#nicole panter

[iamdangerace]

Jarboe Devereaux and Michael Gira at a party, with Kickboy Face (Claude Bessey) passed out on the floor, circa 1986. Photo by Nicole Panter.

[gotankgo]

[youngtough]

Joan, Miss Yvonne, Susan & Pee Wee by Ronn Spencer

Joan Leizer, Lynne Marie Stewart, Nicole Panter and Paul Reubens. Live onstage at the Roxy Theater on the Sunset Strip

[senditcolton]

B.F.B

Brushing your teeth together - glancing at each other in the mirror, bumping shoulders, and sharing small smiles.

part of my Valentine's Day prompts requested by anon | word count: 1k | warnings: none!

Summer sleepovers at the Tkachuk house were essential.

It was tradition at this point; when you came back to St. Louis from college and your best friend Taryn returned from Virginia, a sleepover at her house was planned within the first week. Were the two of you getting a little too old for sleepovers? Maybe. Did either of you care? Not at all.

It was a habit. It was important.

It also meant that the butterflies in your stomach would never rest. Because while a sleepover at the Tkachuk’s house meant reuniting with your best friend, it also meant interacting with her brothers. And that wouldn’t have been an issue if you hadn’t developed a crush on her oldest brother, Matthew.

Those feelings had been there for years and every fall, winter, and spring when you at college, miles away from home, you thought that you would finally get over him. But every summer, when you came back to St. Louis, the instant you saw Matthew, the feelings resurfaced.

Little did you know that Matthew harbored the same feelings towards you. But, much like you thought he was off limits for being your best friend’s brother, he believed that you were off limits for being his sister’s best friend. So, the two of you tactically avoided each other all summer in the hopes that those feelings would wane. They never did.

It was one of the most annoying sensations and the only negative thing about you and Taryn’s annual sleepover. But you weren’t about to stop the tradition over something as stupid as a crush. Especially because the explanation that you would have to give Taryn would be a thousand times more excruciating than the few hours existing in the same space as Matthew.

You sigh, your mind spinning a mile a minute as you brush your teeth in the shared upstairs bathroom. Taryn was already in her bedroom, waiting for you to come back so the two of you could stay up all night talking instead of sleeping like you were supposed to be. But you weren’t focused on that. Instead, you were replaying every tiny interaction you had with Matthew tonight.

Did you really see him stealing glances at you from across the dinner table? Did he intentionally linger in the kitchen while you and Taryn talked in the living room? Was he being genuine in his compliment about your internship or did he just say it because it was expected?

Your thoughts are interrupted by the rattle of the bathroom doorknob turning and when your eyes look towards the sound, you have to make sure you don’t choke at the sight of Matthew standing in the doorway in nothing but a pair of old sweatpants.

“Sorry, just came to brush my teeth. Didn’t know you were in here,” he quickly explains, the doorknob still in his hand as he starts to take a few steps back, the door slowly re-closing.

“It’s alright. I’m just brushing mine,” you say, wiggling your toothbrush in the air. “You can stay if you want. It’s technically your bathroom anyway.”

You voice halts his movements and you watch his blue eyes dart to you.

“You sure?”

“Yeah, there’s plenty of room,” you reply, trying desperately to make your voice nonchalant. It seems to work because, after a moment of hesitation, Matthew walks into the bathroom and stands in the open space next to you.

Your heartbeat quickens as your eyes land on his bare torso and you blink quickly, looking away and trying to focus on the task at hand. You hear the sink start and soon the sound of another toothbrush bristling joins yours.

It is silent as the two of you continue to brush your teeth, your eyes trained down at the counter top. You spit out the toothpaste buildup in the sink and when you lift your head, you stare into the mirror, willing your eyes to stay locked on your reflection. Unfortunately, it seems that your common sense isn’t working as your eyes slide over to the reflection of Matthew.

He isn’t looking your way, his eyes trained on his own reflection like yours were supposed to be. It seems that your desire takes this as an opportunity to let your gaze travel down. Your eyes dance over his chest and stomach and you can’t stop from noticing the slight trail of hair that disappears underneath the waistband of his sweatpants.

The sound of a throat clearing makes your eyes dart up to Matthew’s face and your feel your cheeks flood with heat when you find him staring at you through the mirror. Your eyes dart away and the heat surges again when you hear a small chuckle rumble from Matthew. You glance back at the mirror and see Matthew’s eyes now dancing down your frame.

It’s your turn to raise your eyebrows, a teasing glance shot in his direction that he eventually notices. He only responds with a grin and a shrug, his toothbrush still hanging out the side of his mouth.

The previously awkward tension between you rapidly morphs into something different. The glances become more frequent and you’re sure that your cheeks will start hurting if you keep smiling. At a certain point, he playfully nudges you away from the single sink so he can spit his toothpaste into the basin. An action that your return shortly afterwards. The energy is lighthearted and goofy and filled with chemistry.

Eventually, Matthew rinses his toothbrush off, returning it to holder next to the sink. His eyes connect with yours in the mirror one last time and he shoots you a grin and a small wink before he departs.

As soon as the bathroom door closes behind him, you let out a deep breath. After cleaning off your toothbrush, you gather the cold water in your hands and splash it onto your face. Your eyes connect back to your reflection in the mirror, your mind spinning.

What the hell was that? And what the fuck did it mean?

You didn’t have any answers at the moment and you weren’t about to march into Matthew’s bedroom and demand them. There was only one thing that you knew for certain: this crush on your best friend’s brother wasn’t going anywhere anytime soon.

[mi6021-mez-dissertation]

Cal Arts Staff

Robert Domingo - Character Animation

specialises in 2D and CG, has worked at Walt Disney Worked on The Lion King, Pocahontas, The Hunchback of Notre Dame, Hercules, Mulan, Fantasia 2000, The Emperor's New Groove, Treasure Planet, and Home on the Range Worked as a CG character animator on Shrek 2, Shrek the Halls, Over the Hedge, Madagascar, Kung Fu Panda, How to Train Your Dragon and The Croods

Steve Brown - Character Animation

worked in the Theme Entertainment industry as an environmental concept artist, such as las Vegas casinos and theme parks also working on freelance storyboard work on a number of independent animation productions, including My Friend Shadow, Witch Mask, Tian Keng, and Iron Skies.

Maija Burnett - Director of the Character Animation Program Her screen credits include Curious George (Warner Brothers/Universal), 9 (Focus Features), Garfield: A Tail of Two Kitties (20th Century Fox), Ed, Edd ‘n’ Eddy (Cartoon Network) Her work has been featured in festivals and museums eg. Comic Con

Linda Dorn - Character Animation has taught both Advanced Animation and Life Drawing at CalArts with industry experience includes Animator, Visual Development, and Sequence Design at Futurama, Disney Feature, Hyperion, and July Films

Mindy Johnson - Character Animation

regarded as an Award-winning author, historian, filmmaker, educator, musician and more

produced record-breaking global campaigns, creative content, exhibitions and events for a growing list of clients including: The Disney Company, AMPAS/Oscars.org, WNET/American Masters, The Walt Disney Family Museum, SiriusXM Radio and Horipro Entertainment. 

Nicole Panter Dailey - Film and Video & Character Animation

script editor and fiction writer, co-creator and writer on Pee Wee's Playhouse and London Channel 4's Dream Date. She is the author of Mr. Right On & Other Stories and editor of Unnatural Disasters; Recent Writings from the Golden State.

Suanne Spoke - Film and Video & Character Animation

she teaches acting in the Film Directing Program and in Character Animation

has made over 150 appearances on stage/film/television, most recently on “Station 19” and starring in “Second chances with Jason Nash” for YouTubeTV.  She can be seen in “Whiplash”, “Wild Prairie Rose”, “Gastropod”

Nathan Strum - Associate Technical Director

Nathan has designed, built, re-built, and updated the program's three Mac Labs

Nathan collaborates with hobbyist programmers creating new videogames for the venerable Atari 2600, designing in-game graphics and packaging materials. And yes - you can actually buy them on real cartridges and play them on 40-year-old hardware. He also semi-occasionally creates new episodes for his videogame-themed webcomic: Artie the Atari.

Out of the 57 listed staff under the Character Animation filter, 8 Had public descriptions available, all of which showcased their work in the industry of animation or similar areas

[psychrocism]

Nicole Panter & Peewee

[annebroeksma]

Poesiering

Dit verhaal verscheen eerder op Shortreads_.

Amours portent mon cuer a mon ami.

Afgelopen september kwam deze regel bovendrijven in een anoniem veengebied rond Utrecht. Hij staat gegraveerd in een poëziering uit de vijftiende eeuw. Volgens volk van onder de rivieren betekent het:

Liefde voert mijn hart naar mijn lief.

Een poëziering? Ja. Posy, posie of poesie in oud-Engels. Het is de allereerste vondst van zo’n ring in Nederlandse bodem. Ze zijn goud en hebben een inscriptie. Mannen lieten ze tussen de 15e en 17e eeuw maken voor al dan niet veroverde vrouwen. Het dragen van de woorden op de huid versterkt de boodschap, als een soort tatoeage. En wie zelf geen groot dichter was, kon bij de edelsmid kiezen uit een boek vol zoete zinnen.

Op een Engelse website vind je de regels die al eens zijn aangetroffen. Mijn favoriet: ‘Of earthli joyse thou art my choys’. Sommige regels lijken rechtstreeks uit het post-#MeTootijdperk te komen: ‘After consent ever content’. En bij andere ringen zou ik de gever minstens wantrouwen: ‘You never knew a heart more true’ en ‘As God decreed soe wee agreed’, of keihard wegrennen: ‘Denial is Death’.

Maar, er is een probleem met de Utrechtse poëziering. Ami is mannelijk, de ring lijkt dus voor een man te zijn gemaakt. Dan moet de gever een vrouw zijn, al werden de ringen ook weleens gemaakt om vriendschappen te bevestigen. Of een vriendschap plus. Een ring om de liefde tussen twee Utrechtse mannen te bezegelen, zes eeuwen geleden! Dat zou fantastisch zijn.

En dan is er nog iets geks aan de hand, iets waarvan mijn hartslag omhoog gaat. Er staat een wit beest naast de tekst, met zwarte stippen op zijn rug en een hartje naast zijn snoet. Maar wélk dier is het? De geleerden twijfelen nu tussen een jachthond en een liefdespanter.

Jachthonden waren een symbool voor trouw. De eventuele hond loopt achter het hartje aan, dat zou kloppen met de tekst. De gever is een trouwe hond die achter zijn/haar hart aanloopt en uitkomt bij de geliefde. En die stippen: dalmatiërs werden blijkbaar in de vijftiende eeuw al in Nederland gehouden, het was zelfs een populair ras. Het kan.

De liefdespanter maakt het verhaal iets ingewikkelder. Die heeft niets te maken met de zeldzame amoerpanter uit oost-Rusland. Het is een beest uit een Henegouws verhaal uit begin 14e eeuw, geschreven door ene Nicole de Margival: Dit de la panthère d’amour.

Een dichter ziet in zijn droom een panter. De God van de Liefde komt erbij en fluistert hem in dat het de vrouw is die hij begeert. Hij gaat achter de panter aan, net als alle dieren in het bos. De panter heeft namelijk een heerlijk ruikende adem met helende krachten. Zij verstopt zich in de struiken en de dichter volgt. Oog in oog met de prachtige panter kan hij geen woord meer uitbrengen, in een reflex bespringt hij het beest. De panter ontkomt en de God van de Liefde legt op verzoek van de panter aan hem uit dat ze alleen voorzichtig, met mooie woorden gewonnen kan worden. Eenmaal ontwaakt uit de droom begint de dichter driftig te schrijven.

In middeleeuwse encyclopedieën, zoals bij Jacob van Maerlant, heeft de panter ook een welriekende adem, maar is hij minder vergevingsgezind. Wanneer de dieren hem gevolgd zijn naar zijn hol, verslindt hij ze als prooien. Niet gehinderd door kennis werd de panter soms afgebeeld met horens, vleugels of een slangenstaart. Maar de zwarte stippen zijn meestal wel aanwezig.

Zou dit een liefdesring onder voorwaarde zijn? Zou de vrouwelijke schenker de panter als waarschuwing naast haar liefdesverklaring hebben laten graveren? Ik volg mijn hart en kom uit bij jou, maar als je me bespringt ben ik weg, heel gauw. Zoiets? En waarom werd deze ring gevonden in het veen, zonder lichaam eraan? Waar is dat veenlijk? Je vraagt je af hoe die liefdesgeschiedenis is verlopen. Hoe lang is die man in bezit geweest van die poezenring voor hij de stad ontvluchtte en hem dramatisch van zich afwierp in de zodden? Als een panter tegen je praat doe je er verstandig aan te luisteren.

[artwalktv]

On an isolated cacti farm, three stressed out birds ask a cowgirl to help put a stop to the elusive Ax-Man. 2019// Animafest Zagreb, Croatia Anima, Brussels, Belgium Borrego Spring Film Festival, CA Cellu l'art Short Film Festival, Jena, Germany One Earth Film Festival, Chicago, IL 2018// ANNY, Animation Nights New York Etiuda & Anima, Krakow, Poland FIIN, Vila Real, Portugal GNG Green Earth Film Festival, Los Angeles, CA Lift Off Film Festival Toronto, Online Selection Nitehawk Shorts Festival, NY, NY Norman Film Festival, Norman, OK NoBudge Shorts Program (MoMa), NY, NY PIAFF, Festival International du Film d'Animation de Paris Visionaria, San Gimignano, Italy YOUKI International Youth Media Festival, Wels, Austria AWARDS Audience Awards - *Third Place Jury Winner* NoBudge Awards - *Best Animated Film* One Earth Festival - *Best Short, College Level* A potential pilot for a series and - My third year film! Truly special thanks to: Diego Gaeta - for the incredible score Nick D'Agostino - for your wise advice Jonni Phillips - for script help, and late night burger runs Mathieu Libman - for your sage story tips Nicole Panter - for reviewing the first draft of the script Pixote Hunt - for teaching me how to tell a story with color And of course Abe, Gabby, Worsey, Emily, and my family. Insta: sam_lane_art Portfolio: samlaneart.com

[worldfoodbooks]

OPEN TODAY TIL 4 PM. BACK IN THE BOOKSHOP: THE DRAWINGS OF SUSAN TE KAHURANGI KING (2016) - The only monograph in print on the self-taught New Zealand artist who stopped speaking at age 4; drew prolifically for decades; stopped drawing for several more; and then started again in 2008. Recently discovered, these are masterpieces of 20th-century drawing. - Like many so-called outsider artists, Susan Te Kahurangi King (born 1951) has an origin story--from an early age, she communicated solely through her art. The Drawings of Susan Te Kahurangi King reveals the various periods of the New Zealand artist’s work from that foundational moment: from her childhood drawings, to her notebooks, to her mature work of the 1970s and ’80s up until the point, sometime in the 1980s, when King stopped drawing. Also included is work made since 2008, when King returned to art, showing the artist’s recent moves beyond representation. King’s surreal, cartoonish work triumphs in dialogue with contemporary painting and drawing, echoing the comic-inspired work of such painters as Nicole Eisenman, Laura Owens and Joyce Pensato--work that similarly draws from the poles of an unfettered vision, on the one hand, and common pop culture iconography on the other. Yet in King’s work we see the unfiltered manifestation of a self-taught artist, whose work is always art and communication simultaneously. In addition to offering a biographical overview of King’s life, this catalogue tracks the evolution of her oeuvre and provides contextualization of her art. - Edited with text by Tina Kukielski. Foreword by Alex Gartenfeld. Text by Gary Panter, Amy Sillman, Chris Byrne, Petita Cole, Rachel King. - Back in stock to accompany our latest OCCASION - an exhibition of two early drawings of Susan Te Kahurangi King, currently on view at World Food Books. - #worldfoodbooks #susantekahurangiking #roberthealdgallery #icamiami (at WORLD FOOD BOOKS)

[universalmovies]

Da domani su Netflix Raising Dion, la serie sci-fi con Michael B. Jordan

Da domani su Netflix Raising Dion, la serie sci-fi con Michael B. Jordan

Da domani 4 ottobre prende il via su Netflix la nuova serie dal sapore Sci-Fi/Supereroistico intitolata Raising Dion. Tra i protagonisti dello show troviamo Michael B. Jordan (Black Panter), anche nei panni di produttore esecutive.

In Raising Dion seguiremo Nicole Reese (Alisha Wainwright), una vedova che dopo la morte del marito Mark Reese (Michael Jordan) sarà costretta ad allevare suo…

[katieskelly]

video of our talk from the strand, with leslie stein & gary panter, moderated by nicole rudick of the paris review.

[senditcolton]

From Eden

a/n: i know some of y’all are getting sick of this man... but i’m not. in fact, i’m becoming more obsessed with him.  word count: 1.5k warnings: references to you and matty sharing a ‘benefits’ type of relationship. besides that, nothing! gender-neutral reader!

No tired sigh, no rolling eyes, no irony.

“Keeping my seat warm, darling?”

The laughter that was on your lips died the instant you heard his voice raise above the shouts and joy of the rest of the families around you. And when you turn on the barstool located in Aleksander Barkov’s backyard, you come face to face with Matthew, wearing that stupid smug smirk on his face.

You try to focus on that smirk, no matter how much it irritated you. Because if you let your eyes wander down to his bare chest that still had droplets of water from the pool clinging to his skin… well, you couldn’t think about that. Not if you wanted to prevent yourself from acting the fool.

Not if you wanted everyone here to know about you and Matthew’s little secret.

So, you slip back into the carefully constructed mask that you had worn for the past few months, letting your eyebrow raise in contempt.

“Yours? Last time I checked, I was sitting in Sasha’s backyard so, it’s his seat more than it is yours or mine.”

“Getting all technical on me, I see.”

“Just stating facts, Matty.”

The nickname is out of your mouth before you can pull it back in. And you can Matthew noticed from the way his eyes sparkled and that damnable smirk grew wider. You just pray that the few teammates around you were oblivious, not paying much attention to the verbal sparring match that they should be used to by now.

“Since when did you start calling Chucky anything but Matthew?” Carter asked, calling more interested glances to be sent in your direction.

So much for them not paying attention.

“I guess I’ve had too much to drink,” you reply, emphasizing your excuse with the lazy wave of your – thankfully – empty beer bottle.

“Well, you should have some more,” Matthew says with that mischievous sparkle in his eyes.

“Why? You want to hear me saying your name?” you tease.

“Much rather hear you screaming it,” he chirps back. His bold statement almost, almost, has you fumbling. Weirdly, it’s the hoots and jeers from the boys around you that steady you.

“In your dreams, Matthew,” you scoff, sliding off your chair and making your way towards the kitchen. Although, Matt calls after you, never content on you having the last word.

“My dreams often come true!”

You hear the boys laugh again and you have to fight the heat that creeps up the back of your neck. Not in embarrassment, no; the rest of the team treated you like family and you knew that they meant everything in jest. The heat appeared because… the rest of the boys had no idea how right Matthew was.

When you first met him, he was a pest. Truly lived up to his reputation. Although, perhaps that night you hadn’t made the greatest first impression. You expected a night out with the boys after a very stressful work day. You hadn’t planned on being forced to go through awkward introductions.

But the past happened and that initial meeting became how you and Matthew moved through the world; with chirps and snark and always a hint of annoyance.

Until a night after a Panther win, where the adrenaline and alcohol were at an all time high, and Matt ended up kissing you. And you liked it. You really liked it.

One thing led to another and now, here you were. Regularly sleeping with the newest star of South Florida all while still acting like he annoyed the shit out of you whenever the two of you weren’t behind closed doors.

You sigh as you walk into the empty air-conditioned kitchen, not wanting to get trapped in the questions that came with whatever you and Matthew shared. It was hard enough pretending to hate him. You didn’t want to push on the possibility of you liking him more than just a hookup.

Although, you think you might really like him. Like that.

Another sigh escapes as you grab a beer from the refrigerator, absentmindedly grabbing the bottle opener from the island, going through the motions. You are so lost in thought that you don’t even hear the door opening and realize someone else was in the kitchen. Not until a pair of strong hands land on your hips.

You slightly jump, pulling away and spinning only to come face-to-face once again with Matthew.

“What are you doing?” you ask, eyes darting out the windows towards the crowd in the backyard. A small rush of relief runs through you when you realize they were thankfully still oblivious.

You look back to Matthew, who’s initial smirk has turned into that gentle smile. It was a smile that you had found yourself waking up to on occasion, when the morning Florida sun creeped in through the blinds of his bedroom.

“What?”

“Nothing. You’re just really pretty,” he replies, punctuating his words by hooking his fingers through your belt loops and pulling your hips flush to his.

“Matthew,” you reply, your voice taking on a scolding tone.

“What? No one else is in here.”

“Yeah, but anyone could walk in. There isn’t a locked door separating us from the backyard.”

“I could get you behind a locked door,” comes his smooth reply, leaning in towards your lips. You halt his forward motion with a hand on his chest.

“I’m not fucking you in your captain’s house.”

“Not exactly what I meant.” Your only response is a hum, the sarcastic ‘sure’ conveyed clearly, even without the words being spoken. You manage to untangle yourself from him and move towards the trash before Matt speaks again.

“I was thinking maybe you’d come back to mine after dinner.”

“Dinner?” you question, not really looking up at him as you throw the bottlecap away. “I didn’t realize the team was doing that tonight too.”

“They aren’t.”

The waver in his voice is what calls your attention back to him. As soon as your eyes land on him, you are surprised to see that suave, smooth Matthew that everyone thought they knew had completely disappeared. In his place was Matty, his eyes bouncing from you to the floor. You watch as his hand goes to tuck that invisible strand of hair behind his ear, a quirk that you noticed many times before and always found stupidly endearing.

“I was thinking it could be just you and me.”

The realization slowly dawns on you, the understanding of exactly what he was asking.

“Matthew, are you asking me on a date?” you gently tease, not wanting to miss the opportunity to make him even more flustered, no matter how you actually felt about the man.

“If I was, would you say yes?”

The question is put so bluntly that it knocks down almost every imagined wall that had previously been built between the two of you. Because the answer was yes. Even after the rocky start, even after swearing up and down that the connection the two of you shared was purely physical, you ended up really liking Matthew.

And it wasn’t that he just wore you down or wiggled his way into your heart. No, it was because you had seen a side of him that few rarely got to see. Those softer parts of him that no one really seemed to notice or that the general public never really cared about.

Like those mornings where you would wake up to him watching you sleep, that soft smile on his lips.

You liked him. You might even grow to love him.

However, you weren’t about to let him know all of that just yet.

“I might,” you respond, walking towards him, your eyes sparkling with that same energy he always directs your way. You stop mere inches in front of him, the playful grin pulling at the corner of your lips. “I may need a little convincing though.”

Matthew reads your teasing with ease, not wasting any time before he leans down, capturing your lips in his. You’ve kissed Matthew a hundred times before this. But somehow, this kiss stood apart. It was both similar and different from all the others. Yes, it was filled with passion and fire. But now, it was also filled with deeper emotions, emotions the two of you had been too scared to admit, emotions that were as mysterious as the depths of the ocean. The combination was intoxicating and you can’t stop yourself from pressing against him, pulling him closer to you.

“I fucking knew it!”

A different voice bounces off the walls of the kitchen and you break away, looking around Matthew’s frame to see Nick standing in the doorway. You feel the heat flare in your cheeks and you don’t even try to pretend like you weren’t just caught red-handed as you bury your head in Matthew’s chest.

“Benny, you owe me twenty bucks!” Nick shouts, his voice retreating as he returns to the backyard. Beneath your forehead, you can feel Matt’s chest shake in laughter as he wraps his arms around you, pressing a quick kiss to the top of your head.

“Guess we weren’t being as subtle as we thought.”

[2dcloud]

Lost in the Fun Zone by Leif Goldberg

I think Leif Goldberg made Lost in the Fun Zone using automatic writing—after absorbing all art of the twentieth century and comics from the past forty years. How else do you get Dubuffet, synthetic cubism, Garfield, Italian Futurism, Luis Buñuel, and Gary Panter in a story about two cats traveling a digressive and banal path to nowhere? It's boldly weird. Goldberg has hijacked the comics form, for its benefit and ours. 

— Nicole Rudick, Managing Editor at The Paris Review 

https://www.kickstarter.com/projects/2dcloud/summer-2017

[redcarpetview]

91st Oscars® Nominations Announced

      The 2019 Oscar nominations are in and the big nods go to Black Panther, Green Book, BlacKKKlansman, A Star is Born, Vice and Bohemian Rhapsody! Thrilled to announce blockbuster film Black Panther (Marvel) earned a Best Picture nomination, something unusual for a superhero production.

    ‘Roma’ and ‘The Favourite’ lead with 10 nominations each.   

       Movie veteran Spike Lee earns his first Oscar nomination for Best Director and his first nomination for Best Picture (BlacKKKlansman). Lee also earned his second writing nomination.

         Actor-comedian and Oscar®–nominated writer Kumail Nanjiani and actress–producer–director Tracee Ellis Ross announced the 91st Oscars® nominations today (January 22), live from the Academy’s headquarters in Beverly Hills via a global live stream on Oscar.com, Oscars.org.

         Nanjiani and Ross announced the nominees in 9 categories at 5:20 a.m. PT, and the remaining 15 categories at 5:30 a.m. PT. The 91st Annual Academy Awards will air Feb. 24 on ABC.

          Academy members from each of the 17 branches vote to determine the nominees in their respective categories – actors nominate actors, film editors nominate film editors, etc. In the Animated Feature Film and Foreign Language Film categories, nominees are selected by a vote of multi-branch screening committees. All voting members are eligible to select the Best Picture nominees.

         Among companies, Fox and its affiliates scored the largest number of nominations, with 21. Universal and Disney each had 17.

              Nominations for the 91st Academy Awards

Performance by an actor in a leading role

Christian Bale in “Vice”

Bradley Cooper in “A Star Is Born”

Willem Dafoe in “At Eternity's Gate”

Rami Malek in “Bohemian Rhapsody”

Viggo Mortensen in “Green Book”

  Performance by an actor in a supporting role

Mahershala Ali in “Green Book”

Adam Driver in “BlacKkKlansman”

Sam Elliott in “A Star Is Born”

Richard E. Grant in “Can You Ever Forgive Me?”

Sam Rockwell in “Vice”

  Performance by an actress in a leading role

Yalitza Aparicio in “Roma”

Glenn Close in “The Wife”

Olivia Colman in “The Favourite”

Lady Gaga in “A Star Is Born”

Melissa McCarthy in “Can You Ever Forgive Me?”

  Performance by an actress in a supporting role

Amy Adams in “Vice”

Marina de Tavira in “Roma”

Regina King in “If Beale Street Could     Talk”

Emma Stone in “The Favourite”

Rachel Weisz in “The Favourite”

  Best animated feature film of the year

“Incredibles 2” Brad Bird, John Walker and Nicole Paradis Grindle

“Isle of Dogs” Wes Anderson, Scott Rudin, Steven Rales and Jeremy Dawson

“Mirai” Mamoru Hosoda and Yuichiro Saito

“Ralph Breaks the Internet” Rich Moore, Phil Johnston and     Clark Spencer

“Spider-Man: Into the Spider-Verse” Bob Persichetti, Peter Ramsey,     Rodney Rothman, Phil Lord and Christopher Miller

            Achievement in cinematography

“Cold War” Łukasz Żal

“The Favourite” Robbie Ryan

“Never Look Away” Caleb Deschanel

“Roma” Alfonso Cuarón

“A Star Is Born” Matthew Libatique

    Oscar Nominee Ruth Carter  - Black Panter. Photo by Naomi Richard.

Achievement in costume design

“The Ballad of Buster Scruggs” Mary Zophres

“Black Panther” Ruth Carter

“The Favourite” Sandy Powell

“Mary Poppins Returns” Sandy Powell

“Mary Queen of Scots” Alexandra Byrne

  Achievement in directing

“BlacKkKlansman” Spike Lee

“Cold War” Paweł Pawlikowski

“The Favourite” Yorgos Lanthimos

“Roma” Alfonso Cuarón

“Vice” Adam McKay

  Best documentary feature

“Free Solo” Elizabeth Chai Vasarhelyi, Jimmy Chin, Evan Hayes and Shannon Dill

“Hale County This Morning, This Evening” RaMell Ross, Joslyn Barnes and Su Kim

“Minding the Gap” Bing Liu and Diane Quon

“Of Fathers and Sons” Talal Derki, Ansgar Frerich, Eva Kemme and Tobias N. Siebert

“RBG” Betsy West and Julie Cohen

  Best documentary short subject

“Black Sheep” Ed Perkins and Jonathan Chinn

“End Game” Rob Epstein and Jeffrey     Friedman

“Lifeboat” Skye Fitzgerald and Bryn Mooser

“A Night at The Garden” Marshall Curry

“Period.  End of Sentence.” Rayka Zehtabchi and Melissa Berton

  Achievement in film editing

“BlacKkKlansman” Barry Alexander Brown

“Bohemian Rhapsody” John Ottman

“The Favourite” Yorgos Mavropsaridis

“Green Book” Patrick J. Don Vito

“Vice” Hank Corwin

  Best foreign language film of the year

“Capernaum” Lebanon

“Cold War” Poland

“Never Look Away” Germany

“Roma” Mexico

“Shoplifters”  Japan

  Achievement in makeup and hairstyling

“Border” Göran Lundström and Pamela Goldammer

“Mary Queen of Scots” Jenny Shircore, Marc Pilcher     and Jessica Brooks

“Vice” Greg Cannom, Kate Biscoe and Patricia DeHaney

  Composer Nicholas Britell attends the 89th Annual Academy Awards at Hollywood & Highland Center on February 26th, 2017 in Hollywood, California. Source IMDb.

        Achievement in music written for motion pictures (Original score)

“Black Panther” Ludwig Goransson

“BlacKkKlansman” Terence Blanchard

“If Beale Street Could Talk” Nicholas Britell

“Isle of Dogs” Alexandre Desplat

“Mary  Poppins Returns” Marc Shaiman

  Achievement in music written for motion pictures (Original song)

“All The Stars” from “Black Panther”     Music by Mark Spears, Kendrick Lamar Duckworth and Anthony Tiffith; Lyric by Kendrick Lamar Duckworth, Anthony Tiffith and Solana Rowe

“I'll Fight” from “RBG”     Music and Lyric by Diane Warren

“The Place Where Lost Things Go” from “Mary Poppins Returns”     Music by Marc Shaiman; Lyric by Scott Wittman and Marc Shaiman

“Shallow” from “A Star Is Born”     Music and Lyric by Lady Gaga, Mark Ronson, Anthony Rossomando and Andrew Wyatt

“When A Cowboy Trades His Spurs For Wings” from “The Ballad of Buster Scruggs”     Music and Lyric by David Rawlings and Gillian Welch

  Best motion picture of the year

“Black Panther” Kevin Feige, Producer

“BlacKkKlansman” Sean McKittrick, Jason Blum, Raymond Mansfield, Jordan Peele and Spike Lee, Producers

“Bohemian Rhapsody” Graham King, Producer

“The Favourite” Ceci Dempsey, Ed Guiney, Lee Magiday and Yorgos Lanthimos, Producers

“Green Book” Jim Burke, Charles B. Wessler, Brian Currie, Peter Farrelly and Nick Vallelonga, Producers

“Roma” Gabriela Rodríguez and Alfonso Cuarón, Producers

“A Star Is Born” Bill Gerber, Bradley Cooper and Lynette Howell Taylor, Producers

“Vice” Dede Gardner, Jeremy Kleiner, Adam McKay and Kevin Messick, Producers

  Achievement in production design

“Black Panther” Production Design: Hannah Beachler; Set Decoration: Jay Hart

“The Favourite” Production Design: Fiona Crombie; Set Decoration: Alice Felton

“First Man” Production Design: Nathan Crowley; Set Decoration: Kathy Lucas

“Mary Poppins Returns” Production Design: John Myhre; Set Decoration: Gordon Sim

“Roma” Production Design: Eugenio Caballero; Set Decoration: Bárbara Enríquez

  Best animated short film

“Animal Behaviour” Alison Snowden and David Fine

“Bao” Domee Shi and Becky Neiman-Cobb

“Late Afternoon” Louise Bagnall and Nuria González Blanco

“One Small Step” Andrew Chesworth and Bobby Pontillas

“Weekends” Trevor Jimenez

  Best live action short film

“Detainment” Vincent Lambe and Darren Mahon

“Fauve” Jeremy Comte and Maria Gracia Turgeon

“Marguerite” Marianne Farley and Marie-Hélène Panisset

“Mother” Rodrigo Sorogoyen and María del Puy Alvarado

“Skin” Guy Nattiv and Jaime Ray Newman

           Achievement in sound editing

“Black Panther” Benjamin A. Burtt and Steve Boeddeker

“Bohemian Rhapsody” John Warhurst and Nina Hartstone

“First Man” Ai-Ling Lee and Mildred Iatrou Morgan

“A Quiet Place” Ethan Van der Ryn and Erik Aadahl

“Roma” Sergio Díaz and Skip Lievsay

  Achievement in sound mixing

“Black Panther” Steve Boeddeker, Brandon Proctor and Peter Devlin

“Bohemian Rhapsody” Paul Massey, Tim Cavagin and John Casali

“First Man” Jon Taylor, Frank A. Montaño, Ai-Ling Lee and Mary H. Ellis

“Roma” Skip Lievsay, Craig Henighan and José Antonio García

“A Star Is Born” Tom Ozanich, Dean Zupancic, Jason Ruder and Steve Morrow

  Achievement in visual effects

“Avengers: Infinity War” Dan DeLeeuw, Kelly Port, Russell Earl and Dan Sudick

“Christopher  Robin” Christopher Lawrence, Michael Eames, Theo Jones and Chris Corbould

“First Man” Paul Lambert, Ian Hunter,  Tristan Myles and J.D. Schwalm

“Ready Player One” Roger Guyett, Grady Cofer, Matthew E. Butler and David Shirk

“Solo: A Star Wars Story” Rob Bredow, Patrick Tubach, Neal Scanlan and Dominic Tuohy

  Adapted screenplay

“The Ballad of Buster Scruggs” Written by Joel Coen & Ethan Coen

“BlacKkKlansman”  Written by Charlie Wachtel & David Rabinowitz and Kevin Willmott & Spike Lee

“Can You Ever Forgive Me?” Screenplay by Nicole Holofcener and Jeff Whitty

“If Beale Street Could Talk” Written for the screen by Barry Jenkins

“A Star Is Born” Screenplay by Eric Roth and  Bradley Cooper & Will Fetters

  Original screenplay

“The Favourite” Written by Deborah Davis and Tony McNamara

“First Reformed” Written by Paul Schrader

“Green Book” Written by Nick Vallelonga, Brian Currie, Peter Farrelly

“Roma” Written by Alfonso Cuarón

“Vice” Written by Adam McKay

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[worldfoodbooks]

BACK IN THE BOOKSHOP: THE DRAWINGS OF SUSAN TE KAHURANGI KING (2016) The only book in print on the self-taught New Zealand artist who stopped speaking at age 4; drew prolifically for decades; stopped drawing for several more; and then started again in 2008. Recently discovered, these are masterpieces of 20th-century drawing. Like many so-called outsider artists, Susan Te Kahurangi King (born 1951) has an origin story–from an early age, she communicated solely through her art. The Drawings of Susan Te Kahurangi King reveals the various periods of the New Zealand artist’s work from that foundational moment: from her childhood drawings, to her notebooks, to her mature work of the 1970s and ’80s up until the point, sometime in the 1980s, when King stopped drawing. Also included is work made since 2008, when King returned to art, showing the artist’s recent moves beyond representation. King’s surreal, cartoonish work triumphs in dialogue with contemporary painting and drawing, echoing the comic-inspired work of such painters as Nicole Eisenman, Laura Owens and Joyce Pensato–work that similarly draws from the poles of an unfettered vision, on the one hand, and common pop culture iconography on the other. Yet in King’s work we see the unfiltered manifestation of a self-taught artist, whose work is always art and communication simultaneously. In addition to offering a biographical overview of King’s life, this catalogue tracks the evolution of her oeuvre and provides contextualization of her art. Edited with text by Tina Kukielski. Foreword by Alex Gartenfeld. Text by Gary Panter, Amy Sillman, Chris Byrne, Petita Cole, Rachel King. Available via our website and in the bookshop. #worldfoodbooks #susantekahurangiking (at WORLD FOOD BOOKS)