#no one is going to understand my poorly edited lobster

[docmurph12]

Ok review time. And remember, there is no war in Ba Sing Se.

My next request comes from my very good friend. The last time he and I sat down and tried to watch this was after we cleared through every episode of the animated series this movie was based on. We didnt get through ten minutes. So this was a fun, frustrating challenge. For those noticing, yes this is a retroactive review, instead of a "live" one. Reason for this is that as a fan it would be really difficult to be as objective as possible (given I already know this thing to be really bad) if I was distracted.

So what I know going in is that Shyamalan had a couple big flops and that he picked out this series to be his resurrection, thinking going the large scale epic route would be beneficial to his career. What happened was a ruthlessly infamous flop that resulted in nearly 6 years of silence, jokes, and memes prior to "Split" bringing Shyamalan back to relevance again.

First of all, this film could literally have been directed by anyone. Looking back at my review for Aladdin, I recall saying that I was shocked to find out it was directed by Guy Richey, because all of his hallmark signatures were missing. Same story here; The Last Airbender feels like a basic level cookie cutter epic filmmaking school project. Everything that makes a Shyamalan film is gone, which is crazy because the levity that makes ATLA (the acronym I'll use for the show going forward) is gone too. I have always said that as a director your job is to take what is written (which in this case was written by Shyamalan as well) and use your style to create a visual aspect that compliments the story told by the dialogue and events. Think of this writer/director relationship like one in comics between the writer and the artist. The artist is selected because stylistically he matches what is needed for the story. Great example of a good match is Sin City (picked because of loudness of its specific style). That story doesnt get told the same way or with the same impact with different color palettes, camera work, or actor direction. The Last Airbender is missing everything that gives a person a reason to select a specific director, especially one known for work in small scale supernatural thrillers.

The writing is.....super bad. There are a couple simple tools I like to use to identify if a film has scripting issues as opposed to anything else. First, is the dialogue done in a way that feels contextually natural? Do real people talk this way or is it written like shlockey, overly dramatic stage dialogue (think the Star Wars prequel trilogy)? Second, how easy is the story to follow? Are there gaping plot holes? Is it subtle with a good surprise? Does it hit you in the face with a story shovel with a handle made of heavy handed expositional dialogue?

Lastly, how hard are the actors trying to act around your script? Is it a good film where great performances outweigh poor to middling dialogue (Batman V Superman), or is it Bloodrayne? I've said enough on that, you get the point. That said, I am not sure the actors could have been saved by a better script. The cast was very poorly selected. Insensitive at worst (though I genuinely think the brown dude that insisted on the specific and coincidentally white folk he picked probably DIDN'T have a whitewashing agenda given what he said prior to release), out of touch with the source material at best, picking the virtual unknowns that he did really didnt pan out for him. The kid cast as Aang (pronounced AAng, goddamnit, not ONG, more on that later) got the role because he looks like the character, kind of, and only had a week of acting school worth of experience prior to filming the movie. Let's just say it definitely showed.

I am not sure TOTALLY crucifying the cast is entirely fair, so let's move the witch hunt to almost everything else. There is some good though, I promise so hang in there.

I really hope the editor got sent back to school. The purpose of editing is to make a cut that not only maintains but heightens interest in what you are watching. Cutting the fat in order to get to the point while not giving the movie away. Sometimes that means giving more than a 90 minute cut (which Shyamalan has taken at least partial responsibility for in this case) in order to preserve the story. There are scenes where the continuity from one cut to the next doesnt match up. Like consecutive cuts in one scene with massive distances traveled between cuts and even in at least one case a partial or complete costume change. It's extremely jarring. Something else about cuts--generally you cut to another angle or scene because the film requires you to in order to display more information that you wouldn't get in one single long cut. Usually a film has choppy cuts in it because the scene requires an character to do something the actor can't, or because the director or editor are bad at their job. The story, or sometimes in lucky cases just one scene, suffers as a result of bad or needless cuts. This is the case here. The strange thing is there are truly WONDERFUL long cuts of fight scenes that really suck you in, but the wierd juxtaposition between great non-editing and strange and bad editing really kicks you in the head. Enough on that. On to the next.

I did NOT see this movie in 3d. I understand that the conversion was really bad, but that said what I CAN speak to is the VFX. This film, with the exception of the lighting, was pretty well put together in terms of effects. There were really only a couple issues that were glaring in terms of VFX, but by and large it wasnt awful. There are definitely newer films that look worse. In standard. I dont know about 3d.

I think the thing that makes this film more frustrating than anything is that there are things about this movie I love. They are few and far between, but I really do love them. The intro was a really neat callback to the series intro to each episode. Then the movie happens. Then, the flying bison appears!! Then more movie. Then, a scene where Aang (not Awng) uses the glider in his staff. Then more movie. Then, all the practical martial arts, then, yet more movie. It's like this the entire way. Best comparison here? Green Lantern. It's like the Shyamalan said, "Hey, I like this and need a career boost.", then proceeded to cherry pick things from a beloved series and then ham and egged a movie with a confusing plot that absolutely requires you to be super familiar with the source material. There are a lot of assumptions made by characters in the movie that made sense given background provided by the show, but make absolutely none if you are going in blind. "Those are air bending tattoos, and I think he might be the avatar, despite he fact that I havent seen him bend anything and airbenders havent even been seen in over 100 years! Before my time!" Fucking come on. Throw the newcomers here a bone man.

The long story short here is I guess in spite of the casting decisions, editing, and direction, a good script could have made at least a fun movie. This movie should not have made it past script in the form we all saw it though, and it makes one wonder how much pressure was on everyone involved (almost all of it internally applied, Shyamalan did this project almost entirely on his own volition and cast a bunch of almost unknowns with the exception of maybe Cliff Curtis, so of course they said yes) to join in and take part in this without asking questions. Its upsetting to know the original showrunners were as ostracized as they were on this thing.

I dont see myself going back. Yes there were things that made me smile a little, but the film as a whole is so overwhelmingly bad in the face of those things it is just not worth it. I AM however going to go and rewatch the series with my wife and the kids for their first time, and maybe as a result of having to sit through this war crime of a film adaptation.

Final Verdict? I give it a D-. Purely out of respect for the very small handful of things I did appreciate. Next up?? The Lobster. Really looking forward to that one.

[your-one-true-prince]

idky but this STILL makes me laugh

All hail the mighty lobsy