#not that he hasn't suffered enough already. being forced to live with the truth and atone is technically punishment enough

[anew-flame]

Imo Blackwall's judgement should've had a special option just for inquisitors who romanced him

[gh0stswh0re]

"relax your throat, darling"

warnings: f! reader, blowjobs + deepthroating, mutual masturbation, domestic fluff, inexperienced reader, established relationship, mentions of the reader being a virgin prior to the relationship, soft dom simon, praise

a/n: i spent an embarrassingly long time writing this and it's still barely a meh. it can be taken as a pt3 to the ghost x virgin (!) reader fic, although it's not implied anywhere + it lacks any proper storyline. this is more of a dribble than anything else.

...

nearly twenty minutes have passed since he picked you up in the kitchen, threw you over his shoulder, and carried you over to the couch – all of your protesting, giggling and playful hitting were to no avail.

it didn't really bother you, the feeling of domesticity; despite how quickly it settled into your lives – living together for barely three weeks and the tiny four-room apartment already started to feel like home.

the early morning cuddles which soon turned into ruthless competitions of who stays under the blankets for the longest before developing the first clinical signs of hyperthermia.

the dim flames of the cheap candles playfully dancing as their sweet aroma of apple-cinnamon spreads throughout the entire apartment complex – it'd be the very definition of tacky if it wasn't for simon trying so hard – even preparing dinner, despite cooking being one of the activities he hasn't done in years, and burning his hand twice in the process.

showering together – because it saves water, of course.

the late-night chatters which followed; strangely enough, simon never makes any other environmentalist comments – what a bastard.

all the small pieces puzzled together into the safe and comfortable living space you two shared, and while he would never say it out loud – simon was utterly thankful for it. and for moments like these – when he had you pinned down on the couch, one hand pressed against your tummy as the other held your hips in place with his nasty mouth pressed flat against your cunt – he was thanking god. or whatever external divine force intervened with his dull life - where the wish to suffer was just a passive request of his subconscious mind – and brought you straight into his embrace. it all felt like a simple promise - a promise of something greater that life has to offer.

this was no rare occurrence – grabbing handfuls of his clothes, silently urging him to take them off, to allow your curious fingers to explore every inch of his body, ... all while he slowly leans back, as the gaze of his drowsy eyes pierces right through you – like a predator stalking his prey - watching your every movement, and studying each individual facial expression – he could sink his teeth into you and devour you whole at any given moment, but he choses not to. truth be told, he finds his own perverted pleasure in it – his body merely anything but a physical tool for you to experiment on - teasing him in all ways possible just to see which movement provokes which reaction in him – who would have guessed such a pure virgin would turn into such a filthy slut.

although, there was a specific thing you've been begging him to try out with you – deepthroating. it sounded fun and looked fairly easy too – seeming like a good time all around.

today, you've built up enough courage to take some of the control away from him – dropping down onto your knees, a hand stilled on each one of his thighs as your lips sank down on his dick,"you didn't- shit, darling" the adam's apple bobbed in his throat as his head fell back and he swallowed hard. "darling, hey- you don't have to" one hand rested on top of your head. "but i want to" he should've known by now - dumb comments get even dumber responses.

you hated admitting he was right – especially about things you've begged him for – but it was a bit too much.

your chin quivering as your throat spasmed around his cock each time he hit the soft palate at the back of your mouth? too much.

your knees burning as if you've been kneeling on fragments of shattered glass for the past ten minutes? too much.

your jaw growing sore as spit dripples down your chin onto your chest? too much.

the stifled moans cutting through his vocal cords up his throat, as the blackness of his blown-out irises consume the color of his eyes? too-fucking-much.

he noticed – warm fingertips crept behind your neck, traveling up to your hairline "hey now-". blood rushed to your face – tingling your cheeks and painting them a shy tone of red as your lips separated from him with a loud, wet pop.

the calloused pads of his fingers rubbed against your lower jaw, carefully easing the stiffness away right before his palm wrapped around your throat – constricting the airway just enough to get a giggle out of you – dipping his head down, he used the opportunity to slip his tongue past your lips, swallowing the musky taste which spread throughout his mouth.

"just like that, lean back-" releasing his grip on your throat, his hand dropped down to your chest - pushing you away slightly. "and touch yourself" breath cycled inside your lungs – into your mouth, out of your nose – faster and faster with each weary moment.

"you know how i like it" lust streaked through you – from your veins into your bones, swallowing your being entirely. you do know exactly how he likes it – two fingers spreading the swollen folds of your cunt as the third one circles on your clit – and just how much he likes it.

so you did it – leaning backward on your heels, your right hand slipped past your tummy down to your sex – fuck, embarrassment burned hot inside you, but you couldn't deny just how aroused the entire thing made you – wetness was practically dripping out of your aching cunt.

your eyes bore into his before your stare dropped down from his lips to his collarbones - now glistening with a thin layer of sweat - to his stomach – muscles tensing up – down to his lap – he looked massive even as his own hand gripped around his length.

a part of you wanted more – to just hop onto his lap, to soak right through the fabric of his pants as you straddled against him.

the other part, the greater part of you, was frozen in place – paralyzed as you watched his hand move up and down, and up – his thumb teasing the leaky, sensitive tip – and down – his hips thrusting back against his palm.

bliss started to blur your brain's function and soon only a single thought remained in that pretty little head of yours – as he'd call it – to cum, to cum hard, and to cum right fucking now.

"faster, little dove – sing for me" pure carnality.

[carnavalesque]

THE ELECTRA HEART EDIT - a thesis about love affair and the construction of one's individuality, or how to become a person?

1. Yun-Hee is the classic bubblegum bitch; she wants it all and she wants it now. She does not necessarily means harm, but she realizes she could cause it if she wanted to achieve her dreams. 2. Poppy is a Primadonna : she's rich, pretty, and generally obtains what she wants, except what she deeply wants - the love of her life, Akise. 3. Eunwoo spends his times lying. To himself, to everyone around him. It's easier for him that way, lies are less hurtful than the truth he's living it. 4. Juno is a classic homewrecker - he does not care about anyone else but himself, and does not care in the slightest about ruining people's relationships if it benefits him. 5. Daehyun never had the starring role, in anyone's life : he's always been in the shadow of his brother, and would always be the seconc choice, never the first one, because of that. 6. Rei, most of the times, has to force herself into a state where whatever she's going through does not exist. Those little dreams of her help staying alive. 7. Min-Ah, the feminist at heart, would never let any man have some sort of power over her. She's the one in the charge, she'll always have control. 8. Haneul is not really alive, hasn't been really living, anyway, for a long time. With all of her attention focused on her son, it feels, sometimes, as she's been already dead. 9. Nari was a girl who never had the chance to be a proper teenager. She now has to live with her suicidal ideations, coming from the fact that she's been deprived of too many expriences when she was younger. 10. Iseul is a made up image of whatever people want her to be : her brother wants her to be a good girl, Kaz wants her to be her wife, Delilah wants her to be a friend. In the middle of it, somehow, she forgot that she was not just a doll. 11. Jade was adamant that she was going to take an oath : the hypocrates one, and that she was making the right choice. It feels like sometimes, she forgets that she can't always have whatever she wants. 12. Hyunsu is the embodiment of loathe. He spent way too much of his life fearing his past that he forgot how it is to breathe without being enraged. 13. Chin-Hae is an heartbreaker, as simple as that - he wants to enjoy his life, he wants to enjoy his youth, and does not want to deal with the consequences. But he's nice, Chin, and at most, he's an accidental heartbreaker. 14. Yerim has been going through awful relationships - enough that it made her tough to crack, hard to talk to, overall bitter and somehow could be considered as radioactive. She longs for new relationships, but knows she could be easily screwed over once again. 15. Hana is the sexual representation of whatever men wants from girls in this society. But she will never gave them that satisfaction, and she takes confort in embodying an act of feminism, rather than falling into the patriarchy's trap. 16. Kinam is either described as the sun, or the stars, for he tends to shine the brightest when it's dark. However, he cannot deny the fact that he spent way too much time trying to be someone else that he now longs for a sense of freedom. 17. Seung is lonely. Entirely. By choice, most of the times, because he doesn't trust anyone enough to make them come into his life. He's terrified of the fact that feelings are fluctuating, and can vary too much to be stable. 18. Minjae is a screwed up, first and foremost. He knows he could be powerful, for he is not scared of a lot of things, but he also knows it brings him to be destructive, and, in a wicked sense of evolution, knows he can taint whatever he touches. 19. Violet is the ultimate representation of Electra Heart : no matter how much she tries to be someone else, she'll always be the little sick girl, that everyone will look with pity in their eyes. She now knows that if she wants to stop suffering through that, she has to put an end to it.

[thefirstknife]

Some of the more interesting bits of today's reset and dialogues. I loved this from Mara. She acknowledges her participation in steering Uldren towards his downfall AND she realises that she will have to do better with him in the future. This is from the ending dialogue when you finish the exotic quest for the Ager's Scepter.

I want to mention something from the start of the week because I've seen people get angry (but when do they not when it comes to Mara?)

Long post under read more:

It's about the discussion she and Ikora have at the terminal. Hot take, but both Mara and Ikora are right and wrong in the argument. Transcript:

Mara: "How long have your Hidden been privy to Uldren's resurrection?" Ikora: "Long enough to watch over him in your absence." Mara: "And you didn't direct him home. Why?" Ikora: "There was a concern he'd pick up some old habits." Mara: "You know the Garden made him sick. Riven twisted his mind. Eris would have seen it. She is not so easily deceived by skin-deep tricks." Ikora: "It's true I made mistakes, out of an idea of justice... out of grief. Are you leveling this same scrutiny toward Petra? Wasn't she supposed to be watching his grave?" Mara: "Petra has paid her dues. The Vanguard murdered him and has yet to pay theirs." Ikora: "We both lost family. I am sorry for my part in yours, but... Crow has been treated --" Mara: "My brother is dead. He was exhumed; his body twisted into a caricature. You had your vengeance." Ikora: "Is that what you're after? Cayde... I still feel that grief like a stone caught in my chest. Some days, it's more pronounced than others. Vengeance didn't erode that grief." Mara: "Then tell me. Who am I to blame? Who sent him to Savathun's clutches? Who bludgeoned Uldren into a scared animal and drove him from his home?" Ikora: "You did, Mara. And those Guardians that hurt him, did so out of misguided anger. Don't make the same mistake. Don't make my mistake."

This is some heavy stuff and there's a lot going on. First, I like that Mara doesn't respond at the end. It's uncharacteristic for her. It shows that Ikora's words did something to her. This is evident in the exotic quest later which I've already put at the beginning of the post. She's had time to think and she's admitting the part she played.

I dislike some of Ikora's arguments a lot. First, "concern that he'd pick up some old habits" goes entirely against the Vanguard policy and belief that Guardians are new people. They were only concerned because of bias towards Uldren due to what he's done. And Crow knows this! He said so last week when he wondered why is he the only Guardian judged by his past life. No one else is subjected to the same way of thinking. This is the reason why Guardians aren't supposed to dig around their past lives. Obviously with Crow, there's no way for him to avoid it, but the argument that, if he knew, he'd just magically become Uldren (and not just base!Uldren, but murderer!Uldren who will... I don't know, go after Ikora and Zavala or the innocent people in the City?) really shows how much the Vanguard mistreated Crow.

I also dislike the move to Petra. As Mara says, Petra has paid her dues. She really has. Let's not forget that Uldren was not just some guy to her or just her Prince; he was her friend. She had to watch him spiral out of control due to things she couldn't help him with, she had to make the choice to put him away until Mara comes back and at the end she had to make the choice to kill him. This trauma has shaped her.

The Vanguard hasn't paid any dues. That's kinda the whole point of Mara's questioning. Ikora tries to explain that this was due to grief and losing family, but pray tell Ikora, has Mara not lost family too? Mara mentions this immediately as expected.

Ikora is however right to say that it was ultimately Mara's actions that led to the situation we're currently in. The Vanguard had no say in Awoken royal family affairs. Mara knows this, she said as much in the past few weeks and other lore in general: she spoke at length about the distance she pushed between them out of perceived necessity, the need to shape Uldren in a way to make him less like himself (since she disliked his recklessness and dangerous behaviours), but ultimately that only made things worse. She's aware that his venture into the Black Garden was fuelled by Uldren's need to prove himself. Ironically, in an effort to make him loyal and devoted, Mara pushed him into more recklessness instead of stopping it. She's aware of this. Asking Ikora "who am I to blame" was just waiting to be roasted.

But Mara is also right to ask about how the Vanguard treated both Uldren and Crow. How they washed their hands from killing him "officially" by hiding behind the Guardian, how nobody in the Tower answered for this. Their treatment of Crow as well: forcing him into hiding, isolating him. Excusing all the suffering he felt at the hands of the Guardians as "misguided anger." The torture he endured from Guardians just for showing his face was so much more than just "misguided anger" and Mara is right to feel heated and enraged when she talks about this and when she asks her questions. She expressed similar distaste and anger in a voice line with Glint in regards to how the Spider treated Crow.

I got an interesting dialogue at the end of my Shattered Realm run which also made me really irritated on behalf of both Crow and Mara when it comes to the Vanguard. Ikora asks Crow why didn't he send his latest report and Crow replies that he's had a lot going on and a lot to deal with. Which is true! He's not the Drifter who doesn't send reports out of spite; Crow genuinely wants to help but he's struggling with a lot of things that we can't even begin to unravel. He deserves patience and understanding. However, the following then ensues.

Ikora:

Crow:

Ikora:

This last part is a nice sentiment. But excuse me. Crow has literally been resurrected, isolated, tortured, enslaved and then "rescued" only to be thrust into a cage in the Tower and given "responsibilities." He is not obliged to be the Vanguard's errand boy. It's honestly quite rude from Ikora to tell him that he has to take his responsibilities seriously. The man hasn't lived a single day in his life without anxiety over whether he'll be tortured to death in the street if he shows his face.

I know the Vanguard gave him protection from the Spider and stuff to do (which he enjoys) and accepted him into their ranks. That's all good. But there's very little empathy here that acknowledges the life he's lived. Crow deserves to experience things that aren't isolation, imprisonment and following orders.

And most of all, he deserves to know the truth. Something the Vanguard has denied him for almost a year now. I know Savathun's schemes were involved and specifically, they were involved through impersonating Osiris which made a lot of people turn a blind eye. But now that this is known?

Crow can't share his burdens without knowing the truth. That's the whole problem. Everybody, except him, knows who he was. Everyone looks at him and treats him through that lens. He can't unburden himself without being told half-truths and being denied information. His burdens exist precisely because he doesn't know while everyone else does. So while the sentiment is nice, it reads more like a "that sucks buddy" than a genuine offer to help him with what is really bothering him.

On the other hand, obviously sharing the truth is difficult. His past life is more complicated than for most other Guardians. He's been through things that other Guardians haven't. The situation is complex on every single level and every character has a reason for the choices they've made.

Sometimes those choices are wrong and they are mistakes. And Mara isn't the only one who made the wrong choices and mistakes, consciously and unconsciously. It's a disservice to the complexity of the situation, Ikora, the Vanguard and Uldren to boil everything down to "Mara bad." Doesn't make for a compelling story.

That's what I wanted to address in detail because on the surface, it's easy to just dismiss either of the character you dislike more. And that's just reducing the story to a spectrum of black and white that Destiny really, ironically, isn't about.

[ordinaryschmuck]

What I Thought About "Knock Knock Knockin' on Hooty's Door" from The Owl House

Wow. They are really pushing it for that secret message, huh?

Anywho--Salutations, random people on the internet who certainly won’t read this! I am an Ordinary Schmuck. I write stories and reviews and draw comics and cartoons!

I think it goes without saying at this point that Season Two of The Owl House is setting itself up as a season without filler. Now, filler episodes aren't always bad. Yes, it hurts when a series turns away from the main plot for a week. But at best, they're utilized as a chance for the writers to play around with the characters and developing said characters without it relating to the overarching story. So, some people who see that consider it a bad thing that a series doesn't have that many filler episodes.

I like to call those people: F**king morons.

Don't get me wrong, I see where some of you are coming from. And I'd be willing to agree...if The Owl House was a plot-driven series. Which it's not. It is a character-driven series. Because for every plot thread and narrative that the show presents, they always relate to the characters and develop them further each time these threads get brought up. For example, look at "Knock Knock Knockin’ on Hooty's Door" (It pains me just to write that). Several narratives move forward, and it’s all done to make the characters grow. And to explain how requires going into spoilers. So keep that in mind as you continue reading.

Now, let's review, shall we?

WHAT I LIKED

Hooty: Might as well start with the character that this episode is about.

To tell you the truth, I wasn't a huge fan when I found out we're getting a Hooty-centered episode. I've grown to love him over time, but he is a comedic character that's best used in small doses. Primarily due to how his voice is grating to me (My ears are still bleeding...). With that said, I do really love his contributions in "Knock Knock Knockin' on Hooty's Door" (Seriously, there couldn't have been a less awkward title?). Hooty's antics when trying to help everyone are as hilarious as they are heartwarming. He deeply cares for his friends but just doesn't understand how his plans could do some unintended harm, which is pretty lovable if you ask me. We also get some surprisingly great insight into his character, as he feels insecure about basically being the comic relief who doesn't really do that much other than being funny. Rarely do you get that level of dimension from a comedic character, and it's even more uncommon for that to work out as well as it does here. It once again proves just how competent the writing is in this series to the point where we get an episode about Hooty, and it's funny and heartwarming instead of being annoying. And whoever is responsible for that, you're the best.

Lilith’s Letter to Hooty: I mean it when I say that I love how Lilith kept her word about her and Hooty becoming penpals. Their friendship was something I would have never expected to love, and I'm still shocked that it works so well, so seeing it continue like this just warms me to the bone. Plus, it is pretty sweet that Lilith's kind words are what inspired Hooty to do what he's done in this episode...meaning it's Lilith we should thank here--SON OF A WITCH! Even when she's gone, she's still working her way into my heart!

King going through Puberty: What?! KING IS EVOLVING!

(There, I made a Pokemon reference. Do I get my cookie now?)

Eda Keeping Herself Awake to Train Herself: I'm willing to bet a large sum of money that this has everything to with Raine getting captured last week. If Eda was still the most powerful witch in the Isles, she might have actually saved them. But she isn't, and now the love of her life is in the clutches of a tyrant planning something that could potentially be the end of everything. So I can understand Eda pushing herself to her limit to get back on top again, as I would probably do the same. It's not healthy in any way, and Eda would be doing more harm than good. But when it comes to the people you love, logic doesn't always win out in the end.

Luz Wanting to Make her Way into Amity’s Heart by Making the Echo Mouse Happy: ...That's it. I Just...I just love everything about it, ok?

This was also when I knew that I was wrong to doubt that there would be zero Lumity in this episode. I realize my follies now, and I humbly apologize.

Hooty Teaching King About Demons: This was so funny. So, so funny. Probably doesn't come as a surprise, especially since The Owl House proves itself as a comedy before, but the jokes have never hit as frequently and as hard as they did here. From Hooty getting offended by King's dance to him and Dana's insert wanting a "DNA sample," everything managed to successfully make me lose my s**t. It does come at the expense of King suffering, but I can stomach that much more than if it were Eda or Luz. And, as a bonus, we get lore about how demons work, added with another great joke of King getting in trouble with Hooty for saying he already knows this stuff. Humor isn't always the show's strong suit, but when it works, it f**king works.

King Wanting to Know What he Is: But despite how funny King's vignette was, we still get to see more of his character grow. We learn that he's frustrated now that there's this big question mark over his life now, feeling extra angry that his father "abandoned" him to leave such a present mystery. It shows the hidden resentment he has that Lilith inadvertently brought out, made even worse when King's father hasn't responded to the video yet. King hasn't really gotten that much development until "Echoes of the Past," so it's pretty cool that the writers haven't really slowed down on it. Especially when it leads to these great moments of King venting his frustrations.

King’s Shouting Powers: KING learned FUS RO DAH!

(And now that's a Pokemon reference AND a Skyrim reference. WHERE'S MY GOSH DANG COOKIE!?)

Eda’s Nightmare: If King's vignette hits you hard with the laughs, Eda's will absolutely hit you harder with the feels (never make me say "feels" unironically again). Knowing that Eda's life got thoroughly screwed over by the curse is something we could figure out on her own. But seeing just how much the curse ruined her life and tore apart relationships that mean the world to her really does a swell job at ripping apart the soul. What's even more tragic is, technically speaking, it's all sort of Eda's fault too. She kept hiding the curse, refusing to be a burden to others who would do all they could to help. If she had only been open and honest, things probably wouldn't have changed much, but they most likely would have been better than they are now.

Eda Attacked her Father as the Owl Beast: ...I don't know what I was expecting when "Keeping Up A-Fear-Ances" hinted that there was some possible tension between Eda and her father...but it definitely wasn't this.

The fact that we see blood where his eye used to be doesn't make things any happier, either.

Raine Broke Up with Eda: Before we get into anything else, let's celebrate the fact that it's now confirmed that Eda and Raine really did use to date in the past. Because this show is just f**king phenomenal with its LGBTQA+ representation!

But, seriously, this is a fantastic reveal that goes far beyond just shipping...well, sort of. It shines a new light on Eda and Raine's interactions from last week, revealing that while they're not a couple anymore, they still very much love each other. It helps make their last interaction especially tragic, as they were both on the same page now and could very well be together again. Only for them to be forced apart for the second time in a way that's much worse than the first. And I frickin' adore that this series changes the impact of one episode one week later. Again, it shows just how competent these writers are, and kudos to them for making something so...perfect.

The Moon Person: WHO THE FU--Nope. Nope! We have more than enough mystery bulls**t to deal with through CreepyLuz and Philip Wittebane, so I am PUTTING YOU ON THE BACKBURNER FOR NOW!

(They're probably nothing more than a one-off character, anyway)

The Owl Beast and Eda are Connected: Through visuals alone, we, the audience, can clue into what the curse really means. The Owl Beast doesn't want to be a part of Eda as much as she doesn't want it to be a part of her. Whether they like it or not, and they very much don't, they're stuck together. The thing is, and this is what I love the most, they still decide to make the best of their situation rather than let it ruin their lives even more. This might be the best possible turn Eda's curse could have made. It'll still affect her, and there are probably more negatives than positives, but at least now, it's not the worst thing in the world. And I feel like that's all anyone can ask when in a position like her own.

Eda's “Pretty Dream”: I don't know what emotions are toiling inside me more with this moment. Awe and wonder over how beautiful Eda's dream is, or heartbreak over the implication that she has only had nightmares since getting cursed...I'm gonna say both. Yeah, it's definitely both.

Eda’s Harpie Form: Well, fan artists are gonna have a field day with this...especially the freaks.

(You know who you are. And you're weird!)

Luz Calling Amity a “Cotton-Candy Haired Goddess”: ...Have I ever mentioned how much I love this show?

Hooty Kidnapped Amity: ...Hooty, if your stupidity wasn't charming, I would be more than willing to call the authorities over how you kidnapped a girl in your version of a knapsack and locked her in the basement. For that is going to ring SO MANY alarm bells in people's heads.

Amity and Luz Stuck in a Tunnel of Love: *Smacks lips* Mmm. The adorable awkwardness of this moment is just *chef's kiss* magnifique!

Luz being afraid of getting made fun of:

Amity’s look of hope: I mean...just...f**king--LOOK AT HER:

That is the look of a girl who, while embarrassed as hell, still is ecstatic to learn for a brief moment, everything that she is hoping for has a high chance of being real. Who, in their right mind, wouldn't go "Aw!" at something so pure and innocent?!

Luz Destroying the Tunnel of Love: This is how to effectively utilize dramatic irony. The audience can understand why Luz is tearing the place apart because she explicitly states that she's afraid of Amity rejecting her in the end. They also know that's bogus, thus making it extra painful to watch Amity's heart break more and more with each second (which is perfectly represented through Amity's expressions). You feel bad for both of them, and even worse when you know that it can easily be prevented by the simple art of communication. That's what makes it great dramatic irony. Knowing the point of view of each character results in a scene that evokes emotions in two different ways.

Hooty’s Breakdown: This was...genuinely hard to watch. Not that it was badly written, far from it. It just...hurt seeing how destroyed Hooty was when he realized he failed the people he has such an admiration for. On the upside, a wholesome moment follows soon after as the Owl House gang tries to reassure Hooty that he's done a lot of good that night. It's a pure action that shows even though Hooty gets on their nerves all the time, they still care about him...damn it. I think I'm gonna cry.

Eda’s Advice for Luz: ...Eda...You're the best.

You found out that your surrogate daughter wants to ask a girl out, and not only were you quick to deliver the best possible advice ("Just go for it!"), but you also quickly reassure her that it doesn't need to be perfect.

And you know what? That's it. Eda is the best cartoon mom! She might not technically be Luz's mom, but I don't give a s**t because she is the best!

Luz and Amity Ask Each Other Out: Shh-sh-sh-sh...

Do you hear that?

...

...

...It's the sound of dozens of Lumity fans collectively losing their s**t...and I'm one of them.

WAAAAAAAAAAAAAH!

HOO-HOO-HOO-HOO!

IT!

IS!

CANON!

AH-HAHAHAHAHA!

HOLY S**T! Holy s**t! Holy s**t...might just be the best way I could possibly describe this! Finally, after all the waiting, speculating, and praying, THESE TWO IDIOTS FINALLY GOT TOGETHER! AND IT WAS PERFECT! I mean, it was awkward as s**t, but that's what makes it perfect! You know why? You wanna--Hey! *snaps fingers*. You want to know why? It's because they're teenagers. Of f**king course, it's going to be awkward! This is their first relationship, so there will be a lot of missteps along the way. And that, in itself, brings me to the best (second best part?) thing about it happening in episode eight of the new seasons. Most endgame couples get together in the climax or even at the end of the series. But to have them get together this early on, means there will be quite a few episodes dedicated to showing them grow as a couple.

And better than that--EVEN F**KING BETTER THAN THAT--dozens of kids are going to see these two, a realistic depiction of young love that just so happens to involve two girls, and are going to learn once and for all that there is nothing wrong with being who they are. That fact alone is f**king incredible. Yes, it sucks that season three got cut short, and we'll have even less time with Luz and Amity, but knowing how many kids have felt seen today almost makes it worth it in the end.

And if I see one mother f**ker saying this was poorly paced, I might just hunt them down for SPORT...Sorry if that was an overreaction. I'M JUST SO HAPPY! Because they're happy! Look at them. Listen to them! It's so...GAH-HAHAHA!

“They’re adorable! And deserve all the happiness!”: You're darn right, Hooty! You're darn right.

King’s Father(?) Shows Up: What the--WHAT?! They're doing this now?! Here?! After everything else?

Oh, man. What could this mean? What dynamic changes will this cause in the main cast? How could the writers fit this in during the next two episodes? And what--

Hooty Eats the Letter: ...Pfffft--HAHAHAHA!

Oh, man...I should be mad, and I wouldn't blame others if they are...but that is too much of a brilliant f**k you that I can't help but appreciate it. Bravo writers. Bravo.

WHAT I DISLIKED

...Dislikes? Dislikes? You would honestly believe that after everything I witnessed in this episode, that I would have the gull to list anything wrong with it?!

HOW DARE YOU ASSUME THAT I WOULD BE SO CALLUS TO--Actually, I do kind of have an issue with the episode's title. It's just too much of an awkward mouthful for me to get behind. I understand that the writers wanted to sneak the K into the secret message, but were there really no other titles starting with K that they couldn't come up with?

But that's just a personal issue, and in no way do I think anybody else would feel the same way. Especially with how well-written everything else is anyway.

IN CONCLUSION

"Knock Knock Knockin' on Hooty's Door" (title aside) is another A+ episode. It was hilarious, heart-wrenching, and downright adorable while keeping me entertained with every minute. I'm sure there are some issues I was willing to ignore due to how expertly written everything else was, but why bother looking for the chinks in the armor when I could just enjoy a perfect episode for being so...perfect! Some of you might be willing to disagree with me, but to that, I say: Don't knock it till you've tried it.

(Now, if you don't excuse me, I'm going to go lie down. It's...It's been a day.)

[alchemania]

Barbara, and Bennett: Toxic Positivity (and how they each exude it)

While it's easy to spot negative toxic behavior, toxic positivity can be harder to recognize and pin down. In this blog, I am going to analyze 2 characters in Genshin and explain just how they show traits of toxic positivity. (I originally was going to include Jean, but I already covered her in an earlier blog so it'd just be redundant)

Barbara Page

Barbara is all smiles and sunshine, trying her best to ensure that everyone is happy. However; she does this to an unhealthy degree and often does not prioritize her emotional wellbeing.

#1: Forcing herself to always be happy.

Barbara's story lines state that she "only allows herself to be depressed for 30 seconds" and that after that, she basically puts on a smile; regardless of what she's actually feeling. She often talks about how good everyone is to her, and I honestly believe that Barbara invalidates her own depression because in her eyes; she has a good life and there's no "reason" for her to be sad, plus if she was sad then everyone else would feel down. She hasn't experienced anything traumatic, so how can she have the right to be depressed? But the thing is, she has: her parents divorced when she was young; and Barbara grew up apart from Jean, leading to a lack of a relationship between the two. While the divorce, based on Jean's story lines, did not seem to have a lot of negativity around it (from what I can tell Simon and Frederica actually split on amiable terms, they just fell out of love with each other), it still affected Barbara in a negative way and no doubt she is hurting from it but she's not acknowledging her pain. All trauma is not the same, this is true. But all trauma IS valid; just because someone is hurting less doesn't mean they're NOT hurting and Barbara needs to understand that her pain is valid and give herself time to process it.

#2: Lack of emotional boundaries

If there's anything that Jean and Barbara have in common besides both being healers, it's that they're absolutely terrible at saying no. In Barbara's hangout, she feels guilty for avoiding Albert and wanting to be left alone despite being emotionally exhausted and even wants to apologise, despite doing nothing wrong. Later on when her fans ask for autographs; she agrees, despite being off the clock and trying to take a break: Aether has to step in personally to get people to go away, and not only that; he has to lie through his teeth in order to do so. If you tell the NPCs the truth ("Barbara is currently on leave, please don't disturb her",) they'll reply "Oh she's on leave? Perfect time to ask for an autograph!" They don't care about her feelings; all they care about is what she can do for them and the worst part is that Barbara lets them treat her like this. It's so bad that the Knights have to constantly step in and rescue her because folks can't get it in their heads that off the clock =/= available; and Barbara feels like if she can help other people that she needs to; to the detriment of her own needs. She seems to think it's selfish to put herself first; but looking out for yourself emotionally is anything but. It's okay to say no, it's okay to tell people you're not available. Just because you're free doesn't mean you're up to engage and there's nothing wrong with that. But like Sister Victoria says herself; Barbara is too nice. She gives and gives and gives and expects nothing in return, and people take advantage of that.

#3: Undermining herself through constant praise of others

In her hangout, she tells you that besides singing and healing, she doesn't have anything worthwhile about her, and then goes on about how amazing you are, Jean as well. Barbara doesn't acknowledge her positive traits, and then when she vents to you she apologizes for doing so, since you were supposed to be hanging out and having fun. She puts a lot of her worth in comparison to what other people can DO, and not actual character. Barbara is a lovely person: she's sweet and kind and loving, but because she doesn't see herself as physically strong or powerful, she doesn't think she's worth a lot.

Bennett

My GOD, Bennett is like the EPITOME of toxic positivity.

1. Allows others to mistreat him and take out their feelings on him because he feels it's his fault they're suffering (essentially, a martyr complex)

Bennett's hangout is a prime example of this where when Royce got angry, Bennett simply let him yell until you step in. Due to his almost perpetual bad luck, he feels that he's responsible for the misfortune of the people around him and since he can't physically do anything about it, he attempts to "atone" by letting himself be emotionally assaulted.

He also puts himself in physical danger to keep other people safe (he figures since he's already unlucky, might as well suffer a little more if it means everybody else is okay, right?), and accepts abandonment as the norm since he's a liability. Bennett does not value his wellbeing whatsoever due to constantly being in danger and he seems to be of the mentality "If I'm going to die, at least let me die protecting everybody" and that immensely upsets me that a KID, who's probably no older than 17, is already considering his mortality.

#2: Not allowing himself to process negative emotion

Just like Barbara, Bennett constantly forces himself to always keep a smile on, only in his case it's more to keep himself from getting overwhelmed about his situation. It's heavily implied in his story that Bennett is afraid that he could die any day (and I don't blame him) and so he lives hard and fast because he feels he doesn't have a lot of time. He's cheated death MULTIPLE times (he almost died as a baby, and he almost died prior to receiving his Vision), and Bennett more than likely feels that one day, he's not going to get lucky enough to escape again; and he'll actually die. His life is an entire string of misfortune and unlike Barbara and her parents divorce, Bennett is aware of this trauma: he simply chooses to take it in stride and forces himself to stay upbeat. Which is just as bad as letting negative emotion completely overwhelm him, it's literally just the other ditch.

Bennett also seems very sad about the fact that his team abandoned him but he doesn't let himself process that either (if you respond angrily to the revelation that his teammates left he'll jump to defend them and insist "they had their reasons"- and that may be true, but that doesn't invalidate the trauma and sadness of being left behind because of something you literally cannot control). Similar to Diluc, Bennett is sort of an Atlas of his own right, but instead of carrying all of Mondstat on his shoulders he's shouldering his emotional wellbeing: he refuses to vent to anyone and bottles everything up because he doesn't want to be a burden; but in doing so he's only hurting himself in the long run.

(Thank God for Razor though it seems like he might be hanging around for the long haul and that makes me immensely happy. I could cry. Please don't let anything bad happen to him and Bennett they deserve friendship)

I'm going to go off the beaten path a bit here but, to all you guys reading this; please remember that:

1. Your trauma is valid, regardless of how "lesser" you think it might be.

2. You are not obligated to give yourself emotionally to other people if you are not up to it. You cannot give what you do not have, and if you're not 100% emotionally wise, you really shouldn't be taking on any more negative energy. It's not selfish to take care of yourself. If people can't respect that then they're not worth your time. Set emotional boundaries and don't budge for anyone. The people who are meant to stay will honor your boundaries.

3. It's okay to be sad! And it's okay to be sad and have no idea why. It doesn't matter if you have a 'good life,' depression doesn't care who you are or where you are on your walk of life and sometimes it hits like a truck. Your sadness is valid and don't be afraid to take the time you need to acknowledge and process your negative emotions.

Please take care of yourselves, friends; and be safe.

Have a good day. 💗

[imagines-by-a-typical-fangirl]

Californian Dream (Pt. 07 of 11)

Pairing: Billy Hargrove X Reader

Word count: 2.6 K

Summary: Being part of one of the richest families of California doesn't mean you're happy. Your life is boring, and you're surrounded by meaningless people and their meaningless talk. Even during Summer, with the break you have from college, there's nothing good going on. Nothing but the new pool guy, Billy, the most handsome man you ever saw. You were successfully avoiding him, not wanting to act like an idiot in front of the guy until Billy accepts to be your date for a fancy gala you're forced to attend. The night was going well, even better when he sneaked you out to go to the beach. But a gang of criminals breaks into the party, kidnapping the heirs to the wealthiest families, which includes you. So, for your safety, your parents want you to stay with Billy, living in his apartment until the criminals are caught. And that could take weeks, maybe even months.

Warnings: Light violence

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{Stranger Things Masterlist}

{Dacre Montgomery Masterlist}

×

Broken

“Listen, listen...” Cupping your cheeks and drying off some tears, he looks into your eyes. “I'm all sweaty and disgusting. Let me shower and then we'll talk, alright?”

Forcing yourself to nod, you look down, suddenly ashamed of how you were clinging onto to him. “Alright.”

“Ok.” He hesitates a little before heading to the bathroom.

With both hands on your head, you pace around the living room, the image of Alice's hands burning through your mind. Why did they do that? Was it some kind of punishment for her trying to run? Or were they sending a message? Or are they just that cruel? What will happen to the others? To the last one, if the police don't find them and if the private investigators fail?

Turning the damn TV off, you messily wipe the tears away, going to the bedroom, sitting on the bed and waiting for Billy to come out. You just want him. You feel safe with him, and if this makes things weird after, you'll apologize.

This time, when the door opens, you manage to hold back, pushing back the urge to jump into his arms again. Billy looks sad, only breaking eye contact to put his shirt on. “Come here.” And that's all it takes for you to run into his embrace again, more tears taking the place of the ones you dried off, then fighting for more space. “I'm sorry.”

You can't say anything. There are no words to be said now. So you just cry, arms around his midsection as you let your heart out. It's a mix of fear and desperation. It could've been you if Billy wasn't there to sneak you out. You wish you could see Alice, but at the same time, you don't want to. Seeing her hands on the TV was bad enough. You can't even start to think about the trauma she went through. This whole thing can't be happening, it feels like a nightmare.

“Come. Lie down to rest a little.” Billy guides you to the bed, and you only move because of him. You barely feel your legs. When you lie down, and he moves to stand up, you hold his arm.

It's not the time to blush or feel nervous. Or to think about what it means. You want him, you need him here. With you. “Stay, please.” Begging, you move aside when he nods. Billy lies down on his back, facing the ceiling. You hold his arm, just so you're touching him somehow, but it's not enough. The tears keep coming, your mind keeps imagining what else those people, your friends, the people who you grew up with, are suffering right now. “B-Billy...” Your voice cracks, and you squeeze his bicep a little.

“What, princess?”

“I'm sorry...” You whisper, already moving closer to him.

Billy's eyes meet yours, a worried and confused expression on his face. “What for?”

You don't say anything, you just move closer to him, laying your head on his chest. A breath escapes your lips when you feel his arms around you, grounding, protecting you. Now more than ever, you understand what Billy did for you when he sneaked you out of the gala. It could've been you with chopped fingers, or going through something much worse.

“You make me feel safe.” You mutter, eyes closed shut. His heartbeat is calming, and slowly, your breathing starts to slow down until it's steady again. Billy has a hand around your waist and the other comes to caress your cheek every once in a while. But the most important thing is that he doesn't let go.

You're not sure how long you stay there, but the only thing keeping you from falling asleep is the pain in your stomach. You're hungry, and that's the only thing that makes you move, sitting up straight. Moving the hair away from your face, you look down at Billy. “I'm sorry for... Doing this, but I just needed to... I needed you.”

“It's alright.” He sits up too, a hand softly rubbing your arm. “Are you feeling better?”

“Not really.” You mutter, running a hand through your hair. “But I'll make us something to eat. We're both hungry and it'll distract me.”

“We can do it together, what do you think?” He asks as he stands up, offering you his hand. You take it, letting him guide you to the kitchen.

Billy keeps the small talk as you cook and then eat, even succeeding to take a few laughs from you. When you're done with the dishes, you go back to the kitchen table to share an ice cream you bought yesterday. Seated side by side, you have a little fight every time you happen to move to get some ice cream at the same time, slapping each other's hand with the spoon.

“Do you wanna talk about...” Billy speaks low, careful. But it's ok. You'll have to talk about it eventually.

“They cut off three fingers from her right hand and the index finger from the left.” Your voice is weak, and you look down at your empty spoon. “They showed it... I mean, it was covered by white bandages but... It was obvious, and there was some blood on it and I just can't understand why they'd do something like that.”

“They don't need a reason.” Billy caresses your cheek, his finger running through the line of your jaw. “I know you feel awful but I can't help but feel relieved that's not you.” His stare is intense but kind. “Even before, I'd hate to see you in her place.”

“Even before?”

“Before I knew you better. Now... It would kill me if anything happened to you.”

“I don't think I wanna go back home.” It comes out suddenly, without considering what it truly means. But it's the truth. The truth comes to a lot easier to you now that you're not constantly trying to hide what you think or feel. “I know it's mean to think about myself now but I don't think I can go back. I can't keep doing that. I can't waste the summer with those stupid events, and I can't go back into studying law, I can't...” You stand up, pacing around with both hands in your head. “I can't keep pretending those people are my friends and I can't keep pretending that person is who I am.”

“What is your plan, then?”

This makes you turn around to look at Billy again. He hasn't moved, the ice cream long was forgotten and his attention on you. “Won't you even try to make me change my mind?”

“No.” He stands up, coming closer until you're face to face with him. Billy seems sad, a deep breath leaving his chest. ”We are responsible for our happiness. That's why I left Hawkins and if you want to leave California–”

“It's not about California.” Cutting him short, you sigh. “I love California. I just want... This.” You gesture at the apartment. “Having a place that I like, that doesn't fit a hundred people. Studying something that I care about, going to the places I wanna go, making real friends.” Since Billy started taking you to some parties, you've been growing close to Stacy, Anne, and Jimmy, Billy's friends who are now becoming your friends too. You feel more comfortable with them than you ever felt with the people you grew up with.

“Well, you don't have to think about it now. When you have to make a decision, you'll know what to do.”

“Yeah... I think I will.” You should look away, but his eyes... You feel like you could sink, and drown, and die. Slowly, you stand on your toes, trying to feel if Billy will step back. You don't even know what you're doing, it's almost involuntary, you're just chasing his lips.

But instead of moving away, he meets you halfway bending down a little to connect his lips to yours. Your arms quickly embrace his neck and you end the final distance between your bodies. You don't wanna think too much. Whenever you kiss Billy, you don't wanna think about anything. You just wanna feel. And right now, more than ever, you need him, this close, the taste of his lips so addictive, making you a little mad when you need to pull away to breathe. But you don't move away, you stay there, foreheads touching. With your eyes tightly shut, you caress his cheek, fingers tracing his jawline.

He's just about to say something when the phone starts ringing, and very reluctantly, you step back, gesturing for him to answer it. When he turns his back at you, you immediately touch your lips, smiling a little. As stupid, as insane as it is, Billy is the only guy you want to kiss. He's the only one you'd ever want to kiss. “What's up?” He says. “No, I can't go today... Because I have something more important to do here. I'll go on Friday. Bye.”

You're just about to ask him what was that about when you remember he was supposed to go to the gym today. “Hey, you can go. I'll be alright.” No, you won't. But still, you don't want him to stay if he wants to be somewhere else.

“Completely out of question.” He walks to you again, reaching out his hand. “Come. Let's watch some nice movies or something.”

And so it happens. There's this random movie going on, and you try to focus on it the best you can. On the couch, Billy holds you all the time, and it doesn't take much until your head is on his shoulder. But the happenings of the day got the best of you, and soon enough you feel yourself tired, eyelids heavy with sleep, falling close.

When you open your eyes again, you're in bed, with the morning light piercing through the light fabric of the curtains. You have the blankets all around you, and for some reason, when you get up, you feel cold. Maybe it's the air-conditioning, but Billy likes this temperature, and you haven't had a problem with it until now. So you just decide to put on a cardigan instead.

It's a war against yourself not to watch the news. You want to know how's Alice, but you don't want to see another take of her mutilated hand. Or hear what the reporters are saying about it. So you basically pace around the house, doing nothing, but trying to keep busy. For some reason, you're terribly tired, exhausted even, struggling to focus on this afternoon talk show instead of changing the channel.

The gang probably already let out the next rescue. Will it be the same? No, it's probably more. Who will be the next one they'll release? How many fingers will they still have left? Will they have both arms? Or all of their teeth? The thoughts won't leave you alone, and the talk show sucks, so you stand up, moving to the window and setting your eyes on the ocean out there, the horizon on a light shade of blue as the sun sets.

The noise of the door opening makes you look over your shoulder. A wave of relief washes over you when you see Billy, and you're just about to run to him when he mutters a harsh ‘hello’, moving straight to his room. Stopping in your tracks, you try to process it. Turning the damn TV off, you brace yourself as you go back to the couch, waiting for him to come back. But it takes longer than normal, and when you finally hear the bedroom door opening, your eyes follow him when he moves to the kitchen space. And that's when you notice you're starving.

Pushing yourself up, pulling the heavier coat you have on now even closer to your body, you walk over to the table. “Billy, can you make something to eat, I'm really–”

“You've been in here all day and you couldn't even cook something?” He suddenly snaps, both hands on the sink and his back turned at you. The roughness of his voice gets you by surprise, startling you.

“I–”

“I have been out all day, working my damn ass off, and now I have to come home and make dinner too? Don't you think I might be exhausted?” Without looking at you, he opens the fridge, looking for something, but after a few seconds, he violently pushes the door shut.

“What the hell is wrong with you?” Bursting out, you try not to let the tears roll down. You're overwhelmed right now, and the last thing you need is Billy freaking out for whatever reasons.

“What the hell is wrong with me?” He finally turns to face you, slamming his hands on the table. “You have no idea what it is to deal with your kind. I clean your pools, I fix and wash your fancy cars, I change the lamps from your chandeliers, and I'm not even treated nicely. I'm the staff, the working class, a freaking nobody who's only useful to put together broken things, and then I can be kicked out.”

“My kind?” Raising your voice, a humorless laugh escapes your lips. “Haven't you said something about me being the only owner who ever offered some help?”

The laughter that escapes his lips surprises you. It's mean and cruel, so unlike everything you have seen of Billy. “And how exactly would you help me? Raking leaves?”

“Yeah, I–”

“When you're skimming the pools, it's cute. You're a good soul helping the unfortunate. When I'm skimming the pools, I'm the unfortunate, who couldn't find a better job other than serving the upper class.” He's yelling, his eyes full of anger. This isn't Billy. Something happened, but right now, you don't care. You don't think it's fair to throw it on you, but maybe he's right. Maybe coming here was a mistake. “And that's exactly what I'm doing here, in my own house. Or have you forgotten what your dad said, huh? That I'll be paid after those assholes are caught so I gotta make sure all your needs are attended? So yes, I guess I'll make you something to eat. I wouldn't dream of letting you do it yourself, ma'am.”

“This good soul will be leaving your apartment tomorrow morning.” You mutter, turning on your heels and heading to the bedroom. It's his turn with the bed, but you don't care. If that's how Billy sees you, this is who you'll be. The mean, rich kid you were raised to be. You push the door closed so violently that the loud bang startles you, a hand coming to your heart. Locking yourself inside, you climb into the bed, hiding your face in the pillow.

After all this time, you can't believe that's what Billy thinks of you. After opening your heart to him, saying things you haven't even admitted to yourself before, he still sees you as one of those people. Maybe this was a huge mistake. Maybe letting Billy get so close was a mistake. Maybe kissing him... That was the worst part. You never thought you'd want that with anyone, but he came and lit up this spark in you. Now, it's over, and you're heart is broken. Tomorrow you'll either find a place or just check if Anne or Stacy can let you crash at their place for a while. But you can't stay here. Whatever you thought you and Billy could become... It's over.

×

@multific @dontxfearxthereaper @nope-thanks @nikkixostan @shinydixon @clockworkballerina @infinitelycharmed23 @lilred91

[aros001]

Going in blind: Watching season 1 for the first time. Random thoughts.

This show is kind of nice because I have no memories of the original She-Ra show, or even any of He-Man, honestly. I'm not sure if I ever watched the original, so I have no frame of reference for how the series is "supposed" to be. I can just take it and judge it as is.

Of the bat, all I know is that supposedly She-Ra and Catra get together as a romantic couple later, but I'm also a huge My Hero Academia fan and the fandom around me ships every character with every other character, so for all I know that might just be shipper wishful thinking I've been seeing and hearing. Given fandoms for Gravity Falls, Thor, and Supernatural ship even siblings together, I've learned not to trust anything except for what I see in the series for myself.

By the way, this isn't a review, just random thoughts and comments I'm having as I'm going through season 1 for the first time.

Episodes 1 and 2: Right off, I really like Catra's "No duh" response to Adora about the truth of the horde. She knows they've been lying to them and have been doing terrible things, she just doesn't care. If she and Adora play their cards right they could end up being the ones in charge and then they'd have all that power. Not necessarily to make things better but enough to where they could do whatever and live however they want. That's a good build for an antagonist. Not ignorant to the fact what they're doing is wrong, just simply so selfish that they don't care.

Episode 3: It really feels like there was no good reason why Glimmer didn't just outright introduce Adora to her mother and every reason she should have known it was a bad idea to try and hide her for a surprise. Being a former horde soldier she'd probably get treated with hostility if Glimmer brought her to the front gate but you'd almost guarantee Adora would get arrested or outright killed if she got caught while no one else knew she was there.

On the other side, we have Hordak being pretty intelligent in promoting Catra. He probably knows Shadow Weaver already doesn't like him, so it's not like he's losing anything making her upset with him, and it's clear she favors Adora way more than Catra, so that little bit of advancement towards Catra probably goes a long way in earning her loyalty to him and a person on the inside with Shadow Weaver.

Also, I'm not the only one who saw Madam Razz and immediately thought Adora had found her Yoda, right?

Episode 4: I don't know how it was in the original She-Ra and He-Man series but I kind of like She-Ra being this title from legend. Adora is not the first She-Ra, given what Razz was talking about with a Mara, so instead of being something new, impressing everyone with abilities they've never seen before, and creating the legend, Adora is placed in a position WAY over her head where she's having to live up to what came before her.

Episode 5: Calling it now, as long as her personality is genuine I think Scorpia is going to be one of my favorite characters in this show. She's...endearing, I think is the best word. She's like a mix of Kronk and a nicer Shego.

For a little bit I thought Mermista was voiced by the same actress who played Poison Ivy in the Harley Quinn animated series. She's not but they do have the same kind of Daria-ish inflections, thus by confusion. Given the prom episode, Sea Hawk feels kind of like her Kite Man.

Episode 6: Okay, now it's between Scorpia and Entrapta who are likely to be my favorites by the end of this. She's fun and quirky.

Episode 7: Quite the lore drop. Shadow Weaver was once a Mystacor sorceress known as Light Spinner. I like to imagine we'll get more on that later. Her haunting Adora reminded me of the Teen Titans' episode where Robin was similarly haunted by Slade. This didn't go as far as that but that's probably for the best, since TT had two and a half seasons to build that dynamic up with Robin and Slade while we're only now halfway through the first season.

Episode 8: Well dang. Again, I don't know for sure if Adora and Catra do end up together but boy do I buy why they're shipped together after that dance. Also, good on Bow for standing up for himself. It's clear that he'll always be Glimmer's friend and this won't change that but that doesn't mean he has to just accommodate her. I understand where her issues stem from but I am still glad he gave her a reality check. It helps him feel a little more like his own character.

Also, another nice little bit of lore and worldbuilding. Scorpia's a princess, the horde landed where her people lived, and they seemed to join them willingly.

Episode 9: Surprisingly don't have a lot to say about this other than I don't buy for a second that Entrapta is dead (EDIT: She's not). This was mostly action.

Episode 10: Not going to lie, this one kind of annoyed me a little, at least the first half. The conversation between Glimmer and her mother saved it a bit. It was a bit of a trifecta. You have the alliance breaking apart, saying that the loss of Entrapta only happened because they were all together...even though Entrapta only "died" because of her own machine obsession that caused her to deliberately walk back into the purging chamber. You have Entrapta who might be turning to the horde's side because she feels abandoned by the other princesses...even though they thought she was dead, and again it was her fault they got separated. And you have Glimmer refusing to tell her mother that Shadow Weaver's dark magic has caused her powers to go on the fritz and is causing her great pain. It just feels like none of this would be an issue if most of these people would stop being self-absorbed for three seconds and talk like any normal person would. It feels very CW drama, like something I'd see in a bad season of Arrow or The Flash. The only person whose issues I buy is Adora, who is basically a soldier who was never properly raised to deal with emotion or loss and is already struggling with the burden of being She-Ra, the legendary savior. I get why she's beating down on herself for not being able to do more even if nothing that happened was her fault.

Episode 11: JEEEEEEEEEZZZZ, that was such a good episode! Focused entirely on Adora and Catra and their past together. Like, just showing someone this episode alone could probably get them to want to watch the series. That was everything you needed to know about their dynamic and history together.

Also, that moment when Catra and her past self are looking at each other, while obviously Catra takes the opposite lesson, it reminded me of this fanart I'd once seen of Jason Todd, the Red Hood, looking at his past self as Robin. The past says to the future "You ruined everything". Catra could be happy but, ironically for someone who hates Shadow Weaver, she's probably going to be a lot like her, sacrificing everything for power and ambition.

Given the way she looked, I'm guessing Shadow Weaver is either addicted to the power of the Black Garnet or she suffered some kind of past injury and its power is the only thing keeping her going. Or both.

Episode 12: I'll be honest, Swiftwind being able to talk kind of gobsmacked and I needed a moment to recover. What a great voice they chose for that character.

So She-Ra is kind of like the legendary heroes from Rising of the Shield Hero, coming from a long line of people chosen to wield the sword. I tend to dislike chosen one types of stories because I think prophecy takes a lot of weight out of the character's actions, so this and Avatar are more what I like. The MC is special but not the only one who's ever been special and they can still easily fail. Their destiny was only to be able to use the weapon, not that they would succeed in any specific purpose.

And dang, Catra's turn against Shadow Weaver happened faster than I thought it would but I'm not complaining. That great "This is what you've really been preparing me for" speech and Hordak, again, being an intelligent villain. "Oh, this experiment could net me a MASSIVE gain and all it could potentially cost me is this rock I already gave away to someone who lately hasn't been producing any results and has been consistently disobeying me. Yeah, I'm going to let this play out."

Episode 13: That was kind of a brutal fight between Adora and Catra. Not the worst I've ever seen even in other shows for this age range (Samurai Jack, for example) but those punches are connecting and those claws are leaving marks.

Also, maybe I'm just misunderstanding the exact situation but shouldn't the good guys' side be called the Resistance instead of the Rebellion? Being a rebellion would imply they are rebelling against an established power or rule over them, but the actual conflict we are shown is the established power and rule that is the kingdoms of Eternia resisting an outside force that wishes to establish a new order over them.

Season 1 verdict: I'm into it. I'm definitely more invested in the villains' side of things but that's not a fault of the series, that stuff is just way more geared towards me than the current princess stuff. I actively am at attention whenever the horde main characters are on screen. For the good guys it's mostly Adora and the She-Ra stuff I'm invested it. That isn't to say I have any real dislikes for that side. Bow especially I'm liking much more than I thought I might. He has kind of this gravitational pull around him. You will be his friend regardless of how much you might want to resist. He's definitely the rock for everyone else to hold onto.

Minor side note, kind of like Korra in Legend of Korra, I love how even when her powers aren't active Adora is shown to still be pretty strong physically with how easily she was lifting people up at the prom.

And I was right, Scorpia is my favorite side character.

On to season 2!

Original Reddit post: https://www.reddit.com/r/PrincessesOfPower/comments/nyll2e/going_in_blind_watching_season_1_for_the_first/

[lady-byleth]

I'm the anon who hasn't watched since V5 because I forgot. I was baffled enough by the whole Clover death and Qrow teaming up with Tyrian thing and now I've learnt that Ironwood sHOT A FUCKING CHILD?! Like, I know he's that character type of 'I'll do anything to fulfill my duty' but to go that far?! Doesn't help that I loved Oscar from his first appearance... Can you explain what happened in V7, 'cause I haven't understood a single thing I've seen of it and I'm not sure if I want to watch it...

It's pretty straightforward actually. Team RWBYJNPRQ and Maria arrive in Mantle which has basically been turned into 1984, meet Penny, get arrested by the Ace Ops and brought to Ironwood who reveals he told Penny, Winter and the Ace Ops about Salem

He then tells them about his plan to turn Amity Colosseum into a global communications tower that is going to be so high up in the atmosphere the Grimm can't reach it

Ruby decides to not reveal the whole truth about Salem and the Lamp, presumably because she doesn't fully trust him with how Mantle has been changed, but offers the groups help

The next few episodes deal with Amity, the kids getting their Huntsmen lisences and the council elections both Robyn Hill and Jacques Schnee are running in. They spend their time training and protecting the Amity project, Clover, Penny, Qrow and Ruby have a confrontation with Robyn who reveals Ironwood is repurposing materials for Mantle's outer wall without informing people. Then we get a scene with the Schneesters where Winter shows Weiss the Winter Maiden and reveals she was chosen by Ironwood to be next in line.

This makes Nora pretty testy and on their free day she, Ruby and Ren decide to go to Robyn's premature victory party where Ren and Nora first have a fight, which makes Ruby run off with Penny, then kiss just in time for Watts to tune off the lights and Tyrian to slaughter people to blame it on Penny. Watts uses the confusion to redistribute the votes cast for Robyn to Jacques, who he is working with

This makes Robyn and her Happy Huntresses go full on vigilante and they start robbing military transports for building materials and get the suppliers in Mantle to cut off deliveries to Ironwood

Nora hits a huge rage breaking point and goes off at Ironwood about how Mantle is suffering from his iron fist rule (queen) but he brushes her off as it being "for the greater good" and gives the order to have Robyn arrested

The Bees volunteer but decide to tell Robyn the truth about Amity instead

Jacques invites to dinner at the Schnee Manor to celebrate his victory and make Ironwood defend his actions to the council and literally the whole cast shows up, which is funny. Weiss goes to snoop, finds her mother in her father's office and Willow gives Weiss proof that Jacques was cooperating with Watts who meanwhile turns off the heating grid in Mantle. The unrest that causes draws in an entire horde of Grimm that, surprise surprise, finds the huge fucking hole in Mantle's wall and overrun the city

Weiss exposes her father and Watts, it's revealed that Jacques gave Watts his council access to the system (dumbass) and Watts used that to lock everyone out. With some prodding from Ruby and Oscar Ironwood decides to tell Robyn and the council the truth about Salem while everyone else goes off to fight in Mantle. Oscar and Ruby then decide to tell Ironwood what they learned from the Lamp, that Salem is immortal and presumably the rest.

Ironwood and Robyn then go live together to tell the people about Salem and the military begins evacuating Mantle with out protagonists. Clover gets a call and he and Qrow go to where Robyn is luring Tyrian to her and they kick his ass good.

Meanwhile Ironwood has lured Watts to Amity by revealing its purpose during the broadcast and by lying that it's finished. (It's curious that we don't see Robyn's lie detection Semblance when he does this so we don't know if she knew he was lying or not)

Ironwood defeats Watts but ends up skinning his left arm. When he comes back to his office he finds a black glass queen piece.

He calls the Ace Ops and kids back (JNR go to pick up Oscar at Atlas Academy tho) and shit goes real bad when he starts throwing Ruby's secrets and the Bees telling Robyn about Amity back in their faces and the negativity triggers the Seer Grimm on Watts' bag and Salem projects herself into the room to reveal that she's on her way and also apparently killed Summer Rose herself

Ironwood decides to use the Staff of Creation to lift Atlas into the atmosphere and remove the Relics from Salem's reach that way and reveals that he already sent Winter and Penny to get the powers of the Winter Maiden. Of course Team RWBY are against this. Ruby tries to warn everyone over scroll and gets as far as Salem coming and Ironwood abandoning Mantle before he shuts her off. So the present Ace Ops (Clover is still with Qrow, Robyn and Tyrian) stand in their way and it comes to battle

The girls fight the Ace Ops while Clover gets the message that the kids and Qrow have to be arrested on sight and, for some reason, decides to just go along with that despite what he just heard. Qrow is not happy but he's willing to cooperate but Robyn loses her temper and it comes to a scuffle during which Tyrian is freed, kills the pilot and makes the plane crash. Clover gets out in time (notably without even attempting to help Qrow or Robyn, for some reason). Robyn is knocked out cold and because Clover still insists on attesting him Qrow decides to fight him.

Team RWBY kick ass and defeat the Ace Ops, it's dope as shit. Penny's father and Maria arrive and Maria quips this is the part where the girls ask them for help.

Tyrian comes to, removes his last restraints and then, for some reason, he and Qrow join forces to fight Clover. Clover disarms Qrow, who decides to end the fight without hurting Clover and uses his fists to break Clover's Aura.

Tyrian uses the opportunity to stab Clover through the back with Harbinger. Clover dies, Qrow breaks apart. It's bullshit.

Cinder appears before the chamber of the Winter Maiden, Neo has meanwhile managed to get the Relic from Oscar and assumed his appearance but Oscar knocks her out of her disguise just in time and Team JNR get ready to fight her. She kicks their asses, but Oscar gets the Lamp back and they escape.

Except Neo takes on Nora's form, steals the Lamp back and gets away with it.

Oscar splits off to go confront Ironwood. He tells Ironwood that if he goes through with his plan he's just as dangerous as Salem and Ironwood shoots him off the ledge of the Vault. Ozpin comes back, awakens Oscar just in time to smash a whole through the bottom of the Vault and Oscar goes falling towards Mantle.

Cinder, Penny and Winter fight. Cinder knocks Winter's Aura out and her out of a building. Penny saves her. Cinder goes after Fria, and in her usual arrogant way decides to wake the old lady up before killing her.

Fria is like "bitch I don't think so" and unleashes the powers of a fully realizes Maiden that even Cinder can't stand against. Winter and Penny arrive again but Winter can't get through the cold air without getting frostbite so Penny goes instead.

She asks Fria if she's alright, and then cradles her as her life starts fading. Fria asks her if she's the next one and Penny hesitates to say no, looking back to Winter who she knows will go to open the Vault which Penny doesn't agree with.

Cinder shows up again, furious. She says Fria is hers but Winter interrupts her and cuts off her Grimm arm. Which grows back. Cinder then curb stomps Winter while Fria dies.

Penny becomes Winter Maiden.

Ruby and Weiss arrive to find Fria dead, Winter hurt, Penny with the powers and Cinder right there. Ruby's eyes active immediately and Cinder is so terrified she runs before the light can even get to her.

Winter calls for reinforcements but gives the girls a headstart at least.

Team RWBYJNR, Pietro, Maria and Penny escape in an airship. Qrow and Robyn are arrested, Qrow looks absolutely broken as he looks down at Clover's bloody clover pin and Robyn comforts him.

Winter tells Ironwood the powers are gone. Presumably she doesn't tell him who has them, at least we don't see it

Oscar asks Ozpin how they can save Atlas now.

Salem arrives with a massive Grimm army and a whale Grimm almost the size of Atlas.

The End.