#of course tommy fucking shelby won't allow his wife being fucked by another man
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heeahheeya · 25 days ago
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IF Grace Shelby, whom Annabelle Wallis played, had been involved with the roles the actress' ex and current boyfriends play as CROSSOVER:
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Result would be like:
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wayward-riana · 4 years ago
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The Lost Silhouette | Part Two | Thomas Shelby
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Summary: After Grace’s death, Tommy had closed his heart off but when he marries the new female detective of the Crime Investigation Department of Birmingham only for protection from the law, his cold exterior starts melting.
Thomas Shelby x reader
Warnings: Mentions of sadness. Brief cursing.
A/N: 'Gypsy' is a song by Fleetwood Mac. Let's pretend that it existed back in the 1920s. I just thought that it'd go so well with this chapter. I really hope you all genuinely enjoy this. I had a lot of fun writing this.
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Most nights Tommy likes to have Charlie beside him at night, while he's sleeping. Other nights, Charlie sleeps in his cot that is situated in his father's grand bedroom. Although, Y/N insisted that Charlie sleeps on her bed tonight, beside her. Tommy allowed it.
Now that he lays in his cold and lonely bed with a cigarette in his hand, he feels restless. Restless knowing that his boy isn't in the room with him. So, he throws on a loose shirt and marches towards Y/N's room.
As Tommy stands outside her door, he can hear a cry flowing out of the room. He slowly creaks the door open and relief washes through him when he sees Charlie.
Charlie clings onto Y/N's body as he buries his face in the crook of her neck. Tommy sees Y/N is sat on the bed, while she holds Charlie very gently against her and soothingly rubs his back.
So I'm back to the velvet underground
Back to the floor that I love
To a room with some lace and paper flowers
Back to the gypsy that I was
To the gypsy that I was
Tommy is taken aback by the sweet melody that flows out of Y/N's mouth. He is surprised by how sweet her voice is. But her voice also has an endearing rasp to it. Only voice that ever sounded good to him was Grace's. He never expected to appreciate anyone's voice after her's, let alone Y/N's.
The words that Y/N sung had stitched themselves like a thread, into his heart. The words take him back to Small Heath. They remind him of a much simpler time. They remind him of the happiness that he knew of, before the war. They remind him of the man he was. A man who knew how to laugh. A man who knew how to love life.
And it all comes down to you
Well, you know that it does, well
Lightning strikes maybe once, maybe twice
Oh and it lights up the night
And you see your gypsy
You see your gypsy
Did Thomas Shelby hope for a life without pain? Absolutely. But hope is not in his body, anymore. Hope is something he has thrown away, a long time ago. Pain has made him who he is and he doesn't know if it's for the best or not. Before all this, he had a God. A God that he said his prayers to but he lost that as well.
He lost everything. Fucking everything.
To the gypsy that remains
Her face says freedom, with a little fear
I have no fear
I have only love
And if I was a child
And the child was enough
Enough for me to love
Enough to love
If he gives Y/N a chance, will she end up dying too? If he loves her, will she be taken away from him too?
Doesn't matter. He won't let anyone in, anymore. He made that mistake once. Not again. Besides, he's content with what he has. Charlie.
Charlie is all he needs.
She is dancing away from you now
She was just a wish
She was just a wish
And her memory is all that is left for you now
You see your gypsy, oh
You see your gypsy
The tears stream down Tommy's face like raindrops on a cold-blurry window. He doesn't even bother wiping them away. He puts the cigarette up to his lips and inhales the toxic smoke, that brings him peace.
And it all comes down to you
Lightning strikes
Maybe once, maybe twice
I still see your bright eyes, bright eyes
Y/N wipes her own eyes as she finishes the song. She looks down and sees Charlie sleeping, oh, so peacefully. She smiles and presses a gentle kiss on his head, before she slowly puts him down on the bed. She covers him with a blanket and delicately runs her finger across his cheek while staring down at him, lovingly.
Tommy watches Y/N's every single movement. He realises that she truly loves his son and genuinely cares for him. It makes him feel happ - no - satisfied with his choice to bring her in.
The overwhelming smell of smoke hits Y/N. A smell that isn't found in her room, ever. She snaps her head and looks at the doorway to see Tommy leaning against the doorframe. With a cigarette in his hand, of course.
Instead of calling out to him to ask if he needed anything, she climbs out of bed, not wanting to wake up the sleeping child. She slowly approaches Tommy and holds her dressing gown tightly against her body.
"Tommy, did you need someth -"
She stops mid-sentence when she notices his tear-stained face. She also notices tears in the corners of his eyes.
Y/N instinctively reaches out to wipe a tear droplet that slowly rolls down his temple. He watches her intently, as she does. His skin is soft beneath her gentle fingertips. She quickly realises what she's doing and regains her composure.
"What's wrong, Tommy?" Genuine concern is etched all over her face as she questions him. "Is everything all right?"
"The song...that you sang. Where is it from?" He croaks out.
Embarrassment dawns upon her as she realises he's heard her sing. She bites her lip and stares at the ground.
This is so unlike the two of them.
Tommy is always very emotionless and composed, but here he stands, broken and tearful.
Y/N is always incredibly confident and quick-witted, but now she found herself unable to speak properly and is a mess under Tommy's stare.
"I wrote it." She admits, slowly looking up from the ground. She gazes into his beautifully broken blue eyes. He raises his eyebrows in surprise, clearly impressed with her skill that he never knew she had.
"It's good." He compliments.
She blushes and nods at him, not being able to trust her voice to thank him.
Tommy sighs and stands up straight.
"You must be tired. I'll let you rest." Tommy states.
"I'm really not tired. You can come in and...talk,"
Y/N stares up at him, expectantly.
"If you'd like." She adds.
He barely shrugs, "All right."
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"What is the meaning behind the song?" Tommy asks as he lights up another cigarette. "I mean, what does it mean to you?"
"In London, where I grew up, there was an area where only the gypsies lived. No one went there, and by no one I mean, the elites. But my parents always did. Even though, they were part of the upper class, they didn't care about status. They always interacted with them, and most of my best friends were gypsies. I practically grew up with them. So I refer to myself as 'the gypsy that I was' because it makes me feel more grounded. It reminds me of the people that I've known and the people that I grew up with. Also, to remind myself that the people I love are gone, but I am not. I'm still here.
My best friend, James, died in the war. He was a gypsy, too. I'd known him my entire life. We were supposed to get married after he returned but that never happened due to the war. My father also died. I didn't know how to cope with the losses. So I put my heart and soul in this song. My grief is buried beneath these words.
The velvet underground stands for the velvet carpet in my father's bedroom. The lace and paper flowers were what James's family's house was decorated with. So yeah, little things like that makes the song so significant to me. That's what it means to me, I guess. Love and grief."
Y/N immediately shuts up as she realises she has rambled on for so long.
"Were you ever able to let go of that grief?"
She didn't expect Tommy to ask such emotional questions. She opens her mouth but is unable to string words together. She sighs and thinks about her answer before finally she speaks.
"Yes, I was. It took me some time to come to terms with it, but I did. I had to remind myself that none of it was under my control. Death isn't something anyone of us can control. You never know when one of us will be gone. Tomorrow is never promised. We're living on a borrowed time. I was unable to live my life. I was numb. I felt like everything was over. But then I realised you shouldn't be upset over things that you cannot control. Then, I eventually accepted it and moved on with my life. It's not like I've let go of Papa and James. I've let go of the grief. Their memories are still with me. They always will be."
Tommy judged Y/N very quickly, when he first met her. He would've never guessed that she has gone through so much.
"I know losing your wife must've been really difficult for you and I also know that you blame yourself for it but as I said before, you shouldn't be upset over things that you cannot control."
Her doe E/C eyes stare into Tommy's blue ones. The strong emotions in her eyes makes him uneasy. Uneasy because he can't afford to feel again.
The pair had talked all night long and before they knew it, the sun was up. Y/N reminded herself, it was nothing just a tough night for Tommy and he needed someone to talk to. That's it.
However, deep down inside her, she hoped that this was a start of something. Maybe 'Shelby' won't just be a legal name, anymore. Maybe, it'll be the name she shares with someone she loves and who loves her back. Maybe, she'll finally feel like she is Mrs. Y/N Shelby. Maybe, she'll finally feel like she's Thomas Shelby's other half. Maybe, he'll finally realise that she is more than just a spare.
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I hope you all enjoyed part two. Part three will be up real soon so stay tuned. I really hope you all enjoyed this. R, xxx.
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@sxperncturalimpala67 @lovemissyhoneybee
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