#no free leverage for you its gotta be EARNED you gotta read between the lines bitch
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ohyea actually the dennis and dee dynamic is SO fun to write i love them dearly
#all this time i couldve been writing about them instead of the goofyass macden fic i was agonizing over#why struggle to mend a dynamic that has slowly begun to piss you off as the seasons progress when you can just#write dumbass sibling dynamics instead#charden is good because it allows dennis to be more genuine than he gets to be with anyone else but#with dennis and dee there are layers of. cautious protective measures#if either open up too much they know that it'll come back to bite them in the ass#so drawing out the truth is like pulling teeth. they can't just talk openly about some shit that's bothering them#ada speaks#no free leverage for you its gotta be EARNED you gotta read between the lines bitch#luckily they Get each other in that sibling way so inference works
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Fetch is iconic because to read Fetch is to suffer. I say that with the warmest regards to Tam. It's an example of the medium as both a challenging, cathartic, and escapist one.
Name/Handle/Alias
@secretreylo SecretReyloTrash
About how long would you say you’ve been rooting for Reylo?
When it comes to smut I tend to go two directions: "Shipping" it or a hypothetical "They'd Be Hot Together". I've been on that TBHT train since TFA, but not contributing and only casual browsing of smut because that's what TBHT is for. Spring of 2018 was when the mediation of how to realistically get these two together, the meta aspect of shipping, really started to appeal to me because of stories I was reading ("Lilies" by diasterisms was my first Soft Ben and I loved him) and I gave writing it a try with Perfumed in Obsession, a story that is 100% mediation of opposing viewpoints. I fell very far, very fast into it.
What did you think of the way Rise of Skywalker handled Rey and Kylo’s relationship?
Really gross. TLJ was a very sensitive text. It's not about physical force; it's about persuasion. Understandable viewpoints, where they both offer so much of themselves and it still doesn't work, and that's really heartbreaking and compelling. TROS felt like it had taken several steps back. Kylo was more of a bullying, negging presence when before he'd respected Rey's power and autonomy before, he just had hopes about what she'd do with it. now he's controlling. He withheld crucial information about her trauma, which is deeply wrong. He was a generic villain and Rey was physically fighting her way out. Their ending wasn't given space to breathe or feel like something was happening, and then he drops dead in her arms. A lot of simpering was done on the filmmakers part about what he deserved by Rey doesn't get anything she deserved. Their only interactions before the Exegol Disaster are only focused on drudging up pain and hostility, so there's no moment where they "see" each other that matches TLJ. The final battle there is some grasping at recognition, but it's really imbalanced towards Ben's redemption, Rey being rewarded for essentially waiting out his bad boy phase, and nothing to address her anger and grief and darkness. It tipped the scales way out of Rey's favor, and she's an important character!
Do you think the film understood why you, and other people, felt like Rey and Kylo had something together? Did it get their chemistry?
No, it really felt like the conversations between them were missing the point. Negging, withholding, leveraging. These were two flawed but honest people (at least with each other) who had a lot of circumstantial baggage that kept them apart. Ironically a lot of the "hero" and "villain" posturing gets stripped away and they are shown as their truest selves through the bond. Finn never sees this side of Rey. Snoke never saw this side of Ben. It's a relationship that mattered because it was so nuanced that way. TROS Rey being stalked by Kylo in his Supreme Leader Helmet seems antithetic to the sincerity of the relationship. It's telling that one of Rey's lines is a generic, cliche whisper of "No": it falls horribly flat because a conversation can't just be "Yes." "No." "Yes." "No." I constantly bring up TLJ in my answers because it's what solidified my love for this ship, but their conversations that Rain wrote were a compelling back-and-forth that filled in their arguments with detail that made the arguments appealing. What about the handling of Kylo’s redemption? Was it something you had to think through in your stories?Here's the thing. I wanted Bendemption to be painstaking, bittersweet and maybe not even completed in full by the ending (but explicitly in the works). Here's where the mythology of TROS gets really wonky, and why I think fans are so upset: If Ben was mentally infiltrated and groomed by the most powerful Sith Lord in the Galaxy for 9 movies, can we actually have a nuanced conversation about what he deserves? No. We all just want to wrap a shock blanket around him and let him have a nap, which, fun fact, is the actual ending of the Exegol Metlife Stadium Battle. My point here is that TROS took his accountability, his toxicity, and his choices and rendered them meaningless. It is way too extreme. What does he have to atone for if Palpatine ruined the lives of every Skywalker so thoroughly that he never stood a chance? I adore the self-sabotage of his character. I adore that he is his own antagonist. I adore that he faces consequences for his toxicity and that his love for someone leaves the ball in his court to Fix His Shit for the potential of his own goodness. But you take a situation and make it so tragic where he was so weaponized and powerless that I'm actually impressed he only killed Han. I liked when his actions actually had weight. I adore him for how his emotions compromise his happiness and how damaging it is that he doesn't deal with them because I see so many parts of myself. Step one or writing Redemption was always facing those emotions. I love writing Ben throwing himself at his father's, his mother's, and Rey's feet and just letting these repressed emotions out, and their capacity for forgiveness sheltering this change. It didn't need to be completed by TROS but it needed to be started.
What did you think of where Rey landed at the end? There had been a lot of excitement around Star Wars having a female protagonist. Do you think she lived up to the promise of her character?
Rey's ending devastated me. It was a period of active mourning that went way beyond Ben's death for me. You know when you pick one phrase when you cry and just fixate on it? "She's alone" was mine. For days. That was all I asked for from this series. For Rey to find her home. Rey was stripped of so much, and most insulting was the fucking Skywalkers playing keep away with her own backstory until it was convenient for them made it seem like they were the actual villains. Why did she have to go in ignorant? Why did we retcon a girl coming from a shitty family and excelling despite that? Symbolically, now she as a character is most alike to Shmi, and that makes bile rise in my mouth. A single woman on Tatooine, dressed in her Virgin Whites, waiting for the Force to decide what to do with her? Smhi. It's Shmi. Here to immaculate concept some more important sacred Skywalkers. Because if she's a Skywalker, there's gotta be more, or what was the point? Thanks, I hate it.
There’s criticism of the movie that argues it’s akin to “fan fiction” and that is has too much fan service. As fans and fan-fiction writers, how do you react to that?
No; it's too corporate. Fanfiction has a love for the source that constitutes the FREE effort to write for it. I think the comparison to fan fiction labors under the assumption that fan fiction is lazy and bad: when the most popular stories that do incorporate high levels of drama earn them through painstakingly hard work. Fetch is iconic because to read Fetch is to suffer. I say that with the warmest regards to Tam. It's an example of the medium as both a challenging, cathartic, and escapist one. It had very real feelings and a happy ending that was earned in a trial by fire. TROS instead was pure studio interference. It was trying to please *everyone* instead of someone earnestly saying "this is what I love." There is no joy. Just cynicism and punishing people who were sincere. I can't validate its need for me to love it. It's desperate and sad.
Are you still writing any Star Wars fanfic? Tell us about it! (Don't forget your Ao3 handle!)
Yep. I will be updating my newest story "The Witch and The Holocron" every Saturday. It is the closest I will get to a Miyazaki Movie. I'm still on my WIPs: Soldiers in Petticoats is due soon, Virtue Rewarded requires an extensive amount of time but it's in progress, I really want to pre-write my Romanov Imposter AU before posting but I'm excited for it. I'll be around. We all know how bad I am with WIPs but I'm still enjoying writing. We'll just pretend TROS never happened.
Thank you Secretreylotrash! you can find their writing here: https://archiveofourown.org/users/BadOldWest/pseuds/SecretReyloTrash
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