#nine to five (1980)

[gaygnocchi]

it’s enough to drive you crazy if you let it

[doyoulikethissong-poll]

Andrew Gold - Spooky, Scary Skeletons 1996

Andrew Maurice Gold was an American multi-instrumentalist, singer, songwriter, and record producer who influenced much of the Los Angeles-dominated pop/soft rock sound in the 1970s. Gold performed on scores of records by other artists, especially Linda Ronstadt, and had his own success with the US top 40 hits "Lonely Boy" (1977) and "Thank You for Being a Friend" (1978) (which was later used as the opening theme for The Golden Girls), as well as the UK top five hit "Never Let Her Slip Away" (1978). In the 1980s, he had further international chart success as one half of the new wave duo Wax. During the 1990s, Gold produced, composed, performed on and wrote tracks for films, commercials, and television soundtracks.

"Spooky, Scary Skeletons" is a Halloween song, first released on Gold's 1996 album Halloween Howls: Fun & Scary Music. It was one of nine original songs on the album, released to fill a void of availability of fun and scary Halloween original songs according to Gold on his 1996 liner notes. He produced, mixed, sang and played all the instruments on the track. It prominently features a xylophone to represent the sound of skeletal bones rattling.

In 1998, Disney included the song on their VHS tape Disney's Sing-Along Songs: Happy Haunting: Party at Disneyland! (which was released on DVD as Disney's Sing-Along Songs: Happy Haunting in 2006). They paired the song with the 1929 animated short film The Skeleton Dance by Ub Iwerks. The video has garnered over 31 million views since it was recreated and uploaded by a Youtube user. On October 31, 2013, the Youtube band The Living Tombstone created an electronic dance-like remix of the song with a faster tempo than the original. Their upload of the remix to YouTube has garnered over 102 million views. By 2022, there were over 5 million TikTok videos featuring the song. “Spooky, Scary Skeletons” was adapted into a children's picture book by Random House Children's Books featuring the lyrics to the song on August 27, 2024.

"Spooky, Scary Skeletons" received a total of 90% yes votes!

[videogamepolls]

Video Games Polls 1-Year Report

I've been running this blog for a full year and I've polled nearly 3,000 games, so I wanted to post an updated report with the top 10 games for each of the four options included in my polls, plus a couple other categories.

📊 General Stats

Games Polled: 2,864

Average Sample Size: 728

Games with 40%+ "yes" votes: 149 (5.2%)

🏆 Most Played

Games with the highest percentage of "Yes" votes:

The Dinosaur Game (2014, AKA Chrome Dino Game) - 93.9%

Pac-Man (1980) - 93.4%

Wii Sports (2006) - 87.7%

Tetris (1985) - 86.9%

3D Pinball for Windows – Space Cadet (1995) - 85.5%

Pokemon Go (2016) - 82.9%

Minecraft (2011) - 81.1%

Angry Birds (2009) - 80.1%

Stardew Valley (2016) - 79.3%

Space Invaders (1978) - 78.5%

🏆 Most Known But Not Played

Games with the highest percentage of "No" votes:

Raid: Shadow Legends (2018) - 85.8%

Final Fantasy XI (2002) - 82.1%

Far Cry (2004) - 79.3%

Call of Duty: Black Ops 4 (2018) - 78.3%

Far Cry 2 (2008) - 78.2%

Halo Infinite (2021) - 77.6%

Grand Theft Auto 2 (1999) - 75.4%

Final Fantasy V (1992) - 76.4%

Baldur's Gate (1998) - 76.1%

Baldur's Gate II: Shadows of Amn (2000) - 75.8%

🏆 Most Watched

Games with the highest percentage of "I watched someone play it" votes:

Getting Over It with Bennett Foddy (2017) - 54.2%

I Am Bread (2015) - 51.3%

Octodad: Dadliest Catch (2014) - 47.0%

Five Nights at Freddy's: Security Breach (2021) - 45.6%

Baldi's Basics in Education and Learning (2018) - 43.5%

Amanda the Adventurer (2023) - 42.5%

Phasmophobia (2020, Early Access) - 41.3%

P.T. (2014) - 41.0%

PowerWash Simulator (2022) - 40.4%

The Mortuary Assistant (2022) - 38.7%

🏆 Most Obscure

Games with the highest percentage of "I've never heard of it" votes:

Jessica's Uncomfortable Hanukkah Adventure (2023, Early Access) - 97.8%

Batty Zabella (2022) - 97.6%

Citampi Stories: Love & Life (2019) - 97.0%

Tears - 9, 10 (2002) - 97.0%

Just, Bearly (2018) - 96.9%

Anito: Defend a Land Enraged (2003) - 96.6%

That Damn Goat (2023) - 96.5%

Star Seeker in: The Secret of the Sorcerous Standoff (2020) - 96.4%

Cisini Stories: Girl Life RPG (2024) - 96.4%

Dear Substance of Kin (2019) - 96.3%

🏆 Most Balanced

Games with the most even spread of votes:

Human Fall Flat (2016) - 19.3% Yes | 28.5% No | 26.1% Watched | 26.1% Never Heard

Kerbal Space Program (2015) - 21.9% | 31.1% | 24.5% | 22.5%

The Henry Stickmin Collection (2020) - 19.3% | 29.2% | 22% | 29.5%

Ib (2012) - 24.1% | 26.8% | 19.2% | 29.9%

Superhot (2016) - 24.9% | 25.1% | 30.5% | 19.5%

Danganronpa: Trigger Happy Havoc (2010) - 25.8% | 31.1% | 20% | 23.2%

Limbo (2010) - 30.2% | 28.7% | 23.9% | 17.1%

Wobble Dogs (2022) - 18% | 25.4% | 25.2% | 31.3%

Slay the Princess (2023) - 30.2% | 27.4% | 26.1% | 16.4%

Golf with Your Friends (2020) - 13.9% | 16.9% | 23.6% | 30.8%

🏆 Most Votes

Games with the most number of votes:

3D Pinball for Windows – Space Cadet (1995) - 11,773

Robot Unicorn Attack (2010) - 7,600

The Elder Scrolls V: Skyrim (2011) - 4,329

Flight Rising (2013) - 4,132

Vampire: The Masquerade - Bloodlines (2004) - 4,053

Final Fantasy XV (2016) - 3,056

Zero Escape: Nine Hours, Nine Persons, Nine Doors (2009) - 2,844

Dark Souls (2011) - 2,823

The Dinosaur Game (2014, AKA Chrome Dino Game) - 2,758

QWOP (2008) - 2,636

*I did not take most Pokémon games into consideration since I handle those polls a little differently.

Check out my results spreadsheet for an alphabetized list of all poll results plus some other stats, and in case anyone is interested in comparing results to past reports here are the links to my 6-month and 9-month posts.

[hungriestheidi]

endless series of women in motorsports:

Sarah Fisher (October 4th 1980) is an American race car driver. Born in Ohio, she began competing at five years old. She won three World Karting championships and moved up into sprint car racing. She made her Indy Racing League (now IndyCar) debut at the final race of the 1999 season. She took part in 81 IndyCar events achieving a career-best finish of 2nd at the 2001 Infiniti Grand Prix of Miami, the highest placing for a woman in the IRL until 2008. In 2002, Sarah became the first female driver to earn a pole position in a major American open-wheel series. She's competed in the Indy 500 race nine times, more than any other woman. During her 11-year professional career, a lack of sponsors limited her chances to compete. In 2008, Sarah founded and drove for Sarah Fisher Hartman Racing until her retirement at the end of 2010. In 2016 she was hired as the IndyCar Series' official safety car driver. She continued to drive the pace car at the Indy 500 the following years and in 2022 she was the honorary pace car driver.

[mostlysignssomeportents]

The new globalism is global labor

For the rest of May, my bestselling solarpunk utopian novel THE LOST CAUSE (2023) is available as a $2.99, DRM-free ebook!

Depending on how you look at it, I either grew up in the periphery of the labor movement, or atop it, or surrounded by it. For a kid, labor issues don't really hold a lot of urgency – in places with mature labor movements, kids don't really have jobs, and the part-time jobs I had as a kid (paper route, cleaning a dance studio) were pretty benign.

Ironically, one of the reasons that labor issues barely registered for me as a kid was that my parents were in great, strong unions: Ontario teachers' unions, which protected teachers from exploitative working conditions and from retaliation when they advocated for their students, striking for better schools as well as better working conditions.

Ontario teachers' unions were strong enough that they could take the lead on workplace organization, to the benefit of teachers at every part of their careers, as well as students and the system as a whole. Back in the early 1980s, Ontario schools faced a demographic crisis. After years of declining enrollment, the number of students entering the system was rapidly increasing.

That meant that each level of the system – primary, junior, secondary – was about to go through a whipsaw, in which low numbers of students would be followed by large numbers. For a unionized education workforce, this presented a crisis: normally, a severe contraction in student numbers would trigger layoffs, on a last-in, first-out basis. That meant that layoffs loomed for junior teachers, who would almost certainly end up retraining for another career. When student numbers picked up again, those teachers wouldn't be in the workforce anymore, and worse, a lot of the senior teachers who got priority during layoffs would be retiring, magnifying the crisis.

The teachers' unions were strong, and they cared about students and teachers, both those at the start of their careers and those who'd given many years of service. They came up with an amazing solution: "self-funded sabbaticals." Teachers with a set number of years of seniority could choose to take four years at 80% salary, and get a fifth year off at 80% salary (actually, they could take their year off any time from the third year on).

This allowed Ontario to increase its workforce by about 20%, for free. Senior teachers got a year off to spend with their families, or on continuing education, or for travel. Junior teachers' jobs were protected. Students coming into the system had adequate classroom staff, in a mix of both senior and junior teachers.

This worked great for everyone, including my family. My parents both took their four-over-five year in 1983/84. They rented out our house for six months, charging enough to cover the mortgage. We flew to London, took a ferry to France, and leased a little sedan. For the next six months, we drove around Europe, visiting fourteen countries while my parents homeschooled us on the long highway stretches and in laundromats. We stayed in youth hostels and took a train to Leningrad to visit my family there. We saw Christmas Midnight Mass at the Vatican and walked around the Parthenon. We saw Guernica at the Prado. We visited a computer lab in Paris and I learned to program Logo in French. We hung out with my parents' teacher pals who were civilian educators at a Canadian Forces Base in Baden-Baden. I bought an amazing hand-carved chess set in Seville with medieval motifs that sung to my D&D playing heart. It was amazing.

No, really, it was amazing. Unions and the social contract they bargained for transformed my family's life chances. My dad came to Canada as a refugee, the son of a teen mother who'd been deeply traumatized by her civil defense service as a child during the Siege of Leningrad. My mother was the eldest child of a man who, at thirteen, had dropped out of school to support his nine brothers and sisters after the death of his father. My parents grew up to not only own a home, but to be able to take their sons on a latter-day version of the Grand Tour that was once the exclusive province of weak-chinned toffs from the uppermost of crusts:

https://en.wikipedia.org/wiki/Grand_Tour

My parents were active in labor causes and in their unions, of course, but that was just part of their activist lives. My mother was a leader in the fight for legal abortion rights in Canada:

https://www.flickr.com/photos/doctorow/8882641733

My dad was active in party politics with the New Democratic Party, and both he and my mother were deeply involved with the fight against nuclear arms proliferation, a major issue in Canada, given our role in supplying radioisotopes to the US, building key components for ICBMs, testing cruise missiles over Labrador, and our participation in NORAD.

Abortion rights and nuclear arms proliferation were my own entry into political activism. When I was 13, I organized a large contingent from my school to march on Queen's Park, the seat of the Provincial Parliament, to demand an end to Ontario's active and critical participation in the hastening of global nuclear conflagration:

https://www.flickr.com/photos/doctorow/53616011737/

When I got a little older, I started helping with clinic defense and counterprotests at the Morgentaler Clinic and other sites in Toronto that provided safe access to women's health, including abortions:

https://www.cbc.ca/news/canada/morgentaler-honoured-by-order-of-canada-federal-government-not-involved-1.716775

My teens were a period of deepening involvement in politics. It was hard work, but rewarding and fundamentally hopeful. There, in the shadow of imminent nuclear armageddon, there was a role for me to play, a way to be more than a passive passenger on a runaway train, to participate in the effort to pull the brake lever before we ran over the cliff.

In hindsight, though, I can see that even as my activism intensified, it also got harder. We struggled more to find places to meet, to find phones and computers to use, to find people who could explain how to get a permit for a demonstration or to get legal assistance for comrades in jail after a civil disobedience action.

What I couldn't see at the time was that all of this was provided by organized labor. The labor movement had the halls, the photocopiers, the lawyers, the experience – the infrastructure. Even for campaigns that were directly about labor rights – campaigns for abortion rights, or against nuclear annihilation – the labor movement was the material, tangible base for our activities.

Look, riding a bicycle around all night wheatpasting posters to telephone poles to turn out people for an upcoming demonstration is hard work, but it's much harder if you have to pay for xeroxing at Kinko's rather than getting it for free at the union hall. Worse, the demonstration turnout suffers more because the union phone-trees and newsletters stop bringing out the numbers they once brought out.

This was why the neoliberal project took such savage aim at labor: they understood that a strong labor movement was foundation of antiimperialist, antiracist, antisexist struggles for justice. By dismantling labor, the ruling class kicked the legs out from under all the other fights that mattered.

Every year, it got harder to fight for any kind of better world. We activist kids grew to our twenties and foundered, spending precious hours searching for a room to hold a meeting, leaving us with fewer hours to spend organizing the thing we were meeting for. But gradually, we rebuilt. We started to stand up our own fragile, brittle, nascent structures that stood in for the mature and solid labor foundation that we'd grown up with.

The first time I got an inkling of what was going on came in 1999, with the Battle of Seattle: the mass protests over the WTO. Yes, labor turned out in force for those mass demonstrations, but they weren't its leaders. The militancy, the leadership, and the organization came out of groups that could loosely be called "post-labor" – not in the sense that they no longer believed in labor causes, but in the sense that they were being organized outside of traditional labor.

Labor was in retreat. Five years earlier, organized labor had responded to NAFTA by organizing against Mexican workers, rather than the bosses who wanted to ship jobs to Mexico. It wasn't unusual to see cars in Ontario with CAW bumper stickers alongside xenophobic stickers taking aim at Mexicans, not bosses. Those were the only workers that organized labor saw as competitors for labor rights: this was also the heyday of "two-tier" contracts, which protected benefits for senior workers while leaving their junior comrades exposed to bosses' most sadistic practices, while still expecting junior workers to pay dues to a union that wouldn't protect them:

https://pluralistic.net/2021/11/25/strikesgiving/#shed-a-tier

Two-tier contracts were the opposite of the solidarity that my parents' teachers' union exhibited in the early 1980s; blaming Mexican workers for automakers' offshoring was the opposite of the solidarity that built transracial and international labor power in the early days of the union movement:

https://unionhall.aflcio.org/bloomington-normal-trades-and-labor-assembly/labor-culture/edge-anarchy-first-class-pullman-strike

As labor withered under a sustained, multi-decades-long assault on workers' rights, other movements started to recapitulate the evolution of early labor, shoring up fragile movements that lacked legal protections, weathering setbacks, and building a "progressive" coalition that encompassed numerous issues. And then that movement started to support a new wave of labor organizing, situating labor issues on a continuum of justice questions, from race to gender to predatory college lending.

Young workers from every sector joined ossified unions with corrupt, sellout leaders and helped engineer their ouster, turning these dying old unions into engines of successful labor militancy:

https://theintercept.com/2023/04/07/deconstructed-union-dhl-teamsters-uaw/

In other words, we're in the midst of a reversal of the historic role of labor and other social justice movements. Whereas once labor anchored a large collection of smaller, less unified social movements; today those social movements are helping bring back a weakened and fragmented labor movement.

One of the key organizing questions for today is whether these two movements can continue to co-evolve and, eventually, merge. For example: there can be no successful climate action without climate justice. The least paid workers in America are also the most racially disfavored. The gender pay-gap exists in all labor markets. For labor, integrating social justice questions isn't just morally sound, it's also tactically necessary.

One thing such a fusion can produce is a truly international labor movement. Today, social justice movements are transnational: the successful Irish campaign for abortion rights was closely linked to key abortion rights struggles in Argentina and Poland, and today, abortion rights organizers from all over the world are involved in mailing medication abortion pills to America.

A global labor movement is necessary, and not just to defeat the divide-and-rule tactics of the NAFTA fight. The WTO's legacy is a firmly global capitalism: workers all over the world are fighting the same corporations. The strong unions of one country are threatened by weak labor in other countries where their key corporations seek to shift manufacturing or service delivery. But those same strong unions are able to use their power to help their comrades abroad protect their labor rights, depriving their common adversary of an easily exploited workforce.

A key recent example is Mercedes, part of the Daimler global octopus. Mercedes' home turf is Germany, which boasts some of the strongest autoworker unions in the world. In the USA, Mercedes – like other German auto giants – preferentially manufactures its cars in the South, America's "onshore-offshore" crime havens, where labor laws are both virtually nonexistent and largely unenforced. This allows Mercedes to exploit and endanger a largely Black workforce in a "right to work" territory where unions are nearly impossible to form and sustain.

Mercedes just defeated a hard-fought union drive in Vance, Alabama. In part, this was due to admitted tactical blunders from the UAW, who have recently racked up unprecedented victories in Tennessee and North Carolina:

https://paydayreport.com/uaw-admits-digital-heavy-organizing-committee-light-approach-failed-them-in-alabama-at-mercedes/

But mostly, this was because Mercedes cheated. They flagrantly violated labor law to sabotage the union vote. That's where it gets interesting. German workers have successfully lobbied the German parliament for the Supply Chain Act, an anticorruption law that punishes German companies that violate labor law abroad. That means that even though the UAW just lost their election, they might inflict some serious pain on Mercedes, who face a fine of 2% of their global annual revenue, and a ban on selling cars to the German government:

https://pluralistic.net/2024/04/10/an-injury-to-one/#is-an-injury-to-all

This is another way reversal of the post-neoliberal era. Whereas once the US exported its most rapacious corporate practices all over the world, today, global labor stands a chance of exporting workers' rights from weak territories to strong ones.

Here's an American analogy: the US's two most populous states are California and Texas. The policies of these states ripple out over the whole country, and even beyond. When Texas requires textbooks that ban evolution, every pupil in the country is at risk of getting a textbook that embraces Young Earth Creationism. When California enacts strict emission standards, every car in the country gets cleaner tailpipes. The WTO was a Texas-style export: a race to the bottom, all around the world. The moment we're living through now, as global social movements fuse with global labor, are a California-style export, a race to the top.

This is a weird upside to global monopoly capitalism. It's how antitrust regulators all over the world are taking on corporations whose power rivals global superpowers like the USA and China: because they're all fighting the same corporations, they can share tactics and even recycle evidence from one-another's antitrust cases:

https://www.eff.org/deeplinks/2024/05/big-tech-eu-drop-dead

Look, the UAW messed up in Alabama. A successful union vote is won before the first ballot is cast. If your ground game isn't strong enough to know the outcome of the vote before the ballot box opens, you need more organizing, not a vote:

https://pluralistic.net/2023/04/23/a-collective-bargain/

But thanks to global labor – and its enemy, global capitalism – the UAW gets another chance. Global capitalism is rich and powerful, but it has key weaknesses. Its drive to "efficiency" makes it terribly vulnerable, and a disruption anywhere in its supply chain can bring the whole global empire to its knees:

https://pluralistic.net/2023/09/21/eight-and-skate/#strike-to-rule

American workers – especially swing-state workers who swung for Trump and are leaning his way again – overwhelmingly support a pro-labor agenda. They are furious over "price gouging and outrageous corporate profits…wealthy corporate CEOs and billionaires [not] paying what they should in taxes and the top 1% gaming the system":

https://www.americanfamilyvoices.org/_files/ugd/d4d64f_6c3dff0c3da74098b07ed3f086705af2.pdf

They support universal healthcare, and value Medicare and Social Security, and trust the Democrats to manage both better than Republicans will. They support "abortion rights, affordable child care, and even forgiving student loans":

https://prospect.org/politics/2024-05-20-bidens-working-class-slump/

The problem is that these blue-collar voters are atomized. They no longer meet in union halls – they belong to gun clubs affiliated with the NRA. There are enough people who are a) undecided and b) union members in these swing states to defeat Trump. This is why labor power matters, and why a fusion of American labor and social justice movements matters – and why an international fusion of a labor-social justice coalition is our best hope for a habitable planet and a decent lives for our families.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/05/20/a-common-foe/#the-multinational-playbook

[astrronomemes]

THE SHINING: STARTERS

a collection of quotes, phrases, and sayings from the 1980 film, The Shining. change & alter as needed.

"Well, I'm looking for a change."

"That is quite a story."

"Obviously, some people can be put off by the idea of staying alone in a place where something like that actually happened."

"Look, I'm at [place], and I still have an awful lot to go through. I don't think I can get home before nine or ten."

"It's a beautiful place. You and [name] are gonna love it."

"This whole place is such an enormous maze, I feel like I'll have to leave a trail of breadcrumbs every time I come in."

"By five o'clock tonight, you'll never know anybody was ever here."

"You probably thought you was the only one. But there are other folks, though mostly they don't know it, or don't believe it."

"You ain't got no business going in there, anyway, so stay out! You understand? Stay out!"

"I love it. I really do. I've never been this happy or comfortable anywhere."

"I'm not being grouchy. I just want to finish my work."

"When I'm in here, that means I'm working. That means don't come in. Now, do you think you can handle that?"

"It's just like pictures in a book, [name]. It isn't real."

"I wish we could stay here forever and ever and ever."

"I love you, [name]. I love you more than anything else in the whole world, and I'd never do anything to hurt you. Never."

"I had the most terrible nightmare I've ever had. It's the most horrible dream I've ever had."

"Oh, my god! [Name], what happened to your neck?"

"God, I'd give anything for a drink — my goddamn soul, just for a glass of beer."

"I like you, [name]. I've always liked you. You were always the best of them."

"Things could be better, [name]. Things could be a whole lot better."

"I did hurt him once, okay? It was an accident! Completely unintentional! It could've happened to anybody!"

"Are you out of your fucking mind?"

"No, it's the truth, really! I swear it!"

"It is so fucking typical of you to create a problem like this when I finally have the chance to accomplish something!"

"[Name], I have let you fuck up my life so far, but I'm not going to let you fuck this up!"

"I'm the kind of man likes to know who's buying their drinks, [name]."

"Come on, hon, wake up. You just had a bad dream. Everything is okay."

"I think we should discuss what should be done with him. What should be done with him?"

"You think maybe he should be taken to a doctor?"

"Has it ever occurred to you what would happen to my future if I were to fail to live up to my responsibilities? Has it ever occurred to you? Has it?!"

"You've had your whole fucking life to think things over! What good is a few more minutes going to do you now?"

"I said I'm not going to hurt you... I'm just going to bash your brains in! I'm going to bash them right the fuck in!"

"[Name], listen. Let me out of here, and I'll forget the whole goddamn thing. It'll be just like nothing ever happened."

"No need to rub it in, [name]. I'll deal with that situation as soon as I get out of here."

"Your heart is not in this. You haven't the belly for it."

"I fear that you will have to deal with this matter in the harshest possible way, [name]. I fear that is the only thing to do."

[shockyhorror]

Crazymad, For Me is the sophomore album of Irish singer-songwriter CMAT, released October 2023.

The title is a line from Sheena Easton's 1980 single Morning Train (Nine to Five)

"...She was like 19 and it was the early 1980s. And the whole premise of that song is that she’s a woman who’s just got married and she just sits at home all day waiting for her husband to come home because she loves him so much." "If you read it today, that’s a horror story [...] so I thought it was a really good analogy for the whole album because the record is about a relationship that I was in when I was 19. And at the time, I thought 'This is so romantic, amazing, beautiful, perfect, and wonderful.' And now I’m 27, and I look back on it like 'What the fuck was that? That was terrible.'"

[mybeingthere]

Mary Delany (1700 - 1788), an English artist known for her "paper-mosaics" and her lively correspondence, created 950 works of botanical decoupage.

"With the plant specimen set before her she cut minute particles of coloured paper to represent the petals, stamens, calyx, leaves, veins, stalk and other parts of the plant, and, using lighter and darker paper to form the shading, she stuck them on a black background. By placing one piece of paper upon another she sometimes built up several layers and in a complete picture there might be hundreds of pieces to form one plant. It is thought she first dissected each plant so that she might examine it carefully for accurate portrayal..."

- from Mrs. Delany: her Life and her Flowers, by Ruth Hayden, 1980/2000. (The author was a descendant of Delany's sister Anne.)

Born the daughter of Colonel Bernard Granville, she was a niece of George Granville, 1st Baron Lansdowne. She was coerced into an unhappy marriage with the sixty-year-old Tory MP Alexander Pendarves when she was still only seventeen; her husband died in his sleep seven years later, making her a widow at the age of twenty-four. With little means and no home of her own, she spent time living with various relatives and friends. But having the social freedom allowed by her widowhood, she was able to indulge her artistic and scientific interests.

At the age of forty-three, she married again, to Dr. Patrick Delany, an Irish clergyman. A year later they moved to Dublin, where Dr. Delany had a home. Both husband and wife were very interested in botany and gardening. After twenty-five years of marriage, most of it spent in Ireland, her husband died, leaving her a widow again at the sixty-eight. She had always been an artist, but during her second marriage she had had the time to hone her skills, not only as a gardener, but with her needlework, drawing, and painting.

It was only in her second widowhood, though, when she was in her early seventies, that she began to assemble detailed and botanically accurate depictions of plants in decoupage, using tissue paper and hand coloration. She created nine-hundred and eighty-five of these works, calling them her "Paper Mosaics." She continued making them until her sight began to fail in the last year of her life. She died a month before her eighty-eighth birthday. The ten volumes of her Flora Delanica were eventually bequeathed to the British Museum.

(From the blog of artist and writer Stephen O’Donnell. He is married to writer and graphic designer Gigi Little, with whom he sometimes performs. Their book, The Untold Gaze – a collection of Stephen’s paintings paired with short fiction by 33 authors – was published in October of 2018.)

[archivalofsins]

Not sure if this is the right time to ask this but how old are the prisoners now? We know what their age was going into Milgram, but what is it now? Since Mahiru was just short of her birthday

Star and I have been looking for the post where I list the characters ages and birth years though neither of us can find it at the moment I'll link it again if one of us do.

Sakurai, Haruka

Age when brought to Milgram: 17 (said he was this age but didn't really care too much about his own age so wasn't sure)

Turned: 18 his first two months of incarceration within Milgram

Birthdate: 06-22-2002

Age at demise: 22 would have been 23 June 22, 2025

Kashiki, Yuno

Age when brought to Milgram: 18

Turned: 19 her first four to five months of incarceration in 2020

Birthdate: 09-02-2001

Current Age: 23 turning 24 on September 02, 2025 (if she lives to see it)

Kajiyama, Futa

The specialist birthday boy. Had his birthday right before being taken to Milgram. His character description on the website says he's twenty. His birthday is on April 19 the first video for Milgram the MILGRAM / Teaser Movie released on April 27, 2020 after Futa's birthday.

So for him to be twenty when he was brought there means the prisoners must have awoken or been brought to Milgram on either the day the MILGRAM -ミルグラム- / PV video came out April 27, 2020 or when the MILGRAM / Jackalope’s “This is the MILGRAM” video came out on May 1, 2020.

Futa's age gives us a big hint for when the prisoners arrived within the prison in that sense.

I believe it was the former since the video released on April 27, 2020 is when we hear Es and all the prisoners for the first time. This also aligns with the beginning of the timelines as well.

20/04/28

Jackalope: Hey, have you been behaving yourselves while you waited? I’ll explain what it is you need to do. ……come back on May 1st at 7pm. I’ll tell you everything you need to know about MILGRAM then. In the meantime, you should bring in as many other people into MILGRAM as you can. You’ll be considering the prisoners’ “sins”…… it’s important to have a lot of different ways of thinking and feeling. You understand, right? Jackalope: ……also, all of you who’ve been calling me a rabbit on Twitter. Just know I remember all your icons……

Age when brought into Milgram: 20 (he would have been twenty for eight days if they were brought here on April 27, 2020 if it was on May 1, 2020 he would have been twenty for twelve days.)

Turned: 21 a few days before one year into his incarceration within Milgram on April 19, 2021.

Birthdate: April 19, 2000

Current age: 24 going on 25 April 19, 2025 (if he lives to see it he more than likely should but who knows if he'll get to twenty-six)

Kusunoki, Mu

Age when brought into Milgram: 16

Turned: 17 going on three months of her incarceration within Milgram.

Birthdate: 07-05-2003

Current Age: 21 going on 22 on July 05, 2025 (If she lives to see it.)

Kirisaki, Shidou

Age when brought into Milgram: 29

Turned: 30 going on six months into his incarcerations at Milgram.

Birthdate: 10-24-1990

Age at demise: 34 would have been 35 October 24, 2025.

Shiina, Mahiru

Age when brought into Milgram: 22

Turned: 23 nine months into her incarceration at Milgram 2021.

Birthdate: 1-17-1998

Age at demise: 26 would have been 27 January 17, 2025

Mukuhara, Kazui

Age when brought into Milgram: 39

Turned: 40 going on four months into his incarceration in Milgram.

Birthdate: 8-05-1980

Current Age: 44 going on 45 August 05, 2025. (If he lives to see it.)

Momose, Amane

Age when brought into Milgram: 12

Turned: 13 going on two months into her incarceration in Milgram.

Birthdate: 6-27-2007

Current Age: 17 going on 18 June 27, 2025. (If she lives to see it.)

Kayano, Mikoto

Age when brought into Milgram: 23

Turned: 24 going on six months into his incarceration at Milgram.

Birthdate: 10-06-1996

Current Age: 28 going on 29 October 06, 2025. (If he lives to see it but let's be real he'll probably outlive everyone here given he's not fully restrained and may probably be less restrained now that he's innocent.)

Yuzuriha, Kotoko

Age when brought into Milgram: 20

Turned: 21 going on eight months into her incarceration at Milgram.

Birthdate: 12-15-1999

Current Age: 25 going on 26 December 15, 2025. (If she lives to see it which she might not but hell if Shidou couldn't extract that fang then she probably gon' be fine.)

Es

Age when Milgram started: 15

Birthday: Unknown

Current Age: 19 going on 20 whenever their birthday is. So literally Futa's age when he did what Es/the audience found him guilty for driving someone to suicide and or instigating someone's death but not killing them directly. Man it would be awkward if they did the exact same thing at the exact same age now wouldn't it- Luckily we don't live in that timeline.

My apologies that this took a bit to answer. I had @apatchworkstar check over it to make sure I was doing the math right before posting just in case I messed up and I did with Mahiru. Now no one will ever know how. Yay always have someone check over your work when you suck at mental math and are greatly out of practice with the subject and art of it.

Hope this is helpful to you and others in some way. Honestly more art of the prisoners at the irl time ages would be great. So maybe this may lead to that or nothing but just more knowledge being out there.

[citizenscreen]

I haven’t seen this in quite a while. #TCM’s #WomenAtWork brings you NINE TO FIVE (1980) tonight. Directed by Colin Higgins, it’s a hoot.

[doyoulikethissong-poll]

ABBA - Waterloo 1974

"Waterloo" is a song by Swedish pop group ABBA, with music composed by Benny Andersson and Björn Ulvaeus and lyrics written by Stikkan Anderson. It is first single of the group's second studio album of the same name, and their first under the Atlantic label in the US. This was also the first single to be credited to the group performing under the name ABBA. The title and lyrics reference the 1815 Battle of Waterloo, and use it as a metaphor for a romantic relationship.

In 1974, "Waterloo" represented Sweden in the 19th edition of the Eurovision Song Contest held in Brighton, winning the contest and beginning ABBA's path to worldwide fame. The song differed from the standard "dramatic ballad" tradition at the contest by its flavour and rhythm, as well as by its performance. ABBA gave the audience something that had rarely been seen before in Eurovision: flashy costumes (including silver platform boots), a catchy uptempo song and simple choreography. It was the first winning entry in a language other than that of their home country; prior to 1973, all Eurovision singers had been required to sing in their country's native tongue, a restriction that was lifted briefly for the contests between 1973 and 1976 (thus allowing "Waterloo" to be sung in English), then reinstated before ultimately being removed again in 1999. Watch the performance in Swedish here. Sveriges Radio released a promo video for "Waterloo" that was directed by film director Lasse Hallström, whose first notable English-language film success was What's Eating Gilbert Grape in 1993. ABBA recorded the German and French versions of "Waterloo" in March and April 1974; the French version was adapted by Alain Boublil, who would later go on to co-write the 1980 musical Les Misérables.

The song shot to number 1 in the UK and stayed there for two weeks, becoming the first of the band's nine UK number 1's, and the 16th biggest selling single of the year in the UK. It also topped the charts in Belgium, Denmark, Finland, West Germany, Ireland, Norway, and Switzerland, while reaching the Top 3 in Austria, France, the Netherlands, Spain, and Sweden. Unlike other Eurovision-winning tunes, the song's appeal transcended Europe: "Waterloo" also topped the charts in South Africa, and reached the Top 10 in Australia, Canada, New Zealand, Rhodesia, and the US (peaking at number 6, their third-highest-charting US hit after number 1 "Dancing Queen" and number 3 "Take a Chance on Me"). In 2005, at Eurovision fiftieth anniversary competition Congratulations: 50 Years of the Eurovision Song Contest, "Waterloo" was chosen as the best song in the contest's history.

"Waterloo" is featured in the encore of the musical Mamma Mia!. The song does not have a context or a meaning. It is just performed as a musical number in which members of the audience are encouraged to get up off their seats and sing, dance and clap along. The song is performed by the cast over the closing credits of the film Mamma Mia!, but is not featured on the official soundtrack. It is also performed as part of the story in the sequel, Mamma Mia! Here We Go Again, by Hugh Skinner and Lily James.

The Australian film Muriel's Wedding (1994), features "Waterloo" in a pivotal scene in which lead Toni Collette bonds with the character played by Rachel Griffiths. The film's soundtrack, featuring five ABBA tracks, is widely regarded as having helped to fuel the revival of popular interest in ABBA's music in the mid-1990s. "Waterloo" features prominently in the 2015 science-fiction film The Martian. The song plays as the film's lead, played by Matt Damon, works to ready his launch vehicle for a last-chance escape from Mars. In "Mother Simpson", the eighth episode of the seventh season of The Simpsons, Mr. Burns plays "Ride of the Valkyries" from a tank about to storm the Simpson home, but the song is cut-off and "Waterloo" is played, to which Smithers apologizes, advising he "must have accidentally taped over that".

"Waterloo" received a total of 89% yes votes!

(the video is posted by ABBA's own account, not Eurovision's = safe to watch)

[videogamepolls]

Video Games Polls 9-Month Report

It's been 3 months since my last report and I've polled over 500 more games since then so I wanted to post an update on the top 10 games across each of the four options included in my polls, plus a couple other new categories.

🏆 Most Played

Games with the highest percentage of "Yes" votes:

The Dinosaur Game (2014, AKA Chrome Dino Game) - 93.9%

Pac-Man (1980) - 93.4%

Wii Sports (2006) - 87.7%

Tetris (1985) - 86.9%

Pokemon Go (2016) - 82.9%

Minecraft (2011) - 81.1%

Angry Birds (2009) - 80.1%

Stardew Valley (2016) - 79.3%

Space Invaders (1978) - 78.5%

Animal Crossing: New Horizons (2020) - 74.1%

🏆 Most Known but Not Played

Games with the highest percentage of "No" votes:

Raid: Shadow Legends (2018) - 85.8%

Final Fantasy XI (2002) - 82.1%

Halo Infinite (2021) - 77.6%

Baldur's Gate (1998) - 76.1%

Baldur's Gate II: Shadows of Amn (2000) - 75.8%

Call of Duty (2003) - 75.2%

Counter Strike 2 (2023) - 74.9%

Valorant (2020) - 74.7%

Donkey Kong 3 (1983) - 74.5%

The Last of Us: Part II (2020) - 74.4%

🏆 Most Watched

Games with the highest percentage of "I watched someone play it" votes:

Getting Over It with Bennett Foddy (2017) - 54.2%

I Am Bread (2015) - 51.3%

Octodad: Dadliest Catch (2014) - 47.0%

Five Nights at Freddy's: Security Breach (2021) - 45.6%

Phasmophobia (2020, Early Access) - 41.3%

P.T. (2014) - 41.0%

PowerWash Simulator (2022) - 40.4%

Slender: The Eight Pages (2012) - 38.4%

Raft (2022) - 38.3%

The Convenience Store (2020) - 38.1%

🏆 Most Obscure

Games with the highest percentage of "I've never heard of it" votes:

Just, Bearly (2018) - 96.9%

Anito: Defend a Land Enraged (2003) - 96.6%

That Damn Goat (2023) - 96.5%

Star Seeker in: The Secret of the Sorcerous Standoff (2020) - 96.4%

Mr. Robot and His Robot Factory (1983) - 96.1%

Quando Fuori Piove (2018) - 95.9%

Turovero: The Celestial Tower (2017) - 95.8%

I am Magicami (2020) - 95.8%

Weird and Unfortunate Things are Happening (2020) - 95.5%

The Unholy War (1998) - 95.2%

🏆 Most Balanced

Games with the most even spread of votes:

Human Fall Flat (2016) - 19.3% Yes | 28.5% No | 26.1% Watched | 26.1% Never Heard

Kerbal Space Program (2015) - 21.9% | 31.1% | 24.5% | 22.5%

The Henry Stickmin Collection (2020) - 19.3% | 29.2% | 22% | 29.5%

Ib (2012) - 24.1% | 26.8% | 19.2% | 29.9%

Superhot (2016) - 24.9% | 25.1% | 30.5% | 19.5%

Danganronpa: Trigger Happy Havoc (2010) - 25.8% | 31.1% | 20% | 23.2%

Limbo (2010) - 30.2% | 28.7% | 23.9% | 17.1%

Wobble Dogs (2022) - 18% | 25.4% | 25.2% | 31.3%

Slay the Princess (2023) - 30.2% | 27.4% | 26.1% | 16.4%

Baba Is You (2019) - 26% | 32.9% | 19% | 22.1%

🏆 Most Votes

Games with the most number of votes:

The Elder Scrolls V: Skyrim (2011) - 4,329

Flight Rising (2013) - 4,132

Vampire: The Masquerade - Bloodlines (2004) - 4,053

Final Fantasy XV (2016) - 3,056

Zero Escape: Nine Hours, Nine Persons, Nine Doors (2009) - 2,844

Dark Souls (2011) - 2,823

The Dinosaur Game (2014, AKA Chrome Dino Game) - 2,758

QWOP (2008) - 2,636

Dragon Age II (2011) - 2,576

The Elder Scrolls IV: Oblivion (2006) - 2,398

*I did not take most Pokémon games into consideration since I handle those polls a little differently.

Check out my results spreadsheet for an alphabetized list of all poll results plus some other stats.

[the-torchwood-archive]

Owen's Age

In Martha's medical log, she states that Owen is 27 during the events of Reset. We're going to talk about why we should stop accepting that as canon and start referring to Owen as being 34 during Reset.

His birthday of February 14th is always constant and isn't something I dispute. We are given two dates for his year of birth, 1974 or 1980.

1980 is on screen in Reset and I believe Exit Wounds, as well as in text published after season two. The fact that this is well documented makes it hard to argue with, and yet I will.

1974 is only ever mentioned once, in an email that was written and published on the TW website alongside Dead Man Walking. Keep in mind that this would have been written before DMW aired, which suggests that 1980 wasn't in the script that the writers were given. A few days after airing, the date in the email was changed to 1980 to match what we saw on TV.

Let's take a quick look at a Owen timeline.

Born either 1974 or 1980.

Began training as a doctor in 1994. He would either be 14 or 20.

Late 2000/early 2001 he walked out on his college girlfriend in London. He would be either 20 or 26.

In March 2001, Owen is a qualified Doctor in Cardiff. He would be either 21 or 27.

Owen was employed by Cardiff General between at least 2000 and 2002. He would have been either 20-22 or 26-28.

Lucy Marmer is brought to Owen's attention in September 2001, six months after Owen qualified. Owen would be either 21 or 27.

Katie dies in 2005, which would make Owen either 25 or 31.

Owen is hired by Torchwood in 2006, making him either 26 or 32.

Reset is set after June 2008, making Owen either 28 or 34.

Having Owen be born in 1974 puts his timeline into some form of sense. It makes him a year older than Tosh, four years older than Gwen, and nine years older than Ianto, which sits well with the dynamics. He in no way feels five years younger than Tosh, two years younger than Gwen, and three years older than Ianto.

In addition, Burn himself is born in 1974 and I frankly don't think he looks six years younger than he actually is.

I will now take questions from the audience.

[pomegranate]

THANK YOU to both @amrv-5 and @hawkesque for tagging me to ask for my list of

9 of my favourite films that I watched for the first time this year!

I’ve seen 49 new (to me) movies this year - and I will be watching at least one more new one before tomorrow at midnight to cap it off at 50 - and there were a lot of really great ones overall, but these ones get the honour of being named my favourites.

(after making this list I realized 4 of them take place during periods of sweltering heat lmao. INTERESTING)

- Past Lives (2023, dir. Celine Song): I talked about this one a bit in that end of the year ask meme but I really didn’t know what to expect going into this one and came out deeply affected in a way I’ve not been able to put into words. I can’t believe this is Celine Song’s directorial and screenwriting debut?!?! It feels so well-crafted and extremely deserving of the praise it’s received. I think this description from a Looper listicle sums it up beautifully: "a master class in the art of subtlety while evoking complex human emotions. The minimalist love story is like no other in how it expertly captures the slow-burn nature of fate. It's a bittersweet experience that'll leave you aching for all of life's "what-ifs.""

- Asteroid City (2023, dir. Wes Anderson): I really enjoy some Wes Anderson films but a few of his more recent ones missed the mark for me, so I wasn’t sure how I’d feel about this one. Happily, I had an absolutely fantastic time watching this with friends - it’s funny and inventive in a way that really tickled me, and the heartbreaking romance woven into the “background” of the story (quotation marks bc it’s not really the background) really stuck with me.

- High and Low (1963, dir. Akira Kurosawa): I’ll admit I wanted to see this after Ayo Edebiri included it in her Criterion Closet video bc I have a massive crush on her and I admire her taste, and BOY it did not disappoint! It’s just under 2 and a half hours long but I was so wrapped up in the tension and drama that the time absolutely flew by. My first Kurosawa film but definitely not my last!

- Nine To Five (1980, dir. Colin Higgins): I did not expect to have so much fun watching this but I should’ve known a movie starring Jane Fonda, Lily Tomlin and Dolly Parton would have me clapping my hands and stomping my feet with delight. Dabney Coleman is also SO great as their disgusting boss and a special shout out to him for how funny he was in each of their little fantasy sequences. God, if only real life was as satisfying as the ending of this film.

- Roman Holiday (1953, dir. William Wyler): I’ve had this on DVD for years but only got around to watching it this past August and OH what a beautiful movie! It’s wild to me that this was Audrey Hepburn’s first film; she’s totally captivating and I can’t take my eyes off her the entire time. Definitely one I’ll be returning to again and again.

- Moonlight (2016, dir. Barry Jenkins): I’m embarrassed it took me this long to watch this film but unsurprisingly, it’s as magnificent as everyone has always said. Chiron’s story is told so beautifully and the way it all comes together in the end is simply perfect. Every performance felt vivid and authentic and each actor who played Chiron made him feel like a real person I was watching grow up on my screen. Quite possibly one of the best movies of all time.

- Dog Day Afternoon (1975, dir. Sidney Lumet): I challenged myself to only include one Al Pacino movie on this list and since this is the one that kicked off my Pacino era (despite me having watched Cruising earlier this year), it’s gotta be here. Watching it a second time also highlighted how well made it is as a film - Al is magnetic in his performance as a desperate man pushed to the brink to take care of the person he loves. The rest of the cast is fantastic as well, especially the tellers, led by Penelope Allen. And now that I’ve seen the 2nd Godfather installment, my love for John Cazale has blossomed fully. I love the deeply disturbed Sal sooooo much. GOD I haven’t even touched on Lumet’s insanely masterful direction and the fact that this movie swings from unbearable tension to being hysterically funny within moments is BEYOND incredible. MOVIE OF ALL TIME!!!!!!!!

- Rear Window (1954, dir. Alfred Hitchcock): Another one that I’m embarrassed I hadn’t seen until this year, despite recognizing many references to it through pop culture (most notably the Simpsons ep where Bart thinks Flanders has murdered his wife). It lives up to the hype, with a murder mystery so well-crafted that even if you KNOW where the story is going, you’re still not entirely sure what’s going to happen next. I’m also so fascinated by Hitchcock’s use of cameras (both Jeff’s and the actual camera filming the movie) to show us the range of humanity on display within a fairly confined area and how Jeff’s voyeurism is contrasted with our voyeurism as the audience. I need to watch this again bc I know I wasn’t fully appreciating that storytelling device the first time.

- Do The Right Thing (1989, dir. Spike Lee): I said this in my other post from the end of the year meme, but I had absolutely no idea what to expect going into this movie and it floored me. I was immediately drawn into the vibrant community where I’d be spending the next couple of hours, with Lee’s distinctive directing style making me feel like I was right there in Brooklyn with the characters as the heat and tension simultaneously reached a boiling point. The explosion that we see kick off with about half an hour left to go in the runtime is inevitable but still felt like a punch in the stomach. God. I think my heart rate is climbing just thinking about it. One of the most powerful cinematic experiences I’ve had in a long time.

Honourable mentions that didn’t make this list include Bottoms (2023), Charade (1963), Some Like It Hot (1959), Gentlemen Prefer Blondes (1953), Hundreds Of Beavers (2022), Scream (1996), …And Justice For All (1979), The Godfather Part II (1974), Fancy Dance (2023), and The Holdovers (2023).

As for tagging other people, I’m going to leave it blank for now bc I’ve been sitting in a chilly vehicle writing this but I may come back later, not sure! I don’t want to pressure anyone who doesn’t feel like doing it but PLEASE do it if you want to & tag me in your lists bc I would love to read them!!!

[astoundingbeyondbelief]

Kaiju Week in Review (December 31, 2023-January 6, 2024)

Episode 9 of Monarch: Legacy of Monsters was a huge one, wrapping up the flashback storyline with gut punch after gut punch and dropping half the cast into a new realm of the Hollow Earth, Axis Mundi. I'm being vague because there's a very big twist at the end. Chomping at the bit for the finale.

@quazies has graced us with another animated Godzilla short, this one focusing on Rodan and wringing surprising emotion out of the daffy bird. And I continue to get a kick of out this Animal Crossing-esque Monster Island. This is their fourth Godzilla video; if you're unfamiliar with them, correct this immediately.

The new issue of TotalFilm has a sizable article on Godzilla x Kong: The New Empire. My notes:

Trapper (Dan Stevens) is a sort of Titan veterinarian.

Emphasis on filming in real places; the Hollow Earth is a mixture of Greenland, Iceland, Hawaii, and Australia. Also mentions some sort of physical Kong prop and another full-sized HEAV.

Apex isn't in this story "in a literal way," but Monarch seems to have copped some of their tech; Kong's B.E.A.S.T. Glove is implied to be one example. Sort of disappointing that the Monsterverse continues to avoid having a recurring human villain, but then it would've been hard to keep Apex in the picture, between the Mechagodzilla scandal and all their key members dying.

Rome is mentioned as a location in the film, which was reinforced this week with a Japanese trailer showing Godzilla astride the Colosseum prior to his evolution. As a half-Italian, I'm thrilled.

Wingard is aiming for late-Showa Godzilla vibes. Not possible on a nine-figure budget, says I, but I'm curious to see what he comes up with. Adds that he "wanted the color palette of the film to resemble the experience of what it was like to walk down a toy aisle in the 1980s[.]"

Wingard on Skar King: "[He's], in a way, the closest that the human threat has ever been juxtaposed onto a titan itself. The Skar King almost represents an upscaled version of the worst parts of humanity, just as Kong represents some of the best parts of humanity."

Now, about that cover... they're doing the bisexual lighting on purpose at this point, right?

The new Godzilla Battle Line units are Orga and Kiryu Kai (Heavy Arms Type). Orga's pretty fun, dropped into the arena by the Millennian UFO and respawning with half health once defeated. The new Kiryu is a major addition, dealing 30% more damage to units that cost 7 energy or more.

This is my first Kaiju Week in Review covering 2024; for a look back on all that happened in 2023 in kaiju film, television, and video games, I'll refer you to this excellent video by @zagorudan. @vintagehenshin has one out on indie tokusatsu as well.

This is a year ending in "4", so a lot of Godzilla movies have big anniversaries on the way. The biggest, of course, is Godzilla vs. Mechagodzilla, turning 50 on March 21. Toho wasn't celebrating golden anniversaries in earnest when the other non-Godzilla members of the Big Five reaches theirs, so expect a Full Weapon Strike of merch, comics, and short films. We already know Mechagodzilla's in the next Godzilla Rivals issue, though not top-billed. Ultraman Leo, ESPY, Evil of Dracula, and Prophecies of Nostradamus also turn 50 this year.

[dd-is-my-guiltypleasure]

A LIFE IN THE DAY

David Duchovny: ‘Love can happen at any age, right?

The actor, 63, on The X Files, songwriting and snacking

EKATERINA GERBY

Interview by Helen Cullen

Wednesday January 17 2024, 12.01am GMT, The Sunday Time

Duchovny was born in New York City. He studied English at Princeton University and Yale, before breaking into acting in the late 1980s, starting in TV adverts and working his way up. In 1993 he began playing the role of the FBI agent Fox Mulder in The X Files, which ran for nine years. He later played Hank Moody in Californication. He has also released three folk-rock albums and published five novels — last year he directed a film adaptation of one of these, Bucky F***ing Dent. Duchovny has two grown-up children from his former marriage to the actress Téa Leoni. He lives in California, with his girlfriend, Monique Pendleberry, and his two dogs, Brick and Rookie.

I like to get up at dawn because those are my best thinking and writing hours. I love the sunrise but it also means I can get some work done before the sun gets too much. That’s the best time of day for me. I have a coffee that makes me think I’m brilliant for ten minutes and that’s all I need to get going.

Food to me is just fuel and I don’t have very advanced taste buds. I think everything kind of tastes OK, which people react to with suspicion. For breakfast I like oatmeal — what my Scottish mother called porridge.

If I’m filming I still like an early start, but I shot my recent film What Happens Later, with Meg Ryan, all through the night because we filmed in a regional airport after it closed at 9pm. That’s a bit of a nightmare for me as a morning person, but we developed a great camaraderie from working while the world was asleep. My daughter, West, thought it was great to see a romantic comedy film with people my age, but I don’t think of myself as any age, so I hadn’t thought about that. Love can happen at any age, right?

Everybody wants me to have a hobby, but I’m blessed because I love my work. I’ve been able to branch out into music, writing and directing. With songwriting I can pick up the guitar at any time. If you wait for inspiration to hit, you’ll be sitting on your ass for ever.

I knock off for lunch about 12pm. That’s when I have the one big meal of the day that would be recognisable to other humans as a proper meal — vegetables and a protein such as fish. The rest of the time I snack.

In the afternoon I work out. I love the games I played when I was younger — boxing, tennis and basketball — but as I get older I tend to get hurt doing those, so I’ve found Pilates is best for me. It’s still super hard but the least dangerous.

I live in Malibu and the height of my fame has passed, so it’s not difficult for me to move around any more. It’s a different era now because everybody has a phone, so paparazzi are more a thing of the past. I tend to go to the same places where people are bored of seeing me.

There are always different reasons why fans might stop me — it could be still because of The X Files or Californication. I am very proud of The X Files. I can’t think of another show like it in terms of cultural impact and longevity. I just thought we were making good, goofy TV but Chris Carter, the creator and director, saw what was coming in terms of the culture of conspiracy theories. Gillian Anderson [his co-star] and I went from being unknown to globally recognised in a couple of years. We don’t get to see each other that much as she lives in London, but there’s no one else I can share that with.

West is an actor now too. It wasn’t something that I would have charted out for her because I know how difficult it is, even more so for a woman, but I want her to do something she’s passionate about. There are still dark corners in Hollywood but the pitfalls and dangers are much more upfront.

I do enjoy a party, but I’d rather spend time with friends in the evening. Because I like to get up so early, I go to bed early also. I feel electric light has really f***ed with our sense of mind and body, and that we were made to hide in the cave at night from predators and wake up with the sun, so I try to do that. Constitutionally, I feel like that works for me.

Words of wisdom

Best advice I was given

It doesn’t matter if people laugh; it matters if it feels funny to you

Advice I’d give

There’s no such thing as good advice — you have to come to it on your own

What I wish I’d known

Take a moment to appreciate what you’ve done before worrying about the next thing

What Happens Later is in cinemas now and available to stream in spring. The Reservoir by David Duchovny is out now (Akashic Books £19.95)

×