#off white nike tokyo

[kikstyo]

[cleverhottubmiracle]

This is an edition of the newsletter Show Notes, in which Samuel Hine reports from the front row of the fashion world. Sign up here to get it free.On Tuesday evening of Paris Fashion Week, the menswear set made the now-traditional pilgrimage from Auralee’s temple of elegance and grace to the Louis Vuitton Men’s show. The back-to-back is usually cause for whiplash. Auralee, the cult-favorite Tokyo-based brand of the deeply unpretentious Ryota Iwai, proposes a vision of exquisite nonchalance that has turned it into a breakout success in the crowded field of artisanal everyday-wear. Whereas under Pharrell Williams, you could say that Louis Vuitton has been in the business of making noise with can’t-miss-them clothes.So I was somewhat surprised when Pharrell’s cast hit the runway to an orchestral rendition of a theme song from “Final Fantasy VII” wearing tweedy schoolboy tailoring, artisanal denim sets, suede bombers, and subtly-boot-cut trousers. The show was a tribute to Pharrell’s 20-plus-year creative partnership with Nigo, the Kenzo creative director and Bape founder who has been called the “Godfather of streetwear.” The friends designed the collection together, two master cultural curators and polymathic machines joining forces to, presumably, unleash a tidal wave of hype. And yet the collection, while not exactly quiet luxury, wasn’t quite as extra as we’ve come to expect. One model with shoulder-length hair could have even come straight from the “other” fashion week in his cropped blue blazer, brown cardigan, and flared jeans, finished with a white shirt and dark tie.The death of streetwear might have been prematurely declared—in a men’s fashion market where everything is subtly colored, lightly textured, and a wee-bit oversized, there’s more room for subversion than ever. But it seems two of the men instrumental in globalizing a language of style authored by hip-hop subcultures—Pharrell and Nigo met in Tokyo in the early aughts, and in 2003 they founded seminal streetwear brand Billionaire Boys Club together—have grown up. Their worlds and interests have expanded, but their mutual aesthetics have become more controlled.Which has done nothing to dampen the phenomenal clout of a Pharrell and Nigo linkup—especially with an LVMH budget. For a venue they erected a tented theater inside the Cour Carrée du Louvre, the main courtyard of the biggest art museum on planet earth. Outside, four step-and-repeat photo bays were set up in the warm glow of the museum’s landmark glass pyramid to accommodate the sheer number of VIPs streaming toward the entrance. But the Pharrell (and Nigo) X-factor isn’t wattage so much as synthesis. Few designers can stage an event where you’ll see Adrien Brody hanging out with Travis Scott, Takashi Murakami taking selfies with up-and-coming rappers, J-Hope and his entourage speeding by a gaggle of Nike executives, NFL stars still sore from playoff defeats shaking hands with crotchety Brooklyn actor Ebon Moss-Bachrach. Just before the show began, LVMH tycoon Bernard Arnault, fresh off a jet from the Trump inauguration, took his seat next to 7-foot-2 Spurs power forward Victor Wembanyama.The collection was another exercise in synthesis. Pharrell is distinctly deferential to Nigo, who he regularly refers to as “the GOAT.” When Louis Vuitton was hiring, Pharrell even recommended his buddy for the job. (Neither designer was made available for comment before or after the show.) As the models strode down the glossy cherry blossom pink runway, it was immediately clear that Nigo had somewhat tempered Pharrell’s taste for excess. If last season’s LV collection was the fashion equivalent of dumping caviar and gold leaf on your Nobu sushi boat, this time felt more like a classy—but still extremely expensive—omakase course.References to Japanese clothing appeared throughout, like in a silky brown kimono-style blazer and several demure workwear sets inspired by Japanese tradesmen. There were nods to Japanese craftsmanship, too, in denim that bore the distinctive chatter-like weave (recognizable to any denim aficionado) of elite Japanese-made jeans, and in duffle bags rendered in indigo-dyed boro textiles. A series of beefy leather jackets brought to mind Pharrell’s fascination with Tokyo’s rockabilly tribes (a style he himself continues to embrace).Which is not to say there wasn’t still plenty of flash. It wouldn’t be Pharrell’s LV without a dusting of hand-embroidered crystals, which punched up hickory stripe carpenter pants and glittered as a long plaid overcoat swayed in step with the jaunty “LV Bag,” the latest Pharrell-produced track (by Don Toliver featuring J Hope) to premiere on his runway. What looked like a sturdy cotton baseball jersey was actually made of leather. And there was nothing conservative about a bright pink Damier-print suit, nor overly retro about Coogi-style knits based on pieces from Nigo’s museum-quality personal clothing archive.You could read a desire to honor but break from the past in the staging. Two dozen tall vitrines lined the runway, and at the end of the show, the smoky glass obscuring the contents cleared to reveal a massive collection of memorabilia from Pharrell and Nigo’s lives as collectors and creators. Swathes of it—including P’s gold-encased Blackberry—will be sold later this month by Pharrell’s auction platform Joopiter. Neither designer seemed interested in reissuing their past hits, but a series of puffed-up sneakers (dubbed the Buttersofts) recall those they made for Ice Cream, and the coach’s jackets a clear nod to their swaggering BBC heyday. The sneakers might still be engineered for stunting, but this time around the jackets were cropped at the waist and cut with high shoulders and slim arms, in line with the dressy, dandy-ish silhouette Pharrell is currently captivated by.When Pharrell does finesse he can come up with some beautiful clothes, garments you can picture working with your day-to-day life, even if a closer inspection would reveal gobs of savoir-faire and a five-figure price tag. It’s not a quiet idea of luxury, but it’s a mature one. Still, I thought the best moment of the show was when a model in a knit Japanese fireman jacket walked by holding a purse shaped, somewhat inexplicably, like a lobster. Not an obvious reference to Japan—so what was it? In a preview, I was told it had something to do with a fishing trip the two took, but the significance wasn’t super clear. A product, apparently, of an inside joke. Source link

[norajworld]

This is an edition of the newsletter Show Notes, in which Samuel Hine reports from the front row of the fashion world. Sign up here to get it free.On Tuesday evening of Paris Fashion Week, the menswear set made the now-traditional pilgrimage from Auralee’s temple of elegance and grace to the Louis Vuitton Men’s show. The back-to-back is usually cause for whiplash. Auralee, the cult-favorite Tokyo-based brand of the deeply unpretentious Ryota Iwai, proposes a vision of exquisite nonchalance that has turned it into a breakout success in the crowded field of artisanal everyday-wear. Whereas under Pharrell Williams, you could say that Louis Vuitton has been in the business of making noise with can’t-miss-them clothes.So I was somewhat surprised when Pharrell’s cast hit the runway to an orchestral rendition of a theme song from “Final Fantasy VII” wearing tweedy schoolboy tailoring, artisanal denim sets, suede bombers, and subtly-boot-cut trousers. The show was a tribute to Pharrell’s 20-plus-year creative partnership with Nigo, the Kenzo creative director and Bape founder who has been called the “Godfather of streetwear.” The friends designed the collection together, two master cultural curators and polymathic machines joining forces to, presumably, unleash a tidal wave of hype. And yet the collection, while not exactly quiet luxury, wasn’t quite as extra as we’ve come to expect. One model with shoulder-length hair could have even come straight from the “other” fashion week in his cropped blue blazer, brown cardigan, and flared jeans, finished with a white shirt and dark tie.The death of streetwear might have been prematurely declared—in a men’s fashion market where everything is subtly colored, lightly textured, and a wee-bit oversized, there’s more room for subversion than ever. But it seems two of the men instrumental in globalizing a language of style authored by hip-hop subcultures—Pharrell and Nigo met in Tokyo in the early aughts, and in 2003 they founded seminal streetwear brand Billionaire Boys Club together—have grown up. Their worlds and interests have expanded, but their mutual aesthetics have become more controlled.Which has done nothing to dampen the phenomenal clout of a Pharrell and Nigo linkup—especially with an LVMH budget. For a venue they erected a tented theater inside the Cour Carrée du Louvre, the main courtyard of the biggest art museum on planet earth. Outside, four step-and-repeat photo bays were set up in the warm glow of the museum’s landmark glass pyramid to accommodate the sheer number of VIPs streaming toward the entrance. But the Pharrell (and Nigo) X-factor isn’t wattage so much as synthesis. Few designers can stage an event where you’ll see Adrien Brody hanging out with Travis Scott, Takashi Murakami taking selfies with up-and-coming rappers, J-Hope and his entourage speeding by a gaggle of Nike executives, NFL stars still sore from playoff defeats shaking hands with crotchety Brooklyn actor Ebon Moss-Bachrach. Just before the show began, LVMH tycoon Bernard Arnault, fresh off a jet from the Trump inauguration, took his seat next to 7-foot-2 Spurs power forward Victor Wembanyama.The collection was another exercise in synthesis. Pharrell is distinctly deferential to Nigo, who he regularly refers to as “the GOAT.” When Louis Vuitton was hiring, Pharrell even recommended his buddy for the job. (Neither designer was made available for comment before or after the show.) As the models strode down the glossy cherry blossom pink runway, it was immediately clear that Nigo had somewhat tempered Pharrell’s taste for excess. If last season’s LV collection was the fashion equivalent of dumping caviar and gold leaf on your Nobu sushi boat, this time felt more like a classy—but still extremely expensive—omakase course.References to Japanese clothing appeared throughout, like in a silky brown kimono-style blazer and several demure workwear sets inspired by Japanese tradesmen. There were nods to Japanese craftsmanship, too, in denim that bore the distinctive chatter-like weave (recognizable to any denim aficionado) of elite Japanese-made jeans, and in duffle bags rendered in indigo-dyed boro textiles. A series of beefy leather jackets brought to mind Pharrell’s fascination with Tokyo’s rockabilly tribes (a style he himself continues to embrace).Which is not to say there wasn’t still plenty of flash. It wouldn’t be Pharrell’s LV without a dusting of hand-embroidered crystals, which punched up hickory stripe carpenter pants and glittered as a long plaid overcoat swayed in step with the jaunty “LV Bag,” the latest Pharrell-produced track (by Don Toliver featuring J Hope) to premiere on his runway. What looked like a sturdy cotton baseball jersey was actually made of leather. And there was nothing conservative about a bright pink Damier-print suit, nor overly retro about Coogi-style knits based on pieces from Nigo’s museum-quality personal clothing archive.You could read a desire to honor but break from the past in the staging. Two dozen tall vitrines lined the runway, and at the end of the show, the smoky glass obscuring the contents cleared to reveal a massive collection of memorabilia from Pharrell and Nigo’s lives as collectors and creators. Swathes of it—including P’s gold-encased Blackberry—will be sold later this month by Pharrell’s auction platform Joopiter. Neither designer seemed interested in reissuing their past hits, but a series of puffed-up sneakers (dubbed the Buttersofts) recall those they made for Ice Cream, and the coach’s jackets a clear nod to their swaggering BBC heyday. The sneakers might still be engineered for stunting, but this time around the jackets were cropped at the waist and cut with high shoulders and slim arms, in line with the dressy, dandy-ish silhouette Pharrell is currently captivated by.When Pharrell does finesse he can come up with some beautiful clothes, garments you can picture working with your day-to-day life, even if a closer inspection would reveal gobs of savoir-faire and a five-figure price tag. It’s not a quiet idea of luxury, but it’s a mature one. Still, I thought the best moment of the show was when a model in a knit Japanese fireman jacket walked by holding a purse shaped, somewhat inexplicably, like a lobster. Not an obvious reference to Japan—so what was it? In a preview, I was told it had something to do with a fishing trip the two took, but the significance wasn’t super clear. A product, apparently, of an inside joke. Source link

[ellajme0]

This is an edition of the newsletter Show Notes, in which Samuel Hine reports from the front row of the fashion world. Sign up here to get it free.On Tuesday evening of Paris Fashion Week, the menswear set made the now-traditional pilgrimage from Auralee’s temple of elegance and grace to the Louis Vuitton Men’s show. The back-to-back is usually cause for whiplash. Auralee, the cult-favorite Tokyo-based brand of the deeply unpretentious Ryota Iwai, proposes a vision of exquisite nonchalance that has turned it into a breakout success in the crowded field of artisanal everyday-wear. Whereas under Pharrell Williams, you could say that Louis Vuitton has been in the business of making noise with can’t-miss-them clothes.So I was somewhat surprised when Pharrell’s cast hit the runway to an orchestral rendition of a theme song from “Final Fantasy VII” wearing tweedy schoolboy tailoring, artisanal denim sets, suede bombers, and subtly-boot-cut trousers. The show was a tribute to Pharrell’s 20-plus-year creative partnership with Nigo, the Kenzo creative director and Bape founder who has been called the “Godfather of streetwear.” The friends designed the collection together, two master cultural curators and polymathic machines joining forces to, presumably, unleash a tidal wave of hype. And yet the collection, while not exactly quiet luxury, wasn’t quite as extra as we’ve come to expect. One model with shoulder-length hair could have even come straight from the “other” fashion week in his cropped blue blazer, brown cardigan, and flared jeans, finished with a white shirt and dark tie.The death of streetwear might have been prematurely declared—in a men’s fashion market where everything is subtly colored, lightly textured, and a wee-bit oversized, there’s more room for subversion than ever. But it seems two of the men instrumental in globalizing a language of style authored by hip-hop subcultures—Pharrell and Nigo met in Tokyo in the early aughts, and in 2003 they founded seminal streetwear brand Billionaire Boys Club together—have grown up. Their worlds and interests have expanded, but their mutual aesthetics have become more controlled.Which has done nothing to dampen the phenomenal clout of a Pharrell and Nigo linkup—especially with an LVMH budget. For a venue they erected a tented theater inside the Cour Carrée du Louvre, the main courtyard of the biggest art museum on planet earth. Outside, four step-and-repeat photo bays were set up in the warm glow of the museum’s landmark glass pyramid to accommodate the sheer number of VIPs streaming toward the entrance. But the Pharrell (and Nigo) X-factor isn’t wattage so much as synthesis. Few designers can stage an event where you’ll see Adrien Brody hanging out with Travis Scott, Takashi Murakami taking selfies with up-and-coming rappers, J-Hope and his entourage speeding by a gaggle of Nike executives, NFL stars still sore from playoff defeats shaking hands with crotchety Brooklyn actor Ebon Moss-Bachrach. Just before the show began, LVMH tycoon Bernard Arnault, fresh off a jet from the Trump inauguration, took his seat next to 7-foot-2 Spurs power forward Victor Wembanyama.The collection was another exercise in synthesis. Pharrell is distinctly deferential to Nigo, who he regularly refers to as “the GOAT.” When Louis Vuitton was hiring, Pharrell even recommended his buddy for the job. (Neither designer was made available for comment before or after the show.) As the models strode down the glossy cherry blossom pink runway, it was immediately clear that Nigo had somewhat tempered Pharrell’s taste for excess. If last season’s LV collection was the fashion equivalent of dumping caviar and gold leaf on your Nobu sushi boat, this time felt more like a classy—but still extremely expensive—omakase course.References to Japanese clothing appeared throughout, like in a silky brown kimono-style blazer and several demure workwear sets inspired by Japanese tradesmen. There were nods to Japanese craftsmanship, too, in denim that bore the distinctive chatter-like weave (recognizable to any denim aficionado) of elite Japanese-made jeans, and in duffle bags rendered in indigo-dyed boro textiles. A series of beefy leather jackets brought to mind Pharrell’s fascination with Tokyo’s rockabilly tribes (a style he himself continues to embrace).Which is not to say there wasn’t still plenty of flash. It wouldn’t be Pharrell’s LV without a dusting of hand-embroidered crystals, which punched up hickory stripe carpenter pants and glittered as a long plaid overcoat swayed in step with the jaunty “LV Bag,” the latest Pharrell-produced track (by Don Toliver featuring J Hope) to premiere on his runway. What looked like a sturdy cotton baseball jersey was actually made of leather. And there was nothing conservative about a bright pink Damier-print suit, nor overly retro about Coogi-style knits based on pieces from Nigo’s museum-quality personal clothing archive.You could read a desire to honor but break from the past in the staging. Two dozen tall vitrines lined the runway, and at the end of the show, the smoky glass obscuring the contents cleared to reveal a massive collection of memorabilia from Pharrell and Nigo’s lives as collectors and creators. Swathes of it—including P’s gold-encased Blackberry—will be sold later this month by Pharrell’s auction platform Joopiter. Neither designer seemed interested in reissuing their past hits, but a series of puffed-up sneakers (dubbed the Buttersofts) recall those they made for Ice Cream, and the coach’s jackets a clear nod to their swaggering BBC heyday. The sneakers might still be engineered for stunting, but this time around the jackets were cropped at the waist and cut with high shoulders and slim arms, in line with the dressy, dandy-ish silhouette Pharrell is currently captivated by.When Pharrell does finesse he can come up with some beautiful clothes, garments you can picture working with your day-to-day life, even if a closer inspection would reveal gobs of savoir-faire and a five-figure price tag. It’s not a quiet idea of luxury, but it’s a mature one. Still, I thought the best moment of the show was when a model in a knit Japanese fireman jacket walked by holding a purse shaped, somewhat inexplicably, like a lobster. Not an obvious reference to Japan—so what was it? In a preview, I was told it had something to do with a fishing trip the two took, but the significance wasn’t super clear. A product, apparently, of an inside joke. Source link

[chilimili212]

This is an edition of the newsletter Show Notes, in which Samuel Hine reports from the front row of the fashion world. Sign up here to get it free.On Tuesday evening of Paris Fashion Week, the menswear set made the now-traditional pilgrimage from Auralee’s temple of elegance and grace to the Louis Vuitton Men’s show. The back-to-back is usually cause for whiplash. Auralee, the cult-favorite Tokyo-based brand of the deeply unpretentious Ryota Iwai, proposes a vision of exquisite nonchalance that has turned it into a breakout success in the crowded field of artisanal everyday-wear. Whereas under Pharrell Williams, you could say that Louis Vuitton has been in the business of making noise with can’t-miss-them clothes.So I was somewhat surprised when Pharrell’s cast hit the runway to an orchestral rendition of a theme song from “Final Fantasy VII” wearing tweedy schoolboy tailoring, artisanal denim sets, suede bombers, and subtly-boot-cut trousers. The show was a tribute to Pharrell’s 20-plus-year creative partnership with Nigo, the Kenzo creative director and Bape founder who has been called the “Godfather of streetwear.” The friends designed the collection together, two master cultural curators and polymathic machines joining forces to, presumably, unleash a tidal wave of hype. And yet the collection, while not exactly quiet luxury, wasn’t quite as extra as we’ve come to expect. One model with shoulder-length hair could have even come straight from the “other” fashion week in his cropped blue blazer, brown cardigan, and flared jeans, finished with a white shirt and dark tie.The death of streetwear might have been prematurely declared—in a men’s fashion market where everything is subtly colored, lightly textured, and a wee-bit oversized, there’s more room for subversion than ever. But it seems two of the men instrumental in globalizing a language of style authored by hip-hop subcultures—Pharrell and Nigo met in Tokyo in the early aughts, and in 2003 they founded seminal streetwear brand Billionaire Boys Club together—have grown up. Their worlds and interests have expanded, but their mutual aesthetics have become more controlled.Which has done nothing to dampen the phenomenal clout of a Pharrell and Nigo linkup—especially with an LVMH budget. For a venue they erected a tented theater inside the Cour Carrée du Louvre, the main courtyard of the biggest art museum on planet earth. Outside, four step-and-repeat photo bays were set up in the warm glow of the museum’s landmark glass pyramid to accommodate the sheer number of VIPs streaming toward the entrance. But the Pharrell (and Nigo) X-factor isn’t wattage so much as synthesis. Few designers can stage an event where you’ll see Adrien Brody hanging out with Travis Scott, Takashi Murakami taking selfies with up-and-coming rappers, J-Hope and his entourage speeding by a gaggle of Nike executives, NFL stars still sore from playoff defeats shaking hands with crotchety Brooklyn actor Ebon Moss-Bachrach. Just before the show began, LVMH tycoon Bernard Arnault, fresh off a jet from the Trump inauguration, took his seat next to 7-foot-2 Spurs power forward Victor Wembanyama.The collection was another exercise in synthesis. Pharrell is distinctly deferential to Nigo, who he regularly refers to as “the GOAT.” When Louis Vuitton was hiring, Pharrell even recommended his buddy for the job. (Neither designer was made available for comment before or after the show.) As the models strode down the glossy cherry blossom pink runway, it was immediately clear that Nigo had somewhat tempered Pharrell’s taste for excess. If last season’s LV collection was the fashion equivalent of dumping caviar and gold leaf on your Nobu sushi boat, this time felt more like a classy—but still extremely expensive—omakase course.References to Japanese clothing appeared throughout, like in a silky brown kimono-style blazer and several demure workwear sets inspired by Japanese tradesmen. There were nods to Japanese craftsmanship, too, in denim that bore the distinctive chatter-like weave (recognizable to any denim aficionado) of elite Japanese-made jeans, and in duffle bags rendered in indigo-dyed boro textiles. A series of beefy leather jackets brought to mind Pharrell’s fascination with Tokyo’s rockabilly tribes (a style he himself continues to embrace).Which is not to say there wasn’t still plenty of flash. It wouldn’t be Pharrell’s LV without a dusting of hand-embroidered crystals, which punched up hickory stripe carpenter pants and glittered as a long plaid overcoat swayed in step with the jaunty “LV Bag,” the latest Pharrell-produced track (by Don Toliver featuring J Hope) to premiere on his runway. What looked like a sturdy cotton baseball jersey was actually made of leather. And there was nothing conservative about a bright pink Damier-print suit, nor overly retro about Coogi-style knits based on pieces from Nigo’s museum-quality personal clothing archive.You could read a desire to honor but break from the past in the staging. Two dozen tall vitrines lined the runway, and at the end of the show, the smoky glass obscuring the contents cleared to reveal a massive collection of memorabilia from Pharrell and Nigo’s lives as collectors and creators. Swathes of it—including P’s gold-encased Blackberry—will be sold later this month by Pharrell’s auction platform Joopiter. Neither designer seemed interested in reissuing their past hits, but a series of puffed-up sneakers (dubbed the Buttersofts) recall those they made for Ice Cream, and the coach’s jackets a clear nod to their swaggering BBC heyday. The sneakers might still be engineered for stunting, but this time around the jackets were cropped at the waist and cut with high shoulders and slim arms, in line with the dressy, dandy-ish silhouette Pharrell is currently captivated by.When Pharrell does finesse he can come up with some beautiful clothes, garments you can picture working with your day-to-day life, even if a closer inspection would reveal gobs of savoir-faire and a five-figure price tag. It’s not a quiet idea of luxury, but it’s a mature one. Still, I thought the best moment of the show was when a model in a knit Japanese fireman jacket walked by holding a purse shaped, somewhat inexplicably, like a lobster. Not an obvious reference to Japan—so what was it? In a preview, I was told it had something to do with a fishing trip the two took, but the significance wasn’t super clear. A product, apparently, of an inside joke. Source link

[oliviajoyice21]

This is an edition of the newsletter Show Notes, in which Samuel Hine reports from the front row of the fashion world. Sign up here to get it free.On Tuesday evening of Paris Fashion Week, the menswear set made the now-traditional pilgrimage from Auralee’s temple of elegance and grace to the Louis Vuitton Men’s show. The back-to-back is usually cause for whiplash. Auralee, the cult-favorite Tokyo-based brand of the deeply unpretentious Ryota Iwai, proposes a vision of exquisite nonchalance that has turned it into a breakout success in the crowded field of artisanal everyday-wear. Whereas under Pharrell Williams, you could say that Louis Vuitton has been in the business of making noise with can’t-miss-them clothes.So I was somewhat surprised when Pharrell’s cast hit the runway to an orchestral rendition of a theme song from “Final Fantasy VII” wearing tweedy schoolboy tailoring, artisanal denim sets, suede bombers, and subtly-boot-cut trousers. The show was a tribute to Pharrell’s 20-plus-year creative partnership with Nigo, the Kenzo creative director and Bape founder who has been called the “Godfather of streetwear.” The friends designed the collection together, two master cultural curators and polymathic machines joining forces to, presumably, unleash a tidal wave of hype. And yet the collection, while not exactly quiet luxury, wasn’t quite as extra as we’ve come to expect. One model with shoulder-length hair could have even come straight from the “other” fashion week in his cropped blue blazer, brown cardigan, and flared jeans, finished with a white shirt and dark tie.The death of streetwear might have been prematurely declared—in a men’s fashion market where everything is subtly colored, lightly textured, and a wee-bit oversized, there’s more room for subversion than ever. But it seems two of the men instrumental in globalizing a language of style authored by hip-hop subcultures—Pharrell and Nigo met in Tokyo in the early aughts, and in 2003 they founded seminal streetwear brand Billionaire Boys Club together—have grown up. Their worlds and interests have expanded, but their mutual aesthetics have become more controlled.Which has done nothing to dampen the phenomenal clout of a Pharrell and Nigo linkup—especially with an LVMH budget. For a venue they erected a tented theater inside the Cour Carrée du Louvre, the main courtyard of the biggest art museum on planet earth. Outside, four step-and-repeat photo bays were set up in the warm glow of the museum’s landmark glass pyramid to accommodate the sheer number of VIPs streaming toward the entrance. But the Pharrell (and Nigo) X-factor isn’t wattage so much as synthesis. Few designers can stage an event where you’ll see Adrien Brody hanging out with Travis Scott, Takashi Murakami taking selfies with up-and-coming rappers, J-Hope and his entourage speeding by a gaggle of Nike executives, NFL stars still sore from playoff defeats shaking hands with crotchety Brooklyn actor Ebon Moss-Bachrach. Just before the show began, LVMH tycoon Bernard Arnault, fresh off a jet from the Trump inauguration, took his seat next to 7-foot-2 Spurs power forward Victor Wembanyama.The collection was another exercise in synthesis. Pharrell is distinctly deferential to Nigo, who he regularly refers to as “the GOAT.” When Louis Vuitton was hiring, Pharrell even recommended his buddy for the job. (Neither designer was made available for comment before or after the show.) As the models strode down the glossy cherry blossom pink runway, it was immediately clear that Nigo had somewhat tempered Pharrell’s taste for excess. If last season’s LV collection was the fashion equivalent of dumping caviar and gold leaf on your Nobu sushi boat, this time felt more like a classy—but still extremely expensive—omakase course.References to Japanese clothing appeared throughout, like in a silky brown kimono-style blazer and several demure workwear sets inspired by Japanese tradesmen. There were nods to Japanese craftsmanship, too, in denim that bore the distinctive chatter-like weave (recognizable to any denim aficionado) of elite Japanese-made jeans, and in duffle bags rendered in indigo-dyed boro textiles. A series of beefy leather jackets brought to mind Pharrell’s fascination with Tokyo’s rockabilly tribes (a style he himself continues to embrace).Which is not to say there wasn’t still plenty of flash. It wouldn’t be Pharrell’s LV without a dusting of hand-embroidered crystals, which punched up hickory stripe carpenter pants and glittered as a long plaid overcoat swayed in step with the jaunty “LV Bag,” the latest Pharrell-produced track (by Don Toliver featuring J Hope) to premiere on his runway. What looked like a sturdy cotton baseball jersey was actually made of leather. And there was nothing conservative about a bright pink Damier-print suit, nor overly retro about Coogi-style knits based on pieces from Nigo’s museum-quality personal clothing archive.You could read a desire to honor but break from the past in the staging. Two dozen tall vitrines lined the runway, and at the end of the show, the smoky glass obscuring the contents cleared to reveal a massive collection of memorabilia from Pharrell and Nigo’s lives as collectors and creators. Swathes of it—including P’s gold-encased Blackberry—will be sold later this month by Pharrell’s auction platform Joopiter. Neither designer seemed interested in reissuing their past hits, but a series of puffed-up sneakers (dubbed the Buttersofts) recall those they made for Ice Cream, and the coach’s jackets a clear nod to their swaggering BBC heyday. The sneakers might still be engineered for stunting, but this time around the jackets were cropped at the waist and cut with high shoulders and slim arms, in line with the dressy, dandy-ish silhouette Pharrell is currently captivated by.When Pharrell does finesse he can come up with some beautiful clothes, garments you can picture working with your day-to-day life, even if a closer inspection would reveal gobs of savoir-faire and a five-figure price tag. It’s not a quiet idea of luxury, but it’s a mature one. Still, I thought the best moment of the show was when a model in a knit Japanese fireman jacket walked by holding a purse shaped, somewhat inexplicably, like a lobster. Not an obvious reference to Japan—so what was it? In a preview, I was told it had something to do with a fishing trip the two took, but the significance wasn’t super clear. A product, apparently, of an inside joke. Source link

[solesart]

Limited Edition Sneaker Releases You Can't Miss in 2024

The sneaker world is always buzzing with excitement, and 2024 is shaping up to be an exceptional year for limited edition releases. At Soles Art, we’re passionate about keeping you in the loop on the hottest drops, so you can snag the most coveted pairs for your collection. From collaborations with top designers to reimagined classics, here are the limited edition sneaker releases you can't miss in 2024.

1. Air Jordan 1 x Off-White "Reverse Chicago"

The Air Jordan 1 remains a timeless favorite, and its collaborations with Off-White have become legendary. In 2024, the "Reverse Chicago" edition promises to be a game-changer. Virgil Abloh's signature deconstructed style meets the iconic Chicago colorway, but with a twist—expect inverted color blocking and unique details that set this pair apart. The hype surrounding this release is immense, and it’s sure to be a must-have for sneakerheads and collectors alike.

2. Adidas Yeezy Boost 350 V2 "Blue Tint"

Kanye West and Adidas continue to dominate the sneaker scene with their innovative designs. The Yeezy Boost 350 V2 "Blue Tint" is making a comeback in 2024, and it’s already generating significant buzz. This release features the same beloved silhouette but with updated materials and a refreshed color palette. The subtle blue tint and translucent stripe add a modern touch, making it a versatile addition to any sneaker rotation.

3. Nike Dunk Low x Travis Scott "Cactus Jack"

Travis Scott's collaborations with Nike have consistently sold out in minutes, and the upcoming Dunk Low "Cactus Jack" is expected to be no different. This release features a unique blend of earthy tones, premium materials, and Scott's signature reverse Swoosh. The Dunk Low silhouette continues to be a fan favorite, and this collaboration is likely to be one of the most sought-after drops of the year. Be sure to keep an eye on release dates to secure your pair.

4. New Balance 990v5 x JJJJound "Olive Green"

New Balance has been making waves in the sneaker industry with its high-quality craftsmanship and stylish collaborations. The 990v5 x JJJJound "Olive Green" is a perfect example of this synergy. JJJJound's minimalist aesthetic pairs beautifully with the classic 990v5 silhouette, resulting in a sleek and sophisticated sneaker. The olive green colorway adds a touch of elegance, making it a standout piece in any collection. Limited quantities mean this release will be highly coveted.

5. Puma RS-Dreamer x J. Cole "All-Star"

J. Cole’s partnership with Puma has brought fresh energy to the brand, and the RS-Dreamer "All-Star" is a testament to this collaboration’s success. Designed for both performance and style, this sneaker features bold colorways and cutting-edge technology. The "All-Star" edition pays homage to J. Cole's love for basketball, with intricate details and premium materials that elevate the design. This release is a must-have for fans of the rapper and sneaker enthusiasts alike.

6. Reebok Question Mid x Packer Shoes "OG Meets OG"

Reebok’s Question Mid is an iconic silhouette, and the collaboration with Packer Shoes celebrates its legacy. The "OG Meets OG" edition blends classic design elements with modern updates. Featuring premium leather, suede accents, and the signature icy blue sole, this release pays tribute to Allen Iverson's impact on both basketball and sneaker culture. Limited availability means this pair will be a prized addition to any sneaker collection.

7. ASICS Gel-Lyte III x Kith "Tokyo Trio"

Ronnie Fieg’s Kith collaborations with ASICS have always been highly anticipated, and the Gel-Lyte III "Tokyo Trio" is no exception. This pack includes three distinct colorways inspired by Tokyo’s vibrant culture. Each pair features premium materials, intricate detailing, and unique color blocking that showcases Fieg’s design prowess. The Gel-Lyte III's comfortable fit and timeless style make this release a must-have for ASICS fans.

8. Nike Air Max 1 x Patta "Wave"

Nike and Patta have teamed up once again to deliver a stunning Air Max 1 collaboration. The "Wave" edition features a unique wave pattern on the upper, combined with premium suede and mesh materials. The color palette is inspired by the Dutch seaside, blending blues and earthy tones for a fresh, coastal vibe. This release is expected to be highly sought after, making it a valuable addition to any sneaker enthusiast’s collection.

9. Converse Chuck 70 x Fear of God "Essentials"

Jerry Lorenzo’s Fear of God Essentials line has brought a new level of sophistication to streetwear, and the Converse Chuck 70 collaboration is a testament to this. The minimalist design features high-quality canvas, tonal laces, and subtle branding. The Chuck 70 silhouette is a classic, and this refined version is perfect for both casual and elevated looks. Expect this release to be a quick sell-out.

10. Vans Old Skool x Supreme "Paisley Pack"

Supreme’s collaborations always create a frenzy, and the Vans Old Skool "Paisley Pack" is poised to do the same. This release features the iconic Old Skool silhouette with a bold paisley print, available in multiple colorways. The combination of Supreme’s streetwear clout and Vans’ timeless design makes this a must-cop for fans of both brands. Keep your eyes peeled for release dates, as these will fly off the shelves.

Conclusion

The sneaker landscape in 2024 is filled with exciting limited edition releases that are sure to capture the attention of collectors and enthusiasts. At Soles Art, we’re dedicated to keeping you informed about the hottest drops, so you never miss out on adding these gems to your collection. Mark your calendars, set your alarms, and get ready to cop these incredible releases. Happy sneaker hunting!

[wormtokyo]

rare sneakers online for sale US

Unveiling the Ultimate Destination for Rare Sneakers: Your Guide to Worm Tokyo's Online Store

In the ever-evolving world of sneaker culture, finding that elusive pair of rare kicks can be a daunting task. Fortunately, discerning sneakerheads need look no further than Worm Tokyo's online store, a haven for enthusiasts seeking exclusive, limited edition footwear. Nestled in the heart of the digital realm, our platform offers a curated selection of rare sneakers, meticulously sourced from around the globe to cater to the diverse tastes of our clientele. Buy rare sneakers on sale from our online store now.

At Worm Tokyo, we understand the allure of rare sneakers—the thrill of the hunt, the satisfaction of owning a piece of sneaker history. That's why we've made it our mission to provide an unparalleled shopping experience, where sneaker aficionados can indulge their passion and discover their next grail.

As one of the premier online rare sneaker shops in the US, we take pride in offering a carefully curated collection of coveted kicks, ranging from iconic classics to the latest limited edition releases. Our inventory is constantly updated to ensure that our customers have access to the most sought-after styles and brands, making Worm Tokyo the ultimate destination for sneaker enthusiasts.

Whether you're searching for that elusive pair of Air Jordans, a vintage Adidas collaboration, or the latest Off-White Nike collaboration, Worm Tokyo has you covered. Our dedicated team of experts scours the globe to bring you the rarest and most exclusive sneakers, so you can add a touch of individuality to your sneaker rotation.

But Worm Tokyo is more than just a marketplace—it's a community. We believe that sneaker culture is about more than just buying and selling shoes; it's about connecting with like-minded individuals who share a passion for footwear and streetwear fashion. That's why we're committed to fostering a vibrant community where sneakerheads can come together to share their love of kicks, exchange tips and advice, and celebrate the culture that unites us.

In addition to our extensive collection of rare sneakers, Worm Tokyo also offers a range of services designed to enhance your shopping experience. From exclusive releases and limited edition drops to personalized styling advice and sneaker care tips, we're here to help you make the most of your sneaker journey.

But don't just take our word for it—join the thousands of satisfied customers who have made Worm Tokyo their go-to destination for rare sneakers. With our commitment to quality, authenticity, and customer satisfaction, we're confident that you'll find exactly what you're looking for at Worm Tokyo. Buy rare sneakers online for sale US from Worm Tokyo now.

So why wait? Step into the world of rare sneakers with Worm Tokyo and elevate your sneaker game to new heights. Whether you're a seasoned collector or a casual enthusiast, there's something for everyone at Worm Tokyo's online store. Happy shopping!

[more-than-a-princess]

Maybe it was the looming shadow of her title. Maybe it was the way she smiled, determined to never allow her cheerful nature to waver and let anyone see the fluctuating amounts of confidence beneath it. But nevertheless Sonia sighed, her cheeks a faint shade of pink as they stepped into the elevator. "I am only human, Wylan," She reminded him as the doors shut before them. "I have worries of rejection just like anyone else, and you had every right to do so. There is so much more that comes with me besides my feelings, it's enough to put anyone off."

She ignored the fact that he had fled back then, there was no use in bringing up the past now and she doubted she even understood everything that had gone on in his mind at the time. What she did understand was his perchance for explanations, for storytelling, in grand gestures that made her laugh. The mature choice was not just realizing those feelings, it was coming back to face them, and her, head on.

"Abducting me from a national tour of America to take me to Las Vegas, a place decidedly not on the itinerary for a litany of reasons, could be interpreted as both reckless fun and terribly romantic," She chided him with a grin as they ducked out of the hotel and onto the street. That was the beauty of busy, bustling city: unless someone made a scene, everyone was far too involved in their daily lives to pay Wylan and Sonia much thought. Just two decidedly non-Parisians in love, like so many tourists who traipsed over the city streets. Who teased and flirted and hugged and kissed, something so unlike both Tokyo and Novoselic. The former was simply averse to physical displays of affection in general while the latter was a problem of being recognized wherever she went. The Princess's personal life had been a hot topic of conversation since she was a teenager, but only given the Royal Family's blessing for intricate media breakdowns after she'd graduated from university. It was rare, a moment in her life where she was just a person in a crowd, held close against the person she loved. Laughing, kissing, pointing out that it wasn't that much further. Paris was a walking city, after all: best seen on foot rather than the Metro.

It was a shopping city too, and she had indeed brought him to the cathedral of capitalism. One of a few in the city alone, much less the various boutiques that lined its most popular avenues. "Doesn't that mall have a roller coaster in it?" She asked eagerly: stained glass domes and gilded gold details aside, Sonia was far more impressed by the fact a mall could fit an entire amusement park in it. There was a real gluttony and overabundance about America she found fascinating, if not a bit disgusting at times.

They'd arrived on the correct floor for men's shoes at least, but Sonia raised her eyebrows at the brand. Likely some American thing she'd never heard of. "I don't know about that one," She admitted, "But if you are in need of new trainers, I imagine there will be a selection of Adidas and Nike here." And of the far more luxe variety: Dior, Gucci, and Celine, to name a few. Sonia tried to picture Wylan decked out in the premium European designers and found it a difficult image to conjure: she doubted he'd want anything too flashy or fussy. She guessed he was used to blending in wherever he went, and yet if he chose to stay by her side, he'd have no choice but to stand out. She hoped he was ready for it, even if it was a conversation she wasn't ready to bring up yet.

"Speaking of America, though," She began, holding up a pair of white Adidas trainers with green stripes down the sides. "I feel like I did not get to see enough of the decadence of Las Vegas, or at least the American homage to various cultures around the world in the middle of a desert."

She grinned, recalling the likes of the Venetian, Luxor, the Paris hotel. "I would like to go back and see it again sometime, if you will go with me. I cannot imagine a better tour guide for making happier memories there."

On her? Never. The thought instead strikes Wylan's mind that Sonia would be able to pick up any weapon she saw; any knife, gun, or even the leg of the stool she was sitting on and strike him. Once or twice or however many times it took. It wouldn't have been right for him to stop her, not after everything he'd done or played with. She's reminding him of that now, recounting the circumstances of those things that 'could have been dates'.

"You held back so much because you were scared of me, geez. I thought I was the one who was supposed to be ... I dunno. I'd say pathetic but more wary? Or something? It's not wrong to look back at some of that and consider it flirting or dating, is it? I dunno. I dunno. Shit. We're categorizing dates and what isn't a date of all things. If you put like.."

Wylan lifts his hands up, in time with the descent of the elevator as they made their way from the upscale hotel.

"Uhh... Venn diagram! That's what it's called. You could put like everything we did into a date circle, or not date circle, and ... the overlap is kinda? I think some of it could be dates! The grey part is how we felt and I honestly. I think it's pretty mature of me now to look back and say I had those feelings. Ahem. Otherwise..."

A gesture of dismissal.

"Would I have chased you across Europe? Would I have abducted you from America? Would I have camped on a ski resort with you? Snuck into abandoned hospitals? I mean. I've done a lot of shenanigans with people but the things with you... all of them were..." Wylan turns his gaze to Sonia, more fond than ever after all of the reminiscing. The smile is gentle.

"...pretty cool I guess." And with that he brings her in with that arm around her waist (when'd he sneak that there?) and plants his lips firmly to her cheek, and the two make their way with... hmm... Wylan wagers there were two cars following them and that the guy with the coffee and the earpiece was total coincidence that he turned his head to the right soon as they left the hotel?

Right. That's fine. This is fun. And maybe with Sonia the shopping in the Galeries Lafayette would be fun, too? Stepping into the building, it's interior somehow even more extravagant than it's front, he's confident of this. But not sure just how that fun would come about. "Hot damn. If there was ever a cathedral to capitalism... it's not Mall of America. It's this." Maybe he's a little too distracted to consider her question properly.

Maybe he just can't decide.

"They don't sell Sketchers here, do they? I could use some more comfy sneakers."

[writer59january13]

Black

Font Din

so u real???

Warning! The following choppy, batty, dopey: elegy = flaky, goofy, history: iffy, jumpy, kooky: loopy, matty, nappy, nippy, sketchy material prone to find the reader dazed and bewildered, yet comfortably numb.

Modern Roam Min Times – mesh

THERE IS NO RELATION WITH THE EPIC OF GILGAMESH (abridged from brook land) AND THIS VIGNETTE – in ma Englesh.

thank a u faux sis this married sexagenarian encloses his poetic opus

the smooching this celibate

(sleep as a cellar dweller) chap doth miss

shaw wish i could give hew a kiss

though ye might rip ply with a hiss

that would usher inxs of x2c Noah obliging bliss.

while perched within mine

Schwenksville, Pennsylvania aerie

this totally mishmash, succotash, n trash -

hoopfully finds ya cheery

so...hallo n greetings ma dearie

just faw bean help ming this fool

i.e. myself who haint no fairy,

boot possibly the missing humankind link

cuz o be yin - head to feet - completely as hairy

Siamese twins with names Tom n Jerry

'though ye might disbelieve moi n feel leery

n doubt every word written -

but try 2 feign b ying merry

while i pose the following philosophical query...

to make sense = deciphering billy shakes perry

now take a mooch needed break cuz,

the following gibberish might beak comb quite weary.

Is society a better world to live in with less or more?

boy! those Everclear caveman days were brutish,

nasty, short and rough. that aside, though no Culture Club, Fancyfeast, nor Iggy Pop the Flintstone era a bit raucous, riotous, and yabba dabba with Doobie Brothers rubble ye us.

Def Jam, ear splitting cacophony felt like listening to partying beastie boys on a vampire weekend competing with Def Leopards roar n rush shin version of hells bells, Inxs of pulp fiction sung backwards by cold play, or a brutally nasty, yet thankfully short version per youtube video drowning out beach boys straight out ta Compton winking in the hood while loud Quiet Riot !@#$ growls shook B52 sized bats overhead, when this grizzled papa bear disturbed (like twittering angry birds), and forced to wake prematurely from hibernation set his seething animal anger to boil, and smoke to issue from jack rabbit ass nine looking Don Quixote ears.

argh! go. whar art thou Cello Yo Yo Ma?

the gumption from this then profoundly gap toothed, high browed, red necked ursine, viperous spouse getting one swiftly tailored kick in the bony arse sent me flying like a twisted sister careening forward out of summer time sadness air back to the future. right then n tha hair, earth, wind and fire convinced this Homo sapiens he became another Grateful Dead Foo Fighter.

upon immediate and most unwelcome exposure therapy to the Avast arctic blast (complete with Arctic Monkey), this Mama’s and Papa’s Boy (by George) was in no mood to neither tangle nor play footsie with Mother Nature.

Analogous to The Idler Wheel Is Wiser than the Driver of the Screw and Whipping Cords Will Serve You More than Ropes Will Ever Do, I wanted to whip the hide, when needles of miniature aeroplane shaped snow white slippery buckshot elements of style kissed, pierced and smashed against his face from those shoddily made flimsy animal clothes that barely kept him warm. Lucky for vat of midnight oil, which shrouded me in n wispy pearl jam pelt.

Tears for Fears spilled in One Direction (like 10,000 Maniacs bursting from a Soundgarden or highly revved Motorhead emulating a Quiet Riot).

Wah. Stop crying bellowed the Queen Scorpion (Poison ing the Air Supply).

Without - dark shadows of a doubt slunk N’Sync with the twilight zone along the edge of night, these beatle browed Monkeys (strewn by denim dog gone hooligans), who cawed like sum Cajun gumbo baboons as proto Partridge Family for a banana split Sunday closing out Vampire Weeknd packing a full house at the Tokyo Hotel.

Anyway, I practically froze off mine scrawny tush.

Dang! Ooh, how purty, a cute deer. Out came the bow and arrow. the feathered lancet described a Nike arc with Nike like swoosh bulls’ eye.

Upon uttering "hey Lucy i am home", the little beasts tore their sharp nine-inch long nails into soft raw doe.

Bathe? The (Puddle Of Mud battled crippled creek), when a dry riverbed doubles up as a mud bed or washbasin after the springtime flood.

How in the name of judas priest could our ancestors enjoy feeling like a beast of burden? who says you cannot always get what you want? Alice coop er in chains? Beastie boy George Cinderella? Eddie money? Freddie Mercury? Iron Maiden? Lana del rey? Jane’s addiction? Pink Floyd? Yes! the entire Motley Crue?

[itiangurus]

Elevating Your Sneaker Game: The Allure of Bape Sta Black

In the world of fashion, few brands command as much respect and adoration as Bape (A Bathing Ape). Founded in Tokyo in the early '90s, Bape has consistently pushed the boundaries of streetwear, producing iconic pieces that have become a symbol of urban culture. Among these, the Bape Sta Black stands out as a timeless classic that has enthralled sneaker enthusiasts for years.

The Origin of a Legend

The Bape Sta Black, often referred to simply as "Bape Sta," made its debut in 2000. Drawing inspiration from a renowned silhouette, the Nike Air Force 1, Bape Sta Black incorporated the signature star logo, giving it an identity of its own. This bold move not only paid homage to the classics but also signaled the birth of a new legend in sneaker history.

Quality Craftsmanship

One of the reasons behind the enduring popularity of the Bape Sta Black is its exceptional craftsmanship. Each pair is meticulously constructed using premium materials, ensuring both durability and comfort. The attention to detail is evident in every stitch and finish, making these sneakers a testament to Bape's commitment to quality.

The Bape Sta Black Aesthetic

The Bape Sta Black is synonymous with its sleek, minimalist design. Its all-black colorway provides a versatile canvas that effortlessly complements a wide range of outfits. Whether you're dressing up for a night out or going for a casual look, these sneakers seamlessly fit into your style.

The star logo, which adorns the Bape Sta Black's side panels, is instantly recognizable. It's a symbol of authenticity and a nod to Bape's roots in street culture. This distinctive feature sets the Bape Sta Black apart from other sneakers, making it a coveted fashion statement.

Part of what makes the Bape Sta Black so desirable is the brand's penchant for limited releases. Collectors and fashion enthusiasts eagerly await each new drop, knowing that owning a pair of these sneakers is a statement of exclusivity and style.

The Bape Sta Black in Pop Culture

The Bape Sta Black has been embraced by celebrities across the globe. From musicians to athletes, its influence extends far beyond the fashion world. Notable figures like Kanye West, Pharrell Williams, and Jay-Z have been spotted sporting these iconic sneakers.

Streetwear Influence

Bape Sta Black's appeal is deeply rooted in streetwear culture. It's not just a shoe; it's a representation of a lifestyle. The brand's collaborations with other streetwear giants, such as Supreme and Undefeated, have solidified its place at the pinnacle of urban fashion.

How to Style Your Bape Sta Black

Pair your Bape Sta Black with slim-fit jeans and a classic white tee for a relaxed yet stylish look. Top it off with a bomber jacket, and you're ready for a day out with friends or a casual date night.

High-Fashion Fusion

For those who love to experiment, consider mixing streetwear with high fashion. Combine your Bape Sta Black with tailored trousers and a designer hoodie. This juxtaposition of styles creates a unique and eye-catching ensemble.

Tap into the nostalgia of the '90s by teaming your Bape Sta Black with baggy jeans and an oversized graphic tee. Throw on a bucket hat and some vintage shades to complete the retro vibe.

[snkrcollctn]

The Air Jordan 1 Low SE ‘Tokyo 96’ pays homage to Michael Jordan's first trip to Japan during Nike's Hoops Heroes Tour. The sneaker's low-top design features an off-white upper in textured suede intersected by a Dutch Blue forefoot overlay. The heel overlay, eyestay and lizard-textured Swoosh are accented with Smoke Grey and stitched with a Kumquat-colored retro Wings logo. The tongue displays a Jumpman logo on a woven tag above exposed foam. A classic rubber cupsole with aged sidewalls and a powder blue rubber outsole provide support and traction underfoot.

[vlonezzk]

VLONE Clothing Collaborations with Nike and Off-White

Vlone eventually went international and branched out into fashion design and pop-up stores as A$AP Bari went on a global tour to promote his vlone hoodie project. Pop-up stores were launched in Texas, New Orleans, Tokyo, and many other locations.

Vlone also partnered up with Off-White and Nike in 2017. This was a significant milestone towards Vlone’s success. The Vlone and Off-White Collection includes Vlone orange-and-black suits, track pants, and long-sleeved pullovers designed with the brand’s signature black and orange color combination.

Having originated in Harlem, New York, Vlone thought it prudent to design its own version of the Air Force 1 sneaker. The introduction of Nike and Vlone Air Force 1 happened in Harlem in February 2017, during one of the pop-up events at New York Fashion Week.

This event happened right up the street where the A$AP MOB grew up. Vlone came up with several variations of the footwear. One was a black-and-white high top, while another was a black-and-orange low top. The inspiration came from the New York Knicks’ black and orange color combination, which is the trademark look of the Knicks’ shoe. Both sneakers are engraved with the Vlone brand message.

At the same event, Vlone and Off-White introduced bright camo, hoodies, and sweatpants with the Vlone symbol visible and t-shirts or shirts with the word “FRIENDS” written in orange across the front. The Vlone and Off-White line was officially launched at the event.

Shortly after collaborating with Nike and Off-White, Vlone Clothing proceeded to do another extremely iconic thing by paying tribute to Tupac Shakur, the deceased American legendary hip hop artist.

In April 2017, A$AP Bari partnered up with Bravado, the world’s leading branding, consumer, and lifestyle services provider. Vlone launched a limited-edition range honoring the life and legacy of Tupac Shakur. They timed this perfectly by launching the collection ahead of one of that summer’s most anticipated movies, “All Eyez On Me.”

To mark the line’s launch, Vlone, in conjunction with Bravado, gave customers the ultimate Tupac experience by opening a special pop-up store in the lower east side of New York City. From April 7 to April 9, the Vlone Tupac pop-up store opened its doors to the public.

The collection introduced 18 pieces created by A$AP Bari, the creative director of Vlone. This consisted of a wide variety of graphic t-shirts, hoodies, hats, as well as bathrobes. The pieces were available in three main colors orange, black, and red, and each one featured the Vlone trademark “V” symbol throughout the whole spread of clothing.

[shirtsbargain]

The Evolution of Streetwear Culture

Streetwear has come a long way from its humble beginnings as a niche subculture in the 1980s. Originally rooted in the skateboard and punk scenes, streetwear has evolved to become a global phenomenon, influencing everything from high fashion to music and sports.

The origins of streetwear can be traced back to the hip-hop scene in the Bronx, New York, where DJs and MCs would wear oversized T-shirts, hoodies, and sneakers as a way to express their unique style and identity. These clothing items were often emblazoned with bold graphics and logos, such as the iconic Adidas trefoil and Nike swoosh. The bulk wholesale t-shirts were common staples of this style, offering comfortable and stylish options for everyday wear.

As hip-hop music and culture began to gain mainstream popularity in the 1990s, so too did the streetwear style. Brands like FUBU, Rocawear, and Sean John capitalized on this trend, creating clothing lines that catered to the hip-hop community. The popularity of polo shirts wholesale also grew during this time, with brands like Ralph Lauren incorporating the classic style into their collections.

However, it wasn't until the early 2000s that streetwear truly entered the mainstream fashion industry. In 2002, the Japanese fashion designer Nigo launched his streetwear brand A Bathing Ape (BAPE) in Tokyo. The brand quickly gained a cult following among fashion-forward consumers, and soon became known for its iconic camo print and graphic-heavy designs. Other streetwear brands, such as Supreme and Stüssy, also gained popularity during this time, cementing streetwear's status as a legitimate fashion movement.

Today, streetwear has evolved to become a high-fashion phenomenon, with luxury brands like Gucci, Louis Vuitton, and Balenciaga incorporating streetwear-inspired elements into their collections. Collaborations between streetwear brands and luxury fashion houses have also become commonplace, further blurring the lines between streetwear and high fashion. Blank polo shirts have also become a popular choice for those looking to incorporate a more polished look into their streetwear style.

Despite its mainstream success, streetwear continues to be rooted in authenticity and self-expression. Brands like Billionaire Boys Club and Off-White continue to push the boundaries of what is considered fashionable, while also staying true to their streetwear roots. As the fashion industry continues to evolve, it's clear that streetwear, along with its blank wholesale t-shirts, will remain a significant influence for years to come.

[hype-blr]

Photo by bantersnaps on Unsplash

[freshthoughts2020]

SHOP: gettothecorner.com/welcome/portraitking