#not bad as in bad but bad as in not interested in interacting with them outside of specific contexts

[thewistlingbadger]

All the shade in the world when we say we want complex women characters we want more Ellie Williams and other characters whose actions make our insides twist, not frustrate us. We want characters that we hold beloved to become corrupted by fate but still have the opportunity for some redemption.

Caitlyn Kiramman is an interesting character, but she does not fit the bill for the "complex female characters" we desire. Jinx, Vi, and Mel better fit that bill. All three of those women have given us reason to both love and despise them. Many a difficult conversation have they been the subject of. And to me personally Cait just falls flat. And I don't think it's her own fault I think it's the writing. Season 1 cait is 🔛🔝 but season two cait? I understand that she's grieving her mother, HOWEVER, we barely saw any interaction between the two of them and the little that we did see showed us that she wasn't fucking with her like that/they had a complex and somewhat negative relationship. Imagine how the season opened with Cait actually finding her mom's dead body. We would all feel sick, and we'd all pity her. Or imagine had we been given a flashback between her and her mother when she was a child in the garden, having a good time. Or imagine how they just even mentioned the fact that their relationship was strained. Losing a parent is bad, what makes it worse is having unfinished business with that parent (which is why people love the story of Ellie Williams, it's why we understand why she wants to go after her father's killer other than the fact that the killer murdered her father). Caitlin only having one motivation to go after jinx, to descend into hell, to avenge her mother is not even. "Jinx killed mom now I kill Jinx" there's nothing compelling about that. We've seen the story several times.

Just to give a direct comparison.

Jinx's dad was a man she had an extremely complicated relationship with and this relationship was showcased throughout the season. The fact that she essentially lost her sister and killed her father at the same time is what pushes her over the edge. We completely understand why she's going to burn the world down because the show told us over and over and over again. Jinx always manages to lose the people she loves the most, and this time it's happened directly by her own hand.

Jinx's missile only kills three people, blows up a building, and inspiresb fear in the hearts of pilties and amazment in the hearts of Zaunites. Her actions were bad, but ultimately very few people actually suffered from her actions. The council only lost three people, it's not like pilltover's governmentless now (like how zaun is). The damage to the building wasn't that bad and it's easily repairable. And overall from her actions alone the citizens of pilltover are still safe.

Now let's look at cait. She's actively ruining the lives of zaunites by mass gassing them (we also how many kids were on the street. We all know how many homeless and disabled people there are in zaun. Now they're all negatively affected due to cait's lust of vengeance) and by arresting them when they've committed no crime. She's parading around the city with deadly weapons, under the authority of which she does not have! Cait abuses her name and her position as an enforcer to DEMAND that the council follow her plan. She had absolutely no right to storm into there and act like she had the power to call shots. What's even more gross is that she completely lied to them! Her goal was never to locate jinx, it was always to kill Jinx. If she truly cared about bringing jinx to proper justice, she would have ensured she be brought alive. If she truly cared about dismantling shimmer, she would have done that first bc A. Vi knows exactly where the factory is and B. According to silco, the last attack already cut the supply in half. It would have been easy to finish that off. Caitlyn acts like she's judge, jury, and Executioner the entire time she's down there. Her prejudice increases exponentially AS does her willingness to he openly prejudice. She literally refers to Vi's countrymen as animals, and accuses vi of being disloyal several times! and must we truly mention the assault she did? Must we mention that she was willing to kill a kid? That's a line jinx herself has not even willingly crossed yet, and she's practically crossed all other lines.

At the moment Caitlin is not a character who's doing the wrong things for what she believes is the right reason. She's acting out of complete selfishness. Even jinx, who committed an act of terrorism, didn't do it for herself. She did it for her dad, who worked so hard to bring down piltover and didn't live to see it because he refused to trade his daughter for Independence and peace.

So these are just only a few reasons why people don't support her this season. And her level of oppression, arrogance, and maliciousness is exactly why people are calling out those who defend her, because the majority of her defenders are privileged and white.

"We want more complex female characters" you can't even handle an angry, grieving daughter who just had her mother killed by her future wife's sister, shut the fuck up

[citrusandrottefruit]

Modern!Steddie (This is based on something I read a while back on Tumblr about Eddie becoming famous, Steve getting doxxed, and years later singing Hozier's Francesca to Eddie. I'll look for the fic, and if I find it, I'll put the link here.) EDIT: This is the fic here, guys. I recommend reading it. (https://archiveofourown.org/works/48091627/chapters/121266283)

Steve has always been one of the popular kids, but not the kind of childish villains you see in movies. No, he was popular because he was handsome, had rich parents, was charismatic, and was good at sports. He didn't bully other kids, but he wasn't interested in them either.

He never felt the need to seek out new connections at school, because he'd had Tommy and Carol for years, and anyone new who wanted to talk to him would come to him. He didn't have to work hard to make new friends.

His time was spent on sports and the friends he already had. The occasional girlfriend, too, because he'd always been a romantic at heart and a lonely kid. Being best friends with a couple would also make him feel like a third wheel a lot, so having a girlfriend and double dates seemed cool.

Then he got into a fight with Tommy and Carol after that graffiti episode in the movies and they drifted apart. Tommy wasn't mean about it, but he was resentful and hostile, because they were best friends and it always sucks to lose a friend to a boyfriend/girlfriend who you think cheated on them.

After a year, when he and Nancy broke up, he, Tommy and Carol didn't get back together, but they weren't hostile, you could tell they felt bad for him. Steve wanted to be friends with them again, he just didn't feel right crawling back with his tail between his legs and he also felt guilty that they never reconnected before. He didn't want it to seem like he only got back together because he was single.

He's still popular, but now his best friends aren't around anymore and he got cheated on by his girlfriend, but he feels like he deserved it (let's just say the story they made up about Barbara dying was real and the trauma grew into a monster and consumed their entire relationship). So he feels alone.

He has the kids. But Dustin thinks he's awesome and he doesn't want to be anything less, Lucas also sees him as a hero, willing to take a beating for him, Max looks up to him as a big brother. Will is Jonathan's brother and has traumas, so Steve would never dump his problems on the kid. Mike is Nancy's brother.

All of his real friends are kids.

So, Eddie. Steve isn't lonely around school, he still interacts with other students, he's friendly with the popular crowd, a lot of people like him. He just has these moments where he seems sad and then suddenly he seems super chill again.

Anyone who looks closely can tell he's got a problem and pretends not to, but it's not obvious. Eddie doesn't think much of it at first. He actually finds it amusing, because he has a lot of shallow and superficial ideas about popular kids who conform to the norm and who are well-off.

Eddie comes over when he sees Steve reading a DnD rulebook. He mocks it a bit, but explains a few things and Steve, who has always been a social butterfly and never cared much about sitting at the same table as some group in the cafeteria, sits down with Hellfire.

Not with the intention of being their friend, just because he wanted to ask them questions, take notes and move on with his life. A brief connection, a friendly interaction. No different from his relationship with most people who are part of his social circle.

But Eddie keeps pulling him closer, invites him to join the Hellfire Club. Steve declines, because he likes the stories and wanted to learn about DnD because of the kids, but he feels insecure about being a player, about roleplaying, he's afraid of making the wrong decisions and ruining something that seems to be so important to their friends (both the kids and Eddie).

Eventually, they fall in love.

Steve graduates without much distinction and Eddie barely makes it, but they are free from high school. While Eddie continues to play concerts at the Hideout with the CC boys, Steve works at Scoops Ahoy and makes friends with Robin.

So, when Eddie decides to leave, Steve asks them to wait a little, to save up more money, to get better organized. If they stayed for a whole year, Robin could even leave with them. When Eddie doesn't agree, he says they can continue their relationship long-distance. After all, it's 2010 and there's technology for that.

Eddie leaves anyway, believing that Steve will regret it and look for him, understand that leaving is the right choice and blah blah blah. Steve can't leave yet, because if he moves out, if he doesn't follow the path his parents have laid out, he'll give up any illusion of family he might have had. His car is in his father's name, he doesn't have much savings, he's still not open about being bisexual and he's terrified of leaving his entire life behind. It's hard in Hawkins, but facing the whole world, the uncertainty, not having a home to go back to… It scares him. Eddie doesn't understand, because if nothing else worked out for him, he could go back to Wayne and be welcomed with open arms.

One of Eddie's first hit songs is about a preppy, popular, charismatic kid who's the captain of the swim team and lives in Loch Nora who starts dating him in his senior year and gets stuck in a shitty job at the mall. It's easy to figure out who Steve is. People at school find out quickly.

I like to think Carol is the one who alerts him, goes to his job to tell him the rumors. Tommy goes with her. Although Carol is kinder and more open and Tommy keeps his distance, as if he might be infected, he also tells Steve to be careful, for old times' sake.

Either way, he becomes a target. The students tell their parents that they believe the hit song is about Steve. This story even gets around the church that his parents donate to and "attend" when they're around. His parents' friends find out. His business partners find out. His parents, too.

His parents suddenly move back home. It was a huge fight, with his mother accusing him of being possessed, suggesting a treatment to "cure" him. Mr. Harrington said it was due to a lack of beatings. Either way, it ended with him bleeding alone in the street.

A few days later, he and Robin managed to return to "steal" some of his belongings back, including documents. Other than that, he lost everything.

Mr. Wheeler didn't even want him to get close to Mike anymore.

For a while, he spends his days between the Hendersons' couch and Robin's bedroom floor, feeling like shit and listening to the music Eddie wrote over and over again.

After that, he sells his cell phone, his laptop, whatever he managed to keep. Robin also sells some of her things and the kids help with this small fundraising, selling cakes and sweets. Even Tommy and Carol seek them out, providing almost 50% of the money. That way, Steve is able to leave with a few months' rent saved.

Wayne also helped, because he knew that Eddie's music was responsible for this. Steve told him never to talk about everything that happened with Eddie, so Wayne kept it a secret.

I think Tommy, Carol and Steve could get back to being friends. Not the same as before, but they have lunch together every few months and they were the ones who helped Steve get a job in a new city.

A few months later, Corroded Coffin is well established, about to release its first album. Robin goes to college and Steve and she move in together.

That's when other people start to find out who Steve is too. It starts with a post on Reddit, people speculating about him, which is the central theme of several songs, although none are as explicit about his identity as the first. His parents receive some hate mail, they make a point of sending it to the Buckleys and Steve finds out. What hurts the most is knowing that his parents never gave him any of his belongings, but they found a way to let him know that people he didn't even know hated him.

He gets some hate messages too, because, although he deleted his old accounts, the new ones are easy to find through the profiles of people who knew him before all this. So, they're probably students from school, people know what Robin's social networks are, finding him.

There isn't much hate coming his way because he's careful to keep to the shadows, and thankfully the speculation about Steve Harrington being responsible for breaking Eddie Munson's heart doesn't go that far, after all, there's nothing to keep fueling those theories.

One of the things that connected Eddie to Steve was music. I like to think of Steve as a musician, like Joe Keery is. If Eddie can pour out his anger through music, he can also pour his heart into it. He writes Unknown/Nth and posts it to an anonymous YouTube account. He sings with an acoustic guitar, without showing his face.

For a while, this feels like closure.

Steve still gets hate mail sometimes, even though he deletes the old accounts and creates new ones. Everyone in Hawkins seems to know about him and Eddie. The kids, who hated Eddie for a while, have reluctantly started to admire him again. Steve reassured them about this, but they all remained bitter about everything that happened.

Steve, for his part, has vacillated between hating Eddie and hating himself. Most of the time, he still feels like he maybe loves Eddie a little bit, as if he’s stuck on that last day they saw each other. Sometimes he blames himself for making the wrong decision. Other times he thinks that if he hadn't stayed in Hawkins, Eddie might never have made it big.

His feelings for Eddie are complicated.

So, about 5 years after the breakup, there's a documentary about the beginning of Corroded Coffin. Something not produced by them. Maybe by a fan? Who goes to Hawkins, talks to people, tells them about Steve, exposes Steve and it goes viral on social media.

His life goes to shit very quickly. Eddie doesn't even notice at first, because CC is on a world tour and they never have free time. Meanwhile, Steve becomes well-known on social media and gets some hate mail.

Things change a bit when someone, seeing old photos of Steve, posts on Reddit that they have a crazy theory: there's a song they've been listening to for years, that's a lost gem in the depths of YouTube and they swear that's Steve Harrington, because the moles match and you can see a Hawkins High jacket in the background. It's a pretty crazy theory, so it doesn't get much attention, but the song gains momentum.

Eddie finds out because, once he learned everything that happened, he started researching everything about Steve, trying to measure how much he ruined his life.

Assuming people find out that the song is really about Eddie, I think he could become the target of hate, almost as much as Steve did, because Unknown/Nth is a powerful song.

That's what I've thought, for now. They get back together in the end because Eddie's actions had terrible consequences, but he never meant to hurt Steve like that and the biggest culprits for everything that happened are his parents. The hate from the fans wasn't that intense until the documentary, so it was hard to notice.

Anyway, they have a long way to go. A talk to clear up their last fight, a lengthy apology from Eddie, reconnecting with the kids, getting back to being friends.

It would be terribly sad and difficult. It definitely wouldn't be a fairy tale, but they could learn to trust each other. Eddie could earn Steve's trust, affection, and friendship, and one day they could be a couple again.

[raven-at-the-writing-desk]

Hopefully this doesn't come off as snarky, but I find it genuinely hilarious that every "big-name" Leona fan that I've seen seems to like him against their will lol. I've always had Leona as my favorite, so it's fun to see the journey other people go through to liking/appreciating him!

Look 💦 I can’t speak for other L*ona likers (regardless of size, honestly; I'm a firm believer that one's level of internet fame isn't a factor in the devotion for a character) but for me—to quote Scar—“my words are a matter of pride.” And by confessing to (ick 🤢) LIKING LION… it’s throwing all that pride out of a window. It seriously does feel like these feelings exist against my will.

I have a summary of my story to explain my relationship with the lion lore 💀 I call it a summary, but it’s still kind of long— It's below the cut for those who are interested!

To begin with, the promotional materials didn’t sell me on him. Everything about how he initially presents—from his arrogance to his “tough/bad boy” design (seriously, that biker-cowboy combo of his dorm uniform is SO ugly and shows way too much skin for my liking…)—was so unappealing to me. He seemed exactly like the kind of character and tropes I tend to dislike. The only “good” thing I saw in him was his face (which, ironically, is what Vil says about him) and maybe his UM chant particularly the line where he demands you kneel before him. Then comes along book 2, which is easily the weakest of the main story and does a HUGE disservice to him, making L*ona seem a lot stupider than he actually is. At that point, I had basically written his entire character off. I claimed to all my Twst friends that there was nothing that would ever make me like him.

Around 2022, I decided to get involved in a round of EBG (Epic Bias Game) which is basically like a test of your will?? You’re supposed to compete with your friends to see who can go for the longest without talking about or acknowledging their oshi (which includes not being able to react to fan works of them). As part of EBG, each participant was randomly assigned a “new oshi” to replace the usual one AND GUESS WHAT, I GOT HANDED L*ONA BY THE WHEEL OF FATE 💀

One of my friends (who knew I hardcore hated him at the time) assured me that this would get me to change my mind. They even went out of their way to write a little story explaining how my OC was forced to spend more time with L*ona, which led me into writing interactions between them to build more of the lore. I managed to outlast the friend in EBG, but didn’t win the entire game. I came out of it not really feeling super different about L*ona, but I think forcing myself to write about him extensively helped me gain a little more perspective on his character. I still didn’t like him, but I at least appreciated his presence in the cast a little more.

AND THEN TWST HAD TO COME AND BASH ME OVER THE HEAD WITH L*ONA CONTENT… All the little vignettes and voice lines where other characters would talk about what a good leader he is (*glares at Epel, Jack, Ruggie, Savanaclaw mobs, etc.*), when he sarcastically claims to be a “delicate prince” or a “lost child”, those moments where he sasses others, times when he’s able to use his charisma and/or intelligence to pull ahead, rare instances when he whips out his royal manners, him respecting women… But I think the turning point for me had to have been book 6 OTL GOOD LORD, BOOK 6 FUCKED ME UP 😭 Him using his UM in a creative way to turn falling glass shards into harmless sand? And strategically turning himself in?? Willingly ceding control of the dorm to Ruggie??? Telling everyone about Styx’s lore???? AND THE BEEF HE HAD WITH JAMIL BUT STILL GIVING HIM WISDOM AND ADVICE… Sometimes I still tear up thinking about how L*ona says “You’re not like me,” to Jamil 😔 implying that part of the reason why L*ona guides others is because he has hope in their futures but not his own… (I’m still salty that EN messed up this line by changing it to “I’m not like you,” which makes him come off as way more arrogant 💦) Anyway, I blame book 6 for being the tipping point in my downward spiral 🌀 IT GOT WORSE IN BOOK 7 WHEN HE STARTED SHOWING HE'S MOTIVATED TO ACTUALLY GRADUATE AND TAKES ON AN INTERNSHIP THAT COULD BENEFIT HIS COUNTRY... Special shoutout to the Club Wear card for being especially hot-- I did my best to hold out against the steady drip of content that called attention to his… positive traits… (Not that I’m saying he doesn’t have any; I mean this in that whenever his strengths as a character are brought up, they really get to me as someone who loves intelligent, mature/responsible types and “big brother” figures OTL) BUT IT'S SO HARD WHEN TWST KEEPS PULLING STUFF LIKE THAT???

Then in 2024 came the stupid Lost in the Book with Nightmare Before Christmas event 💀 which finally introduced us to L*ona in full formal attire (MY WEAKNESS) and gave him the opportunity to be in the role of the "hero" and leader... and those Nightmare Suit vignettes 😭 Leona thinking about what it actually means to be "king"... Ugh, it was another strong showing of his character. I'm pretty sure it was this event that started the snowball of my friends (lovingly) bullying me about him and calling me a tsundere about it. Weirdly enough, a BUNCH of things started happening irl to push L*ona at me too. For example, my pet (who usually actively avoids or attacks Twst stuff) was actually eager to pose for a picture with a L*ona standee. In a group fan merch order, I had asked for the bonus Grim sticker but the artist (who had no idea about my complicated thoughts on L*ona) said they were out of the Grim sticker but they had L*ona stickers they could include instead. Most recently, I had just finished this last-minute artwork of Miss Raven eating pocky by herself to celebrate Pocky Day (11/11). Typically the fan art you'd see on this day would involve two characters playing the "Pocky Game" (in which the players try to eat a stick of pocky from either end; usually it's framed as romantic since meeting in the middle results in a kiss). However, I had chosen to do a solo Miss Raven art because I thought this suited her "I want to be taken seriously!" personality better. Well, guess what? I GOT A PACKAGE DELIVERY NOTIFICATION FOR THE TWST MERCH ORDER... WITH L*ONA IN IT 💀 Almost like he heard there was food meant for sharing and he came to claim it for himself... Like I literally did NOT choose for these things to happen to me, THEY HAPPENED ON THEIR OWN. I DON'T BELIEVE IN PREORDAINED EVENTS BUT THE UNIVERSE SURE IS WORKING IN STRANGE WAYS.

So now that the tables have turned, it’s really embarrassing. Everything is coming back to bite me in the butt… It truly feels like L*ona plotted this all along and was on the prowl, patiently waiting for me to get worn down before he pounces and delivers the final blow to my ego OTL Like, it's gotten to the point where many of my long-time friends in the Twst community are now joking that "It's over" for J word... ONE OF THEM EVEN TOLD ME IT FEELS LIKE I'M GETTING DIVORCED AND L*ONA IS THEIR NEW STEPDAD, HOW AM I SUPPSOED TO FEEL ABOUT HTHAT ??????????? ? ? ????? ? ??? ? ?? ?? ? ???? ?

But by the far the worst, the WORST part about everything here is that if L*ona were fully sentient, he would be so smug about recent developments 😡 It makes me SO mad thinking about how he'd look down on me with that hot smug rage-inducing smirk of his and make fun of me for eating my words so badly.

“What was that you said about hating my guts, herbivore? … Hah, it's written all over your face--you're terrible at hiding your true feelings. You can just give in, you know. Tell me how much you worship me. How much you want me. You'll give in eventually one way or another--so why not make this easier for the both of us and save us the time of playing the wait game? I don't bite, promise." (<- a liar)

(Disclaimer: NOT MY MERCH; this is a L*ona Liker friend’s picture that they’re letting me use as a reaction image 😅)

THIS IS FR MY OVERBLOT ORIGIN STORY…

[maddy-k-reads-all-day]

Thinking about the "Do you Feel Safe Tape"

Honestly we should talk about the different reactions to 'who do you trust' a bit more.

Wooly - Wooly seems surprised that you trust him. I couldn't help but think it's partly because we like seem to like Amanda and Amanda hates him. Also considering Amanda doesn't trust him, he probably hasn't had anyone say they trusted him in a very long time and it was probably shocking. Then Amanda tells us she felt that way a long time ago and Wooly looks sad. I've noticed throughout the game that he seems to get sad whenever Amanda talks about not liking him anymore. He gets immediately sad when Amanda says that you have to think about who you can trust, before she even mentions. I think whatever he did to break her trust, he might actually feel really bad about it. (I can point out other moments he's done this too if you want). But what else is interesting is that Amanda trusted Wooly at some point. She didn't hate him from the start, something happened to change their relationship. I can't help but feel it was "recent" considering the events of the first game. Considering both Amanda and Wooly's reactions to Wooly coming back to life, I'd assume Amanda has never hated Wooly enough before to try killing him. When I say recent, I mean possibly during the years that Kate was watching the tapes and talking with Amanda.

Personally, I think both Amanda and Wooly unintentionally played a part in Kate's death and Hameln finding her. Considering Amanda's reactions to us saying "Hameln" I think they might still be monitoring Amanda and Wooly. I think that by interacting very directly with her (saying her name and stuff) could have helped them discover her identity and put her in danger. Which is not directly related to anything in this post (I mean it could be, but I'd need more evidence). That said, it's possible that him getting in the way of them remembering (once they started to gain back their memories) was exactly why she stopped trusting him. . But I think the important takeaway here is she did trust him at some point, and he feels bad that he broke that trust.

Kate: Amanda trusted Kate, and wishes she could still talk to her. Kate was one of the last people who knew Amanda when she was Rebecca. (well, positive relationships at least) Think about it. Sam is MIA. All the other librarians who knew her are DEAD. Any friends she had in school or whatever are definitely full grown adults if they didn't get trapped in the show (idk, like if they were watching it cuz it was their friends show or whatever). Every person we know who knew Amanda is probably dead now. Kate was the last one. Now that she remembers, she keeps saying she wishes she could still talk to Kate whenever we mention her, and Wooly looks like he feels bad. Now that she remembers who she was. Now that she remembers Rebecca, she wants to talk with Kate, maybe the way they used to. That could be why she's so angry with him. Why she tried to kill him AFTER they found Kate died (in the Wooly's birthday tape) but had only hurt him when they realized Riley was watching the tapes and not Kate (in the original in your neighborhood tape). Wooly might've caused her to miss her chance to talk to one of the few people who knew her as Rebecca. That was recent though, I think she lost trust in him over time as he kept blocking her attempts to reach out to Kate

Sam: She says Sam was trusting too, and that can be a mistake. She sounds so sad here, like she is going to cry. I think this confirms that Amanda doesn't hold any malice towards Sam about what happened. She understands that both of them were tricked. So idk, I guess any theories involving Amanda hating Sam for what happened are debunked now?

Hameln: Saying Hameln immediately makes Amanda stop trusting us. Wooly looks scared of Amanda yelling (as always) but I noticed he also looks kind of angry? Offended? Annoyed? I can't really tell cuz the tape gets really blurry. I've seen people say that Wooly doesn't react to the meatman or Hameln, but I think he does it's just more subtle. I don't know what else to say here, the clip goes by so fast.

Meatman: Again, both of them react to this. Amanda immediately gets pissed. And like, reasonably so. I've heard that the game won't let you progress past this point if you do this apparently, so like... the meatman is serious. Wooly looks shocked and then immediately motions at us not to say that. But like, it's a different surprise then when you answer "Wooly" he seems horrified. Like this is a pretty messed up thing to say. I'm not 100% sure what the meatman's deal is but like... both Amanda and Wooly seem to dislike him in the first and second game. Also is it just me or is it kind of odd that they only dislike the butcher? Like, there are variants of him in all the shops in the first game and Wooly and Amanda don't really seem to mind him, but they both don't like being in the butcher's. When only the meatman's buildings appear, Wooly looks pretty concerned, and then really scared when they enter, and asks her to take them someplace else. Amanda has a full-blown meltdown over not wanting to go in and when we enter she screams at us to let her out. I find this scene interesting because I don't think either of them are in control. Wooly is trying to distract her from Kate's death (or at least that's what I think the "something bad happened" means) by going a bit off-script and controlling the story a little. It doesn't seem like he was the one who messed with the stores. Amanda didn't either. What if this was the meatman? Like... punishing them for going off script by like reminding them of his looming presence or whatever? Idk. That whole scene was WEIRD in hindsight. Even though we never enter the butcher shop in the second game, his presence looms over us the entire time. Almost makes me think he's the real one put in their too keep the kids under control. They are both terrified of him after all and he seems to be connected with the surgeon who trapped them in there. Sorry this got a bit on topic but I think I might be getting somewhere.

But let's move on to the answers for the "what scares you" question.

"Amanda" or "you" - Question, has anyone tried Rebecca? I've only seen the answer compilations use "amanda" or "you". Amanda breaks our heart here by being hurt that after all this time we're still afraid of her. Ouch.

Hameln - Amanda gets terrified and says not to bring them up. I think Hameln is definitely watching these tapes.

Meatman - Wooly finally reacts to something, and bro is freaked out. Idk if it's by the mention of the meatman, Amanda's anger or both. Honestly, I have no idea why her anger spells still freak them out. I guess it is pretty scary, but I feel like he should be used to it at this point. Also she can't kill him, so what is he afraid of? He doesn't seem to be worried about being the one who makes her angry anymore, but he still gets freaked out when we do it? Weird. Anyway, I find it interesting that Amanda has spent the whole first game trying to tell us all about what happened, but she draws the line at the meatman and Hameln. Wooly wasn't there to stop her before, and she still didn't want to discuss it. Honestly, it doesn't feel like she's been as eager to tell us much in this game, despite trusting us. I mean she's told us plenty about Sam and Kate, so I don't think it's that she doesn't trust us. I think she doesn't want to remember things about Hameln or the meatman. She wanted to remember who she was, she wanted to remember Sam, she wanted to remember Kate and she wanted to know what happened to her... but somehow she draws the line here. Then we see the glitches of the surgery room and the mouth. I really do agree with the theories that the meatman is connected with the people who put her and Wooly into the show. That said... why is he there? That's what I don't get. I think I might be cooking with my earlier theory though no?

Wooly - Odd. He doesn't even look hurt, just confused. We can clearly see here that Amanda is not at all afraid of Wooly, so like I don't think he's like a Hameln worker. The meatman absolutely is though. We are not hating on the meatman enough guys. DOWN WITH THAT- Anyway.

Actually the whole point of this post was to talk about what Amanda says about how we were a stranger when we met her. I think this is really important to note. Because Amanda knew Kate long before she was Amanda. Possibly before "Amanda the Adventurer" even came to be. Of course Amanda trusted her. But she didn't know Riley. She tells us that she trusts us. This is HUGE. I mean, considering everything Amanda has been through. She barely knows us. She has EVERY DANG REASON not to trust us. Heck, I think that could be what Wooly means when he says she shouldn't talk to strangers. Because "not talking to strangers" doesn't make sense in this context. The viewer is a stranger, but if they didn't ever interact with the viewer they wouldn't have a show so Wooly's comment makes no sense. And yet, despite everything, she trusts us. Wooly looks kinda sad when she says she trusts us, probably because she trusted him once too, now she won't listen to a thing he says.

Then Joanne (I swear to god I got so mad at her in this scene) calls us and Amanda looks kind of sad when she hears that. Then looks really sad when Joanne says "that thing" I think Joanne was referring to the Wooly monster but Amanda doesn't know that. Then the possum appears and they both get really mad at it (and us for letting it mess with them). It's made very clear that both of them genuinely don't know who this guy is. It's funny because usually Amanda is the one asking us to get rid of him but this time it's Wooly.

And then let's talk about how COORDINATED THESE TWO WERE OMG. All it took was a look and a nod and they were already on the same page. If we don't help them, they manage to beat this guy up all on their own and mind you, not a single word is exchanged of a plan, they just work together. They just do it. And they do it so freaking well. Remember my Hameln theory? About how Hameln doesn't want these two on the same team because you know... two kids who can control demons who have every reason to hate Hameln and then there's THIS. When they get along they work so freaking well together. Could you imagine if they both decided to team up with their demons and beat the crap out of Hameln? Is there even a chance to be stood here? Honestly, I was also thinking, I think Hameln picked whoever Wooly is specifically for his avoidant personality, knowing that these two would clash. But clearly they don't have to.

Oh yeah, then they both get pissed AT US. I don't think we've actually seen Wooly get THIS mad at us. Like there was the time in the storybook tape but like he was not this mad. He's like... Amanda level mad here. Then they pick up the possum and throw him in the trash with still very minimal communication and ALL THE COORDINATION.

Then in the version where we do help, Amanda actually agrees with Wooly's sentiment that some strangers CAN be scary. Then without a word they both pick him up and throw him in the trash. BRO THE COORDINATION BETWEEN THESE TWO WHEN THEY WORK TOGETHER IS INSANE I NEED MORE OF IT ITS SO SMOOTH AND PLEASANT TO WATCH. Then Wooly asks if they can go home and Amanda playfully teases him "What are you scared?" Then he kinda makes this face like "yeah kinda" and she's like "c'mon let's go." she sounds a lot less annoyed with his presence then usual. Like still annoyed but also like she's kinda okay with it?

This deserves it's whole entire own post but like... I feel like gradually their relationship has improved over the course of this game. Like Amanda still doesn't trust him, there's still some rough stuff they need to work through, but she's starting to let him in again. Just a little. She's more okay with him being there. And I think people tend to overlook this when they say Wooly is evil. If Wooly was evil, why are they starting to get along again, (I mean they aren't besties again but like it's definitely a start and you can't ignore that.) Shouldn't Amanda continue to hate his guts? Instead she's actually agreed with him on some things, and they've helped each other out a bit. Like I said this is probably going to get it's own post at some point so I'll leave it here for now.

Holy crap did you actually read all this? OMG thanks. I did not realize I wrote so much WOW. BTW, I was watching those "all answers" videos along with a zero-commentary playthrough of the original so like, I'm not pulling this from memory at all.

[spikeisawesome456]

(I will preface this by saying I'm an after school teacher, so I work with all of elementary school on a daily basis.)

The only inaccurate thing here IMO is kindergarteners. And kinda TK (transitional kindergarten, which is what it's called at the school I work at)/preschool, but it depends on the preschooler.

Kindergarteners are at the age where they are learning who they are, so they start developing personality here. They LOVE joking around and being silly. They're also trusting, so if you tell a kindergartener something, be prepared for them to take it as 100% the truth, ha. They're so friendly and curious about everything, it's honestly really sweet. They can also be so brutal, since they've not learned how to filter themselves yet. I've definitely been left reeling by some comments by kindergarteners, ha. They don't stare blankly, though. They're VERY personable and they WILL let you know about it.

TK students are kinda similar to kinder, but they're more innocent and understand less. And I don't mean that in a bad way. They're still vivacious, but it's clear they're still learning how to interact with other people and they've not quite figured out who they are and what they want, you know? There is a HUGE jump from TK to kinder and I see it every year with my students, it's kinda amazing.

The rest of the descriptions are very accurate, though. I work mostly with the 2nd through 5th graders (though I'm around the younger ones later on in the day), so I get to see their interactions a lot. 2nd graders are still mostly well behaved, I've found. They're more willing to listen and trust that what the teacher says is the gospel truth, though they are starting to become a bit more defiant.

3rd graders, though? They legit don't care, ha. It's a roll of the dice if they'll listen to you or not. 4th grade is similar, though they're more assured of themselves and see themselves as "older" and able to take on more responsibilities.

5th graders, though, are a hassle. They straight up view themselves as mini adults and are SO SASSY. I have a group of 5th graders I've known since they were in 2nd grade and it's so funny seeing them try to argue with me because I'm like "child, I've known you for almost four years. Have I EVER allowed that to happen?" I've also seen them go through most of these stages and it's wild how the sweet and rule abiding 2nd graders have turned into these sassy, "too cool for school" 5th graders, while very clearly being the same child I knew. I'm so going to miss these kids next year, ha.

Anyway, mostly added this since I love kids and I find their development so interesting and funny, ha. Kids are so much more complex than many adults think, which is why I love working with them. It's also why I love being an after school teacher, since I can see all of these different age ranges and see kids migrate through these ranges easier than most teachers or educators. ^-^

just saw another fic that completely misunderstood elementary schoolers. going to make a post as soon as my shift is done

[theitgirlnetwork]

What Are You Willing To Do?

Ch. 2: Date 1 Pt. 1

Note: Thank you so much for the love you all have been showing this story so far! Thank you for reading, and for the kinds messages I have received thus far! I love interacting and seeing your thoughts and comments so keep 'em coming. I want to take this time to remind you that these characters will be flawed. Rafe is....Rafe, but we love him anyway. And Milan is...someone who is compatible with Rafe. They won't always be the depiction of a healthy relationship, but this is fiction and fun. This chapter isn't too bad, but those who have read the snippet know how it's gonna get. Once again, I have songs for this ship so if anyone is interested in them let me know, and feel free to share some with me if you catch a vibe. Finally, let me know if you have any questions or comments. Other than that, I hope you enjoy. This one is a lot shorter than chapter 1, but it is a 2 parter, so don't hate me. Love ya! <3333

“Wait.”

Rafe pauses, loosening his grip on Milan’s hair and pulling back slightly, irritated that she’d stopped him just as their lips brushed and she breathed the smoke he’d just poured into her mouth between them. “What? What’s up?”

“I don’t,” She sighs, her cool breath on his face, eyes still shut as if she’s forcing herself to pause this moment between them. “I don’t just hook up with guys, you know? Maybe we could…I dunno.”

Oh. Oh. Rafe understands. He’d…he’d forgotten himself for a moment. This isn’t some touron stumbling onto the couch next to him, throwing herself at him. She wasn’t one of those gold digging bitches that tries to fuck  him with faulty condoms in the bottom of her purse. She’s the kind of girl who has her own shit. She doesn’t need him for a come up. Or at least she doesn’t think she does. 

He arrogantly thinks to himself that Milan hasn’t met a man like Rafe Cameron. He’s spent most of his life preparing, becoming the type of man that can run his family, keep them safe and comfortable. The type of son fathers are proud to have and the type of man women want to give a baby. That’s the man who he’s made himself be. 

Rafe had been so focused, only allotting himself time for a little bit of fun once in a while, he’d forgotten that one day he might stumble across a girl that had the potential to be a woman. His woman. 

He nods slowly, a small smile forming on his face as he pulls back more, releasing her head completely and smoothing his hand back onto her knee. “Nah, I get it. We should get to know each other a little better. How ‘bout you spend the day with me tomorrow?”

Milan perches herself up at that, back straightening even more as her face lights up. “Really? You wanna spend the day with me?”

Rafe rests his head back on the top of the couch, sweeping his thumb on her bottom lip before biting his own and nodding. “Yeah, I wanna show you a good time. Get you a little more comfortable with me so I can kiss those pretty lips of yours.”

Both sets.

“Okay, wait, I’m excited. You’re gonna be my first friend here.”

“Friend?” Rafe scoffs. “‘M’not gonna be your friend, Princess.”

“Well,” Milan shrugs, “Like, I don’t know what I could call you, you’re not my man-”

“Yet. Not your man yet.” He and the woman next to him share twin smiles and Rafe only becomes more invigorated by Milan’s eyeroll and shy grin. “Roll your eyes if you want to, I’m a determined guy.” 

“Determined?”

“Yeah, like I know what I like, I work for what I want, so-”

���So what?” Milan giggles, “You…you want me? I should get ready or something?”

“Yeah.” Rafe says flippantly, as if he wasn’t essentially making a threat of courtship to a girl he’d just met like 12 hours before. He wasn’t quite sure what he’d fully wanted from her yet. But the need to have her was nagging at him. Maybe it was lust. She was hot, forbidden fruit for him. He could hear the curses Ward would spit at him now if he fucked around and ruined things with this girl, made an enemy of her dad. Maybe it was how sweet she seems. He’s always liked shiny, new things. When he was a kid, he had to have stuff before his friends did. Toys. Shoes. Stocks. Maybe he’s graduated to feeling that way about women. 

Something about how he doesn’t want to look away. Something about the way she was smiling at him, how he’s talked to her the most, how in a room full of guys drooling over her, those big pretty eyes were locked on him. Rafe felt like he had to look into this weird feeling she’s been stirring in his chest since he’d seen her. 

It’s what’s best for Milan anyway. None of the rest of these limp dick motherfuckers should have her. They’re not real men. Not like Rafe.

Milan hums as she removes the golden under eye patches from under her eyes, massaging in the serum they leave atop of her skin. Grimacing at a gust of damp wind from outside she pads against the marble floor of her bathroom and pushes the double doors leading to the patio attached closed. “Stupid, island humidity.” She pouts as she combs through her bob again, praying for no puffiness today.

The sky fights to brighten in the early morning. It’s 5:00 a.m. and Rafe Cameron was going to be picking her up in 30 minutes. 

After the party last night Sarah had run over to her on the front lawn, hugging her tightly before declaring she was going home with John B. and offering for Milan to come with them. When she declines with a smile, the blonde fixes her brother with a glare, to which he’d returned with a middle finger, and stumbled off in her man’s arms. 

Rafe drove Milan back to her house and parked them out front, eyes carefully rotating between staring at Milan sitting pretty in his passenger seat, and watching for a sign of her father at the door. He let her toy with his fingers as she fluttered her lashes at him and he described what he does throughout the day, Or, rather, what they’d be doing today.

When he’d mentioned picking her up after the gym Milan had jumped at the opportunity to go with him. She loved going to the gym every morning before she’d moved and she was happy to keep it going. And it wouldn’t hurt to see Rafe work out. 

It was all she could think about. It’s not just his height. Even though he’s so…so tall. At least 6’2. Rafe is big. Muscle. Strength. Yesterday he’d basically hoisted her full weight into his truck with one arm. The preppy boy polo that he’d thrown on for their families hadn’t hidden anything and his tight crew neck that he wore to the party basically outlined everything for her. 

She quite literally wanted him to throw her around like a ragdoll. Or let her climb him like a tree. Whatever, Rafe is hot. 

He has an intense vibe, seemingly takes himself very seriously. But, Milan figures she could relax him. Loosen him up a little bit. 

They were gonna have so much fun. Smiling at her own reflection in the mirror, Milan spritzes vanilla Sol de Janeiro and all but fucking skips down the steps and to the kitchen.

“Good morning, Miss Milan, you’re awake early. I just started prepping for breakfast, but I could make you a coffee while you wait.” The private chef that her parents had hired a couple years ago had made the move with them. They’d paid for her to come with them to Outer Banks and offered to increase her salary because…well…it wasn’t their nice home in Quebec that she was used to. 

“No, thank you, Miss Ally.” Milan reaches over, stealing a newly washed strawberry and biting into it. “And my parents aren’t awake, right?”

“Of course not. You know your mother won’t roll out of bed until she smells the food cooking and your dad won’t come until I’ve had to warm it up twice. Why? Are you alright, honey?”

The younger woman nods, tossing the green stem into the trash and reaching for two travel cups. “Can you keep a secret? I have, like, a date today.” 

“Like a date?”

“Yeah, with a guy. He’s really cute, and sweet. So,” Milan begins sifting matcha, smiling down at the cup and resting her cheek on her shoulder. “‘M’gonna hang out with him today.”

“Less than 48 hours and there’s a boy, huh? Atta girl.” Miss Ally passes Milan the vanilla protein powder. “You’ve been worried about the move, thinking it was a bad idea, and here you are making friends.”

“Mhm, hot ones. With blue eyes and dimples.”

“And where,” Ally nudges Milan out of the way as she pours the hot water into the travel mug, “am I supposed to tell your parents you are when you’re out with Mr. Blue Eyes and Dimples?” 

“Touring the island.” She chirps. 

“With who?”

“Just like…generally. They should be cool with it honestly, I just know they’re gonna make it weird, but like, he’s the son of Dad’s first friend here so he shouldn’t be mad. How come he gets a boyfriend and I don’t?”

“Oh, just say that to your parents, I’m sure they’ll go for it then.” Ally snorts, whisking the eggs as Milan seals the travel mugs, laughing to herself as the girl slides both of the pink cups to the end of the counter next to her gym bag.

When Rafe pulls up outside of the Cabot house, he texts Milan before hopping out of his truck and jogging up the cobblestone. He agreed not to ring the doorbell because her parents were awake but he’d be damned if he didn’t pick her up at the door. 

As he stands on at the doorstep he adjusts the hat he has rested on his head and rocks on his feet impatiently. He isn’t waiting long. The door swings open and he’s immediately hit with the sweet smell of vanilla and soon after is met with the walking wet dream carrying the scent. 

“Good morning!” Milan grins, tossing her arms around his neck, bouncing up into his arms. Rafe isn’t fucking stupid, he’s quick to catch her around the waist and squeeze, relishing in the feeling of her pressed against him. 

“Morning, princess.” he murmurs into her hair, squeezing her again for good measure before placing her back on her feet.  “You, uh, you always go to the gym in shit like that?”

“Shit like what? Stop.” she laughs as he snaps the elastic of her leggings. 

“You just look good. That’s all I’m sayin’.” He chews the gum in his mouth and nudges her chin with his knuckle, mumbling, “Watch your mouth.”

“Yeah? Thank you.” she grins, looking away from him briefly. “I made…I made you something, like a gym drink or whatever.

“That’s cute sweetheart, what do you like me or somethin’?” Rafe snorts, choosing to ignore the fact that the travel mug she was pushing into his hands was bubble gum pink. He holds his hand out to her, not even looking back as he starts guiding her over to his truck. When he hears a little shuffle from her he looks back and glances down at her feet. “What the fuck, your shoes aren’t tied.”

“Okay, one of them untied when I was making you this delicious protein shake and I didn’t wanna make you wait-” 

“Christ.” Rafe grunts, unlocking his car and wrenching the door open, planting his hands on Milan’s waist and hoisting her into the seat easily. He tugs her foot onto his lap and begins tying the lace of her sneaker tightly. “Gonna break your fuckin’ neck.”

“I wasn’t gonna fall, Rafe-”

“You literally were letting me drag you down those steps.” When he’s done Rafe lifts her leg into the car, closing the door and walking around the driver’s side and climbing in. After he clicks his seatbelt on, he pauses and frowns when he sees Milan’s pout staring forward at the road. He puffs out a breath. “What? What’s wrong?”

“You haven’t said ‘thank you’. For your drink.” 

“Wh-are you serious?”

“Yes. You seriously haven’t said ‘thank you.’” 

“Uh…” Rafe’s brows furrow as he observes the girl. Arms crossed, dramatic frown on her pretty, glossed lips, knees pointed away from him. “Th-thank you.”

“You’re welcome!” she immediately warms up, clicking her own seatbelt on and taking a sip of her drink, moving back to the middle of her seat. As Rafe tries to sort through what quick, guerilla warfare he’d just experienced, he starts driving the car. 

So that’s her game. She’s cute and pretty and pouts like a fuckin’ brat when she doesn’t feel like she’s getting what she wants. Or someone is saying something she doesn’t wanna hear. All she’s showing me is that I’m exactly what she needs.

“M’just sayin’ like your shirt’s a little slutty. Like it’s tight, I can see your nipples and everything.”

“Don’t say shit like that, what the fuck?” 

“It’s like tight and stuff, like it’s a little bit of a hoochie shirt.” 

“Hoo-hoochie shirt. Fuckin’ brat.” Rafe shakes his head. In the time it’s taken to drive to the gym and for Rafe to put his card down to get Milan a temporary membership, she’d clearly been trying to test him. She was pushing boundaries to see what he would and wouldn’t accept. And he would try to be patient. But the jokes weren’t gonna be as funny when he was using her mouth for what he really wanted to use it for. Not now. He had to wait. To humor her. She was cute. He’d give her that. Maybe he needed to be cute back. “Don’t work out in the damn shirt anyway,” 

Milan’s eyes widen as she stares up at Rafe from where she’s stretching on the floor. She bites her lip and shifts her gaze to herself in the mirror as he easily tugs the tight shirt off of his chiseled muscles, tossing it into his gym bag next to her. 

Jesus. She bites her lip, berating herself inwardly as she glances at the tanned skin he was now baring for the world to see, six pack on display as he starts doing some standing stretches. “Here, sweetheart.” Rafe crouches next to her, pushing one of his airpods into her ear. “You, uh, didn’t have headphones, so you can just listen to my shit.”

“Can we make a spotify jam?”

“What?”

“So, I can add songs too, can we make a jam? And we’d be listening to the same thing, at the same time, you know?”

“I mean, yeah, sure why the fuck not? You’re not gonna add any corny shit are you? M’trustin’ you with my workout. Like that’s pretty fuckin’ special.”

“Oh my God, Rafe, I’m…I’m sure we have basically the same taste in music.”

Rafe and Milan are at war for essentially their whole warm up. They agree to separate for cardio and then meet back up for them both to try some of each other’s usual workouts. With the shared music blasting in their ears, they both still felt like they were hanging out for the 40 minutes that they are apart. Rafe spent half of his run on the treadmill listening to Beyoncé and Sabrina Carpenter’s discographies while Milan genuinely flinched on the stairmaster with Travis Scott and 50 Cent pounding against her ear drums. Both of them looking at each other with sick satisfaction when it was their turn to pick a song, making a game out of picking something they thought would irritate the other more. 

Rafe had finally had enough and started skipping Milan’s picks when the High School Musical Soundtrack started playing, eventually coming to pluck her off of her machine to start doing weights as Troy began singing about wanting his own dream. 

By now they’d both finished their protein shakes and felt like they had a lot of energy. Well, at least they both did. Until Rafe started making Milan do his workouts.

She was both turned on and enraged as he demonstrates different forms of weightlifting, chuckling at her deeply as she struggles to do another set. “Mmkay, okay, that’s enough, I’m done with that.”

“Nah, you didn’t even finish that one, c’mon let’s go.”

“Rafe, no” she whines getting off of the bench. Milan immediately gasps as Rafe fists the fabric at the front of her leggings, lifting her off of her feet and physically placing her back onto the equipment. 

Slapping her thigh, he offers her a no-nonsense look that lets her know that she isn’t getting up until she completes this workout to his satisfaction. “Baby, let’s go, stop fuckin’ around.”

Shit. Yes sir. “I want…breakfast food after this. Like, waffles, and butter and stuff.”

“'Let me come to the gym with you, Rafe. I wanna where my cute little outfit and not workout.'”

“Asshole.”

“Watch your mouth.”

“Wait…until we start doing my pilates workout. All those muscles will mean…nothing.”

“Yeah, you like ‘em?” He smirks, grabbing the weight to ease it down against her before helping her off. “That your excuse? Can’t focus?”

“Stop…being mean, worst date ever.” She whines, leaning her head against his chest. 

Rafe pats Milan’s ass twice before nudging her into the direction of the next machine. "Best fuckin' date of your life, brat."

“Are you gonna keep staring at my butt or are you gonna try again?” Milan calls over to Rafe. 

“My body is not built for that girly shit. You keep goin’ though.” He says. Milan rolls her eyes and continues on the machine, pausing when she sees the reflection of a camera flash in the mirror. “Damn, flash was on.”

“Rafe!”

“You look good, baby. I thought you’d like me to be all sentimental and shit, capture our first date.”

“Oh my God. You’re like, not even working out at this point.”

He shrugs, tilting his head to get a better view of her. “You’re the one who got an attitude when that girl asked me to spot her and made us change floors.

“She saw you with me.” Milan hisses through her teeth, pausing her movements. “She was trying to be funny.” 

“Think so?” Rafe scoffs, squirting water into his mouth from the bottle he’d kept in his bag. 

“Yeah, but if you liked the attention you could go back down.”

Rafe wets his bottom lip at that. Being at the gym with Milan has been fun. Turns out, he likes talking to her, which is more than what he could say for the majority of the population. She’s sexy, and doesn’t mind him being handsy. She seemed to all but expect him to pat her ass in encouragement after she finishes anything. She likes for him to teach her, guide her movements, place her on and off of machines. She likes to whine and have him sort her out. And she’s possessive. Jealous. Normally the concept of having someone police him sounds emasculating and unacceptable to Rafe. But watching her pretty little face turn into a scowl as she watched girls check him out or come up to him like they always did in the gym? It turned him on bad. 

She matched his crazy. It didn’t matter that it was their first date, the same way Rafe’s lip curled in disgust as he caught the fuckheads wandering the gym eyeing her before he stepped in their line of vision, Milan would physically place herself in front of his view, guiding his eyes to her and away from any girl delusional enough to think they were as bad as her.

But her mouth when she’s frustrated. That was something Rafe was gonna have to work on. Lucky for the both of them, a stern warning seemed to be enough for now. Rafe stalks over to where she’s sitting, stepping on the machine behind her and wrapping his hand loosely around her neck, pushing the back of her head to rest on the front of his stomach. Milan looks up at him through her lashes, as he pushes his thumb into her cheek, encouraging her to open her mouth and squirting a little water in from his water bottle. He fixes her with a disapproving look. “Chill out. I’m here, aren’t I?”

“Yeah.”

“I followed you up here, right?”

“Yeah.” she says softly, leaning into his hand.

“Alright then. Let’s not worry about the wrong things.”

After 3 hours at the gym the two of them hit the showers, separately despite both of their hesitation to separate again. They walk out of the building in different clothes and Rafe’s arm strewn over Milan’s shoulder, holding her hand where it came up to meet his own. He has to hide his smirk when he catches her making eye contact with the girl who’d asked Rafe to spot her as they walked out, a bright smile on her face. 

He was starting to like this pretty little thing more and more. Rafe lifts her back into the car, this time buckling her seatbelt for her before getting into the driver’s side. He finds that Milan can talk…a lot. She has jumped from topic to topic in the 15 minute drive more than Rafe thinks he can in 2 hours. He’s surprised to find he doesn’t find her annoying. Rafe finds his cheeks dimpling as he listens to her yap about her favorite tv shows, a movie she wants him to watch, her plans for her next nails set and thinking about getting highlights in her hair.

All the while she rubs his bicep, leaning into him as he holds her thigh in his large hand. He offers her small mumbles of acknowledgement to let her know he’s still listening. ‘Hm.’ ‘Yeah?’ ‘Sound’s good, baby.’ 

“You’re not listening to me.” she sighs, looking out the window as they pull into the restaurant. “M’talkin’ too much.”

“Nah, I like that shit. I’d let you know if I’d had enough.” Rafe places his hand on the back of her headrest as he backs into the spot. “But, uh, my head’s always movin’ right? I’m thinkin’ while I listen.”

Milan watches as he shifts gears and places his truck in the middle of two spots, declaring under his breath he doesn’t want anyone ‘fuckin’ up his truck’ to justify taking up two spots. “So…okay. What’re you, like, thinking about? While you’re listening to me.”

“Uh, honestly?” He asks. Intense blue eyes rest on soft brown ones. Milan just nods, turning more toward him. “How fuckin’ hot you are. Pretty fuckin’ distracting.”

“Oh.” She says.

“Yeah. Oh. Does that throw you off or something, like, oh is a weird response-”

“No, I was just saying oh, like-”

“Okay, because, I’m being pretty fuckin’ clear and you’re-”

Milan unclips her seatbelt quickly. Before Rafe can blink her soft lips are pressed against his and before he can kiss her back she’s back in her seat, pulling down the mirror and fumbling in her purse for her lipgloss. “I wasn’t supposed to kiss you until our first date was over. I can’t believe I did that. Oh my God.” Rafe chuckles lowly as she fumbles in her purse, dropping it and spilling its contents all over her lap and the floor of the car. “Oh my God.”

“Did you, uh,” He pauses, trying not to openly bark out a laugh at her, scratching his head. “Did you only bring lip gloss and perfume? Like, no wallet. At all.”

“Okay…” Milan starts slowly, “I understand that looks bad, and like, people believe in that 50-50 stuff now, and so I shouldn’t-”

“Baby, the fuck do I look like? I wouldn’t be taking you out if I couldn’t afford to, I’m not a fuckin’ pogue.”

“A what?”

“Don’t worry about it. And don’t worry about that fuckin’ peck, that wasn’t a real kiss.” It shocks her how easy it is for Rafe to scoot his chair back and pull her into his lap. “This is the shit you should worry about.”

Rafe Cameron pulls Milan Cabot into the nastiest kiss that either of them had ever fantasized about, let alone experienced. He holds her jaw, working his own open as he pushes his tongue into her mouth, swallowing her whimpers and humming against her. He separates their mouths briefly to kiss down her neck only to drag back up to her lips, chuckling darkly when she sucks his bottom lip into her mouth, gripping her thigh with his free hand as he drools into her open mouth. 

When he pulls away for the final time he rests his head back on the headrest, pushing his thumb into her mouth and releasing a breath as he watches her obediently suck on it. 

By the time they step out of the car to head into the nice breakfast restaurant he’d brought her to, Rafe had willed his…friend to go down, and they had undone the damage he’d done to Milan’s makeup and hair. As he guided her in by the waist, tugging down the hem of her pretty little dress to cover the ass he’d just been gripping he felt a feeling of superiority. The woman next to him was relying on him and him alone to lead her around. All the loser fuckers they passed on the way to their table could stare all they wanted. They could take a mental picture and store it away in their sick little spank banks for later until they came to the realization they’d never get a girl like Milan and finally blew their fucking brains out. But she was here with Rafe. And that’s how he expected it to be from here on out.

He’d decided. She was gonna be his.

[everythingiloveblog]

I have so many things to complain about in ep10, that I have a hard time organizing my thoughts

Other than that, some things have been bothering me about Jack as a character, or rather the choices made for his character. Because they are definitely making some interesting (derogatory) choices with Jack’s character.

I love Jack, he is (was?) the character I’m interested in the most, but I’m starting to think that I will never get the depth(?) I thought I would get from him.

I was definitely on his side during ep7-8, defending him while people had a hard time understanding his point of view, or putting themselves in his shoes. But since ep10, like I said , some things have been bothering me.

One of them is that I noticed that Jack barely has any emotional bond with the characters in the show.

The show did it well with Joke though.

Joke & Grandma: they had so many emotional scenes of talking to each other & supporting each other & doing things for each other that I feel like, at this point, people care more about the bond between Joke & Grandma, than Jack & his own Grandma (or even Joke & Jack)

Joke & Hoy: Hoy has been on Joke’s side since episode 2 if I remember well, always feeling bad for him, understanding that if a rich kid like him is not going back home, there must be a reason, teaching him to drive, asking him his type, etc. And even in this last episode, he was comforting him at the hospital

Joke & Tattoo: Tattoo couldn’t care less about him at first, since he doesn’t like rich people and like, he doesn’t know him anyway. So he betrayed him twice, with barely any remorse, and if his mother had been on his side, he would have been gone with the necklace. But things didn’t go his way and Joke decided to forgive him TWICE, which led to Tattoo being thankful & remorseful. Since then, an emotional bond has been formed

Joke & Arun: well, they started as enemies (with the first group heist of the show), now they are in good terms. Not much going on between them but at the very least, Arun is now part of the 4 Little Pigs, so they are spending time together, getting drunk together & they did that heist together as well

Joke & Toi Ting : they don’t have that many scenes together, but I feel like they always give the big emotional speeches to Toi Ting to Joke (first in ep6 when she cried because she got bullied for being uneducated, and in ep10 twice after her dad left & when Joke was going to leave)

Joke & his father and brother : whether we like it or not, they clearly developed a story of love & forgiveness, etc (I don’t have much to say about this storyline as I don’t like it, but I understand that it’s a cultural thing, as most of the Thai bl I’ve watched did the same thing)

Even Boss & Nang had some interesting conversations with Joke in the show.

Now let’s look at Jack...well, I feel like everything is superficial

Jack & Save: who are they even to each other? They talked like 3 times, and it was nothing very noteworthy. He’s like this random lil bro that he’s close to, and we don’t know why, how or when they got close. So the betrayal feels a bit off, and the reveal was also underwhelming (to me at least)

Jack & Hope: once again, why the beef? No explanation. A few antagonistic interactions at the beginning, then nothing.

Jack & his grandma: we had some scenes, and of course they love and care about each other, but weirdly enough, their emotional bond feel weaker than the one she has with Joke...idk

Jack & Hoy & Tattoo: he was their debt collector, helping them because they couldn’t pay...and that’s it. He’s like the nice neighbourhood big bro. They like him, they respect him. But we don’t see much of it. They barely hang out with Jack. And when they do, Joke is always here. They are giving more Joke’s friends hanging out with Joke’s boyfriend tbh

Jack & Toi Ting: We know that she likes him, she was his eyes in the neighbourhood when he was working, I liked that scene with Jack, Toi Ting and her dad. But again very superficial. Like I said, the big emotional moments with Toi Ting are given to Joke and Jack is on the side so...

Jack & Arun: nothing to say I fear

Jack & Nang : does Jack even know that she exists? Oh yeah, she was at the table during his birthday dinner at Rosé's...does he know who she is?

Jack & Boss: probably one of his most developped relationship...and it’s an abusive one. Like I said in a previous post, Jack got emotionally manipulated by Boss during the 5 years he worked for him, and then ended up being verbally, physically and mentally abused by him, while being used as a pawn to Boss’s quest for power (after almost killing his grandma). All those scenes of Jack closing his fist while talking to Boss better not be for nothing

Jack & Rosé: Well, she liked him, he didn’t, he worked for her while being a potential spouse (forced by Boss). He ended up telling her that he didn’t like her but said they could remain friends...where was that friendship though. Nothing they shared was genuine though...so like idek (I wish there was an actual friendship formed between them actually but oh well)

Jack & his parents: Very surprised about the fact that he NEVER talks about them, ever. I actually thought that Oh (Jennie’s character) dying the same way as his parents would trigger him or something, but no. He thought about them briefly in ep4 (after Joke fixed his little bookshelf corner) but Grandma was the one bringing them up, saying that she misses them.

So...yeah. It’s disappointing really. I feel like there was so much more that could have been done with Jack’s character

And it also might be one of the reasons why it’s easier for the viewers to connect with Joke than with Jack

[presidenthades]

Can you please give your headcanons on the Alicent & Daemon marriage. It'd be NUTS. We know what Daemon does to a wife with brown hair brown eyes no matter how pretty she is 👀

Also how would TargBros™️ turn out in that family in your opinion? (Aemond would be such a daddy's girl lol) Sadly Daemon doesn't interact with his children at all on the show and Baela even said sometimes she hates him. What would Daemon do with a neurodivergent daughter (Helaena)? Would he dismiss her or would he realise she has dragon dreams?

I believe Daemon is snobby about being Valyrian, and he prefers a Valyrian wife. He also simply does not like Rhea as a person. From what little we saw of Rhea, she’s very headstrong. But so are Laena and Rhaenyra, whom Daemon does like.

The difference with Rhea is that she’s brutally upfront about not liking Daemon, and she verbally cuts him where she thinks it hurts. Meanwhile, Laena and Rhaenyra actually like Daemon, and their headstrong qualities are more akin to flirtatious sassiness than Rhea’s blatant dislike. So Daemon has a certain degree of attitude he will accept from his wife/the women in his life, but he won’t tolerate someone who’s just mean to him (which is fair, although he gives as good as he gets).

I also think Rhea being non-Valyrian AND headstrong is even worse in Daemon’s book. He could justify Laena and Rhaenyra with “they’re Valyrian ladies of the noblest birth, they deserve to be prideful.” But Rhea is of First Men blood and proud of it, without any drop of Valyrian blood. I think Daemon would like (or at least tolerate) her more if she were meeker.

That’s all setup to explain why I think Daemon/Alicent’s marriage could actually work. They wouldn’t love each other, but they could have children, share a household, and fulfill various spousal duties without killing each other.

Alicent is of First Men and Andal blood (some readers theorize the Hightowers also have Valyrian blood due to Oldtown possibly being a Valyrian outpost, but I’m going to ignore that theory in this post). That counts against her in Daemon’s book. However, Alicent as a young girl has a very different personality from Rhea (and Laena and Rhaenyra). She’s demure, courteous, and obedient. She is willing to adapt to her husband’s expectations and tastes, as we can see from how Alicent dresses in Targ colors before the Green Dress scene.

She isn’t whom Daemon would choose, but if he had to marry her, I think he would learn to be content with his marriage. He has a wife who listens to him, takes care of household stuff he isn’t interested in, and publicly presents a united front with him/his house. Although she is the daughter of his hated rival, this might eventually become a positive for him, because he can gloat about bedding Otto’s daughter on the regular. 💀

On Alicent’s side, she seems genuinely pleased when Daemon asks for her favor in S1E1. I think she shares many young ladies’ view of Daemon as a dashing (and roguish) knight. That, plus the fact he’s a Targaryen prince, makes him an excellent marriage prospect for her—on paper at least.

In private, Alicent would probably disagree with a lot of Daemon’s actions/decisions. If she tries to talk with him about it, she would have even less success than with Viserys. She may feel like Daemon looks down on her too much, whereas Viserys at least appears to consider her input (sometimes) when she offers it.

The marriage would almost certainly cause friction between Alicent and Rhaenyra, especially if Daemon continues to push boundaries with Rhaenyra. That’s probably the riskiest part about the marriage. Alicent grew up in a society where highborn women ignore their husbands’ dalliances, but it’s hard when the potential dalliance is her best friend/husband’s niece.

In general, it’s a bad idea to count on kids to save a marriage, but I think it would help Daemon/Alicent. Daemon would be thrilled with four kids—three of them sons—who look extremely Valyrian. Alicent in this AU can focus more on her immediate household and children, without also worrying about duties as queen. She also isn’t stressed about Aegon becoming king, because her children being Daemon’s are definitely behind Rhaenyra according to standard Westerosi succession norms. Also, with Daemon as the father, she isn’t worried about Daemon murking them on Rhaenyra’s behalf.

With Westeros being a deeply gendered society, Daemon would be much closer to his sons than with daughters. He’d be more hands-on than Viserys, and he would personally teach them sword-fighting and dragon riding.

Aegon greatly benefits from an attentive father, a less paranoid mother, and less uncertainty over his heir status (or lack thereof). He probably goes on a lot of Flea Bottom trips with Daemon, but Daemon, who wants his sons to reflect well on him, can make sure Aegon doesn’t go too crazy.

Aemond is probably the favorite child. As the second son of a second son, he bonds with Daemon over that. Lots of father-son bonding in the training yard. I could see Daemon telling Aemond he’ll get Dark Sister one day, but he has to earn the sword first.

Daeron probably keeps the same dynamic with Daemon as in the Handbook. Way too chipper for Daemon’s preference, but Daeron is the baby so Daemon puts up with it. Daeron is definitely not being sent to Oldtown.

It’s normal for daughters’ education to be presided over primarily by their mother, so Helaena ends up being the least close to Daemon. I think he does like having one girl, just to break up the boy litter a bit. He probably has a similar relationship with her as with Rhaena. Distant, no idea how to bond, just leaves her with his wife. Maybe throws her a bug-themed present once in a while. I don’t think Daemon would figure out the dragon dreams on his own, because it he doesn’t believe in such things/disdains them.

[diangelodork]

OKAY HERE IT IS FOLKS!!! - thank you to @chaotically-gay and @paraphwrites for giving me permission to quote them :3

(i couldn’t figure out how to get the actual word doc in here without doxxing my email and real name so sorry for the shit formatting lmao 🧍- also let’s hope my prof doesn’t decide to look through my page and figure out who wrote this 😟😟)

also, the end is a bit EUGH bc i was nearing the deadline so pls pls don’t judge me too harshly 😬

also also, it was meant to be 2-3 pages… it’s 5 🧍 LMAO DONT ASK ME TO WRITE ABT MY POOKIES IF YOU DONT EXPECT THIS LEVEL OF COMMITMENT 😭😭

Sociological Concepts as They Relate to Netflix’s “Dead Boy Detectives”

Netflix and Steve Yockey’s Dead Boy Detectives is a TV show that effectively addresses several different sociological concepts such as sexuality and gender, race and ethnicity, and deviance, in a very refreshing and enlightening way. This program was released for streaming on April 25th, 2024, and its popularity skyrocketed among adolescents and young adults in particular, as it follows two boys who are eternally 16, living their afterlives as phantasmic detectives with a strong and diverse supporting cast. One of these protagonists, Edwin Payne (played by George Rexstrew), was alive in the mid-1910s whereas the other, Charles Rowland (played by Jayden Revri), lived in the late 1980s, yet they navigate the modern world as they interact with people from the current times, such as the primary supporting cast, Crystal Palace (played by Kassius Nelson), and Niko Sasaki (played by Yuyu Kitamura). 

This show not only has a supernatural aspect to it, but it details stories of love, loss, and goodness despite the bad that must be faced. These themes hold significant relevance to the current times as we actively witness human rights lying up for debate. This show helps to teach people to remain kind in spite of the evils of the world.

One such example of the use of sociological concepts is the majority of well-represented queer characters. Many fans have reported feeling a sense of accuracy in the queer representation within this show far surpassing that of other queer content in media, as Tumblr user @diangelodork states, “this show exemplifies queerness through a queer light, and it’s very clear who the intended audience is for dbda” (dbda being a shortened form of Dead Boy Detectives commonly used by fans). Another user, @chaotically-gay, added to the sentiment within the same thread, writing, “i don’t really know how to explain it, but it’s like hs and rwrb have QUEER characters, while dbda has queer CHARACTERS,” when discussing this sense of representation in comparison to shows in the same vein of queer stories (hs standing for Netflix’s Heartstopper, and rwrb referencing Amazon Prime’s Red, White and Royal Blue, being a rather popular queer show and movie, respectively). It is very evident that the fanbase feels strongly about the importance of this show. It represents several different queer relationships, attractions, and identities whilst also never labeling a single one. One of the primary protagonists, Edwin Payne, has several different love interests, all of them being men, and he very clearly struggles with the implications of that, having been born in a time that oppressed him so heavily that his cause of death was, undoubtedly, his queer identity. Edwin was sacrificed to a demon for his lack of conformity and is even called an offensive term from the time period whilst being sacrificed, even though his queer identity is not given an explicit label. The Cat King (Lukas Gage) is another character that effectively plays with both his sexuality and gender presentation, acting as a symbol of desire within the show and wearing a skirt in nearly every scene he appears in. It is important to note that we see him acting as a symbol of lust and desire for Edwin, despite also having a romantic subtext with the female antagonist Esther Finch (Jenn Lyon). The difference here, once again, is the way that the show never forces stereotypes or conformity onto these characters, providing a more genuine and honest feel to the queerness exhibited within this show. 

It also has a rather large focus on feminism, with a significant portion of the characters being strong and willful women who have explicit motivations that drive their characters rather than being considered flat supporting characters to the protagonists. There are several subplots that follow themes of female justice, power, and vengeance, especially within the character of Crystal Palace. In one episode of this show, episode 6, “The Case of the Creeping Forest,” Crystal enlists the help of all of the women in her bloodline, tapping into the feminine and mystical powers of all those women she descends from. Furthermore, the primary antagonist, Esther’s power, comes from a deal she made with a Goddess of wronged women to take vengeance upon those who harmed her in her past, harming young girls in her desire to maintain her power. She is then defeated in the name of justice for the young girls she took advantage of, which tells us that the focus on feminism is prevalent in both the motivation for the antagonist as well as in the protagonists and their eventual success.

Another sociological concept addressed within this show is the implications and mistreatment of individuals based on their race and ethnicity. One of the most prevalent characters, Charles Rowland, died because of his decision to stand up for a person who was part of a racial minority group. He saw a boy of Pakistani heritage being berated and physically assaulted and stepped in, the bullies redirecting their abuse onto him. He eventually died from his injuries. He himself states that it “Just didn’t seem right. Letting that kid get beat on ‘cause he’s from Pakistan. I mean, I’m half-Indian. Why am I so different?” To which Edwin replies that this is “…a fair point. They were the same country back when [he] was alive.” In this exchange, we see the boys break down the barriers of ethnicity and showcase how unimportant a thing like ethnicity is in relation to a person’s character when it can change in a matter of decades. Despite their generational gap, they can still connect and understand the lack of importance of their backgrounds. Furthermore, of the main four characters that we see, Niko, Crystal, Charles, and Edwin, only one of these is a Caucasian person; although, like how they treat the sexual and gender identities of the characters, they never play into any racial stereotypes. Their ethnicities make a small impact on their characters here, too, never shying away from the fact that Niko was born and raised in Japan, that Charles is half-Indian, or that Crystal is Black, but it never affects the plot in a significant or archetypal way. They are very clearly and adamantly racially diverse, but it is never made a spectacle or a show. Another Tumblr user, @paraphwrites, said, “he's lonely because he attends a boarding school [with] rich racist pricks. he's lonely because never once in his life has he admitted how the intersection of all his identities puts him in a situation where he is completely alone,” in reference to how Charles deals with the aspects of himself that isolate him. They touch on a very important aspect of his character, which is his intersectionality. The main topic of their original post was how this show caters to the lonely, discussing several instances in which the characters feel isolated and alienated from the world, Charles’ race and ethnicity are one of many reasons of this within his character in particular. They also discuss the parental abuse he faced and the subtext of his mother not doing anything to stop it. There is some subtext that the abuse he and his mother faced from his (White) father may have to do with his mother’s heritage and that they also faced suppression of expression of their culture by their father and husband, respectively. 

Finally, the concept of deviance is represented in just about every aspect of this show. Edwin was murdered for his deviance from the norms of masculinity the times forced onto him, further deviating when he escapes Hell not once but twice, defying the institution he is forced into and having to resocialize into society. Charles deviates not only from the racial norms of the school he is in but also in his style, wearing punk clothing and an earring and refusing to follow the rules placed onto him by the Afterlife institution. Crystal is a deviant because she is neglected and ignored by her parents, causing her to lash out and cause problems for herself and others. Niko is a deviant because of her interests and her more childlike and whimsical nature. Jenny Green (Briana Cuoco) is a deviant because of her style, donning a neck tattoo and dark clothing in this somewhat conservative town. 

All of these different concepts and ideas are well represented within this show. Marx’s conflict theory would have interpreted the show to be an indicator of the social change that happens through societal conflict. Had deviation in the same vein that the characters Charles and Edwin exhibited not occurred, society would be far more regressed than we see now through the more modern lens of characters like Niko and Crystal. Marx would say that all of these different characters, especially Charles and Edwin, experienced inequalities and that these inequalities gave power to the individuals who placed these boundaries on them, allowing for their groups to be pushed down even further. Postmodernist theory would likely have a stronger focus on the differences between Edwin and Charles in comparison to the characters like Niko and Crystal, looking at the way that they interact and especially at the way that they were/are treated in their respective time periods. Postmodernist theory would highlight the differences in the treatment and identities of the boys in comparison to the girls because of the times in which they were born, also looking at the differences between Edwin’s time period and Charles’ and how their different identities would have affected how they were raised. 

Overall, this show successfully represents several different sociological concepts and is reflective of both this time period and the ones represented by the characters in the show. This provides for a very sociologically active show.

References

holy shit guys.

my assignment in my sociology class is to fucking write an essay on the sociological aspects of a favorite piece of media of mine.

THATS LITERALLY WHAT I DO EVERY NIGHT. I GET TO WRITE ABOUT THE IMPACT AND WAY THAT HUMAN SEXUALITY, GENDER (the emphasis on the feminine characters being well-rounded and dynamic as well as tck’s gender non-conformity), THE WAY RACE AND ETHNICITY (mainly charles’ death/the bullying of the pakistani boy that he stood up for), AND DEVIANCE (edwin going to hell for his orientation and then escaping hell which is an institution and how he has to resocialize into society as well as the way that the antagonists are presented) ARE REPRESENTED WITHIN DBDA. FOR A GRADE. I DO THAT SHIT FOR FUN ALL THE TIME. THIS IS THE BEST ASSIGNMENT EVER I LOVE COLLEGE 🗣️🗣️🗣️‼️‼️‼️

[starburr]

It probably never occurred to Sasha that she might have had feelings for Marcy and Anne in that way up until she started asking them about how they feel about what they three have, whatever it might be. I mean, they've all been through hell and back, but still sticking together. Not just out of a need to survive the very dangerous world of Amphibia, but the fact they chose to stick to each other. To choose one another in trust and life, even if sometimes betrayal was inevitable.

Maybe she blames herself for all of that. Ignoring the tell-tale signs of interest, chalking those moments before up to being 'a good friend' or projection even. In which case, she had to figure herself out about why she was projecting such hypotheticals. Marcy and Anne have had it way worse than her, at least that's what she thinks. The other two experienced near-death and temporarily dying, not to mention the self-esteem and trust issues. It's hard to there have been a lot to unpack over the course of them readjusting back into society. There were a lot of things to learn about themselves. She was bisexual after all, and sometimes, Sasha "didn't always feel like a girl." Marcy understands, nodding along on their late night Saturday call with a beaming smile, saying "I'll always support you Sashy." That made her blush. Sasha feels Anne get up from the bed behind her. She excuses herself from the sappy show, having gone up to use the bathroom. Coming back later, only to tackle Sasha in a hug while all giddy. Sasha doesn't miss the way a gentleness is set in her eyes as she giggles on, darkened earthy tones that she wanted to be painted in. Even after having long finished college, Sasha can't help but feel like a child on Christmas Day.

These thoughts might have seemed strange had it been 13 year old Sasha who was just thrown into Toad Tower prison thinking them, but now it seems strangely intimate. Like a whisper into the wind that only Sasha heard, it made her feel closer to the other two. She now knows it isn't out of convenience, or the fact that she's somehow still projecting. Sasha knows better now. There's no doubt she looks at the interactions she had with them, good or bad, now in a different light. Perhaps Sasha Waybright still holds them close to her heart, more fondly than before. Maybe one day when Marcy comes back to LA, hopefully for good this time, they'll all pitch in the idea to stay in one unit together. Maybe a cozy apartment unit, or a more spacious house generously provided by one of the three's distant relatives.

Whatever the case, it doesn't go unnoticed that Anne seems a little too eager for the idea. Sasha lets it slide despite knowing full well what Anne is hiding, nervously fidgeting in her purse to make sure the crimson-cut cards are still in there, claiming she was just looking for her phone. Maybe later, after a few visits and planning, they'll have rekindled fires long thought doused. Maybe later, they'll have a slip-up or two, but clear it up with a promise so vague they'd want to believe the good of it. Maybe later, at the end of however long this takes, when tensions are cleared and feelings poured out, there'll be one more happy throuple in LA.

[willow505breaker]

Martyn fanart!

I think this is part one on here so part one of tagging YouTubers in my bad art!

@inthelittlewood

Lore! So to start with Martyn his design and concept is based off the changlings from mlp. He can shapeshift and feed off of others love (it doesnt have to be romantic, any kind of love works). I have since changed a few things about his shape shifting and how he interacts with others. The short of it is he acts more like the reformed changlings (if you know you know) but shares the look of the regular changling.

I thought the tricker nature of changlings matches Martyn pretty well and he could pull many pranks being able to shape shift. (I might have changlings confused with fey but im rolling with it)

Let’s talk lore about how im connecting all these smps! (Specifically hermitcraft, empires, and the life series)

First off, you might have noticed Martyn has a map in the first sketch. This is because inbetween the death games, Martyn does not have an smp to call home like the Empires and hermits. (Because rats and other smps are not included in this) so Martyn spends his time traveling from place to place and maping out the boarders of different smps.

This is also to explain that one time Martyn logged onto the empires server and claimed it wasnt canon. My headcanon (and lore for this rewrite/au) is that Martyn had access to Empires because he had been there in the past to map the smp. He is also really good at getting into locked servers for the pure purpose of mapping them out (it also annoys Xisuma that Martyn keeps getting past his whitelist)

This is a limited life swap au.

This is a pretty basic au, i had drawn Scott and martyn in an attemp to draw them as heathers but realized they looked like the bad boys. Thus i drew a bunch of the other teams also swapping places. The mean gills are now the bad boys, the family is now team ties and vice versa. (Etho is the only one that didnt trade spots cause he was already teamed with Ties and the clockers)

Here is the full page for those who are interested. I’m sorry it’s unfinished. Feel free to use the idea, I will not gatekeep.

I can barley girlboss and I’m a horrible gaslighter

[hb-writes]

Hide and Seek

Summary: 1923 in the Little Lady Blinderverse. When Clara hides herself away at a charity event, Isiah is tasked with finding her and bringing her back to the party.

Characters: Isiah Jesus & Clara Shelby (OC)

Peaky Blinders (Little Lady Blinder) Masterlist

Comfy-vember 2024 Masterlist

—

Clara and her book were hiding, something she had taken to doing with a certain regularity at these charity events. The people who attended were always far too posh, and while Clara felt pretty in the clothes Grace picked out for her, she didn’t feel a bit like herself while wearing them. 

The clothes also made her feel like a little kid, all variations of something she would have loved to wear years ago. Back when she didn’t care about looking like a baby, or being treated like one, but Clara was halfway to an adult as far as she was concerned, and she didn’t need any childish frills to help her with looking young.

Clara managed that on her own because she had yet to experience the growth spurt that had Finn towering over her and she still had the very same face she’d had since she was practically a toddler, or at least that’s the way it seemed. Everyone was always commenting on how young she looked, surprised to learn she was an adolescent.

“Your brother is looking for you.” 

She glanced up at Isiah. Clara knew he was talking about Tommy. None of the others bothered, preoccupied with the food and the alcohol and the opulence, but because Grace was likely thinking about presentation, and whispering about Clara’s notable absence in Tommy’s ear, Clara assumed he’d sent Isiah to pull her out of hiding so she could mingle. 

Clara tired easily of such interactions, reminded by the guests of the posh girls who attended her school, and worse yet, Clara was sick of being told she looked like such a beautiful mix of her mother and her father. 

She hadn’t heard it yet tonight, but Clara assumed it was just a matter of time. 

She had Tommy’s eyes, but with Grace’s fair hair. Quick witted and sweet with a proper set of manners on her. That’s what some well-intentioned guest always pointed out. 

There was a tune when it hadn’t bothered Clara that people assumed Tommy was her father. A time when a part of her liked it, in a way, because he was the closest she had ever really had to one, but it only bothered her now. 

“Tell him to come find me himself, then.” 

Isiah snorted as he sat down beside her on the steps.

“Can’t imagine that will go over well.”

Clara shrugged, It had been a while since she had properly cared how things went over where Tommy was concerned, but Clara still held a modicum of concern because they were in a public place and she had no interest in being chastised with an audience. That would really get people thinking she was a child, Tommy and Grace’s at that. 

“I want to go home,” she finally offered, cooperative as Isiah pulled the book from her hands and started skimming through the pages.

“Just you and this book, eh?” 

Clara shrugged. “You could come if you want.” 

Isiah snorted again, not because he didn’t want it, but because it was an unlikely outcome.

“Or you could just leave me here and tell him you couldn’t find me.” 

“I tell him that and your brothers’ll have half of Birmingham out looking for you.”

And once they found her, Clara would have an earful off of him. 

“Come on, Clara,” Isiah said, squeezing her knee before he stood, stepping away. “It won’t be so bad.” 

“Isiah?

“What is it, love?”

“Can I have my book?” Clara said, holding her hand out for him to return it. 

“If I give you this book, you’ll never leave that step.” Isiah shook his head as he pocketed it within his jacket. “Come with me now and you can have it later.” 

Clara took Isiah’s outstretched hand, allowing him to help her up, the momentum of his tug pulling her into his chest. Clara stayed there a minute, letting Isiah hold her against him. 

“And you and Finn’ll come out to Warwickshire this weekend?” 

“Sure, love.” He shrugged. “Why not.” 

“Great,” Clara said as she extracted herself from Isiah's arms, the book safely in her grasp as she pulled away and returned to her spot on the stoop. "You can tell Tommy I'll be out once I finish this chapter."

Clara was unsurprised when Isiah chose not to go relay the message to her brother, but instead to sit back down beside her, allowing Clara to continue reading her book in peace as the posh party continued down the hall.

—

Peaky Blinders (Little Lady Blinder) Masterlist

Comfy-vember 2024 Masterlist

[rafesbabyg1rl]

Hiii pretties! Welcome to my blog!! Please keep things positive and stay slutty my friends!!!

~If you have any requests, please feel free to leave it in my inbox!!!~

Masterlist: The Watcher (Part One, Part Two, ...)

you can read the rest if you wanna like know more about me n shit ig

Hello!! I'm Kay, or K, kat, whatever you wanna call me. I'm literally just a girl. I am a freakkkk. I do be a bit of a stoner y'all, and I usually am high when I write, so if I make a mistake, I'm blaming that. I'm from the United States (unfortunately) and I only speak English. This is a safe place; I am always here if anyone wants to talk. I do not discriminate; I do not spread hate. I do not and will not tolerate hate or unkind behavior towards me or others here on my blog. Like seriously guys I have bad anxiety, so please be nice and don't make it harder for me.

This is pretty much solely for Outer Banks, Rafe Cameron to be more specific. But, feel free to talk to me about other things!

Other things I'm interested in/passionate about: Taylor Swift, veterinary medicine, Breaking Bad, Better Call Saul, The Walking Dead, 13 Reasons Why, Supernatural, Jurassic Park/World, Harry Potter, The Maze Runner, The Hunger Games, comedy movies (Seth Rogen & James Franco). I love cold weather, books, and cats. Music is life and I listen to a little bit of everything so feel free to send songs.

I AM a student, so just keep in mind that I may be inactive because I’m in CLASS or doing work; because I will prioritize that over tumblr (well, i try). Other times I’m inactive because I am sleeping, or because I’m busy with LIFE. I am not tied to my tumblr and blog. I’ve had only positive experiences here so far, but I know that fanfic writers are often mistreated by readers, but guys we are all just people.

If you want me to hurry up and publish new work, don't tell me that, just interact with my blog and compliment my writing and that will motivate me more than anything else ever could. Also ASK AND REQUEST PLEASEEE!! I really enjoy and appreciate new ideas and feedback from other people's brains. I also appreciate constructive criticism. Don't be mean about it, but if you dislike or disagree with something, tell me politely. I like hearing feedback and am always working on improving my writing.

Seriously y'all, please please PLEASE do NOT be hateful. Do that on your own time, not here. I will not tolerate unnecessary attitude and hate. I believe in forgiveness, and I know that mistakes and misunderstandings happen. I will treat anyone and everyone with kindness and respect unless I have reason not to (really hoping I don't).

Who do I write for? I only write for Rafe Cameron. However, I'm not opposed to writing a little or sharing thoughts about other Outer Banks Characters!

What do I write? I will write literally almost anything. There’s no such thing as too much for me, so request away please. ------ As for darker topics, I will write them. Actually, a large portion of my work will include darker topics/themes/kinks, etc. I will write sensitive subjects too. But just because I live for that shit, doesn't mean everyone else does so I'll do my best to include warnings on all my work for any content that might potentially be triggering for others.

(Small warning: mentions of my mental struggles and self-destructive habits) I've always struggled mentally. I've always felt as though the way my brain works is different from everyone else; like something is wrong with me. But after many many years, I now have a better understanding of myself and how my brain works. Not to dump this on y'all, I swear I have a point, but I have diagnosed depression, anxiety, and ADHD. These things are all a big challenge I face in my day-to-day life and are often the leading cause of why I may take longer to write and publish things. I may take breaks, so don't worry if I'm not active, I will be back at some point. And I'll try my best to update you guys on when I'm gonna be less active or vice versa. Another way my mental health effects my writing is because when I write, a lot of the time my personal experiences or feelings will end up incorporated within my work, since well, it's all coming from my brain. I mostly write for myself to express my thoughts and feelings, having others read and actually enjoy my work is just an added bonus. But personally, I have struggled with self-harm for about one third of my life. I often get ideas for new works revolving around this theme and may publish things about it eventually. Themes such as mental illnesses, self-harm, abuse, insecurities, EDs, suicidal thoughts, unhealthy relationships (obv), toxic household, etc. will have a reoccurring appearance throughout my works. So just be prepared, I guess.

And like I said before, if anyone needs to talk, I am ALWAYS here and I am a very good listener.

Everyone is more than welcome to message me or leave anything in my inbox. Whether it's to chat, request something, ask something, literally whatever is welcome!! (Except hate I don't fw that)

Thank you for visiting my blog, I hope you enjoy! As always, be kind and stay slutty!

[hulloitsdani]

It’s time for the big one. Book 3!!! My beloved!!!

Okay I’m coming out swinging with this one, but I think I liked book 2 better— HEY put those pitchforks down let me explain myself.

I think, as a first time read, book 3 is really god damn good. There’s genuinely so much to love about it and it marked the moment I personally fell in love with Heroes. The way it expands on the world and takes advantage of FEH’s setting is fantastic, the aesthetic is hands down the best one, and many other things that I’ll dig further into in just a moment. HOWEVER, Book 3 has a pacing problem. And it unfortunately becomes really obvious on a second watch, because you’re already aware of the major twist.

The first five chapters? Gold. Pure gold. Inject the awkward family dinner dynamic directly into my veins. But once we’re in the realm of the dead? Ehhhh the pacing gets a bit more meandering. It’s not as tight in comparison to Book 2. I think the only time book 2’s narrative drags a little is with Loki’s among us shenanigans, but even then it’s not that bad. Outside of that? We are on a rollercoaster and it is not slowing down. Book 3, in my opinion, needs to take notes from that.

Let’s us Helbindi as an example. The reason why his character is effective, despite his limited screen time, is because the story is making full use of Leagjarn and Leavatein’s character building scenes. It’s not only building their dynamic, it’s also building his character. It’s creating the context necessary for us to understand exactly what it means when we learn that he has a younger sister that he is trying to care for in Múspell under Surtr. Book 3 lacks those multipurpose scenes. Most are exactly what they say on the tin. This greatly dampers its ability to juggle our cast of colorful characters in its short timeframe. And perhaps there is no bigger example of that than the character of Eir.

Eir almost feels like she could be cut for the narrative altogether, which is a shame, because man I like her. She deserves a more fleshed out narrative about overcoming her abuse and traumas. In the same way that I’m invested in Fjorm’s vengeance against Surtr, I want to be invested in Eir growing out of Hel’s control. But unfortunately the two characters we mainly see her interacting with is Líf (which are good scenes) and Kiran, you know, our silent protagonist. And Eir herself is pretty quiet. Not exactly a good mix for effectively communicating a lot about her character quickly.

Ironically, there’s a scene in chapter 1 part 5 where Anna is suspicious of Eir and is grilling into her, and it’s honestly a way more interesting dynamic. It’s immediately dropped as other plot developments occur, which is a damn shame because I think that could have been a fun answer to this conundrum. Anna could start suspicious, then immediately feel really bad about being suspicious upon learning what Eir has gone through, but then has those suspicions confirmed when it’s revealed that Eir was ordered to betray them. It would both make sense for Anna to pick up on this threat given the Order’s history and it might also make Eir putting all her cards on the table a lot more impactful.

But that’s enough criticism, because my guys, it’s book 3. Like holy shit I love book 3. If you enjoy FEH, you don’t need me to sell you on book 3. Book 3 gave us Líf. Líf is a sad wet cat of a man and I adore every second he’s on screen. The way he recontextualizes Alfonse and his dynamic with the people in his life adds years to my life. Your honor I require that the skeleton jello man be in a god damn situation with no breaks. To the blender with him.

Speaking of, I was surprised to find how incredibly depressed Líf is. I thought there would be a lot more rage present, but no he’s just sad. This makes every scene between him and Sharena delightfully painful. Chapter 12 part 1 (ie after Líf collapsed a building on top of everyone and has a chit chat with Sharena) might be one of my favorite scenes thus far. As they’re sitting in the rubble of the ruined castle they all called home, they have a painfully genuine little heart to heart. Líf needs to get a little meltdown out of his system before getting back up again and does so by talking to the only person he’s ever known how to. Twisting the knife on it is how it’s all phrased in a way that showcases that it’s just Alfonse. Painfully Alfonse. The same Alfonse who tried to logic his way out of being hurt by self isolating and distancing himself from others. The same Alfonse who tried to double down on that failing ideology, before finally letting his walls come down. It’s delightful. I love how consistent Líf feels with Alfonse’s previous actions.

Also, some of his lines are just really funny? “The realm of the dead is no place for the likes of you, living boy.” now lives rent free in my brain forever. It’s a gift that keeps on giving. On a surface level, that’s an odd line and bizarre insult. But the more you learn about Líf, the better it gets. When was the last time he talked to living person outside of the realm of the dead? Do think he rehearsed that in his head for the day he knew he’d inevitably face down his younger self? Is he internally cringing or fully committed? No matter the answer it’s hilarious. God damnit I love Líf.

In other news, I may have glazed over it before, but oh my god those opening chapters are delightful. Awkward family dinner my beloved. I genuinely cannot get enough of it! I am putting Gustav under a god damn microscope. All of his scenes are so god damn fascinating. I loveeee this guy and his consequences on the narrative. Usually, when there’s a somewhat morally complicated character who is also a parent, the parental qualities of that character are seen as the morally good parts. But with Gustav, that’s where the moral complexities of his character reside. He’s not a bad person, he’s a good leader, he’s a great husband, but he’s a complicated father to both Sharena and Alfonse. Hell, he’s complicated for those exact reasons! It’s so god damn fun to see. The love is there, but so is the flaws of every person involved.

The writing on this guy is peak too. Everyone is nervous and stuttering when talking to him, which is behavior that we haven’t seen out of most of these characters up to this point. Surtr resurrecting himself didn’t even begin to strike the same level of momentary blind terror that proceeds Gustav rolling up to witness the overly dangerous dumb shit our protagonists are getting up to. And it makes sense! That’s their dad! And king of the whole nation! Our protagonists care about his opinion more than most. It’s so awkward and I love it! The best part, in my opinion, is that the only character not at least a little nervous to talk to him is Henriette. I don’t know what exactly it is about this that gets me, but oh boy does it get me. They’re married, your honor. I would even be so bold as to claim that’s his other half. They mean a lot to me. Henriette did not deserve to be caught in the cross fire of the FE dad curse, but damn does it make good drama.

And last but not least, Sharena. Oh boy do I love every scene with Sharena this season. To the point where I’m disappointed that we don’t get more. Her dynamic with Alfonse is called to attention for obvious reasons, but I enjoy the subtle way it’s pushed to the forefront before the stage light came on. The royal siblings got each other’s back— to the point where if one goes down, it’s like the other lost a limb. I really like that and it’s a shame the pacing doesn’t allow for more of it.

I also want to draw that scene where she stops Líf’s assassination attempt so so bad. She deserves to kick his ass and then be confused about his behavior with Alfonse later.

Anyway, that’s where I’m gonna leave this one. I feel like I could go on for forever. More than already have, anyway. Book 4 is up next and will mark the half way point. Wish me luck

Um. So. I may have gotten stressed and started transcribing FEH’s story mode. Might currently have all of book 1 written down. Perhaps a third of the way into book 2.

This started as a way to have the preface chapters handy since they’re not replayable. But then I looked on the FE wiki and saw that they only have a small fraction of the chapters written down. And that scared me, because means that my hyperfixation has a nonzero chance of becoming lost media if the app were to go down one day. So now I have all of book 1 in my back pocket, including the preface, two intermissions, and the two relevant xenologues. Once I’m further along and have a few more books accounted for, I have no problem making the document public. But until then I encourage others to also write some of its content down. Just in case, you know? Especially those prologues and Tempest Trials.

With that PSA out of the way, omg book 1 hi!!!! It’s been forever!!!!

Apparently, I haven’t reread book 1 in its entirety since I first played Heroes! I’ve gone back to look for specific scenes and replayed the levels on harder difficulties (self inflicted or otherwise), but I haven’t done a thorough second pass before. Which was news to me, because that meant I was consistently blindsided by scenes and characterization that I completely forgot about! Did any of you remember that Zacharias was apparently Alfonse and Sharena’s childhood friend? I didn’t! But there it is, chapter 7 part 5 after battle cutscene, Anna specifies that aspect of their relationship. That’s crazy! How does the timeline even line up on that??? If he spent his childhood in Askr, how did he manage to have a strong relationship with his significantly younger sister? How did he find himself rubbing shoulders with enemy royalty? Could he have inadvertently met Peony? I’m not changing my takes on his character, but I would love to know.

Speaking of character, apparently seven years spent writing a character naturally changes how they sound! Who would have thought. It made seeing the book 1 versions of our Askr trio a little jarring, but in an oddly nostalgic way! This was a phase of the game where the story, its characters, and its world existed with the singular purpose of introducing new players to what Heroes was trying to do. Which was, at the time, being a cute yet unobtrusive gacha app tie in with simplified FE mechanics to give you that gameplay fix on the go. And to its credit, it does do a good job of this! It ain’t a masterpiece, but I was charmed by its emphasis on showing off all these cool characters you could go summon. Ryoma gets to talk for a few lines and you are going to look at his very pretty art! But that meant that the world and characters of Zenith take a bit of a backseat. They’re not here to be too complicated. The Order of Heroes are the friendly faces that go on adventures and meet these heroes that you can summon for only $19.99. But we all know where the game and its story is going to go from here. That emphasis is going to wane as FEH grows into its own identity (and also earn IntSys over $1 billion worldwide).

But that’s a later development. Before that fundamental shift is where book 1 sits. It’s in this fascinating position where these characters have yet to solidify into their recognizable forms. And if you don’t believe me, chapter 9 part 4 has a scene where Sharena and Alfonse’s roles have reversed. For once, Sharena is posing the cautionary “what if the information we are getting from this total stranger is a trap?”, to which Alfonse responds “nah I’m getting a vibe that it’s fine and that we should believe him whole heartedly.” Like??? Huh???? It’s Bruno, but still, that’s hilarious! Alfonse’s pragmatism bordering on paranoia hasn’t established itself as a massive driver of his character yet. Nor has Sharena’s role as trusting emotional core and moral compass of the group. It was very easy to borderline Mandela Effect it into being there, but it isn’t. Not quite. There are hints, sure, but once again these characters were initially made to be simple at the time. The depth doesn’t quite exist yet.

It wasn’t until I was writing this very paragraph that it finally dawned on me why the Askr trio voice lines, especially Alfonse’s lines, are such a big deal. That's where Alfonse’s character arc with trusting Kiran resides. There's the pragmatism we know and love! It’s not super present in the text of book 1, but the depth of these characters can be found in the voice lines you unlock from building them and earning the crown jewel level 40 conversation. That’s where Alfonse’s arc with his self isolating behaviors crumbles at that sight of one silly tactician. That’s where Sharena finally wins a fight against her own loneliness by forming genuine friendship with this stranger form a strange land, who is appreciative of her loud eccentricities. That’s where Anna apologizes about her initial underestimation of Kiran, thanks them for being more reliable than she could have ever hoped for, and swears that whatever hell may come their way, they’re in this together. The books themselves don’t seem to reflect this characterization until book 2, where they overall act more in accordance with the rest of the narrative. It’s as if they're taking from the voiced lines’ example and extrapolating more on the story they imply.

The one standing in slight contrast to all this is Bruno, as he's the most interesting character in book 1. It's blaringly obvious he's Zacharias, but it's genuinely amusing how deep he is in his own gaslighting. He can't manipulate, mansplain, manwhore his way out of this one folks, but he's certainly going to try! His lies aren't even that good, but it honestly contributes to how at wits end he is. Like, sure honey, I totally believe you that you just killed Zacharias. I bet he has an eight-pack too. Just take a nap for two minutes. But then everyone believes him because our protagonists have yet meld their group braincell. Overall, an amusing time.

I don't have a particular point I'm trying to make with this one. Just having a fun and pointing out the things I've noticed. Might give a little update for every book I complete. However many that will be.

[fumifooms]

What if we were both magic prodigies and it otherized us in different ways and we devoted ourselves to protecting a family member who has general other goals & priorities. What if we both did self-sacrifical devotion in opposite ways.

What if we were dark mirrors of each other and where I've grown overcontrolling you've grown complacent. What if, bought as a servant into a pretty loving home, ownership and control is what love looks like to me, and to you neglected and lonely growing up, love is gratefully taking any scraps of it you’re lent.

By belonging to someone, even if she comes back injured or fails at finding Delgal, she feels like she belongs and is cherished, by owning someone he feels safe in them not leaving him.

She’s what’s tethering him do you see… And he’s the only thing giving her direction and purpose in her state. She needs a compass and he needs a support.

They’re both so out of it 😭 It’s the weirdly intense and unearned mutual trust and reliance on each other?? They’re each other’s weird little comfort codependent teddy bear. Or at least they were headed towards that before SHE DIED THEN HE DIED THEN THEY BOTH FORGOT ABOUT EACH OTHER AND NEVER MET EVER AGAIN. Though she’s also the guard attack hound keeping him safe… And vice versa he heals her and can rewrite her very being with just one wave of his hand. They’re both so so mentally and physically vulnerable both but they cling onto each other. They can’t perceive things accurately but despite it all someway somehow they stumble into something closer to resembling companionship just before they both die. Falin is just that kind and Thistle is just that lonely. Overworked. We both haven’t lived for ourselves in a very long time, haven’t we.

They both have a similar devotion to the people they love but again the difference is that Thistle starts overtsepping while Falin is self-effacing. The other difference between them is that people care about Falin <3 People have given up on Thistle long ago, and he has given people reasons to, while people refuse to give up on Falin. Yaad has a mini arc about it dw about it it’s ok he’s not all alone in the end 😭😭 He reached out for Marcille’s hand but they already all wanted to help him, they just had to be given the chance to, Yaad just had to be given the chance to, it’s okay I’m okay

Hey what if we learned to get in touch with our own identity and the world around us and living in the present again through being in the worst codependent situationship ever.

Falin and Thistle sitting in a tree, sucking on flowers together because they’re h-u-n-g-r-y 💕💕💕

I bet he’s only ever thought of flowers as useless ornaments. Weak weeds. But she shows him they’re tasty and useful and good and pretty in their own right too and deserve existing without proving their worth and waaa <33 Thistles…... Did you know thistles taste sweet if you remove the thorns and eat them?

"Even as a chimera, her kind nature remains" you can’t suppress her in the way that matters. You can’t soothe him in the way that matters. It’s doomed. You’re doomed. It’s all doomed. Save me.

[trekkele]

i think it would be really funny if Dick was “bad” with kids