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mszfarhana · 2 years ago

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Syukur Alhamdulillah. 24/5/2023 lahirlah puteri kedua kami. Nur Medina Sofea 💖 seberat 3.06kg 7.10am. Harta dunia akhirat momy and abah selamanya. Geng kakak dada lagi hehe. Kalini pengalaman bersalin normal.

Story 2nd baby

Admit HSI 3pm 23/5/23

Contraction dah datang seawal 4am berterusan 5-10 min skali

Cek di bilik saringan 9am contraction kuat baby active. Jalan da buka 3cm. Sakit terlampau, kene injection 1 kali di lengan.

Alhamdulillah kurang rasa sakit 30 min skali. Tapi ngantuk juga.

Selepas di Bilik saringan, tunggu warded. Eh sekali ward full! Pelik.

7 jam tunggu macam takde keperluan pape. Lapar jangan cakap. Kesian si suami menunggu sama. Turun bawah naik balik belikan kita makanan. Menunggu bersama geng yang 3cm.

Even class 1 ke 2 ke 3 ke semua full.

Semua da panggil nama , eh kita pulak yang last. Masuk la ward paling dekat. 4A. Selesa ye no katil foyer 3. Tak sama mana HSA. Macam dorm. Kt sini dia better sebab semua katil baru and 7 orang je satu ward ni.

Ingat kan boleh la terus bersalin. Tapi tidak ye. Masuk wad dulu rest puas puas sebelum jalan buka besar. Sampai la ke malam. Tiba tiba, contraction makin teruk lepas pukul 11, da setel solat makan berak baca yasin. Sakit 5 minit sekali. Alhamdulillah layanan misi and doctor semua elok. Syukur sangat. Geng sebelah katil pon elok berborak even die da 35 tahun. Mengajak kita solat setiap waktu. Berbalik pada sakit contractions. Ya Allah ya karim. 5 minit sekali. Nangis2 and bape kali panggil nurse n doc check kan. Jalan baru 4cm ni, rahim tebal. What? Misi bagi panadol kurang kan sakit. Tak jadii! Sekali aku request nak injection. Cek ctg, naik teruk graf. Naik tegang ye. Injection yang kedua diberikan dan kat punggung. Kurang sakit nya. Tapi effect mengantuk macam minum arak pulak 🥵 tapi melayan lagi contraction.

Berterusan setiap 5-10min sekali masih sama contraction. Allah je tahu pedih dia.

Tepat 5am. Misi check lagi bukaan 4cm. Okay kene call husband suruh dtg. Nak tolak dalam labour room. Masuk labour room eh kene pakai lagi ctg. check sakit ke tak. Macam biasa sakit nya. Sambil mata celik pejam lalok semua. 6.15am suami dtg, teman masuk lr sekali. Kesian dia, mmg tak lepas tangan dia aku genggam. Cekau. Sakit teramat sgt sgt tak boleh cakap!

7am, dah mula rasa nak meneran. Adik semakin kuat nak keluar. Aku dah mintak laki aku tgk ! Nak teran ni! Misi baru masuk, terus aku cakap nak meneran misi. Saya sakit sangat ni. Doctor tak sempat nak masuk cek bukaan. Misi seluk, da almost 7cm. Pelan2 misi suruh teran. 10cm dah nampak! Disuruh suami aku tgk nampak kepala baby tak tu ? Ok nampak kata laki aku. Cubaan untuk meneran. Salah ye cara aku! Kene tarik nafas, teran macam nak BERAK ye kawan2. Panjang teran supaya baby keluar. Bagus bagus kata misi. Cuma nafas tak cukup. Tercungap2. Rezeki nya suami aku teman dalam tu. Dia nampak apa yang berlaku😩 aku tak ingat apa tak fikir apa. Misi cakap nak gunting, aku ok ok . Sebab sakit nak meneran and tak fikir sakit gunting ke apa. Skli push, kepala kluar sampai mata. Kesian adik. Teran lagi sampai bahu. Syukur Alhamdulillah pop! 7.10am seketul keluar dari rahim aku 😭🥹 ya Allah. Pengalaman tak boleh lupa. Serius aku budak ni keluar kat perut aku? Yang aku kandung kan 9 bulan? Putih merah, girl beserta rambut lebat mami nampak. Tapi adik da terbeyak dalam perot mami. Misi terus bawak mandi and bersihkan awak

Legaaaaa betul. Takda dah contraction . Like seriously. Next part jahit. Dicucuk nye bius tapi still berasa benang and jarum menembusi lapisan kulit ku. Wallah uakbar. 8am selesai jahit dan dibawa dalam ward postnatal. Alhamdulillah, lepas doc check, mandi, baby pon dah bcg. Di sahkan sihat , 8pm discaj 🥰 seronok nya bersalin normal! 😘moga ada rezeki lagi lepas ni bersalin normal. inshallah. Kenangan semua tu memang tak boleh lupa

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ericfruits · 5 years ago

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India’s government is better at curbing critics than covid-19

Banyan India’s government is better at curbing critics than covid-19

Bureaucrats can be a nuisance, but politicians are often a menace

May 9th 2020

MANY INDIANS will remember the coronavirus epidemic less for social distancing, or for watching re-runs of “Ramayan”, a popular 1980s television saga based on Hindu myth, than for the endless queues. Destitute migrant workers hoping for a train home are not the only ones who have been made to line up and wait. Nor are the millions now surviving on charity, or the hope of it. Many in the middle class, too, have been stuck in monstrous tailbacks while trying to make urgent journeys, the victims of arbitrary decisions by babus, as Indians derisively call civil servants.

For example, in the state of Haryana, which almost encircles Delhi, babus have ordered nearly impenetrable roadblocks to seal off the capital. This is akin to Maryland walling off Washington, DC, or the Home Counties blocking access to London. The babus say the blockade is to protect Haryana’s healthier citizens from being infected by sick Delhi-wallahs. The trouble is that severing the city from its suburbs has, among other nuisances, blocked doctors, nurses and patients from travelling to hospitals.

The babus of Delhi, for their part, have generated equally enormous queues. When the central government’s babus decided it was time to lift a nationwide ban on alcohol sales (a measure whose utility in the fight against covid-19 remains mysterious), the government of Delhi decreed that only particular liquor stores could open. This needless constriction created a crush so great as to squash any semblance of social distance. The babus then added insult by slapping a 70% tax on booze.

Not to be outdone as nuisance-makers, the babus of Noida, a suburb of Delhi in the state of Uttar Pradesh, have declared it illegal to carry a smartphone without downloading the government’s contact-tracing app. Many people do not own smartphones and, besides, the software is highly controversial. Yet the wise men of Noida still think it reasonable to threaten citizens with six months in prison for shunning it.

If it were only ill-conceived, ever-shifting rules that magnified the grief of covid-19, Indians would simply shrug and roll their eyes. It is what they have come to expect from the “gomment”. Yet for some citizens things are worse. If you happen to be Muslim, for example, or to have joined the widespread protests earlier this year against government moves to inject religious criteria into citizenship rules, or to have been branded “anti-national” for any other reason, then you may be singled out for special treatment. Despite the spreading epidemic and the hardship caused by the continuing lockdown, the government has not relented from pursuing a range of critics, increasingly invoking draconian laws intended to combat terrorism.

Consider Anand Teltumbde, a 69-year-old management professor who champions the rights of Dalits, at the bottom of the caste system. He has been imprisoned since mid-April, awaiting trial along with ten other leftist intellectuals on credulity-stretching charges of inciting violence, including a purported plot to assassinate Narendra Modi, the prime minister. Or take Safoora Zargar, a 27-year-old graduate student at Delhi’s Jamia Millia Islamia University, arrested a month ago and repeatedly denied bail, despite being four months pregnant. Her membership of a university protest group has been twisted into a leading role in a purported “premeditated conspiracy” by Muslims to stoke the communal violence that engulfed parts of Delhi in February and left more than 50 dead. Among numerous facts that might suggest that this police narrative is pure fantasy, three-quarters of those killed in the riots happened to be Muslim.

Perhaps most disturbing has been the government’s failure to act at all against far more obvious troublemakers. During the covid-19 crisis, it has seemed completely uninterested in staunching a nasty wave of Muslim-baiting on social media, just as it ignored incitement to violence against anti-government protesters before the Delhi riots. The gist of the rumours doing the rounds is that the Muslims are deliberately spreading the epidemic as a “corona jihad” against the Hindu majority. One watchdog group has counted no fewer than 94 fake-news videos circulating in the past month, attracting millions of views, in which Muslims are supposedly shown propagating the disease by spitting in food, dropping infected currency notes and so on. Naturally, any meaningful debate about the government’s handling of the epidemic has been buried under this dangerous rubbish.

This article appeared in the Asia section of the print edition under the headline "Lockdown lock-up"

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#IFTTT #Feedly

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adventurepunks · 3 years ago

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thedemonconstantine:

“Oookay,” Said Andrew who did not seem the least bit perturbed that he suddenly became a meat-shield to John’s wife…that is if John wasn’t pulling his leg about that bit of the introduction.

He watched the creature shriek and fall back into its coffin like a wooden plank then raised his eyebrows at John, hands on his hips and sniffling.

“You ah…lost my address?” Asked almost testily…well maybe a little awkwardly, a little like a mumble with a side-eye to Talia just in case she heard him and thought it rude.

“…for the ah…wedding invite?”

Sniffle.

Hey now, weren’t they supposed to be friends?!

“Easy mate, weddin’s next year. Yeh comin’ wiff Pearl?” John tried very hard not to grin at how morose Andrew looked about it. Always a moody bugger, this one.

“Aye, me Queen, looks like we’ve gots ‘ta make space at Blood’s table for Bennett,” He scratched his chin and put on a show of nonchalance just to mess with Andrew.

“Yeh wants ‘ta sit wiff Zee-Zatanna or Richard? Or yeh wants ‘ta roost in th’ beams wiff Matthew? We’re nah servin’ blood though I kin arrange sumfing fer yeh.”

“This body was looted before it was discovered yet again and corrupted into…whatever this is right now, so as you can see, the gold tongue is gone, the neck collar and bracelets too,” Andrew chose to ignore John’s teasing and addressed Talia instead, pointing to the unadorned places on the creature that should have had jewellery.

“Poor thing came back without any means of communication. Seems like it may not even be housing a soul or maybe just a fragment of it. I don’t sense much sentience,” He continued whilst peering into the sarcophagus for another good two minutes before sliding the heavy stone lid shut.

There was the faint stirring of air in the distant tunnels alongside the chittering of something else, yet Andrew was relaxed and lounging with an elbow against the closed sarcophagus.

“You really…you place-sat the knight and Occult first? Before me? Of course I’ll sit with Zatanna!”

“Woh kin I say, Bennett, weddin’s gunna be in broad daylite, heh!”

The ground began to rumble and dust unsettled by their feet. Perhaps the temperature in this little chamber dropped two degrees and still the men continued to bicker.

“Alrite, alrite, I’ll prepare a brolly fer yeh, tha’ spiffy enough fer yeh knob?”

John was leaning against the sarcophagus too and nursing a cigarette, and the shadows behind him moved.

Something peeled off the walls to strike, fangs and claws and hissing spit, only to shriek in agony when a UV torch was shone straight into its ugly face.

SCREEEEEEEEEEE-

The thing turned to dust all over John’s shoulders, and another came to strike at Talia!

“Parasol. A parasol,” He corrected with a big toothy grin and shone his torch around.

SCREEEEEEEEE-

Oop, there goes another one! And another!

“--” Talia stared at John saying not a word, as if her eyes were to convey that she had already accommodated guests she did not find fitting now John invited vampires as well.

What next? Ask a ghoul to be their son’s godfather?

As the boys played their little theatrics Talia followed a moving shadow with her torch light.

“Ah, Wallah-pt puptt” Talia spat dust that she ended up tasting on her tongue.

One was downed by the burn of the UV torch, another relieved of it’s head with her silver blade when it stepped an inch closer to Bennet than Talia was willing to allow.

"Are those theatrics important right now? I swear thirty years old, a hundred you never outgrow boyhood” Talia scolded them both and John was even rewarded with a slap at the back of his head as a dagger flew to pin a shadow to the wall. All Talia saw were moving shadows, her eyes were still very human after all and these creatures moved fast.

Very fast.

Thus a true marksman aimed to where they calculated they would be 0.7 seconds after their projectile left their hand.

No wind factor down here to factor in.

“I still....do not like...that you invited Boobarella to my special day” Talia grunted between swinging her sword taking out her anger on a pile of dust on the floor as if dispersing the dust would mean anything. She might be taking her frustrations of Zatanna’s insistence in being alive and John still caring about her on dust.

“I apologize, we are not used to company on our adventures. We shall resume our domestic another time” Talia even bowed her head just a little in apology to the vampire.

“Not that I wish to be patronizing but they were hardly a challenge, I doubt you procured our aid for this. Shall we proceed to find the real threat?”

#thedemonconstantine #;;talia al ghul threads

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hefrustatesme-blog · 7 years ago

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londontheatre · 8 years ago

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LtoR James Dutton and George Kemp. The Wipers Times-Photographer Philip Tull

The First World War news-sheet/magazine “The Wipers Times” was a kind of “Private Eye” for the trench wallah, a prequel-Viz for the Kitchener Kids, a “Punch” for Tommy Atkins but, as is suggested in the text of this show, a “Punch” that is actually funny. The “Private Eye” analogy is apposite, of course, as the play The Wipers Times is co-written by long-time editor of that august organ, Ian Hislop, and its evergreen, award-winning cartoonist, Nick Newman.

Hislop discovered the long-forgotten “Wipers Times” whilst researching a historical documentary and there began a fifteen-year peregrination to reach, finally, journey’s end here at the Arts Theatre. Initially a film treatment, the writers had so many rejections that they decided to write it as a stage play.

Part-way through this they were suddenly contacted by the BBC who commissioned a 90-minute film as part of the Great War anniversary programming in 2014. So with audience acclaim, nominations and awards in their old kit-bag they hitched it on again and, with 100-year-old trench humour ringing in their ears, they returned to write their play. I’m glad they did.

Like the original editors of “The Wipers Times” Hislop and Newman have to tread a fine line between humour and tragedy, telling the jokes, cocking the snooks, indulging the comedy routines whilst respecting the dignity, commemorating the lives and saluting the memory of the fallen of the Great War – all 17 million of them. They achieve this and thus we have a play that is funny and sad, whimsical and true, thoughtful and uplifting. And to make all this happen we have an outstanding cast who draw us in, take us back, entertain us like the troops were entertained and provide grist for the ponder-mill whilst the events of 1916 are still very, very scary. The result is a careful melange of gas and gaiters, music hall meets muck and bullets, and Variety is, perhaps, the spice of death.

Wise-cracking, brass-needling, loveably rakish Captain Fred Roberts, editor of the paper, is played with great empathy by James Dutton. Exquisite comic timing combined with a feel for the common touch get us all on his side from the get-go. His puns and asides and his not-quite- insubordination are furnished with a deft touch by Dutton who gives the impression he’s got a wonderful secret that he wants to share with everyone – except for the brass hats. Captain Roberts is aided and abetted in his war within a war by Lieutenant Jack Pearson, deftly played by George Kemp. Kemp is one of those unselfish actors who underplays his own performance to enhance the roles of others – particularly Captain Roberts in this instance. He is a calming influence under fire – real and manufactured by the powers that be – and he is the necessary check on the more provocative ideas of his Captain. This is a subtle and refined performance by Kemp – a virtuoso foil to Dutton’s Captain Roberts – and together they make an admirable double-act.

In a male dominated play we have a scattering of nurses, an alluring Madame Fifi (Clio Davies) and Roberts’s wife Kate, acted with mesmeric charm by Emilia Williams. As well as her beautifully haunting song, Williams give us a sympathetic and welcome insight into how the home fires were kept burning, with her chicken pun showing just how her husband’s slightly dodgy humour had rubbed off on her.

How do you make the words from a hundred-year- old trench newspaper come alive on stage? You can’t just read them out for the length of the show so the rest of this excellent cast of cannon fodder make frequent visits to Vaudevillia to illustrate the songs, the poems, the letters, the cod war correspondents, the armchair commentators and the sharp satirical depictions of life at the front for the ordinary soldier. These cocksure and colourful interludes bring “The Wipers Times” to life and is a clever way of communicating its unpretentious ethos to the modern audience. This gallant troupe of troopers is expansively directed by Caroline Leslie who has a real feel for the history of the piece. She is ably assisted by James Smith’s evocative lighting design and an excellent soundscape by Steve Mayo. Dora Schweitzer’s engaging and functional set design serves the production well and Leslie’s decision to accompany the frequent but polished scene changes with songs by the cast as they go about their business is a masterstroke. I was a little worried though when clouds of dust and plaster fell from on high, that we might be re-experiencing the ceiling shenanigans that unfortunately befell the Apollo Theatre in 2013. Happily it was staged.

LtoR James Dutton, George Kemp, Kevin Brewer, Peter Losasso, Jake Morgan, Sam Ducane ,Dan Tetsell.The Wipers Times Photographer Philip Tull

Ultimately, what we have here is a well-researched and highly informative historical document that can take its richly-deserved place alongside R.C. Sherriff’s Journey’s End, arguably the greatest war play ever written, as an invaluable resource for all those who wish to find out about the Great War. It seems appropriate that Sherriff was a contributor to The Wipers Times, though his fame lived, and still lives, long after the war, unlike the paper’s leading lights. Hislop and Newman have ensured, I believe, that the forgotten editors of “The Wipers Times”, Captain Fred Roberts and Lieutenant Jack Pearson, along with all the contributors, should for ever be remembered.

Besides that The Wipers Times is a lovely play in its own right – and I count myself lucky to have been in the audience on World Theatre Day.

Review by Peter Yates

Ian Hislop and Nick Newman’s The Wipers Times – a stage adaptation of their award-winning BBC film – tells the true and extraordinary story of the satirical newspaper created in the mud and mayhem of the Somme, interspersed with comic sketches and spoofs from the vivid imagination of those on the front line.

Ian Hislop and Nick Newman said: “We thought it would all be over by Christmas – but we are delighted that following a sell-out tour, The Wipers Times continues with a run at the Arts Theatre. A hundred years after World War 1, London audiences will have a chance to see this forgotten true story about a satirical trench newspaper and discover that the black humour of The Wipers Times is still remarkably fresh, funny and poignant. We are thrilled that it ‘s not going to be all quiet on the West End Front…”

In a bombed out building during the First World War in the Belgian town of Ypres (mispronounced Wipers by British soldiers), two officers discover a printing press and create a newspaper for the troops.

Far from being a sombre journal about life in the trenches they produced a resolutely cheerful, subversive and very funny newspaper designed to lift the spirits of the men on the frontline.

Defying enemy bombardment, gas attacks and the disapproval of many of the top Brass, The Wipers Times rolled off the press for two years and was an extraordinary tribute to the resilience of the human spirit in the face of overwhelming adversity.

The production takes place one hundred years after the Battle of the Somme and publication of The Wipers Times.

The cast includes Kevin Brewer (Henderson), James Dutton (Roberts), George Kemp (Pearson), Jake Morgan (Barnes) and Dan Tetsell (General Mitford). The Wipers Times is directed by Caroline Leslie.

The Wipers Times By Ian Hislop and Nick Newman Based on a true story

Creative Team Directed by Caroline Leslie Designed by Dora Schweitzer Lighting designed by James Smith Sound designed by Steve Mayo Composer Nick Green Musical Director Paul Herbert Tuesday 21 March – Saturday 13 May 2017 http://ift.tt/14ByCrr

http://ift.tt/2fJNoOl LondonTheatre1.com

#IFTTT #LondonTheatre1.com

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sydneyhornaksgoldaward-blog · 8 years ago

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The Power of Crocheting Part II

On two separate occasions, my mom got a call from the postpartum nurses at the hospital requesting me to come in and crochet with some women who had high blood pressures. Apparently, word had gotten out about the power of crocheting. I was able to get over to the hospital in a short period of time for each patient. Both women had already delivered their babies and were in the maternity ward. They were having trouble returning to normal blood pressure readings. I knew crocheting would help them relax. I spent about two hours with each of them and “Wallah!” their blood pressures had lowered.

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nursingwallah · 2 months ago

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Admission going on for Post B. Sc. Nursing & M. Sc. Nursing Session - 2023 - 2025 & 2024 - 2026.

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nursingwallah · 10 months ago

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ड्रेसर सर्टिफिकेट कोर्स 01 वर्षीय होता है।

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hefrustatesme-blog · 7 years ago

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