#obviously before doudou's arc

[saelterlude]

i have one link click headcanon that im not 100% sure i can call a headcanon bcs its more abt the production rather than the show itself. so i guess its more speculation than headcanon.

basically, i think episode 5.5 is numbered as a special .5 (eventhough they play an important role in s2) is bcs the studio was testing their ability to do fight scenes. why do i think that?

well its bcs link click's plot is very obviously well thought out from the beginning and probably to the end too. so the season 2 they have in mind have a lot of fighting but the studio arent sure theyre capable of that. hence the test episode 5.5, the only episode with actual hand to hand combat. (no i dont count the skirmish in ep11 bcs thats a bunch of cxs teleporting, no actual fighting stance etc). the thought is somewhere along the lines of (if we can do this episode well, then season 2 will go as planned. but if not, they will call this an extra and we'll make adjustments to s2 while we still have time.

[k-looking-glass-house]

Rook Hunt french list of endearment nicknames

As the french I am maybe that would interest some people about your dear "Le chasseur de l'amour" vocabulary!! I will not ....translate those nicknames (I mean you can still ask me of course) as there are not equivalent one sometimes!! I would say just feel and vibe if some catch your mind~ I tried to classify them by their meaning You don't have to be in a romantic relationship for using those one (blame the french behavior as we are said to be flirty around the world....)

(gn)= gender neutral

(m)= male

(f)= female

Obviously you don't have to follow any gender orientation, it's just that french vocabulary have different names for gender (beside the world itself being male or female..)! Some words are gender specified but can also be used as gender neutral on some occasions!!

Let's go:

ma biche (f)/ bichette (f)/ mon biquet (m)/ mon bichon(m)

[ma poule (f/gn)/ mon poulet (m)]/ poulette (f)/ mon poussin (gn)/ poussinou (gn)

mon chat (gn TW: don't use the female word for cat (chatte) as it turns out to be vulgar here, just to let you know)/ mon chaton (gn)/ mon minet (m)

doudouce (gn/f)/ doudou (gn/m)/ dididou (gn)/ ma douce (f/gn)/ [ma dulcinée (f)/ mon dulciné (m)]

mon amour (gn)/ mon coeur (gn)/ mon petit coeur de beurre (gn)/ mamour gn)/ ma moitié (gn)

mon canard (gn/m)/ mon canari (gn)/ ma caille (gn/f)/ mon caneton (gn)

mon lapin (gn)/ lapinou (gn)/ 'pinou (gn)

chouchou (gn)/ mon chou (gn/m)/ choupette (f/gn)/ choupinette (f)

ma puce (gn/f)/ pupuce (f/gn)

mon sucre d'orge (gn), mon biscuit (gn), ma tagada (gn), mon nounours (gn)/ mon bonbon (gn)/ ma craquotte (gn)/ ma sucrette (f/gn)/ mon macaron (gn)

mon bijou (gn/f)/ ma perle (gn/f)/ mon trésor (gn)/ mon rayon de soleil (gn)/ lumière de ma vie (gn)

ma vie (gn..... this one...omg this one is used by the youngster here.... it makes them feel so deep....so adult ha ha)

[mon joli (m)/ ma jolie (f)]/ ma beauté (f/gn)

mon bouchon (gn)/ mon roudoudou (gn/m)/ mon bisounours (gn)

loulou (gn/m)

[mon chéri (m)/ ma chérie (f)]

ma muse (f/gn)/ [ma princesse (f)/ mon prince (m)]/ [mon bien-aimé (m)/ ma bien-aimée (f)]

ma colombe (f/n)/ ma tourterelle (f/gn)/ ma gazelle (f)

ma pomme d'amour (gn) SPECIAL POMEFIORE ONE for this one ha ha or reinette (f)

bébé (gn)/ bibou (gn)/ mon ange (gn)

[ma brune (f)/ mon brun (m)]/ beauté fatale (gn/f)/ nenette (f)

poupoune (f)/ poupo(u)nette (f)

chipie (f)/ ma loute (f/gn)/ [pitchou (m/gn)/ pichounette (f)]

pépette (f)/ poupette (f)/ pipou (m)

bout de chou (-> bout d'chou) (gn)/ mon trogon d'amour (m/gn)

mon étoile (gn)/ ma grenouille (gn)/ mon soleil (gn)/ ma crevette (gn: Literally shrimp)/ mon arc-en-ciel (gn)

And so many more... just ask me if you want some explanation on some! Or even more ha ha

Also for more cuteness and love you can add before:

mon petit (for male vocabulary french word not gender (yes...it's weird or hard for non french speaker))

ma petite (for female vocabulary word not gender)

Or ptit or 'tit (the cutest way to show your love and friendship with someone or when you're speaking to children)

exemple:

Mon 'tit chat

Petit bout de chou

Ma petite chipie -> verryyyy similar somehow to little trickster...well close enough for female gender oriented! It would be "fripon" for male gender oriented.

And you? In your native language?

I actually love to use "darling" with people I love around me!!

[kurigohan0909]

Rewatching Link Click: Easter eggs in your noodle soup?

So I've just finished watching both seasons of Link Click/Shíguāng Dàilǐ-rén, which means that obviously I'm watching it all over again. What did you expect me to do, sit around waiting for Bridon arc while the Bilibili official account taunts us with replays??

Besides, Link Click is one of those dishes that is best served twice. The early episodes are packed with hints and foreshadowing that only become clear once you've gotten up to date, so I've made it my mission to catch 'em all.

You don't say.

It's well known that certain early mini-arcs (for instance Chen Xiao's basketball match, and Doudou's kidnapping) have implications for the larger plotline or at least contain important exposition/character insights that the story would not feel complete without. There are also several that get written off as filler, or are generally considered to not have any purpose beyond familiarising the audience with the characters and setup, and lulling you into a false sense of comfort before everything goes to shit. Episode 2: Secret Recipe, AKA the Noodle Lesbians episode, beloved as it is, tends to fall into the second category.

Or does it?

On a rewatch, I still don't think it does anything to advance the main plot. We don't even really know where it fits into the timeline, because we're never told what day it is and Lu Guang's watch is never shown on screen (I'll get around to a longer analysis of this another day). However, I'm instead inclined to believe that it's one of the most important episodes in the show - if not THE most important - because it's essentially an allegory for the story of Cheng Xiaoshi and Lu Guang, and gives you a bird's eye view of how the relationship between them is going to develop - which, as you know, is what the show is all about. And the fact that it's not situated in a specific time, in a show that cares heavily about timeline construction, makes it better.

The episode starts with this quote from German photographer August Sander, who believed that, through photography, he could reveal the characteristic traits of people. "The portrait is your mirror. It's you." It's pretty explicit, when you think about it. This episode is a mirror of the entire series, specifically of its protagonists.

Moving on. The episode's storyline is quite simple: two college "roommates" start a noodle shop together, and as time passes, they drift apart and eventually fall out as their priorities change. Yu Xia, the business-oriented one between them, wants to get hold of the secret ingredient used by Lin Zhen, to whose cooking the shop attributes its success. Does Yu Xia really want to steal the secret recipe? Or is it just one of the many things that the quieter Lin Zhen keeps hidden from her that she desperately wants to know, along with everything that went wrong between them? Your guess is as good as mine. Either way, there are lots of indirect parallels between Xialin of the noodle shop and Shiguang of the photo studio, even if for now they're very distinct individuals with their own personalities and struggles. It does, however, give some indication of what's to come.

This question isn't purely rhetorical, as we find out in the very next arc, where Cheng Xiaoshi has a fight with Lu Guang over letting his client's loved ones perish in the Wenchuan earthquake. Even if they eventually come to a consensus, they have fundamentally different life philosophies and approach their missions in very different ways. Cheng Xiaoshi is a hyperempathetic idealist who keeps trying to use his forays back into the past to fix his clients' personal problems, while Lu Guang remains utterly indifferent and staunchly against interfering, even in life-or-death situations. Which turns out to be a facade, because we later learn that he's just as much of a meddler as Cheng Xiaoshi - except he's focused on a singular, selfish goal, which is to keep Cheng Xiaoshi alive at any cost.

Let's go back to the noodle shop. After ten years of running the business together, it becomes clear that the ladies' aspirations are no longer compatible. Yu Xia has big plans for the shop. She wants to broaden their customer base - for profit, of course, but also so that more people can be made happy by the chance to taste their noodles. Lin Zhen's dreams, however, are on a smaller scale - perhaps only on a personal scale. Throughout the episode, it seems that she only really cares about making noodles for one person.

Sound familiar?

At the risk of digressing, it needs to be said that Yu Xia and Lin Zhen are absolutely very much a WLW couple. This isn't bait, it's elegant and really quite unsubtle queercoding that says 'to hell with censorship' loud and clear. Honeymoon jokes, the taxi driver assuming Lin Zhen had fought with her husband, and Lin Zhen's very bold attempts at flirting... we see you.

More to the point of this post, I think it's important to point out that Lin Zhen does not actually care for too many people other than Yu Xia. She's all worn out from making noodles for customers, but she forgets all about that when it's time to make a bowl for Yu Xia. She also keeps her special ingredient - which is one of the secrets she shares with Yu Xia, as we find out - highly guarded. She's never going to let these pesky reporters in on something so intimate.

Why is this important? Because, as it turns out, the episode's storyline - and Lin Zhen's motives - are all about saving Yu Xia.

We learn that the secret ingredient is a local specialty from Yu Xia's hometown. Lin Zhen has been using it for years, keeping the taste of home alive while Yu Xia's drifted further and further from home to the point where she can no longer remember where the ingredient came from. At the end of it all, when Yu Xia returns home, she finds Lin Zhen there waiting for her. Lin Zhen, mind you, does not hail from the same town. The girls met in college. It's home to her simply because it's Yu Xia's home.

This comes directly after a pilot episode that establishes the contrast between urban isolation and rural/familial warmth, through Emma's eyes, and in a show that continually reinforces the concept of longing for home and loved ones. By forcing Yu Xia to reevaluate her priorities, Lin Zhen manages to bring her back home - which is a place that includes herself.

Perhaps it's too early to say. But to me, it's a pretty neat thematic parallel of Lu Guang's solo quest to save Cheng Xiaoshi from death; which is intertwined with a greater goal of giving Cheng Xiaoshi a home, one that is safe and secure and surrounds him with those that love him and are there to stay.

But in the process of achieving this, one of his biggest obstacles is Cheng Xiaoshi himself - his insistence on interfering with the timeline so that Lu Guang can't predict events with certainty, his objections to the way Lu Guang does things, and the definite resistance Lu Guang will come up against if Cheng Xiaoshi learns about his plan. Pretty much every minor mission they undertake is a rehash of the same argument; Cheng Xiaoshi wants to use their combined powers to make a difference to other people's lives, and Lu Guang just has one goal in mind which means that he's going to ignore absolutely everyone else.

Notice how Yu Xia's looking to the future, while Lin Zhen's dream is to go back to a point in the past? Neat.

And when they finally part ways because it's clear Yu Xia is not going to support Lin Zhen's goal? Yu Xia asks her where she's going to go after they part ways, and Lin Zhen says:

I wonder where we've heard that before.

And if you need any more proof that this episode is in fact intended to be a mirror, do consider:

Their seating positions are mirrored too. Yeeeeaaaaaahhhh.

In conclusion: if this allegory is to be believed, then trust that Lu Guang will eventually succeed in his mission and Cheng Xiaoshi will find his way home to him. It'll happen, guys. In the meantime, at least our beloved noodle ladies will be living a peaceful life out in the countryside.

Since I don't know how to shut up and this website seems to be giving me infinite space to yap, let me include some more details about this episode that I found cool. There are so many.

Lin Zhen and Lu Guang are both shown while this line is being said. What with all that the fragrant flowers represent, it makes you think about what these characters' best memories might be and how much they treasure them.

This is such a tiny detail that you'd almost definitely miss it on the first watch, and it seems insignificant - until it isn't. When Cheng Xiaoshi hops into the girls' picture taken during their college days, he screws up and suggests they'd be better off dabbling in tech stuff like apps or intelligent management than running a noodle shop. Lu Guang makes him quickly eat his words, but they seem to have still struck a chord with Yu Xia - because later we see that she works over years to integrate an intelligent supply chain management system into their business. In fact, one of the reasons for Lin Zhen to alienate herself from the business is because she feels like it's gotten too techy and lost its human touch. Not really fair considering it was her own idea, is it?

I mean. This is probably a stretch. Digitization is pretty inevitable for big businesses nowadays, so Yu Xia, being as enterprising as she is, might have gone for it whether Lin Zhen suggested it or not. But it's interesting to think that it might be Cheng Xiaoshi's tiny alteration of the past that unfurled outwards like a hurricane from the beating of a butterfly's wing and catalysed their falling out. Especially because these kinds of bootstrap phenomena very much occur in later episodes and are a core feature of Link Click's time travel model.

Some suspicious behaviour on Lu Guang's part. He's quite certain there are no useful clues in the last picture Yu Xia and Lin Zhen took in front of their shop, despite it being the only one taken by Lin Zhen (seriously! you could go to her house, look through her phone, the possibilities are endless!) and the fact that this is the photo Cheng Xiaoshi did end up solving the mystery in, thanks to the ticket stubs he found in her purse (see?) Secondly, they outright miss a picture in the envelope - the most important picture of all which would have given them the answer right away, since this was when the fragrant flowers were first used. Not your best work, Lu Guang.

...or is it? Lu Guang is pretty meticulous, and it's unlike him to slip up in such obvious ways. He's also skilled at slipping things back into envelopes when he doesn't want them to be seen, as we know. Could it be that he didn't want Cheng Xiaoshi to solve the mystery? But why? Maybe it's metaphorical, like so much else of this episode: he doesn't want Cheng Xiaoshi to uncover his true intentions. The fact that all this is ultimately for his sake.

Interestingly, Lu Guang was very dejected at the idea of them seemingly being out of luck - they'd tried so many times and failed to fulfill the mission. Was he, perhaps, thinking about another mission he'd hate to fail? Anyway, it falls to Cheng Xiaoshi to cheer him up and give him hope for another try, which he accepts, with a small but genuine smile. My heart.

If you've scrolled this far, I'm glad you enjoyed my ramblings! I must say I don't know much about how Tumblr works so apologies if I mess up on formatting or tags, but I'll probably get the hang of it soon enough. I'll also probably end up enjoying Tumblr more than Twitter since it allows me unfettered yap space and won't feed my writing to the machine (yet). It's late and I should probably stop stop thinking bout it around now... but look forward to more random ramblings and thank you for reading!