#not only that but it also has a real effect on my real life relationships (or attempts at them) and i know i cant keep going like this

[kyuala]

.

[kashilascorner]

just watched notting hill which is supposed to be like an epitome of a good romcom and... Well. Let's just say i highly disagree

[sidsinning]

Apothecary Diaries is pog as fuck bc serious political issues and dynamics from a woman's POV are rarely depicted in ANY form of media

It's always a man's world where women's issues surround him. Even if we get a female perspective once in awhile- it all comes back to how it facilitates his game in the end. She's a footnote in the overarching scheme of things. Misogyny exists. Back to the real plot.

Apothecary Diaries is strictly from a female perspective and how each class of woman has to act, what limits they have, what rights they have and don't have between each class, etc. These women have to behave a certain way under a patriarchy, which you would think makes it a man's story, but it never is. The women are THE focus of this show, their struggles are THE plot. The focus is about how the patriarch effects them.

Take the concubines for example. The show dives into how bearing a child affects their rank, how traumatizing it is to lose that child, the consequences of that, etc. We have barely seen the emperor who sired all these kids because this is not about him.

Jinshi's personal plot is secondary to Mao Mao's journey- he is mostly there to provide new cases for Mao Mao to solve and to learn more about the shortcomings of his class when taking care of citizens like Mao Mao.

Jinshi is not a bad person, but by virtue of his position in the higher classes, he cannot understand how harsh life as a poor WOMAN is specifically- he can only catch glimpses of it from what Mao Mao tells him and feel outrage but powerless in his wealth and luxury

Mao Mao is a fortunate commoner woman for what privileges someone in her class should and shouldn't have. She happened to be adopted by a knowledgeable man. She is allowed to read, write, learn, and has enough skill to be a poison tester and have a job EXTREMELY out of her class limit as an apothecary, also a job not traditionally meant for women

Mao Mao is not a "noT lIkE oThER gIrLs" protagonist, she is FOR THE GIRLIES. She only wants to help the women around her, and women are whom she has the closest relationships to. She sees a woman being harassed and can't let it stand. She sees a frail, traumatized woman dying from the recklessness of those who should be caring for her and spends day and night nursing her back to health, while also punishing the people who were so careless with her needs.

My girl has STUDIED UP on THE BODY to TEACH these upper class ladies on how to really HEAT things up in the BEDROOM

Sex depicted in Apothecary Diaries is both something women are not shamed to be enjoying, while at the same time being acknowledged as an unfortunately huge economic necessity to market themselves.

Like shit is just so real in this series???

Listen, I can go on and on about how GOATED the series and especially Mao Mao is but you get the picture

[whimsiwitchy]

Controversially Young Girlfriend 

Hugh Jackman x popstar!reader 

series masterlist & main masterlist

summary: y/n is a globally beloved pop star. She is known for her talent and dedication towards her craft. Recently, she has also been known for her preference for older men. After a breakup with her former older boyfriend, she had a run in with the hottest dilf right now, Hugh Jackman. Y/n tried to warn him, but what can she say, she has an effect on hot, older men. 

warnings: age gap (23/55), cursing, y/n used, implied shorter reader, afab reader, she/her pronouns. 

warnings will change as the story progresses! all descriptions of real people in this story are FAKE. i do not know these people and this is purely fiction. Please let me know if I missed anything! <33

authors note: this is an idea I had that I really needed to write. I’d love to make this a series if you guys want more, just let me know! This is only my second time writing fanfiction and my first time writing for Hugh, please be nice lol. Thank you for reading! <3

Part one: breakup and new beginnings 

Being a young girl living in the middle of bumfuck nowhere made it seem impossible to live your dreams of becoming a singer. You grew up in a tiny little town in Louisiana called Minden. With a population of less than 15,000 people, the closest ‘big’ city being Shreveport, growing up was pretty boring. You had big dreams of making it big and making it the fuck out of the country. Minden wasn’t always so bad. It was a nice community that had fun things here and there, but you craved more. 

Once you graduated highschool back in 2020, you focused on working and saving as much money as you could, only buying essentials and equipment to help make music. You took a few online classes on producing and tried your best to make whatever song was bouncing around in your head come to life. It took a year for you to feel confident enough to release your first few songs out into the world. So in July of 2021, you teased a song on TikTok to your small following. You started to gain a few more followers here and there, it was exciting. At the end of August, you released your first song titled ‘to the point’ and it blew up on the clock app. You gained a hefty following after that, on the brink of hitting one million. 

By the end of 2022, deciding on Los Angeles, you had finally saved enough money to move, so you were packing your bags and heading out. Your agent was ecstatic about the move because it meant more opportunities for your career. After releasing a few more songs over the past year, you hired Stacy to help you manage everything. 

Fastwording to 2024, your dreams have come true and you have been an established and respected artist for almost two years. You started to build a reputation as someone who was dedicated and passionate about their craft- always being involved in any creative process. It was bliss. Lately though, you’ve gained another reputation, the controversial young girlfriend, a whore, a gold digger. Since you’ve been in the spotlight, you’ve had your fair share of dating history and if they all happened to be older men, so what? It wasn’t something you had planned on but older men were just built differently. They were so much sexier and put together than the guys your age. They knew what they were doing and how to treat a woman right. You were so tired of being asked out through instagram direct messages, you wanted someone who wasn’t afraid to talk to you in person, and that seemed to only come from men twice your age. You weren’t complaining though, you enjoyed it. 

Your last ‘scandalous’ relationship ended up being far more public than you intended it to be. In the beginning, the men you were seen with were never anything serious, just dates or one night stands. Though with Pedro it was different. You dated him for six months before it all came crashing down and you felt heartbroken. He was the sweetest man you’d ever been with and it all ended because the hate from fans on our age gap was too much for him. It was an ugly breakup and you were positive that he wouldn’t want to be associated with you anymore, even as friends. 

-

“I should have picked a different song.” You huff in frustration. Today you were going to be performing on BBC’s Radio 1 Live Lounge and as requested, you'd be performing your own song and a cover of your choosing. When Stacy first presented this opportunity to you, it had only been a month after your recent breakup and naturally you chose to cover ‘THE GREATEST’ by Billie Eilish. Now that you were mostly over Pedro, the song seemed silly to sing and you weren’t feeling as vocally confident now that you were here. 

“Babe, you’re gonna kill it! Just let your emotions flow, give the fans what they want.” Stacy is sitting across the room as she comforts you. She’s fidgeting with your vocal humidifier, attempting to put it together before you start warming up. Her advice isn’t terrible, she’s right. You’d been pretty silent on the subject matter, steering clear of social media so you wouldn’t say anything stupid. Rumors of your breakup had been all over the headlines but there hasn’t been confirmation from either of you. Singing this song today would definitely stir the pot again and make everyone realize that it is done between you two. 

“You’re right.” 

“As always. Here, start warming up the money maker.” She laughs while handing you the humidifier. 

“I really hope he doesn’t watch it. I’d literally smash my head into a brick wall out of embarrassment…” 

Placing the humidifier over your mouth and nose, you sit there letting your mind wander. Having your personal life exposed to everyone really sucked and hiding your boyfriends wasn’t something you wanted to do, but you knew that in the future it was something that would have to happen. 

“I think I’m taking a break from men.” You let out proudly, glancing over at Stacy. 

“Whatever you say girl.” You could hear the doubt lingering in her tone and the roll of her eyes. 

“Ugh… You don’t believe me do you? I can totally break off from men and be my own person for once.” 

“I’m not trying to doubt you babe. It’s just…You tend to attract men like a magnet and you have some severe daddy issues.” She's typing away on her laptop as if she didn’t just completely disrespect you. 

“I don’t have daddy issues.” You say flatly. “I happen to have a very loving father who was always present in my life, so the whole dating older men thing does NOT stem from daddy issues. Thank you very much.” You say matter of factly. 

“Hm..Well I give it a week.” 

-

After a few sound checks for your mic and band, you perform your first song. You chose a more upbeat song off your debut album to start, given that you were about to lay your heart out of the line. It was honestly kind of awkward performing in this setting. There was a booth in front of you that had the sound board and all of the other electronic stuff that you didn’t understand. Then right to the left of that, the cameras were positioned with a group of crew members sitting behind them. It always felt awkward performing to smaller audiences. 

The first song went by smoothly, earning a few cheers from the people in the room. As the band prepared for the next song, you could see the door in the booth open and two figures walk in. You weren’t wearing your glasses or contacts since it was supposed to be a short day, so you really couldn’t make out who had just walked in. You assumed more workers came in and brushed it off. 

“All ready?” A man behind the camera asks and you give a thumbs up. 

You somehow managed to get through the song without having any vocal mess ups. It was a challenging song and you'd definitely have to text Billie later to give her some credit. A few tears slipped here and there, feeling the emotions that you thought were gone slowly be released. You pulled yourself together and you felt really proud of the performance as a whole, showing the world the potential your voice had. 

A few soft claps are dying out as everyone starts cleaning up the room. You’re reaching down to grab your water bottle when you feel someone rushing up towards you. 

“Ahhh you did great babe but um two hot dudes will be walking through that door any second!” Stacy is whispering and all you could do was give her a confused look before the door opens. You squint trying to make out the two figures. 

“God you’re talented!” You hear the voice before you see the face. 

“Oh um, thank you so much.” You let out not really sure who you were speaking to. Once the two men get into view, your jaw drops slightly. 

“HOLY SHIT!” You yell a little too loudly. Slapping your hand over your mouth, you hear a very rich man laugh coming from a very good looking man. For some reason, whoever is in charge of the fate of the universe has blessed you with the presence of Ryan Reynalds and Hugh Jackaman. 

“Oh my god i’m so sorry, that’s literally so embarrassing. I just couldn’t see who you were at first.” 

“It’s okay sweetheart.” They both wear big smiles on their faces. 

“I’m y/n, it’s so nice to meet y’all, i’m a big fan!” You gush out, trying your best to refrain from fangirling. 

“We’re big fans as well. We were next door interviewing for the radio show, when we heard you were recording over here. We ran over here to try to catch you.” Ryan lets out. 

“No shit! That’s so cool. I really appreciate it.” Before the conversation could continue, Ryan is being called over by someone, leaving Hugh and yourself alone. 

“Hows Pedro, haven't seen him in awhile.” Hugh asks genuinely, giving you a small smile. It caught you off guard completely. You racked your brain trying to think of a time in your six month relationship that Pedro mentioned Hugh at all but nothing came up. 

“Oh I uh- I wouldn’t know. We aren’t together anymore.” Your voice is soft, trying not to make this any more awkward. 

“Shit. I’m so sorry, with the way he spoke about you, I thought you’d be together longer…” He trails off. 

“Yea me too.. he couldn’t handle the heat I guess.” You shrug. 

“Well, his loss yea?” He smiles trying to cheer you up. 

“Yea..” You say softly, your voice matching your smile. You take a moment to really look at him and he’s beyond handsome. He’s aged but in a way that makes you wish you were able to see the years go by with him. He was tall, almost towering over you, and his muscles were practically popping out of his shirt. 

The same guy that was walking to Ryan, gathers the three of you for a picture for the BBC socials. You stand in the middle, both men placing their arms behind either side of you. Hugh’s hand was placed on the small of your back. You looked up at him quickly, his face already smiling at the camera. You hear the camera go off a few times, causing you to look that way as well. Once the cameraman was satisfied, everyone gave their goodbyes and the room cleared out. 

-

Later that night you were scrolling through your phone when a text popped up from Stacy. 

Stacypoo <33: I told you. You couldn’t even go a week. ;) 

The text is accompanied by a screenshot of a notification stating that “‘thehughjackman’ started following you!”. You rushed to open instagram and went to your followers to search from his name. You stared at his page for a few minutes before following him back. 

While you had control over your own social media, someone handled all of your business related content. You went on your page to see that the picture that was taken at BBC earlier today was already posted with one comment standing out beyond the rest. 

Thehughjackman: Great meeting you sweetheart! :)

Thank you for reading <3

part two

[moonbakeries]

HOW I MANIFESTED MY DREAM LIFE IN A WEEK

BACKSTORY

So I decided to fully immerse myself in "persisting" and fulfilling when I listened to Lonely one by LOVA because I spent around an hour just sobbing because I related to the song.

the week that I started was around Easter break and I was under the most amount of stress I have ever been through and I could see it the effects on my body

I was breaking out with huge pimples even though I was on accutane, I was averaging 2 hours of sleep a day every week for 2 weeks, my period had going on for 2 weeks, I was losing weight rapidly (was under 35kg:( ) my anxiety was at an all time high because I got harassed again(sexual assault victim). I used to have severe depression and have had multiple failed attempts of suicide. AND YES I WAS DESPERATE AS FUCK TO MANIFEST THIS DREAM LIFE OF MINE WHICH IS NO LONGER A DREAM

in the mornings I would be super anxious but I learned how to deal with it and get myself into the state super easily

HOW I DID IT

I GOT OFF TUMBLR: you know how many times I doubted myself only to realise I was doing everything right

I also read and listened to Edward Art MULTIPLE TIMES

Within a week of fulfilling and persisting, I had manifested my dream life. just like that. I woke up one morning and everything I had ever desired was right there. and it was super easy.

all I did was affirm(to remind not to get), visualise and feel. I would only do these methods if I wanted to, if I didn't I wouldn't.

Within a few days, the anxiety lessened so much and it started to feel natural. 

this was a question on Bambi's " how I manifested with hard circumstances " post which has now been sadly deleted but I remember copying this because it gave me hope at the time I copied it (don't hope, just know)

"But isn’t ranting “not letting the old story die out?” you and i could rant until our minds are cleared, just as long as you flip my thoughts, you are on the right track.  I rant for 2% of my 24 hour days. The other 98% i was persisting in the fact that creation was done. as “time” went on, it began to feel more natural and I felt more at ease. I held onto that feeling because I knew this was when I would get my desires and I did."

and that was when I knew I shouldn't give up and I just kept going even when I wanted myself to just get on tumblr and overconsume 

I actually nearly decided to see what I was "doing wrong". I clicked on one of Aphrodite's posts but I didn't read it. I just asked myself if I would look through it if I had my desires and I wouldn't and since I already have all of my desires I didn't.

Whenever the anxiety was too strong and I could feel the frustration and desperation building up, I would just rant and it helped me calm down and get back into the state super easily.

why?

because STATES MANIFEST THOUGHTS DON'T

which is why you can rant.

you know how many FUCKING DOUBTS I had, but I didn't even give them attention coz they didn't deserve any and how many times I wanted to just give up, but I was like NO, STFU, I DON'T WANNA LIVE MISERABLY ANYMORE and now I'm not :)

The affirmations I used:

It is done

I am living my dream life

I am in my desired reality

The 3d will conform as long as i keep persisting

Imagination is the real reality

I also daydreamed, but since imagination is the real reality they were real

WHAT I MANIFESTED

- desired appearance

- name change

- family change

- skills (drivers licence etc)

- apartment and furniture

- wealth

- a bunch of random materialistic things

- desired friend group (I absolutely love them!)

- desired uni and always getting good grades

- outfits from pinterest

and a bunch of other things

- I also ended up manifesting an sp without even knowing and he's pretty much I everything I scripted him to be(scripted a year ago because I didn't really care for a relationship) but this happened before I manifested my dream life

after a year and half of being on loablr I finally manifested my dream life. and you can too

(there was probably over 100 things I wanted but I realised what I want is not much, nothing ever is when you know about loa and yes, i was super desperate)

you don't need anymore information other than @angelsinluv states post and fulfillment challenge

you shouldn't ever be stressed or worried while manifesting whatever you want, because you wouldn't stress if you had it

TAKE YOUR TIME

YOU GOT THIS

[wombywoo]

do you have any ghostsoap favorite fics, perhaps?

boy do I....

I should preface this by saying that I'm pretty...particular with what types of fics I enjoy reading (I only like certain character interpretations/tropes/writing styles, etc) so bear with me...

These are all mostly canon-compliant, non-AUs, ones that I regard highly~

Seasons--by StinglessWasp: This is pretty much my go-to fic rec for anyone into CoD and ghostsoap in general. It showcases everything I love about these characters, in a setting that feels as authentic to the games as possible, while also exploring the depth and sincerity hidden under the surface. So well-written and paced--the dialogue and military references all contribute to that 'feels like a mission out of the game' experience. Plus, I just love this interpretation of our boys--the humor, the inner struggles, the intimacy--Wasp 100% *gets* these characters and it's a joy to read <3

Except You, You Can Stay--by Iravaid: While this one isn't *technically* ghostsoap until the last chapter, in my opinion, it's required reading for anyone who gives a shit about Simon Riley. This is *the* character study--an intimate dissection of Ghost's past that seems so realistic and grounded, you forget how ludicrous those comics really are. Ira takes such care in treating these heavy topics with delicacy and effectiveness. Each chapter has you going 'oh wow, this is even better than the last', but as a whole--it's a stunning, fleshed-out glimpse into Simon as the character he was always meant to be. And the final chapter which eases you into his relationship with Johnny is so authentic and sweet, it just makes perfect sense that they should be together, and that this poor poor man deserves some goddamn love <3

bleeding in the house of god--by revolvermonkcelot: This is a really great 'missing scene' fic, a perfect opportunity to explore the in-between moments that the game so carelessly chooses to gloss over. I can't praise Monk's writing enough--it's slick and crisp and very tasty; the imagery just jumps off the page and you can practically feel the sweat. Plus, the dialogue exchanges between our two boys are so well-timed and in-character--love all the slang and British references~ This whole fic reads like an addition to their mission flirting, and I'm all for it! You can truly tell this author has such deep understanding and experience with this franchise (winkwinkwink, this is a joke) Read it--it's good!

The Dead are all Living--by Kabbal: This fic blew me away when I first read it. It's such a unique take on the retirement trope, I just adore this interpretation of Simon as an aging recluse while he builds his home. I tend to lean towards more subtle, grounded characterizations of Mr Riley, and this really fits the bill. All of these glimpses and fragments into his post-military life contribute to an overarching love story; the scenes with Johnny are so poignant, it's like you're pining alongside them both. I love how not-perfect they are; flawed and difficult and real. There are some moments and lines that just....struck something in me so deeply. I'm sure I'll still be thinking about it for a long long time <3

Portrait of Taction--by a_platypus: Another Simon-centric fic that I absolutely love. The character voice in this is off the charts, I can hear him so vividly in all of his inner dialogue and stunted attempts at conversation. Simon is so endearingly dense in this fic, you're just waiting for him to finally get his act together, but the clumsy, oblivious steps he takes in his relationship with Soap are truly a treat to read. I love this version of Johnny too--confident and considerate, but still hopelessly crushing on his superior. It's comedic, well-written, and the paragraphs describing Soap's journal give some of the best insights into his character I've seen <3

come on, haunt me--by flyby2: This was a really good long fic that I took my time savoring. What could have been a typical 'on leave' fic instead took time to develop a unique spin on the backstories as well as throwing our boys into some wholesome encounters. Both Soap and Ghost felt very true to character, and I appreciate the exploration of PTSD and the subsequent struggles that come along with...all that. There was a really nice balance in having their romance spread across the chapters, and I can promise a very sweet, happy conclusion <3

in the mess of it all--by flowersferns: A lovely one-shot that exhibits some of my favorite aspects of these two characters. I'm a sucker for 'one of them is hurt, the other is freaking out, they are both idiots in love, etc'. There are some really great dialogue and character moments in this, plus the overall prose hits hard. Love this take on their romance--the mutual trust, the familiarity of their bond. And just the general theme of impermanence--the inevitability of what this relationship means for them--two soldiers, willing and ready to sacrifice their lives at a moment's notice, still clinging to each other because...god...that's all they have---big fan of this :'D <3

Lapsus--by Lisbetadair: Another really great one-shot and 'missing scene' fic. The authenticity in the writing is spot-on--it's like you can feel Soap's pain right off the bat. I love how smoothly the banter flows between the two, and the attention to detail and references all help lend to that 'hardened military man' exterior. Ghost smelling like flowers because of a face wipe is such a delightful addition, plus the scene where Soap is, ah, donald-ducking it in just a t-shirt with his jewels out is such a funny mental image, I still think of it fondly from time to time. It's funny, it's surprisingly cute, it's very in-character. Stick around for some awkward but adorable cuddles <3

I'm sure I have more to recommend, but these are the ones I can personally endorse for now~

[meiieiri]

𝐭𝐨 𝐡𝐚𝐯𝐞 𝐚𝐧𝐝 𝐭𝐨 𝐥𝐨𝐬𝐞 [geto suguru]

synopsis: suguru geto upped and left that day without a moment’s notice and he took everything with him — your heart, your soul — but as you look at the positive pregnancy test in your hand, you realize that he did in fact leave one thing behind.

warnings: unplanned pregnancy, angst, explicit sex.

a/n: i know, i know. i should be writing WE but this concept has been in my head far longer than WE and i just need to get it out there or else, i think i’m gonna go insane. if anyone wants to know the plot of this would have been fic, feel free to let me know lmao, of course it still involves gojo bc i can’t choose between the two of them since they’re both so baby girl—! also happy birthday to the loml, my pookie-wookie, honeybunch, suguru geto!!

It’s been a year since the happy side trip to Okinawa became a living nightmare that culminated in you, Suguru Geto, and Satoru Gojo on the brink of death and with many more scars than you could have ever imagined. The three of you had very different ideas on how to cope. Satoru spends the past year perfecting his cursed technique, often at the expense of his emotional well-being and energy but then again, after what Toji Fushiguro did to him leaving him with the trauma of being slaughtered without regard, it was only natural.

You and Suguru on the other hand retreated into yourselves; it was hard to believe that just a year before the two of you were a normal teenage couple who enjoyed walking the trendy streets of Shibuya in the weekend sunshine without a care in the world, whose only real problem is to decide where the two of you were gonna have your weekly dates.

Now, things were different. Rainclouds have gathered effectively blocking out the sun. As you sat on the desk reading through your textbook on reverse cursed technique, you glance at Suguru from time to time and you aren’t the least bit surprised to see him sitting by the dorm room’s windowsill, staring at the garden with an empty gaze.

You’ve had enough of this. This eternal state of limbo was tearing you and Suguru apart.

Slowly, you stand up from the desk, softly padding across the wooden floor to where your boyfriend is. It was the middle of the night, last you checked, it’s already nine in the evening. You should be heading back to the women’s dorms now but you couldn’t, not when things were like this, not when Suguru’s losing himself day after day, you can’t help him, you know that, but you could be there for him seeing that’s all you can do.

But even then, it’s never enough.

Your relationship with Suguru is like a lit dynamite stick, you know that it’s only a matter of time before it also explodes in your faces. So, Suguru takes the lead, like he always does, he’s so much wiser and stronger than you in every way though he doesn’t care to admit it, though he pretends he doesn’t know why you’re so dependent on him.

“I think we should break up.”

He says that while holding your hand. You saw this coming but just how long did you anticipate that the love of your life would eventually up and leave you? You squeeze his hand with every ounce of the grief you are feeling hoping it would transcend the confines of your skin and it would reach his heart. “Is that what you really want?”

“No.”

He stands up to meet your gaze, the throw blanket falling to the floor as he does. He leans in closer, his hand cupping your cheek with such tenderness and heartache that you feel your heart rise to your throat. Suguru is normally so gentle like a shower of midnight rain, but he kisses you like this is the last — it probably is. Lost in him, your hands trail over his chest, and he deepens the kiss hoping that you’d also understand that he doesn’t really want to leave but he has to. He can’t bear to drag you into his mess.

He could never do that to you.

You respond with a soft moan when Suguru slowly lifts your shirt over your head. He stares at your plump breasts for a moment, covered only by a thin lace-like material, before deciding that looking at you wasn’t enough. He has to take you, ravish you, fondle you, kiss you. Anything to let you know that he’s not doing this because he’s fallen out of love with you.

“Don’t leave,” you plead in between his soft kisses to your breasts, tears slipping from your eyes as he removes your bra, letting it slip from your shoulders which he was now kissing up to the crook of your neck. How could your hearts be so full yet so empty at the same time?

None of what happened should have caused this much heartache between the two of you. In fact, it should have made you rely on each more, right? It should have strengthened you not destroy everything you had: each other, the future you planned together.

Suguru doesn’t answer as he nips at your neck, sucking on the delicate flesh, as your forms gracefully fall on the bed, he stares at you with such love, such devotion, and you wonder why this should be the last time. His gaze falls to your vulnerable form, his cock hardening at the sight of your clothed pussy getting wet just from that. He grinds against you, sighing at the way you buck your hips to meet his wanting more of him. If this was to be the last time, then, you want to make it count.

“Suguru, I’m yours.” That’s all he needs to hear and he removes your underwear, kissing down your leg as he slips it off of you. He tosses it onto his nightstand, and he leans towards it to grab a condom from his drawer. You catch his hand. “Don’t. I want to feel you.”

Suguru’s eyes widen at your request, his lips eliciting short huffs of breath. He’s never fucked you raw before. “Are you sure?”

You nod against his forehead. “Please. Please fuck me, Su.”

Slowly, his hand guiding his tip up and down your slit, smearing your wetness along the base of his cock before slowly pushing into you savoring the sensation of your cunt squeezing around him as he stretches you with his girth. A deep groan betrays him and his mouth hangs open as your tight walls envelop him as he bottoms out. He takes a moment to collect himself, not wanting to cum right then and there.

“S-shit. Ah, you’re so fucking tight.” He allows himself a small thrust, the tip of his cock already nudging your sensitive spot, having memorized you after many desperate nights of lovemaking. His fingers grip the soft skin of your hips as he pulls out momentarily before pushing back in again more forcefully this time.

“S-su! Mngh—please fuck me—I love you, I love you, I love you,” you beg.

A tear slips from Suguru’s eyes, it was becoming more real now — this final goodbye. He presses a gentle kiss to your forehead, his thumb brushing against your cheek as he slowly builds up the pace of his thrusts, his cock bullying your cunt, driving himself in and out of your pussy, again and again. He brings your leg to his waist, holding it so he could angle himself better. “I love you too.”

You mewl as he pistons in and out of you, his balls slapping hard against your skin. “Sugu—ah! More—n-need more of you—“ You’re crying now, and he is too as he continues to ravage your pussy, his hand finds your other leg and he pushes your knees close to your chest, folding you into a deep mating press, slamming into your cunt.

“I’m yours. Always,” Suguru looks into your eyes amidst your desperate cries, your thighs trembling under his passionate gaze. He grunts when he feels the familiar tightening of your walls. “You’re close—fuck,” he takes this as an incentive to go faster, harder, and he fucks you in a way he never has before.

“So good—oh—“ you fall silent as he suddenly brings your hands to your clit, letting you touch yourself. You looked so beautiful like this, under him, your head thrown back against the pillows, your mouth primed in a silent ‘o’. He pants as he feels his balls tighten when your hips involuntarily buck into him as you climax. “Suguru!”

“Ah, baby…” He groans, the hot breath from his lips tickling your forehead as he rides out his high, spilling his seed into you not caring what the consequences may be. You did want this after all, and he did too. You feel full just from the sensation of his thick cum, he thrusts into you one last time, further smearing his release in your walls.

You sighed as he stays there, your weak and trembling arms coming up to embrace him. He strokes your hair, memorizing each lock, pulling out after a while. Suguru pulls you flush against his chest, the remnants of his and your release sliding down your thighs. “It’ll be okay,” Suguru catches his breath, kissing your temple. “Even without me. You’ll be okay.”

“I won’t…you know I won’t.”

“You will.” He says firmly. “I promise. You know me, baby, I never break my promises.” You feel tears well up in your eyes again and he tenderly wipes it away. “I love you, (Y/N).”

“I love you too.”

By the next morning, you already knew with the way the AC’s cold air nips at your skin without Suguru, your Suguru, there to embrace you that he’s already left.

Without a note, without a goodbye. Typical of Suguru who doesn’t want to stick around to see you cry.

You curl into yourself as sobs wrack your body, the promise ring Suguru gave you gleaming under the rays of morning sunlight.

A few years later, just as Suguru said, things did get better. You smiled as you arranged the last of the tempura into the bento box filled with soba noodles with nori and small containers of mentsuyu and wasabi. It’s amazing how much she takes after him. You look at the clock and your face pales. You’re running late, so, you head upstairs to speed things up a little. You creak open the door to see the little blessing of your life, the last gift Suguru ever gave you. She’s looking at the picture of you and Suguru which you placed in her room, and since you know it was highly unlikely she’ll ever meet your lover in this lifetime, you’ve decided you want her to know him if by his appearance alone and the stories you tell her.

“Riko? We’re gonna be late,” you gently reminded your four-year-old daughter. You shoot her a funny look when you see the haphazard way she placed her hair in a bun. She pouts as she tries to get it right again, looking at her father’s picture intently. “Sweetheart, are you trying to look like—?”

“Like papa,” she huffs cutely and you chuckle, moving to pick her up and sit her down on your lap. Kissing her cheek, you also gaze at the picture depicting a candid you and Suguru during your first year at Tokyo Jujutsu Technical College. He has his arm wrapped around your shoulder, winking at the camera as he kisses your cheek, a silent gleeful laugh on your face.

You look at her, a little confused, you gently smooth her hair before planting a kiss between her eyebrows. “And why do you want to look like papa?” Riko shyly looks away, her ears turning a little red as she blushes, a trait she inherited from you. You flick her nose, giggling. “Well?” Riko laughs at the playful gesture.

“…So you don’t cry anymore, mama.” Your heart seems to have stopped beating for a moment and a warm, tearful smile appears on your face, wrapping Riko in a bone-crushingly tender hug. “Love you…” she sinks into the warmth of your hug and you kiss the top of her head.

“I love you, Riko. So…so…much.”

At that, your little girl sighs in relief. “School?” she tilts her head and you suddenly remembered the reason you went upstairs. You had to get moving. Your eyes widened and you carry her downstairs, being careful not to jostle her too much. “My hair, mama!” she giggles at her still unruly hair and you grimace in embarrassment. Suddenly, the front door opens and Riko sees who it is, before you could grab the spare brush from your bag, she suddenly jumps out of your arms and makes a beeline for the door.

“Papa, papa!”

You turn around and though the sight pains you to this day, somehow, you’re starting to learn to live with the fact that things are always bound to change with time and that this is what Suguru would have wanted: a loving and complete family for his little girl. You wrap Riko’s bento and place it in her lunchbox before going to greet the visitor.

“Hi, babe.” He turns to meet your lips for a sweet kiss, balancing Riko in his strong arms.

“Good morning, Satoru.”

[gojosatorubrainrot]

The only real thing in here is you and me

•Summary: you are having a nightmare and Satoru is there to reassure you as the good and caring boyfriend he is

•Feat: Satoru Gojo x Reader

•Content: fluff, hurt/comfort, protective Satoru, insecure reader, Satoru being the perfect boyfriend

•Author's note: since I'm person who usually has nightmares and wakes up in the middle of the night scared and needs to be hugged, I decided to write this if some of you feel identified 🥹

•If you want to get added to my taglist, let me know in comments

Alone

That is how you are feeling at this moment. All your beloved relatives left you to rest in peace in the other side. But that wasn't the reason why you feel that way. You assumed that day would come so you were kinda prepare to say goodbye to them.

You feel alone because of him.

Because you had never thought that among all the people, he would let you at your mercy in this hard path called life.

It's worse than being all alone because of his eventual departure; he left you because he was tired of all of your problems: your complicated relationship you had with your parents before they passed away; your anxiety issues, low self streem and the bad conception you had of your own body; you never loved what you looked like in front of the mirror.

He was patient, comprehensive and caring everytime you came up with any of the topics mentioned before.

But he got tired; tired of each quarrel about how stubborn you were, how you didn't believe all those compliments he gave you, how beautiful you were to his eyes: you believed he was lying like everyone else did during your life.

You always thought he was like them; saying those beautiful words only to make you feel good, cared... loved, so you wouldn't complain about your look nor feel alone ever again.

You were standing in your house entrance dressed with one of his oversized shirts, seeing how his tall frame was walking across the street, to the opposite direction to your house: he was leaving you.

"Satoru, please! Don't leave me!"

You were shouting to him, tears falling down from your swollen eyes, having a tiny hope he would turn around and come back home. You hoped this was a joke, a really bad one: after all, he was the king of jokes.

But seeing your desperate shouts were causing no effect on him, you surrendered; you immediately fell on your knees, head in your hands, crying, sobbing, feeling how your heart was breaking in tiny little pieces because after all these years, he abandoned you. The only thing he had promised not to do so. He lied... as everyone did in your life

"Satoru, come back..." you were repeating to yourself, eyes fixed on the floor in astonishment, still believing this was a dream, you even pinched your cheeks but,then, you assumed this was the most real thing you ever lived through.

~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.

It's a quiet and peaceful night, the room being lighten by the moon, the soft summer breeze moving the curtains while the white haired man, who barely gets some sleep, is looking at your sleeping silhouette, spellbound; he is tempted to trace your pinky cheeks with his long fingers, thanking the gods for letting him to have such a wonderful, kind and ethereal woman by his side.

He is also happy that you let him in, to get to know you more, your secrets, insecurities, your anxiety issues and mostly your low self esteem. He was always aware of when you were feeling uncomfortable or uneasy by only looking at how you usually furrow your eyebrows with disgust and that is when he immediately knows that you are not okay anymore.

He would instantly drop everything he was doing, even canceling meetings with the higher ups so he can spend the rest of the day with his girl, spoling her with her favorite snacks, cuddling in bed while watching her favorite movies/TV shows but mostly; being with you when you most needed him.

Suddenly his daydreaming is interrupted when he feels you started to move in the middle of your sleep, droplets of sweat in your forehead, making some strands of hair stucked to it. You were babbling nonsense; at first he decided to ignore it since you usually have dreams like that, but when you screamed his name in a terrified way all of sudden, that really caught his attention.

By the time you are slowly realizing that all was a nightmare, you feel those familiar arms around you, his chest pressed in your back, feeling his increased heartbeats and his head buried in your neck. You can't help but start crying because you thought your worst fear came true.

You felt relieved, it wasn't.

"Shh shh, it's okay, baby. I'm here" he whispers to your ear, your body still trembling, hard breaths leaving your mouth, shock running through your body, like you were paralyzed. "It was a bad dream, sweets. It wasn't real. The only thing that is real in this room is you and me" he says this giving your cheek smooches as you begin to calm down.

"Toru..." your voice trembles, tears showing at the corner of your eyes, all that you want is being wrapped in those arms, the ones that always make you feel safe, loved and most of all, that the strongest sorcerer, the love of your life, Satoru Gojo, your Toru, is by your side another day.

He breaks the embrace and move in the mattress so he can be in front of you, to do what he does best: to be there for you.

"I'm here, sweets" he cups your face so you are looking at his cerulean eyes filled with worry.

It breaks his heart to see you at such vulnerable condition, being aware of he wasn't able to do something to prevent you from having that nightmare.

He put a strand of hair behind your ear in a delicate way as if you were about to break in tiny little pieces, without breaking the eye contact.

Satoru won't ask you about your nightmare, but, he can guess it was related to him. It's not the first time you woke up in such state; the first time you did it, it turned out you dreamt about Satoru dying in your arms after visiting him in Shoko's infirmary due a bad injury during one of his missions.

It was extremely hard to him to calm you down after you told him every detail of it, so he didn't want you to freak out again, you have already dealt with too much pain during your sleep.

"I'm here, love. I'll never leave you by your own. I never break my promises, especially if they involve the love of my life, you" he says giving a sweet and gentle kiss in the tip of your nose, then, in your left cheek, the other and finally, in your lips. He was pampering you with all the love he has for you, his everything.

It was a kiss filled with love, devotion, adoration but mostly, with care. You close your eyes, your chest inflates with a warm feeling that you only feel with Satoru; you will always feel safe if he is by your side.

"Let's go to bed, baby. Try to get some sleep, and remember, I'm always here no matter what, okay?"

You nodded and let Satoru tuck you in, covering your body with the sheets and then he did the same placing himself behind you, hugging you from behind, wrapping his arms around your waist, his hands placed in your low belly. His face was buried in the crook of your neck, feeling his warm breathing.

That is all you needed. To feel alive, to feel safe, to feel this is real

~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~.~

© GOJOSATORUBRAINROT— do not plagiarise, repost, use or translate my works on any platform.

Taglist: @shogunish @msjellyf1sh

[bedazzlecunt]

i get sooo many asks and DMs asking for tips on how to get better at edging so i wanted to make an actual post about how i turned myself into a total edgeslut — and how you can, too! there's really only one main 'rule' to follow while you're learning how to edge, so i promise you can do it! this info should still be applicable regardless of your particular genitalia, but i mostly reference cunts because that's what i've got.

the one rule!

my ultimate suggestion for people who are new to edging and finding it almost impossible is to STOP TRYING TO EDGE. some of you are going like that's crazy edging is all i want to do! but listen to me. listen to me. we are going to get you there.

if horniness is a scale of one to ten, with one being 'not horny at all' and ten being 'orgasming' the ideal edging situation is that you get to a nine and then stop. that's really hard to do, though! but you could probably get to a four and stop, right? pretty easily, even.

that's what you want to do. figure out that highest number on that scale you can go and still stop, and go to that number. do this a lot. i love, love, LOVE touching like this, even now that i am a pro at edging, because there's zero risk of going over and it's still a great tool to keep you horny / submissive / feeling hot as hell / whatever it is you want to get out of edging.

start at bringing yourself to a four and then stop. once you've mastered that, once that feels almost too easy, move up to a five. then a six. seven. i encourage you not to cum at all while you're doing this, but also, i'm not your dom! do what you want! the point is you're touching-without-cumming a lot (which is great practice all on it's own) and you're acclimating your body to getting horny, sometimes even REALLY horny, without actually cumming every time it happens.

doing this regularly also has the pleasant side-effect keeping you aroused more often than not. if you're constantly bringing yourself to level seven horniness and then stopping, you are almost never going to drop below level three. you are going to be turned on a LOT, which feels sooooo good. which leads to...

getting addicted*!

the thing about being always horny, about touching yourself all the time, about never cumming, is that it feels really, really good. people wouldn't do denial if it didn't! and once you've had a month or so of touching-but-not-edging and your body's adjusted to the sense of being constantly turned on and how good it feels, it gets to a point where cumming is a lot less appealing. you know it's going to take away the good, horny, happy feeling that you're getting addicted to! once you've come to really, really enjoy being constantly horny, and come to associate the idea of cumming with losing that good feeling, that makes it a lot easier to keep from going over as you creep up to higher levels like eight and nine. and even when you do go over, the fact that you'll lose the sensation that you've come to enjoy so much will just reinforce for you that it's better not to cum!

*i'm using addicted as a fun little hyperbole word here, but i do want to add the disclaimer that if your edging / horniness / etc. starts to interfere with your life like a real addiction then you gotta stop that before you hurt yourself. do not actually jeopardize your job/relationships/etc. for kink.

edging!

by this point, you'll have lots of practice at masturbating without going over and you'll be addicted to the feeling of being constantly turned on — and you'll dread the thought of losing that feeling. those things combined are the peak edging scenario. this is the point when you can start trying to edge seriously; bringing yourself to a nine on our horny scale and stopping.

you will probably still go over occasionally as you figure out your actual limits — don't be angry at yourself for this, but do refrain from trying to edge again on days you go over. the last thing you want is to reacclimate your body to coming regularly. if you try to edge in the morning but go over by mistake, just bring yourself to a level eight for the rest of the times you masturbate and try again tomorrow. eventually, you'll know your limits, be addicted to the feeling of being edged, and be really practiced at doing it!

if you're still having trouble or just want to play in new ways, then find out what turns you on but you can't orgasm from. your nipples are sensitive enough to break your brain but you can't orgasm just from that? well then get to playing with them, dummy! love penetration but can't come from it without clit stimulation? tape off your clit and get fucking! i can never cum just from humping a pillow or grinding on something, so grinding is a great way for me to edge! try to find stuff that makes you really, really horny but that you can't orgasm from and really lean into those things!

[mallstars]

Speaking Up

After months of consideration, I’ve decided to speak up about a deeply distressing experience I had in the Drarry community. 

A little over half a year ago, I was abruptly banned from a community of Drarry writers after a vague statement accusing a member of harassment. I was never told specifically what I was accused of; nobody ever spoke to me or provided any explanation for their actions. When I tried to reach out, I was blocked. 

In a slow trickle of information provided by other people over the following weeks and months, I learned that I’d been blamed for anonymous hate comments left on a fellow writer’s AO3, based on “credible evidence”, which wasn’t shared. 

I want to be very clear: 

I did not leave these hate comments, nor would I ever leave hate comments to anyone. The person who received these comments, as well as everyone supporting their accusations, were people whose work I enjoyed privately and publicly. 

I have no idea what “evidence” anyone could have come up with to support the claim that I left those anonymous comments. Other than knowing that I'm innocent, I've also learned that you cannot determine the identity of a guest commenter on AO3. 

There’s something uniquely jarring and isolating about being falsely accused of having done something bad, without being told what it is and without being given the chance to defend myself, as well as this accusation coming from people I considered friends, in a community that prides itself on being kind and mature. 

Being branded a harasser by people I trusted has had a devastating effect on my experience in fandom, my fandom relationships, and on my mental health. It has made navigating fandom spaces challenging, and had a noticeable impact even on my real, everyday life. I’m still dealing with the fallout of what happened, half a year later. 

For months, I’ve been thinking about how to address this matter. Ultimately, I’ve decided against a more detailed recount of what happened and how it continues to affect me, as I don’t want to invite any further negativity, towards me or the people who targeted me. 

Instead, I want to be clear about who I am and how I engage with the Drarry community. I care deeply about my stories, as well as other creators and the fandom spaces we share. I’ve always strived to uplift others and to be a kind, authentic, and fun participant. As a passionate reader, I will continue doing what I enjoy: reading stories and being vocal in my support of the creators of this fandom. 

Creating and being an active part of the fandom space always went hand in hand for me, and this has been difficult for the majority of this year. As of now, I’m not sure I’ll keep writing in this community, but I’ll take every day as it comes. In the end, I'm a writer with all my heart, and if I end up wanting to stick around, I'll be happy for it. 

In speaking up about this now, I’m giving myself permission to move on. It has seemed imperative to me to understand not only the What of the situation but also the Why. However, in the end, none of my guesses hold much weight. I’ve not been able to find a sensible link between myself and the person I was made out to be. I’ve exhausted myself and my options, and am finally giving myself permission to stop trying to understand the motivations of those who accused me, and instead focus on the positive aspects of being part of this community. 

Finally, I want to say that I strongly believe in open communication. I wasn’t given the chance to respond to the accusations when it mattered the most. Still, I am, and always have been, genuinely happy to talk. To anyone who’s reading this and would like to chat, whether you know about this situation or not: My DMs are open. 

I'm so very grateful to the people who've listened to me, created new safe spaces for and with me, and cared while I did my best to navigate this situation. I'm grateful, too, to those friends who cracked jokes about this mess long before I was ready to. Thank you for being the brightest part of my fandom experience. Your friendship, as well as the incredible stories I’ve gotten to read in this fandom, will stay with me, and continue to shine brighter than anyone could diminish. 

[vizjpmdose]

୨ৎ ──── jpm's entry in the 5 love languages. ────

⭑.ᐟ warnings : possessiveness, mention of murder

𓏲 ๋࣭  ࣪ ˖ a/n: : first time posting stuffs like this and this is a long one! | these are his greenflag versions (this has been in my draft for an eternity) English is not my first language so I apologize if you spot any grammatical errors that I'm not aware of.

JPM x wife fem!reader.

PHYSICAL TOUCH

for him, physical touch is his way to remind ownership but also genuine devotion to his lover.

for example, if someone is trying to flirt with you he'd suddenly just appear behind you and suddenly pulling you close to him by grabbing your waist softly in front of that person.

"darling, who's he?" he spoke with a forced smile, glancing at you and the man while he gives your waist a soft squeeze as he shows ownership.

can be a PDA king

with showing devotion, physical touch is his way to remind you of how important you are to him

keeping a hand on the small of your back while walking around in the hotel

loves to trace your facial features/body

imagine having a talk with him while just relaxing in bed, he listens to whatever you're saying while he traces a part of your body (waist, arm, legs) or facial features (jawline, lips, cheekbone)

he could be doing it while making eye contact with you while you're speaking or his eyes could be at your body part/facial feature that he's tracing while you speak.

it gives you extreme butterflies specially that he's humming in response from time to time while busy tracing your body with his fingers.

WORDS OF AFFIRMATION:

this man has a very wide vocabulary, he's a master with his words.

he's the best in wooing using his words that he's sure of being very effective on you.

he actually doesn't excel in comforting with words:(

But worry not! He's good in encouraging you with words.

"you, my dear is the best. You don't have to stress about it just to prove it to me, because I knew ever since the day I saw you that you're going to be the perfect lady of the Cortez."

Very resourceful with his words, very witty.

you'd receive appreciation phrases that are very high standard coded

FLIRTS VERY GENTLEMANLY!

"Such a sight for sore eyes. Surely, my favorite sight for tonight." 

he loves the reaction he gets from you with when he flirts with you using fancy idioms. 

He actually could write poem/poetries and it would be all about you.

loves to brag about you, he brags about you to other people even though you're not around. He loves to publicly speak about you and your relationship with him.

QUALITY TIME:

this man is a sucker for attention. 

he prefers spending quality time with you by having a conversation during a fancy dinner or having a conversation while drinking or smoking together.

would literally host a dinner nightly if you'd agree.

Loves to play cards with you every night before going to sleep 

There's a lot of secrets in the Cortez that no one knows but him. If you're a curious one, he'd find joy to walk you around the Cortez, telling you facts about every area that you both visit. 

"This feels like a museum date, right darling?" 

In a conversation, he's always the talker but loves to be a listener when it comes to you so that he can spend more time with you while having a conversation.

He loves taking you to the grand empty ballroom of the Cortez for slow and elegant dances with him when you both are feeling elegantly romantic. He would put on a vintage jazz or classical music record.

If you're an adventurous type just like him, he'd be so so happy to go on a killing spree with you. He’d admire that about you, pushing you to be bolder, more daring, much like he did in his own life. Times like these would be his core memories with you.

ACT OF SERVICE:

This man is the number 1 real gentleman and that's for you only. 

Yes, let's say he uses his gentleman side to lure his victims in but that gentleman side is fake. He'd only be a real gentleman when it's for you. 

He opens doors for you and pulls out chairs for you 

He makes sure he attends your needs before you can even ask. 

He's highly observant/highly perceptive, he does everything you need or want before you even voice them.

"I will give perfection to such a perfect person like you, my love." What can I say? This man is such a simp.

When you have any problems, he'd do anything to help you with it or he'll be the one to fix it for you.

He's always mindful for your physical comfort, he'd always make sure that his staffs are giving you what you want and what you need if he's not around, and whatever that makes you feel pampered.

He gets mad at his staffs when you have any complains or when he observes that you're not feeling comfortable enough.

With protecting you from harm in the Cortez, He would use his power and influence to keep you safe from the dangers.

If one of the ghosts in the Cortez dares to disrespect you or interact with you in a way that you or he doesn't approve of.. James would swiftly and ruthlessly handle the situation.

GIFT GIVING:

No. 1 sugar daddy material

When you get upset and doesn't know how to comfort you, he'd shower you with expensive jewelries and stuffs that he knows that you like.

Everything he gifts you will be expensive, this man values good quality all of the time

He sends Liz to the outside world to buy these gifts he'll give to you.

"If I were just allowed to leave the hotel I wouldn't hesitate to go out alone to buy you these lavish things myself, a high quality man like me knows a lot about high quality things that deserves to be in my queen's grasp." 

Expect gifts on random days because anytime he'd think of an item that he thinks you would like, he'd action on getting it immediately.

He lives for your reactions, praises, and compliments when he surprises you with gifts. 

[linkspooky]

DOOMED SIBLINGS: THE TODOROKIS VS. THE FIRE NATION ROYAL FAMILY

I received an ask in my inbox about how Zuko doesn't owe Azula any forgiveness. Truthfully I wasn't even going to respond because this isn't an avatar blog, but then I watched this video.

Not only do I disagree with the basically everything in this video, but I am going to make the argument that both Zuko' and Azula's arcs are both incomplete with the way the show left the two of them in the final showdown.

In order to make my argument I'm going to compare Azula and Zuko's relationship in avatar to Shoto and Toya's relationship in My Hero Academia and use the latter as a more positive example.

Unnecessary Redemption Arcs

The common fandom opinion I want to argue against is this idea that Azula's ending is a perfect tragedy, and therefore doesn't need to be expanded upon. There's also a sentiment that redeeming Azula would somehow ruin the impact of this perfect tragedy.

I'm about to argue against both of these points.

Azula's arc doesn't work as a tragedy.

Because of this her arc is unsatisfying and unfinished.

I'm going to address the first bullet point but before that let me add another disclaimer. The reason why I think Azula's arc isn't an effectively written tragedy isn't because I like Azula.

Before we even get into the My Hero Academia comparison let me bring up something completely different. I do like Azula, but I like Terra Markov from Teen Titans a lot more and I would not change a thing about her tragic end.

AZULA'S ARC IS NOT A WELL-WRITTEN TRAGEDY

Terra in the comics is what a lot of people accuse Azula of being. She is stated in the text and by her creators to be an unfeeling sociopath. She was also never intended by her creators to be redeemed.

[About Terra] The very first time we see her, she’s trying to blow up the Statue of Liberty. It’s just that all the fans assumed because we went out of our way to make her cute — but not too cute, with the buck teeth and everything — everyone would assume that she was gonna become good by the end and that was never the case. First thing, we made a promise that day that we would never renege on our view that she’d never become good. It’s sometimes hard to do that with characters you like. You want them to become good or something like that. But we never liked the character enough—because we knew what we were doing with her—we never allowed ourselves to fall for the character. Because that’s bad. That’s bad storytelling. You’re doing what you want as a fan at that particular point, not as the creators. T

Now let me clarify, both creators of New Teen Titans say some nasty things about Terra and don't recognize her sexual abuse, but here's the thing. You don't have to read a story 100% the way the author intended, sometimes the story says one thing and the text says something different.

I am going to use Judas Contract as an example of a story where the character from the start was never intended to be redeemed and why that's a positive in this case.

Terra is a teenage girl, the bastard daughter of the king of Markovia and a random American woman who presumably has had no stable home her entire life because she's working as a mercenary at fifteen. She teams up with a man that is in his mid fifties and even starts a sexual relationship with him (this is statutory rape she cannot consent) and Deathstroke uses her to infiltrate the Teen Titans and learn as much as possible.

Terra is sent to live with the team and spy on them for several months. The whole time she only ever engages with them in a fake spunky persona, and never shows her real cutthroat self. She leads Beast Boy on in a fake romance to make him trust her and secure her place on the team. The way you'd usually expect this arc to go is that Terra would grow fond of the team and be torn in her loyalties.

Yeah, that never happens.

Terra loathes the Titans. In fact she's developed a superiority complex about her meta human abilities and she doesn't understand why anyone would use their powers to help others. She despises the concept of superheroes in general, and because of that never bonds with any of the Titans. Her feelings never change from start to finish, because her creators intentionally wrote her as a character that can't be redeemed.

Terra is written to be a psychopath, but even with that intention in mind there are scene that shows a greater range of emotions. She has what could amount to a trauma flashback when Beast Boy too aggressively flirts with her and tries to kiss her and she reacts violently, trying to bury him under the earth.

Let's go ahead and interpret Terra as what is used as the fictional definition of a "sociopath" that is someone who feels no bonds with other people, someone with shallow emotions and someone devoid of guilt. Even if we interpret her that way, her story is still meant to be read as a tragedy.

Terra succeeds in her mission of infiltrating the Titans. Slade captures most of them, and the only remaining member Dick Grayson goes missing. Dick Grayson then unites with Slade's son Jericho, and the two of them team up in order to rescue the rest of their friends.

Even after all she's done the Titans try to make pleas to Terra during the final battle, which she not only rejects but responds to with violence. Which only confirms what I said above, Terra never grew to love them, she never regretted her actions, she only ever engaged with them with lies.

(Terra always lies, Terra always lies, Terra always lies).

Terra is declared by Raven to be devoid of emotions: "Her thinking is unlike ours. She feels no true love or hate. Her soul is corrupt. What she does is done without remorse."

Even after Raven declares this, however she still pleads with Terra to stop because she's going to hurt herself. Terra feels Slade betrayed her because he favored his son Jericho over her, so she decides to take both Slade and the Titans down. As the Titans fight her she begins to mentally fall apart ignoring their appeals to her and lashing out at everything around her. Eventually she makes one last attempt to everything around her, but the Titans escape and she only manages to bury herself.

At no point in the fight do the Titans give up on trying to reach her even as she's loudly screaming how much she hates them. Even after she's buried and it looks like she's dead, Gar and Donna both try desperately to dig her up on the slim hope she's still alive. When they find the body they even give her a funeral afterwards, even though they all think that Terra was beyond redemption.

Even the prose narration that accompanies her death is incredibly melancholy and bemoans her fate, at the same time as it calls her a outright sociopath.

There's no reasoning with her now. However slim, whatever sanity Tara Markov possessed is gone. Now there is only primal hatred! Hatred born, nurtured, and fanned. Hatred that festers and grows without care, without feeling, without plan. her pursed lips part and the sounds which echoes force are garbled and inhuman. Hot, boiling blood gushes wildly from the earth's open wounds, its skin fractures and cracks, and if a world could cry, it surely would. Her name is Tara Markov and she is little more than sxiteen years old, and due to the fault of no one but herself she is insane. No one taught her to hate, yet she hates without cause, without reason. No one taught her to destroy, yet she destroys with glee, with relish. Don't look for reasons which do not exist, plainly Tara Markov is what she is, and she has taken a great power and made it as corrupt as she. Hers was the power over the earth itself she could have brought life to deserts, hat to the frozen tundra, food to sraving millions. She could have damned raging rivers, and tunneled water to packed lands dry and dead. her powers were limited only by the mind which controlled them. A mind which sought not hope, not love, not life, but death.

If you go with the text that she is just a sociopath beyond redemption who hates and hates and hates for no reason, the narrative still mourns her because a sixteen year old with her whole life ahead of being consumed by hatred and then dying because of it is in fact sad.

If you read into the subtext then you can argue that the events of the story, contradicts what the narration is telling us. Terra is being sexually groomed and groomed as a child soldier by a man who is much older than her, even if she thinks he's a partner he clearly has all power in the relationship.

If you think about it that way then Terra is the ultimate bad victim. She doesn't cry and call for help as a victim of sexual abuse, instead she tries to claim power for herself, she manipulates, and she destroys any chance she had for a genuine relationship because she only sees all relationships as transactions she can gain or lose from.

Even if you only go with the first interpretation, the narrative still remains tragic because the Titans themselves did not want to give up on her, they did not want to watch this sixteen-year-old girl destroy herself. They never stop reaching out for her and it doesn't work, because there was no way out for Terra but death.

Here's the thing I don't think Terra's status as a sexual victim automatically means an ending where she dies is offensive. It reflects a reality that victims like Terra often go unseen because they don't present their victimhood in palatable ways, and by the time anyone notices it's far too late. Sometimes tragedies are meant to reflect a reality where many people do not get saved.

There's two reasons that Judas Contract works as a tragic story. Number one the creators planned Terra's ending right from the beginning. Which meant they never gave her any moment where she shows that she's redeemable. There's no genuine bond between her and the titans, no wrestling with the guilt of her actions, nothing.

Number two, Judas Contract is Terra's story from beginning to end. It begins with her betrayal of the Titans, and ends with her death. The death is also brought upon herself by her fatal flaw her hatred, which is what makes her the protagonist of a tragedy. Tragedies are stories where heroes are undone by their flaws. Terra also goes out on her own terms. She buries herself underneath her own rocks. Her death is a direct consequence of her inability to let go of her hatred. Terra's not fridged for anybody else's arc, she retains her agency until the exact moment of her death.

To simplify into bullet points, Judas Contract works because:

The creators thought out what they wanted to do with Terra.

Judas contract is Terra's story.

Now, getting to the part where we actually talk about Avatar, and I start complaining about that awful, awful video.

AZULA'S ARC IS NOT WELL THOUGHT OUT

I just went on a long tangent on how Terra, a character written to have no redeemable qualities can still be tragic. How the creators marked her as clearly doomed from the start, and how she brought about her end on herself, how there no redemption for Terra. How this girl had no real chance, and how regardless of the fact Terra is a lil baby sociopath her fall is still tragic because of how well structured the tragedy is surrounding her.

It's awful to kill off a sixteen year old victim of sexual abuse, but the ending just fits because Terra represents a certain type of bad, unsympathetic victim who doesn't get saved.

Azula's arc isn't as well structured. The ending does not fit. I'm going to start by refuting some points in the awful, awful video I did not like.

"Maybe it's okay if Azula's story ends where it does in the series we would separate how we would treat a real 14-year-old girl from a villain in a series, ad that's why any redemption arc isn't need i a story after all. A character needs of deserves a redemption arc when it becomes the most meaningful way to explore their character and place in the story, but a character deserving redemption usually comes before the story really needing it, and I don't think Azula's done anything to deserve it yet. They've got to exhibit some willingness and action to change..."

So the main reason I'm using Terra as my first example is because Terra is the kind of character that Hello Future Me is describing. Terra was written with the specific intention she'd never experience a change of heart, all of the friendships she makes with the Titans are fake, she very loudly experiences no remorse, or even self-reflection over what she is. Terra's pretty proudly a monster and she never experiences any kind of self-doubt or regret over what she's become.

I can disprove right away Hello Future Me's blanket statement (with no actual cited examples, just trust him guys) that Azula never did anything to hint she may deserve redemption. That suggests Azula is an entirely selfish character who uses, manipulates and thinks she's right and worst of all is comfortable being the way she is, and therefore incapable of doing the self-reflection necessary for change.

Azula does show the capacity to do selfless actions several times in the narrative, and even consider the feelings of others. There's the apology scene with Ty Lee and the way she interacts with her friends in general with the Beach where when she's not fighting in a war or trying to complete a mission for her father Azula 1) interacts with her friends in a normal way and 2) seems to express a desire to experience normal relationships not the hierarchical ones she's experienced all of her life.

However, that's not the example I'm going to use as her save the cat moment. I generally intend to interpret that as a sign that even though she treats Mai and Ty Lee as subordinates and that power she holds over them eventually leads to them leaving her, their friendship isn't just Azula abusing them and lording her authority over their heads 24/7.

No, Azula's save the cat moments all revolve around Zuko. Which is funny, because the entire fandom seems to regard Azula as Zuko's evil little sister who exists to do nothing but torment her.

The first and biggest is Azula deciding to bring Zuko home in Ba Sing Se, and telling a lie to her father that he was the one to slay the avatar.

Ozai: I am proud of you, Prince Zuko. I am proud because you and your sister conquered Ba Sing Se. I am proud because when your loyalty was tested by your treacherous uncle, you did the right thing and captured the traitor. And I am proudest of all of your most legendary accomplishment: you slayed the Avatar.

Zuko: [Shocked.] What did you hear? Ozai: Azula told me everything. She said she was amazed and impressed at your power and ferocity at the moment of truth. [Inspired partly by this post]

Now the show seems to regard this action as Azula being an evil temptress who is there to tempt Zuko back to her side with everything he thinks he ever wanted.

That's only if you regard it from Zuko's perspective.

Think for a moment from Azula's perspective. Number one, Azula is someone thoroughly indoctrinated into Fire Nation propaganda who measures her self-worth based on 1) military achievement and 2) her father's approval and assessment of her talents. In Azula's own logic (wrongheaded as it is) she's helping Zuko. She's bringing him back home with his place in the line of succession restored and his father's approval.

Azula doesn't benefit from this gesture at all, in fact if her father discovers the lie she has as much to lose as Zuko does.

Now Zuko insinuates that Azula only brought Zuko along and told her father that he was the one who killed the avatar so she could let him take the fall if the avatar turned out to be alive.

However, if you look at the actual order of events that doesn't make sense. Azula saw the avatar die, she didn't know about the spirit water, and therefore had no way of knowing Aang could come back. In fact, it's Zuko who 1) knew about the spirit water and 2) decides to keep the spirit water and the fact the avatar might have survived a secret that is throwing Azula under the bus. After all she has as much to lose as he did and instead of sharing that information with her he decides to keep it all to himself.

Now Azula does imply that if the avatar were to turn out to be alive all of Zuko's glory would dry up, but this is only after Zuko 1) throws accusations at her and 2) makes it's pretty clear he's lying to her putting her on the defensive.

This is also a scenario where Azula doesn't have much to gain by bringing Zuko back, if you look at it from her perspective. If Azula just lets Zuko rot in a ba sing se prison, then her claim to the throne is secure. With Zuko back he's restored in the line of succession. She also, when making the decision to invite Zuko to her side probably didn't need him for her plan to succeed.

There is a dramatic moment of Zuko choosing to side with Azula over Katara which turns the tide in Azula's favor, but Azula can't see into the future and therefore wouldn't be able to predict that happening. If you look at it from Azula's perspective she 1) successfully infiltrated the city, 2) already had the Dai Lee in her pocket. She likely already thought she had the city secure at this point so her decision to extend a hand out to Zuko is therefore likely motivated by selflessness instead of self-interest.

That's important because usually when Azula usually only gives her help to others if it also benefits her in some way. Azula might genuinely see her recruiting Mai and Ty Lee to her side as a member of the royal family extending her favor and giving them status and security in their positions but it has the underlying motivation of 1) she keeps them in a position to beneath her and therefore in her complete control.

Azula will interact with Mai and Ty Lee like friends on the surface, as long she maintains control over them, but if they do anything to something that displeases her she'll do anything to regain her control.

Mai: I thought you ran off and joined the circus. You said it was your calling. Ty Lee: Well, Azula called harder.

This is set up in Azula's very first interaction with Ty Lee. Azula greets her like an old friends, Ty Lee even seems happy to see her, but the second Ty Lee tries to say no to her Azula goes to extreme lengths to "persuade her". Azula's friendship with Mai and Ty Lee is an abusive friendship because there is a power differential and even if Azula feels genuine affection for them both it's clear they're not allowed to say no. Mai and Ty Lee are put into positions where it's in their best interest to please her, and live in fear of the consequences if they don't do just that.

Here's the thing, I'm not arguing that Azula didn't deserve any consequences for her actions. I'm arguing that the setup doesn't match her eventual ending. Azula is set up to have Mai and Ty Lee leave her from the very first scene that Azula interacts with Ty Lee. It's satisfying because the set up matches the pay off.

It's also tragic because it's Azula continuing the chain of abuse. The video isn't entirely wrong (which is why they came to the wrong conclusion frustrating).

Azula's fall is about how differenting parenting styles can a child. Ozai's affection is exchanged for being useful. Something Azula would go on to repeat with her friends, whereas Iroh's affection is something freely given with patience for imperfections and failures, something Zuko goes then on to repeat.

It's like... there it is it's so close. Here's the thing, Azula is set up for a tragic falling out with Mai and Ty Lee (and one she deserves) but the set up is different with Zuko. Azula's save the cat moment revolves around Zuko, and her genuine attempt to bring her brother home.

Yes, the first time Azula interacts with Zuko in season 2, she tries to take him home by force. However, by the ending of the season Azula's perspective on the matter has obviously changed because she begins by trying to bring him back as a prisoner, and by the end of the season invites him back as an equal.

There's no moment in Season 3 where Azula treats Zuko the way she does Mai and Ty Lee (unless Zuko provokes it first and puts her on the defensive) in fact most of her interactions are either them interacting normally (such as when Azula goes to find Zuko at their old beach house because she knows he'll be there and advises he leave instead of dwelling on their depressing memories) or Azula deliberately trying to look out for Zuko such as when she advises him not to go visiting with Uncle because it'll make others suspicious.

On the other hand, Zuko never at any point looks out for his sister the way Azula is demonstrated looking out for him. He doesn't say, try to tell her where he's going on the Day of Black Sun, or try to convince her the fire nation is wrong. There's a scene in the later part of Season 3 where Zuko is watching Azula fall to her death while sitting on a flying bison and not only sits there and does nothing about it, but sounds disappointed when she doesn't hit the ground and become an Azula Pancake.

That's pretty much the opposite of a save the cat moment. It's a "let the cat fall to their death" kind of moment.

Yes they were enemies at that point, but Zuko's the one who's supposed to learn that affection is something freely given with patience for imperfections and failures, something Zuko goes then on to repeat.

How exactly is he doing that in this scene?

The thing is... this setup doesn't have to be bad. Of course Zuko has trouble has trouble empathizing with Azula, he doesn't even think about sending a letter to Mai, Zuko's shown at this point to be like a healing abuse victim who's understandably focused on himself.

This in fact could be excellent set up with step 1) learning what genuine love and forgiveness is and 2) demonstrating those two things by applying it to others.

However, that's not where we got. We got Zuko watching his sister have a complete emotional breakdown, crying and screaming while chained to a grate and looking somewhat sad.

And once again to bring Terra into this, Terra is what Stay at Home and parts of fandom argue that Azula is. Terra screams at the top of her lungs how much she hates the Titans, how much she was always lying to them, and the Titans STILL try to reach Terra with words, try to de-escalate the conflict, when she's about to bring the rocks falling down on herself warn her she's going to hurt herself, and then when she's buried under rubble try to dig her out begging for her too still be alive.

Terra who's intentionally created by her writers to be as hatable as possible, is shown more compassion by the heroes in her ending than Zuko ever does to Azula. They also give Terra multiple opportunities to change until literally the very last minute, which Zuko doesn't do either.

What's set up is Azula has this save the cat moment with her brother, that Zuko is pretty much the only person she doesn't treat like a subordinate in the story (because she just like Zuko has a craving for familial love she tries to earn from her father). However, her ending with Zuko just taking her down doesn't fit that setup.

Azula's ending only fits if you consider her arc entirely from Zuko's perspective, which is the underlying issue. Azula's not the protagonist of her own tragedy, she's a plot object that's used to benefit Zuko's arc.

Azula's is written to have a downfall, the same way that Zuko loses everything at the ending of season 1 b/c of his inability to give up on the obsessive search for the avatar (and his father's love with it). Azula is written to be left by Mai and Ty Lee (this is the strongest point of writing when it comes to her since it comes from the beginning).

However, she's not written to be left completely alone and insane with the only empathy being shown is that her brother looks kinda sorta sad. That's only good if you view her as an object to further Zuko's arc, because isn't the ultimate culmination of Zuko beating his sister who has always been ahead of him at life? Azula needs to torn down completely without even some small glimpse of a hope of recovery so Zuko can be built up even moreor at least the writers of avatar seem to think so.

However, even Azula just existing for Zuko's growth and character development doesn't have to necessarily be a bad thing. This is where we get to MHA, which does the tragic siblings and the final Ag Ni Kai about 1000 times better with Shoto and Dabi.

THE GOOD

The comparisons between Shoto and Dabi to Zuko and Azula are made pretty often by the fandom. Shoto has a scar, Dabi has blue flames. Shoto has an arc about healing and learning what it means to be a hero, Dabi's arc is about self-destruction.

Dabi's not the center of his own story, he exists to foil Shoto and help Shoto reach the endpoint of his character development however that's not necessarily a bad thing. These are both two pairs of tragic siblings, the main difference is that MHA doesn't feel the need to tear down one sibling in order to build up the other. In fact, the final step to Shoto's arc is HELPING Dabi, not PUTTING HIM DOWN.

Not only that but the decision to help Dabi is a decision that Shoto makes on his own, and him going against the tide of a society that has already given up on Dabi and would much rather have Shoto shoot Dabi like a mad dog. Which makes the decision to do so even more powerful and emblematic of Shoto's growth.

Now you could say that Shoto and Zuko are too different to compare their arcs, Zuko has a redemption arc, and Shoto has what most people would probably term a healing arc. Shoto starts out the series as a hero.

However, this is what annoys me about the redemption arc debate. A redemption arc is really just a normal character arc. However, calling it redemption drags things like morality and forgiveness into the debate. if you take remove the discussion about moral philosophy both Zuko and Shoto have character arcs where they start the story defined entirely by their home situations and their father's abuse (hence why they have big obvious scars on their face), recover from their trauma, and go on to find an identity outside of their father and form healthy non-abusive connections with others.

In fact I'd see the theme of both arcs are the same, to literally find balance within themselves. Shoto is divided quite literally into right and left sides, fire and ice, and even seems to view himself as half of his father and half of his mother. Zuko is someone who's permanently marked and dishonored by the burn scar on his face. He suffers from an internal imbalance as well. Iroh says that Zuko is the descendant of both Roku and Sozin and therefore both pathways are open to him (but wouldn't that apply to Azula too). Zuko says to his father that the fire nation has destroyed the balance to the world and he's going to leave to assist the avatar in order to fix it.

Shoto's balance isn't just about fixing his internal trauma though, it's also about finding a balance between his family which has defined his entire life up until this point, and his desire to become his own hero not the hero his father groomed him into.

It's why the culmination of his arc is Shoto reaching out to save his family member Toya, because it's the ultimate balance in wanting to heal his family, and also the kind of hero he wants to be, someone who saves and brings peace to others instead of just violently putting down villains. He can bring peace to his family and become his own hero in one action.

However, let's go back to the beginning of Shoto's arc, because saving Toya as an endpoint to his arc is set up pretty early on.

Shoto's arc begins with Deku, a stranger breaking down Shoto's walls as an outsider in order to allow him to look past his own trauma and recall for the first time what he wanted outside of his resentment towards his father. This sets up the idea early on for Shoto that sometimes you need outside interference, help you didn't ask for, especially when you can't see outside of your own problems.

What Deku brings about ultimately is a change of perspective, Shoto's so hurt by the memory of his mother throwing boiling water in his face and everything that came after that he can't recall the memory of her telling him he could be who he wanted to be.

But, you want to be a hero right?

Shoto takes away two things from this arc, sometimes you need help even when you're not asking for it, and sometimes a change in respective is required in order to take the first step forward.

He goes to demonstrate these things multiple times, but here's two exaamples. The first Shoto demonstrates immediately after the tournament arc. When Iida is about to go down a dark path and commit a revenge killing on Stain. When, as a result of that IIDA is paralyzed and about to die in an alleyway, it's Shoto who both notices Midoriya and Iida are missing and shows up in the clutch. He's practicing the same thing that Deku taught him in the last arc: Giving help that's not asked for is what makes a true hero.

He even mentions the second idea, that a small change in perspective can be all it takes to save someone, and he wants to do for Iida hat Deku did for him. His words are the one who convinces Iida to stand back up again when he's paralyzed.

If you wanna stop this, then stand up. Because I've got one thing to say to you. Never forget who you want to become!

However Shoto's arc doesn't end here, because one of the major conflicts in MHA is that heroes don't pick and choose who to save and a true hero will give help even to those people who don't ask for it.

This is a point which further develops when Shoto's abusive father starts to show a change of heart at the end of the Pro Hero Arc. Shoto still holds his father accountable for what he did in the past, but he also acknowledges that if he had the capacity to change then so does Enji. This isn't about whether or not Enji is forgivable, this is an extension of what Shoto learned. Shoto originally believed he was controlled by the circumstances of his birth, that his fate was set in stone, but a change in perspective allows him to realize he can determine who he wants to be. So, Shoto is just applying what he's learned, Enji has the capacity to grow.

There's one final piece of setup that I want to cover before showing how these separate dies all culminate in saving Dabi. Shoto's not only someone who has to find balance between his family and his desire to be a hero.

The theme of balance is written into the quirk itself. Enji basically practiced eugenics to create Shoto as his masterpiece. He noticed a flaw in his own quirk where he could only make his flames so hot without overheating. So he arranged a quirk marriage with Rei who possessed an ice quirk to create a hybrid ice and fire quirk that he could use to cool himself off to prevent him from overheating.

Enji only ever cared about the fire half of Shoto's quirk. His ice quirk only exists for his flames to grow stronger. This is shown when Enji is trying to force Shoto to learn all of his signature moves, because he only cares about Shoto's flame quirk. Shoto was created to carry on his father's legacy, and surpass him with an even more powerful flame quirk. Part of his character development is him learning how to use his quirk in his own way.

This is a theme that continues in the class training arc where Enji is still repeating the behavior of trying to force Shoto to learn his signature moves instead of considering what he wants at all, because still Shoto only exists in Enji's mind to carry on his legacy.

This all culminates in Toya's decision to save his brother. The first is his action in choosing to identify with his brother. If Shoto believes in his own capacity to change, and even his father's, then why would he deny Toya that same chance to change?

The foiling between Shoto and Toya isn't supposed to reduce the two of them to "Shoto is the good one, and he's the bad one", but instead Shoto and Toya were both in a point where they were consumed by hatred and couldn't see any other path in life. Therefore if Shoto was able to change because someone gave him help when he didn't ask for it, then Toya not only has the capacity to change - but in order for Shoto to stick to his stated beliefs that the smallest of things can bring about a change in people he has to be the one to give his brother that chance to change.

It's not about whether Dabi is worthy or not, it's about the themes in Shoto's arc finally being paid off.

Shoto's identifying with Toya, and even parts where he tells Bakugo he'll make Toya sit down and make Toya tell him his favorite food indicate that from the beginning Shoto's intention was to find a way to stop Toya without killing him (which is what several of the adult heroes were encouraging him to do).

@stillness-in-green does a more succinct summary of this plan.

Just me?

Because, like, Shouto had a plan. He spent the time between the two war arcs specifically developing a brand-new combat technique that he planned to use to shut down Dabi's combat advantage without killing him. He convinced his dad not to change the plan like Endeavor was hesitantly sounding him out about[1]; he went out and talked and asked questions, and even if they weren't the right words every single time, he did his best and he did it with intention. If Dabi proves to be dead, it won't be because of anything Shouto did to him; it'll be because Dabi himself chose to stand back up, take a warp gate across the country, pick a fight with the guy who doesn't have the power set to shut him down without unduly hurting him, and trying to replicate an Ultimate Move specifically tailored for someone with a balanced power set Dabi doesn't have. And if Dabi lives, it's still going to be because Shouto booked it across the country and used that same technique to stop him again.

Shoto's decision to save Shoto is also a continuation of his decision to help save Iida from Stain. It's not enough for Shoto to experience a change of heart about his own life, he's got to take what he learned about people's capacity to change, and the importance of connections and then put that into practice and help others the way he was helped.

However, it also further develops the theme of giving help that's not ask for from Iida because Shoto's not saving a mostly heroic kid, he's saving Toya to help break a familial cycle of abuse (because murdering the abuse victim isn't how you end the cycle of abuse... actually).

Shoto's last lines to Dabi are also a refutation of this idea of destiny that he once thought he was ruled by. It's once again, Shoto teaching someone else the lesson he learned. Toya says a warped rail can never mingle with a straight and narrow one! In other words Shoto can never understand or get along with Dabi, because Dabi will forever be defined as the failure because of the circumstances of his brith, whereas Shoto will always be the success.

His final action is a decision to break the cycle they were born into: no, we're gonna mingle whether you like it or not.

Shoto's ultimate move Phosphor is not only a move he designed far in advance to take down Dabi non-lethally, it also is a rejection of his father's teaching method. Toya says he only ever taught me how to turn up the heat. Enji only valued both Shoto and Toya for their flame quirks. Developing his own quirk and breaking away from what his father wanted, specifically in order to save his brother. It's Shoto rejecting what his father created both of them for (a successor to his quirk) and finding his own path. By using that move to take down Dabi he's not only teaching Dabi their flame exists for more than just destruction, he's also by letting Dabi live giving Dabi a chance.

From a conversation with @class1akids

Dabi was the last push to unlock Shoto’s full power. Until then he was on the track of mastering flashfire like Endeavor planned for him (except for his own reasons) but realising the fighting Dabi with fire was gonna kill them both and also he’s simply no match fire only helped Shoto to fully take control of what his quirk is Like his quirk development goes parallel with how he faces each member of his family and finally meeting Toya is like the last piece of his puzzle to find his own full power and identity.

It's not just Shoto decides to save his brother because he's just that nice, his arc is literally incomplete without it. The act of creating phosphor a move specifically to save Dabi is both him unlocking the full power of his quirk (by balancing the fire and ice sides of his quirk) but also achieving balance between trying not to leave his family behind while at the same time becoming his own person and hero outside of his family circumstances.

Citing my conversation with class1akids again:

Toya is endangering everyone at Gunga. Endeavor has no means to stop him and when he tries to murder suicide Rei interrupts and his “hero way out” is taken. All he can do is watch helplessly as his family is about to burn to death with a bunch of strangers he tried to protect. But it would do Shoto dirty to use his heart technique to kill his family and the strangers so he comes in a clutch and I see that confrontation as the power trauma vs the power of healing in the family. With Shoto who is a true hero, they can put the fire out and save the family and strangertoo. Shoto become a balanced hero and bring relief and reassurance, Endeavor was completely helpless, and Toyas inner child got the attention he wanted, plus depending on how you read it, he may have become less suicidal.

Shoto also, and I want to point this out desires to stop his brother not to take him down but because he doesn't want him to hurt any more people. He's again finding a balance between two ideas 1) Shoto needs to stop his brother in order to stop him from creating more victims and 2) Shoto needs to find a way to stop him that's not just putting him down because Toya himself is a victim.

Shoto also, and I must point this out for the comparison between Zuko and Azula goes out of his way to engage Dabi in conversation, ask him why he didn't come home and what happened to him in the years after he died. This is especially poignant because unlike Zuko and Azula who grew up together, Shoto basically had no relationship with his brother (and the rest of his siblings really) before Toya died because Enji purposefully kept Shoto separate from all the "failures."

So yes, the act of saving Toya is more for the completion of Shoto's arc than any redemption arc for Toya but Toya's not just a plot object to move around for Shoto's arc, Toya has his own agency all throughout. In fact it's the fact that Toya resists being saved every step of the way that provides the challenge that Shoto needs to grow in order to be able to save him.

Toya's not just after revenge against his father that's the surface reason, Toya is also just blatantly suicidal. Toya's birth is marked as a failure, his death wasn't even acknowledged by his family and everything stayed the same in his absence, so he created Dabi while praying at his own shrine in order to mourn Toya. Dabi can't find any meaning in his life where he was born as a failure, so he'll use his death taking revenge against Endeavor for having been born in order to give his life meaning.

What makes Avatar look especially bad in its treatment of Azula in comparison to how MHA treats Dabi, is that Dabi is way, way less redeemable than Azula. For one Azula has clearly proven affection both her friends and her brother (and I don't think she even deserves Mai and Ty Lee's forgiveness they had every right to walk out on her and want nothing to do with her again.)

Dabi is probably the ugliest victim of the League of Villains. The rest of the league have far more moments in their bonds with each other. Toya is the outsider to the league even if there are some subtle hints to his affection (he tries to show up to save Twice, and also burns down Toga's family house to comfort her). The villains are mostly shown to be redeemable by their positive friendship with each other, and Dabi at several points denies the league's bond (he pulls a Terra and yells out loud at the top of his lungs none of the league matter to him). Unlike with Terra you can argue this is most likely Dabi trying to cover up his real feelings. However, the fact that he feels the need to hide his affection from the league shows he's purposefully distancing himself from any bonds whatsoever.

Unlike Azula who has gone out of her way to help her brother in one major way, and also shows hints in early season 3 of having that sibling bond with him Dabi just straight up wants to murk Toya. Azula also tries to murk Zuko, but that's only when Zuko leaves on the day of Black Sun (one without telling her, and two something that probably left her alone to deal with the consequences of lying to her father for his sake). Either way, Azula's behavior in early season 3 is setup for the fact that their sibling bond can be salvaged.

Dabi is way worse to Shoto in comparison. Dabi in the first part never saw Shoto as his own person, just a puppet of his father (puppets have no autonomy or personhood). His feelings towards Shoto only went so far as Shoto was someone who could kill in order to upset Enji. Dabi also doesn't particularly care for the rest of his family as well (only calling out Natsu's name when his brain is literally melting), they're either ways to hurt endeavor, or he wants to drag them in hell with him. Heck his last words after being saved is telling everyone to die and go to hell.

Dabi doesn't bother to make bonds with the league or have any lingering affection for his family because Dabi's determined to seslf destruct. He's given up on life the moment he saw that he died and nothing changed in that household, now all that's left is for him to create a meaningful death by dragging his family to hell with him.

Dabi is also even as a child made out to be an unpleasant victim. He attacks baby Shoto with his flames early on out of jealousy (even though he later admits that he was being unfair to Shoto). He makes the situation in the house worse by loudly screaming and demanding his father's attention. He screams at his mother and throws her complicity in Enji's abuse in her face.

This is in comparison to Shoto who in childhood flashbacks we are only ever seen either 1) crying, and 2) trying to comfort and protect his mother. Toya's even made out to be difficult to empathize with as a child - which like flew over half of the fandom's heads because he got accusations of somehow abusing his father and the rest of his family in that chapter at 10 years old. However, that in a way illustrates my point.

The fact that Dabi is so disliked by a certain portion of the fandom is because Horikoshi paints such an ugly portrait of Toya in the way he expresses his victimhood. It's done deliberately too, because number one Toya by resisting Shoto's attempts to save him and trying to self destruct instead retains agency as a character. He makes decisions even though they're bad self destructive ones, he's not just a prop. Number two, the fact that Toya is intentionally portrayed as such an ugly victim makes Shoto's decision to break the cycle of familial abuse by saving Toya and not leaving a single family member all the more poignant.

Toya is an uglier victim than Azula, actively trying to kill himself in a way that Azula isn't, and treats Shoto way worse than Azula ever treated Zuko and yet Azula isn't shown the sympathy or given the salvation that Toya is.

Because once again, the writers didn't think about the ending of Azula's arc or of Azula as her own character. Shoto defeating Toya is the culmination of his desire to break the cycle of abuse in his family. Zuko putting Azula down is just to make Zuko look better. It's in service of Zuko's character instead of both of their characters.

THE BAD

Avatar isn't setting up some gritty ending where the bad guys can't be stopped, they can only be killed. In fact it's pretty close in tone to MHA.

Season 3 especially is the season that really begins to hammer in on the themes that even the people on the enemy side are still human after all. The headband shows that Fire Nation children are indoctrinated into the war, but they are in the end still children. There's the story between Avatar Roku and Sozin, and once again Iroh saying that Zuko has both options becoming like Roku or becoming like Sozin available to him (but not Azula I guess). There's Zuko joining Team Avatar, even after he betrayed Katara in Ba Sing Se and should have burnt that bridge then and there. There's Zuko working to earn their trust again when no one on the team really owe it to him.

The main character of the show is a pacifist, who deliberately learns a way to stop Ozai without killing him before the final battle because he doesn't want to break the values taught to him by his culture.

If the entire theme of season 3 is redemption, healing and that the fire nation are not inherently evil then why does Zuko's sister and character foil end the last shot of the series screaming and crying with no one comforting or even attempting to sympathize with her. Why is this one character marked for tragedy in a show that is about redemption and healing and showing compassion to your enemies and very specifically not a tragedy.

Toya literally burns all of the flesh off of his body, and somehow he has a gentler ending than Azula, because at least Toya's arc ends with all the members of his family showing up to try to cool down his flames, and when he's on the ground burnt to a crisp his father finally apologizes to him. Toya is a skinless burnt chicken wing, my boy has no skin, and somehow he's better off than Azula.

I don't think the writers gave Azula such a cruel ending because they don't like her, but rather because they just didn't think about her ending outside of what it meant for Zuko. Which is why you get moments like Aang who is apparently a pacifist who doesn't want to kill the Firelord, watching his daughter fall to her death while sitting on a flying bison and doing absolutely nothing to save her. ALL LIFE IS PRECIOUS (except for Azula I guess).

It's not bad because a victim doesn't get saved, it's bad because it doesn't fit in with the rest of the story.

Not only is Zuko saving Azula a very natural conclusion to his arc, but there's far more setup for Zuko reaching out to his sister and saving her than there ever was for Toya and Shoto. Both Toya and Terra are screaming at the top of their lungs "I HATE EVERYONE, YOU SHOULD ALL JUST GO TO HELL." They're both making decisions and committing to their self destruction while Azula is a 14 year old girl having a mental breakdown.

Anyway, time to quote the bad bad video again.

"When does a villain deserve a redemption arc? When do we deserve a redemption arc? I know this is gonna hurt, but characters are not people. They are tools. They are represetations of people. They can be used to say other things. They can be symbolic representation of other ideas. Azula's story is not just about a fourteen year old defeated by her brother for the throne, Azula is Zuko's character foil, where she is ruthless and practical, Zuko is empathetic and emotional. Where Azula's a prodigy, Zuko has to work hard to earn eve a fraction of her power.

I specifically chose to cite MHA, because of how differently it decided to use Shoto and Toya's character foiling. Shoto recognizes himself in Toya, and how different their paths were in life. This is explicitly motivates him to save Toya. It's also the culmination of everything that Shoto has learned because Shoto is a hero who believes that actions speak louder than words. It's not enough for Shoto to resolve his own inner struggle, he also has to help Dabi with his because that's showing Shoto has grown rather than telling us.

I think that is where the major difference lies between Shoto and Zuko, we're told that Zuko has chosen the path of empathy and healing, that he's learned to give people love and patience like Iroh has but instead of showing that the culmination of his arc is having a fist fight with his sister in a denny's parkinglot.

Azula is Zuko's character foil, where she is ruthless and practical, Zuko is empathetic and emotional. Where Azula's a prodigy, Zuko has to work hard to earn eve a fraction of her power.

If Zuko is empathic and emotional and that is why he's gained friends while Azula is now alone after having lost her friends due to the way she treated them, then like... what a great opportunity for Zuko to SHOW that quality of empathy.

However, Zuko doesn't do anything that Shoto does in the final fight. He's not even here for Azula, Azula's just an obstacle for taking back the crown. He doesn't talk to Azula, engage her in any way, try to de-escalate and avoid the fight.

If you want to make the tragedy that Azula and Zuko have taken such different paths in life that that Zuko fighting with his sister is unavoidable you could um... at least show Zuko being sad over the prospect of fighting his sister or being reluctant in any way.

(Before you come in here with "Zuko doesn't owe Azula anything take" this isn't about whether or not Azula is a terrible sister to Zuko, this is about the story that avatar is attempting to tell. Shoto and Dabi's fight is tragic because Shoto doesn't want to fight Dabi, he wants Dabi to come home and for their family to be complete. Zuko never expresses anything like that so where does the tragedy come from?)

If it were 100% committed to a tragedy like Terra's death then I wouldn't mind. if it were 100% committed to a story of redemption like Shoto reaching out to Toya then I wouldn't mind. My issue arises from the fact they want to have their cake and eat it too.

They want to give this tragic end to Azula, and use it to illustrate how Zuko has grown as a character. However, you can't have both.

If Zuko's growth is about learning that his father's love based on achievement and 2) learning he needed to get lost in life in order to find himself then why doesn't any of Zuko's actions demonstrate this lesson Zuko has learned about love, and about how you can be your own person outside what your father expects from you.

If Zuko has grown as a character he should be able to show those actions. He does show his new understanding of love and friendship to Team Avatar, but as I said that's easy mode. That's Shoto's attempts to save Iida, it's a step in the right direction. It's also not really Zuko demonstrating a selfless love, because he's also at the same time trying to earn their trust and earn his way into the group.

It's also not Zuko breaking the cycle of abuse in their family in any way. Shoto is trying to break free from his role of his father's masterpiece, and at the same time helping Dabi break free from his view that he's the failure.

It's also such a natural ending for Zuko's arc, to take the lessons he learned from Iroh and give them to his sister who needs them so they can both break away from their father's parenting. As I said Zuko does solve the internal conflict within himself, but he doesn't really demonstrate that by helping someone else find their balance.

If you wanted the tragic end, then it would have to be about Zuko's failure to reach out to his sister, because he hasn't learned how to reach out to her. Or because he tries and is unable to. The writers don't seem to understand that though, they think the tragedy is about Azula bringing it all on herself, and not the inherent tragedy of a fourteen year old girl being unable to be saved.

The set up is right there too, because number one avatar is about balance. So, wouldn't the true ending be finding balance between the siblings, not having Zuko rise and Azula fall. Number two, Azula being alone and friendless because of her own actions is again a parallel to where Zuko was in early season 2 at his lowest point. Except Zuko can be the better person in this situation by reaching out to her.

Zuko doesn't break the golden child / scapegoat dynamic, he just flips it so now he's the success and Azula is the failure.

While Azula's fall comes from cruelty and rejection from friends and allies it is Zuko's humility and kindness and friendship that ultimately wins the day. Him sacrifcing herself for Katara and her bringing Azula down and then her healing him. Azula ending up imprisoned isn't something happening to a real person, it's a deliberative narrative choice by the author to say something about how people like this isolate themselves and end up alone. "

As I've stated above, I'm not saying Azula didn't deserve to take a fall. Her fall is actually set up from the first moment she met Ty lee. However, there's no set up for her fall being permanent.

Azula's given way more humanizing moments than characters like Terra or even Dabi. Which is why Azula being in an insane asylum for the rest of her life doesn't fit as an ending at all.

Azula is one link in the chain of abuse. Her father only gives out affection in regards to her usefulness. No matter what Azula is an asset first and a daughter second. Azula then repeats the cycle and treats her friends the same way. She has been shown through an improper model of parenting of using fear to dominate others with power and control and she replicates that in her other relationships.

Therefore, Ty lee and Mai leaving her is not only deserved, it's the perfect opportunity to pull the rug underneath Azula and to show her that her understanding of how relationships work is completely wrong.

This also mirrors Zuko's arc, because part of Zuko's arc is realizing just how wrong Ozai is for making both children earn his love, and that he doesn't need to measure his self-worth based upon his father's approval. He also learns about healthy expressions of trust and friendship from the gang.

Azula loses in part due to her own inability to form healthy relationships is losing people rapid fire, her brother leaves and joins the enemy side, Mai and Ty Lee betray her in favor of her brother, then her father in one action of leaving Azula behind and throws the title of Firelord to her after it's become completely meaningless reminds her of her place. Azula learns in about five episodes what Zuko had in 3.5 seasons to process that her father's love was always conditional and no matter what she did she would never truly "earn it."

People leaving Azula isn't exactly the problem, the problem is that Azula ends up alone permanently without being given the same chance that Zuko is. Terra, and Toya both get opportunities to turn back. They both refuse the hand that's reaching out to him. Mai and Ty Lee leaving is caused by Azula's own choices, but her ultimate end isn't. She's not even given the chance to turn away being saved like Terra and Toya do because Zuko doesn't even bother to try saving her. Her ending is not entirely brought about by her own choices, because the writers need her to take a fall to uplift Zuko.

Azula ending up imprisoned isn't something happening to a real person, it's a deliberative narrative choice by the author to say something about how people like this isolate themselves and end up alone.

I think once again it comes from the author's misunderstanding things because they don't want to look at the story from Azula's perspective, only Zuko's.

Stay at Home almost had it when he said the tragedy of Zuko and Azula was there to show how two different parenting styles affected these children.

The tragedy is that Zuko and Azula started in the same place, but Zuko had persistent guidance and someone who modeled for him a healthy kind of love. The difference is that Azula has never experienced any kind of healthy love or support on the level Zuko has, so she models all her relationships on the way her father treats her. It's not that Azula is offered some chance for change and rejects it, it's that Azula isn't even aware of the fact that there's another way because no one is there to show it to her.

Which is why I said once again, Zuko being the first one to show Azula the lessons he himself was shown by Iroh is such a natural place for his character to end.

Azula also even while completely alone and with no idea what healthy love is, knows that there is something wrong with her and is troubled by that fact in a way Dabi and Terra aren't.

Azula: I can sit here and complain about how our mom liked Zuko more than me. But I don't really care. My own mother... thoguht I was a monster... She was right of course, but it still hurt.

Then there's the famous mirror scene:

Ursa: I didn't want to miss my own daughter's coronation. Azula:Don't pretend to act proud. I know what you really think of me. You think I'm a monster. Ursa: think you're confused. All your life you used fear to control people, like your friends Mai and Ty Lee. Azula: Well what choice do I have?! Trust is for fools. Fear is the only reliable way. Even you fear me. Ursa: No. I love you, Azula. I do.

Both of these scenes indicate that Azula thinks of herself as a monster and is deeply uncomfortable with the idea. Considering Ursa is a voice in Azula's head and not a ghost, it also shows on some level Azula knew what she did to Mai and Ty Lee was wrong and feels conflicted over it.

Once again she's much more in conflict with herself than Toya and Terror ever are, and who's someone who's constantly warring with himself? Who's someone who could help resolve her inner conflict... Zuko (too bad the way the show's written he never does).

Azula doesn't choose to self-destruct the way that Terra and Toya did. Azula's ending isn't brought about by her choice not to change, because she's never given the chance to change in the first place. Her tragic ending would make sense if it was entirely of her own choices, but Azula doesn't retain her agency in the end it's literally taken away from her. She loses control of her mind, and her ending is being chained to a grate screaming and then thrown into an asylum.

I'm not arguing against Azula's ending because she's my favorite character and I don't want bad things to happen to her. It's because her tragedy isn't about her it's about Zuko, and her ending actively takes agency away from her where at least Toya and Terra both retain their agency up until the end. It's not good writing because the tragedy doesn't fit in with the rest of the story which is about balance and healing - and it's also ableist as hell.

THE UGLY

Azula's ending is unfitting to the tone of the story she's in, makes her and Zuko's arcs feel incomplete, and also is ableist as hell.

Here's yet more evidence that Azula's tragic ending is poorly thought out. Azula's mental breakdown doesn't exist in service of her character, but Zuko's.

Azula's issues pop up out of nowhere after episode 15, and take place over the last 6 episode of the series. The idea of Azula having a mental breakdown isn't necessarily a bad concept, but it's executed poorly.

The first way it's executed poorly is just how rushed it is. There's basically no hints of any mental instability beforehand. Of course people can have mental breakdowns spontaenously like that in real life, but this is a story and stories require foreshadowing. Azula spontaneously developing mental issues doesn't feel like it's planned as a part of an arc. First off, because the writers don't seem too sure about what Azula's symptoms even are. Hallucination, paranoia, manic laughter, but apparently she's still able to bend lightning just fine. Secondly, the writer's intentions for giving Azula a mental breakdown are pretty transparent.

The writer's room needed to come up with a believable reason why Zuko would suddenly be able to fight on equal terms with Azula, so boom sudden mental illness. The intent was not to create a sympathetic portrayal of a young girl struggling with both paranoia and delusions. The intent was to nerf Azula because they couldn't think of any other way this plot could end, other than Zuko and Azula fighting in a denny's parkinglot.

As I said they use mental illness as a plot device to take Azula's agency and choices away from her. It's not done with the intention of humanizing her, and in fact except for one small scene with her talking to her mother in the mirror it's a pretty negative and unsympathetic portrayal of mental illness. Not because the writers hate mentally ill people, but because they needed Azula to have a mental breakdown in order for a plot point to happen. Which is why they didn't think of the potential implciations of such a writing choice at all.

Now, people are going to argue about me so I'll use one final example. Azula's ending may be controversial but it's universally agreed upon that the Game of Thrones Ending was bad, right?

Game of Thrones uses mental illness as the exact same plot device, to explain why Daenerys Targaryen turns from a hero to villain in the last few episodes with absolutely no foreshadowing. In fact, the all of the show director's interviews about that choice are just blatantly ableist.

Rant from @hamliet

This quote is (likely unintentionally) gaslighting, ableist, terrible logically, and downright offensive. 

First, ableism: why, why, why are we conflating madness with evil? She was driven to madness so she killed a bunch of people and had to be put down? And you think this is a great message in the year of our Lord 2019? [...] Additionally, while good writing is to an extent subjective, there are general consensuses on what make good writing--and Game of Thrones hit all the general consensuses for bad writing, from bad pacing to confusing character assassination. Critics are like, pretty united on this front. No one thought Dany’s turn made sense, even the ones who expect Mad Queen in the books. Maybe if people love a character who is meant to be evil you're not writing them correctly... or maybe they aren't meant to be evil. 

Daenerys and Azula are incredibly similiar characters. They're both dragon themed, alligned with the element of fire, they're both colonizers they both represent the warrior princess archetype.

I'd say Daenerys is more of a tragic heroine though, because while Danerys is essentially doing the same thing as Azula, waging war in a foreign land and a culture that's not hers, for the purpose of then bringing back soldiers to her home continent so she can wage war again - while she is definitely a war mongerer she has good intentions. Daenerys for all of her faults, genuinely wants to break the chains and help out people.

I think Azula definitely sees herself as the hero for winning the war for the fire nation's sake, but she's completely uncritical of her own culture and she doesn't really have the good intentions that Dany has. She does it more out of a sense of duty, and her belief of divine right, not because she wants to break people free.

Daenerys's problem is that she doesn't understand the culture she's invading and the complicated world she lives in and despite all good intentions, is as I described above, invading a foreign power so she can go back and wage a war to reclaim the throne. Even if Daenerys would then proceed to go on to be the bestest queen ever that wouldn't change the fact her methods to get to the throne were incredibly violent, and she's sort of failing to break free from the cycle that led the Targeryen rule to fail in the first place.

Azula's problem is she sees herself as the hero and is therefore uncritical of fire nation values. She doesn't have any nobler intentions either other than service to her country, she just like Zuko is just trying to fulfill her duties as daughter and believe her birthright puts her above others. (I mean Dany does too but digressing).

Azula's more of a tragic villain who plays the antagonist role in the story, Danerys is one of the three heroes. However, she's more of a tragic villain in the sense that she's first season zuko pre character development just way more competent.

However, while Daenerys is a much more heroic character than Azula, here's the thing. I still think she's going to die. She is foreshadowed pretty heavily to die, and fail for her quest for the throne, because her entire story is a deconstruction of the warrior princess and the liberator archetype.

However, the story that GRRM is building throughout his books with Dany as an incredibly flawed heroine is different from what we got in the show, which was Daenerys going crazy and starting to murder people. That's because Daenerys turn to darkness wasn't about her character at all, it was just making her into a plot device to move their bad idea for a plot forward. That's why the turn is so unnatural and makes little sense with her character, that's why it's so rushed.

That's also why it's ableist, because it's using mental illness as a plot device to make a character unsympathetic and monstrous and give the other characters a reason to put them down.

The same for Azula, outside of one scene where he's talking to her mother, Azula's mental illness manifests in her screaming, maniacally laughing, looking like the joker did her makeup, and her instability also makes her violent and dangerous to be around. (Ignoring the fact that most people who experience delusions in real life are harmless, and more likely to be the victims of violence).

Her sudden mental illness isn't even used to make her more sympathetic in say Zuko's eyes and make him realize she's a victim, no it's just there to nerf her so she can be violently put down. The way she's drawn, the way she acts, it's to paint her as monstrous as possible. Her last action is like sobbing and screaming while being drawn as ugly as possible. She's not even given a small hope for recovery, because it just ends there. That's a pretty great message to send people that experience delusions, not only will you not recover or be shown sympathy, you'll also get sent to a mental asylum for the rest of your life. The choice for both Azula and Dany is not to portray any kind of mental illness in a respectful way, but to make a plot point happen.

As I said I expect Dany to die in the books, but there's a difference between dying as a tragic hero succumbing to your flaws but still having your good intentions acknowledged and just turning into a villain for no reason and being put down like a rabid dog.

(This is a quote I stole from a Shigaraki post but): "Why does she need to be put down in the first place, she has trauma, not rabies."

The problem isn't bad thing happened to my favorite character, the problem with the ending is it doesn't take Dany's setup into consideration.

Stealing from @hamliet again:

The thing about tragedies is that you have to manage expectations and clearly show that your tragic hero is doomed from the very early on–ie you have to show them making steadily worse and worse decisions (see: Eren Jaeger in SnK), if not directly tell your audience at the very beginning that this is a tragic story (ie see Greek choruses and Shakespeare, the prequels from Star Wars because everyone knows Anakin is Vader–plus I’d argue Anakin’s arc only works because we know he comes back to the light in the end. Audiences don’t like reversing on set up/undoing structure. To make Dany a tragic villain is to go against the structure of her arc in both show and book. That’s why people don’t like it, even if the books makes it seem more believable.

Kate then goes onto describe a character that's much more comparable to Azula's. Honestly Arianne is closer to Azula than Daenerys is.

You know who is set up as a tragic heroine destined to descend and die because of her flaws in the books, whose arc has almost certainly been combined with Dany’s in some sense in the show? Arianne Martell. (and another character known as f!Aegon) In the books, Arianne is incredibly ambitious, and especially resents her brother and his quest for power. Like Margaery (another tragic character), Arianne seeks power and is intelligent and manipulative in her quest for it. But Margaery’s fatal mistake is that in seeking power and prestige, she’s become more a pawn than anything else for a villain (Cersei). She chose to play with lions, and she’ll be torn apart; that’s not surprising. Arianne, as her chapters hint, is going to almost certainly marry f!Aegon, playing with fire, and die burning for it.   Arianne’s grasping for her own power is never portrayed as cruel or stupid like the main human villain (Cersei); on the contrary, we empathize with a girl who truly cares about her people, but resents her father’s preferential treatment towards her brother. That’s the difference between Arianne and Cersei: Arianne cares. She is not cruel. But her pride is still going to get her killed.

There's a lot of game of throne females you could compare Azula to because GOT is full of queens, but like. Azula may be a tragic villain firmly on the side of the antagonists but she's not Cerseie. She's not queen, she doesn't wield the power that Cersei wields. In fact one of Azula's downfalls is finding out she doesn't have as much power as she thought she had, and ultimately was just a tool of her fathers.

She's not Rhaenyra or Alicent, because yes she may be grabbing for power but her character isn't affected by misogyny. Because once again, the writers simply didn't think about misogyny except for a really surface level "girls can be just as strong as boys" way so we really have no idea how women are seen in the fire nation. The show doesn't really explore if being a woman makes things harder, or makes people treat her differently than Zuko because the writers just didn't consider Azula's perspcetive on that matter.

Azula is alike to Danaerys in several ways, but as I said I think her ultimate end comes from Azula understimating her own importance in her father's eyes, and quickly realizing when her father is her only family left she never had his love or loyalty in the first place.

But Margaery’s fatal mistake is that in seeking power and prestige, she’s become more a pawn than anything else for a villain (Cersei). She chose to play with lions, and she’ll be torn apart; that’s not surprising.

Azula's most famous quote is about how Long Feng isn't even a player, only to find out her father considered her a pawn from the beginning and be broken by the revelation.

The difference being of course that Avatar is not Game of Thrones and it won't even kill the evil fascist dictator so it doesn't make a lot of sense to hand Azula the ending that Arianne got. They have the same fatal flaw.

Anyway, I made this big post but I can explain why Azula's tragic ending down't work in one sentence.

AVATAR THE LAST AIRBENDER IS NOT A TRAGEDY.

Maybe the reason Azula should get redeemed is because THE SHOW IS ABOUT F&%CKING REDEMPTION.

[jupiter-letters]

Dating Bruce Wayne would include:

Fem! or GN! Reader TW: None

A/N: I have a lot of thoughts about Bruce as you can see, he's a complicated guy. I wouldn't say he's super romantic like the other guys I've written, he's like a slow burn kinda guy. I can see why people like him but I'm still on the fence if I'd date him fr fr.

I won't sugarcoat it, it'll be a rocky road dating Bruce but it's not impossible. Unlike Clark, Batman is who he is and Bruce Wayne is what he can do. The mission always comes first, so him taking time to dedicate to you is special. It's a lot protecting the city and being the backbone of the league.

He is consistently booked and busy, nobody can do what he does so he always has do things himself. It can be difficult for him to ask for help or just allow people to do things for him. In and out of the costume he's got a lot of walls up. He may seem cold on the surface but he feels very deeply. The death of his parents really stunted him emotionally so it will take some time to soften him up.

In terms of a partner ideally he'd need someone with some softness to file down those hard edges he has. Even if his partner isn't soft he provide that comfort and warmth in his own way over time. He's spent most of his life keeping people at an telephone pole's length away(except Alfred of course).

Physical touch with a partner will feel foreign, all the batfam like to hug him and stuff but their the ones intiating most of the time. That will also be the case for you, you'd have to hug him first if you want to touch him. The longer your relationship goes you'll be able to tell when he wants to be hugged or kissed just from the lingering looks he gives you. The touches he does give you are long gentle caresses, he loves stroking your cheek with his thumb. Sometimes after a difficult patrol he'll just hold you in his arms and press his forehead against yours.

Staring!! He'll always be staring at you whether you're looking or not. He's kind of like a cat, blinking at you real slow is his way of blowing kisses. The way he looks at you is exclusive to you only! It's so much softer and adoring than his usual scary pokerface staring. In a JL meeting, before everyone knows you're dating they might think he can't stand you. Inside though he's like 💓💗💖💘💝.

You can translate his grumbles and sounds. Bruce isn't the most talkative guy and he's in his head alot. So when he's busy or distracted and you ask him a question you understand his tone. Barry: "So is Bruce gonna be at the Flash parade tomorrow?" Bruce: "Hmm..." You: "Yeah he'll be there!".

The rest of the batfamily notice the effect you've had on him, you managed to crack the coldness he's built over the years. In addition to already liking you they're grateful for you being there for him. They'll even tease you both when you have dinner together. Fake vomitting when Bruce kisses you on the cheek, calling you Mom/Dad/Parent.

If you are another superhero(yes he does have a contingency plan for you) You may butt heads from time to time he may come off as underestimating you but he just wants to protect you by getting ahead of the problem. When he knows your abilities/skills maybe exactly what he needs in a certain situation, he’ll hit you up. He does his best not to hover when you go on solo missions, he will check in over comms at the most random times though. When you do go on missions together, you never notice but he'll stay very close to you.

You've got maximum scary dog privilege when you two go out together but when he goes out as Bruce Wayne he's still gotta put up that raunchy facade. He won't get too frisky with you but he will take the opportunity to flirt a little. He'll whisper little compliments and pick-up lines in your ear when you slow dance together.

Thanks for reading! Lemme know what you think. Please like or reblog if you like my stuff.

[bucksboobs]

I think I might be breaking with hardcore BuckTommy shippers here but I do think Eddie has elements of his story that can be read as compulsory heterosexuality and therefore queercoding. Sure, Buck has always been way more explicit in the teases that he might have a little sugar in the bowl (Tapeworm Guy, Eddie, Josh, TK), but …

Eddie’s story leans itself extremely well to the idea that he’s gay but he’s tried really hard his entire life not to be and to instead be the picture perfect family man and his efforts to do that have only backfired. He describes his life as “suffocating but nice and warm. He refers to dating his son’s teacher as something he “thought could work” that Chris loves her so eventually he thought he would too. Guzman has also mentioned that Eddie’s standards for women revolve around Chris and Chris only (“this is a nice woman with good values and my kid seems to like her) rather than any real attraction or desire for companionship.

It can also be read as a straight man who has only ever truly been in love once, it ended tragically, and now he is so focussed on recreating that exact love that he’s sabotaged his chances at loving someone new because it wasn’t exactly how it was with The One. Nowhere is that more explicit than in the Kim subplot, where he literally recreates his first date with Shannon with Kim. His difficulty in maintaining relationships with women outside of “letting them mother Chris” seems in large part due to the way his father was gone so much for work and that’s his model for what a family should look like. We see that following his parents’ model just doesn’t work in his and Shannon’s case from their argument in season 2 where she said she “needed a partner and coparent and you were in Afghanistan!” and in part, his lionization of his and Shannon’s love has resulted in him recreating a system that didn’t even work the first time and until he can reckon with that reality, he’ll never have a successful relationship with a woman.

I think both are completely valid readings of his story thus far and I don’t think what you ship should effect which one you think is the Correct reading. I don’t think we should be shutting down the very real evidence for both readings over ships is what I’m saying

[pink-princess-pussy-pop]

Making Up For Lost Time - Edmund Pevensie x Reader

Based on the following two requests:

can we get an enemies to lovers with edmund that has smut in it??

PLEASEE an edmund smut,, preferably something with a risk of getting caught? or not bb i don’t mind- but a lot of dirty talking too 🤭

It's not necessarily enemies to lovers? But I really hope you enjoy it, this is probably my favorite thing I've written thus far.

Summary: You and Edmund are definitely feeling the effects of your arranged marriage.

Warnings: Language, Smut, not proofed!

Female reader

You couldn't take much more of him, nor him you. The both of you knew why the marriage had to happen, Narnia couldn't risk another war, and Calormen was losing resources due to the Great Desert. As a compromise, Peter, Caspian, and Susan met with Prince Rabadash to secure a compromise. A truce between the kingdoms and a new way for the resources to be traded was sealed with the promise of a marriage between you and Edmund.

And neither of you was happy with it.

It didn't help that you had shared chambers either. You and Edmund had asked The High Kings and Queen about a switch in rooms but they only pushed further.

"Imagine what the people would think if the newlyweds weren't sharing a room?" So you were forced to live with him. Fall asleep next to him each night, and wake by his side every morning.

Granted, Edmund wasn't intolerable. He just wasn't tolerable either. He was a handsome man, sure, but that face also came with his quick wit and sharp tongue, two things you'd grown to loathe.

He'd challenge you, yes. But his tone of speech was never rude or condescending. But the biggest thing you hated about him, he was always so charming. So sweet. So fair.

He didn't earn the title of The Just King for nothing. But it just added fuel to the fire.

He'd always let you use the bath chambers first, and never complained or protested when you took longer baths.

He didn't pressure you to do anything on your wedding night. He simply kept to himself, offering you a smile and a "goodnight" from his side of the bed. You had been told what was to come, your mind was full of stories from other women in your life. Horror stories.

"It is ever so painful."

"Not pleasurable at all!"

"I can hardly wait until it's over!"

Needless to say, when your new husband had simply wished you a good night and went to sleep, you were surprised. The next morning you woke by his side, finding it odd that he had barely moved an inch. You were basically in the middle of the large bed, Edmund sleeping soundly on the edge, right where he was the night before. You were gone before he'd woken up.

Edmund never failed to greet you kindly, entering the room quietly just in case you had decided to take a nap. He never raised his voice to you either.

Was he snarky and sassy? Of course. But he had always treated you and your family with kindness and respect. It was insufferable. Sometimes you wished he'd just be rude so you would have a real reason to hate him, aside from the fact that he was your husband but you never seemed to communicate. You had gotten used to the fact that there would never be any sort of friendship, let alone a relationship, between you and Edmund, so you resorted to hating him.

The only time he'd gotten angry with you was when you hadn't returned to the bedroom one evening. Unbeknownst to you, he began searching frantically for you, creating quite a stir in the grand castle, only to find you asleep in the library. He cursed to himself before picking your sleeping form up in his arms and bringing you back to your room.

You woke up that morning in bed, confused at first about your location, but relaxing when you saw Edmund's sleeping form next to you.

As you rolled out of bed and made your way to the bathroom you heard his voice.

"Don't do that again." You froze, turning around. His dark eyes were on yours and he was very much not asleep.

"Do what?" He sat up, giving you a view of his very shirtless torso. You averted your eyes immediately.

"Not come back." Your confusion brought your eyes to him again. His lanky, but well-built frame, was now sitting on the edge of the bed.

"What?" He rose from the bed, a hand running through his dark hair. You stare at him while he walks toward you, stopping less than a foot away from you.

"You didn't come back last night. Don't do that again." He brushed your cheek with his hand, and leaned forward, pressing a kiss there too. You could feel your cheeks heating at the proximity. The last time he'd been this close to you was your wedding. He hadn't touched you since then either.

He pulled away quickly, stepping around you.

"Did you bring me back?" You turned your head to face him.

"Yes."

...

That night, there was a ball between the great nations. Narnia was the gracious host to Archenland, the Conglomeration of Nations, Ettinsmoor, and of course, Calormen.

You hadn't seen Edmund since the morning. You had been whisked away by maids to get ready for the celebration. The ball was for you and Edmund, another party after the wedding you guessed.

You were dressed in a gorgeous light blue gown with intricate white floral stitching and lace along the neckline. It was gorgeous. The long sleeves were fitted and the back laced up like a corset. Your hair had been fixed down with small braids throughout as to not disrupt the crown you'd also be adorning for the evening.

Then, you were whisked away to the celebration, the guests awaiting the arrival of the newlyweds. Edmund was waiting in the corridor, dressed in the same light blue as you, his silver crown on top of his head. He looked very handsome, more so than usual, and suddenly your thoughts were filled with images of you and Edmund dancing together, of Edmund touching you, his large hand on your waist, maybe even his lips on yours.

"M'Lady?"

You blinked, eyes meeting his. What had he just called you?

"Y-yes?"

"I said are you ready to go in?" Your cheeks heated once again and you nodded, looking away from him. He chuckled and then he laced his fingers through yours, effectively making your heart stop.

...

As soon as your introductions were over, you slipped away from Edmund's side. The thoughts kept popping up in your brain. Why did you keep thinking these thoughts? Edmund didn't want to marry you, let alone consummate the marriage, so why did your brain keep doing this? You hid yourself well by the banquet table, keeping away from the crowds.

"Queen Y/N?" You turned at the use of your title, looking at the sheer opposite of your husband. A man with blonde hair and blue eyes was staring at you with a dazzling smile. You found yourself preferring Edmund's dark hair, brown eyes, and ever-present smirk.

"Hello..."

"I am Prince Cor of Archenland. It is very nice to meet you, M'Lady."

You had to stop yourself from reacting to the name Edmund had called you only an hour before. You'd much preferred it coming from his mouth than Prince Cor. Oh now you'd done it. This poor Prince was trying to make small talk with you and now you were thinking about your husband's mouth? The blush creeping over your cheeks and shoulders was enough for you to shake yourself out of your thoughts.

"It is nice to meet you too, your Highness."

As you and Cor began to make conversation, Edmund's wondering eyes found you. His hand tightened around the goblet he'd been holding and his gaze narrowed.

"Who is that?" He hadn't even noticed he was interrupting his brother.

"Who is who?" Peter replied.

"The bloke flirting with my wife, that's who." Peter held back a laugh.

"Ed, I hardly think Prince Cor would flirt with Y/N, this is your marriage celebration after all. Besides, she wouldn't flirt with someone else so shamelessly."

Edmund wasn't even listening and was halfway across the ballroom before his brother could finish speaking.

"I really do believe that astronomy is one of the most interesting subjects one can learn about-" The Just King interrupted the blonde prince, swiftly interjecting himself into the conversation.

"Hello, My Love." Your face burned at the new name. Then he turned your face to his and kisses your cheek. You could feel your heart in your ears and you looked down, suddenly interested in the floor. "May I ask what you and Prince Cor are talking about?" The blonde man looked uncomfortable.

"We were speaking-"

"I believe I asked my wife, not you." Cor lowered his head in a nod in return, quickly and quietly exiting the conversation. If looks could kill, Prince Cor would have been dead on the ballroom floor in mere seconds from Edmund's piercing glare.

You began to slip away from your husband before his strong hand wrapped around your arm and gently tugged you back. His front was lightly pressed against your back, his head lowered so he could speak into your ear.

"And where do you think you're going?" His voice sent shivers down your spine. His hand trailed up your arm, resting where your shoulder meets your collar bone, visible from the Sabrina neckline of your dress. "Are you trying to make me jealous?"

What? Were you dreaming?

"Because it's working, darling."

Edmund's hand grasps yours again and he begins to lead you out of the room, desperate to get you alone. It isn't until you are outside of the boisterous party that you speak.

"Where are we going?" Edmund stops to look around, before ushering you into a corridor adjacent to the party. "Edmund!"

"Shh!" His hand covers your mouth and he presses his front to yours, making sure you are silent and unseen as guests walk past the hall. He looks at you and almost melts at the beautiful, wide eyes looking up at him. He removes his hand from your mouth, placing it on the wall by your head. You don't even register that the other is on your waist.

You speak gently, making sure your voice is hushed.

"Edmund, why are you jealous?" Your husband takes a deep breath before glancing down the hallway. "Ed?" Your hand timidly reaches up to bring his face back to yours and his eyes widen at the contact.

"You were talking to another man. At the celebration of our wedding."

You had to stifle your shock.

"Edmund, you are my husband, you have no reason to be jealous of a prince from a neighboring kingdom." His lips quirk up a bit.

"How can I not be when you are showing more interest in anyone else but me? I am your husband and you are my wife. I should be by your side tonight." His words are so surprising and you are glad for the wall behind you, and the man in front of you, for the extra support to stand.

"I thought you would want your space."

"Why in Aslan's name would you think that?" You look at him again, taking him in completely, the way he looks in the blue fabric, his dark hair framing his face with that godforsaken crown making him look better than he had a few hours ago. "Y/N, why do you think I wouldn't want to be near you?" His eyes search yours and you blink away, far too flushed under his heavy gaze.

"You haven't ever wanted to before." The words hit him like bricks.

"What?"

The words begin to spill out before you can stop them.

"You always sleep on your side with your back to me, you are always gone when I wake up, I never see you except when you come to get ready for bed, and on our wedding night you didn't..." You push through the embarrassment. "You didn't even touch me. I know this marriage isn't what we had wanted but I thought that maybe we might have been friends-" Edmund cuts off your monologue with a kiss. Your first kiss since your wedding night.

His hand moves from the wall to your neck and the other pulls you to his body, needing to get closer to you.

Your body reacts immediately, melting into the kiss, hands resting on his waist.

It ends too soon, Edmund pulling away first, putting his hand back on the wall while he catches his breath, but the other remained on your waist.

"You think I don't want to be near you?" He stares at you with an incredulous look on his handsome face. The closeness of his face to yours is enough to make you blush, again. "Darling, I haven't..." He takes a moment to breathe, his tongue darting out to wet his lips. "I didn't touch you that night because I didn't want to hurt you. I'm so bloody drawn to you that I have to sleep on the opposite side of the bed turned away from you so I don't taint your virtue. I leave in the morning because-"

Your hand covers his mouth as another rowdy group of guests wanders by the corridor. You wait for them to leave before speaking again, keeping your hand plastered onto his face.

"So, you don't hate me?"

He shakes his head.

No.

"You never did?"

No.

You remove your hand from his mouth and the two of you just stare at each other. Unmoving. It feels like minutes pass before he covers your mouth with his again.

His hand returns to your neck, pulling you to him once more.

"I'm sorry I ever made you think I didn't want you. You are the most beautiful woman I've ever seen and I am the luckiest man alive to have you as my wife."

"Edmund..." The kind words hit you straight in the heart.

"And now, it seems I have something I have to make up for." His smirk appears and it sends your insides to mush.

"But Edmund I-"

"Shhhh." He smiles, his head dipping to yours. "Don't want to get caught, now do we?" He kisses you again, this one full of heat and passion, the lack of contact between you only adding fuel to the fire.,

Edmund pulls your body flush against his and groans into your mouth. You falter at the glorious sound but he is there to support you

His kisses travel down your neck to your collarbones.

"Edmund... What are you doing?"

"Making up for lost time, darling." He grins at you again. "Now be quiet." He kisses you again, his sneaky hands running down your sides to your skirt. He breaks the kiss to look down, his hands pulling the fabric up to your waist.

"Fuck." Your eyes went wide. You'd never heard Edmund use that kind of language before. His eyes lock on yours again.

He looks perfect. He's a king. Your king. Your husband.

"Are you ok with this?" You nod yes multiple times, making him smirk yet again, and then you gasp at the contact of his fingers against your womanhood. Your hands grip his shoulders for support, his muscles tensing at the fact that you are touching him. That he is touching you. His fingers find no resistance due to the effects of his words and his ego grows. You bury your face into his shirt when his fingers slip into you. Though foreign, it is an immensely pleasurable feeling and you can't help but want more.

Then he begins to move them. You push further into him to silence your mouth, the feeling far too wonderful to not have a vocal effect.

But then his thumb brushes on something that makes you let out a loud moan. Your face flushes in embarrassment.

"Do you want everyone to know that I'm defiling you in the hallway?"

Oh dear, you're afraid his words combined with whatever he is doing with his fingers are going to kill you.

He repeats the same action but kisses you once more, your moans muffled.

Edmund can tell you are getting close, you've begun to shake, you're gasping into his mouth, and you are practically rutting into his hand. He makes the conscious decision to break the kiss to suck on your neck, covering your mouth with his free hand to silence any escaping sounds. Then, his thumb presses up again and his fingers hook inside of you and you convulse around him.

He is in awe of how gorgeous you are and what he'd just done.

As you catch your breath, your trembling hands find the waistband of his trousers and gently begin unbuttoning them, eager for more. His eyes avert to what you're doing and he curses again. You falter.

"Do-do you want me to stop?" His head shakes back and forth.

"I think I'd die if you did, love."

Edmund begins kissing your neck once again while you free him from the confinement of his tight pants and you gasp. He laughs into your neck, sending goosebumps throughout your entire body.

"Don't get shy on me now, darling. You wanted this, right?" You nod and feel him smile into your skin.

He makes quick work of your undergarments, tossing them to the side, lining himself up with your lower half.

He halts and you look into his eyes, body shaking in need and anticipation for what you had been so scared of on your wedding night.

With your eyes on his, he pushes into you, stopping when you push against him.

"Are you alright?" His voice is next to your ear.

"Just one second." Edmund waits, trying to distract himself from the way your body is clenching around him. Your small voice brings him back to reality. "Edmund."

"Yes?" You notice the rasp in his voice, the strain in his muscles. To ease him, you follow your instincts and roll your hips against his and his hands grip your hips in response, stifling the moan wanting to leave his throat.

"Fuck. Y/N. You can't do that." It's your turn to smirk. You do it again and he presses your body back into the wall. The soft grip on your hips tightens and his eyes meet yours, blown with lust. Then, they narrow at the smirk on your lips. "Oh, so you think that's funny do you?" He begins to slide out of you and your eyes roll backwards. Then he slams back in.

The moan that escapes your lips sets a fire in him and his hand claps back over your mouth.

"How many times do I need to tell you to be quiet?" He begins to move his hips again, the feeling ten times more wonderful than just his fingers. "Is this what you wanted?" You can barely comprehend his hushed words. "Is that why you were flirting with him? To make me jealous so I'd finally touch you?" His free hand worms its way back to the apex of your thighs, finding that place that made you squirm in no time. "You're lucky I love you." You don't even register his words as you come undone.

Edmund follows behind, pushing into you one last time before falling into you. His breathing is labored and the two of you don't speak while you catch your breath.

"Edmund!" Your heads snap toward the sound of Peter yelling his name.

"Dammnit!" He quickly makes himself presentable and you follow suit, making sure your hair isn't wild and your skirts are back in place. He takes your hand, smiling at you, before leading you back out of the hallway.

"Edmund!" Peter's back was to you.

"Peter, stop yelling, I'm right here!" The High King turns around, a glare present on his face.

"Your guests are wondering where the two of you have been! You disappeared thirty minutes ago! Get back inside, now."

Edmund doesn't reply to his bother, opting for an eye roll instead. Then he turns to you offering you a bow.

"Shall we get back to the celebration, my queen?" You giggle.

"Let's."

...

Peter may have overreacted just a bit because the only people wondering where the two of you had gone was him.

Edmund pulled you to the ballroom floor, his arms draped around your waist. You settled yours around his shoulders with a smile. The rest of the party seemed to disappear as he bent down to place a soft kiss against your lips.

You rest your head against his shoulder and whisper into his ear.

"I love you too."

AHHHHH! Y'all I'm really proud of this and hope you enjoy it. :)

[kakiastro]

2024: The Year of the Dragon

Well, we made yall! This was a 7 ruled year, ruled by the Moon, Neptune, and South Node. This year had us all deep in our feelings. So many people had their first spiritual awakening, others psychic gifts has strengthened. This year was teaching us on how to listen to our intuition. If you’re a creative, then this year was really the year ideas and projects came to you. With the moon here, so many people started their own families, so many woman in my personal life had babies this year lol. Our family dynamics changed, our homes may have changed. Lots of early life/past lives issues smacked us in the face this year, a lot of people started their healing journey.

This year is an 8 ruled year.

8 rules over the spiritual and materialistic world. 8 is balance, it means you need to balance being in our world and the spiritual.

8 is also an infinity symbol, hence why is it’s a loop. What loops(patterns)have you been stuck in? This year will show you that and what loops you need to get out of

8 also have a deep love for humanity, so I personally expect more protest against wars, those who are really suffering in our world. There’s going to be a strong empathy pull. Make no mistake though, the number 8 also rules over authority, social status, ego, inner strength and wisdom. While there’s a lot of love, there’s going to lots of people having unchecked egos so be careful of that. Listening to others opinions(whether you agree or not) will be a collective lesson.

The number 8 is ruled by Saturn and Capricorn. This is a Saturnian year. So to my fellow Saturnians/Capricorn placements/10h, we are the first in line the classroom (earth) this year lol.

Saturn is in Pisces, so fellow Caps, and everyone really, I feel we are going to continue being in our feelings and will begin to open our hearts to others. Capricorn is a reserved sign, doesn’t really show outward emotions, they would rather cry in private or in the shower😅. Not this year LoL, this year is teaching us that it’s okay to not be okay, it’s okay to be open about it as well. We will meet people who will show us the magical side of life. Saturn is a realism and pessimistic sign, but Pisces is the sign of hope, magic and fantasy. Remember, Pisces is also co ruled by Jupiter which is currently in Taurus. What is success to you? Is this success to you because this is what you were taught or is this what you really want? These are the type of questions you will be asking yourself.

8 is the number for Karma as well. Karma isn’t what many people think it is lol. Karma isn’t just some revenge type of thing lol. Also, Karma isn’t always bad either so get that out your mindset as well. Bad things happen to good people all the time, you being a good person doesn’t exempt you of messed up situations. If anything, it’s to make you become more empathetic and self aware of the bad things. Karma can be good as well

The etymology of karma is from the Sanskrit meaning “Action, Effect, Fate”

Karma is what you do that will cause a ripple/effect that can change your fate.

Example:

1. You get into a relationship and everything is going great for a year. Then you discovered your partner cheated. Your hurt and say “karma will get him and I can’t wait to watch.”

2. Months go by and you see your cheater ex is in a new relationship, treating this new partner better than you. You start thinking “karmas not real because if it was, why are they living the good life?” Meanwhile, you’re still picking up the pieces to heal but you’re healing is the key word.

3. Little do you know, your ex had cheated on you with someone who’s only using them and they end up getting cheated on. It wasn’t because of you, know they created that ripple for themselves. They let there ego and lust dictate there actions. If they would’ve had any control, they would’ve known not to do this so the Universe/God let the domino fall. They may end struggling with their career, health, spiritually to teach them to grow and learn. Now will they? That’s up to them. Just because someone appears to be doing well from the outside doesn’t mean that they really are or going to be.

4. You’ve done your healing and now know what you want and the red flags to look out for. You end up in an actual healthy relationship. A friend of yours suspects her partner of cheating and asked for your advice. Because you went through this, you know the signs. Because of this, you helped her. See that domino effect lol

That was long but I hope that makes sense you all! I have a mercury Rx in my chart so my thoughts go everywhere lol.

One of the first biggest events of 2024 is that Pluto enters Aquarius

Dates: January 20th - September 1st

Then: it will go back in Capricorn for the last time in our lifetime in September 1- November 20th.

Finally: it will go into Aquarius November 20th, where it will stay unto 2043. Y’all this is a 20 year transit!! So many changes are about to happen

I’ve already made a post about this transit, you can read it here!

2024 is the year of the dragon, in the element Wood.

Dragons are seen as honorable, strength, success

Wood represents vitality and creativity

-this is good year to pursue your goals and if you’re consistent, you will achieve success.

Eclipses

First Lunar eclipse will be on March 25th.

It will be in the sign of Libra! Which is where South Node currently is as well. Relationships with our family and within our home will be highlighted. The house that Libra rules in your chart will tell you how this will

First Solar eclipse will be on April 8th

It will be in the sign of Aries with NN being in it. Setting new goals for yourself, starting something new in your life, be bold and brave.

2nd Lunar eclipse is in Pisces on September 17th. Hello feelings lol! Pisces will have us sit alone and think about our most hidden thoughts and they will be highlighted. This is a good time for spiritual growth.

2nd Solar eclipse is in Libra on October 2nd. Relationships will be the hot topic for 2024. I predict so many people are going to be breaking up, finding love, having new friendships, family relationships are going to be changing, collaborating with people, justice, fairness will all be themes

Mercury Retrogrades will be in fire signs this year

First Mercury Rx is in Aries on April 1st-25th. Thinking and planning your goals, making sure everything is in order.

2nd Rx is August 4th-28th in the sign of Virgo and Leo. It’s giving say it with your chest energy but not too much lol. Be brave with your thoughts but try to think rationally as well.

3rd Rx is November 25th in Sagittarius. Time for us to reflect on our ideals that we’ve learned. Look at different philosophies point of view

Another big Astrological event is the Jupiter-Uranus in Taurus conjunction on April 20th.

Jupiter is the planet if expansion, higher learning, traveling and religion

Uranus is the planet of change, science of medicine, innovation and rebellion.

Taurus is the 2nd sign of the zodiac and it rules over our finances, self worth, our possessions, food, beauty, nature such as forest and trees.

What do I predict with this transit:

-huge breakthroughs with regarding medicines and innovative discoveries

-something dealing with travel or immigration

-I suspect some type if change regarding the church or how people view the church (pastors, priest etc)

-something dealing with our food and us being more aware about our own dietary choices. What’s not good for us and what goes in our food basically

On May 25th, Jupiter leaves Taurus and enters airy sign Gemini. It will be in Gemini until 2025

The best way to describe this transit is communication!!! Remember Jupiter expands everything so we will be more open about our thoughts and standing on business on what we say! I feel there’s going to be a huge influx on the dire need to want to go back to school and learn new things. Big cars are going to the thing everyone will want to have! If you’re a writer, this can be a good year to write that book and get it published, all the way up until 2025 at least.

Mars Go Rx December 6th- February 23rd 2025, in the sign of Cancer and Leo!

This is poignant because Mars only go retrograde every 2 years! The last Rx was 2021-2022 ish and it was in Gemini

With it switching from water and fire, emotions will be be high. Really check your emotions during this time, this can be a good time to sort your home out, being motivated to start something like a creative outlet.

As you all can see, this is going to be an eventful year but I’m wishing you all happy and memorable one! To those who’ve been following me this year, I just want to say thank you! thank you! thank you!

With love and gratitude

-kaki