#no I think that may always be there. but it doesn't have as much power over me as it did.

[morallygreychaoticneutral]

Astarion doesn't ask for affection because he can't..... yet.

Ah, more tea steeping in this seeming endless sea of thoughts. This brew is a bit strong on the heart. Read with caution.

Warning for game spoilers and talk of abuse.

This perspective is from game content only. How anybody cannons their relationships or behaviors is perfectly right. No blame, no shame, it's your game.

I was always miffed at the lack of initiated affection from Astarion as a partner. YOU ask him for a kiss. YOU ask him for a hug. YOU ask him to tell you thank you after being an amazing partner and killing a massive beastie just for him! Brat...

But then I had a sudden realization. Given his past, affection is probably insanely hard to ask for. Like it can be for a lot of us.

Stay awhile and listen. (nerd)

Now when I speak of narcissistic abuse I am only speaking from what I know about it. I have no academic or phycology degree on the matter. Just good ol' tossed in the pond and forced to sink or swim experience.

Astarion spent 200 years under the crushing weight of narcissistic / psychopathic abuse. One of the things these types of abusers love to do is take what you love and make you hate it and then make you hate yourself for ever having liked it to begin with. All very nasty business that. But it's one of the main corner stones for the cage they build to control you.

They make you feel as if the request of a simple hug is the most pathetic thing you could ask for. Or the most selfish thing as it inconveniences them. They don't want it, why should they give it to you?

Shame, belittle, degrade, devalue..

200 years with a master who used him like a tool. 200 years with siblings that fought amongst each other so much comfort was a liability. Nights coming home assaulted only to be mocked for your tears. Insulted for your need of comfort.

"Pathetic! Weak! Disgusting! "

Shame, belittle, degrade, devalue..

Affection was nowhere to be found there, I assure you.

And for a Narc. anything given is expected to be "earned" in any way they see fit. And if you were "rewarded" with anything, it comes at high price.

And how dare you not find it fair. You ingrate!

Shame, belittle, degrade, devalue..

Hugs are pathetic. Kisses are an intrusion. Or they become gateways to other unwanted behaviors. To be held...what are you? A baby? The only way you are going to get held, is down.

Shame, belittle, degrade, devalue.. The pattern continues.

But you ask HIM for a kiss. And he says..

"There is nothing I'd like more."

And he means it.

I'd bet a mountain of gold he wants to just ask you himself. But years of conditioning to expect pain when seeking pleasure probably keeps him in a choke hold. Like rats that are shocked every time they try to eat food out of a dish. They learn it is safer to starve.

"I want to ask Tav for a kiss or a hug, but they might think i'm weak. But if they ask me first then it's them who wants it and they can't degrade me for it because they asked, not me. It's safe then."

"I want to ask Tav for a kiss or hug, but they might reject me for being too needy and shame and berate me for being so selfish or demanding of their time and person. But if they ask they have time and want me to kiss/hug them."

"I want to ask Tav for a kiss or a hug, but my primal brain keeps telling me they might demand more than I want to give in return for it. But if they ask, I have the power of negotiating the outcome."

This leads me to believe he would view sex and affection very differently as well.

Where most find affection safe and nurturing, it's anxiety educing and unsafe. It means there are feelings and if there are feelings there is the risk and fear of rejection or judgment. It's much scarier.

Where most find sex to be connecting and intimate, it's been used so much it's lost any meaning. Something you can do a thousand times over and walk away the second it's done and feel nothing afterward.

This may even be a part of the reason why he wants to stop having sex.

He wants to connect with you in ways denied to him. He wants the experience of being courted, treasured, nurtured. It means so much more to him than sex. It is so much more connecting.

Feeling this way is wretched and lonely. The most basic instinct is to want to seek comfort in the arms of those who love us. But it's broken. The risk is too great.

And it's hard. Because you could be the sweetest most honorable Tav in the whole of Fearun. But after being fed poised apples one too many times, all apples appear poisonous regardless of if is true or not.

I have no doubt that this prickly elf soaks up every second of non sexual affection you give him. And truly is grateful for your patience while he slowly and carefully disarms the safety measures he put in place to survive. The fact that he even allowed you to touch him like that at all was a monumental act of trust. And why not? You are incredible after all.

I'm going to go ask my elf for a kiss now. And then cry in my cup.

[pureastrologywisdom]

𝔖𝔬𝔪𝔢 𝔖𝔢𝔡𝔲𝔠𝔱𝔦𝔳𝔢 𝔓𝔩𝔞𝔠𝔢𝔪𝔢𝔫𝔱𝔰

Lilith aspecting Moon

This is a very powerful placement for women specifically. The moon, which is your emotions, connected to the unconscious self, habits, comfort and femininity is connected to the point in your chart that is powerful and dark, a part fuelled by pain, and all about transmutation. These woman often have a very intriguing essence about them. Strong and seductive. It's like you are playing with fire. She enjoys being a little off putting and knows exactly how to be enticing yet intimidating all in one.

Neptune/Venus/Pluto in the 3rd House

The third house is often overlooked when people are speaking on seduction and sex appeal in astrology. People are so focused on visual they miss a key point. Seduction includes all the senses. Someone being beautiful doesn't necessarily mean they are seductive. It's the way someone moves, speaks, the things they say and don't say, how they hold themselves along with present themselves. It's subtle.

This brings me to why the third house comes into play. It inductees how we communicate. As mentioned words can be very seductive. Having planets like Neptune and Venus will give someone a sweet and sensual demeanour when talking. Neptune is very receptive and often these people are incredible at being able to asses the needs of the person they are taking to, it's a very intuitive placement. Neptune is also all about fantasy. Playing into a role you project onto them.

Pluto in the third's seductive tactics are centred around power snd control. Manipulation if you will - not always in the worst sense. They are good at digging for information getting to the base of the persons psyche that they are speaking to. Once again it's about understanding the people around them. You can see how Neptune and Pluto have this in common but the way they use this is different.

Scorpio Rising

I feel like you guys know this one has to be mentioned. And I am sure I have written about this before. However I feel it's important to explain why this rising sign specifically holds such seductive energy. I often hear people talk about their eyes, which is very true. But it goes much deeper than just appearance. Scorpio naturally rules over the 8th house, a house that is very deep and dark. It's shrouded by mystery and taboo, along with being a sexually charged house. Now think about all of these themes being brought into the 1st house. Being at the forefront of someones being in not only the way they look, but they way they carry themselves and interact with the world around them. It's very provocative energy.

But there is more. Though people may assume that because of this scorpios may give off an overt sexual energy, its not quite as obvious one one may think. Whilst there is this air of sex appeal around them, this often doesn't come from being so open and bold about these things, but rather from holding a little something back. As we know scorpio is about the things below the surface, secrets, privacy. This creates a dynamic where people can sense this energy, however they must peel back the layers and investigate more to truly see what these people are like. This can create a push and pull, a little bit of an enigma. It piques the intrigue of people and encourages the chase.

Mercury quintile/Bi-quintile Mars, Pluto or Neptune & Lilith in some cases

Very similar to the previously mentioned third house, Mercury rules over communication, along wit the way we think and process things. Having a quintile or Bi-quintile aspecting mercury it shows us that someone has a particular skill around communication. I have already explained why having Pluto and Neptune connected to areas of your chart dealing with communication creates seduction.

I also included Mars, as Mars is a planet of strategy. Often working towards a goal these people like to win, and are very good at 'winning people over' in conversation. Mars is more of a dominant planet so domination is a tactic often used by these people. Sometimes being commanded is sexy. These people speak strongly which is sexy.

The reason why I put Lilith as a case by case aspect is because as we know, Lilith often states as a place of wounding in a natal chart. It's only after someone has healed those wounds and understood the source of power that that area of their chart is with Lilith sitting there that they can truly start to embody and experience this. Though I will say having Lilith in a quintile or Bi-quintile is often easier. When developed Lilith is a very untamed energy, a little wild and unpredictable. Two traits that are extremely enticing.

Thank you all for reading my loves,

Pureastrowisdom x

Also a quick notice - I have a TikTok account under the name of

.plutonian.priestess

I would love if you would go and follow me on there too where I can post more image based content and eventually go into video style content too.

I am thinking of putting a face to my name and my account as I want you guys to see the person behind my work

[ghouljams]

I know every fandom has it's fair share of "incest"(not sure if thats the correct term) but it seems like the cod fandom has it so much more than the other popular ones

I mean maybe I'm not 𝓯𝓻𝓮𝓪𝓴𝔂 enough and I know every person has their own turn ons and off but it can't be just me who thinks this is weird/cod fandom has like so much more of it (and I have been on the internet for a good 8+ years and have been deep in fandoms)

(idk maybe I'm just rambling out of my ass because I have ocd and intrusive thoughts place my own family members the moment I say words about a family)

Omg hi friend!

First of all I want to say that I'm glad you asked because I've actually been thinking about this!

I have a major(MAJOR) turn off for actual incest in fanfiction. Maybe because I lived through homestuck and people fucking love incest in that fandom, but I cannot read it without getting squicked out. Faux-cest though doesn't seem to give me the same problem and I think it's because there's always an undercurrent of "this is pretend" when done right, it feels porn-y, fake. I think it's because (in my mind) faux-cest falls under the "humiliation/degradation" kink, there's an overt power dynamic there that feels... different from actual incest fics.

Which also? The amount of people who have DDlg/MDlb kinks in this fandom is insane. Every day I see people calling Price "daddy" and I just... I'm gonna be so honest with y'all I hate seeing "daddy" in a fic, I don't mind caretaker doms but I just can't get into age play or the uwu cutesy way some of those fics go. But that's just me.

All that to give me some credibility in telling you: I don't think it's the cod fandom at large, but maybe just the writers who all follow each other and seem to get the same brain worms at the same time(I am guilty of this).

I think for some people there's an element of "I just figured out how to write this kink and I'm making it everyone's problem" and for others it's a "this seems popular at the moment let me throw my hat in the ring." Personally I had a faux-cest dream that I didn't particularly enjoy, honestly felt more like a nightmare, but I figured other people would see kink in the horrific so I popped it up on the blog.

Anyway I don't think you have to be "freaky enough" or even put yourself through reading a kink you don't enjoy, there's a reason I've been putting trigger tags on all the faux-cest stuff! I want people to be able to filter it out. Hell, a lot of it squicks me out, and I've written some of it. I don't really see it as any more prevalent in the cod fandom than others though. I mean every fandom has a decent portion that jump straight to incest stuff, you may have just managed to avoid it fairly well.

[readychilledwine]

Cleavage/Collarbones Headcanons

Warnings - as someone who recovered from an eating disorder, I know collarbones can be a very triggering topic. Please proceed with caution.

A/n - 4 of our main girlies to start.. Let me know if we want a part 2 and who should be on it

✨️Acotar Body Headcanons Masterlist✨️

Feyre

Due to Feyre being an archer, I headcanon she has very defined skeletal-muscular build through her chest and shoulders, including her collarbones

Momma has built shoulders and strong arms. It's possibly the strongest muscle grouping in Feyre's body aside from that human heart of hers.

I imagine it's one of her features Rhysand is secretly madly in love with. They're like the perfect framework for any necklaces he gives her.

Something about Feyre's collarbones in my mind screams they'd be elegant on top of everything, but I see Feyre growing into more of a class sex appeal VS male gaze sex appeal outside of the CoN now that she is a mother.

Breasts change a lot with motherhood as well, so I imagine that's motivation for her to continue working her upper body.

I see deep plunging necklines being replaced with sweetheart cuts that dip a bit more in the center, highlighting her.. What was it Rhysie said? Ripe apple-like breasts coming.

Listen, becoming a mom doesn't mean you can't still be sexy (at least lie to me and echo chamber that for me, please) but I think it would change Feyre's cleavage style significantly.

I honestly would find her dressing like this so powerful. She's gone through her spring phase, her high lords play toy phase, let her have a "this is the only preview you get," phase with a new, fuller, hot mom bod, SJM. Please, your mother readers are begging for it.

Mor

Mor is an engima to me. I don't know why.

I don't imagine her with collarbones that capture your attention, but I think that's because I see Mor with a very regal neck, if that makes sense?

Her neckline creates that flow to her very soft collarbones. They're definitely visible, but not that way I believe other females are.

Mor has her fashion set to follow the flow of her body lines, hence the cutout gowns.

I think with Mor, underboob and inside boob cleavage is more popular than traditional top cleavage.

I may be picturing her dresses wrong, but I always picture those dresses girls bought in like early like... 2010s to be Greek goddesses for Halloween. Some of you will know exactly what I'm talking about. Others are about to find out.

Mor strikes me as too confident to worry about modesty and I don't hate her for that.

I mean, if I was a female general and had a body like Mor does, I too would show off my underboobs as a way to show my abs.

Nesta

Ness has collarbones you dream of sipping red wine from. I was going to make that all this section says. I was told that was unfair.

There's something about Nesta that screams collarbone. I don't think she's an unhealthy weight by any means, I just picture her with that built there they are deep and pronounced.

Nesta, I see, as very modest despite fanart depicting her otherwise. I do not think you get to see Ness and her collarbones as often as you may like, and when you do it is a treat.

I imagine Nesta in a lot of square neck lines that maybe have an illusion netting to show a bit of cleavage, but I do not see her in the deep dipping dresses she is sometimes shown in. I know they may have been canon, but, it's canon that feels un-Nesta to me.

Elain

Big girls, where we at?

It's no secret I picture Elain as a plus size girly, and while it is possible for plus sized women to have very visible collarbone built (it's as much about skeletal structure as it is the fluff), I do not picture this for Elain.

In general, I see Elain much softer than her sisters both on the inside and in physical appearance, and those who've gotten to know me best know I think Elain is easily the most attractive of the 3.

Elain has the collarbones that are noticeable when her head is angled just right.

She's thought about making a bargain, hoping the mark would high light them more. That was met with a soft smile from Rhysand, his hand gently touching her face, "That's not how that works, Elain." Rhysand would then introduce her to glimmery cosmetics called highlighters she uses to add some sparkle to her collarbones.

Elain is my off the shoulder moment sister and due to that, I imagine her necklines being similar to Feyre's: Sweethearts, but make it cutesy sexy

I think Elain is a little more bold than Nesta cleavage wise, but not as bold as Feyre may be.

Elain is more willing to show some upper chest and I love her for it.

[missingpolinseason]

Despite the claims that there's no deleted Polin scenes in season 3, What a Barb! Podcast just found some more scenes that didn't make the final cut.

The first one I want to talk about is Colin's dream. Aparently, in the original script, Dream!Colin wants to continue 'the lessons' and says he "still has so much to teach her", to wich Dream!Pen replys "teach me". The insert ends with Colin saying: "Don't worry, it's only us. It was always us". Now, how on earth did they though that it was okay to delete a scene in wich Colin admits to himself it was always them?

That scene being deleted makes me wonder how was the original Willow Tree scene - as that scene is about ending the lessons, and we know it was a reshot because of the wig. Was it a scene to mirror the dream sequence? Because the dream reveals he wanted to continue their lessons and "teach" and "experience so many things with her" but he "gives up" because he thinks she doesn't want it. Like, it would make so much sense with his insecurity to destroy the friendiship. Omg. Not to mention it embodies one of my favorite things about the book wich is Colin being in love with Pen even before realising it.

Then we have the second scene, wich is actually a line cut out of their first kiss. In this version, Colin claims that (the kiss) would ruin her, but she says she's 'already ruined'. And as much as I have no complain about their first kiss - it is my absolute favorite scene -, in this moment Penelope thinks she has nothing else to loose. That she will never married and will spend all her life trapped in her mother's house. That's wath brings her to ask for the only thing she ever wanted: a kiss from Colin. She's a romantic after all. But Colin doesn't see her as a 'ruinned woman' and he doesn't want to cross the line even though no one would known.

In fact, in the book, her kiss request is kind off prompted by Colin saying that "Suppose I told everyone that I have seduced you. You would be ruined forever. It wouldn't matter that we had never even kiss. That, my dear Penelope, is the power of the word". And that quote/line of thinking matches so well the persona who sees Whistledown as an enemy that the show build for Colin...

Last, but not least, a scene in episode 7. The night before their marriage. A prostitute aproches Colin but he declines her services. This not only shows the truth that he'd never cheat on Pen but also that he knows they will be well and leave happily ever after.

They chosen to cute this scenes. Rumour is they chosen to pick a version of the modiste scene in wich Colin sends Pen home alone in the middle of the night when there's alleged a version of this scene when he goes home with her - not to mention the scene of them in bed talking about Colin's write. How many more Polin scenes we may have lost?

*The deleted scenes/scripts were courtesy of the Writers Guild Foundation Shavelson-Webb Library (accordinding to What a Barb! posdcast).

** First scene is loosely quoted as I saw the information in portuguese and translated back to english.

*** The original screenshots of the scenes + insta posts belong to the What a Barb! podcast Creators. I included the images along with the source.

[newkatzkafe2023]

@lara-legomonkiekid

(Genderbend) What if Y/N's being harassed by a bunch of demons? But Y/N doesn't want to worry his wife about it?

You wife's enemies are your enemies as well but to think their dumb enough to mess with you😑

(Lmk Wukong) Ohhhhhhhhhh no your wife maybe be a bit of an air head, but she's more observant than she lets on. She can feel that their is something you're keeping from her, and she's gonna find out what, so she followed you to your outing, and she was quick to find the truth. You were currently fighting these demon thugs who have been messing with you for a good few weeks at best, and the second one of them punched your face. She flew into a murderous rage, and soon you both were surrounded by dead bodies. Now you'll have to deal with your wife's interrogation.

(MKR Wukong) Again,THEY WILL BE A BLOODSTAIN ON THE GRASS WHEN SHE'S DONE WITH THEM!!👿 you felt that you never had to tell your wife about the bullying and harassment. After all, you know how to take care of yourself in battle, but also, these guys were bothering you because they knew that they would die if they messed with her. So when Wukong noticed that you came back with some bruises, she immediately saw red and demanded to know what happened. You sighed and told your wife about your problems with these guys that were bothering you, and well, let's just say there was a large of mystery meat after words.

(HIB Wukong) Hmmm, well, this is very bad for the other people involved. Ever since your wife got her powers back, she became extra protective of everyone in the family, including you. So when she finds that you were being bullied by some low-life demons and you refrain from telling her because she's already stressed out. One day, you came home with a black eye, and Luier immediately freaked out and told Wukong what happened, and now their all dead☠️

(NR Wukong) Ohhhhhhhhhh nooooooooo people constantly forget how crazy dangerous she actually is, like seriously you would find her dragging a dead body every other week!😧😰 so you think people would stay clear of you as much as they do your wife, but we always have that one arrogant moron and one day they got the jump on you and messed up your clothes and face. You never got a chance to tell Wukong about the harassment because apparently she knew already, because when you came home you found her roasting a very familiar demon head and you put two and two together and now you mildly fear her.

(Netflix Wukong) Ohhhhhhhhhh nooo 🙅‍♀️ this is bad, those clowns picked the wrong ones because you're both equally violent. Since you're both Fiercely protective of each other, you're both quick to neutralize each other's enemies and problems. Which is why you were open to tell her that you were assault and injured but fought them all back and told your wife about it, but the second you saw those Wrathful red eyes....well you both about to catch a bunch of bodies. 😈

(BMW Wukong) INSTA KILL ENOUGH SAID!!! Nobody messes with her darling husband and gets away with it. Also I advise that you don't even bother to hide your harassment from her because she gonna find out either way. So when she finds the bastards who dare to lay a fearful claw on your sweet handsome face, she totally went Nuclear she totally ripped their faces off. Even worse then ever, she took full brutal revenge and made them an example to never f*ck with you ever again.

(Destined one) The destined one may be calm and collected out of the monkey woman, but she can be just as lethal when provoked as well. The best way to get on her bad side literally attacks her husband. You knew this which is why you avoid telling her about any of you minor issues not seeing it as a big deal, It was until you received an severe injury there is absolutely no way you can hide from her. You finally came clean to her about the whole assault, and told her not to worry about it, but she just kissed your wounds and left. After all that, you haven't seen those guys ever again, infact Nobody has ever seen them again...........It was like they disappeared of the face of the earth. You wonder what happened?😈

FEEL FREE TO REBLOG

[theharellan]

My rough thoughts/interpretation/reflection of Solas and his relationship with Mythal after a first playthrough. It's subject to change on future playthroughs, but probably by inches (if I can ever get my audio fixed). Note that while I am trying to base all of this on canon, there is reinterpretation involved, as I do feel Mythal/Flemythal/Morrimythal was neutered somewhat in the writing process.

Spoilers for the whole of DA: The Veilguard.

When I roleplayed Solas I mostly played the relationship as benign, in large part due to her being another character whose role in Solas's life was gestured at but never defined. Which in some ways, is still true, but I think at this point it's impossible to deny she had a negative impact on him (to say the least). Since moving into fic writing I started to lean into the darker implications of their relationship, and while for the sake of rp I'm adaptable, I do still want to talk about my feelings regarding them.

I believe Solas, by aiding her, is culpable in many of the crimes they committed together- make no mistake of that, but he is also a victim of her. She says at the end she used his wisdom as a weapon, but she also used her benevolence as a tool to manipulate him, appealing to his knowledge of her nature to get what she wanted.

Her coaxing him to take a body after he states outright that "he has no wish to live as humans do" (I'm going to ignore the confusing implication that humans were around) is but the first betrayal she subjects him to, and imo the greatest crime she commits against him, specifically. At least in canon, the game skirts around the issue of vallaslin, but if the "he didn't want a body but she asked him to come" is true, then it would follow that the follow-up, "he left a scar when he burned her off her face" would also be true.

The second would be rising to the heights of the gods, and calling him the traitor for rebellion. Morrigan calls Mythal corrupted 'Retribution,' and that may be true of Mythal after her murder, but I believe long before that her benevolence had gone awry. From what I can tell, we have no concrete timeline for Elvhenan and what the gods did before and after her death, and therefore no idea what Mythal even means by tempering the other evanuris. Slavery almost certainly existed, which honestly is enough for me to say she was doing a bad job. Past codices indicate that her punishments were not just so much as exact:

"Mythal, in her wisdom, interceded in an argument between Elgar'nan and Falon'Din. With clever words, she convinced them to settle their grievance through a battle of their champions. Elgar'nan and Falon'Din agreed, and set their champions against each other rather than declare war among the gods. May those knights long be remembered, and Mythal's wisdom be praised." (x)

This and the codex describing Mythal's judgment characterise her tenure as a god as being far from bloodless.

There are also indications that not all had as much faith in Mythal's ability to see reason or cede power:

"Solas always thought" is the key phrase for me in this note. Not "we," but "Solas."

What this all means for Solas is that Mythal someone he has a deep, ancient connection to, but also someone who has hurt him deeply, violated him, used him.

And he doesn't want to face that.

Solas is quite capable of admitting his mistakes, even as he is moving onto the next one literally in the same breath... but Mythal's mistakes are never addressed by him, even at the finish, when he is holding the pommel of the knife out for her taking.

I think Solas navigates around the wrongs committed against him throughout the course of their knowing each other. His rage against the mages who forced Wisdom to take a body, to kill, may lead him to murdering them, but he never directs such anger at Mythal. He can't. The regrets he has about her literally flake and dry upon the walls of the Lighthouse because he can't. He can't face her remnant in the FadeAnd it's only at the end where he receives any catharsis in the matter, any admittance of wrongdoing against him (albeit without apology).

So in most interactions with Mythal, Solas will be very close with her, at best brushing up against the sides of where there relationship chafes. Always willing to believe the best of her, and her death granting him the mercy of being able to persist in that belief.

I do also believe their relationship was entirely platonic, albeit at such an intensity (on his part at least) that I'm certain there was talk. Luckily, I've spent ten years with Thora and Solas doing the ground work for Solas having deeply intense platonic relationships that match his romantic ones for their dedication and devotion.

[randompersion]

Honestly, I find Saiki's character pretty interesting, although funny but either way, still interesting!

Especially with how he tries to convince himself that he doesn't like his friends (proceeds to save them multiple ways when he didn't need to do that, proceeded to 'protect' them from disasters, and More so.)

He's a tsundere, of course, quite an obvious thing!

He had been dying to inform his friends that he haves psychic powers but he didn't want to know if their reactions would be negative or positive, due to living with a specific older brother who thinks the worst if someone ever finds out.

But it's not like he really can inform anyone about it anymore, based off the childhood episode, he knows how powerful his pyschics powers, and he can't get close to anyone anymore.

(Because, what if they get injured? What if they died? He's not sure if he can handle it well, despite how much he convinces himself. Despite all of these, he still get close to the idiots.)

He knows that their reaction would be positive, but he won't get used to people knowing his psychic powers that aren't his family. (And those two, the Gyaru and the pervert temple guy)

He may likes *only* the coffee jelly and his mother, but that'll change unbeknownst to him.

He's so lonely and will always hear the true versions of everyone, no matter how much they hide it, he will know.

And he's tired of that, tired of so many voices, tired of this destructive power, tired of doing all of these,

He was in a 4-year time loop too, and it seems that, even though they're all the same for four years, they keep changing and changing, and only a few knows about it.

Only a few knows about how he tries to save the world from the big volcano eruption.

Putting that aside, is funny that Saiki is ALSO like his father, without his psychic abilities. His parents are so blessed by having two special unique kids but the older is unfortunately insane so that he can beat his younger brother, who always outshines him, in his younger years that is.

(And that won't stop, but hey at least it shows that Saiki is alive.)

Without Saiki also, it seemed that everyone will be a mess. (Again, multiple episodes kinds explained that too. Man I did not love the butterfly effect episodes 😭)

[lukedruid80]

MY PROBLEM WITH MINDSETS

I possibly have OCD, and i am very much sick of the shifting community always saying "Don't say you don't believe, it'll ruin your mindset" well buddy some of us CAN'T control our intrusive thoughts, can we?

Here's my tip/take on how to deal with this for shifters struggling with mindsets, especially mental health like OCD included. (Disclaimer: This works FOR ME, it is no guarantee for everyone, but this is just my tip. If it doesn't work, it may not be for you.)

I figured, why hasn't anyone talk about that we can literally rely on our emotions instead of mindsets?? Our minds can TALK, it can say unspeakable things that YOU don't even want to think about. Some of us are BUILD to be talked over by our own minds. The ONLY THING that doesn't betray our nature is our emotions.

In my personal experience, when I use my mind to say affirmations, intrusive thoughts starts sparking and it's so frustrating because I can't deal with it, and it betrays my mindset. The only thing that is REAL enough for us to believe is our hearts. Mouth, mind, words, writings can LIE. But our hearts doesn't, it only beats for truth.

I've tried to rely on my emotions, and I literally felt my s/o's head laying on my chest. That was the closest i have ever felt him, because I relied on my emotions of him. I focused on how I feel, I just let myself feel how much I miss him, how much I'm sad because I need him. Hell, I actually let myself CRY, my emotions is the strongest quality i have than my untrustworthy mind.

It's the saying in Once Upon A Time (most shifting coded show ever in my opinion), Rumplestilksin told Emma, that magic doesn't come from our mind but our emotions. He said "Stop thinking, feel it." Emma represents how a lot of people are like in this reality, she always need PROOF when all she had to do is BELIEVE. That was her flaw, and I think that's also a lot of our flaws as shifters.

If you think about it, a lot of magical or power portrayals in stories are surrounded with emotions. Avatar The Last Airbender, Zuko channeled by feeling his anger for firebending, eventually using the feeling of peace to bend. Harry Potter, the patronous spell can only be casted with happy memories, to FEEL those memories and that's how it can be casted. Teen Wolf, werebeings use anchors to help them stay grounded, the anchors are a connection to their most humane thing in life, and they feel it in order to shift back.

We overcomplicated things with our mind so much, but what makes US HUMANE is not our minds, but our emotions to feel for passion and love. Everything in this reality, is created with our hearts before mind.

Sure, mindset IS important, but what made us want to shift in the first place? Certainly it's not our head that went "oh this seems fun", it's our desires, and desire is an emotion.

Look at you, you're still here on shiftblr, you're still here to want to shift. Why is that? That FEELING of your desire, is what drives your motivation. Who's to say that emotions can't be reliable to shift?

[sopaprimordialy]

Boppers, hear me out.

Victor is Luther's father.

Ok, now, you might be thinking: "what the actual fuck are you talking about?" Well, in this essay I'll expose favorable arguments to my theory/theses/head canon that, in the album, the police officer Victor is Luther's father. Keep your radio tuned tight, boppers, bcs I might be crazy OR I might be onto something.

(There will be spoilers)

1. First of all...

For context, Victor is the cop that kills Fox. He's played by David Patrick Kelly, the actor who plays Luther in the original movie, The Warriors (1979). This alone is a huge reason for me to believe that they are somehow connected, BUT THERE'S MORE!

I think we already established that what a character claims to be their reason for doing something is not always their real reasoning, or, at least, not the entirety of it. I do believe Luther kills Cyrus because he enjoys the chaos and has a lot of hate in his heart, as Swan wisely says, but I don't think that's all.

We have hints among his lines that he's also misogynistic and racist. "Well, duh?" You might say, because there were few white men who weren't those things by the time this story takes place, but sometimes we may underestimate how heavy this stuff weighs in the narrative. If he really likes chaos that much, why not kill, Idk, a police captain? That would certainly create generalized chaos just as he likes, but instead, he deliberately targets marginalized groups' leadership — he kills a black woman, a powerful black woman who was trying to unite her community.

She was obviously an obstacle for the cops to keep up with their oppression towards these groups because unity is strength, and all they don't want is strong communities that knows their rights and won't accept to be chased down like animals when they've done nothing but trying to survive.

In the very first track of the album, the question "but is Cyrus atractin' police action?" Is asked. The answer we find further on, especially when the police invades Van Cortlandt Park right after she's killed, is: *yes*, of course she is.

* Also, the timing here is too convenient, don't you think? Just like the police knew exactly when to attack, when the desperate crowd would be disorganized, when they would be easy prey... anyways 😛

2. That weird af phone call

Now that we have established that there would be a lot of interest on the police's part to have Cyrus killed, let's move on to the next topic.

Suddenly, without any further context or this being ever mentioned again, Luther talks to *someone* on the telephone. This happens in the album, and in the movie as well, it is not confirmed who the hell Luther was talking to on that phone call. I've already seen some people theorizing that he has contacts inside the force and that he's talking to them, and I agree, but I think he's not talking with some random cop, I believe he's talking to Victor.

Come think with me: how did Luther instantly knew Ajax had been taken by the cops ("Holy shit, Warrior down [...] Picked the wrong fight / now she's in for a long night", I'll talk about this later btw), and most importantly, what exactly was Victor doing at Union Square's station?

Let's compare this approach with Barnes' one at the park.

Barnes was alone in the bench, and only when Ajax approached him (and started beating the shit out of him), he called for police reinforcements. It didn't feel planned, even tho he was trying to bait them to come closer to him, I think it was much more about sexual harassment than him actually intending to arrest them. With Victor, however, it doesn't feel like a random encounter.

"Officers are on the scene". This line repeats a lot during Reunion Square, that alone indicates that there are a group of cops there, like they've been called. They knew the Warriors, specifically the Warriors, would be there, and why was it so important for them to get the Warriors if they're just a "likkle Coney Island crew"? Because Luther would be FUCKED if the Riffs reached them alive.

Of course, the Riffs could just not believe the girls, but he was not willing to risk it — after the phone call, Luther tells Cropsy the Riffs wanted the Warriors alive, but they don't. And he was right, wasn't him? Cleon being alive and telling the Riffs the truth was the only reason for him to be caught and... well, we don't know for sure what they did to him, but we can imagine they weren't gentle.

That being said, we have strong evidence that Luther was in touch with the cops, else he would have no way of knowing Ajax was grounded. And Victor needed a reason to be there as well; not only an informant, but also a motive, and if we consider the theory that he was talking to Luther, we have both things.

3. Trust in the impunity of a daddy's boy

During the entire musical, Luther thinks he can get away with about everything. I atribute that not only to the fact that he's a white man targeting women of color, but he must also have other reasons to believe he's immune to justice of any kind, and there's where I start to try to convince you that he's Victor's son.

I mean, when Cropsy shows that he's worried the Riffs would go after them, Luther, rather ignorantly, responds with "they're looking for the Warriors, remember?" As if the fact that the Riffs are going after the Warriors is enough for him to believe they would never even think about interrogating them, trying to find the murder weapon, etc.

This behavior suits someone that has never been held accountable for any misdeeds at all, and who would fit this description better than a cop's son?

Let alone that Victor is a captain. He holds even MORE power within the police. Being the son of a cop, even if you're a fucking gang member, you'd feel safe enough to do just whatever the fuck you want without even thinking about the consequences.

Like, how many times he could have been caught doing something illegal, just tell the cops "do you know who my father is?" AND IT ACTUALLY WORKING? I firmly believe he was the one to inform the cops about all of this — the gathering, the Warriors' location, and the fact that he needed daddy to arrest the women who could potentially cause something to happen to him, because the Riffs are not the police, they'd not give af abt who his father is, even someone like him would have to be a little worried about being taken by them.

4. Fox & Luther — Parallels

I bet you did not see that one coming. "What do you mean there's something in common between Fox and Luther specifically that makes Victor killing her an interesting parallel with his (supposed) son?"

Well, games. That's kinda it. Old games.

So, there are only two characters that canonically like games in the musical, because they actually mention them: Fox ("A-yo I'll take you on an Odyssey like Magnavox") and Luther (with his multiple references to Pacman during the entire thing and other game expressions, like "I was at the top of the screen when I took that shot")

The Magnavox Odyssey is actually mentioned on the movie (according to my own father. I confess I don't remember this part, but I trust my nerdy father who actually have a connection with old consoles to notice that) by the Lizzies (fem version of the Bizzies), and Fox was not even there at the moment. Actually, movie Fox does not have a lot of... personality, if you ask me, he was kinda irrelevant. Anyways, even if Lin and Eisa wanted to reference this specific part in which the Lizzies offer to play Odyssey with the Warriors to lure them, why not have the Bizzies saying that? Why Fox?

Because that would be a bitter irony in the future. I might be crazy, BUT HEAR ME OUT, Victor killing a young woman that shared his son's interest for games was a foreshadowing for him being responsible for Luther's death as well — because he failed.

This is other thing they share: they failed. Victor failed to stop the Warriors from going home, Luther failed to kill Cyrus and blame the Warriors with no consequences, they failed together at silencing them, and this CAUSED Luther's (probable) death.

5. A gang member who endorses the police?

Ok, this last section is based in my belief that, even tho the crews fight and have their diferences, they all share a common enemy: the cops. That was the reason for them to accept the truce after all, the cops are their common enemy.

But somehow that doesn't feel true for the Rouges.

First of all, they killed Cyrus, which obviously means they were not in favor of the truce. But why? They sure would suffer from police brutality too if they were a normal gang. And we can all agree that they are even more violent than the average gang (I mean... have you listened to their leader?).

Also, this line intrigues me.

I mean, "picked the wrong fight"? It is clear that Luther's view is biased to take the cops' side. In this case, one could argue that his misogyny would play a big part on him diminishing Ajax's will to fight against an abuser. Anyhow, I think that this evidences that, even tho he's a gang member, he has a strong connection with the police.

CONCLUSION

I think we can all agree that Luther has something going on with the police, and I hope I have convinced you that he has something going on with Victor specifically.

It is possible to argue that their connection is only "tactical", or even go as far as to say that they are friends or something (tho, I don't think that's possible. One thing about brats like the Rouges: they don't go well with old people, with all due respect. I don't personally see this working as a friendship), but I'll stand with the father-son relationship till the day I die!!

Thank you for reading this madness and please lmk what you think! If there's something that doesn't make sense, if you have your own theories... I mean, I'm far more invested in this than I ever thought I would be, please give me more content 🙏🙌

[flonbowe]

OK SO AS IT TURNS OUT THERE MAY BE A BIT MORE TO SAY, SO UHHH HERES THINGS I MAY HAVE MISSED AND OR I JUST WANNA COVER MORE

AS ALWAYS, MAJOR BROTHERSHIP SPOILERS, ESPECIALLY RELATED TO ZOKKET

You have been warned

SO NUMBER 1: The Glohm Rays

Im just actually slow on this one my bad In the scene I got those Reclusa screenshots explaining who he is and stuff, it literally says he feeds off of negative energy. The Glohm Rays make people feel negative so Reclusa can feed. Zokket didn't just make the rays just because he's a hater, there was a reason for that too. That being said, how do we make up this void of evidence now? By showing off what I think is the ONLY time Zokket looks happy. This screenshot right here.

Zokket, doesn't smile so the fact that his eyes here are curved in such a way, while he talks about getting more Glohm to "Spur on the revival", while his plans are working out Me personally I think works just as well to show his sadism. (Btw this was from one of the expiring side quests, the one with Connie and Arc trying to get Chilliam's father to go to the wedding) NUMBER 2: Cozette and Reclusa I FEEL LIKE I'VE DOWNPLAYED COZETTE'S ROLE IN ALL OF THIS FAR TOO MUCH Like yes, Zokket and Reclusa are cool, but yknow who's body Zokket is piloting around? Who had to be manipulated and weakened by Reclusa into being a puppet body for Zokket? Who has to live with the knowledge of committing atrocities because she was taken advantage of? Cozette, Cozette, Cozette. Through out most flashbacks involving Connie and Cozette, there seems to be a very interesting consistency. half of the time, she's standing alone, and the other half of the time she's just following Connie around.

Her whole job as a Wattanist is to take care of the Unitree, a monolith to the bonds of Concordia. Its the most important job in all of Concordia, it keeps the world together, there is a lot of pressure on the shoulders of a Wattanist, pressure we see Connie feel through out the whole game, and how she keeps thinking of her mentor, Cozette. Her wonderful, capable mentor, Cozette. That however, doesn't mean Cozette didn't feel those feelings either. In fact, aside from Connie and the Bros once she's freed from Zokket, we don't see her interact with anyone else. This, alongside Cozette standing alone, and all that pressure, creates a very sad reality: Cozette feels alone. The pressure of her job, with everyone looking up to her, its a lonely feeling. She's the one who keeps the world together in a sense, and that pressure clearly gets to her, as seen by this line from her side quest.

This feeling, this despair, is something she doesn't want anyone else to feel or shoulder, especially Connie. She in the flashbacks makes sure Connie knows the importance of bonds, not just since she too will be a Wattanist, but because she loves her, and wants to make sure she feels loved, that she doesn't end up feeling like herself; Alone And that's exactly what Reclusa preyed upon. That's the weakness that let his powers corrupt her, Loneliness is what she feels, Loneliness is what she knows, and bonds haven't done anything for her, so Loneliness is Sublime. Reclusa is a monster, yes, but especially to Cozette. Reclusa took her weakness, and forced it to his benefit. Reclusa transformed Colette's despair and weaponized it by having Zokket control her, by buttering her up for his favorite play thing to take her body, her mind, the sacred knowledge of the Lighthouses, the Unitree, Concordia as a whole, and use that knowledge to try and destroy it all. This also creates an interesting dynamic with Zokket and Cozette, both are incredibly lonely, and potentially jealous of bonds, but Cozette has one thing Zokket doesn't: Someone to care for. Cozette, has Connie. Cozette is lonely, but not enough to harm others. Its a cycle of abuse. Reclusa takes his fury out on Zokket, Zokket takes his fury out on Cozette and the rest of Concordia, but Cozette, despite all of it, still chooses to love Concordia and Connie. Cozette and Zokket both looked into the abyss, but when it looked back. Zokket blinked. NUMBER 3: Ten SPEAKING OF THIS CYCLE OF ABUSE, THE EXTENSION CORPS! MORE SPECIFICALLY, TEN Becuase this twink has such an interesting hidden detail that really changed how I looked at his arc specifically, and his relationship with Zokket. In the Extension Corps's home base on Slippenglide, you can find logs from Ten, and they paint a very interesting picture of him.

Ten already mentions wanting to be in charge when we corner him, but this here expands on that. It shows a disparity between Ten and he rest of the Corps, with him not being as close as you would initially think. He's more selfish here, wanting to be the center, the focus of attention (he has a poster literally hung up of himself) He's the only corps member with a Solo boss fight He's the only corps member who actively Glohms people himself, almost Glohming Bowser if Zokket didn't stop him to go even further. He gets fussy when Ecks messes up his name, but Ecks doesn't when Ten does it back during the Sharpcask encounter. And with the comment about getting a war chest to fund his takeover, its implied he might have wanted to take over from Zokket, or just be in charge before Zokket came along. Its unclear when these logs were written HOWEVER It's not that simple either. The Corps (as shown earlier), still refer to Zokket as Master even when he’s long gone and assumed to be a fake person. The Corps get sad when Zokket misnames them, because they care for him. Not just as their boss, but out of some sort of genuine care for him. The Corps want him to remember them, they want to do good serving him, they want his validation, his praise. They work for him not because they agree with his end goal (no one but Shun even knew what that was either), but because they like the guy! It’s also for a more selfish reason, yes, they do just want his praise for them, but still, this is a core part of them that even gets filled by the time they realize they have bonds.

Especially for Ten

Ten's ambition, his need to be the big boss and be strong, seems to be out of a need to be seen, to be known, to not feel like nothing. This nothing gets filled once he realizes just how important Ecks and Shun are to him, becoming a pride for the Extension Corps, instead of just himself. It also results in their redemption But to think, if he didn't get this realization. If he had stuck more on his War Chest idea, if he had betrayed Zokket, he would of ironically become more like him than he realized. Throwing away his need for bonds and connections, and becoming all the crueler because of it. This again also furthers that cycle of abuse theme, Zokket abusing the Corps and Cozette specifically, with Ten being this close to perpetuating that cycle. (Its also kinda a unique spin on Fawful's arc, what if becoming the big boss wasn't what he wanted at all, but was a cover up for something deeper, but that's besides the point) ANYWAYS YEAH THATS ALL FOR NOW. Im not gonna say I have nothing more to say, there's prolly some other details im not aware of that make even more interesting revelations, but for now that's all I can think of. I LOVE THE EXTENSION CORPS, I LOVE ZOKKET, I LOVE COZETTE, I LOVE RECLUSA, I LOVE THIS GAME

MAJOR BROTHERSHIP SPOILERS, ESPECIALLY RELATED TO ZOKKET!

You have been warned

So they’re like, a toxic relationship right?/hj

OK JOKING ASIDE These two are very interesting to me, and since we've known about Zokket longer, I'll be talking about him first in this thread of reblogs and posts

Zokket

So to get the elephant out of the room, I earnestly don’t believe he is just Cozette brainwashed

Like Aside from small details like the body shape being larger than she is, Zokket's voice sounding very much so different in not just the voice bleps, but in his actual grunts and noises (Especially so before his boss fight), there's things like Zokket's personality, behavior, hell he's even flat out referred to as a separate person a couple times.

Cozette after being freed only ever mentions being under Reclusa's control, and putting on a mask to become Zokket. A mask that breaks once Zokket is beaten.

The way Zokket is defeated, the way the Glohn energy flees off of Cozette's body, coupled with the fact it was specifically a mask Cozette said she donned to become Zokket, tells me outright that Zokket isn't exactly brainwashing, but instead a type of spirit or possession used to carry out Recluse's will. Now All this to say Zokket is his own person, and a very interesting person. Unlike most other Mario characters, he's a very flat character. Intentionally so don't get me wrong, that's the point. He's focused more on numbers than people. He doesn't "misremember" names, he actively doesn't care. His first proper scene is him misnaming the Extension Corps multiple times, with him getting more aggravated the more they try to correct him. He visits Shipshape a couple times through out the game, and most of those visits usually end with him mocking the idea of having connections and overall being very bitter. He's a cold cold man, and even during his boss fight he revels in making the bros hurt each other. There's also some interesting extra details via hidden logs from Cozette while being possessed, and Zokket writing his plans through her body. Quoting from those logs "The egg says its name is Reclusa. Yes, it told me its name, and that makes sense. The egg speaks directly to my brain. The egg has also shared this important truth. Loneliness is sublime . The egg only SEEMS not to move. But it definitely speaks in my brain. I now know my only calling: the resurrection of Reclusa. Loneliness is sublime . All connections will be severed. Reclusa will rule a new era of isolation. Once I have completed my task, I, too, will know the bliss of isolation. Loneliness is sublime . Approximately 284 hours, 56 minutes, and 29 seconds until the resurrection. "Beyond the Glohmatic Ray" "I have distilled the isolate energy from Spite Bulbs. That will be the source for Glohm. I can then focus and amplify it through the Great Lighthouses..." "The So-Called Extension Corps." " I met these buffoons on Slippenglide Island and employed them as generals over my army. They are intensely incompetent but loyal. Do they seek glory, or are simply afraid? They will be superfluous after the rebirth. I will need some means to dispose of them" "Building an Army" "My soldiers, my hands in the wide world, are simply junk repurposed and rebuilt. I gave them language so they might cooperate., but it is absurd to see these junk piles speak. I cannot imagine a place for them in the new world after he is reborn. They will suffer. They may rebel and become ungovernable. No matter--they are ephemeral things." after Recluse was revived, Zokket intended to torture the Zok Troops, his minions, of which HE created. Zokket doesn't just hate bonds, but seems to actively wants to break them. He strayed from his goal of reviving Reclusa by using some of the Glohm to make handheld rays to make people miserable and hate each other, instead of just using the Lighthouses for Reclusa. He threatens the Corps when the revival is almost complete, which would have come to fruition anyway had they succeeded. Zokket seems to fully understand bonds, and despises them. He's not apathetic, he's actively resentful... Except For Reclusa Excluding voice clips, the only time he laughs, is here.

His only use of positive language, and its when he's dying, where he should be at his lowest. Instead, he gets excited, happy, happy to see his Great Inspiration finally return to this world. For a man who hates bonds, he seems to have a great deal of care for his master. A master he was willing to die for, who he was destroyed for. Not even Connie, who he can't forget because of Cozette's lingering consciousness, all Zokket can muster for her is remembering her name, unlike Reclusa. So Who is Zokket? Zokket is a very cruel, bitter person. He's distant and calculating, planning and very exact, very precise ways to revive his master. But he's also sadistic, planning misery for anyone and everyone involved in his plans, for the goal of isolating the world for his master, Reclusa. a master, who he has a deep level of fondness for, the only person he actively shows happiness towards, a person who he spends his alone time with, his purpose, his great inspiration. That's Zokket (At least, my thoughts as to who Zokket is)

[sciderman]

Which do you prefer, Spideypool or Poolverine?

glances at my decade-long running spider-man and deadpool blog

...hm. good question. i'll have to think about th

[dying-suffering-french-stalkers]

god help me i'm going insane about dickson xenoblade again

[the-force-awakens]

here's the thing no one tells you about love, about real love: it's the terrifying, agonizing, healing experience of assuming repeatedly what has happened before in the past with people who have hurt or left you, will happen again, and having your loved ones grab you by the hand and say, as many times as you need to hear it, "not this time, not with me."

[brawlqueen]

attempt was made ! all replies will be queued and i think anything holiday related won't expire for me unless you don't want the ask answered. like last month ! they'll just go under the 'seasonal / holiday' title on my asks because the brain fog is real / life amping up so ! also i think mi.zuki is the most smug santa .

also this was last year but still . love reindeer mi.zuki and san.ta a.iba. in my post-canon verse (which is divergent) they're still partners but shared also with d.ate obviously ! i think people should give them a chance since a.iba is a very very solid support system for mi.zuki and mi.zuki keeps aiba amused and can keep up with her in her own way, it's one of the few good things i liked about a.ini. oh well sometime i'll talk about how important a.iba is to her ! plus, the unlimited psyncs are hilarious and show their bond and they bounce off each other's wit and chaotic natures honestly. or rather they bring out the chaos in each other. different bonds but no less important imho ! but yeah i'll post this again later uh...closer to the holidays i guess ?

[demaparbat-hp]

Hiya!! 👋🏼😄 How's it going? Your fashion taste for Zuko in a Modern AU seems to be artsy, or maybe "formal" is the word. That shirt he wore when he gave Sokka romantic song advice looked Versace🧐. Anyway, I was wondering how you came up with it, he always struck me more as the type that didn´t care much about fashion, so I'm curious about other´s opinions and heacanons about it. And do you have any other fashion headcanons for the rest of the GAang? Also, their music tastes. How did you come up with them? Especially Katara's! 😍

Hello! As it happens, I have a lot of Thoughts and Feelings™ about this, so I'm leaving these over here, and the rest of my ramblings down below the cut!

Let us begin with the Gaang, shall we?

SUKI always struck me as that Pretty Girl from the Gym. She is so incredibly fit it isn't even funny. She could kick anyone's ass, and we'd all thank her. She has this casual gym style that somehow always looks glorious on her, as it should! Comfy yet fashionable clothes for a nice workout or a day in town.

Her music tastes are basically any and all power songs from the eighties and nineties. (Eye of the Tiger, anyone?) She also enjoys metal via Toph, and bands like BSB, NSYNC, or Boyz II Men with Katara. My girl has a very eclectic Playlist and we all love her for it.

SOKKA is That Guy™. Loose T-shirts and shorts everywhere he goes, no matter the weather. He's stupidly into fashion but it doesn't show! At all! And everyone teases him about it. His closet is about 90% Cactus Juice merchandise, hence the "it's the quenchiest!" shirt.

His fashion and music tastes are pretty much the same. He loves poetry but isn't really into lyrics. He'll misinterpret just about anything you place in front of him. His Playlist is mostly vibes and tiktok songs he kind of enjoys. He isn't really into music...at least not as much as his sister.

AANG owns exactly one hoodie, one pair of shorts, and one beanie (THE beanie). Oh, and the crocs—don't forget the crocs. Somehow, he's always wearing the exact same outfit. Every. Single. Day. Ancient Gaang lore suggests that the day Aang goes out without his beanie, it's the end of the world.

His Playlist is the poppiest, most bizarre thing ever. Every single song is Happy by Pharrell Williams levels of happy. Yet sometimes, among the bouncy dance-to songs, you'll find the strangest of things... (He does know what Good Day by Twenty One Pilots is about. That's the reason he likes it so much, actually. And it's so weird.)

KATARA is all about sundresses and loose pants. The epitome of comfortable loveliness. Light fabrics in blue shades, careful embroidery, delicate shoes, and little to no accessories—hers is a simple, yet quite adorable, style. She just needs to add more colors to her usual palette...

She is, first and foremost, a Florence + The Machine girl. It's the Dark Goddess of the Sea vibes, to be honest. Florence Welch is her idol and yes, she will fight you about lyrics interpretation, and win. It may not seem like it, but her music tastes are also very varied.

She draws a little from each member of the Gaang, so you'll hear her humming along to Gorillaz (where did you even find out about them, Aang?), The Weeknd (I...don't think this song means what you think it means, Sokka...), and Hozier (Zuko why did you dedicate Talk to me, Zuko WHAT DID YOU MEAN BY THAT).

TOPH...ah, lovely girl. I'll summarise everything about Toph’s fashion sense in two words: comfort and rebellion. Stuffy dresses forced on her by billionaire parents? No thank you! Give her tank tops with loose shirts and short pants. Bandaids shared with Aang, bracelets from Katara, and even piercings she got in tandem with Sokka. Shoes? What even is that?

Something I love about this fandom is our collective agreement that Toph is into the dirtiest, heaviest, most ear-splitting and soul-crushing death metal of all times. Her Playlist is full of the most obscure names to ever exist, and she can and will blast through your walls with the sheer volume of her speaker.

Zuko. ZUKO.

Even in a modern AU my boy must suffer. That being said, I envision Tales from the Couch as—well, exactly what it is: an ATLA modern AU. While there is not a war to fight, and a lot of plot lines are discarded or expanded upon, much about the core story remains the same.

This is my way of saying that Zuko still goes trough his redemption arc, and it reflects on his fashion choices.

The way you described it works perfectly because of one single reason: in this AU, Zuko is an artist. He had to suppress his love for writing and drawing because of his background and the expectations Ozai had for him (taking over the family company), and a very large part of his redemption arc directly affects his relationship with art.

In the Couch equivalent of S1, Zuko has fallen out of Ozai's graces, and is desperate to protect his place in the company and the Kasai household. He's pretending to be someone he isn't and trying to live up to his Father's image of a perfect heir while still being somewhat cut-off financially, and it shows.

He's all about imposing long coats and a semi-formal style, imitating what he knows Azula and Father would respect. He's striking and sharp and dark. But no matter how he dresses or carries himself (that air of cold superiority and arrogance)—it won't help him when he needs it the most.

In S2, Zuko has hit his lowest point. He's officially disinherited and tossed away by his father, and would be out in the streets if it wasn't for Uncle Iroh. He goes from sharp, high-tailored outfits to old second-hand clothes that hang loosely on his frame. He starts smoking and cuts his hair off, forgoing the undercut for the first time in years.

But then...Father accepts him back. When Zuko returns home, it's with respect to his name and a very high position in his father's company. He's finally the perfect Kasai heir, dressed in overly expensive suits and finery, even at home... But Father forbids him from wearing Lu Ten's earring, and Zuko can no longer recognize himself without the familiar glint of gold dancing on his peripheral vision.

When Zuko leaves the Kasai name behind him and goes back to living with Uncle Iroh...he's finally at peace with who he is, and what he wants in this life. The sharp edges aren't gone (they'll always be a part of him, after all), but now they're dulled by looser clothes and softer hairstyles.

He's an artist, and for once in his life, he is determined to pursue his own ambitions. Zuko's outfits may not be designer-made anymore, but he takes what he has and makes himself look like he wants to look, like the person he wants to be.

He doesn't read fashion magazines or keeps up to the latest trends like Azula does. He's just...Zuko. And his newfound confidence makes everything he wears look like it belongs on him.

As for music...well, Ursa raised a literature boy.

He loves lyric-heavy music and natural voices, be they soothing or powerful. Dissecting song meanings and possible interpretations with Katara is one of his favorite parts of the day. They're both very passionate and strong-minded individuals, so it stands to reason that their debates can get quite...heated.

Zuko's Playlist is both incredibly eclectic and somehow very...him. There's a common thread that binds together every song and artist he likes, and he's hilariously unaware of this. To take a look into his Playlist is a higher honor reserved only for those closest to him.

In the wide spectrum of things, it is no wonder that Zuko is, first and foremost, a Hozier man. But though Andrew is his God in all aspects of this life, there's someone else that has had a huge impact on him...

Two someones, actually.

Zuko refuses to tell anyone how he got into Twenty One Pilots, but it's kind of a moot point when the beginning of his obsession is nothing compared to everything that came after. They have just about the right amount of everything that makes Zuko...well, Zuko. The poetic lyrics, the soothing or raging music, the heavy, intensely resonant themes...

Up there, in the second artwork, I placed an album cover behind each period of Zuko's life. The election of these records is intentional, as I feel like their general themes work incredibly well with Zuko's arc and growth.

Blurryface in S1. For the demons within us. For giving a name to our fears and shame.

Trench in S2. For escaping the confined walls of a depression city, and fighting to understand the depths of the map of your mind.

Scaled and Icy in the first half of S3. For returning to places you had left behind. For convincing yourself and everyone around you that you're fine, that you're perfect, even though everything is crumbling inside...

Clancy in S3. For recognizing that you can backslide, that you can have fears and shame and pain—but you're shaping yourself with each step you take. For knowing that seeking help from others is okay. Nobody learns to walk on their own.

(And, in the end, you'll always be better than the person you were yesterday. If only because you're still here. You're still alive. You're still yourself.)

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Overall, I rambled a bit too much, don't you think?

If you made it all the way down here—thank you so much for reaching out and being interested in this crazy AU! I hope you enjoy these ideas and tell me some of your own ❤️