoke before he could think through his words, “What’s his address?”, even he was shocked at the question.

“Here, I’ll text it to you. Why- Eddie what are you scheming?” He could hear the smirk in her voice, as if she knew what he was going to do before he did it.

“Nothing, nothing… I just wanna check in on our resident trashmouth and make sure he hasen’t fucking OD’d on Capri Sun or some shit” Eddie scoffed as the two on the other end laughed.

If the world was ending

You'd come over, right?

Right?

After their call ended, Eddie opened google maps and typed in Richie’s address.

I tried to imagine

Your reaction

It didn't scare me when the earthquake happened

Famous comedian Richie Tozier was indeed drinking Capri Sun, though he hadn't reached the point of overdosing, he could tell his taste buds were in the midst of destruction, as he’d just finished his fourth Capri Sun. Which is about 3 more than he should’ve had.

Richie only noticed the ground shaking after it had happened. He knew that if you were inside during an earthquake you were supposed to get outside as soon as possible, but it was so quick, should I go? He thought before sitting up from his couch and shuffled towards the door.

He glanced out into the hallway of his apartment floor and noticed some of his neighbours doing the same. He gave them a nod before one of the managers came through the door that led to the stairs. He advised everyone to stay inside as it was only a minor earthquake and there was no reason to leave.

Instead of reclaiming the spot on his couch, Richie went and took a seat on his balcony. This is something that he’s been doing more as the weather got warmer. He had put a chair out there, so when he got comfortable he propped his feet up on the railing and took in the skyline.

He couldn’t help but think what his hypochondriac, asthmatic, piece of pasta, was up to right now.

That idiot is probably losing his shit over the earthquake.

Richie chuckled to himself as he recalled how he was always prepared for something like this. Even in his younger years, his fanny pack was always equipped with the supplies to handle anything, from scraped knees, to runny noses. It was one of the many things he loved about Eddie… Yes, love.

The thought prompted Richie to run his hand over his face. He then removed his glasses and pressed the palms of his hands onto his closed eyes. His eyes started to tear up as he re-lived an old memory he once forgot.

But it really got me thinkin'

That night we went drinkin'

Stumbled in the house

And didn't make it past the kitchen

They’d been dating for just over a month now. Things were still exciting, still new. Something neither of them had experienced before. To say that they tried to spend every moment together was an understatement. Because once their feelings were out in the open, they hadn't been able to get off of eachother. They were always touching in one way or another. Whether it was holding hands, Richie having his arm draped over Eddie or Eddie having his arm around Richie’s waist.

It was one of the rare occasions where Sonia Kaspbrak had left town for the weekend, out to go visit family, and she hadn't taken Eddie with her, like usual. So Richie and Eddie had the Kaspbrak residence all to themselves. Sure they spent the first half of the night drinking cheap beer with the other Losers at the Quarry, but after they got home they had their most memorable make out sessions to date.

They’d just entered the house and Richie had already picked up Eddie. Their kisses become more intense as the space between their bodies vanished. The smaller boy wrapped his arms around the taller's neck and his legs around his waist, hugging him like a koala. The curly haired teen had his hands positioned on the other’s ass, he gave it a little squeeze before he set him down on the kitchen counter.

Once Eddie’s butt had gone numb, Richie’s legs got tired, and both their lips grew raw, Eddie hopped off the counter and grabbed Richie’s hand. He pulled his smitten boyfriend up the stairs and to his room. That’s where they continued their heated make out session, except it wasn't ass intense. Their kisses were still passionate, but almost tired, it was late after all.

Richie pulled his shirt over his head, Eddie began kissing his neck, his chest, anywhere he could reach. Richie had snaked his right hand up Eddie’s shirt, so it pressed up against Eddie’s back, the touch sent shivers down Eddie’s spine.

“May I?” Richie requested, which was something he did a lot when they were in bed together. He always asked before he did things. Sure they were both inexperienced horny teens, but Richie always wanted to make sure that Eddie was comfortable with anything they did.

“Do it- Rich I’m all yours” Eddie said in between kisses. He felt Richie grabbed a handful of his shirt, that’s when he reluctantly sat up. Which allowed Richie to gracefully pull the shirt up and over Eddie’s head. Their chests were pressed together, skin on skin. It sent fireworks exploding in both of their chests.

The kisses soon grew lazy, and they both opted to lay in eachothers arms. Cuddled as close together as humanly possible. Their pants had come off, leaving the teens in their boxers. So their bare legs were tangled together as Eddie’s head laid against Richie’s chest, he hummed happily to the sound of Richie’s speedy heartbeat. Richie’s head sat comfortably on top of Eddie’s, one of his hands laced together with his boyfriend’s while the other was carefully brushing out Eddie’s soft brown curls.

Neither of them wanted to be anywhere else. If they could’ve lived in that moment forever, they would have.

Ah, it's been a year now

Think I've figured out how

How to think about you without it rippin' my heart out

Up until the day Richie’s memories were taken without his permission, about a year after he left Derry to try the whole ‘comedian’ thing, he had regretted not saying it back to Eddie. He doesn't know what came over him on the day the love of his life left. It was just something about not being able to see him everyday, not being able to hold his hand when he got nervous or climb through his window when he had a nightmare, that scared him. He worried that without that physical touch, he wouldn’t be able to hold onto the Eddie he once was. Practically convincing himself that once Eddie found someone he could actually be with, he’d dump Richie.

So the Trashmouth decided to end things before he could get his heart broken. Little did he know that his heart would still beat for Eddie Kaspbrak up until the day that that name held no meaning to him anymore.

When he saw Eddie again, after 27 years, it was as if nothing had changed. The subtle glances, the twist of his stomach when his hand brushed against Eddie’s, the way he couldn’t think about anything else, and the way his heart ached for a love that they once shared.

Richie, worried about messing things up again, he waited for Eddie to make the first move. Unsure if they were anything more than friends, Richie kept it that way, just friends. Eddie never did bring anything up. Not at the Jade of the Orient, not when he almost died, and not when he left the hospital. Sure it felt like he ripped Richie’s heart out of his chest, tore it in half, then shoved it back in, but he knew it was for the best. Afterall, Eddie had moved on, married a woman, and started a life without him. It killed him to see, but it wasn't his place to go and ruin what Eddie had worked so hard to build.

It’s been a year now. A year since he’s seen Eddie. A year of staring at his phone, threatening to click the call button and finally hear his voice again, a year of writing texts that’d never be sent, a year of going between LA and New York in hopes of randomly bumping into Eddie at some coffee shop. But it’s been a year, and Richie is finally able to think about Eddie without it feeling like his heart is being ripped out of his chest. It’s progress.

But if the world was ending

You'd come over, right?

A doorbell ripped Richie from the memory he was reliving. Suddenly aware of the tears on his cheeks and his shaking hands. Fuck, he mentally cursed. He checked his reflection in the camera of his phone. Who the hell is at my door at, he checked the time, 6:00 pm, what the fuck?. He gave his eyes one more wip before he reached for the doorknob, he didn’t care if the mailman saw him with red puffy eyes and wet cheeks, Bob had seen him in the worst conditions.

His heart momentarily stopped at the familiar sight of Eddie James Kaspbrak who stood in the hallway of his apartment building. Suddenly the phrase, A sight for sore eyes, became so clear to him, because his sore eyes suddenly became soft at the sight of the boy who once brought him so much joy.

“Eddie…” Richie breathed, his mind unable to properly phrase sentences.

“Richie, a-are you okay?” Eddie’s voice was laced with concern, worried that he’d just walked in on something.

Richie had done something he grew too comfortable with, “Me? Yeah, yeah, I’m fine, never not fine, am I right?” He joked.

Eddie’s brow scrunched ever so slightly, unaware of what to do. “Right… Sorry to show up out of the blue. Just wanted to check in and make sure you were okay, you know with the whole earthquake and all” He changed his tone, to sound more comforting.

“Oh…” Something broke inside of Richie. Of course he was only here because of the fucking earthquake. It’s not like he has any other reason to come see the boy who fucking left him at the airport- “I’m A okay, thanks for checking in Eds” Richie assured with a wink. He made sure his voice sounded extra chipper, afraid that he’d somehow allow Eddie to see how close he was to breaking.

Eddie huffed, almost as if he was amused, “Don’t call me that” he shook his head jokingly. Of course there was more he wanted to say, 27 years of thoughts and emotions that’d went unsaid, but he kept it that way. “Well you seem to be doing fine, so I guess I’ll leave you be- see you around Trashmouth”.

The nickname sent memories flashing through both of their minds, the arguments they had at school when they threw that nickname at him, Beeping Richie whenever his motormouth wouldn’t slow down. Maybe under different circumstances, they would’ve shared a laugh. Talked about the good old days over a coffee on Richie’s balcony and maybe even open up the Pandora's box that was their relationship. Instead, Eddie gave Richie a small wave, and turned to make his way towards the elevator.

Eddie let out a breath he didn’t know he was holding it, suddenly tense with regret. There was so much more he wanted to say, but it was too late.

Richie closed the door and leaned his forehead against the cool wood. I can’t believe I fucked this up again. Just like always. Leave it up to good ol’ trashmouth to ruin the best fucking thing that’s ever happened to him.... Suddenly Eddie’s words rang out through his head, so loud and earth shattering it almost caused his eyes to tear up again. I Love You.

“I Love you too Eddie…” Richie said to himself. Then it dawned on him. “I love you” he repeated.

His hand reached out the door handle and he hastily opened the door to his apartment. He took a step out of his apartment and saw Eddie waiting for the elevator. Richie wasted no time, he was 27 years late after all.

“I love you” He shouted to the man down the hall from him.

Eddie’s eyes looked up to meet Richie’s, big and tear filled, with a sliver of hope inside of his iriss.

Richie talked as he ran to him. “I love you. Edward fucking Kaspbrak. And I’ve kicked myself every goodman day of my life for not saying it back to you because I, love you”. Now he was in front of Eddie, spilling his heart out, “You’re the best thing that’s ever happened to me. And I always knew I loved you, since the day you kissed my scraped knee in fourth grade. It just took me 27 fucking years to relaize I can’t live without you… My little piece of spaghetti'' The last line got a huff from Eddie.

“Really know how to ruin a moment, don’t you Rich?” He asked, but his voice held no anger, only pure and utter joy.

Richie disregarded the comment and continued, “I know you’re married and I am 27 years late, but fuck, I had to tell you before I fucking imploded. Because I love you.”

Eddie stood there for a moment, as if he was soon going to be woken up from this dream. Then he finally mustered the power to speak, “I love you too Richie”. Eddie couldn’t help himself, he’d been waiting 27 years. He took a couple steps, closing the distance between the two, he placed his hand on the back of Richie’s neck, pulled him down and kissed him.

Richie hesitated for a split second before returning the kiss. Then it was just like they were kids again, fireworks exploded through their bodies as their hearts began to beat together.

You'd come over and you'd stay the night

Would you love me for the hell of it?

All our fears would be irrelevant

“I love you” Richie couldn’t stop saying it, as if he was trying to make up for all the time he hadn't been saying it. He said it when they pulled away from their kiss, when he led Eddie back into his apartment, and plenty of times while they made out on Richie’s bed.

If the world was ending

You'd come over, right?

The sky'd be falling while I'd hold you tight

No, there wouldn't be a reason why

We would even have to say goodbye

It was midnight, only then did they begin to calm down off of the high they’d been riding. As if the years of crushing and pinning had built up, and finally they’d been able to get what they craved.

Richie laid on his back, with Eddie’s head resting on his chest, with one hand over Richie’s heart while the other was laced together with the other’s.

“I love you” he repeated again, meaning every word he said.

“I love you too” Eddie said. His heart beat in his chest, his entire heart. No missing or lost pieces, because he’d found Richie again, and all of the pieces were finally put back into place.

If the world was ending

You'd come over, right?

“I don’t care what happens now” Eddie said, he looked up to meet Richie’s gaze. “The marriage can be dealt with. Hell, I don’t even care where we end up, here, LA, anywhere, as long as I’m with you” For the first time in a long time, Eddie felt hope. He was excited for what the future held, because he wasn't alone anymore.

You'd come over, right?

You'd come over, you'd come over, you'd come over, right?

“We’ll make it work” Richie kissed Eddie’s forehead, “We always do”.

If the world was ending

You'd come over, right?

Word Count: 5350

I hope you guys enjoyed the one shot! I had a lot of fun writing it.

If you've got any songs you want me to turn into a one shot then comment down below!

Until next time

So Long and Goodnight

[Taglist]

@richietoaster @s-onora @that-weird-girl-blog @beproudtozier

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im-a-lonelyheart · 5 years ago

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Fitzsimmons Family Headcanons in case canon fails me

And before they destroy them. Buckle up.

(I wrote this in less than an hour and english is not my first language, sooo sorry for any mistakes)

Enjoy! (Gift credit: X)

They finally decide to retire to their cottage.

Daisy and May lived with them for a while but a different times. Daisy around the time their first kid was born and May when the youngest was a kid already.

May and Daisy eventually live together in the USA.

Deke got bored of his company, so he eventually fused it with FS’s, he has enough money to travel the world and be whatever he wants. Once was a TV chef, and he got bored and became a travel blogger, then launched a clothing line so it goes…

Fitzsimmons have three kids, they were all planned ;) of course

Daisy teases Fitz about how the three of them look like Jemma. “You are adopted”. the son is the only one who kinda looks like him.

After the kids go their own ways they leave together again.

Mackenzie Skye Fitzsimmons (Daisy calls her Kye) (Born around 2021) (Quarantine baby) or (Timetravel baby)

They never asked Deke about their daughter’s name in the original timeline, but once they told him, they knew it was this. (but in the lighthouse timeline her nickname was Kenzie)

Fitz was really adamant on this name, Jemma thought it was cute and a great way to honor their best friends, but years later he told the kid:

“you were named after two of the bravest persons I’ve ever met”.

Jemma just stared into the space as it dawned in her that her husband was really an idiot.

He winked at her and she forgave him. Eventually.

Daisy found Bobbi, they met up, and Bobbi introduced her to her baby son Owen.

“oh my god. I need to call Fitzsimmons”

“what”

“shhhh. Hey guys! Look who is here! Bobbi and her baby Owen Shaw”

Fitz spits his tea all over his phone. Bobbi doesn’t know what is going on, and they eventually explain it to her, after Daisy stops laughing and Fitz stops coughing.

Some weekends Fitz and Hunter take the babies to the park together, while Jemma and Bobbi worked or hung out together. One day kye and Owen were playing and Owen proudly declared he was going to be an astronaut. Fitz was like “you and your son are the bane of my existence”.

The kids become best friends. Duh

BUT this is Bobbi and Hunter we are talking about, they’re nomads so they eventually move out around Europe and America, when the kid started high school they agreed to stay in one place.

Anyways,

Amazing kid, took a while for her parents to figure out the whole parenting thing but she was so great, as long as things went her way.

Fitz can’t say no to her. A dog? We’ll manage. Ice cream for breakfast? c’mon you know how convincing she can be.

She is a really calm kid, well behaved. Responsible older sister, mom friend, but messy af. “look mom, I have a system and I know where everything is”.

Nicest kid you’ll ever meet, but if you mess with her siblings be careful, you never know if you will find trash in your backpack.

She is an MD. Eventually, her parents moved back to the countryside but she stayed in the city with her sister to finish her education.

Makes friends everywhere she goes.

In their late twenties they decided to get married as a compromise to stay together and work things out, after all, some things are inevitable.

They had two kids: Daniel Shaw (Deke, but They wanted him to be his own person so they changed the name), Gabrielle Shaw (Born as Oliver Shaw)

Owen worked for a while for SWORD. Eventually decide to move to Germany to work as researchers.

Margaret Abigail Fitzsimmons (Maggie) (Born 2025)

The odd one. Grew up to be a successful artist. Really independent as a child, could play hours by herself or caually chill around her parents or her brother’s crib.

After being constantly told she is diferent from the rest of her family, she feels happy when someone tells her she looks like her mom. She scoffs but she doesn’t really mind.

Really close to Deke, sometimes travels with him. They are kindred spirits. Feel like only them understand the need to explore and try new things.

She grew up to resent shield. Look she loves what her parents and their friends did, but hates how it affected them. Forgive and forget? in this economy??

Lives in Paris but somehow always manages to get everyone to come to her art exhibits. Does everything she sets her mind into.

Doesn’t want kids, maybe one day if she feels ready she will adopt but she is happy as an aunt.

Matthew Phillip Fitzsimmons (Matthew) (Born 2030)

Ray of sunshine, Momma’s boy. His favorite thing is when his parents take him to their lab. Ever since he could walk he is always following his sisters around, if they are up to something he is the first one to know. They love to tease him, but he has enough blackmail material to get them to shut up. He would never use it tho.

Computer genius. He has his own video game company. Launched his first video game at 16. Fitz is mildly offended he sees the Framework code as “old stuff”.

Truly an example of living fast.

Melissa Fitzsimmons (his daughter) a sweetheart, may is her godmother. (The babies' baby’s baby, i cry). The cousins are thick as thieves.

May loves the kid, “age is making you softer”, Daisy tells her and laughs, May’s glare while holding a baby is too much.

Emma Johnson (born 2029)

Daisy’s daughter. Jemma cried when she told her the baby’s name. She wanted May and Jemma in the delivering room with her.

I can see Daisy being a badass single mother but I also see her finding love, I haven’t made up my mind but I think she will be loved either way.

Only child, so loves to hang out with the FS kids.

She and Matthew are best friends since they were little, even having video calls when they couldn’t see each other in person.

Fitz and Daisy had a bet on whether they would get together, but it was called off when it became apparent Emma wasn’t interested in men altogether. She was the first woman in his wedding.

The “Quake” legacy was too much for her so she decided to focus in something different. Currently works as an architect and on her spare time works as a freelance illustrator.

All I can imagine is a scene where the are all together in a field, May, Fitzsimmons and Daisy (probably the same one where they buried Coulson and Loop!Fitz) They try to meet up there at least once a year to chat and reminisce about old times, sometimes with Deke, Mack and Elena (and their twin boys) or just them.

“You did good”.

Daisy turns around with a soft smile on her face and says “yes, we did.”

The end

#fsfic #fstag #fitzsimmons #bus kids #jemma simmons #leo fitz #daisy johnson #melinda may #agents of s.h.i.e.l.d.#agents of shield #aos #i needed to get it out of my system #I'll probably revisit this after the finale #and adapt it #but if don't like their ending i will always have my own

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godzilla-kong-ellen · 4 years ago

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Mind tudtuk, hogy egyszer megtörténik. Világunk szörnyei nem kerülhetik el egymást. A legnagyobbaknak előbb-utóbb szembe kell találkozniuk, hogy összemérjék az erejüket. De ahol King Kong és Godzilla csatázik, ott senki más nincs biztonságban.

felszabadított: 2021-03-24 Runtime: 0 percek Műfaj: Akció, Sci-Fi Csillag: Alexander Skarsgård, Millie Bobby Brown, Kyle Chandler, Rebecca Hall, Brian Tyree Henry Rendező: Terry Rossio, Eric McLeod, Ronald R. Reiss, Sarah Halley Finn, Owen Paterson

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its somewhat ironic that a movie about time travel can’t be reviewed properly until your future self rewatches the movie. It’s bold of Nolan to make such a thoroughly dense blockbuster. He assumes people will actually want to see ~Tenet more than once so they can understand it properly, which some may not. This movie makes the chronology of Inception look as simplistic as tic-tac-toe. Ergo, it’s hard for me to give an accurate rating, without having seen it twice, as I’m still trying to figure out whether everything does indeed make sense. If it does, this movie is easily a 9 or 10. If it doesn’t, it’s a 6. It’s further not helped by the fact that the dialogue in the first 15 minutes of the movie is painfully hard to understand / hear. Either they were behind masks; they were practically mumbling; the sound effects were too loud; or all of the above. The exposition scenes are also waayyy too brief for something this complex — a problem also shared with Interstellar actually. (Interstellar had this minimalist exposition problem explaining Blight, where if you weren’t careful, you’d miss this one sentence / scene in the entire movie explaining that Blight was a viral bacteria: “Earth’s atmosphere is 80% nitrogen, we don’t even breathe nitrogen. Blight does, and as it thrives, our air gets less and less oxygen”). I guess it’s a Nolan quirk. Hopefully, a revision of the film audio sorts the sound mixing out. I do like the soundtrack, but it’s too loud initially. I liked all the actors. You think John Washington can’t act at first, but he can, and he grows on you as the film progresses. And Pattinson is his usual charming self. Elizabeth is a surprise treat. And so on. Its worth a watch either way. See it with subtitles if you can. And definitely don’t expect to fully understand whats going on the first time around. Its one hell of a complicated film. It will be very hard for an average viewer to gather all the information provided by this movie at the first watch. But the more you watch it, more hidden elements will come to light. And when you are able to put these hidden elements together. You will realize that this movie is just a “masterpiece” which takes the legacy of Christopher Nolan Forward If I talk about acting, Then I have to say that Robert Pattinson has really proved himself as a very good actor in these recent years. And I am sure his acting skills will increase with time. His performance is charming and very smooth. Whenever he is on the camera, he steals the focus John David Washington is also fantastic in this movie. His performance is electrifying, I hope to see more from him in the future. Other characters such as Kenneth Branagh, Elizabeth, Himesh Patel, Dimple Kapadia, Clémence Poésy have also done quite well. And I dont think there is a need to talk about Michael Caine Talking about Music, its awesome. I dont think you will miss Hans Zimmer’s score. Ludwig has done a sufficient job. There is no lack of good score in the movie Gotta love the editing and post production which has been put into this movie. I think its fair to say this Nolan film has focused more in its post production. The main problem in the movie is the sound mixing. Plot is already complex and some dialogues are very soft due to the high music score. It makes it harder to realize what is going on in the movie. Other Nolan movies had loud BGM too. But Audio and dialogues weren’t a problem My humble request to everyone is to please let the movie sink in your thoughts. Let your mind grasp all the elements of this movie. I am sure more people will find it better. Even those who think they got the plot. I can bet they are wrong. ~Tenet is the long awaited new movie from Christopher Nolan. The movie that’s set to reboot the multiplexes post-Covid. It’s a manic, extremely loud, extremely baffling sci-fi cum spy rollercoaster that will please a lot of Nolan fan-boys but which left me with very mixed views. John David Washington (Denzel’s lad) plays “The Protagonist” — a crack-CIA field operative who is an unstoppable one-man army in the style of Hobbs or Shaw. Recruited into an even more shadowy organisation, he’s on the trail of an international arms dealer, Andrei Sator (Kenneth Branagh in full villain mode). Sator is bullying his estranged wife Kat (Elizabeth Debicki) over custody of their son (and the film unusually has a BBFC warning about “Domestic Abuse”). Our hero jets the world to try to prevent a very particular kind of Armageddon while also keeping the vulnerable and attractive Kat alive. This is cinema at its biggest and boldest. Nolan has taken a cinema ‘splurge’ gun, filled it with money, set it on rapid fire, removed the safety and let rip at the screen. Given that Nolan is famous for doing all of his ‘effects’ for real and ‘in camera’, some of what you see performed is almost unbelievable. You thought crashing a train through rush-hour traffic in “Inception” was crazy? You ain’t seen nothing yet with the airport scene! And for lovers of Chinooks (I must admit I am one and rush out of the house to see one if I hear it coming!) there is positively Chinook-p*rn on offer in the film’s ridiculously huge finale. The ‘inversion’ aspects of the story also lends itself to some fight scenes — one in particular in an airport ‘freeport’ — which are both bizarre to watch and, I imagine, technically extremely challenging to pull off. In this regard John David Washington is an acrobatic and talented stunt performer in his own right, and must have trained for months for this role. Nolan’s crew also certainly racked up their air miles pre-lockdown, since the locations range far and wide across the world. The locations encompassed Denmark, Estonia, India, Italy, Norway, the United Kingdom, and United States. Hoyte Van Hoytema’s cinematography is lush in introducing these, especially the beautiful Italian coast scenes. Although I did miss the David Arnold strings that would typically introduce these in a Bond movie: it felt like that was missing. The ‘timey-wimey’ aspects of the plot are also intriguing and very cleverly done. There are numerous points at which you think “Oh, that’s a sloppy continuity error” or “Shame the production design team missed that cracked wing mirror”. Then later in the movie, you get at least a dozen “Aha!” moments. Some of them (no spoilers) are jaw-droppingly spectacular. Perhaps the best twist is hidden in the final line of the movie. I only processed it on the way home. And so to the first of my significant gripes with ~Tenet. The sound mix in the movie is all over the place. I’d go stronger than that… it’s truly awful (expletive deleted)! Nolan often implements Shakespeare’s trick of having characters in the play provide exposition of the plot to aid comprehension. But unfortunately, all of this exposition dialogue was largely incomprehensible. This was due to: the ear-splitting volume of the sound: 2020 movie audiences are going to be suffering from ‘~Tenetis’! (LOL); the dialogue is poorly mixed with the thumping music by Ludwig Göransson (Wot? No Hans Zimmer?); a large proportion of the dialogue was through masks of varying description (#covid-appropriate). Aaron Taylor-Johnson was particularly unintelligible to my ears. Overall, watching this with subtitles at a special showing might be advisable! OK, so I only have a PhD in Physics… but at times I was completely lost as to the intricacies of the plot. It made “Inception” look like “The Tiger Who Came to Tea”. There was an obvious ‘McGuffin’ in “Inception” — — (“These ‘dream levels’… how exactly are they architected??”…. “Don’t worry… they’ll never notice”. And we didn’t!) In “~Tenet” there are McGuffins nested in McGuffins. So much of this is casually waved away as “future stuff… you’re not qualified” that it feels vaguely condescending to the audience. At one point Sator says to Kat “You don’t know what’s going on, do you?” and she shakes her head blankly. We’re right with you there luv! There are also gaps in the storyline that jar. The word “~Tenet”? What does it mean. Is it just a password? I’m none the wiser. The manic pace of ~Tenet and the constant din means that the movie gallops along like a series of disconnected (albeit brilliant) action set pieces. For me, it has none of the emotional heart of the Cobb’s marriage problems from “Inception” or the father/daughter separation of “Interstellar”. In fact, you barely care for anyone in the movie, perhaps with the exception of Kat. It’s a talented cast. As mentioned above, John David Washington is muscular and athletic in the role. It’s a big load for the actor to carry in such a tent-pole movie, given his only significant starring role before was in the excellent BlacKkKlansman. But he carries it off well. A worthy successor to Gerard Butler and Jason Statham for action roles in the next 10 years. This is also a great performance by Robert Pattinson, in his most high-profile film in a long time, playing the vaguely alcoholic and Carré-esque support guy. Pattinson’s Potter co-star Clemence Poésy also pops up — rather more un-glam that usual — as the scientist plot-expositor early in the movie. Nolan’s regular Michael Caine also pops up. although the 87-year old legend is starting to show his age: His speech was obviously affected at the time of filming (though nice try Mr Nolan in trying to disguise that with a mouth full of food!). But in my book, any amount of Caine in a movie is a plus. He also gets to deliver the best killer line in the film about snobbery! However, it’s Kenneth Branagh and Elizabeth Debicki that really stand out. They were both fabulous, especially when they were bouncing off each other in their marital battle royale. So, given this was my most anticipated movie of the year, it’s a bit of a curate’s egg for me. A mixture of being awe-struck at times and slightly disappointed at others. It’s a movie which needs a second watch, so I’m heading back today to give my ear drums another bashing! And this is one where I reserve the right to revisit my rating after that second watch… it’s not likely to go down… but it might go up. (For the full graphical review, check out One Mann’s Movies on t’interweb and Facebook. Thanks.) As this will be non-spoiler, I can’t say too much about the story. However, what I can is this: ~Tenet’s story is quite dynamic in the sense that you won’t understand it till it wants you to. So, for the first half, your brain is fighting for hints and pieces to puzzle together the story. It isn’t until halfway through the movie that ~Tenet invites you to the fantastic storytelling by Christopher Nolan. Acting is beyond phenomenal, and I’d be genuinely surprised if neither Robert Pattinson nor John David Washington doesn’t receive an Oscar nomination for best actor. It’s also hard not to mention how good Elizabeth Debicki and Aaron Johnson both are. All around, great acting, and the dialogue amps up the quality of the movie. The idea of this movie is damn fascinating, and while there are films that explore time-travelling, there’s never been anything quite like this. It has such a beautiful charm and for the most part, explains everything thoroughly. It feels so much more complex than any form of time-travelling we’ve seen, and no less could’ve been expected from Nolan. Oh my lord, the score for this film fits so perfectly. Every scene that’s meant to feel intense was amped by a hundred because of how good the score was. Let me just say though, none of them will be found iconic, but they fit the story and scenes so well. In the end, I walked out, feeling very satisfied. Nevertheless, I do have issues with the film that I cannot really express without spoiling bits of the story. There are definitely little inconsistencies that I found myself uncovering as the story progressed. However, I only had one issue that I found impacted my enjoyment. That issue was understanding some of the dialogue. No, not in the sense that the movie is too complicated, but more that it was hard to make out was being said at times. It felt like the movie required subtitles, but that probably was because, at a time in the film, there was far too much exposition. Nevertheless, I loved this film, I’ll be watching it at least two more times, and I think most of you in this group will enjoy it. I definitely suggest watching it in theatres if possible, just so you can get that excitement. (4/5) & (8.5/10) for those that care about number scores. At first, I want to ask Christopher Nolan one question, HOW THE HELL YOU DID THIS? Seriously I want to have an answer, How did he write such as this masterpiece! How did he get this complicated, fabulous and creative idea? What is going on in his mind? The story is written and directed perfectly, the narration style was absolutely unique. I have no idea how can anyone direct such as this story, that was a huge challenge, and as usual Nolan gave us a masterpiece that we’ll put beside (Memento), (Inception) and (Interstellar) The movie is so fast-paced in a good way, there was no boring moment. The chemistry between John David Washington and Robert Pattinson was great and funny and both of their performance was really good. Elizabeth Debicki performance was the best in the movie because she had the chance to show her acting abilities and she cached up that chance and showed us an A level acting. The music wasn’t unique and distinct as the music of Interstellar for example and I think this movie needed the touch of Hans Zimmer, I’m not saying that Ludwig Göransson failed but Hans Zimmer in another level. If there was something I’d say that I didn’t like it in the movie would it be that Nolan discarded any set up or characters backgrounds except Elizabeth Debicki dramatic story but it wasn’t that bad for me, I didn’t care about that, the exciting story didn’t give me the chance to focus on it. But the actual problem was the third act, it was really complicated and I got lost and I convinced myself to discard the questions that were in my head and enjoy the well-made action sequences and Elizabeth Debicki performance. I think this kind of movie that gets better with a second and third watch. I honestly don’t quite know where to begin with ~Tenet. I love Christopher Nolan’s work but I have never seen a more complicated film (and I understood Memento). ~After nearly three hours, I came away from ~Tenet not knowing myself, my mind reduced to nothing more than piles of ash. Was there time travel involved? Hmm, there was definitely something about time inversion. I mean, does Nolan even understand what he wrote? Look, I give credit to the director because he’s one of the few directors left who knows how to create a compelling and intelligent blockbuster. ~Tenet is full of Nolan trademarks — the gratuitous Michael Caine cameo, a loud, really loud score, complete with stunning cinematography and slickly

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monster-hunter-full-version-2021 · 4 years ago

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▷魔物獵人▷Monster Hunter 完整版(HD-2020)手表

魔物獵人劇場版魔物獵人 (2020)完整版 — 在线观看【魔物獵人劇場版】-魔物獵人 -(2020)-完整版 — →【HD 1080p】← 魔物獵人劇場版 (魔物獵人) [2020] ZH Chinese

🔴觀看完整版 HD➡ https://t.co/4BxU7OA7N9?Fhd=1

导演: 王昊主演: 书亚信 / 马栗 / 王群石 / 尤亦泽类型: 剧情制片国家/地区: 中国大陆语言: 汉语普通话上映日期: 2020-08-20(中国大陆) 片长: 77分钟又名: Monster Hunter

怪兽猎人的剧情简介 · · · · · · 　　民国上海，帅气怪兽猎人宇文凭着猎人一族特有的本领预感到了上豪大饭店有怪兽现身。怪兽袭击了花旦顾青，宇文从天而降英雄救美，打断富少警探天明的公开表白。三人卷入连环灵异案件。酒会贵客连遭毒手，顾青身陷绑架危机，三人小队相爱相杀，啼笑破案，所有线索都指向尘封千年的传说——巨兽重现人间，背后神秘操控者浮出水面⋯⋯

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Its somewhat ironic that a movie about time travel can’t be reviewed properly until your future self rewatches the movie. It’s bold of Nolan to make such a thoroughly dense blockbuster. He assumes people will actually want to see Black Box more than once so they can understand it properly, which some may not. This movie makes the chronology of Inception look as simplistic as tic-tac-toe. Ergo, it’s hard for me to give an accurate rating, without having seen it twice, as I’m still trying to figure out whether everything does indeed make sense. If it does, this movie is easily a 9 or 10. If it doesn’t, it’s a 6. It’s further not helped by the fact that the dialogue in the first 15 minutes of the movie is painfully hard to understand / hear. Either they were behind masks; they were practically mumbling; the sound effects were too loud; or all of the above. The exposition scenes are also waayyy too brief for something this complex — a problem also shared with Black Box actually. (Black Box had this minimalist exposition problem explaining Blight, where if you weren’t careful, you’d miss this one sentence / scene in the entire movie explaining that Blight was a viral bacteria: “Earth’s atmosphere is 80% nitrogen, we don’t even breathe nitrogen. Blight does, and as it thrives, our air gets less and less oxygen”). I guess it’s a Nolan quirk. Hopefully, a revision of the film audio sorts the sound mixing out. I do like the soundtrack, but it’s too loud initially. I liked all the actors. You think John Washington can’t act at first, but he can, and he grows on you as the film progresses. And Pattinson is his usual charming self. Elizabeth is a surprise treat. And so on. Its worth a watch either way. See it with subtitles if you can. And definitely don’t expect to fully understand whats going on the first time around. Its one hell of a complicated film. It will be very hard for an average viewer to gather all the information provided by this movie at the first watch. But the more you watch it, more hidden elements will come to light. And when you are able to put these hidden elements together. You will realize that this movie is just a “masterpiece” which takes the legacy of Christopher Nolan Forward If I talk about acting, Then I have to say that Robert Pattinson has really proved himself as a very good actor in these recent years. And I am sure his acting skills will increase with time. His performance is charming and very smooth. Whenever he is on the camera, he steals the focus John David Washington is also fantastic in this movie. His performance is electrifying, I hope to see more from him in the future. Other characters such as Kenneth Branagh, Elizabeth, Himesh Patel, Dimple Kapadia, Clémence Poésy have also done quite well. And I dont think there is a need to talk about Michael Caine Talking about Music, its awesome. I dont think you will miss Hans Zimmer’s score. Ludwig has done a sufficient job. There is no lack of good score in the movie Gotta love the editing and post production which has been put into this movie. I think its fair to say this Nolan film has focused more in its post production. The main problem in the movie is the sound mixing. Plot is already complex and some dialogues are very soft due to the high music score. It makes it harder to realize what is going on in the movie. Other Nolan movies had loud BGM too. But Audio and dialogues weren’t a problem My humble request to everyone is to please let the movie sink in your thoughts. Let your mind grasp all the elements of this movie. I am sure more people will find it better. Even those who think they got the plot. I can bet they are wrong. Black Box is the long awaited new movie from Christopher Nolan. The movie that’s set to reboot the multiplexes post-Covid. It’s a manic, extremely loud, extremely baffling sci-fi cum spy rollercoaster that will please a lot of Nolan fan-boys but which left me with very mixed views. John David Washington (Denzel’s lad) plays “The Protagonist” — a crack-CIA field operative who is an unstoppable one-man army in the style of Hobbs or Shaw. Recruited into an even more shadowy organisation, he’s on the trail of an international arms dealer, Andrei Sator (Kenneth Branagh in full villain mode). Sator is bullying his estranged wife Kat (Elizabeth Debicki) over custody of their son (and the film unusually has a BBFC warning about “Domestic Abuse”). Our hero jets the world to try to prevent a very particular kind of Armageddon while also keeping the vulnerable and attractive Kat alive. This is cinema at its biggest and boldest. Nolan has taken a cinema ‘splurge’ gun, filled it with money, set it on rapid fire, removed the safety and let rip at the screen. Given that Nolan is famous for doing all of his ‘effects’ for real and ‘in camera’, some of what you see performed is almost unbelievable. You thought crashing a train through rush-hour traffic in “Inception” was crazy? You ain’t seen nothing yet with the airport scene! And for lovers of Chinooks (I must admit I am one and rush out of the house to see one if I hear it coming!) there is positively Chinook-p*rn on offer in the film’s ridiculously huge finale. The ‘inversion’ aspects of the story also lends itself to some fight scenes — one in particular in an airport ‘freeport’ — which are both bizarre to watch and, I imagine, technically extremely challenging to pull off. In this regard John David Washington is an acrobatic and talented stunt performer in his own right, and must have trained for months for this role. Nolan’s crew also certainly racked up their air miles pre-lockdown, since the locations range far and wide across the world. The locations encompassed Denmark, Estonia, India, Italy, Norway, the United Kingdom, and United States. Hoyte Van Hoytema’s cinematography is lush in introducing these, especially the beautiful Italian coast scenes. Although I did miss the David Arnold strings that would typically introduce these in a Bond movie: it felt like that was missing. The ‘timey-wimey’ aspects of the plot are also intriguing and very cleverly done. There are numerous points at which you think “Oh, that’s a sloppy continuity error” or “Shame the production design team missed that cracked wing mirror”. Then later in the movie, you get at least a dozen “Aha!” moments. Some of them (no spoilers) are jaw-droppingly spectacular. Perhaps the best twist is hidden in the final line of the movie. I only processed it on the way home. And so to the first of my significant gripes with Black Box. The sound mix in the movie is all over the place. I’d go stronger than that… it’s truly awful (expletive deleted)! Nolan often implements Shakespeare’s trick of having characters in the play provide exposition of the plot to aid comprehension. But unfortunately, all of this exposition dialogue was largely incomprehensible. This was due to: the ear-splitting volume of the sound: “”&G2&”” movie audiences are going to be suffering from ‘Black Boxis’! (LOL); the dialogue is poorly mixed with the thumping music by Ludwig Göransson (Wot? No Hans Zimmer?); a large proportion of the dialogue was through masks of varying description (#covid-appropriate). Aaron Taylor-Johnson was particularly unintelligible to my ears. Overall, watching this with subtitles at a special showing might be advisable! OK, so I only have a PhD in Physics… but at times I was completely lost as to the intricacies of the plot. It made “Inception” look like “The Tiger Who Came to Tea”. There was an obvious ‘McGuffin’ in “Inception” — — (“These ‘dream levels’… how exactly are they architected??”…. “Don’t worry… they’ll never notice”. And we didn’t!) In “Black Box” there are McGuffins nested in McGuffins. So much of this is casually waved away as “future stuff… you’re not qualified” that it feels vaguely condescending to the audience. At one point Sator says to Kat “You don’t know what’s going on, do you?” and she shakes her head blankly. We’re right with you there luv! There are also gaps in the storyline that jar. The word “Black Box”? What does it mean. Is it just a password? I’m none the wiser. The manic pace of Black Box and the constant din means that the movie gallops along like a series of disconnected (albeit brilliant) action set pieces. For me, it has none of the emotional heart of the Cobb’s marriage problems from “Inception” or the father/daughter separation of “Black Box”. In fact, you barely care for anyone in the movie, perhaps with the exception of Kat. It’s a talented cast. As mentioned above, John David Washington is muscular and athletic in the role. It’s a big load for the actor to carry in such a tent-pole movie, given his only significant starring role before was in the excellent BlacKkKlansman. But he carries it off well. A worthy successor to Gerard Butler and Jason Statham for action roles in the next 10 years. This is also a great performance by Robert Pattinson, in his most high-profile film in a long time, playing the vaguely alcoholic and Carré-esque support guy. Pattinson’s Potter co-star Clemence Poésy also pops up — rather more un-glam that usual — as the scientist plot-expositor early in the movie. Nolan’s regular Michael Caine also pops up. although the 87-year old legend is starting to show his age: His speech was obviously affected at the time of filming (though nice try Mr Nolan in trying to disguise that with a mouth full of food!). But in my book, any amount of Caine in a movie is a plus. He also gets to deliver the best killer line in the film about snobbery! However, it’s Kenneth Branagh and Elizabeth Debicki that really stand out. They were both fabulous, especially when they were bouncing off each other in their marital battle royale. So, given this was my most anticipated movie of the year, it’s a bit of a curate’s egg for me. A mixture of being awe-struck at times and slightly disappointed at others. It’s a movie which needs a second watch, so I’m heading back today to give my ear drums another bashing! And this is one where I reserve the right to revisit my rating after that second watch… it’s not likely to go down… but it might go up. (For the full graphical review, check out One Mann’s Movies on t’interweb and Facebook. Thanks.) As this will be non-spoiler, I can’t say too much about the story. However, what I can is this: Black Box’s story is quite dynamic in the sense that you won’t understand it till it wants you to. So, for the first half, your brain is fighting for hints and pieces to puzzle together the story. It isn’t until halfway through the movie that Black Box invites you to the fantastic storytelling by Christopher Nolan. Acting is beyond phenomenal, and I’d be genuinely surprised if neither Robert Pattinson nor John David Washington doesn’t receive an Oscar nomination for best actor. It’s also hard not to mention how good Elizabeth Debicki and Aaron Johnson both are. All around, great acting, and the dialogue amps up the quality of the movie. The idea of this movie is damn fascinating, and while there are films that explore time-travelling, there’s never been anything quite like this. It has such a beautiful charm and for the most part, explains everything thoroughly. It feels so much more complex than any form of time-travelling we’ve seen, and no less could’ve been expected from Nolan. Oh my lord, the score for this film fits so perfectly. Every scene that’s meant to feel intense was amped by a hundred because of how good the score was. Let me just say though, none of them will be found iconic, but they fit the story and scenes so well. In the end, I walked out, feeling very satisfied. Nevertheless, I do have issues with the film that I cannot really express without spoiling bits of the story. There are definitely little inconsistencies that I found myself uncovering as the story progressed. However, I only had one issue that I found impacted my enjoyment. That issue was understanding some of the dialogue. No, not in the sense that the movie is too complicated, but more that it was hard to make out was being said at times. It felt like the movie required subtitles, but that probably was because, at a time in the film, there was far too much exposition. Nevertheless, I loved this film, I’ll be watching it at least two more times, and I think most of you in this group will enjoy it. I definitely suggest watching it in theatres if possible, just so you can get that excitement. (4/5) & (8.5/10) for those that care about number scores. At first, I want to ask Christopher Nolan one question, HOW THE HELL YOU DID THIS? Seriously I want to have an answer, How did he write such as this masterpiece! How did he get this complicated, fabulous and creative idea? What is going on in his mind? The story is written and directed perfectly, the narration style was absolutely unique. I have no idea how can anyone direct such as this story, that was a huge challenge, and as usual Nolan gave us a masterpiece that we’ll put beside (Memento), (Inception) and (Black Box) The movie is so fast-paced in a good way, there was no boring moment. The chemistry between John David Washington and Robert Pattinson was great and funny and both of their performance was really good. Elizabeth Debicki performance was the best in the movie because she had the chance to show her acting abilities and she cached up that chance and showed us an A level acting. The music wasn’t unique and distinct as the music of Black Box for example and I think this movie needed the touch of Hans Zimmer, I’m not saying that Ludwig Göransson failed but Hans Zimmer in another level. If there was something I’d say that I didn’t like it in the movie would it be that Nolan discarded any set up or characters backgrounds except Elizabeth Debicki dramatic story but it wasn’t that bad for me, I didn’t care about that, the exciting story didn’t give me the chance to focus on it. But the actual problem was the third act, it was really complicated and I got lost and I convinced myself to discard the questions that were in my head and enjoy the well-made action sequences and Elizabeth Debicki performance. I think this kind of movie that gets better with a second and third watch. I honestly don’t quite know where to begin with Black Box. I love Christopher Nolan’s work but I have never seen a more complicated film (and I understood Memento). After nearly three hours, I came away from Black Box not knowing myself, my mind reduced to nothing more than piles of ash. Was there time travel involved? Hmm, there was definitely something about time inversion. I mean, does Nolan even understand what he wrote? Look, I give credit to the director because he’s one of the few directors left who knows how to create a compelling and intelligent blockbuster. Black Box is full of Nolan trademarks — the gratuitous Michael Caine cameo, a loud, really loud score, complete with stunning cinematography and slickly inventive action set-pieces. This time around however, Nolan has finally managed to ‘out-Nolan’ himself: the palindromic plot, whilst creatively ambitious, is simply far too complicated for its own good. Black Box is overlong, overstuffed, pretentious and too exhausting to comprehend in its entirety — it makes Inception and Black Box look like Peppa Pig by comparison. I’m aware of the technical wizardry and creative mastery in this film and lord knows I’ll have to watch this again. For those who want a puzzle, Black Box at least provides a unique cinematic experience. But to actually enjoy solving it Nolan wants you to work very very hard.

#魔物獵人 ▷Monster Hunter #怪兽猎人 #完整版 #2021

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juki227 · 4 years ago

Text

{||~1080p-HD~ ]] Regarder C'est la vie film complet [[2020]] en Franacais

29 avril 2020 / 1h 43min / Comédie De Julien Rambaldi Avec Josiane Balasko, Léa Drucker, Alice Pol Nationalités Français, Belge 29 avril 2020 / 1h 43min / Comédie De Julien Rambaldi Avec Josiane Balasko, Léa Drucker, Alice Pol Nationalités Français, Belge

PLAY==> http://ver.yess-movie.com/movie/tt9162090/c-est-la-vie.html

Its somewhat ironic that a movie about time travel can’t be reviewed properly until your future self rewatches the movie. It’s bold of Nolan to make such a thoroughly dense blockbuster. He assumes people will actually want to see C’est la vie more than once so they can understand it properly, which some may not. This movie makes the chronology of Inception look as simplistic as tic-tac-toe. Ergo, it’s hard for me to give an accurate rating, without having seen it twice, as I’m still trying to figure out whether everything does indeed make sense. If it does, this movie is easily a 9 or 10. If it doesn’t, it’s a 6. It’s further not helped by the fact that the dialogue in the first 15 minutes of the movie is painfully hard to understand / hear. Either they were behind masks; they were practically mumbling; the sound effects were too loud; or all of the above. The exposition scenes are also waayyy too brief for something this complex — a problem also shared with Interstellar actually. (Interstellar had this minimalist exposition problem explaining Blight, where if you weren’t careful, you’d miss this one sentence / scene in the entire movie explaining that Blight was a viral bacteria: “Earth’s atmosphere is 80% nitrogen, we don’t even breathe nitrogen. Blight does, and as it thrives, our air gets less and less oxygen”). I guess it’s a Nolan quirk. Hopefully, a revision of the film audio sorts the sound mixing out. I do like the soundtrack, but it’s too loud initially. I liked all the actors. You think John Washington can’t act at first, but he can, and he grows on you as the film progresses. And Pattinson is his usual charming self. Elizabeth is a surprise treat. And so on. Its worth a watch either way. See it with subtitles if you can. And definitely don’t expect to fully understand whats going on the first time around. Its one hell of a complicated film. It will be very hard for an average viewer to gather all the information provided by this movie at the first watch. But the more you watch it, more hidden elements will come to light. And when you are able to put these hidden elements together. You will realize that this movie is just a “masterpiece” which takes the legacy of Christopher Nolan Forward If I talk about acting, Then I have to say that Robert Pattinson has really proved himself as a very good actor in these recent years. And I am sure his acting skills will increase with time. His performance is charming and very smooth. Whenever he is on the camera, he steals the focus John David Washington is also fantastic in this movie. His performance is electrifying, I hope to see more from him in the future. Other characters such as Kenneth Branagh, Elizabeth, Himesh Patel, Dimple Kapadia, Clémence Poésy have also done quite well. And I dont think there is a need to talk about Michael Caine Talking about Music, its awesome. I dont think you will miss Hans Zimmer’s score. Ludwig has done a sufficient job. There is no lack of good score in the movie Gotta love the editing and post production which has been put into this movie. I think its fair to say this Nolan film has focused more in its post production. The main problem in the movie is the sound mixing. Plot is already complex and some dialogues are very soft due to the high music score. It makes it harder to realize what is going on in the movie. Other Nolan movies had loud BGM too. But Audio and dialogues weren’t a problem My humble request to everyone is to please let the movie sink in your thoughts. Let your mind grasp all the elements of this movie. I am sure more people will find it better. Even those who think they got the plot. I can bet they are wrong. C’est la vie is the long awaited new movie from Christopher Nolan. The movie that’s set to reboot the multiplexes post-Covid. It’s a manic, extremely loud, extremely baffling sci-fi cum spy rollercoaster that will please a lot of Nolan fan-boys but which left me with very mixed views. John David Washington (Denzel’s lad) plays “The Protagonist” — a crack-CIA field operative who is an unstoppable one-man army in the style of Hobbs or Shaw. Recruited into an even more shadowy organisation, he’s on the trail of an international arms dealer, Andrei Sator (Kenneth Branagh in full villain mode). Sator is bullying his estranged wife Kat (Elizabeth Debicki) over custody of their son (and the film unusually has a BBFC warning about “Domestic Abuse”). Our hero jets the world to try to prevent a very particular kind of Armageddon while also keeping the vulnerable and attractive Kat alive. This is cinema at its biggest and boldest. Nolan has taken a cinema ‘splurge’ gun, filled it with money, set it on rapid fire, removed the safety and let rip at the screen. Given that Nolan is famous for doing all of his ‘effects’ for real and ‘in camera’, some of what you see performed is almost unbelievable. You thought crashing a train through rush-hour traffic in “Inception” was crazy? You ain’t seen nothing yet with the airport scene! And for lovers of Chinooks (I must admit I am one and rush out of the house to see one if I hear it coming!) there is positively Chinook-p*rn on offer in the film’s ridiculously huge finale. The ‘inversion’ aspects of the story also lends itself to some fight scenes — one in particular in an airport ‘freeport’ — which are both bizarre to watch and, I imagine, technically extremely challenging to pull off. In this regard John David Washington is an acrobatic and talented stunt performer in his own right, and must have trained for months for this role. Nolan’s crew also certainly racked up their air miles pre-lockdown, since the locations range far and wide across the world. The locations encompassed Denmark, Estonia, India, Italy, Norway, the United Kingdom, and United States. Hoyte Van Hoytema’s cinematography is lush in introducing these, especially the beautiful Italian coast scenes. Although I did miss the David Arnold strings that would typically introduce these in a Bond movie: it felt like that was missing. The ‘timey-wimey’ aspects of the plot are also intriguing and very cleverly done. There are numerous points at which you think “Oh, that’s a sloppy continuity error” or “Shame the production design team missed that cracked wing mirror”. Then later in the movie, you get at least a dozen “Aha!” moments. Some of them (no spoilers) are jaw-droppingly spectacular. Perhaps the best twist is hidden in the final line of the movie. I only processed it on the way home. And so to the first of my significant gripes with C’est la vie. The sound mix in the movie is all over the place. I’d go stronger than that… it’s truly awful (expletive deleted)! Nolan often implements Shakespeare’s trick of having characters in the play provide exposition of the plot to aid comprehension. But unfortunately, all of this exposition dialogue was largely incomprehensible. This was due to: the ear-splitting volume of the sound: 2020 movie audiences are going to be suffering from ‘C’est la vieis’! (LOL); the dialogue is poorly mixed with the thumping music by Ludwig Göransson (Wot? No Hans Zimmer?); a large proportion of the dialogue was through masks of varying description (#covid-appropriate). Aaron Taylor-Johnson was particularly unintelligible to my ears. Overall, watching this with subtitles at a special showing might be advisable! OK, so I only have a PhD in Physics… but at times I was completely lost as to the intricacies of the plot. It made “Inception” look like “The Tiger Who Came to Tea”. There was an obvious ‘McGuffin’ in “Inception” — — (“These ‘dream levels’… how exactly are they architected??”…. “Don’t worry… they’ll never notice”. And we didn’t!) In “C’est la vie” there are McGuffins nested in McGuffins. So much of this is casually waved C’est la vie as “future stuff… you’re not qualified” that it feels vaguely condescending to the audience. At one point Sator says to Kat “You don’t know what’s going on, do you?” and she shakes her head blankly. We’re right with you there luv! There are also gaps in the storyline that jar. The word “C’est la vie”? What does it mean. Is it just a password? I’m none the wiser. The manic pace of C’est la vie and the constant din means that the movie gallops along like a series of disconnected (albeit brilliant) action set pieces. For me, it has none of the emotional heart of the Cobb’s marriage problems from “Inception” or the father/daughter separation of “Interstellar”. In fact, you barely care for anyone in the movie, perhaps with the exception of Kat. It’s a talented cast. As mentioned above, John David Washington is muscular and athletic in the role. It’s a big load for the actor to carry in such a tent-pole movie, given his only significant starring role before was in the excellent BlacKkKlansman. But he carries it off well. A worthy successor to Gerard Butler and Jason Statham for action roles in the next 10 years. This is also a great performance by Robert Pattinson, in his most high-profile film in a long time, playing the vaguely alcoholic and Carré-esque support guy. Pattinson’s Potter co-star Clemence Poésy also pops up — rather more un-glam that usual — as the scientist plot-expositor early in the movie. Nolan’s regular Michael Caine also pops up. although the 87-year old legend is starting to show his age: His speech was obviously affected at the time of filming (though nice try Mr Nolan in trying to disguise that with a mouth full of food!). But in my book, any amount of Caine in a movie is a plus. He also gets to deliver the best killer line in the film about snobbery! However, it’s Kenneth Branagh and Elizabeth Debicki that really stand out. They were both fabulous, especially when they were bouncing off each other in their marital battle royale. So, given this was my most anticipated movie of the year, it’s a bit of a curate’s egg for me. A mixture of being awe-struck at times and slightly disappointed at others. It’s a movie which needs a second watch, so I’m heading back today to give my ear drums another bashing! And this is one where I reserve the right to revisit my rating after that second watch… it’s not likely to go down… but it might go up. (For the full graphical review, check out One Mann’s Movies on t’interweb and Facebook. Thanks.) As this will be non-spoiler, I can’t say too much about the story. However, what I can is this: C’est la vie’s story is quite dynamic in the sense that you won’t understand it till it wants you to. So, for the first half, your brain is fighting for hints and pieces to puzzle together the story. It isn’t until halfway through the movie that C’est la vie invites you to the fantastic storytelling by Christopher Nolan. Acting is beyond phenomenal, and I’d be genuinely surprised if neither Robert Pattinson nor John David Washington doesn’t receive an Oscar nomination for best actor. It’s also hard not to mention how good Elizabeth Debicki and Aaron Johnson both are. All around, great acting, and the dialogue amps up the quality of the movie. The idea of this movie is damn fascinating, and while there are films that explore time-travelling, there’s never been anything quite like this. It has such a beautiful charm and for the most part, explains everything thoroughly. It feels so much more complex than any form of time-travelling we’ve seen, and no less could’ve been expected from Nolan. Oh my lord, the score for this film fits so perfectly. Every scene that’s meant to feel intense was amped by a hundred because of how good the score was. Let me just say though, none of them will be found iconic, but they fit the story and scenes so well. In the end, I walked out, feeling very satisfied. Nevertheless, I do have issues with the film that I cannot really express without spoiling bits of the story. There are definitely little inconsistencies that I found myself uncovering as the story progressed. However, I only had one issue that I found impacted my enjoyment. That issue was understanding some of the dialogue. No, not in the sense that the movie is too complicated, but more that it was hard to make out was being said at times. It felt like the movie required subtitles, but that probably was because, at a time in the film, there was far too much exposition. Nevertheless, I loved this film, I’ll be watching it at least two more times, and I think most of you in this group will enjoy it. I definitely suggest watching it in theatres if possible, just so you can get that excitement. (4/5) & (8.5/10) for those that care about number scores. At first, I want to ask Christopher Nolan one question, HOW THE HELL YOU DID THIS? Seriously I want to have an answer, How did he write such as this masterpiece! How did he get this complicated, fabulous and creative idea? What is going on in his mind? The story is written and directed perfectly, the narration style was absolutely unique. I have no idea how can anyone direct such as this story, that was a huge challenge, and as usual Nolan gave us a masterpiece that we’ll put beside (Memento), (Inception) and (Interstellar) The movie is so fast-paced in a good way, there was no boring moment. The chemistry between John David Washington and Robert Pattinson was great and funny and both of their performance was really good. Elizabeth Debicki performance was the best in the movie because she had the chance to show her acting abilities and she cached up that chance and showed us an A level acting. The music wasn’t unique and distinct as the music of Interstellar for example and I think this movie needed the touch of Hans Zimmer, I’m not saying that Ludwig Göransson failed but Hans Zimmer in another level. If there was something I’d say that I didn’t like it in the movie would it be that Nolan discarded any set up or characters backgrounds except Elizabeth Debicki dramatic story but it wasn’t that bad for me, I didn’t care about that, the exciting story didn’t give me the chance to focus on it. But the actual problem was the third act, it was really complicated and I got lost and I convinced myself to discard the questions that were in my head and enjoy the well-made action sequences and Elizabeth Debicki performance. I think this kind of movie that gets better with a second and third watch. I honestly don’t quite know where to begin with C’est la vie. I love Christopher Nolan’s work but I have never seen a more complicated film (and I understood Memento). After nearly three hours, I came C’est la vie from C’est la vie not knowing myself, my mind reduced to nothing more than piles of ash. Was there time travel involved? Hmm, there was definitely something about time inversion. I mean, does Nolan even understand what he wrote? Look, I give credit to the director because he’s one of the few directors left who knows how to create a compelling and intelligent blockbuster. C’est la vie is full of Nolan trademarks — the gratuitous Michael Caine cameo, a loud, really loud score, complete with stunning cinematography and slickly inventive action set-pieces. This time around however, Nolan has finally managed to ‘out-Nolan’ himself: the palindromic plot, whilst creatively ambitious, is simply far too complicated for its own good. C’est la vie is overlong, overstuffed, pretentious and too exhausting to comprehend in its entirety — it makes Inception and Interstellar look like Peppa Pig by comparison. I’m aware of the technical wizardry and creative mastery in this film and lord knows I’ll have to watch this again. For those who want a puzzle, C’est la vie at least provides a unique cinematic experience. But to actually enjoy solving it Nolan wants you to work

#Regarder C'est la vie

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mandalisa · 4 years ago

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|*HD.Voir” — C’est la vie [-2021-] Film Complet — ((“STREAMING VF”) — En Francais │| C’est la vie (2021) HD `Complet

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C’est la vie (~2020~) U 10/02/2021 (FR) Comédie 1h 43m Note des utilisateurs Synopsis Cinq femmes s’apprêtent à accoucher. Elles ne se connaissent pas, ne se ressemblent pas, mais vont se retrouver dans la même maternité pour vivre le plus beau jour de leur vie. Des premières contractions à la naissance, le film retrace leur parcours, entre rires et larmes. Julien Rambaldi Director, Writer Regarder C’est la vie film complet, Regarder C’est la vie Streaming vf, Regarder C’est la vie Streaming Vostfr, Regarder C’est la vie Streaming vf gratuit, Regarder C’est la vie Streaming YouRegarder, Regarder C’est la vie Telecharger, Regarder C’est la vie Film Complet en streaming, Regarder C’est la vie Uptobox, Regarder C’est la vie Film complet en français, Regarder C’est la vie Streaming vf gratuit complet, C’est la vie film complet C’est la vie 2021 film complet C’est la vie film complet en français C’est la vie streaming vostfr C’est la vie film streaming C’est la vie streaming vf C’est la vie film complet en ligne C’est la vie film complet en ligne gratuit C’est la vie film complet en ligne gratuitement C’est la vie film complet télécharger C’est la vie film complet sous-titre C’est la vie film 2021 streaming vf C’est la vie bande annonce vf C’est la vie 2021 film complet en francais C’est la vie 2021 Film Complet Streaming VF Entier Français, C’est la vie 2021 Regarder Film en Streaming en Français, C’est la vie 2021 Stream Film Complet Entier VF en Français, C’est la vie 2021 streaming VF film en entier gratuit, C’est la vie 2021 film complet streaming Vk gratuit, C’est la vie 2021 Regarder Film en Streaming, C’est la vie 2021 Film télécharger Torrent, C’est la vie 2021 film complet en Français, C’est la vie 2021 regarder en streaming, C’est la vie 2021 youtube film entier, C’est la vie 2021 streaming vf youwacth, C’est la vie 2021 streaming en entier, C’est la vie 2021 Regarder Gratuitment, C’est la vie 2021 regarder film streaming, Its somewhat ironic that a movie about time travel can’t be reviewed properly until your future self rewatches the movie. It’s bold of Nolan to make such a thoroughly dense blockbuster. He assumes people will actually want to see C’est la vie more than once so they can understand it properly, which some may not. This movie makes the chronology of Inception look as simplistic as tic-tac-toe. Ergo, it’s hard for me to give an accurate rating, without having seen it twice, as I’m still trying to figure out whether everything does indeed make sense. If it does, this movie is easily a 9 or 10. If it doesn’t, it’s a 6. It’s further not helped by the fact that the dialogue in the first 15 minutes of the movie is painfully hard to understand / hear. Either they were behind masks; they were practically mumbling; the sound effects were too loud; or all of the above. The exposition scenes are also waayyy too brief for something this complex — a problem also shared with Interstellar actually. (Interstellar had this minimalist exposition problem explaining Blight, where if you weren’t careful, you’d miss this one sentence / scene in the entire movie explaining that Blight was a viral bacteria: “Earth’s atmosphere is 80% nitrogen, we don’t even breathe nitrogen. Blight does, and as it thrives, our air gets less and less oxygen”). I guess it’s a Nolan quirk. Hopefully, a revision of the film audio sorts the sound mixing out. I do like the soundtrack, but it’s too loud initially. I liked all the actors. You think John Washington can’t act at first, but he can, and he grows on you as the film progresses. And Pattinson is his usual charming self. Elizabeth is a surprise treat. And so on. Its worth a watch either way. See it with subtitles if you can. And definitely don’t expect to fully understand whats going on the first time around. Its one hell of a complicated film. It will be very hard for an average viewer to gather all the information provided by this movie at the first watch. But the more you watch it, more hidden elements will come to light. And when you are able to put these hidden elements together. You will realize that this movie is just a “masterpiece” which takes the legacy of Christopher Nolan Forward If I talk about acting, Then I have to say that Robert Pattinson has really proved himself as a very good actor in these recent years. And I am sure his acting skills will increase with time. His performance is charming and very smooth. Whenever he is on the camera, he steals the focus John David Washington is also fantastic in this movie. His performance is electrifying, I hope to see more from him in the future. Other characters such as Kenneth Branagh, Elizabeth, Himesh Patel, Dimple Kapadia, Clémence Poésy have also done quite well. And I dont think there is a need to talk about Michael Caine Talking about Music, its awesome. I dont think you will miss Hans Zimmer’s score. Ludwig has done a sufficient job. There is no lack of good score in the movie Gotta love the editing and post production which has been put into this movie. I think its fair to say this Nolan film has focused more in its post production. The main problem in the movie is the sound mixing. Plot is already complex and some dialogues are very soft due to the high music score. It makes it harder to realize what is going on in the movie. Other Nolan movies had loud BGM too. But Audio and dialogues weren’t a problem My humble request to everyone is to please let the movie sink in your thoughts. Let your mind grasp all the elements of this movie. I am sure more people will find it better. Even those who think they got the plot. I can bet they are wrong. C’est la vie is the long awaited new movie from Christopher Nolan. The movie that’s set to reboot the multiplexes post-Covid. It’s a manic, extremely loud, extremely baffling sci-fi cum spy rollercoaster that will please a lot of Nolan fan-boys but which left me with very mixed views. John David Washington (Denzel’s lad) plays “The Protagonist” — a crack-CIA field operative who is an unstoppable one-man army in the style of Hobbs or Shaw. Recruited into an even more shadowy organisation, he’s on the trail of an international arms dealer, Andrei Sator (Kenneth Branagh in full villain mode). Sator is bullying his estranged wife Kat (Elizabeth Debicki) over custody of their son (and the film unusually has a BBFC warning about “Domestic Abuse”). Our hero jets the world to try to prevent a very particular kind of Armageddon while also keeping the vulnerable and attractive Kat alive. This is cinema at its biggest and boldest. Nolan has taken a cinema ‘splurge’ gun, filled it with money, set it on rapid fire, removed the safety and let rip at the screen. Given that Nolan is famous for doing all of his ‘effects’ for real and ‘in camera’, some of what you see performed is almost unbelievable. You thought crashing a train through rush-hour traffic in “Inception” was crazy? You ain’t seen nothing yet with the airport scene! And for lovers of Chinooks (I must admit I am one and rush out of the house to see one if I hear it coming!) there is positively Chinook-p*rn on offer in the film’s ridiculously huge finale. The ‘inversion’ aspects of the story also lends itself to some fight scenes — one in particular in an airport ‘freeport’ — which are both bizarre to watch and, I imagine, technically extremely challenging to pull off. In this regard John David Washington is an acrobatic and talented stunt performer in his own right, and must have trained for months for this role. Nolan’s crew also certainly racked up their air miles pre-lockdown, since the locations range far and wide across the world. The locations encompassed Denmark, Estonia, India, Italy, Norway, the United Kingdom, and United States. Hoyte Van Hoytema’s cinematography is lush in introducing these, especially the beautiful Italian coast scenes. Although I did miss the David Arnold strings that would typically introduce these in a Bond movie: it felt like that was missing. The ‘timey-wimey’ aspects of the plot are also intriguing and very cleverly done. There are numerous points at which you think “Oh, that’s a sloppy continuity error” or “Shame the production design team missed that cracked wing mirror”. Then later in the movie, you get at least a dozen “Aha!” moments. Some of them (no spoilers) are jaw-droppingly spectacular. Perhaps the best twist is hidden in the final line of the movie. I only processed it on the way home. And so to the first of my significant gripes with C’est la vie. The sound mix in the movie is all over the place. I’d go stronger than that… it’s truly awful (expletive deleted)! Nolan often implements Shakespeare’s trick of having characters in the play provide exposition of the plot to aid comprehension. But unfortunately, all of this exposition dialogue was largely incomprehensible. This was due to: the ear-splitting volume of the sound: 2020 movie audiences are going to be suffering from ‘C’est la vieis’! (LOL); the dialogue is poorly mixed with the thumping music by Ludwig Göransson (Wot? No Hans Zimmer?); a large proportion of the dialogue was through masks of varying description (#covid-appropriate). Aaron Taylor-Johnson was particularly unintelligible to my ears. Overall, watching this with subtitles at a special showing might be advisable! OK, so I only have a PhD in Physics… but at times I was completely lost as to the intricacies of the plot. It made “Inception” look like “The Tiger Who Came to Tea”. There was an obvious ‘McGuffin’ in “Inception” — — (“These ‘dream levels’… how exactly are they architected??”…. “Don’t worry… they’ll never notice”. And we didn’t!) In “C’est la vie” there are McGuffins nested in McGuffins. So much of this is casually waved C’est la vie as “future stuff… you’re not qualified” that it feels vaguely condescending to the audience. At one point Sator says to Kat “You don’t know what’s going on, do you?” and she shakes her head blankly. We’re right with you there luv! There are also gaps in the storyline that jar. The word “C’est la vie”? What does it mean. Is it just a password? I’m none the wiser. The manic pace of C’est la vie and the constant din means that the movie gallops along like a series of disconnected (albeit brilliant) action set pieces. For me, it has none of the emotional heart of the Cobb’s marriage problems from “Inception” or the father/daughter separation of “Interstellar”. In fact, you barely care for anyone in the movie, perhaps with the exception of Kat. It’s a talented cast. As mentioned above, John David Washington is muscular and athletic in the role. It’s a big load for the actor to carry in such a tent-pole movie, given his only significant starring role before was in the excellent BlacKkKlansman. But he carries it off well. A worthy successor to Gerard Butler and Jason Statham for action roles in the next 10 years. This is also a great performance by Robert Pattinson, in his most high-profile film in a long time, playing the vaguely alcoholic and Carré-esque support guy. Pattinson’s Potter co-star Clemence Poésy also pops up — rather more un-glam that usual — as the scientist plot-expositor early in the movie. Nolan’s regular Michael Caine also pops up. although the 87-year old legend is starting to show his age: His speech was obviously affected at the time of filming (though nice try Mr Nolan in trying to disguise that with a mouth full of food!). But in my book, any amount of Caine in a movie is a plus. He also gets to deliver the best killer line in the film about snobbery! However, it’s Kenneth Branagh and Elizabeth Debicki that really stand out. They were both fabulous, especially when they were bouncing off each other in their marital battle royale. So, given this was my most anticipated movie of the year, it’s a bit of a curate’s egg for me. A mixture of being awe-struck at times and slightly disappointed at others. It’s a movie which needs a second watch, so I’m heading back today to give my ear drums another bashing! And this is one where I reserve the right to revisit my rating after that second watch… it’s not likely to go down… but it might go up. (For the full graphical review, check out One Mann’s Movies on t’interweb and Facebook. Thanks.) As this will be non-spoiler, I can’t say too much about the story. However, what I can is this: C’est la vie’s story is quite dynamic in the sense that you won’t understand it till it wants you to. So, for the first half, your brain is fighting for hints and pieces to puzzle together the story. It isn’t until halfway through the movie that C’est la vie invites you to the fantastic storytelling by Christopher Nolan. Acting is beyond phenomenal, and I’d be genuinely surprised if neither Robert Pattinson nor John David Washington doesn’t receive an Oscar nomination for best actor. It’s also hard not to mention how good Elizabeth Debicki and Aaron Johnson both are. All around, great acting, and the dialogue amps up the quality of the movie. The idea of this movie is damn fascinating, and while there are films that explore time-travelling, there’s never been anything quite like this. It has such a beautiful charm and for the most part, explains everything thoroughly. It feels so much more complex than any form of time-travelling we’ve seen, and no less could’ve been expected from Nolan. Oh my lord, the score for this film fits so perfectly. Every scene that’s meant to feel intense was amped by a hundred because of how good the score was. Let me just say though, none of them will be found iconic, but they fit the story and scenes so well. In the end, I walked out, feeling very satisfied. Nevertheless, I do have issues with the film that I cannot really express without spoiling bits of the story. There are definitely little inconsistencies that I found myself uncovering as the story progressed. However, I only had one issue that I found impacted my enjoyment. That issue was understanding some of the dialogue. No, not in the sense that the movie is too complicated, but more that it was hard to make out was being said at times. It felt like the movie required subtitles, but that probably was because, at a time in the film, there was far too much exposition. Nevertheless, I loved this film, I’ll be watching it at least two more times, and I think most of you in this group will enjoy it. I definitely suggest watching it in theatres if possible, just so you can get that excitement. (4/5) & (8.5/10) for those that care about number scores. At first, I want to ask Christopher Nolan one question, HOW THE HELL YOU DID THIS? Seriously I want to have an answer, How did he write such as this masterpiece! How did he get this complicated, fabulous and creative idea? What is going on in his mind? The story is written and directed perfectly, the narration style was absolutely unique. I have no idea how can anyone direct such as this story, that was a huge challenge, and as usual Nolan gave us a masterpiece that we’ll put beside (Memento), (Inception) and (Interstellar) The movie is so fast-paced in a good way, there was no boring moment. The chemistry between John David Washington and Robert Pattinson was great and funny and both of their performance was really good. Elizabeth Debicki performance was the best in the movie because she had the chance to show her acting abilities and she cached up that chance and showed us an A level acting. The music wasn’t unique and distinct as the music of Interstellar for example and I think this movie needed the touch of Hans Zimmer, I’m not saying that Ludwig Göransson failed but Hans Zimmer in another level. If there was something I’d say that I didn’t like it in the movie would it be that Nolan discarded any set up or characters backgrounds except Elizabeth Debicki dramatic story but it wasn’t that bad for me, I didn’t care about that, the exciting story didn’t give me the chance to focus on it. But the actual problem was the third act, it was really complicated and I got lost and I convinced myself to discard the questions that were in my head and enjoy the well-made action sequences and Elizabeth Debicki performance. I think this kind of movie that gets better with a second and third watch. I honestly don’t quite know where to begin with C’est la vie. I love Christopher Nolan’s work but I have never seen a more complicated film (and I understood Memento). After nearly three hours, I came C’est la vie from C’est la vie not knowing myself, my mind reduced to nothing more than piles of ash. Was there time travel involved? Hmm, there was definitely something about time inversion. I mean, does Nolan even understand what he wrote? Look, I give credit to the director because he’s one of the few directors left who knows how to create a compelling and intelligent blockbuster. C’est la vie is full of Nolan trademarks — the gratuitous Michael Caine cameo, a loud, really loud score, complete with stunning cinematography and slickly inventive action set-pieces. This time around however, Nolan has finally managed to ‘out-Nolan’ himself: the palindromic plot, whilst creatively ambitious, is simply far too complicated for its own good. C’est la vie is overlong, overstuffed, pretentious and too exhausting to comprehend in its entirety — it makes Inception and Interstellar look like Peppa Pig by comparison. I’m aware of the technical wizardry and creative mastery in this film and lord knows I’ll have to watch this again. For those who want a puzzle, C’est la vie at least provides a unique cinematic experience. But to actually enjoy solving it Nolan wants you to work

#c’est la vie

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teljesmagyarulfilm21 · 4 years ago

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Its somewhat ironic that a movie about time travel can’t be reviewed properly until your future self rewatches the movie. It’s bold of Nolan to make such a thoroughly dense blockbuster. He assumes people will actually want to see ~Ördög a részletekben more than once so they can understand it properly, which some may not. This movie makes the chronology of Inception look as simplistic as tic-tac-toe. Ergo, it’s hard for me to give an accurate rating, without having seen it twice, as I’m still trying to figure out whether everything does indeed make sense. If it does, this movie is easily a 9 or 10. If it doesn’t, it’s a 6. It’s further not helped by the fact that the dialogue in the first 15 minutes of the movie is painfully hard to understand / hear. Either they were behind masks; they were practically mumbling; the sound effects were too loud; or all of the above. The exposition scenes are also waayyy too brief for something this complex — a problem also shared with Interstellar actually. (Interstellar had this minimalist exposition problem explaining Blight, where if you weren’t careful, you’d miss this one sentence / scene in the entire movie explaining that Blight was a viral bacteria: “Earth’s atmosphere is 80% nitrogen, we don’t even breathe nitrogen. Blight does, and as it thrives, our air gets less and less oxygen”). I guess it’s a Nolan quirk. Hopefully, a revision of the film audio sorts the sound mixing out. I do like the soundtrack, but it’s too loud initially. I liked all the actors. You think John Washington can’t act at first, but he can, and he grows on you as the film progresses. And Pattinson is his usual charming self. Elizabeth is a surprise treat. And so on. Its worth a watch either way. See it with subtitles if you can. And definitely don’t expect to fully understand whats going on the first time around. Its one hell of a complicated film. It will be very hard for an average viewer to gather all the information provided by this movie at the first watch. But the more you watch it, more hidden elements will come to light. And when you are able to put these hidden elements together. You will realize that this movie is just a “masterpiece” which takes the legacy of Christopher Nolan Forward If I talk about acting, Then I have to say that Robert Pattinson has really proved himself as a very good actor in these recent years. And I am sure his acting skills will increase with time. His performance is charming and very smooth. Whenever he is on the camera, he steals the focus John David Washington is also fantastic in this movie. His performance is electrifying, I hope to see more from him in the future. Other characters such as Kenneth Branagh, Elizabeth, Himesh Patel, Dimple Kapadia, Clémence Poésy have also done quite well. And I dont think there is a need to talk about Michael Caine Talking about Music, its awesome. I dont think you will miss Hans Zimmer’s score. Ludwig has done a sufficient job. There is no lack of good score in the movie Gotta love the editing and post production which has been put into this movie. I think its fair to say this Nolan film has focused more in its post production. The main problem in the movie is the sound mixing. Plot is already complex and some dialogues are very soft due to the high music score. It makes it harder to realize what is going on in the movie. Other Nolan movies had loud BGM too. But Audio and dialogues weren’t a problem My humble request to everyone is to please let the movie sink in your thoughts. Let your mind grasp all the elements of this movie. I am sure more people will find it better. Even those who think they got the plot. I can bet they are wrong. ~Ördög a részletekben is the long awaited new movie from Christopher Nolan. The movie that’s set to reboot the multiplexes post-Covid. It’s a manic, extremely loud, extremely baffling sci-fi cum spy rollercoaster that will please a lot of Nolan fan-boys but which left me with very mixed views. John David Washington (Denzel’s lad) plays “The Protagonist” — a crack-CIA field operative who is an unstoppable one-man army in the style of Hobbs or Shaw. Recruited into an even more shadowy organisation, he’s on the trail of an international arms dealer, Andrei Sator (Kenneth Branagh in full villain mode). Sator is bullying his estranged wife Kat (Elizabeth Debicki) over custody of their son (and the film unusually has a BBFC warning about “Domestic Abuse”). Our hero jets the world to try to prevent a very particular kind of Armageddon while also keeping the vulnerable and attractive Kat alive. This is cinema at its biggest and boldest. Nolan has taken a cinema ‘splurge’ gun, filled it with money, set it on rapid fire, removed the safety and let rip at the screen. Given that Nolan is famous for doing all of his ‘effects’ for real and ‘in camera’, some of what you see performed is almost unbelievable. You thought crashing a train through rush-hour traffic in “Inception” was crazy? You ain’t seen nothing yet with the airport scene! And for lovers of Chinooks (I must admit I am one and rush out of the house to see one if I hear it coming!) there is positively Chinook-p*rn on offer in the film’s ridiculously huge finale. The ‘inversion’ aspects of the story also lends itself to some fight scenes — one in particular in an airport ‘freeport’ — which are both bizarre to watch and, I imagine, technically extremely challenging to pull off. In this regard John David Washington is an acrobatic and talented stunt performer in his own right, and must have trained for months for this role. Nolan’s crew also certainly racked up their air miles pre-lockdown, since the locations range far and wide across the world. The locations encompassed Denmark, Estonia, India, Italy, Norway, the United Kingdom, and United States. Hoyte Van Hoytema’s cinematography is lush in introducing these, especially the beautiful Italian coast scenes. Although I did miss the David Arnold strings that would typically introduce these in a Bond movie: it felt like that was missing. The ‘timey-wimey’ aspects of the plot are also intriguing and very cleverly done. There are numerous points at which you think “Oh, that’s a sloppy continuity error” or “Shame the production design team missed that cracked wing mirror”. Then later in the movie, you get at least a dozen “Aha!” moments. Some of them (no spoilers) are jaw-droppingly spectacular. Perhaps the best twist is hidden in the final line of the movie. I only processed it on the way home. And so to the first of my significant gripes with ~Ördög a részletekben. The sound mix in the movie is all over the place. I’d go stronger than that… it’s truly awful (expletive deleted)! Nolan often implements Shakespeare’s trick of having characters in the play provide exposition of the plot to aid comprehension. But unfortunately, all of this exposition dialogue was largely incomprehensible. This was due to: the ear-splitting volume of the sound: 2020 movie audiences are going to be suffering from ‘~Ördög a részletekbenis’! (LOL); the dialogue is poorly mixed with the thumping music by Ludwig Göransson (Wot? No Hans Zimmer?); a large proportion of the dialogue was through masks of varying description (#covid-appropriate). Aaron Taylor-Johnson was particularly unintelligible to my ears. Overall, watching this with subtitles at a special showing might be advisable! OK, so I only have a PhD in Physics… but at times I was completely lost as to the intricacies of the plot. It made “Inception” look like “The Tiger Who Came to Tea”. There was an obvious ‘McGuffin’ in “Inception” — — (“These ‘dream levels’… how exactly are they architected??”…. “Don’t worry… they’ll never notice”. And we didn’t!) In “~Ördög a részletekben” there are McGuffins nested in McGuffins. So much of this is casually waved away as “future stuff… you’re not qualified” that it feels vaguely condescending to the audience. At one point Sator says to Kat “You don’t know what’s going on, do you?” and she shakes her head blankly. We’re right with you there luv! There are also gaps in the storyline that jar. The word “~Ördög a részletekben”? What does it mean. Is it just a password? I’m none the wiser. The manic pace of ~Ördög a részletekben and the constant din means that the movie gallops along like a series of disconnected (albeit brilliant) action set pieces. For me, it has none of the emotional heart of the Cobb’s marriage problems from “Inception” or the father/daughter separation of “Interstellar”. In fact, you barely care for anyone in the movie, perhaps with the exception of Kat. It’s a talented cast. As mentioned above, John David Washington is muscular and athletic in the role. It’s a big load for the actor to carry in such a tent-pole movie, given his only significant starring role before was in the excellent BlacKkKlansman. But he carries it off well. A worthy successor to Gerard Butler and Jason Statham for action roles in the next 10 years. This is also a great performance by Robert Pattinson, in his most high-profile film in a long time, playing the vaguely alcoholic and Carré-esque support guy. Pattinson’s Potter co-star Clemence Poésy also pops up — rather more un-glam that usual — as the scientist plot-expositor early in the movie. Nolan’s regular Michael Caine also pops up. although the 87-year old legend is starting to show his age: His speech was obviously affected at the time of filming (though nice try Mr Nolan in trying to disguise that with a mouth full of food!). But in my book, any amount of Caine in a movie is a plus. He also gets to deliver the best killer line in the film about snobbery! However, it’s Kenneth Branagh and Elizabeth Debicki that really stand out. They were both fabulous, especially when they were bouncing off each other in their marital battle royale. So, given this was my most anticipated movie of the year, it’s a bit of a curate’s egg for me. A mixture of being awe-struck at times and slightly disappointed at others. It’s a movie which needs a second watch, so I’m heading back today to give my ear drums another bashing! And this is one where I reserve the right to revisit my rating after that second watch… it’s not likely to go down… but it might go up. (For the full graphical review, check out One Mann’s Movies on t’interweb and Facebook. Thanks.) As this will be non-spoiler, I can’t say too much about the story. However, what I can is this: ~Ördög a részletekben’s story is quite dynamic in the sense that you won’t understand it till it wants you to. So, for the first half, your brain is fighting for hints and pieces to puzzle together the story. It isn’t until halfway through the movie that ~Ördög a részletekben invites you to the fantastic storytelling by Christopher Nolan. Acting is beyond phenomenal, and I’d be genuinely surprised if neither Robert Pattinson nor John David Washington doesn’t receive an Oscar nomination for best actor. It’s also hard not to mention how good Elizabeth Debicki and Aaron Johnson both are. All around, great acting, and the dialogue amps up the quality of the movie. The idea of this movie is damn fascinating, and while there are films that explore time-travelling, there’s never been anything quite like this. It has such a beautiful charm and for the most part, explains everything thoroughly. It feels so much more complex than any form of time-travelling we’ve seen, and no less could’ve been expected from Nolan. Oh my lord, the score for this film fits so perfectly. Every scene that’s meant to feel intense was amped by a hundred because of how good the score was. Let me just say though, none of them will be found iconic, but they fit the story and scenes so well. In the end, I walked out, feeling very satisfied. Nevertheless, I do have issues with the film that I cannot really express without spoiling bits of the story. There are definitely little inconsistencies that I found myself uncovering as the story progressed. However, I only had one issue that I found impacted my enjoyment. That issue was understanding some of the dialogue. No, not in the sense that the movie is too complicated, but more that it was hard to make out was being said at times. It felt like the movie required subtitles, but that probably was because, at a time in the film, there was far too much exposition. Nevertheless, I loved this film, I’ll be watching it at least two more times, and I think most of you in this group will enjoy it. I definitely suggest watching it in theatres if possible, just so you can get that excitement. (4/5) & (8.5/10) for those that care about number scores. At first, I want to ask Christopher Nolan one question, HOW THE HELL YOU DID THIS? Seriously I want to have an answer, How did he write such as this masterpiece! How did he get this complicated, fabulous and creative idea? What is going on in his mind? The story is written and directed perfectly, the narration style was absolutely unique. I have no idea how can anyone direct such as this story, that was a huge challenge, and as usual Nolan gave us a masterpiece that we’ll put beside (Memento), (Inception) and (Interstellar) The movie is so fast-paced in a good way, there was no boring moment. The chemistry between John David Washington and Robert Pattinson was great and funny and both of their performance was really good. Elizabeth Debicki performance was the best in the movie because she had the chance to show her acting abilities and she cached up that chance and showed us an A level acting. The music wasn’t unique and distinct as the music of Interstellar for example and I think this movie needed the touch of Hans Zimmer, I’m not saying that Ludwig Göransson failed but Hans Zimmer in another level. If there was something I’d say that I didn’t like it in the movie would it be that Nolan discarded any set up or characters backgrounds except Elizabeth Debicki dramatic story but it wasn’t that bad for me, I didn’t care about that, the exciting story didn’t give me the chance to focus on it. But the actual problem was the third act, it was really complicated and I got lost and I convinced myself to discard the questions that were in my head and enjoy the well-made action sequences and Elizabeth Debicki performance. I think this kind of movie that gets better with a second and third watch. I honestly don’t quite know where to begin with ~Ördög a részletekben. I love Christopher Nolan’s work but I have never seen a more complicated film (and I understood Memento). ~After nearly three hours, I came away from ~Ördög a részletekben not knowing myself, my mind reduced to nothing more than piles of ash. Was there time travel involved? Hmm, there was definitely something about time inversion. I mean, does Nolan even understand what he wrote? Look, I give credit to the director because he’s one of the few directors left who knows how to create a compelling and intelligent blockbuster. ~Ördög a részletekben is full of Nolan trademarks — the gratuitous Michael Caine cameo, a loud, really loud score, complete with stunning cinematography and slickly inventive action set-pieces. This time around however, Nolan has finally managed to ‘out-Nolan’ himself: the palindromic plot, whilst creatively ambitious, is simply far too complicated for its own good. ~Ördög a részletekben is overlong, overstuffed, pretentious and too exhausting to comprehend in its entirety — it makes Inception and Interstellar look like Peppa Pig by comparison. I’m aware of the technical wizardry and creative mastery in this film and lord knows I’ll have to watch this again. For those who want a puzzle, ~Ördög a részletekben at least provides a unique cinematic experience. But to actually enjoy solving it Nolan wants you to work very very hard

#Ördög a részletekben #magyarul #teljes film

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bjkdsiuiu45 · 4 years ago

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Lelki ismeretek (2020) teljes film magyarul videa

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Joe Gardner középiskolai tanár, aki szereti a jazz zenét. Egy balesetben a lelke elszakad a testétől és egy olyan központba kerül, ahol a lelkek fejlődnek és szenvedélyeket szereznek, mielőtt újjászületnek. Joe-nak segítséget kell szereznie a többi képzésben részt vevő lélektől, például 22-től, egy lélektől, aki örök időket töltött a Te szemináriumon, hogy visszatérjen a Földre. felszabadított: 2020–12–25 Runtime: 102 percek Műfaj: Animációs, Vígjáték, Kaland, Családi, Zenei, Fantasy Csillag: Jamie Foxx, Tina Fey, Ahmir-Khalib Thompson, Phylicia Rashād, Daveed Diggs Rendező: Trent Reznor, Bobby Podesta, Steve Pilcher, Pete Docter, Pete Docter Kulcsszavak : Lelki ismeretek előzetes magyarul, Lelki ismeretek ingyen letöltés, Lelki ismeretek netmozi, Lelki ismeretek magyar premier, Lelki ismeretek film online, Lelki ismeretek teljes film, Lelki ismeretek teljes film videa, Lelki ismeretek indavideo, Lelki ismeretek magyarul online, Lelki ismeretek teljes film magyarul indavideo, Lelki ismeretek online filmek ingyen Lelki ismeretek online 2020 filmek magyarul Lelki ismeretek filmek magyarul Lelki ismeretek online videa 720p 1080p Lelki ismeretek film letöltés Lelki ismeretek 2020 teljes filmek magyarul videa Lelki ismeretek online sorozatok Lelki ismeretek ingyen filmek Lelki ismeretek 2020 film letöltés ingyen Lelki ismeretek filmek online magyarul Lelki ismeretek magyar filmek online Image for post Its somewhat ironic that a movie about time travel can’t be reviewed properly until your future self rewatches the movie. It’s bold of Nolan to make such a thoroughly dense blockbuster. He assumes people will actually want to see ~Lelki ismeretek more than once so they can understand it properly, which some may not. This movie makes the chronology of Inception look as simplistic as tic-tac-toe. Ergo, it’s hard for me to give an accurate rating, without having seen it twice, as I’m still trying to figure out whether everything does indeed make sense. If it does, this movie is easily a 9 or 10. If it doesn’t, it’s a 6. It’s further not helped by the fact that the dialogue in the first 15 minutes of the movie is painfully hard to understand / hear. Either they were behind masks; they were practically mumbling; the sound effects were too loud; or all of the above. The exposition scenes are also waayyy too brief for something this complex — a problem also shared with Interstellar actually. (Interstellar had this minimalist exposition problem explaining Blight, where if you weren’t careful, you’d miss this one sentence / scene in the entire movie explaining that Blight was a viral bacteria: “Earth’s atmosphere is 80% nitrogen, we don’t even breathe nitrogen. Blight does, and as it thrives, our air gets less and less oxygen”). I guess it’s a Nolan quirk. Hopefully, a revision of the film audio sorts the sound mixing out. I do like the soundtrack, but it’s too loud initially. I liked all the actors. You think John Washington can’t act at first, but he can, and he grows on you as the film progresses. And Pattinson is his usual charming self. Elizabeth is a surprise treat. And so on. Its worth a watch either way. See it with subtitles if you can. And definitely don’t expect to fully understand whats going on the first time around. Its one hell of a complicated film. It will be very hard for an average viewer to gather all the information provided by this movie at the first watch. But the more you watch it, more hidden elements will come to light. And when you are able to put these hidden elements together. You will realize that this movie is just a “masterpiece” which takes the legacy of Christopher Nolan Forward If I talk about acting, Then I have to say that Robert Pattinson has really proved himself as a very good actor in these recent years. And I am sure his acting skills will increase with time. His performance is charming and very smooth. Whenever he is on the camera, he steals the focus John David Washington is also fantastic in this movie. His performance is electrifying, I hope to see more from him in the future. Other characters such as Kenneth Branagh, Elizabeth, Himesh Patel, Dimple Kapadia, Clémence Poésy have also done quite well. And I dont think there is a need to talk about Michael Caine Talking about Music, its awesome. I dont think you will miss Hans Zimmer’s score. Ludwig has done a sufficient job. There is no lack of good score in the movie Gotta love the editing and post production which has been put into this movie. I think its fair to say this Nolan film has focused more in its post production. The main problem in the movie is the sound mixing. Plot is already complex and some dialogues are very soft due to the high music score. It makes it harder to realize what is going on in the movie. Other Nolan movies had loud BGM too. But Audio and dialogues weren’t a problem My humble request to everyone is to please let the movie sink in your thoughts. Let your mind grasp all the elements of this movie. I am sure more people will find it better. Even those who think they got the plot. I can bet they are wrong. ~Lelki ismeretek is the long awaited new movie from Christopher Nolan. The movie that’s set to reboot the multiplexes post-Covid. It’s a manic, extremely loud, extremely baffling sci-fi cum spy rollercoaster that will please a lot of Nolan fan-boys but which left me with very mixed views. John David Washington (Denzel’s lad) plays “The Protagonist” — a crack-CIA field operative who is an unstoppable one-man army in the style of Hobbs or Shaw. Recruited into an even more shadowy organisation, he’s on the trail of an international arms dealer, Andrei Sator (Kenneth Branagh in full villain mode). Sator is bullying his estranged wife Kat (Elizabeth Debicki) over custody of their son (and the film unusually has a BBFC warning about “Domestic Abuse”). Our hero jets the world to try to prevent a very particular kind of Armageddon while also keeping the vulnerable and attractive Kat alive. This is cinema at its biggest and boldest. Nolan has taken a cinema ‘splurge’ gun, filled it with money, set it on rapid fire, removed the safety and let rip at the screen. Given that Nolan is famous for doing all of his ‘effects’ for real and ‘in camera’, some of what you see performed is almost unbelievable. You thought crashing a train through rush-hour traffic in “Inception” was crazy? You ain’t seen nothing yet with the airport scene! And for lovers of Chinooks (I must admit I am one and rush out of the house to see one if I hear it coming!) there is positively Chinook-p*rn on offer in the film’s ridiculously huge finale. The ‘inversion’ aspects of the story also lends itself to some fight scenes — one in particular in an airport ‘freeport’ — which are both bizarre to watch and, I imagine, technically extremely challenging to pull off. In this regard John David Washington is an acrobatic and talented stunt performer in his own right, and must have trained for months for this role. Nolan’s crew also certainly racked up their air miles pre-lockdown, since the locations range far and wide across the world. The locations encompassed Denmark, Estonia, India, Italy, Norway, the United Kingdom, and United States. Hoyte Van Hoytema’s cinematography is lush in introducing these, especially the beautiful Italian coast scenes. Although I did miss the David Arnold strings that would typically introduce these in a Bond movie: it felt like that was missing. The ‘timey-wimey’ aspects of the plot are also intriguing and very cleverly done. There are numerous points at which you think “Oh, that’s a sloppy continuity error” or “Shame the production design team missed that cracked wing mirror”. Then later in the movie, you get at least a dozen “Aha!” moments. Some of them (no spoilers) are jaw-droppingly spectacular. Perhaps the best twist is hidden in the final line of the movie. I only processed it on the way home. And so to the first of my significant gripes with ~Lelki ismeretek. The sound mix in the movie is all over the place. I’d go stronger than that… it’s truly awful (expletive deleted)! Nolan often implements Shakespeare’s trick of having characters in the play provide exposition of the plot to aid comprehension. But unfortunately, all of this exposition dialogue was largely incomprehensible. This was due to: the ear-splitting volume of the sound: 2020 movie audiences are going to be suffering from ‘~Lelki ismeretekis’! (LOL); the dialogue is poorly mixed with the thumping music by Ludwig Göransson (Wot? No Hans Zimmer?); a large proportion of the dialogue was through masks of varying description (#covid-appropriate). Aaron Taylor-Johnson was particularly unintelligible to my ears. Overall, watching this with subtitles at a special showing might be advisable! OK, so I only have a PhD in Physics… but at times I was completely lost as to the intricacies of the plot. It made “Inception” look like “The Tiger Who Came to Tea”. There was an obvious ‘McGuffin’ in “Inception” — — (“These ‘dream levels’… how exactly are they architected??”…. “Don’t worry… they’ll never notice”. And we didn’t!) In “~Lelki ismeretek” there are McGuffins nested in McGuffins. So much of this is casually waved away as “future stuff… you’re not qualified” that it feels vaguely condescending to the audience. At one point Sator says to Kat “You don’t know what’s going on, do you?” and she shakes her head blankly. We’re right with you there luv! There are also gaps in the storyline that jar. The word “~Lelki ismeretek”? What does it mean. Is it just a password? I’m none the wiser. The manic pace of ~Lelki ismeretek and the constant din means that the movie gallops along like a series of disconnected (albeit brilliant) action set pieces. For me, it has none of the emotional heart of the Cobb’s marriage problems from “Inception” or the father/daughter separation of “Interstellar”. In fact, you barely care for anyone in the movie, perhaps with the exception of Kat. It’s a talented cast. As mentioned above, John David Washington is muscular and athletic in the role. It’s a big load for the actor to carry in such a tent-pole movie, given his only significant starring role before was in the excellent BlacKkKlansman. But he carries it off well. A worthy successor to Gerard Butler and Jason Statham for action roles in the next 10 years. This is also a great performance by Robert Pattinson, in his most high-profile film in a long time, playing the vaguely alcoholic and Carré-esque support guy. Pattinson’s Potter co-star Clemence Poésy also pops up — rather more un-glam that usual — as the scientist plot-expositor early in the movie. Nolan’s regular Michael Caine also pops up. although the 87-year old legend is starting to show his age: His speech was obviously affected at the time of filming (though nice try Mr Nolan in trying to disguise that with a mouth full of food!). But in my book, any amount of Caine in a movie is a plus. He also gets to deliver the best killer line in the film about snobbery! However, it’s Kenneth Branagh and Elizabeth Debicki that really stand out. They were both fabulous, especially when they were bouncing off each other in their marital battle royale. So, given this was my most anticipated movie of the year, it’s a bit of a curate’s egg for me. A mixture of being awe-struck at times and slightly disappointed at others. It’s a movie which needs a second watch, so I’m heading back today to give my ear drums another bashing! And this is one where I reserve the right to revisit my rating after that second watch… it’s not likely to go down… but it might go up. (For the full graphical review, check out One Mann’s Movies on t’interweb and Facebook. Thanks.) As this will be non-spoiler, I can’t say too much about the story. However, what I can is this: ~Lelki ismeretek’s story is quite dynamic in the sense that you won’t understand it till it wants you to. So, for the first half, your brain is fighting for hints and pieces to puzzle together the story. It isn’t until halfway through the movie that ~Lelki ismeretek invites you to the fantastic storytelling by Christopher Nolan. Acting is beyond phenomenal, and I’d be genuinely surprised if neither Robert Pattinson nor John David Washington doesn’t receive an Oscar nomination for best actor. It’s also hard not to mention how good Elizabeth Debicki and Aaron Johnson both are. All around, great acting, and the dialogue amps up the quality of the movie. The idea of this movie is damn fascinating, and while there are films that explore time-travelling, there’s never been anything quite like this. It has such a beautiful charm and for the most part, explains everything thoroughly. It feels so much more complex than any form of time-travelling we’ve seen, and no less could’ve been expected from Nolan. Oh my lord, the score for this film fits so perfectly. Every scene that’s meant to feel intense was amped by a hundred because of how good the score was. Let me just say though, none of them will be found iconic, but they fit the story and scenes so well. In the end, I walked out, feeling very satisfied. Nevertheless, I do have issues with the film that I cannot really express without spoiling bits of the story. There are definitely little inconsistencies that I found myself uncovering as the story progressed. However, I only had one issue that I found impacted my enjoyment. That issue was understanding some of the dialogue. No, not in the sense that the movie is too complicated, but more that it was hard to make out was being said at times. It felt like the movie required subtitles, but that probably was because, at a time in the film, there was far too much exposition. Nevertheless, I loved this film, I’ll be watching it at least two more times, and I think most of you in this group will enjoy it. I definitely suggest watching it in theatres if possible, just so you can get that excitement. (4/5) & (8.5/10) for those that care about number scores. At first, I want to ask Christopher Nolan one question, HOW THE HELL YOU DID THIS? Seriously I want to have an answer, How did he write such as this masterpiece! How did he get this complicated, fabulous and creative idea? What is going on in his mind? The story is written and directed perfectly, the narration style was absolutely unique. I have no idea how can anyone direct such as this story, that was a huge challenge, and as usual Nolan gave us a masterpiece that we’ll put beside (Memento), (Inception) and (Interstellar) The movie is so fast-paced in a good way, there was no boring moment. The chemistry between John David Washington and Robert Pattinson was great and funny and both of their performance was really good. Elizabeth Debicki performance was the best in the movie because she had the chance to show her acting abilities and she cached up that chance and showed us an A level acting. The music wasn’t unique and distinct as the music of Interstellar for example and I think this movie needed the touch of Hans Zimmer, I’m not saying that Ludwig Göransson failed but Hans Zimmer in another level. If there was something I’d say that I didn’t like it in the movie would it be that Nolan discarded any set up or characters backgrounds except Elizabeth Debicki dramatic story but it wasn’t that bad for me, I didn’t care about that, the exciting story didn’t give me the chance to focus on it. But the actual problem was the third act, it was really complicated and I got lost and I convinced myself to discard the questions that were in my head and enjoy the well-made action sequences and Elizabeth Debicki performance. I think this kind of movie that gets better with a second and third watch. I honestly don’t quite know where to begin with ~Lelki ismeretek. I love Christopher Nolan’s work but I have never seen a more complicated film (and I understood Memento). ~After nearly three hours, I came away from ~Lelki ismeretek not knowing myself, my mind reduced to nothing more than piles of ash. Was there time travel involved? Hmm, there was definitely something about time inversion. I mean, does Nolan even understand what he wrote? Look, I give credit to the director because he’s one of the few directors left who knows how to create a compelling and intelligent blockbuster. ~Lelki ismeretek is full of Nolan trademarks — the gratuitous Michael Caine cameo, a loud, really loud score, complete with stunning cinematography and slickly inventive action set-pieces. This time around however, Nolan has finally managed to ‘out-Nolan’ himself: the palindromic plot, whilst creatively ambitious, is simply far too complicated for its own good. ~Lelki ismeretek is overlong, overstuffed, pretentious and too exhausting to comprehend in its entirety — it makes Inception and Interstellar look like Peppa Pig by comparison. I’m aware of the technical wizardry and creative mastery in this film and lord knows I’ll have to watch this again. For those who want a puzzle, ~Lelki ismeretek at least provides a unique cinematic experience. But to actually enjoy solving it Nolan wants you to work very very hard.

#Lelki ismeretek (2020)

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dsferkj34 · 4 years ago

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Lelki ismeretek (2020) Online Filmek és teljes filmek magyarul

Letöltés >> https://t.co/BFIli9uxii?amp=1

#Lelki ismeretek (2020)

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ansgar-martinsson · 4 years ago

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Fair Winds and a Following Sky - Part Two

Seat 7A, Business Class, United Airlines Flight 3300 - Somewhere over the Atlantic Ocean

Ten years. Ten years, two months and fifteen days. That was how long it had been since Anna Fair Sky had been aboard a plane. As she sat in seat 7A, she felt like a child of that very age. Scared, out of place, downright fearful.

I want my mama....

Last time she’d flown was with her then newlywed husband, heading out of the Will Rogers Airport on a tiny jet to a small, semi-private island in the Caribbean. That flight was torturous - full of turbulence, hard banks, and ultimately a not so soft landing on the impossibly short landing strip. Anna nearly kissed the ground when they’d lit from the jet - and had taken a double dose of Xanax, bought over the counter on the island - for the way home.

But she had no Xanax now, nothing to chemically calm her except the cold glass of Business Class whisky on the tray in front of her. It was her second, no... third drink of that flight, served in a thick-bottomed tumbler, rounded spheres of ice, and just a splash of Evian water to open out the flavor. She wondered, momentarily, just how many swigs of the Scottish elixir she could down before she could pass into a joyful unconsciousness.

As many as it took, and all on the credit card. Not as if I’m going to be home to get the bill, she thought. American Express can go fuck itself for all I care right now. Let Mamma Travidge handle it. Main account’s still in her name, anyway. She can go fuck herself too.

“Nervous?”

“Huh?”

“I asked you, dear, are you nervous?” Anna let out a shaky breath and turned to the voice. In the seat beside her was an older woman, white of hair and wizened of feature, yet she seemed to carry herself with a youthful strength, brought through in her voice as well - high-timbred and powerful. The woman set her book down across her lap and turned slightly in the seat to face Anna.

“A little, I... I suppose,” Anna answered honestly.

The woman shifted her hand, resting her curved fingers on Anna’s forearm. “First time?”

“No,” Anna replied, “I... I’ve been nervous before.”

The woman’s eyes went wide, head cocked and lips pursed in a confused moue, but only for a moment, just for a moment before she burst out in a bark of laughter. “Oh,” she chortled. “Oh, no, dear. No, dear. I meant...,” she covered her mouth, and with her other hand squeezed Anna’s arm gently. “I meant... is it your first time flying?”

“Oh, God, no. No... not my first time flying,” Anna laughed, and the laughter morphed into a moment of half-buzzed realization. “I think I might have made a joke, there.”

“Either that,” the woman grinned and took a sip of her tomato juice, “or you’ve seen the movie Airplane a far few too many times.” She patted Anna on the shoulder, turning back in her seat and lifting her book once again. “Flight’s about half over, I think,” she said, “and it seems you’ve got yourself occupied anyway.” Her eyes flicked between the drink on the table and Anna’s computer screen.

“Oh, that,” Anna replied. “Supposing I do.”

“I don’t mean to pry,” the woman continued, turning a page of her book, “but I couldn’t help but notice that you’ve been looking rather moonily at pictures of the same man nearly the entire flight.” She pointed toward the image, a black and white headshot of Anna’s quarry nearly filling the screen.

“I’m...,” Anna clipped. “I’m trying... trying to find him. I mean,” she corrected, “I will be trying to find him once I get to Stockholm.” She narrowed her eyes and closed her computer with a deliberate click. “But, I’m not sure what business it is of yours.”

“None. None at all my dear,” the woman replied factually, book still open.

“Correct. None.”

Anna opened her computer again, re-connected to the in-flight wifi, and re-opened the search page. She skimmed through a few articles, using Google to translate those that were written in eye-crossing Swedish.

“Do you even know who that is?” The woman had set her book back down on her lap and crossed her hands over it.

“Him? His name is... is Ansgar Martinsson,” Anna replied.

“No,” she said, “I mean, do you know who that is?”

Anna groaned inwardly, and once again closed her computer. “I guess not. I suppose you’ll tell me.”

The woman continued, unfazed by Anna’s display of irritation. “Not a man to trifle with, I tell you,” she bent toward Anna, her words sotto voce, a whisper, barely heard over the thrum of the engines. “He’s a bit of a shark if you ask me.”

“How... how do you know this?”

“That’s why I asked you if you knew who he was. He’s famous, you know, in Sweden, in Europe. Gossip column fodder. Shows up on the pages of those crap rags now and then, and sometimes on the cover of business magazines.”

“So, he’s a businessman. I kind of got that from the....” she pointed vaguely at the computer, “the articles, and stuff.... what I was able to read, at least.”

“My son works for his company,” the woman said. “We’re from Missouri, St. Louis, you see, but my son moved to Ostermalm, that’s in Sweden too, you know,” she interjected. “Anyway, he moved there to take a job with Martinsson Construction as an architect. I’m going there to visit David... David is his name... I’m going to visit David and his family for the summer.”

“So,” Anna intoned, “Ansgar Martinsson is famous because he owns a construction company?”

“Not just a construction company,” the woman’s chest puffed up a bit, “the construction company - this huge international conglomerate thing. He builds opera houses and civic buildings and universities, just about everything -- he even designed and built almost all of the newer IKEA stores. He’s like... he’s like the Elon Musk of construction, only better looking and less... well, weird.”

“Hm,” Anna said. “I suppose I still don’t understand why he....”

“Come on, my dear,” the woman’s lips curled in a wry, crooked, tight-lipped grin. “Just look at the man,” she said, gesturing toward the screen. “He’s quite charming. Gets out in society, goes to all of the best parties, even throws some himself now and then. He rubs elbows with the rich and famous, knows everyone... and I hear,” she added, “he’s newly single and ready to mingle.”

“S-single?”

“Yes, this is the sad bit, though, this bit here...” the woman gosspied, “his wife... she left him, some sort of traumatic, terrible thing... at least that’s what I heard. And when she did, he went missing. Missing, I tell you! Gone! Poof!” she splayed her fingers, demonstrating. “Gone for about a year and a half, maybe longer, I can’t remember. No one knows where he was or who he was with or what the hell happened to him.”

“Oh?”

“Of course his family wouldn’t talk, and his company people, well... they were tight lipped as ever, don’t you know. My son was worried for his job nearly that whole time! It was in all the papers, all the online blogs -- so much speculation, so many conspiracy theories.... Where is Ansgar Martinsson?” She made little ersatz quotes in the air. “One paper even reported that he’d been kidnapped and tortured by terrorists. Another said he’d been taken by aliens, but I doubt that very much.”

Anna shook her head. “Oh, I doubt that too. The... the alien bit.” She inhaled sharply, ground her teeth together and looked away - collecting her thoughts, her fears, and the increasing, swirling maelstrom of confusion and... and...

...and regret.

I know where he was....

And maybe I don’t belong where he currently is.

Wnat the hell am I getting myself into?

Words like “society” and “famous” and “businessman” and “traumatic” clanged around in Anna’s head. The walls of the plane squeezed inward confining her, the seat a great bear trap, cramping her in place, teeth digging deeply into her flesh, tearing at her spirit. No turning back now. She snatched at her glass of whiskey and downed it, immediately raising the empty in indication to the passing air steward.

The storm in her spirit and the deluge of spirits in her blood made her head ache, made her dizzy, even a bit sick. Thoughts of the Travidges invaded, clouding those of Alan... Ansgar. Was he really like them? Would he treat her the same way? Was she on a thousand-dollar one-way debt-shattering flight halfway around the world only to be dragged into the same feelings of disassociation, of abandonment, of lonliness?

Of... rejection?

“You said you’d be looking for him? When you get there, is that right? Like, physically trying to find him?”

“What?” Anna blinked, the woman’s question drawing her out of her reverie. “What did you say?”

“I asked,” the woman said patiently, “you’re going to be looking for him... in Stockholm, yes?”

“Well,” she sighed, shrugging, “that was sort of the plan.”

But now I’m not so sure....

The woman nodded sagely. “I won’t ask you why, dear. I’ve stuck my nose into your beeswax enough for one flight, but I can tell you what I know. Maybe... where to find him.”

Anna shrugged. “His office, right? He’s probably there all the time. I could just go there and talk to him.”

She shook her head emphatically. “Oh, no,” she said, “they have security in that place tighter than Fort Knox. No way in hell you just sidle up into his office.”

“Then... then where?”

“My son told me... David, he told me that Martinsson is kind of an odd duck you know... has his ways about doing things,” she said, “but I suppose a lot of Swedes are like that. Really private and all. Don’t even really like to talk to their neighbors. Can’t even talk to one of them on a flight... but they do like one thing.”

“What’s that?”

“Swedish folks... they love their fika.”

“Fika?” Anna squinted, nonplussed. “What’s that?”

“Coffee break. I suppose that’s the best thing to call it,” the woman said. “It’s... it’s something the Swedish just... do. It’s pretty important to them... and I hear... my son tells me that he... that your Martinsson fellow there... he takes his coffee break, his fika, at the same coffee shop and at the same time every day when he’s in Stockholm.”

“He goes to a... a coffee shop?”

“Sure,” the woman said. “No one bothers him, apparently. Like I said, the Swedish don’t molest each other overmuch. They don’t like all that chit chat... that small talk with strangers don’t you know, and if someone is sitting at a table alone they’ll just.... you know leave them be. I mean, Brad Pitt or that hunky George Clooney could be sitting in a Swedish coffee shop and no one would even think of approaching them, taking their picture or otherwise.”

“Do you...” Anna blinked, smiling blithely at the woman beside her, “happen to know where that is? That coffee shop where Martinsson takes... takes his fika?”

The woman smiled back. “Would I mention it if I didn’t know?”

#fair winds and a folloiwng sky

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golden-pickaxe · 6 years ago

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City Lights: Ivar the Boneless

Fandom: Vikings

Paring: Ivar x Reader

Type: City Lights - Modern AU

Wordcount: 1818

Warnings: nothing really, a bit sappy, mostly Aslaug talking tbh

[City Lights - All Parts Here]

A/N: As announced, I am writing drabbles / OS in the City Lights ‘universe’ that are not really a continuation of the story, but in a way they are, just small snap shots of things. This one is the first. I have another one half finished and 3 more ideas, so yes ^^

Tags: @irishhiggins

Summary: Set in the City Lights AU - On a warm summer evening, you and Aslaug have a talk.

Being pregnant with Ivar, Aslaug told you, slightly drunk on sweet wine one warm, summer evening, had not been easy.

“I just felt something was off, you know, something was wrong. I had three pregnancies behind me at that point, I knew how it felt, but with my Ivar it was different.” She said, pouring herself another glass of wine and looking towards her youngest son.

The two of you were sitting outside of the large Lothbrok summer estate in the Danish country side, on a comfortable outdoor sofa on the terrace, overlooking a beautiful and secluded fjord.

Ragnar and his sons were down by the water, him, Sigurd and Ubbe playing and splashing in the water with Bjorn’s children at the shore, enjoying the warm light of the sun, the sky still orange despite the late hour.

Bjorn, Hvitserk and Ivar were sitting near the water on a blanket, talking amongst themselves, watching the others enjoying the warm weather.

Magarethe, who was Ubbe’s wife, and who seemed to have a strange history with the other sons of Ragnar too, about no one wanted to talk about, had retired for the night, saying that she as not feeling too well. You were quite happy about that, as you did not really like her, mostly though because she did not seem to like you.

Bjorn’s sadly now ex-wife Torvi on the other hand, you liked a lot, and you were glad that she was still very close to Bjorn, as their separation was not in a conflict.

Aslaug also seemed to be rather fond of you. At first, of course, it had been a bit of a shock for her, when her youngest son had very casually told her that he was now in a relationship with his personal assistant, about three weeks after you had started dating.

She was suspicious at first and unsure if you were good for him, as she was very protective of him, but when she saw the two of you together, when he invited you to a family dinner, saw your honest affection for her boy and his adoration for you, and saw how happy you made him, you had won a spot right in her heart.

Now, sitting here in the warm summer breeze, a light blanket nevertheless wrapped around your shoulders, you watched her silently as she looked down towards her family, not wanting to stop her from telling the story.

Ivar never liked to talk about his disability, apart for cursing his legs and calling himself a cripple, that was. You were of course, very curious about it though, curious how it had been for him growing up with it.

“His birth, oh Y/N, his birth, it was so painful.” Aslaug shook her head at the memory. “Usually you simply forget the pain of birth, with all the joy a child brings, but not this time, no. I remember every second of it.”

You pressed your lips together, your eyes growing wide, unable to imagine the pain she had gone through. Of course, every woman heard at least once in their life, no matter if she planned to have children or no, that childbirth was the most intense pain a human being could go through, and not being able to forget it must’ve been traumatic for her. Maybe this was why Ivar was her last child.

“His legs had already been like this. I don’t know how much he has told you, but I suppose you know that it is not his back, it is really just his legs. Back in the day when he was born, there was not much they could do about it.” Aslaug’s eyes went back towards you, a very sad expression in them. “Ivar was in so much pain as a child, he was always crying. My poor baby. He needed constant attention.”

“I’m so sorry, Aslaug.” You managed to bring out, but the woman just smiled, putting her delicate hand onto yours, which was resting on the sofa between you.

“It got better over time, of course. I don’t think the pain every entirely went away, but he got used to it.” She nodded to herself, pulling her hand back again, and taking another sip from her wine.”

You knew he was still in pain. It had only been a week in your relationship that you had been woken up by him groaning loudly, hurrying to the bathroom to bring him the painkillers he demanded. You had a short talk about it afterwards, but he had gotten angry, and did not want to talk about it anymore. Nevertheless, he had snuggled into your arms, and you had held him the rest of the night.

“How was growing up for him? He told me that he had spent a lot of time with Floki and Helga.” You asked, tilting your head. By now you had been introduced to the two, famous architects, who were truly lovely people, if a little odd.

“Ah, yes.” Aslaug smiled now, the sadness almost gone. “Yes, Floki and Helga.”

The blond woman sat up a bit, her eyes wandering over the horizon, until they settled on you again.

“When Ivar was about.. three or four years old, it was quite a vital time for the company. We extended to France, and Ragnar and I travelled a lot. Bjorn was finishing school, and the three other boys were old enough to either come with us, or stay with a nanny, but it was not easy with Ivar. He was a difficult child, very attached to me, and did not accept any stranger. We could not take him with us either, so we left him with Floki. He loved Floki and Helga, and they loved him, and we trusted them the most. Ivar was very happy there, and we kept this arrangement for a long time.” The woman shrugged. “Floki and Helga know how to entertain a child, without it being able to run around. They tell stories and paint, they took Ivar to museums and theatres, and educated him too. After they had lost their daughter.. they were happy to look after my boy, it did them good, especially Helga.”

You nodded, not daring to ask any further, as you had read about the tragic death of their daughter. You were, however, very happy to hear that at least Ivar seemed to have had a good childhood despite his disability.

Aslaug next to you, chuckled.

“School was a whole different topic, though.” She started again, apparently in a talkative mood. You were not sure if it was just the wine, or if she needed to talk these things off her chest. “Just as all our boys, we sent Ivar to a private school in Copenhagen. But, as we all know, kids are very cruel. They started to call him ‘Ivar the Boneless’, making fun of his legs, and I think he never quite got over it. Ragnar often talked to him, how he should not let them hurt him with it, and Ivar owned the name, in a way.” She shook her head with a slight smile. “He ended up hurting another child very badly, and we had to take him out, having him home schooled after that. My boy is smart, but his anger..” she left the sentence open.

You did not really know what to say. You had obviously read about something covered up in his past about physical violence, but you did not think it was something like that when he had still been so young. It was sad to hear about it.

“He regrets his outbursts, though.” You said in a small voice. “But he acts, and then thinks of the consequences.”

“That is a good way to put it..” Aslaug sniffed a bit. “Anyways..” her eyes seemed to blink back a few tears, before she smiled at you once more, her thin hand finding yours again. “I am so glad that he had found someone who cares about him. He had been so unlucky in the past, my boy deserves a bit of happiness.”

“I’m glad that I make him happy. He certainly makes me.” You smiled back.

And that was the truth.

Ivar made you very happy, even though, of course, he was still himself. Often grumpy and sometimes very mean, angry and annoyed, but it was all part of him. You knew how to navigate his moods, knew when it was better to give him contra, to make him see how shitty he behaved, and when to just ignore him and go out of his way.

He was, despite everything, very loving and caring, often cooking for you, or taking you out, not only for dinner, but also interesting places, showing you some of the things he was passionate about, and surprising you with trips to places you liked.

He listened to you, was interested in your life and your studies, and even joined you when you had a gathering of some of your friends. Of course, they had been suspicious at first, especially your journalist friend, but they soon relaxed as they saw how well Ivar treated you, and that he could be fun to have around.

Having him over to your home for the first time had certainly been.. interesting. Usually you went to his place, to spend the night in his oversized bed, not only because it was convenient, but also because you had to admit, next to all his wealth, you felt a bit self-conscious about your place.

One day, though, you were not feeling to well, staying at home from work with a slight cold, and he insisted to visit you at, telling you that he would at least cook you some soup to get you going again, talking about some recipe he got from Floki, that would do wonders for you.

Unsurprisingly he had been annoyed and quite angry when he had reached your door, as the lift was almost too small for his wheelchair, not to mention the few steps he had needed to get over to reach that lift in the first place. He had mumbled about ‘barrier free movement’ and ‘how he would make the guy who owned the apartments build a proper ramp, or so the gods help him’.

But he was still there, still coming in, his anger gone as soon as he was over the threshold, curiosity taking over as he looked about your small flat, studying your home as if it was the most fascinating thing he had ever seen.

You were pulled out of your thoughts again by Aslaug, who let out a loud sigh, her big eyes once again wandering down towards her sons and her husband.

“By the gods, just look at my boys.” She nodded towards the water. “All grown up now. How fast time goes by.”

#ivar the boneless #ivar imagine #vikings imagine #city lights #reader insert #ivars heathen army #it is 2 am #ive just returned from a day in central london where a potential terror attack was #and from a flight #i had to finish this for myself to calm my nerves tbh #i am back in a city i hate and are going to have a lot of uni stress in the next months #so i need to go full fluff mode to balance that out

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leigh-kelly · 7 years ago

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Same Old Lang Syne

Just a little AUish Christmas fic...

The snow blocks your windshield as you make your way to the grocery store. You’d been back in Lima for less than two hours before your mother sent you on an errand for her, and you’d grumbled the whole time she sat writing her list. You’ve traveled all over the world, but there’s nowhere you hate quite like you do Lima. The whole town fills with bad memories each time you drive through, and the idea of going to the grocery store where you might be recognized, where people might pretend they didn’t hate you in high school simply because they want to take an absurd selfie with you to post on their Instagram gets you every time. But she’s your mother, and you’re home for the first Christmas in eight years, so you couldn’t exactly say no to her.

The parking lot is crowded when you pull in, and you grumble some more as you park in the back row. There are six things on your list, but you can tell by the volume of cars that this is going to be an excursion, and you pull your coat tighter around yourself, hoping that your knit cap will serve to hide your face while you race through the store. The cold sends a shiver down your spine as you walk up to the door, but it’s the scent of the entryway that really gets you. It’s not a bad scent, per say, it just brings back those memories you’re trying to avoid, and you shudder, thinking too much about the things you’ve spent the last fifteen years trying to lock away.

You manage to gather most of things your mother asked for in a basket, and you make it to the frozen aisle for concentrated orange juice. You’re looking forward to the mimosas you’ll make in the morning, and you’re almost home free, when you spot a profile across the way. It’s one you’d know anywhere, and though you try to hide yourself, it’s too late. She sees you, and you wish you could disappear beneath the freezers. She’s not the kind of person you can make casual conversation with, she’s not the kind of person you think you can make any conversation with, but before you can drop your things and escape, you find yourself approaching her, touching her sleeve, as if you’re bridging a gap between decades.

“Santana? Is that really you?” She sing-songs, and you feel the ice that’s formed around your heart melting at the sound of her voice. You haven’t found yourself able to love since she left you, your life has been a series of one night stands with groupies, and now here she is, smiling like she never broke your heart.

“Hey, Brittany.” You smile, and you accept the hug she gives you, and when she spills her purse on the tile floor, you bend down to help her. Immediately, you notice the ring on her left finger, and you feel like you might vomit right there. “Merry Christmas.”

“Merry Christmas!” She chirps. “How have you been?”

“Life is good, you know? Traveling a lot, music sales are still good…” You trail off, not knowing what to say to someone like her, someone who couldn’t handle the idea of you doing what you love. “You?”

“I’m good…still at NYU. I got tenure, so I’m not going anywhere…”

“Good, that’s good.” You force the conversation, torn between not wanting to talk to her, and wanting to hear every single thing that’s happened since the day she packed her bags and moved out of the apartment you’d shared in New York City. You walk her to the register, and you just…stand there, confused about where to go next.

“Hey, I know it’s Christmas Eve, but I’d really love to buy you a drink.” She startles you with the offer, and you fight with yourself, knowing it’s an absolutely terrible idea. “Unless you’re in a rush to get back with your…cranberry sauce.”

“Brittany, I’m not sure that’s a good idea.”

“Yeah, I mean…you’re right, it’s probably not. But…you know me, I’ve never been one for the best ideas.” She grins, and you continue to melt, melt, melt, until you’re sure you’re nothing but a puddle on the floor.

“I haven’t known you in fifteen years.”

“All the more reason you let me buy you a drink. For old time’s sake. You know, should old acquaintance be forgot, and all of that.”

“Shouldn’t you be getting home?” You try, though you feel yourself caving.

“Not really in a rush.” She shrugs. “I’m not gonna pressure you though, it’s your call.”

“Santana? Santana Lopez?” The cashier, some girl you vaguely recognize from some study hall in some year of high school giggles, totally unbecoming of someone nearing forty. “Oh my God, I can’t believe you’re here.”

“Leave her alone, Jenny.” Brittany rolls her eyes. “You think famous people want to be flagged in the grocery store like that? Just ring up her crap, and let her go.”

“Uh, thanks.” You nod in Brittany’s direction, and pay for your things quickly, debating whether you should make a run for the parking lot or not. “One drink?”

“One drink. I’d just like to hear about everything you’ve been up to.”

Because you’ve always been hopeless when it comes to Brittany, you follow her out to the parking lot. She suggests you put your things in your car and get into hers, and you do, figuring your mother will be fine until you get home in an hour or so. Her scent overwhelms you as you get inside, and you immediately regret your decision to do this. You remember the ring on her finger, you remember the fact that she broke your heart into so many pieces you could never pick them all up, you remember that you vowed never to do this again, but yet here you are, in her car, staring at her wedding ring.

You can’t seem to find a bar that’s open—fucking Lima—and she suggests going to the liquor store for a six pack. You’re powerless to argue, now that you’ve gotten into the car with her, and you simply nod, following her like a puppy as she buys the beer and brings it back to the car. She drives back to the grocery store, and she parks next to yours, giving you an out if you want one. She pops open two bottles of Blue Moon, and she hands you one. Her fingers graze yours, and you swallow hard. This is all a lot, and you suddenly wish you had something much stronger than a beer to dull the ache in your stomach.

“Toast?” She asks.

“To what?”

“To innocence? To now?”

“I guess so, since I’m not really sure what there is to toast to.”

“You’re happy, aren’t you?”

“I’m…as happy as I can be, I guess.” You tell her honestly. “Traveling sucks sometimes, but I love my fans, so, I keep it up as best as I can.”

“You always pop up in my iTunes. It’s…a weird experience for me. I hear your songs on the radio sometimes, and it takes me back, I guess, makes me feel some weird kind of regret that I’m not part of your life. I could have broken up with you in a better way.”

“Can we not do this, Britt?” You border on begging, not realty emotionally stable enough to have this kind of conversation. “It’s been fifteen years, you’re married.”

“In the process of getting a divorce, actually.” She corrects you, and you fight the urge to whip your head around. “We’re pretending right now…for my parents’ sake, and for Christmas. I filed for divorce six weeks ago.”

“I’m…sorry to hear that.”

“Are you really? I’m surprised you don’t wish the worst for me. I know you did, at least for a while.”

“How was I not supposed to?” You defend. “I came home from a tour, and you had all of your shit packed up in our apartment. I hated you for that. I felt like you had absolutely no joy in my dream coming true.”

“You were never there, Santana. I was having a relationship with your voicemail. How was that fair to me?”

“I don’t really want to fight about this a decade and a half later.” You roll your eyes. “Don’t you think we hashed it out enough back then?”

“I don’t know…I really don’t. My relationship with you has colored every other experience I’ve ever had. I was with you, one way or another, since I was fifteen.”

“Including with your husband?” You can’t help but ask, though you don’t really want to know the answer.

“Wife.” She corrects you, narrowing her eyes.

“You married a woman?”

“Don’t sound so surprised. I’m bisexual, Santana, there was just enough chance I’d marry a woman than that I’d marry a man.”

“I—I’m.” You don’t finish your sentence, you don’t want to tell her that you’d always expected that the only woman she’d marry would be you. You can’t let her into that vulnerability. It’s mortifying, really.

“She was good to me. She’s an architect, and it kept things really secure for me, when my job was unstable, and I wasn’t sure if I’d get tenure. I...I loved her then, I really truly did, but…”

“But what?” You ask, not really wanting to hear the answer.

“She wasn’t you. She was never you. No one ever could be.”

“It’s been fifteen years, Brittany.”

“I know, and if you tell me I wasn’t the great love of your life, I’d believe you. But that doesn’t mean you weren’t the great love of mine.”

“Jesus.” You chug the rest of your beer, and you open another one, not sure how you can even begin to handle this conversation. Of course she was the great love of your life, that’s the reason you hadn’t ever been in a relationship with anyone else, it’s the reason you’re spending yet another Christmas alone, just you and your mother. It’s the reason nothing has made sense since she walked out and left you scrambling to figure out who you were. But you don’t know how to say all of that. You don’t know if you want to. “You left me.”

“I know. Everything was too much to handle. We were twenty-five, and I missed you every single day.”

“Do you think I didn’t miss you when I was on tour? That I didn’t go to bed in some strange city every night wishing you were next to me? It was hard for me too, Brittany, but I didn’t want to give up on us.”

“It’s easy for you to say though when you weren’t the one left behind. It hurt thinking that maybe you’d get bored of me, while you were off meeting all these interesting people, and I was just…teaching math. I was afraid.”

“So why didn’t you ever tell me that?”

“Because I didn’t think you were going through what I was, and I felt like an idiot.”

“Imagine how I felt when I came back from LA and half of our apartment was packed up. I didn’t see it coming, not for one single second. I never stopped loving you, in all the time we were separated with my tour, and when I came back, it felt like you stopped loving me.”

“I never stopped loving you.” She reaches out and touches your hand, and you jolt, not sure if she means just while you were gone, or ever. “I didn’t leave you because I wasn’t in love with you, I left you because I was.”

“I thought we were having a drink to catch up on everything we missed out on in fifteen years, not to rehash our breakup.” You desperately try to change the subject, though you know it’s futile.

“Didn’t our breakup create the last fifteen years of our lives? Had you asked me then where I’d be, I’d have said that we’d be married, with two or three kids, and we’d be happy.”

“I would have thought that too…” You confess. “Looking at you, your eyes look the same as I remember them, and I’m just wondering now what could have been.”

“We could have been great. We were great. Do you know how many times I’ve regretted the day I left?”

“Probably not as many as I’ve regretted it, to be honest.”

“I don’t know, Santana. Asha tried, she really did, but she could just…never be you, and it’s been hard. I’ve done marriage counseling, we talked about having a baby, but there was just nothing either of us could do to erase my regret over you.”

“Does she know about me?” You chance to ask, and she nods slowly.

“How could she not? The ghost of you…of us has just impacted everything.”

“If it means anything, it’s impacted everything I’ve done too.”

You sit in silence for a long while, finishing your second beer. The air feels heavy around you, her breath feels heavy, and you wonder if you shouldn’t get out of the car. You wonder if you shouldn’t go home and pretend this never happened. But you can’t. You’re here, and she’s told you that your long-gone relationship has affected her marriage to the point that she’s getting divorced. That’s not nothing, and you find yourself hoping, wanting, for something that’s in the past. This isn’t a Hallmark movie where you see the girl you used to love, and suddenly the years disappear and things are the way they once were. This is real life, a life that hasn’t been kind to you in terms of love, and you can’t dare to hope. Christmas miracles aren’t real. They can’t be, because magic isn’t.

“Remember the first Christmas we came back from New York?” She asks suddenly.

“The Christmas I proposed.” You swallow hard at the memory.

“You didn’t really mean it though.”

“I got caught up in Christmas, and we were only nineteen. But…I thought it was practice for the real thing. I had a ring for you, you know, a few years later.”

“You did?” Her eyes widen, and you nod slowly.

“I always planned to marry you. I thought I’d make it, and we’d settle down. I didn’t plan to travel like this forever. Now I do, because I’m…lonely, I guess.”

“You never found anyone?”

“I never wanted to. You know how I am…I don’t let people in. After you, it got worse. I was heartbroken and sick for months. You were my great love, there was never going to be anyone else.”

“It’s weird we ran into each other, isn’t it? After all this time…”

“I’ve only been home for one Christmas since. This whole place is too painful for me. New York was where we lived, but this is where we fell in love, so pretty much every place is a reminder of being sixteen and pretending I wasn’t head over heels for you.”

“I just…can’t even believe with everything that’s gone on in your life, you still have these…feelings about me.”

“You’re not just someone in my past, you’re the person who was supposed to be my future. God, it’s killing me to look at your blue eyes right now, and know they’ve spent the last decade and a half looking at someone else. I’m just…this is really messing me up, okay?”

“You think it’s not messing me up, Santana?” She shakes her head, clearly frustrated with herself. “A month and a half after I filed for divorce, and now I run into you, after all this time…It’s like, some kind of sign or something.”

“I don’t believe in signs.” You tell her. “We’re just two old lovers who met in a grocery store. It doesn’t have to mean anything.”

“What if I want it to?”

You freeze. These are words you’ve been wishing to hear for years, and here she is saying them. Do they mean what you think they mean? Does she want to give it a second go, after all this time? Do you really want to put your heart on the line like that? She hurt you once, what’s to stop her from doing it again? How can you risk that? You barely survived the first breakup, how could you survive another? You study her face, and you feel like even in all the years you’ve missed, you haven’t lost a moment with her. She’s Brittany. Your first love. Your forever love. And because you don’t know what else to do, you nod slowly.

“I’m going to kiss you now.” She leans in, pressing her hand to your cheek and her lips brush yours. It feels like the last kiss you’ve replayed in your mind a million times. It feels like a new first kiss, it feels like…everything.

“Wow.” It escapes your lips, and you flush.

“Wow.” She repeats. “I missed that.”

“What are we doing?”

“I think we’re kissing.”

“No, I mean…in life. Right now. You’re not even divorced.”

“I will be. I just have to get through Christmas, then I’m telling my parents. I’m not changing my mind about that.”

“But what about us? We’ve seen each other for an hour in fifteen years.”

“That doesn’t make me love you any less. Do you still love me, Santana?”

“I never stopped.” You tell her earnestly. “I probably never will. But…what about everything else?”

“You’re living in New York, aren’t you?”

“Yeah…”

“What if we saw each other again? When things settle down?”

“I’d really like that.” You breathe. All of the hope flares up in your chest, and you find yourself somehow believing in Hallmark movies and Christmas magic, and the stupid snow keeps coating the windshield of her car, isolating you inside. “I really should go home…”

“I know. So should I. It’s late, and everyone’s waiting.”

“But we’ll see each other again?”

“In New York.” She nods, telling you everything you need to hear with those words. Telling you it’s not over, that it’s never been over. “My number is still the same.”

“Then I still remember it by heart.”

“So, you’ll call me?” She asks, leaning in to kiss you again.

“How could I not?” You kiss her more deeply this time, before you reach for the car door, half wishing you could cancel everything else and just stay right here, in her car, forever. “Merry Christmas, Brittany.”

“Merry Christmas, Santana.”

#same old lang syne #brittana #christmas fic

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