#not even necessarily thirsting either I just genuinely love this style

[dellinah]

I am heartbroken and frothing at the mouth that I have yet to see anyone on Tumblr mentioning the YT animation Bun hunting: overture

You'd think a furry animation inspired by 30-60's cartoons with a lot of fanservice would be popular here (for one reason or another)

It's barely 3 minutes long but I'm IN LOVE

with the animation style. Yeah

I wish I was in the mindspace to talk more about it bc this animation made me happier than I can say rn and it deserved a ramble but anyway

There's just something about seeing the old (obviously(?) Song of the south-inspired) Disney 2D animated style done SO WELL in this era that made me really happy and even so short it seems so cute and promising and all of it is SO WELL DONE

I would give anything for this to be longer but I'm so happy with what we got. I hope Piti Yindee and the team get to do more with it eventually

[simonjadis]

A friend talked about a lot of geeks bemoaning how female characters aren't "allowed" to be girly anymore. I agreed with him on how they're not disallowed from being girly so much as allowed to be human.

This is SUCH a complicated topic because there ARE ways in which women are penalized, in real life and in fiction, for perceived femininity . . . but that is essentially never what these hellclowns are talking about

I’m not going to try to define femininity. It’s not exactly a cultural constant or some sort of universal truth. Even if it were, I would not really be the best authority on the subject. Or on masculinity, for that matter.

But the people saying this could mean multiple things

ONE

The first and most obvious is that they want a return to storytelling and characterization norms that our society is trying to move past. Whether it’s a soft, slightly ditzy girl with bunny ears, a feisty barmaid who wields a cast iron skillet like a cudgel, or deeply intelligent princess who is nonetheless in need of rescue (and perhaps “needs” to learn about the real world through a male protagonist’s eyes), storytelling has been filled with women for many years and they can genuinely take many roles while being “girly.” But these women, in most “traditional” media, are contrasted with Mother Figures, with Bad Women Who Are Too Darn Sexy, and with Bad Women Who Are Too Masculine. The hero might be tempted by the Too Darn Sexy, might fight and respect the Too Darn Masculine women, etc . . . but at the end, his love interest will meet an easily accessible definition of femininity (such as those I listed above) and also need his help. I should note that this can also be true of extremely good storytelling, and that a woman being feminine OR needing help during her story are not dealbreakers or even necessarily storytelling mistakes. It is that their roles and how they are morally framed within the story are so limited by their gender performance that is the problem. (Just think of how many action movies have the male protagonist have a fistfight with an enemy -- she is always going to be “too big/strong/masculine” so audiences are not supposed to care). Anyway, so people with this gripe want to see women back in these tropes, and if they see a woman with great arms being the hero, they get culture shock.

TWO

Not every character exists to be thirsted after, but for SO long, any woman who wasn’t at least twice the (white, straight, male) protagonist’s age existed, if not necessarily to be his lover, to be a potential object of temptation for the hero or thirst for the person consuming the story. Increasingly, female characters without any of the usual femininely attractive traits are appearing in media -- buff orc women, women wearing realistic armor, etc. Now, basically all of these women are going to be objects of thirst anyway, but for people seeing them as not feminine/hot enough, this feels like a waste to have that character there. Well, folks, welcome to the club. I’ve been feeling that way about so many men in stories for all of my life. However, being an adult tells me that not every character exists to be thirsted after, and that even though I do not personally thirst after a guy does not mean that no one is. Just as a gorgeous buff orc woman might be wasted on your average straight dude but adored by others, a character I wouldn’t even glance twice at as a prospective thirst object will have other people falling head over heels, no matter how much I cannot personally relate.

THREE

Sometimes, it’s just about things like hairstyle and outfit. There are very feminine women with short hair or who don’t dress in an overly provocative or “soft” manner. Not every fictional character is going to dress like Princess Jasmine, or have her tiddies out, or have long hair. They can still be hot. There are lots of ways for someone to be hot. I saw someone whine about “a bald lesbian” upon seeing a short-haired, attractive-faced woman in a trailer for Outriders (SO hyped for that game) and I was just like . . . she’s a beautiful woman on a nightmare monster planet, I’m sorry that she’s not wearing pasties, panties, and pleasers with 3-foot hair and body glitter. It’s 100% okay to have women who dress like that in the right context (fitting the story and setting, also ideally coupled with men who are dressed more or less the same -- no Conan-style false equivalences with male power fantasies either). Anyway, actual human women in real life can be hot but maybe that’s not apparent when they’re wearing their welding outfits or whatever, but I think that many brave and wise lesbians would agree with me. Also, here is the lady from Outriders who was dismissed as a “bald lesbian” when she’s likely just a player character

FOUR

Okay, here is where I might sound a little sympathetic to these dudes -- when it comes to video games, the way that graphics keep improving means that people are looking more realistic. In many ways, that is great! But it also creates a wealth of potential for characters to look, well, worse, because of details that did not exist in earlier models. For example? I watched YouTube playthroughs of the first three Uncharted games. I enjoyed them. I also spent the whole time thirsting after Nathan Drake. Well, then Uncharted 4 comes around, and suddenly he doesn’t look like Alistair Theirin’s cousin, he looks like . . . Liam Neeson? I have to be honest . . . I straight up just quit watching Uncharted 4 because looking at Nathan was no longer fun. (I’m not saying that I’d say “no” to him, but that doesn’t mean anything when you have standards like mine) So if some straight guys are feeling that women in video games are getting “uglier” because they’re getting more realistic, I’m not going to say that I sympathize exactly, but I do “get it.” I’m splitting hairs there, but whatever.

[I was going to paste a photo of Drake before and after here, but looking at them side-by-side I worry that people will roast me for being deeply shallow about video game man. they’re right]

ANYWAY

There are a ton of real women who have to dial back their femininity in real life in order to be treated with respect. Women who have to go twice as hard as they, say, cheer for sportsball in order to be viewed as a friend and fellow fan rather than as “one of the guys.” A lot of things are not designed with long nails in mind, or long hair in mind, though of course neither of those are intrinsic aspects of femininity.

There are also a lot of ways in which femininity is demanded. This performance can be required to be viewed as attractive or as “not political,” etc.

The fact that some ladies have big strong arms or wear armor in stories doesn’t mean that women aren’t allowed to be feminine. That’s a complicated subject, but this isn’t the touchstone for it. The men saying this either lack understanding . . . or are cowards.

[diveronarpg]

Congratulations, JULIE! You’ve been accepted for the role of CASSIUS. Admin Jen: Cassius is multifaceted in every sense of the term, and it was the main reason why we couldn’t wait to receive an app for him -- there are so many aspects of his character that could be explored, so many layers to peel back and expand upon. And you achieved that so brilliantly, Julie. From the intriguing plots to the wonderful writing sample, everything came together so well to project the vision that you have for Cassius and it’s certainly left us thirsting for more! I’m so so glad that you’ll be bringing him to us and I can’t wait to see him on the dash! Please read over the checklist and send in your blog within 24 hours.

WELCOME TO THE MOB.

Out of Character

Alias | Julie (hi, it’s me again!)

Age | 19

Preferred Pronouns | She/her or they/them works fine!

Activity Level | So this semester isn’t going to be as disastrous as I thought it’d be, but I’m still gonna give myself a 5.5 out of 10, with more activity on Mondays, Wednesdays, and Fridays than any other days of the week.

Timezone | MST!

Current/Past RP Accounts | Orion’s blog is here! I think there’s some halfway decent stuff on there.

In Character

Character | Cassius / Cassian Bhatt. I’m fine with keeping Ranveer!

What drew you to this character? | “But when you dare to look a monster in the eye, when you issue that kind of challenge, when you provoke a man who takes pride in evisceration, one gets exactly what they bargain for: destruction.” This line in particular is really what did it for me - I can draw parallels and lines between Orion and Cassian as much as I want, but Cassian really does have something Orion lacks, and that’s ambition on the large and small scale. He’s conniving, clever, and most importantly, rooted in reality. Cassian is a realist; I think he knows what he lacks and what he has and even then where things can go wrong. He does his best to be a few steps ahead, and when all else fails, at least has some sort of back-up plan in mind. He holds the scales of justice - how could he ever want to be anything besides justified? He’s the interesting sort of aloof that has men and women alike flocking to him, which is key to how he measures his success. If they want him, let them come. If not, then let them keep their distance. He knows by now that people are fickle, but he always keeps them close in spite of their grievances and changing plans - they’re important, and he can use them, and that’s what’s truly important.

And what Cassian uses, he eventually destroys. Individual things can only serve their purpose for so long before they don’t have any purpose at all, and being the pragmatic man he is, Cassian’s quick to discard of them before they get any ideas about ascending beyond where they need to be. Cassian knows he needs to rise, that others need to fall, and some need to stay exactly where they are, and that’s something I think he’s been taught to maintain all his life - not by his father, whom he detests, but by his mother, who taught him everything he knew and more that he has yet to discover. What I’d really like to explore is how Cassian got from point A to point B. How do you go from a boy who loses himself in historical nonfiction to a man who is so bitterly cruel it leaves people breathless? Does it make him sad to know he doesn’t quite feel in the capacity others might? I find him really intriguing, and that’s what drew me to him.

What is a future plot idea you have in mind for the character? |

He’s being used in the same way he uses others, at least by Mona, something that has Cassian on edge; he’s unfamiliar with the position that comes with being compromised. He’s not worried, though, and that’s dangerous - he should be worried if he knows any better, but instead of pulling, Cassian pushes. I want to see how this extortion thread unfolds - mostly with how it impacts his relationship with his Captain, with himself, and how the Capulets will see him if they see these photos. Cassian’s technically on a leash, and it might be a long one, but he’s not sure how much give he has left to run ahead, think he’s the one in charge, before it yanks back from the collar.

Marriage is nothing but another tool in his set, and frankly, Cassian doesn’t view Lillian as anything more than that. Sure, she’s a good woman, a respectable woman, had dose her part in acquiescing to the proposal, taking on his name as hers at some point in the future. Her sorrow in being married to a man who, frankly, neither loves nor cares for her isn’t much more than a footnote at the bottom of the page to Cassian. Lillian provides opportunity to make him look all the more golden than he already is. He’ll give her anything she asks for, present it to her wrapped in precious metals and distracting paper, but only because he needs her, and not because he necessarily wants her. A union of necessity is still a union, and I’d love to see the fracturing between Lillian and Cassian, and how that damages Cassian, how long it takes. Not necessarily emotionally, but in terms of his reputation, which is all that matters to him.

Matters of the heart are uncomfortable for Cassian, that’s clear enough. He’s alone, has been alone, and in his mind, will always be alone. He has no issues in isolation, so long as it’s something brought on by his own choices. When love cannot bring happiness, monetary gain and skill will bring pride. Cassian’s a proud man with a black hole for a heart that eats everything it touches without abandon - I’d love to see someone knock him down a peg, either through his work or through emotional investment that he hasn’t really prepared himself for.

Are you comfortable with killing off your character? | Yep!

In Depth

In-Character Para Sample:

The first fifteen minutes of dinner are quiet. There’s not much noise beyond shifting in their seats, chewing, the clattering - as little of it as possible - of silverware against intricate-looking plates. Cassian notes that his mother looks exhausted, something not entirely unremarkable, but it’s not something he plans on asking about. He’d learned early on in life that asking Vahina Bhatt about anything she deemed unnecessary was futile. She’d answer with some notion of work, the governance of Verona, how much it grates on her temper and her time, fundraising - that sort of thing. Some off-the-cuff scandal that he might want to look into.

His father, halfway down the table, appears to be chewing not just on food but his words as well. “That Wen girl,” Naadir begins, because of course he would ask about the one topic Cassian has no interest in, “what do you think?”

Cassian gulps down a mouthful of wine in an attempt to both steel himself and delay an answer. He’s not sure what he thinks of her. She’d been relatively meek upon their first meeting, he’d thought, nothing like the diamond in the rough her mothers had made her out to be. But she’d been beautiful. More than beautiful. An effigy of grace, style, composition. She had followed the plans laid out for their first interaction to a T: introduction, dinner, discussion of the future, and a soft goodnight at the door. All in all, it had played out smoothly.

But their personalities don’t mix, and she seems flat. Static. Where Cassian finds himself confrontational, up front, willing to start a conversation on the intricacies and justification of law, social standards, she is reserved, an even line to the set of her mouth. She had smiled, yes, but it hadn’t been genuine. Maybe that’s for the best, Cassian thinks. None of this will be genuine. He has no love for her, she has no love for him, he doesn’t intend on saying anything of the sort. Not even in their vows, for the wedding to come. There will be no declarations of adoration. She’ll look nice with his Versace loafers, he thinks, for dinner parties and galas.

“She’ll be a good wife,” he replies, tone flat. His father hums, unsurprised by the lack of poetry frothing from his son’s mouth. Cassian has never been a romantic, after all, and that’s where their divide has always rested: a crack in the earth, widening from his younger years to where they are now. Vahina watches from the head of the table, glass of cabernet sauvignon in hand, a soft curve to her lips. But she’s looking at Cassian, not her husband, and if he were still a boy, he might as well gleamed with pride.

The ring he’s chosen for her, to announce to the world that she’ll be his, isn’t particularly extravagant. A golden band, with a green diamond atop, surrounded by smaller white cut jewels. It’s flashy - but not too flashy, so as not to imply vanity. He doesn’t say much else on the matter of his newfound fiancee, and his father knows better than to press, so he listens to his mother ask about his new courses at the university, given that it’s a new year. He ponders other things until the meal is done and he’s being nudged towards the door.

The ring is still on his mind as he’s driven home, as he closes the front door behind him, settles in his study for the night to look into the case Cosimo had called him about the other evening: the Bhatts are not a vain bloodline - they are seekers of knowledge, growth. The viridescent tint won’t be for envy, or a mark of ownership, but for nature. An indication of development, he thinks, that she will grow into the person he needs her to be. Isn’t that poetry enough?

Extras: An instrumental playlist, and because it’s a bit corny, but here’s the wedding ring I was looking at for Lillian!

[gaarfielf]

my list of lupin movies ive watched for the sake of keeping track and making sure i dont rewatch some

Castle of Cagliostro (10)

favourite Lupin movie of all time. Fantastic art, cast, plot, everything.

Blood Seal: Eternal Mermaid (8.5)

Really good animation and really interesting plot. Another ‘Lupin has to babysit’ movie but it was treated in such a way that set it apart from other ones. He gives her a lot of good advice and overall I really enjoyed this one even if it’s kind of underrated.

Burning Memory - Tokyo Crisis (8.5)

Surprisingly good like I wasn’t expecting a 90′s Lupin movie to come for me like this but the animation is really solid and the movie itself was really funny. I also liked that Maria and Zenigata weren’t a thing like that cleared my pores.

The Bloodspray of Ishikawa Goemon (8)

The animation is fucking stellar but there were odd gaps in the movie that were really inactive. I liked the two subplots going on though like they were both interesting.

Bye Bye Lady Liberty (8)

The classic convoluted subplots worked well here tbh and the Goemon romance stuff was gunshot noise gunshot noise cash register noise. The animation had this weird glow to it but it was (almost) the 90s lol

Hemingway Papers (8)

They really got me with Goemon and Jigen going against each other and Lupin being in a relationship with someone aside from Fujiko (a relationship that was genuinely romantic) was actually pretty well done. That whole bit at the end with the karaoke machine? Amazing

Return the Treasure (7)

Another one that was really close to being perfect. The only loose ends was that the “treasure” wasn’t really explained very well (but i mean, the lead up to it was very good) and i could’ve done with more scenes with the whole gang (it seemed like there was a lot of times where it was lupin jigen and fujiko or lupin goemon and fujiko, but not enough of all of them together)

From Siberia With Love (7) 

The usual amount of humour and action from a Lupin III film and the art is pretty standard. Goemon got a few nice quotes in and Fujiko talked to a woman. Could’ve done without Rasputin but thats just me.

Elusiveness of the Fog (7)

Lupin offering Goemon to the princess was kinda funny and I actually really liked OG Mamo (not the short freak) being revitilized bc his episode in the original series was really entertaining. The history of where they were was a little wonky but I’ll give it to them this time.

Pilot Film (7)

That shit was wild i liked how jigen was introduced as the gunman and then beat the shit out of 3 police officers with his bare hands. also goemon i guess dedicates his life to killing lupin so thats fun, like he’s on zenigata’s side i guess. could’ve done with fujiko making an expression at any given time but yknow what? it was funny and it was only 12 minutes long

Another Page (7)

Surprisingly not that bad. To summarize the film as a whole I’d say: it could have been worse. The plot made sense which is more than i can say about most lupin movies and they stuck to two subplots that were both interesting and meshed pretty good by the end. And the two lady characters that got introduced didn’t betray anybody AND didn’t die.

Farewell to Nostradamus (6.5)

The animation was pretty good and I liked the whole ‘we gotta protect this kid’ thing but I always mix up this one and Bye Bye Liberty Crisis like this movie is it’s less interesting twin. Both of them have kids they need to protect but Bye Bye Liberty Crisis was just better. I feel like this one had a really good ending but aside from that the movie wasn’t that memorable for me.

Fuma Conspiracy (6.5)

i liked Goemon being in a relationship bc it was really sweet, i just wish there wouldve been a better balance of romance to plot. Also terrible voice actors but that just affected my enjoyment not really the plot or anything relevant.

Sweet Lost Night (6)

I like time shenanigans and my only two critiques are the inconsistent art quality and they seemed really hesitant to embrace time skipping. Like “he’s limited to twice before he becomes brain dead” was a little bit of a small window. If anything they missed out on a good opportunity for a classic lupin montage of him time skipping way too often. Maybe if they changed it to “you skip time every 12 hours, to every 6 hours, to every 3 hours, etc” until he stops existing?? like that seems more in line with a lupin plot not to mention a little more suspenseful.

Dead or Alive (6)

The new art style is kind of neat and didn’t really affect the personality of the characters like I thought it would. The plot itself was complicated and hard to follow but I mean, it wasn’t awful. Nothing I really hated and nothing I loved.

Jigen Daisuke’s Gravestone (6)

Handsome Jigen was cool but tcm i’m begging you to drink your Respect Women Juice. Also Goemon wasn’t in this one what the fuck was up with that. Lupin looked like a crispy toenail in the new art style but again the animation is gucci so I can’t really complain on that front.

Napoleon's Dictionary (6)

Reminded me a lot of Mamo except with more respect in women. Just kidding Fujiko was kind of a crapshoot in the end and the ending was more or less just. cut off?? like they crashed into the ocean after lupin ruined zenigatas marriage and the credits started rolling. it was weird bc it had a lot going but i guess they ran out of time for a proper ending?

Mystery of Mamo (6)

Respect Women Juice needed and also why was Goemon purple. The pros to this movie was the overall aesthetic being really attractive BUT the plot was sketchy and didn’t make a lot of sense. The only remarkable scene I remember is Jigen shooting the can by Lupin’s feet like I wish that emotion would’ve carried through the film and not ended there.

Red vs Green (5)

Really good animation, no fucking idea what happened in this film.

Walther P-38: Island of Assassins (5)

They missed an opportunity to be a little more psychological and the lady of the week dying was meh but I will say the plot stayed on course like they didnt try to do too much at once like they tend to do. I wish they would’ve delved more into lupin’s past with the doctor because that seemed kind of random but the more lethal, edgy plot was handled decently. I’ll probably forget this one in a week tbh.

Dragon of Doom (5)

I like learning more about Goemon but his girlfriend was really distracting and uneccessary. Like, if you want to introduce Goemon’s childhood friend sure its whatever but she only showed up to either threaten lupin or flirt with Goemon. And it was very obvious she was going to betray him so all her build up was pointless. I will say though, the plot was pretty cool which was surprising.

Voyage to Danger (4)

tcm I’m begging you to let Jigen talk to a woman and not have it be like ‘this is Jigens girlfriend now’. Sometimes women be talking and they aren’t thirsting for a man triple their age. It just be like that sometimes. Thats literally all I remember about this film.

First Contact (4)

I remember being excited for this like ‘oh wow their first ever meeting’ and i s2g this film was boring. And also a giant plothole. With no real redeeming qualities. I don’t even remember the animation being that good.

Columbus Files (4)

This film was at least funny bad but my hand to god I’d never watch it again. This is the first time I’ve ever watched a movie and had to watch the dub bc the sub was boring me to death. It was just... so bad... Especially when you’ve seen Wings of Death like this ain’t the Fujiko I know please leave.

Seven Days Rhapsody (3)

The comedy in this one was so weirdly incorporated and featured another really good ‘here’s Jigen’s dead girlfriend’ that i just could not care less about and then finished off with this what like 13 year old girl asking to be Lupin’s girlfriend? fuck outta here. The ONLY good part was Goemon slapping Lupin across the face.

Alcatraz Connection (2.5)

Really, really boring. The content wasn’t necessarily bad but they had 4 subplots going on that were equally uninteresting and some scenes went on for so so so long. It deadass took me 5 hours to watch this movie bc i kept pausing to do literally anything else. The art was unpleasant and by the time they got the treasure i didn’t really care anymore. Not to mention the plot was way too complicated and tin-foil hat for my liking.

Missed by a Dollar (2.5)

Made very little sense and in general was really annoying. Between Goemon being a born again Christian and the plot briefly derailing so Lupin could establish an oil company it was like can we pick something to focus on? By the end of the movie I was like wait when did they get the broach? What does the broach do again? And then he gives it to someone random and its like??

Gold of Babylon (2)

This one if the definition of being cursed and Pink Jacket deserved so much better than this nonsense. Like Lupin III isn’t known for its coherence, sure, but this movie had absolutely no structure. Upon finishing the film I was trying to remember anything that just happened and my brain refused. It kept the good cartoonish animation but god at what cost.

Angel Tactics (2)

TCM PLEASE DRINK YOUR RESPECT WOMEN JUICE. The art was just. Stunningly bad. Bad to the degree where about a minute thirty in I already regretted starting it. Not to mention the classic “we don’t actually wanna draw this part so we’re gonna jam cgi in here”. Also the most awkward use of “hey heres 3 women hey heres 3 men lets shove them together”.

Harimao’s Treasure (2)

nazis and transphobia which was extremely unfortunate considering the opening was actually one of the stronger ones I’ve seen from Lupin but immediately after the villain was introduced the quality of the film dropped about 90% and i wanted to die for the entire last half of the film. if they had changed the villain it would’ve solved 90 of their problems.

Twilight Gemini (2)

this was one of the only films in the entire lupin series where i was rooting for lupin to fucking perish. not only was goemon only in this film for 26 seconds, jigen was there for about 30 seconds and im not entirely sure if fujiko was there at all. not to be that guy but when they make lupin to be the most intolerable piece of shit in the world for this movie, don’t give him all the screen time. having to stare at this asshole for an hour and a half was exhausting.

Princess of the Breeze (2)

How a movie where Jigen has to carry a baby around in one of those funny baby-carriers turned out this fucking goddawful I have no explanation for. This movie was like an AU where all these other characters no one cares about happen to exist in the same universe as lupin. and when lupin does show up, i want him dead. Just horrifically boring and lazy art mixed with bad cgi. The only upside is that it isn’t Return of the Magician.

Return of the Magician (1)

I’m giving it a 1 on the principle that this wasn’t even a movie. It was a little less than an hour long and my god i’ve never seen a film so full of pad-time that if i can be so bold, there was more pad time than plot. What little plot they had made absolutely no sense and the art used cgi in the most bizarre and ugly ways. i’m pretty sure the credits played twice at the end. if there was a world record for lowest budget in a film, Return of the Magician would win hands down.