#nms Artemis path

[otakumagicmusicgamer]

So I just finished the Artemis Path for No Man’s Sky after binging the last quarter of the storyline and I just wanna say how dare the devs make that and be like ‘okay have fun with the rest of the game now’ like eXCUSE

YOU WANT ME TO BE NoRmAl after T H A T?????????????????

[kylieneko]

Somewhere in the Hilbert Dimension, Kylie finished putting out the fires and fixing up the ship again. She sat down on the snow nearby, looked up at the stars and thought, "Where next?"

A celebration piece for the perma-death No Man's Sky milestone that I completed earlier this year. Went far outside the comfort zone on this one, so some details I wanted to include like the ship itself and the jet-pack had to be omitted in the name of ever finishing.

The helmet, however, is an intentional omission, and entirely valid given that no one in the NMS universe wears one even when the world is made out of radiation.

The question of where next is quite open at this time. I have a lot of other games I want to stream, so I don't know when I'll pick it up again. Still, here's your chance to try and influence the answer. (It is quite likely the next NMS stream I do will be with friends in regular mode and/or Expedition, though)

[updatecrazy]

No Mans Sky update 5.12 is available to download on PS4, PS5(Version 5.012), PC, and Xbox One players. According to the official No Mans Sky 5.12 patch notes, this update improves fishing mechanics, fixes visual issues across multiple platforms, restores fleet systems, and addresses critical crashes on PS4 and PS5. Apart from this, No Mans Sky version 5.12 also includes a long list of bug fixes and changes. No Mans Sky 5.12 Patch Notes (Version 5.012.000) - September 17, 2024 [caption id="attachment_134774" align="alignnone" width="958"] NMS 5.012 Patch Notes[/caption] Expedition and Fishing Fixes Missing Posters: Expedition posters now appear correctly in the catalog. Fishing Interruptions: Resolved an issue where fishing was interrupted by players warping out of the system. Exo-Skiff Inventory: Inventory size on pre-existing saves for the Exo-Skiff has been increased. Duplicate Fishing Rigs: Fixed an issue that allowed installing two fishing rigs at once. Fish Behavior: Various issues causing fish to surface above water have been corrected. Fishing Float: The fishing float now properly floats on water surfaces. Exo-Skiff Protection: The Exo-Skiff now offers environmental hazard protection. Lost Angler’s Rig: Minor visual issues with the rig have been fixed. Gek Characters: Gek characters no longer appear to talk while fishing. Photo Mode: Fixed camera collision with the Exo-Skiff during Photo Mode. Skiff Inventory: Cool storage inventory in the Exo-Skiff is accessible when near the vehicle. Fishing Bait: Resolved incorrect values generated by food products used as fishing bait. Freighters, Frigates, and Fleet Fixes Fleet Restoration: Partial restoration of freighters and frigate fleets for players affected by galaxy changes in update 5.10. Pirate Dreadnaughts: Fixed issues with refiner and extractor contents not saving when warping. Ghost Ships: "Aegis of the Void" ghost ships no longer appear in the ship menu after salvaging. Squadron Pilots: Fixed the inability to dismiss squadron pilots. Optical Drill: Optical Drill is now available in the Space Anomaly’s research station. Terrain Manipulator: The Terrain Manipulator now requires the appropriate tech to be used. Expedition Objectives: Bases built in no-build zones around expedition objectives no longer replicate markers or terrain editing restrictions. Artemis Path: Fixed a rare issue that prevented mission progress when talking to Apollo. Mission Subtitle: Corrected the subtitle issue for community research missions. Visual and Gameplay Improvements Liquidator Mech: Eye scanning effect on the Liquidator mech now plays correctly. Water in VR: Various visual water issues in VR have been resolved. PS5 Water Issues: Visual water issues on PS5 have been fixed. Inventory Popups: Fixed rare jittering in inventory popups. VR Labels: Persistent interact labels in VR have been resolved. Shadows: Fixed rare visual issues affecting shadows when resolution scaling is set to very high. Crash Fixes PS4 GPU Crash: Fixed a GPU crash affecting PS4 players. Save Crash: Resolved a rare crash that occurred when loading saves. PS5 Version: Fixed a crash when playing the PS4 version on a PS5 console. Previously, a major free No Man's Sky update 4.40 added a relaxed mode, overhauled inventories, revamped UI, and improved missions. Unfortunately, players are still experiencing several issues. NMS update 5.12 will fix a few of these issues. Download free No Mans Sky update 5.12 on Sony PlayStation 4, PlayStation 5, and Xbox One.

[fates-theysband]

🌲, 🏆, 🐶, and 💤 for Artemis

🌲: How long did you and your f/o know each other before you got together?

the rate of passage of time in the nms universe appears to be "yeah" but i imagine like, about a year passes between the first meeting and the actual promise to find each other that serves as an unspoken love confession (since i Do Not See the actual ending of the artemis path. no when the portal activated they just got abruptly shunted out of the void between worlds and now they're in another galaxy so it'll take some extra effort to finally see them in person that's all 😊)

🏆: What would your F/O consider to be a "perfect day"?

i imagine that at the "current" point in the self ship timeline artemis and my s/i orpheus have never actually been in the same physical space so at this point artemis's perfect day is the day they find a portal, activate it, go through it, and find orpheus standing on the other side. and then the two of them go to that cool museum of oddities in the galactic hub (which is a real player-built base that exists in game and that i hope is still standing because the last time i was there was in 2020)

🐶: Is your F/O more of a cat person or a dog person?

i feel like if this game had dog-like fauna (near as i can tell from the genera list on the wiki there are cat-like fauna but no dog-like fauna) artemis would have one as a pet. they seem like the kind of person who, if they were a human on earth, would have a loyal dog that they bring along on hikes.

💤: What does your F/O wear for pajamas?

i feel like it depends on what planet they're on at the time? like something warm on cold planets, something cool on hot planets, and they try to avoid staying on toxic or irradiated planets long enough to have to bunk down there

[iofferwith-blog]

Wangechi Mutu / 왕게치 무투

New Post has been published on http://iofferwith.xyz/wangechi-mutu-%ec%99%95%ea%b2%8c%ec%b9%98-%eb%ac%b4%ed%88%ac/

Wangechi Mutu / 왕게치 무투



Wangechi Mutu / 왕게치 무투

      Born in 1972, Nairobi, Kenya Lives and works in New York 

그녀의 작품은 현대 아프리카 정치, 국제적으로 유행하는 스타일, 식민지 시대의 역사에 대해 언급하며 여성과 문화의 정체성 모순을 탐구하고 있다. 이식 수술, 생체 공학적인 인공 기관을 모방하여 절단한 작가의 정교한 콜라주는 잡지의 사진에서 재료를 찾는다.

    collage on found medical illustration paper, 45.7 x 32.4cm, 2005

         collage on found medical illustration paper, 45.7 x 32.4cm, 2005  

            collage on found medical illustration paper, 45.7 x 32.4cm, 2005

              ink, acrylic, photo collage, contact paper, on Mylar, 228.6 x 137.2 cm, 2006  

        packing tape, fur, collage on found medical illustration paper, 46 x 31cm, 2005

            Glitter, fur, collage on found medical illustration paper, 46 x 31cm, 2005

          Glitter, ink, collage on found medical illustration paper, 46 x 31cm, 2004

            Glitter, ink, collage on found medical illustration paper, 46 x 31cm, 2004

            Glitter, ink, collage on found medical illustration paper, 46 x 31cm, 2004

         Glitter, ink, collage on found medical illustration paper, 46 x 31cm, 2004

  SELECTED SOLO EXHIBITIONS

2011 Il Capricorno, Venice, Italy

2010 Hunt Bury Flee, Gladstone Gallery, New York, NY My Dirty Little Heaven Deutsche Guggenheim, Berlin, Germany; traveled to Wiels Contemporary Museum, Brussels, Belgium This you call civilization? Art Gallery of Ontario, Toronto, Canada

2009 Museum of Contemporary Art, San Diego, CA

2008 Wangechi Mutu:In Whose Image? Kunsthalle Wien Museum, Project Space Karlsplatz, Curated by Angela Stief, Vienna, Austria Little Touched, Susanne Vielmetter Gallery, Los Angeles, CA

2007 YO.N.I, Victoria Miro Gallery, London, UK The Cinderella Curse, ACA Gallery of SCAD, Atlanta, GA Cleanning Earth, Franklin Artworks, Minneapolis, MN

2006 An Alien Eye and Other Killah Anthems, Sikkema Jenkins Co, New York, NY Exhuming Gluttony: A Lover’s Requiem, Salon 94, New York, NY Sleeping Heads Lie, Power House, Memphis, TN

2005 The Chief Lair’s A Holy Mess, The San Francisco Museum of Modern Art, San Francisco, CA (Brochure) Wangechi Mutu – Amazing Grace, Miami Art Museum, Miami, FL (Brochure) Problematica, Susanne Vielmetter Los Angeles Projects, Los Angeles, CA

2004 Hangin In Texas, Art Pace, San Antonio, TX

2003 Pagan Poetry, Susanne Vielmetter Los Angeles Projects, Los Angeles, CA Creatures, Jamaica Center for the Arts and Learning, Queens,NY

  SELECTED GROUP EXHIBITIONS

2012 30 Americans, The Corcoran Gallery of Art, Washington

2011 Stargazers:Elizabeth Catlett in Conversation with 21 Contemporary Artists, Bronx Museum, NY Seeing Is a Kind Of Thinking: A Jim Nutt Companion, Museum of Contemporary Art, Chicago Twisted Selves, University of California Riverside Museum of Photography, Riverside, CA Alles Kannibalen?Me – Collector’s Room, Berlin, Germany Taguchi Art Collection-Global New Art, Sompo Japan Museum of Art, Tokyo, Japan 30 Americans, Concoran Gallery of Art Washington, DC

2010 Faces, Calleria Monica de Cardenas, Milan, Italy At Home/Not at Home: Works from the Collection of Martin and Rebecca Eisenberg, curated by Matthew Higgs, Hessel Museum of Art/Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY Disquieted: Contemporary Voices from Out of the Shadows, Portland Art Museum, Portland, OR Until Now: Collecting the New 1960-2010, Minneapolis Institute of Art, Minneapolis, MN The Secret Life of Trees, Monica de Cardenas Galleria, Zuoz, Switzerland Disidentification, Goteborgs Konsthalle, Goteborgs, Sweden The Modern Myth: Drawing Mythologies in Modern Times, Museum of Modern Art, New York, New York Afro-Modern: Journeys through the Black Atlantic, Tate Liverpool, Liverpool The Visible Vagina, David Nolan, New York Inaugural Group Exhibition, Susanne Vielmetter Los Angeles Projects, Los Angeles, CA Visceral Bodies, Vancouver Art Gallery, Vancouver, BC Contemplating the Void, Guggenheim, New York, NY

2009 Performa 09, Performa Biennial, New York, NY Collection: MOCA’s First Thirty Years, Museum of Contemporary Art, Los Angeles The Spectacle of the Everyday, Biennale d’art Contemporain de Lyon, Lyon Dress Codes: The Third ICP Triennial of Photography and Video,” International Center of Photography, New York Wishful Thinkers, Milk Gallery Project, New York, NY Paint Made Flesh, The Phillips Collection, Washington DC, MD Damaged Romanticism, Grey Art Gallery, New York University, New York, NY Black Womanhood, San Diego Museum of Art, San Diego, California Collected, Studio Museum in Harlem, New York, NY Sortilége, Fondation pour L’art Contemporain, Claudine et Jean-Marc Salomon, Alex, France Off the Beaten Path: Violence, Women and Art, Art Works for Change, Stenersen Museum, Oslo, Norway Under the Knife, Armory Center for the Arts, Pasadena, CA Paint Made Flesh, First Center for the Visual Arts, Nashville, TN

2008 Whitney Gala Auction, Whitney Museum, New York, NY 30 Americans, Rubell Family Collection, Miami, FL Objects of Value, Miami Art Museum, Miami, FL Videostudio, Studio Museum in Harlem, New York, NY Eros: Love, Lust and its Consequences, Richard L. Feigen & Co., New York, NY Art Gallery of Ontario: Grand opening of the New Contemporary Tower,” Toronto, Canada Prospect.1 New Orleans, Biennial of International Contemporary Art, Curated by Dan Cameron, New Orleans, LA Excert, Selections from the Jeanne Greenberg Rohatyn Collection, The Frances Lehman Loeb Art Center, Vassar College Poughkeepsie, NY Damaged Romanticism: A Mirror of Modern Emotion, Blaffer Gallery – The Art Museum of the University of Houston, Houston, TX U-Turn: Quadrennial for Contemporary Art Center, Copenhagen, Denmark Pandora’s Box, Dunlop Art Gallery, Saskatchewan, Canada In the Land of Retinal Delights: The Juxtapoz Factor, Laguna Art Museum, CA Black Woman Hood: Images, Icons, and Ideologies of the African Body, Hood Museum of Art, Dartmouth College, Hanover, NH Collage: The Unmonumental Picture, New Museum, New York, NY

2007 Body Politic, Branch Gallery, Durham, NC Star Power: Museum As Body Electric, Museum of Contemporary Art Denver, Curated by Cydney Payton, Denver CO Every Revolution is a Roll of the Dice, Ballroom Marfa, Curated by Bob Nickas, Marfa, TX Fractured Figure, Curated by Jeffrey Deitch, Athens, Greece global feminisms: New Directions in Contemporary Art, Brooklyn Museum, Curated by Maura Reilly, Brooklyn,NY

2006 (re)Volver, Plataforma Revolver, Curated by Filipa Oliveira Lisboa, Portugal New York Interrupted, PMK Gallery, Curated by Dan Cameron, Beijing, China The New Collage, Pavel Zoubok Gallery, New York, NY USA TODAY, Royal Academy of the Arts, London, UK The UNHOMELY: 2 nd Biennial Contemporary Art in Seville,” Centro Andaluz de Arte Contemporaneo, Curated by Okwui Enwezor, Sevilla, Spain Interstellar Low Ways- Sun Ra, Hyde Park Art Center, Curated by Huey Copeland, Chicago Heroines, Gallery Met, Curated by Dodie Kazanjian, New York, NY Distant Relatives/Relative Distance, The Michael Stevenson Gallery, Cape Town, South Africa Land Mine, The Aldrich Museum, Ridgefield, CT Still Points in the Turning World: SITE Santa Fe’s Sixth Annual Biennial, Curated by Klaus Ottman, Santa Fe, NM Triumph of Painting, The Saatchi Gallery, London, UK Having New Eyes, Aspen Art Museum, Aspen, CO Infinite Painting – Contemporary Painting and Global Realism, Villa Manin Centre for “Contemporary Art,” Curated by Francesco Bonami and Sarah Cosulich Canarutto, Passariano, Italy New African Art, Seattle Art Museum, Seattle, WA The F-Word: Female Vocals, Warhol Museum, Pittsburgh, PA Out of Time: A contemporary View, Museum of Modern Art, Curator Joachhim Pissarro Department of Painting and Sculpture, New York, NY

2005 Linkages & Themes in the African Diaspora: Selections from the Eileen Harris Norton and Peter Norton Art Collections, Museum of the African Diaspora, San Francisco, CA, December 1, 2005- March 12, 2006 After Cezanne, Museum of Contemporary Art L.A, Los Angeles, CA Matisse and Beyond – The Painting and Sculpture Collections, San Francisco Museum of Modern Art, San Francisco, CA Cut, LA Projects, Culver City, CA Drawing from The Modern, 1975-2005, Curated by Jordan Kantor, Museum of “Modern Art,” New York, NY African Queen, The Studio Museum in Harlem, New York, NY The White Rose, Brent Sikkema, New York, NY Figures of Thinking: Convergences in Contemporary Cultures, Richard A. Peeler Art Center, DePauw University, IN, McDonough Museum of Art, Youngstown State University, OH Girls on Film, Zwirner and Wirth, New York, NY Greater New York 2005, PS1, Long Island City, NY Follow Me: A Fantasy, Arena 1, Santa Monica, Curated by Malik Gaines Rewind/Re-Cast/Review, Berrie Arts Center, Ramapo College Galleries, Curated by Isolde Bielmeir, NJ Only Skin Deep Changing Visions of the American Self, International Center of Photography, curated by Brian Wallis and Coco Fusco

2004 Gwangju Biennial, South Korea Color Theory, Vitamin Arte Contemporanea, curated by, Torino, Italy Figuratively, Studio Museum in Harlem, curated by Christine Kim, New York, NY She’s Come Undone, Artemis Greenberg Van Doren gallery, curated by Agusto Arbizo New York, NY Gio Ponti: Furnished Settings and Figuration, ACME, curated by Peter Loughrey / Chip Tom Los Angeles, CA Open House: Working in Brooklyn, Brooklyn Museum of Art, curated by Tumelo Mosaka and Charlotta Kotik, Brooklyn, NY It’s about memory, Rhona Hoffman Gallery, curated by Simon Watson, Chicago, IL Dessins et des autres, Anne de Villepoix Gallery, Paris, France Africa Remix, Kunstpalast Duesseldorf, Germany, traveling to Centre Pompidou, Paris, France New, Susanne Vielmetter Los Angeles Projects, Culver City, CA The Raw and the Cooked, Claremont University, curated by David Pagel, Claremont, CA

2003 Only Skin Deep, International Center of Photography, curated by Coco Fusco, New York, NY Looking Both Ways: Art of the Contemporary African Diaspora, Museum for African Art, Long Island City,NY We Are Electric, Deitch Projects, curated by Chris Perez, New York, NY New Art Wave, BAM, Brooklyn Academy of Music, curated by Dan Cameron, Brooklyn, NY Black President: The Art and Legacy of Fela Anikulapo-Kuti,The New Museum, curated by Trevor Schoonmaker, New York, NY Art Basel Miami Beach, with Susanne Vielmetter Los Angeles Projects Miami, FL Momenta Art, Brooklyn, NY Dubrow International, Krevits/ Wehby, curated by Norman Dubrow New York, NY Off the Record, Skylight Gallery, curated by Kambui Olujimi, Brooklyn, NY The Broken Mirror, Leroy Neiman Gallery at Columbia University, curated by Chitra Ganesh, New York, NY Parish Art Museum, Studio Museum Exhibition, South Hampton, NY Armory Art Fair: 2003, New York, NY Creatures, Jamaica Center for the Arts and Learning, Queens, NY 7 Walls, 8 Views, by Renee Ricardo, Arena Gallery, New York, NY

2002 Art Basel Miami Beach, Miami, FL Scratch, Arena Gallery, New York, NY Brooklyn in Paris, Gallery Chez Valentin, Paris, France Model Citizens, Roger Smith Gallery, curated by Janet Dees, New York, NY Culture In A Jar, Longwood Arts Project, curated by Wanda Ortiz, New York, NY Africaine, Studio Museum in Harlem, curated by Christine Kim, New York, NY

2001 Fusion, MoCada, New York, NY Challenge, Skylight Gallery, New York, NY Out of the Box, Queens Museum, New York, NY Group Show, River Bank Gallery, New York, NY

2000 The Magic City, curated by Trevor Schoonmaker, Brent Sikkema, New York, NY

1999 Who’s afraid of … Galerie Michael Cosar, Düsseldorf

1998 In Coming, Art & Architecture Gallery, New Haven CT Fusions, Imarisha Gallery, Brooklyn, NY

1997 Life’s Little Necessities, Johannesburg Biennale, The Castle, curated by Kellie Jones, Cape Town, South Africa  

자료출처

//

    

[fates-theysband]

Rose zinnia lily!

-selfshippery

thank you!! they posted most recently in my queue so I’ll go with artemis!!

rose - how many brain cells would you estimate there are between you and your f/o?

my nms s/i orpheus is one of my smarter s/is (but they have a habit of doing dangerous shit just for The Thrills, since they’re basically just my playstyle as a character) and artemis is one of my smarter f/os (albeit too curious for their own good) so I’d say…together we form most of a normal brain but minus the impulse control

zinnia - how often do you think about your f/o? do they live in your head rent free or do you not think about them for months on end before suddenly hyperfixating on them nonstop for a week?

I have periods where I’m normal about them and then out of nowhere I’m like “oh FUCK” and I start a new nms save just to play the artemis path again even though I know the end and it’s sad

lily - what would you say is the color scheme of you and your f/o?

artemis is a weird color scheme to pin down because they’re semi-transparent or affected by lighting in most of their appearances but if we take their decal as their canon color scheme:

then our collective color scheme is basically just “pastel cool-spectrum colors” since my in-game suit is light purple and orpheus’s design is mostly light purple, green, and blue color-wise