#nusrat fateh ali khan complete

[miss-conjayniality]

sitarist jay (drabble)

genre: fluff

pairing: jay x gn south asian!reader

word count: 610

warnings: none

A/N: in honor of all the holidays coming up (holi, vaisakhi, ramadan/eid, etc.), AND also my srk x jay post that sparked desi enha discourse, this one goes out to all my desi engenes!!!! 🫶🏼 happy holi!!!! happy vaisakhi a month in advance. and a ramadan mubarak to those who celebrate.

soft desi engene hours. could u just IMAGINE sitarist!jay and dholi!you!?!??? 🥺

jay is grateful to have a lover who hails from such a gorgeous, rich culture that spans millennia. and as any connoisseur of culture would say - music isn’t just part of culture….it is culture. he’s been playing guitar for many years now. and he wants to venture out into other stringed instruments. and what better way than learning the sitar?

jay enjoys the calming, soulful, and twangy sound of the sitar. it sends him into a trance and he feels completely immersed in a different world. despite it being “different” from what he’s done before, he believes that the language of music is universal - one felt within the heart first and foremost.

he holds a deep reverence for south asian music. be it nusrat fateh ali khan, kishore kumar, mohammed rafi, noor jehan, or asha bhosle, he feels the timeless, evergreen spirit of such compositions pulse within his soul.

watching him learn the sitar is an endearing sight. ethereal even! seeing the level of dedication he has towards mastering such an art form warms your heart. he wants to learn bhajans, shabads, and ghazals for you. all he wants in life is to express his love for you through music. just chillin’ in his kurtas with the sleeves rolled up and his sitar by his side, showing you the ravi shankar songs he’s learned so far.

on the other hand, he too admires you for your passion for percussion. jay loves your appreciation towards the different types of dhol. he fawns over the euphoric feeling you get when hitting every thappi and tiparu and the way you chant your DHAs and DHINs while doing so. jay also appreciates the way you treat your dagga and tilli sticks like they’re your babies. he loves the swingy sound of dhol beats and the swagger you exude while you play.

jay sometimes gets annoyed when you pester him with the sound of your loud ass dhol while he’s peacefully and calmly practicing his sitar. but he knows it’s out of love and good fun. it’s the desi equivalent of the percussionist kids in band disrupting the ones who play the wind and brass instruments. antics aside, jay appreciates the lively spirit and camaraderie that comes with these musical clashes, cherishing the shared moments of cultural exchange and musical banter.

in the end, these musical escapades become cherished memories, shaping jay’s musical journey with a touch of spontaneity and joy. the blend of dhol and sitar, once seemingly contrasting, transforms into a celebration of diversity within your shared love for music. as the two of you continue your artistic pursuits, jay realizes that the moments of lighthearted banter and cultural exchange have added a special rhythm to the soundtrack of your relationship - one of seismic adoration.

with each note played and every shared laugh echoing in the air, jay acknowledges that your artistic pursuits have not only strengthened your musical connection with each other, but have also deepened your bond with him. the rhythm of seismic adoration encompasses the highs and lows, much like the crescendos and decrescendos in your collaborative performances. through the language of music, your relationship thrives, creating a symphony of understanding, support, and shared passion that resonates far beyond the notes of your instruments.

[sweetdreamsjeff]

The poetry that inspired Jeff Buckley

Aimee Ferrier

Sun 1 October 2023 21:15, UK

Voices as incredible as the one belonging to Jeff Buckley don’t come around too often. Unfortunately, after releasing one record, Grace, Buckley, with all his potential, was taken away too soon. At the age of 30, the singer went for a swim from which he never returned, drowning in the Mississippi River.

Yet, his legacy lives on as one of the most influential artists to emerge from the 1990s, and his music is widely celebrated today for its emotional and lyrical complexity. Not only did Buckley possess an otherworldly voice, but he was also an extremely gifted guitar player and writer, with all his talents combining to create a masterful body of work.

Even when Buckley was covering other artists’ songs, such as ‘Lilac Wine’, ‘The Other Woman’ and ‘Hallelujah’, he imbued the pieces with his own distinctive style. Yet, his penchant for covers wasn’t a reflection of an aversion to writing. Buckley knew how to pen a stunningly poetic track, with songs like ‘Lover, You Should’ve Come Over’ and ‘Morning Theft’ suggesting that even if Buckley didn’t have the vocal pipes he was gifted with, he’d get by just fine as a writer.

Buckley took inspiration from many different writers and musicians when writing his own songs. Musically, Buckley looked back to folk artists like Leonard Cohen, Bob Dylan and, of course, his own father, Tim Buckley, from whom he was estranged. Elsewhere, he loved the work of Pakistani singer Nusrat Fateh Ali Khan, the rich tones of Nina Simone, and Led Zeppelin, calling Robert Plant “my man”.

However, when it came to his literary inspirations, Buckley had an extensive book collection, which he no doubt looked to for ideas when writing his lyrics. He owned a lot of poetry, with Rainer Maria Rilke proving to be a particular favourite. Not only did Buckley own Dunio Elegies, Rilke on Love and Other Difficulties: Translations and Considerations Poems from the Book of Hours, but he also owned his epistolary collection Letters to a Young Poet.

Buckley was also a fan of the classic American poet Walt Whitman, owning Leaves of Grass and From the Soil. Of course, no poetry collection is complete without copies of Arthur Rimbaud’s A Season in Hell and Illuminations, alongside some Charles Baudelaire – Buckley-owned Paris Spleen. The singer also owned the Selected Poems of confessional poet Anne Sexton and modernist writer T.S Eliot.

Check out Buckley’s complete poetry collection below.

The poetry that inspired Jeff Buckley:

Dunio Elegies – Rainer Maria Rilke

Poems from the Book of Hours – Rilke

Rilke on Love and Other Difficulties: Translations and Considerations – Rilke

Leaves of Grass – Walt Whitman

From This Soil – Whitman

The Odyssey – Homer

Early Work, 1970-1979 – Patti Smith

You Get So Alone at Times That it Just Makes Sense – Charles Bukowski

Selected Poems of Ezra Pound

The Complete Lyrics – Hank Williams

A Haiku Journey: Basho’s Narrow Road to a Far Province – Matsuo Basho

Paris Spleen – Charles Baudelaire

The Captain’s Verses – Pablo Neruda

Selected Poems – T.S. Eliot

A Season in Hell and Illuminations – Arthur Rimbaud

Writing and Drawings – Bob Dylan

Ode to Walt Whitman – Federico Garcia Lorca

New Poems: 1962 – Robert Graves

Fear of Dreaming: The Selected Poems – Jim Carroll

Selected Poems of Anne Sexton – Anne Sexton

Selected Poems – John Shaw Neilson

Selected Poems: Summer Knowledge – Demore Schwartz

The Collected Poems of Frank O’Hara – Frank O’Hara

Poems – Pier Paolo Pasolini

Space: And Other Poems – Eliot Katz

Tim Buckley Lyrics

[hannibalismos-jaaneman]

never has a song been more loumand coded.

[thesufidotcom]

Kalam of Allama Iqbal has many dimenions but Shikwa and Jawab-e-Shiqwa remains one of the most popular. It has been sung by many, but Ustad Nusrat Fateh Ali stands in his own league Download at https://ift.tt/tiu2Leg ♬ Shikwa (Complete) - Nusrat Fateh Ali Khan 29MB ♬ Jawab-e-Shikwa (complete) - Nusrat Fateh Ali Khan 23 MB #allamaiqbal #nusratfatehalikhan https://ift.tt/GU2O1PI

[drmaqazi]

Khudi Ka Sirre Nihan | Nusrat Fateh Ali Khan | complete full version | OSA Worldwide

[smqazi]

Khudi Ka Sirre Nihan | Nusrat Fateh Ali Khan | complete full version | OSA Worldwide

[dhaliwalmanjit]

Loay Loay Aaja Mahi | Nusrat Fateh Ali Khan | complete version | officia...

[rahul-singh]

Complete Collection of Ustad Nusrat Fateh Ali Khan's Sochta Hoon Ke Who Discover the full collection of Ustad Nusrat Fateh Ali Khan's "Sochta Hoon Ke Woh Kitne Masoom." This compilation features timeless Qawwali performances by the legendary maestro, showcasing his unparalleled vocal artistry and spiritual depth. A must-listen for music lovers!

[gmqazi19739]

Nusrat Fateh Ali Khan: Top 20 Best Pakistani Qawwali Music

In this article, I guide about renowned Pakistani Qawwali Music Artist Nusrat Fath Ali Khan. His perseverance as a singer of Qawwali within the Sufi Music received popularity. The Artist of Qawwali songs referred to him as a mythical singer of those loudly sung Qawwali songs and his sound was so popular due to his best singing style. Despite being fairly well-known internationally, Nusrat Fateh Ali Khan's song has some distance upper frequencies than the ones hired as a Qawwal. The music "Ghazal" has an overly acquainted sound. Ghazals typically practice two enlarged similitudes. Those Nusrat Fateh Ali Khan songs' characteristics are depended on and loved. The Ghazal is a definite melodic class that is distinctive to Pakistan and India, the place has an enormous choice of musical equivalents that are carried out in shared surroundings and in a separate melodic way. In regards to the class, the songs are incessantly totally faithful, and no deeper importance is implied, and Nusrat Fateh Ali Khan's songs are so famous all over the world. Best Nusrat Fateh Ali Khan Premium Qawwali Songs Download Nusrat Fateh Ali Khan's Complete Biography Nusrat Fateh Ali Khan was once born on October 13, 1948, in Faisalabad, Pakistan.  He is the most famous Artist of the Pakistani Qawwali Music. He was once probably the most well-known Pakistani Classical Music Artist who sang predominantly Qawali, the Devotional Sufi Music and songs. He has carried out many superb songs in numerous languages, together with Bollywood Qawwali songs, Ghazal of Nusrat Fateh Ali Khan in addition to Pakistani Sufi songs. Later, Ustad Nusrat Fateh Ali Khan launched soundtracks for Movies and Albums in Pakistan, India, Europe, the USA, and other countries. He was once considered the highest global Music Artist and was once stated as a Master of Qawwali. He additionally gained a lot of tributes in Classical Music. He was once considered to have probably the best possible vocal levels ever heard on the report, and he was once in a position to sing for prolonged classes whilst keeping up a top stage of depth. Nusrat Fateh Ali Khan's songs as standard Ghazal songs amongst overseas listeners. At the age of 16, he had his first public efficiency at his father's Chelum, incomes the nickname "Shahenshah-e-Qawwali". Oriental Megastar Businesses Birmingham, England, signed him in 1980; regrettably, this Mythical Artist kicked the bucket on August 16, 1997. Nusrat Fateh Ali Khan Rise to Global Fame Within the tenure of 1970, Nusrat Fateh Ali Khan's music took a vital flip when he began participating with Western musicians and experimenting with fusion tunes. His collaborations with Artists like Peter Gabriel, Eddie Vedder, and Michael Brook presented Qawwali to a world target market and helped popularize the style outdoors in South Asia. Considered one of his maximum notable collaborations was once with Peter Gabriel on the soundtrack for the Movie "The Passion of the Christ." The music "In Your Eyes," which includes Nusrat Fateh Ali Khan's haunting vocals, turned into a global hit and presented hundreds of thousands of other people with his distinctive style in music. Nusrat Fateh Ali Khan's talent for mixing conventional  Qawwali with fresh parts earned him vital acclaim and an enormous following international. His performances had been characterized by his unbelievable vocal vary, improvisational abilities, and the sheer hobby with which he sang. Nusrat Fateh Ali Khan's Legacy and Influence Nusrat Fateh Ali Khan's effect on the Music Industry can't be overstated. He no longer most effectively popularized Qawwali on a world scale but in addition, impressed numerous musicians throughout other genres. His spell-binding voice and soulful renditions proceed to resonate with listeners, outdoing cultural and linguistic limitations. His effect may also be observed within the fun of Artists similar to Rahat Fateh Ali Khan, his nephew, who has adopted in his footsteps and changed into a hit Qawwal in his proper. Nusrat Fateh Ali Khan's tune has additionally been sampled and remixed by a lot of DJs and manufacturers, additionally cementing his legacy on this planet of music. Additionally, his contributions to Pakistani music and tradition were known and venerated posthumously. Nusrat Fateh Ali Khan obtained a lot of awards and tributes. Additionally together with the celebrated UNESCO Song Prize in 1995, which is awarded to folks or organizations for his or her remarkable contributions to music. Career and Performance of Ustad Nusrat Fateh Ali Khan Ustad Nusrat Fateh Ali Khan carried out the Global Musical Performance in Arts and Dance (WOMAD) tournament in London in the overdue spring of 1985. In 1985 and 1988, he gave performances in Paris. On the invitation of the Japan Basis, he made his first shuttle to Japan in 1987. His making-a-song method was considerably dissimilar to that of Qawwali, even though he was once extremely well known on this planet for Qawwali music and gave performances all through Pakistan. Qawwali is a mode of Sufi Islamic devotional music that originated on the Indian subcontinent and has changed into remarkably standard in Pakistan's Punjab and Sindh areas. In addition to Hyderabad, Delhi, and different portions of India, specifically North India, and Bangladesh's Dhaka and Chittagong Divisions. On the 5th Asian Conventional Appearing Artwork Pageant in Japan, he carried out the Ghazals of Nusrat Fateh Ali Khan. In 1989, he additionally carried out the Brooklyn Academy of Song in New York. Songs by Nusrat Fateh Ali Khan had been extremely well-received by many South Asian musicians throughout his occupation, together with Alam Lohar and Madam Noor Jehan. Best Punjabi Folk Music Free Download He served as a visiting Artist within the Ethnomusicology division at the College of Washington in Seattle, Washington, throughout the instructional year 1992–1993. He would move directly to unencumber 05 compilations, together with Mustt (1990), Evening Music (1996), and Megastar Upward push (a choice of remixes created after any individual had died). His collaborative works with Canadian guitarist Michael Brook throughout his real-world trial paintings inspired other coordinated endeavors with different Western authors and shaking artists. He identified beneath Peter Gabriel's Actual Global id after operating with him in 1988 on the soundtrack for The Passion of the Christ. The Qawwali Song's History Qawwali is a mode of Sufi Islamic devotional music that originated within the Indian subcontinent and is particularly standard in Pakistan's Punjab and Sindh provinces. Very similar to the Dhaka and Chittagong Divisions of Bangladesh, Qawwali is standard in Hyderabad, Delhi, and different portions of India, specifically North India. Firstly carried out at Sufi shrines or Dargahs all through South Asia, it received in style acceptance and a big within the overdue 20th century. During the overdue Pakistani singers Nusrat Fateh Ali Khan, Sabri Brothers, and Aziz Mian, Qawwali Music received global popularity. Furthermore, the most popular Qawwali Music Artists are Fareed Ayyaz and Abu Muhammad from Pakistan, Rahat Fateh Ali Khan, Badar Miandad, Rizwan, and Moazzam Duo. In addition to Amjad Sabri and Bahauddin Qutbuddin, there are a couple of different well-known Qawwali singers in the world, and all the above Qawwali Artists performed well. Ustad Nusrat Fateh Ali Khan Awards and Honours  The following Awards and honors received by Ustad Nusrat Fateh Ali Khan: President of Pakistan's Award for Pleasure of Efficiency for his contribution to Pakistani Music in 1987. He obtained the UNESCO Song Prize in 1995. He was nominated for two Grammy Awards, for Perfect Conventional Folks Album and Perfect Global Music  Album in 1997. Nusrat Fateh Ali Khan Qawwal posthumously obtained the "Legends" award at the United Kingdom Asian Song Awards in 2005. He was nominated for "60 Years of Asian Heroes", in Time magazine's factor of 6 November 2006. He additionally gave the impression on NPR's 50 Nice Voices record in 2010. In August 2010 he was incorporated in CNN's record of the twenty maximum iconic musicians from the previous fifty years. In 2008, Nusrat Fateh Ali Khan was once indenting the 14th place in UGO's record of the most productive singers. Many honorary titles had been bestowed upon Khan throughout his 25-year music. He was once given the name of Ustad (the master) after appearing in classical tune at a se as in Lahore on the Anniversary of his father's death. Conclusion Nusrat Fateh Ali Khan's extraordinary skill and keenness for music made him a real legend on this planet of Qawwali and the past. His talent to connect to audiences through his healthy and dynamic performance has led to his standing as probably the biggest music artist of all time. Even though he's not with us, Nusrat Fateh Ali Khan's music continues to touch the hearts of hundreds of thousands, and his legacy lives on through his undying recordings and the Artists he has impressed. His contributions to Pakistani music and his world effect have solidified his position in the historical past as an icon and a real musical genius. Read the full article

[back-and-totheleft]

"Bollywood doesn't need Hollywood"

Oliver Stone will be honored with a lifetime achievement award at the Mumbai Film Festival. In addition to conducting a master class, two films by the Oscar-winning director are being screened at the festival, including his 2009 documentary South of the Border and Alexander Revisited, his final cut of the 2004 original historical drama that was partly filmed in India. Stone spoke with THR India correspondent Nyay Bhushan in Mumbai.

THR: You have been to India on several occasions and are aware of the film industry here. How would you like to see the two big film industries of India and the U.S. working together?

Oliver Stone: I think the Indian film industry has existed without Hollywood for a long time and it turns out tremendous volume and does well. So the marriage between the two is rare as they have different styles. But of course the best example of the two industries coming together was with Danny Boyle‘s Slumdog Millionaire but that doesn’t happen often and I don’t think that [a meeting of the two industries] can always be structured that way. Then there’ll be movies like My Name Is Khan in which the main character goes to America. I love the style of Indian movies – they’ve always excited me because of how they shift moods between various genres. I mean now we are doing that kind of musical comedy in the U.S. with Glee. So I think (the two industries) do help each other in a way.

THR: In Natural Born Killers you used a song by (the late Pakistani maestro) Nusrat Fateh Ali Khan in the background of a violent scene. How did you come up with that concept of using a sacred song in such a movie?

Stone: It was whirling dervish music and I wanted that madness. I used it over the prison riot scene and other sequences. We got the permission to use that song and put it in and he (Nusrat Fateh Ali Khan) was shocked. I think he was shocked because that movie really came out of the blue. But the movie was really a statement of anger, a protest against the media that had become perverted and more and more superficial. It was spiritual in a way, a breakout against the system. And the anger that (central characters) Mickey and Mallory felt was, to me, against the system which was oppressive. When they break away, that becomes a religious celebration of freedom. That’s why the music was sacred to me.

THR: Your recent Wall Street: Money Never Sleeps had an interesting India connection where Frank Langella‘s character — who plays a banker whose world is collapsing — says that these days he is getting calls “from people in Mumbai, Dumbai.” He seems flustered at this new world that he is facing. Is that a statement about someone whose powers are eroding against a rising power?

Stone: Yes, he is definitely a man whose time has passed by. The money markets have become very confusing and much more computerized and of course, India is a big source of that computerization and outsourcing. Also the deal-making has become much more complex and its true that these big banks lost control of what they were doing, buying and selling securities that they didn’t understand completely. So the idea (behind that scene) was to show the globalization of the economy and also that people are dealing with people they don’t know anymore. You pick up the phone and you don’t know the other guy.

THR: In terms of future projects, would you like to do more documentaries or are you working on a feature?

Stone: I am currently working on a documentary called The Untold History of the United States which is 12 hours long and that’s my big thing to finish as I am on my third year on that.  I can’t tell you about the features because I keep that quiet until I start on them.

THR: Would you do another JFK?

Stone: That cost me a lot too, you know. Every film is different. I think the W movie was very significant and it had a lot to say if you look at it again.

THR: U.S. President Barack Obama is visiting India for the first time when he arrives here next week. What is your take on him and the current political mood in the U.S.?

Stone: Well I don’t want to influence his visit to India in any way. I think that he is taking a moderate stand overall with his policies but the fact is that currently in the U.S., the right wing is getting destructive. The Supreme Court has just freed up rights of corporations to invest in elections. That is very dangerous and changes all the rules. I think we will be more and more in decline in the U.S.

THR: India and the U.S. are both large democracies which allow freedom of expression. But sometimes that can be challenging in India in the sense that it can be difficult for filmmakers here to push the envelope and explore certain subjects such as religion or politics. How would you like to see this creative expression nurtured further in the world’s largest democracy that is India?

Stone: I can’t tell you because I don’t know the issues here but to me India is one of the sterling examples of the world of a real amazing amount of change and freedom. You allow for different points of view, you are very tolerant and the religious freedom is famous here. Most countries are closed to that and don’t allow various (religious) concepts like Buddhism, Hinduism, Islam and others to exist side by side. I don’t see the closures that you talk about. I think you are one of the great old traditions of the world which allows for such freedom of worship.

-Oliver Stone Q&A with The Hollywood Reporter, Oct 27 2010

[knotyourtype]

[sweetdreamsjeff]

Liner Notes for Nusart Fateh Ali Khan's "The Supreme Collection Volume 1"

Caroline Records is releasing "The Supreme Collection Volume 1" from Nusrat Fateh Ali Khan & Party on August 26, featuring liner notes written for this collection by Jeff Buckley in 1996.

In his notes, Buckley writes: "The first time I heard the voice of Nusrat Fateh Ali Khan was in Harlem, 1990. My roommate and I stood there, blasting it in his room. We were all awash in the thick undulating tide of dark punjabi tabla rhythms, spiked with synchronized handclaps booming from above and below in hard, perfect time. I heard the clarion call of harmoniums dancing the antique melody around like giant, singing wooden spiders. Then, all of a sudden, the rising of one, then ten voices hovering over the tonic like a flock of geese ascending into formation across the sky. Then came the voice of Nusrat Fateh Ali Khan. Part Buddha, part demon, part mad angel... his voice is velvet fire, simply incomparable. Nusrat's blending of classical improvisations to the art of Qawwali, combined with his out and out daredevil style and his sensitivity, outs him in a category all his own, above all others in his field.... For the true Qawwali, all meanings of the music exist simultaneously and there is no need of purpose for religious dogma. There is only the pilgrimage to the light within the heart, which is the home of God. There is only a pure devotion and a fierce virtuosity to grow wings and soar through music. To plant a kiss on the eyes of Allah and then sing His loving gaze back into the hearts of Man."

In the wake of Buckley's recent tragic death by drowning, Caroline has dedicated this collection to his memory.

Nusart Fateh Ali Khan's "The Supreme Collection Volume 1"

THE COMPLETE LINER NOTES:

"The first time I heard the voice of Nusrat Fateh Ali Khan was in Harlem, 1990. My roommate and I stood there, blasting it in his room. We were all awash in the thick undulating tide of dark punjabi tabla rhythyms, spiked with synchronized handclaps booming from above and below in hard, perfect time.

I heard the clarion call of harmoniums dancing the antique melody around like giant, singing wooden spiders. Then all of a sudden, the rising of one, then ten voices hovering over the tonic like a flock of geese ascending into formation across the sky.

Then came the voice of Nusrat Fateh Ali Khan. Part Buddha, part demon, part mad angel...his voice is velvet fire, simply incomparable. Nusrat's blending of classical improvisations to the art of Qawwali, combined with his out and out daredevil style and his sensitivity, outs him in a category all his own, above all others in his field.

His every enunciation went straight into me. I knew not one word of Urdu, and somehow it still hooked me into the story that he weaved with his wordless voice. I remember my senses fully froze in order to feel melody after melody crash upon each other in waves of improvisation; with each line being repeated by the men in the chorus, restated again by the main soloists, and then Nusrat setting the whole bloody thing alflame with his rapid-fire scatting, turning classical Indian Solfeggio (Sa, Re, Gha, Ma, Pa, Dha, Ni) into a chaotic/manic birdsong. The phrase burst into a climax somewhere, with Nusrat's upper register painting a melody that made my heart long to fly. The piece went on for fifteen minutes. I ate my heart out. My roommate just looked at me knowingly, muttering, "Nusrat...Fa-teh...A-li...Khaaan," like he had just scored the wine of the century. I felt a rush of adrenaline in my chest, like I was on the edge of a cliff, wondering when I would jump and how well the ocean would catch me: two questions that would never be answered until I experienced the first leap.

That is the sensation and the character of Qawwali music, the music of the Sufis, as best I can describe it.

In between the world of the flesh and the world of the spirit is the void. The Qawwali is the messenger who leaps empty-handed into the abyss and returns carrying messages of love from the Beloved (Allah). These messages have no words, per se, but at the high point of a Qawwali performance, they come in bursts of light into the hearts and minds of the members of the audience. (Of course, by that time the whole house is either hanging from the rafters, or dancing.) This is called Marifat, the inner knowledge, and it is in the aim of the Qawwali tradition to bring the listener into this state: first through the beauty of the poetry and the weight of its meaning; then, eventually, through the Qawwali's use of repetition; repeating the key phrases of the poem until the meaning has melted away to reveal the true form to the listener. I've seen Nusrat and his party repeatedly melt New Yorkers into human beings. At times I've seen him in such a trance while singing that I am sure that the world does not exist for him any longer. The effect it has is gorgeous. These men do not play music, they are music itself.

The texts from which traditional Qawwals are sung come from the works of the great sufi poets: Bulle Shah (1680-1753), Shams Tabrez (d. 1247), Shah Hussain (1538-1599), and the great Sufi poet and scholar, Amir Khusrav (1253-1325), who was the inventor of Qawwali itself. These texts are devotional, of course, meaning poems of worship for Allah (Hamd) and the prophet Muhammad (N'ati-Sharif). There are also love poems (ghazals), where a more secular romantic interplay is happening between man and woman (which I can dig). The Qawwali's, however, see ghazals as a metaphor between Man and the Divine. They don't care about which meaning was derived from where. In the true Sufi way, through their music, any meaning that is needed by the listener is there for the listener to absorb. For the true Qawwali, all meanings of the music exist simutaneously and there is no need of purpose for religious dogma. There is only the pilgrimage to the light within the heart, which is the home of God. There is only a pure devotion and a fierce virtuosity to grow wings and soar through music. To plant a kiss on the eyes of Allah and then sing His loving gaze back home into the hearts of Man."

Source: Jeff Buckley, New York, 1997

ENTERTAINMENT WEEKLY

[celestiialbeing]

A masterpiece.

Chef’s Kiss 🤌🏼

[paapi]

or

Y'all might assume I am a person but at this point I am just a ghazal by either Jagjit Singh or Mehdi Hassan

Or I am a Qawali by NFAK

[scribblesbyavi]

I think long ass posts don’t work well now a days. I’m not blaming Tumblr but it’s the story of every social media site these days. I only have like one or two long ass posts here though. No wonder social media has turned us in to people who don’t have the patience to sit through a complete book or a complete film even. May be that’s why many new writers have stopped putting their effort on the setting up of the story plot and development of the character arcs. We only want the best second half. We want the best action scenes, the best reveal, the best climax and happy endings. Yeah, and that’s everywhere. “Pun intended.” However, we should understand the fact that a good piece of content is whole and not two halves. But social media is turning us in to people who wants content that will hit our brain for instant pleasure and then to go away. Because after that we want something else to hit us next.

May be we need to stop feeding ourselves on what the mainstream media and the hype tells us. May be we are better left alone to our own decision making of the whats and the whys. May be only then we can become thinkers and creators. May be only then we will be able to become good audiences and contribute the way we should always have. May be only then we will also be able to become good observers, someone who can see the tiny details in a frame and the nuances of a character or a scene, and that applies even to our day to day lives, our work etc.

we are a generation that feeds on instant gratification.

We are becoming a generation who wants instant noodles, instant results and instant love. But we very well know the fact that even noodles take time to cook and it’s not actually instant like they advertise.

We want a reel to swipe every 10 second, 30s cuts of songs just so that it can fit the social media attention span and go viral. May be that’s where the future is going. 1 minute down to 30s and now down to 10s and what’s next? 1s snaps? But what can you say? Art is art. But is that somehow affecting us, may be in a small way now but leaving adverse effects for the long term? Don’t we sometimes want to dive deep in to the content we love rather than just making us go wow for a second and making us feel bored again. Don’t we want to consume something that makes us think and leaves a mark on us and actually help us build ourselves and a stronger foundation around us?

Some of us are still the kind of people who will go back to those long music sessions. Damn, I just love the long music sessions and qawwalis of Nusrat Fateh Ali Khan. They go for like 25 minutes, even Sabri Brothers. I always feel that rather than making remixes of the classic songs we should revive them by letting the good singers sing them as covers or like on Coke Studio. Oh! It’s the best thing to have happened. Singers like Ali Sethi, Rahat Fateh Ali Khan, Atif Aslam and Ali Zafar, they being legend themselves are making covers of the evergreen songs created and performed by the maestros who are no longer with us.

So there are some of us who may not have all the time in the world but we will definitely complete a good book and a good academy winning film or even an indie film for that matter. We just don’t care about the critics or the general audience reactions. We know people who knows people who can recommend us the good books and the good movies to watch. And that’s the purpose of a community, isn’t it? To be able to share experiences that we enjoyed with the people of our own community. And I believe the next revolution in the content world will be brought by these people who don’t care about the social norms and will do anything to bring the best forms of content to the masses, may it be educational or for entertainment purposes. Content will stand truly for the strength of the content and not marketing or vfx alone.

So the hell with going viral and likes and follower numbers, I’ll just continue dropping long ass posts from time to time. May be the content we are creating right now will actually find their right audience only after few months and years. And may be that’s a good thing too. Because these long ass posts actually start the important and the long ass discussions and helps me build a better relationship with few of my readers and actually learn from them too. I mean, we are all here to learn from each other and only then this can be a healthy and growing community. And may be that’s what I crave for too.

To be able to connect. ✨

Initially I thought this post will be about my thoughts on why long ass posts have less readers, but then I kept on writing because things just kept coming and this itself became a long ass post about long ass posts. Inception, you see.

Hope you enjoyed the long ass post (rant) !!!

[drmaqazi]

Khudi Ka Sirre Nihan | Nusrat Fateh Ali Khan | complete full version | OSA Worldwide