when watson tells him he has to return to the hotel to console a dying englishwoman, & holmes knows this may be the last time they will see each other, his face softens into the slightest of wistful smiles, like he's seeing all the things he loves about watson, his kindness, bravery, loyalty, trust, and then he just turns to go! like he's already said his own secret little goodbye that watson doesn't know about & now it's time to move on to the next thing
It's the intimacy of every touch and look that does it for me. Whenever Anil and Pin touch, you can feel the electricity sparking from where their skin meets, and whenever they look at each other, it's the warmth and resonating excited heart swell like, "Oh, there you are again. I'm finally coming home."
i spent quite a bit of time thinking, considering my options and wondering if i should even respond to the 'apology' to begin with, but i feel like i've been here before, in this exact same position (i didn't respond to his original 'apology' because it felt off how he omitted the fact that he pretended to be the victim for a whole week, but even then i decided to not say anything and just let the dust settle and give him a chance to learn and do better) and doing nothing eventually just caused more harm. even if i can't reach the other side and find common understanding, i wanted to at least express what's been on my mind for such a long time.
i always try to approach people and situations with understanding and try to assume ignorance instead of malice when someone says or does something i consider questionable or wrong. but i also know we all have our limits. we are all human. and you can't take the heart out of the equation.
one thing in this 'apology' that really stood out to me was this:
how is it not malice to completely disregard another creator, hell, another person and their wishes and feelings when they have made it very clear that your actions are causing them harm?
how is it not malice to outright lie and misrepresent other people and situations in order to portray yourself in a better light?
how is it not malice to disrespect the people you've stolen from and then, after they (by your own words!) rightfully address it and try to bring your actions to light, you then turn around and vilify them to your friends and followers? portray them as bullies and gatekeepers?
all while repeating again and again how the whole experience made you stop creating? as if your actions didn't force people out of this space, this fandom? have you ever sat down to think how the person that made you a 40 minute video tutorial on gif making, the person that taught you so much, no longer makes anything at all because you turned your back on her and copied her sets? kept doing it after she blocked you? after she made text posts expressing how upsetting your behaviour was? you didn't care and kept doing it anyway. even saying things like 'i always credit where credit is due' in response to copying numerous sets from @minthara, down to the caption without ever crediting her.
and if that wasn't enough harm, you then took it a notch further and straight up lied to the people around you, trying to vilify petra and i by saying how the whole thing should've been dealt with in private. how is it not malice to omit the fact that I DID, in fact, reach out to you privately. that i did it in a civil manner. that i tried to explain to you how your actions were wrong and were rightfully upsetting other creators. how you ignored everything i've said and when i expressed that your response (or lack of it) made me uncomfortable and that because of it i couldn't give you permission to 'recreate' (copy) my work, you then insulted me and told me that it didn't matter what i wanted? that you would do as you please and there was nothing i could do about it? how you then immediately blocked me so i couldn't even respond? how is that not malice?
and then this was from your apology back in march:
and you insist that after this 'apology' you've learnt and were never doing anything wrong again and yet you are saying the same thing again in your new 'apology'. how after the march events you went to @galedekarios anyway, asking for permission, didn't wait for her response and posted your copy of her set anyway. which just makes me think that you've never learnt. it just makes it seem that asking people for permission never stemmed from a place of respect and understanding, but from the need to cover your ass in case someone brings the fact that you're still copying up. which someone did, apparently.
at the end of the day, this is my opinion and i might be wrong, but following all of your words and actions, it just seems like you chose notes and attention instead of people. that you kept lying and misrepresenting things and throwing us under the bus for your own gain. and that you only stopped because enough people eventually found out, not because you suddenly felt remorse. and this 'apology' was just another 'ask for permission from a creator', all just for optics. you couldn't even bother to unblock us before posting the 'apology' which just shows how little you were actually thinking about any of us.
if you want to use them as actual cake topper images or other decoration, you have my full permission to! that's why i made them! (i'd love if you tagged or messaged me if you do!)
if you do want to use these for cakes, i also made several other versions and have notes under the cut
____
OKAY SO FIRST OFF I'M NOT AN EXPERT ON PRINTING STUFF. the (very) short version is, purples and pinks don't show up well in the most common printing method, and that "most common printing method" is used in edible printing, like what's used for cupcakes and cakes
(most printing uses a color model called "CMYK," if you want to look it up)
so!! maybe you can use the images above the cut and it'll be fine, or maybe you need to give the printers these versions. these colors were picked because it lets the images turn out like the ones above the cut, NOT how they're shown here:
i'll find out if giving the printers either version works or what in a few months, and i'll update this section then (or sooner if someone fills me in), since i'm planning on getting myself a Lucifer ducky cake for my birthday :3
i'm including versions with circles because many cake designs are circular -- including the one Lucifer used in-show lol and what i plan to print -- and the circle is placed relative to where i intended the image to crop and how i intended its composition. (if you'd like the circle to be placed a bit different, you can do so using the square version)
i included a bunch of variations where Lucifer's not holding anything, if you want to add a number for someone's age for a birthday cake or your own object or some phrase or whatever you please
again, idk how printing works, so i might swap these out for the more vibrant versions depending on what i eventually learn. i'm just prioritizing these less bright versions basically so everyone remembers these are the intended / expected colors
AND A LAST TOTALLY UNRELATED NOTE:
if anyone wants to take a crack at making the image as show-accurate as possible, BE MY GUEST. SHORT VERSION IS, I DID A GOOF WHEN TAKING THE BASE IMAGE OUT OF PERSPECTIVE, SO IT CAN'T BE CROPPED TO LOOK HOW IT DOES ON THE CAKE LUCIFER CANONICALLY USES, WHAT WITH LUCIFER'S HAT AND ALASTOR'S EARS GETTING CROPPED OUT
(i wanted to make a "complete Lucifer hat and complete Alastor" version as well as a cropped version for the pedants [affectionate] out there. but the second version didn't work out when the time came 😔)
it'll probably take some artist's license to get everything to fit in a perfect circle, but here's two versions where i actually did the first step more correctly, using my program's "mesh transform" to get it circular
in the first image, Lucifer is more accurate, and Alastor is more accurate in the second, in case anyone wants to use these (no obligation; you can do your own thing if you'd prefer).
the mesh is still visible in the second image because i hadn't intended to keep the screenshot -- i just thought the mesh looked wild, so i screenshotted, but it was a lucky save since Alastor looks decent there. (it might also be preferable if you use a mesh with more points than in that screenshot)
again, some artist's license will likely be required to get them both looking good. have fun with it! i might try this project again in the future, but for now i'm done lol. (it'll probably be at least a few months or a few years if i do try again, and no guarantee that i will)
the trouble with me is that while I do have projects that are entirely personal and not under any NDA, showing them to you as I work on them would be kind of counter productive because you'll be seeing the finished product one year from now at the earliest. and by then I'll have moved on to being excited about even newer projects. do you understand why I'm like this
They are Very Professional.
These two would get along. Everybody would hate that. WHEEZE (except Klee who would get a second older brother whether Wolfwood agreed to it or not)
Me desperately trying to find this so-called "bias" it often feels like a solid two thirds of this fandom claim that the HotD producers/writers have towards Rhaenyra when literally every single change to other characters has fundamentally come from minimizing/obfuscating/or otherwise reducing her narrative and overall characterization and character.
Yes, I'm sure this woman who they have invented continual bad decisions, internalized misogyny, blatant disregard for the people closest to her, ineptitude, blindspots, and blatant, borderline unbelievable public disdain for in their adaptation of her character; who's background as a victim of child abuse, of continual misogynistic psychological and eventual physical violence, who's love of both other women and her own womanhood, infamy in her charm and popularity and continual attempts (and yes, often failures) to rise above the positions she was forced into they have also ERASED...is actually someone they're going out of their way to portray sympathetically?
Oh, but they favor her because...idk they haven't shown her being violently raped or repeatedly physically abused? Because you believe they actually think that making her seem like an idiot who never knows or thinks about what she's doing is somehow favorable?? Because it seems like ANY of these changes have actually endeared her to the fandom much less the show's general audience??? I literally cannot explain it most of the time, it baffles me.
I know I shouldn't be because why should any of us ever be shocked by misogyny in media anymore? By the portrayal of a woman for a mass-media (and heavily desired male) audience that's reductive and hollow?? But it's simply unreal to see how so many people somehow believe that this was done out of some sort of benevolence or favoritism. That so many people believe any of the changes made in the opposite direction of, and often active opposition to Rhaenyra's portrayal in Fire and Blood, were made out of some sort of desire to make her a tangibly more sympathetic or broadly understandable character, is something I'm not sure I'll ever be able to fully understand.
Except, of course, in the view that I really hope not everyone who says this sort of thing actually believes; that a self-confident woman who exercises her own agency is such an affront that even an unsympathetic, inconsistent, reductive, and idiotic cardboard cutout of a character is still a more respectable alternative.
why is it i could have picked any of the cliche traumatic childhood coping mechanisms + i picked eating disorder + not like. kinning anime murderers or something less miserable
two things about doug eiffel: 1) he's a very physical person; he's always moving and needs to keep his hands occupied, and that extends to physical affection, something he's largely denied on the hephaestus; 2) he is an absolute space heater of a man.
which is to say, if hera had a body, i would hope for her sake that it'd be more biological than mechanical, because that guy is going to cause something to overheat.
... but, also. because, the way eiffel interacts with hera, he's always attempting to establish some physical connection - i think he makes eye contact with her cameras, touches the walls, etc. and he knows she's "always there" but he still doesn't really get it. he keeps asking. i think the same thing applies to her presence in the station - he never fully gets that she's always everywhere. sometimes when he gets up to leave a room, he'll ask her to go with him - just force of habit.
and sometimes, when he can't sleep properly - which is often; he's a restless sleeper, overcaffeinated, and his thoughts keep him awake - he'll curl up next to hera's servers. and it's hot in there - and he's already a sweaty guy - or it's too cold, if the AC is actually working properly - and it's loud, but it's enough to quiet his thoughts. and at first hera reminds him that she's equally there in his quarters (which would be set up enough for a suggestive retort, if he were any less tired), but he looks so tired, and it seems to help. and she's not sure why, but it does kind of make her feel closer to him, too.
Good evening, why do you think americans are obsessed with Doctor Zhivago and what do you think of the novel?
I'm being charitable when I say that there are maybe five Russian books that John Liquor American can readily name, and all of them have been made into movies and/or musicals. With Zhivago, part of the reason it became a cultural touchstone so quickly has to do with the circumstances of its publication in the United States during the Cold War, closely followed by the epic David Lean film, in which Omar Sharif is so hot that it hardly matters that the movie itself is mid.
In regards to Zhivago's specific appeal to American sensibilities, I think a lot of it has to do with that adage about how an English language romance begins with a kiss and ends in a wedding, while a Russian language romance will begin with a kiss and end in Siberia. The weddings are fun but after all that stale cake, you want to want, and you want to be left wanting.
My relationship with Doctor Zhivago is that it's fundamental to my understanding of human dignity and human frailty. It is also a very nice love story.