#new chester road revisited

[mistrustmusic]

Pre-Save My New Single

I'd love it if you could pre-save my new single on Spotify here https://push.fm/ps/pis7spgx! It's called New Chester Road Revisited and is out Friday 24th May 2024!

“New Chester Road Revisited” by Mistrust is released this Friday! My new single “New Chester Road Revisited” will be released on all major streaming platforms on Friday 24th May 2024. I would love it if you could pre-save the song on Spotify before the release date! Pre-Save Now If you’re not on Spotify, you can buy “New Chester Road Revisited” on Bandcamp! About New Chester Road…

[cntoesussie]

Papa Louie Concept pt. 1: The Introduction to Papa's Roadkillaria

pt.2

so i've had an idea

Deep in the mountains of the Flipverse is a small dive by a side road called Papa's Roadkillaria. The place has more-or-less been neglected by Papa as of late. But, much to the dismay of Pally and Rollie, he's revisiting it once more!

So, essentially, Pally/Rollie/CW broke down in the middle of nowhere, got chased on foot by Papa (in disguise) into the Roadkillaria, where they now have to work to pay to fix up their car.

THE FOOD:

So, we're gonna be making stews with meat from animals commonly struck on the road, so stuff like:

Opossum

Deer

Bear

Badger

Raccoon

Squirrel

Rat

and Rabbit

The stations are as follows:

Order -> Build (where meat, broth, and add-ins are selected) -> Heat (idk really what the real word for making soup is called, so this is a stand in) -> Extras (where stuff like sides and drinks (?) are chosen, sorta like in Hot Doggeria)

Now, the meat is only OCCASIONALLY from the road, so don't worry :]

THE CLOSERS:

Johnny (Monday) Xandra (Tuesday) Rico (Wednesday) Quinn (Thursday) Chester (Friday) Akari (Saturday) Jojo (Sunday)

THE HOLIDAYS: July: Starlight BBQ (Unlocked with Boomer) August: Groovstock (Unlocked with Zoe) September: BavariaFest (Unlocked with Mayor Mallow) October: Halloween (Unlocked with Willow) November: Thanksgiving (Unlocked with Sienna) December: Christmas (Unlocked with Santa (hate that mf)) January: New Years (Unlocked with Xolo) February: Valentine's Day (bc what's more loving than a bowl of rat soup <3 /s) (Unlocked with Scarlett) March: St. Patrick's Day (Unlocked with Mary) April: Easter (Unlocked with Cletus) May: Onion Fest (Unlocked with Sarge Fan) June: Summer Luau (Unlocked with Kahuna)

OTHER:

heh, i can imagine the people at the beginning of the day screen not cheering, but walking in with suspicion

[jafreitag]

Grateful Dead Monthly: Capitol Theater – Port Chester, NY 2/18/71

Fifty years ago, on Thursday, February 18, 1971, the Grateful Dead played a concert at the Capitol Theater in Port Chester, New York.

The Capitol Theater was designed by noted architect Thomas W. Lamb. It opened in 1926 as a vaudeville venue and movie palace with a capacity around 2,000. The Cap remained a cinema until 1970, when renovations transformed it into a performance space. Port Chester is thirty-five (or so) miles north and east of NYC, very close to Connecticut, so it was a nice in-betweeen stop for rock acts, including Pink Floyd, Janis Joplin, Traffic, Parliament-Funkadelic, and, obviously, the Good Ol’ Grateful Dead.

The Dead first visited the Cap for a two-night run of A/B sets in March 1970. They returned for a six-night run in February 1971.

In its post about 2/18, the Grateful Dead of the Day blog provided an overview:

These six shows at the Capitol Theater mark a transitional point for the band, which the new tunes partly evidence. The Dead had just come off their most commercially successful year to date with both Workingman’s Dead and American Beauty selling well the previous year, bringing new fans and embodying a new sound. But the boys never stood still musically, and they went into 1971 looking to continue to evolve. Pig was also becoming less and less of a presence in the mix as he played the organ and sang more infrequently. Pig’s reduced role pushed the Dead even further away from the psychedelic sound and deep blues that had been the very core of their sixties sound. 

(There’s also some stuff online about the six shows being an LSD ESP experiment. Super heady, and I couldn’t be bothered to investigate much because neither acronym is in my personal bailiwick. If you’re into either/both, check out this website.)

2/18 was drummer Mickey Hart’s last show with the band until 10/20/74. Dennis McNally, GD publicist and author of A Long Strange Trip, writes that Mickey was distraught that his father Lenny, the band’s money manager, had embezzled $150,000, and had to be hypnotized before the show. He returned to California afterwards, and Bill Kreutzmann was the sole rhythm devil for more than three years.

2/18 is famous for debuts – Bertha, Loser, Greatest Story Ever Told, Johnny B. Goode, Wharf Rat, and Playing in the Band. The best song, however, isn’t any of those; it’s not even a song, but rather a noodly section toward the end of the first set’s Dark Star > Wharf Rat > Dark Star sandwich. The Beautiful Jam remains one of the Dead’s most enduring moments, so much so that it was included in the massive five-disc, career-spanning box set So Many Roads. Here’s how the Capitol Theater’s website describes the jam:

The biggest highlight of the night is the “Beautiful Jam” that took place during Dark Star > Wharf Rat > Dark Star. Not only did it set the mood for the night, it set the mood for the year. It encompasses everything that the Grateful Dead was during 1971. From the blissful confidence to the intriguing mysticism, this segment is a definitive moment in Grateful Dead history. When radio personality David Gans played the jam for Phil Lesh in 1997, it brought tears to his eyes. To this day, it is revered by Deadheads across the world – a moment in time that is etched in Capitol Theatre history forever.

YouTube has audio of Phil’s reaction.

And the Grateful Dead Guide blog has a piece about ’71 Dark Stars that breaks down the entire segment in painstaking detail:

The first Dark Star of ’71 is one of the most unusual – for starters, it’s the only Star with Mickey Hart, and the last time we’ll hear him playing that guiro (or ‘scratcher’) in the intro jam. Not only that, but there’s another instrument tinkling like little bells throughout, giving this Star a very distinctive atmosphere. I used to think this was Mickey Hart on glockenspiel (something we’d heard in the 11/8/70 Star) – but it turns out it’s actually Ned Lagin on clavichord! His first show with them had been the Boston 11/21/70 show (where he can’t be heard); now that they were in the area again, he found himself onstage again. (As Lagin said, “I brought my clavichord down precisely to do acoustic music with Jerry. And I sat in the first night…. I did not sit in after the first night because everyone was adjusting to Mickey’s departure from the band… Jerry and I jammed during the days, clavichord and acoustic guitar.” You can also hear him occasionally later in the set, as in Candyman.)

Dark Star comes early, in the first set – the crowd screams when they recognize it. Garcia loses no time after the intro in taking the music to a more ‘mystical’ level with a few carefully chosen high notes. The feeling is calm, meditative – but the jam flows like a liquid surge into a brief burst of ecstasy after just a couple minutes, provoking more screams from the audience. Garcia quickly calms it down for the verse, which he sings very emphatically. (Then Weir completely blows his usual post-verse notes!) Rather than going straight to a space, the band tests the waters for a bit, Garcia trying a couple different approaches as the others drop out. This is where Lagin enters the jam, with some ringing chimes. Garcia finds a high note he likes and stays there (with one delightful peal of feedback). The music slides into a luscious harmonic space (Weir echoing Lagin’s chimes), but Garcia quickly bursts into the Wharf Rat chords, and the others follow – the crowd realizes they’re in another song now, and cheers. This is certainly one of the most dramatic Wharf Rat entrances.

The sad tale of August West unfolds for the first time. Garcia’s singing is strong, and though Wharf Rat has a few rough edges in its first outing, there’s so much conviction in the song, it’s still spine-chilling. (It’s also uncharacteristic for a Dead song, in that Garcia just strums the chords throughout, while Weir plays the melodic part.) The little solo at the end morphs before our ears into a Dark Star space, and with a little twist of the riff Garcia brings us back to the Dark Star theme. The music speeds up, and they start a new melodic jam around two alternating chords. (Many people say this is a Tighten Up jam due to the chord resemblance – but it’s not.) Garcia uses a breathtakingly piercing tone; and his playing is especially ethereal with some swoops of harmonized feedback. But Weir and Lesh also play perfectly in support, the music guiding them, all playing with one voice. The jam goes through several variations, pausing and resuming – once Garcia has had enough, he heads straight to the second Dark Star verse while the audience whistles. As the outro slowly unwinds, everyone wonders what will come next – of all things, Weir starts Me & My Uncle. After this, the band decides it’s time for a break – Weir announces, “We’re going to take a break, and you can watch our dust.”

GD of the Day isn’t too complimentary of Bobby’s vocals in Playing, and calls that song the “lowlight of the evening.” It’s not that bad, tbh. There’s a nice quip, too, in the intro to Greatest Story. Bobby says that “Mickey wants to call this one ‘The Pump Man,’ for reasons of his own.” I had that on a tape recorded from Gans’ Grateful Dead Hour back in college. Always fun to revisit. And the Saint Stephen > NFA > GDTRFB > NFA segment has some satisfying schlap.

ECM did lotsa legwork for this post, including photos of the Taper’s Compendium pages about this show.

(Thanks, buddy. As always, couldn’t and wouldn’t do this without you.)

So, listeners, you have a couple of options. 2/18/71 is now an official release – it’s the live part of the American Beauty 50th Anniversary Deluxe Edition.

Here’s a Spotify widget to just the show.

According to LMA poster ghostofpig, 2/18/71 is the first “Betty Board” – i.e., the first soundboard recording by legendary engineer Betty Cantor-Jackson. Transport to the Charlie Miller remaster HERE.

2/19/71 is also an official release – Three from the Vault.

That one’s not on Spotify. Idk why. It’s not as good, but you can find it, and rest of the run, on the LMA. You lazy hippies will have to figure out how to get there

More soon.

JF

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[londontheatre]

Steffan Rhodri and Nathaniel Parker in THIS HOUSE at Chichester Festival Theatre. Photo by Johan Persson

Rehearsals began today (Monday 22nd January 2018) for the first UK tour of This House, which opens at West Yorkshire Playhouse on 23 February (national press night 28 February). The cast – who play a colourful host of MPs and Whips – is Ian Barritt (Batley & Morley/Woolwich West/Belfast North/Western Isles & Ensemble), William Chubb (Humphrey Atkins), Giles Cooper (Fred Silvester), Stephen Critchlow (Bromsgrove/Abingdon/Liverpool Edge Hill/Paisley/Fermanagh & Ensemble), James Gaddas (Walter Harrison), Natalie Grady (Ann Taylor), Ian Houghton (Armagh, Ambulance Man, Ensemble), David Hounslow (Joe Harper), Marcus Hutton (Ensemble), Harry Kershaw (Paddington South/Chelmsford/South Ayrshire/Henley/Marioneth /Coventry North West/Rushcliffe/Perry Barr & Ensemble), Louise Ludgate (Rochester & Chatham/Welwyn & Hatfield/Coventry South West/Ilford North/Lady Batley & Ensemble), Geoffrey Lumb (Clockmaker/Peebles/Redditch/Stirlingshire West/Clerk & Ensemble), Nicholas Lumley (Oxshott/Belfast West/St Helens & Ensemble), Martin Marquez (Bob Mellish), Matthew Pidgeon (Jack Weatherill), Miles Richardson (Speaker Act I/Mansfield/Sergeant at Arms Act II/West Lothian & Ensemble), Tony Turner (Michael Cocks), Orlando Wells (Walsall North/Plymouth Sutton/Serjeant at Arms Act I/Speaker Act II/Caernarfon/Clerk & Ensemble) and Charlotte Worthing (Ensemble). Ian Houghton, David Hounslow, Matthew Pidgeon, Tony Turner and Orlando Wells return to This House having previously appeared in the West End production.

James Graham’s critically acclaimed and prescient political drama takes on a new importance in the current political climate. Are we in the midst of a political revolution? Can the country stay united? Roll back to 1974… The corridors of Westminster ring with the sound of infighting and back biting as Britain’s political parties’ battle to change the future of the nation, whatever it takes.

In an era of chaos, both hilarious and shocking, when votes are won or lost by one, there are fist fights in the parliamentary bars, high-stakes tricks and games are played, and sick MPs are carried through the lobby to register their crucial votes as the government hangs by a thread. This House strips politics down to the practical realities of those behind the scenes; the whips who roll up their sleeves and on occasion bend the rules to shepherd and coerce a diverse chorus of MPs within the Mother of all Parliaments.

Directed by Jeremy Herrin with Jonathan O’Boyle, the production is designed by Rae Smith with lighting design by Paule Constable and Ben Pickersgill on tour, music by Stephen Warbeck, choreography by Scott Ambler and sound by Ian Dickinson.

This House is produced on tour by Jonathan Church Productions and Headlong.

Cast Ian Barritt – Batley & Morley/Woolwich West/Belfast North/Western Isles & Ensemble Theatre includes: The Life of Galileo, The Alchemist (National Theatre), The Shawshank Redemption (UK Tour), Rebecca (UK Tour) Handbagged, Remarkable Invisible (The Theatre by the Lake, Keswick), The Lower Depths (Arcola), Hamlet, All’s Well That Ends Well, The Tempest, Troilus and Cressida (Tobacco Factory), Other Desert Cities (English Theatre of Frankfurt), Othello (Sheffield Crucible), Uncle Vanya (Bristol Old Vic/Galway Festival), Kes, Separate Tables (Manchester Royal Exchange), Richard II, Corionlanus (Almeida/New York/Tokyo), Gates of Gold (Manchester Library), One Night In November (Coventry Belgrade).Television includes: Wolf Hall, The Musketeers, Attila The Hun, Doctor Who, Upstairs Downstairs, Doctors, Foyle’s War, Life On Mars, Only Fools and Horse.

William Chubb – Humphrey Atkins Theatre includes: Racing Demon (Theatre Royal Bath), Rosencrantz and Guildenstern Are Dead, King Lear (Old Vic), In The Depths of Dead Love (The Print Room), Lawrence After Arabia (Hampstead Theatre), Waste, Great Britain, Othello, Scenes from an Execution (National Theatre), Richard II (Shakespeare’s Globe), The Vortex, A Midsummer Nights Dream, Love’s Labours Lost (Rose Theatre, Kingston), Yes Prime Minister (Chichester Festival Theatre/West End), The History Boys (National Theatre), The Sea (Theatre Royal Haymarket). Television includes: Close to the Enemy, My Baby, Breathless, Edge of Heaven, Jonathan Strange and Mr Norrell, Law and Order, Silk, The Bill. Films include: 6 Days, Adrift in Soho, Tees, Veer, Affair of the Necklace, Mrs Caldicot’s Cabbage War, Milk, The Woodlanders.

Giles Cooper – Fred Silvester Theatre includes: The Duchess of Malfi, The Knight of the Burning Pestle, Henry V (Shakespeare’s Globe), People, After the Dance (National Theatre), As Is (Arion Productions), Great Expectations (ETT), The Talented Mr Ripley (Northampton Royal), Trilby (Finborough), Dreams of Violence (Soho/Out of Joint), Think Global, F**k Local (Royal Court/Out of Joint), A Touch of the Sun (Salisbury Playhouse), Rafts and Dreams (Royal Court), The Witches (West End), Full Circle (Triumph Ent.), The Witches (Birmingham Rep), Twelfth Night (Bolton Octagon), Across Oka, Rafts and Dreams (Manchester Royal Exchange). Television Includes: Hollyoaks, Consenting Adults. Film includes: The Lady in the Van, Pride, Apollo and the Continents, The Nun.

Stephen Critchlow – Bromsgrove/Abingdon/Liverpool Edge Hill/Paisley/Fermanagh & Ensemble Theatre includes: Filthy Business, Loyalty (Hampstead Theatre), The Men From The Ministry Reloaded (The White Bear), The 39 Steps (The Criterion Theatre), Pygmalion (The Albery Theatre), Hamlet (West End), Cyrano De Bergerac (National Theatre), A Christmas Carol, The Relapse, When We Are Married (Birmingham Rep), Soap, Time of My Life, Twelfth Night, (Theatre Royal Northampton), The Game of Love and Chance (Salisbury Playhouse), Round The Horne Revisited (UK Tour). Television includes: Downton Abbey, Guerrilla, Little Lord Fauntleroy, The Prince And The Pauper, Cider With Rosie, Heartbeat, Red Dwarf 11, Miranda, Coronation Street, Casualty, Holby City, Doctors, Skins, Hattie, Fantabuloza, The Armando Iannucci show, The Railway Murder, The Thieving Headmistress, Trial And Retribution, Blue Murder, Daziel and Pascoe, The Vice, Without Motive, Heartbeat, Walking on the Moon, Baggy Trousers, A Likeness in Stone, A Line in the Sand, The Vice, Back Up, The Bill, Monarch of the Glen. Film includes: A Way Through The Woods, Fogbound, The Calcium Kid, Churchill The Hollywood Years.

James Gaddas – Walter Harrison Theatre includes: The Girls (Phoenix Theatre), Billy Elliot (Palace Theatre), Mamma Mia (Novello), Spamalot (UK Tour), Art (Wyndhams Theatre), Peter Pan (Curve, Leicester), The Messiah (West Yorkshire Playhouse), You Never Know Who’s Out There (Drill Hall), A Passionate Woman (Comedy), Jackie, A Chorus of Disapproval (Lyric Hammersmith), Three Guys Naked From The Waist Down, (Donmar Warehouse). Television Includes: Bad Girls, Coronation Street, Emmerdale, Waterloo Road, Against The Law, Casualty, Holby City, The Camomile Lawn, Medics, Class Act, Troubles, The Bill, Backup, Dogtown, Vincent, Jonathan Creek, Grafters, Heartbeat, Between The Lines, Secrets, El Cid. Film Includes: Starter For Ten, The Human Bomb, Girl’s Night, The Black Candle, Dead Man’s Folly, A Hazard of Hearts, The Pied Piper, Last Days Of Summer.

Natalie Grady – Ann Taylor Theatre includes: Julius Caesar, A Midsummer Night’s Dream (Storyhouse Chester), Brassed Off (Oldham Coliseum), Marth, Josie and The Chinese Elvis (Hull Truck), To Kill a Mockingbird (Regent’s Park Theatre/ UK Tour), Hobson’s Choice (Bolton Octagon). Television Includes: Hollyoaks, Snatch, Trollied, Endeavour, 6 Wives, Coronation Street, Doctors, Jam and Jerusalem.

Marcus Hutton – Understudy Marcus trained at the Guildhall School of Music and Drama. Theatre includes: Private Lives (Nottingham Playhouse), Naomi (The Gate), Slave Island, Don Juan (Manchester Royal Exchange), The Scarlet Pimpernel (Wolsey Ipswich), Crusade (Theatre Royal Stratford East), She Stoops to Conquer (Oxford Stage Company), Tis Pity She’s a Whore (Exeter Northcott), Tess of the D’urbevilles (Horseshoe Basingstoke), Flags and Bandages (Colchester Mercury), Reeling (New Vic Productions), The Lady from the Sea (Portlands Playhouse), Secrets of Cherry on the Run (Riverside Studios), Table Manners (UK Tour), Sound of Murder (UK Tour), Dial M for Murder (UK Tour), Kiss Chase (UK Tour), The Ghost and Mrs Muir (UK Tour), Dangerous Obsession (UK Tour), Suddenly at Home (UK Tour), Jeckyll and Hyde (UK Tour), What the Butler Saw (UK Tour), The Wind in the Willows (UK Tour). Film includes: Made in Dagenham, I’m Here, Cycle, Deep in the Woods, The Dark Channel, The Wager, Framed, Grandma.Television includes: Midsomer Murders, Making Beach, Holby City, Dr Who, Love Hurts, Lovejoy, Diana: Her True Story, A Class Act, The New Professionals, The Inspector Alleyn Mysteries, Crocodile Shoes, Smack The Pony, Hollyoaks, Brookside. Marcus is a founder member of the Radio City Theatre Company.

Ian Houghton – Armagh, Ambulance Man, Ensemble Theatre includes: War Horse (New London Theatre), This House (West End), The Audience, Yes, Prime Minister (Gielgud Theatre), Men are from Mars, Women are from Venus (UK Tour), The Best Man (UK Tour), Boeing Boeing (UK Tour), The Fastest Clock in the Universe (Old Red Lion), Unrestless (Old Vic New Voices), What’s Wrong with Angry? (King’s Head) Moonlight and Magnolias (Hertford Theatre), Woman in Mind, Oliver! (Gordon Craig Theatre) Decade (Theatre503), Art, Gagarin Way, Journey’s End, A Day in the Death of Joe Egg, The Government Inspector, Incorruptible, Absurd Person Singular, Noises Off (The Company of Players). Television includes: Harley and the Davidsons, Mr. Selfridge, Eastenders, Call the Midwife, The Great Outdoors, Waking the Dead, MI High and Moving Wallpaper. Film includes: RocknRolla and Breaking and Entering.

David Hounslow – Joe Harper Theatre includes: This House (National Theatre/Chichester Festival Theatre/West End), The Fall Of The Master Builder (West Yorkshire Playhouse), Queen Coal (Sheffield Crucible), The Empty Quarter (Hampstead Theatre), Way Upstream (Salisbury Playhouse), Too Much Pressure (Coventry Begrade), Warm (Theatre 503), Billy Liar (Liverpool Playhouse), Tamburlaine (Bristol Old Vic/Barbican), A Night At The Dogs (Soho Theatre), The Rise And Fall Of Little Voice (Royal Exchange Manchester), Holes In The Skin (Chichester), Dealer’s Choice, My Night With Reg, Perpetua, First Person Shooter, (Birmingham Rep), Tales From Hollywood, Privates On Parade (Donmar Warehouse), Alcestis (Northern Broadsides), All of You Mine, A Question Of Mercy (Bush Theatre), Othello, Henry V, Coriolanus, The Wives Excuse, Zenobia (Royal Shakespeare Company), Bent (National Theatre/West End), Fuente Ovejuna (National Theatre), Macbeth, Billy Budd (Sheffield Crucible), Our Boys (Cockpit), Treasure Island (Farnham Redgrave), The Snowman (Leicester Haymarket). Film includes: London Kills Me, Captives, Fever Pitch, The Man Who Knew Too Little, I Want You, Tabloid TV, The Flying Scotsman, The International, Defining Fay, Ginger and Rosa, Peterloo. Television includes: The Unknown Soldier, Coronation Street, Othello, Children of the North, Gone to the Dogs, The Bill, Resnick, True Crimes, Minder, Bad Company, Under The Hammer, Anna Lee, Soldier Soldier, Deadly Crack, The Cinder Path, Chandler and Co., Six Sides of Coogan, Crimes and Punishment, Turning World, Is It Legal, Peak Practice, A Wing and a Prayer, Dangerfield, Playing the Field, The Unknown Soldier, Bugs, Within Living Memory ,Casualty, Eastenders, City Central, Bomber, Always and Everyone, Peak Practice, Silent Witness, North Square, Doctors, Heartbeat, London’s Burning, Margery & Gladys, Ultimate Force, Crisis Command, Blackpool, Holby City, The Brief, Doctors, Robin Hood, Jekyll, Dalziel And Pascoe, Is This Love?, Coronation Street, Little Miss Jocelyn, MI High, Dead Set, Bonekickers, Waking The Dead, Spooks IX, Homefront, Foyle’s War, The Bletchley Circle II, Emmerdale, Moving On, Bad Move.

Harry Kershaw – Paddington South/Chelmsford/South Ayrshire/Henley/Merioneth/Coventry North West/Rushcliffe/Perry Barr & Ensemble Harry trained at RADA. Theatre includes: Mischief Movie Night (Arts Theatre), Peter Pan Goes Wrong (West End/UK Tour), The Play That Goes Wrong (West End), One Man Two Guvnors (West End), The Circle Game (Old Vic New Voices).Television includes: Peter Pan Goes Wrong (Christmas Special), Supreme Tweeter, The Interceptor, Omid Djalili’s Little Cracker, Switch, Cuckoo, Wallander, Endeavour. Film includes: Unhappy Campers, Exhibition, Unrelated, Blue Monday, Great Expectations, Skyfall, Rufus Stone, The Date.

Louise Ludgate – Rochester & Chatham/Welwyn & Hatfield/Coventry Sount West/Ilford North/Lady Batley & Ensemble Theatre includes: Iron (Traverse/Royal Court) Lanark, Sub Rosa (Citizen’s Theatre), Sex and Drugs, Greta, Class Act, First Bite (Traverse Theatre), The House of Bernada Alba, Little Otik, Macbeth, Realism, Home (National Theatre of Scotland), Strawgirl, The Adoptive Papers (Royal Exchange Manchester), Trojan Women (Tobacco Factory), World Domination, Resurrection, The Course of True Love (Oran Mor Theatre), When The Dons Were Kings, Guilty, the Course of True Love, Fishwrap (The Lemon Tree), Jeff Koons (UK Tour), Balgay Hill (Dundee Rep), 13 Sunken Years (Assembly Rooms/Finnish National Theatre). Film includes: City of the Blind, Swung, No Man’s Land, Goodbye Happy Ending, Café Rendevous, The Last Ten Minutes. Television includes: River City, Freedom, Taggart, Kissing Tickling and Being Bored, High Times, Sea of Souls, The Key, Spooks, Tinsel Town, Glasgow Kiss, Robert Burns ‘Alive and Kicking’.

Geoffrey Lumb – Clockmaker/Peebles/Redditch/Stirlingshire West/Clerk & Ensemble Geoffrey trained at Bristol Old Vic Theatre School. Theatre includes: Vice Versa, Coriolanus, Much Ado About Nothing, Romeo and Juliet, King John, Shrew, The American Pilot, The Comedy of Errors, A Midsummer Night’s Dream (RSC), King Charles III (UK tour/Australia), Much Ado About Nothing (Lamb Players), Macbeth, Twelfth Night (Filter Theatre Company), Prophesy, Macbeth (Baz Theatre Productions), Fitzrovia Radio Hour Tour (UK tour), Chekhov in Hell (Soho Theatre/Drum Plymouth), Romeo and Juliet (US Tour), Rendezvous with Fear (Fitzrovia Radio Hour), His Dark Materials (Birmingham Rep/West Yorkshire Playhouse), Rendition Monologues (Bridewell Theatre/Queen Elizabeth Hall), The Changeling, Twelfth Night (English Touring Theatre), Hansel & Gretel (Northampton Theatre Royal). Television includes: Holby City, 24: Live Another Day, Doctors, Hollyoaks, Luther, Europe’s Secret Armies. Film includes: Paddington 2

Nicholas Lumley – Oxshott/Belfast West/St Helens & Ensemble Nicholas read Law at Newcastle University before training at the Bristol Old Vic. Theatre includes: Dr Faustus, Don Quixote, Beaux Stratagem, Midsummer Nights Dream, Kiss Me Kate (RSC), Great Britain, NT 50, The Magistrate, After The Dance, Never So Good, Afterlife (National Theatre), Timon of Athens (Young Vic), Sergeant Musgraves Dance, Richard II (Old Vic), Tyne (Live Theatre), Pitman Painters (Royal National Theatre/ UK Tour); Close The Coalhouse Door (UK Tour), Much Ado about Nothing (Wyndhams Theatre), The Company Man (Orange Tree Theatre) Porridge (UK Tour), Looking for Buddy (Live Theatre, Newcastle/Bolton Octagon), The Sound of Music (Apollo Victoria), The Canterbury Tales (Garrick Theatre), Chorus of Disapproval (Lyric Theatre),The Bakers Wife, Richard II, Richard III (Phoenix Theatre), Bellman’s Opera (The Pit), Brighton Rock (Almeida), Little Voice, Rope (Watermill), Oleanna, Educating Rita (Salisbury Playhouse). Television includes: Downton Abbey, Houdini and Doyle, Doc Martin, Parade’s End, Vera, George Gently, Enid, Auf Wiedersehen Pet, The Bill, Lovejoy, Kavanagh QC, Wycliffe, Catherine Cookson’s The Secret, Holby City, Crossroads, Wilderness, Eastenders, Coronation Street, Derailed. Films include: Peterloo, Where Hands Touch, Paddington 2, Lady Macbeth, Winterflight, Stormy Monday Goal!, Right Hand Drive, Across the Universe.

Martin Marquez – Bob Mellish Theatre includes: Husbands & Sons, Anything Goes, Loves Labour’s Lost, Mother Courage & Her Children (National Theatre), Much Ado About Nothing, Imogen (Shakespeare’s Globe), Ah, Wilderness (Young Vic), Cleansed, Identical Twins (Royal Court Theatre), Fool For Love, Front Page (Donmar Warehouse), The Iceman Cometh (The Old Vic), Snowball (Hampstead Theatre) Gondoliers, I Caught My Death In Venice, Insignificance, Pal Joey (Chichester Festival Theatre), The Crucible, Don Juan, Of Mice and Men (West Yorkshire Playhouse), Brothers Marquez (Soho Theatre), Romeo and Juliet (Nottingham Playhouse), Before I Leave (National Theatre of Wales), Blasted (Sheffield Theatres), From Here To Eternity (Eternity Productions Ltd), 4 Knights in Knaresborough (Tricycle), Asylum (Queen Elizabeth Hall), Biloxi Blues (Library Manchester), Boeing Boeing (UK Tour) The Dark Side of Buffoon, The Sea (Belgrade Theatre). Film includes: After Louise, Girl on a Bicycle, A Louder Silence, Les Miserables, The Business.Television includes: The Crown, New Tricks, Elizabeth, Empire, Hotel Babylon, Lead Balloon, Dead Pixels, Bounty Hunter, Modus, Decline and Fall, Suntrap, The Javone Prince Show, The Job Lot, Woody, Vera, Knifeman, Benidorm, The Whale, Twenty Twelve, Falcon – Blind Man of Seville, Holy Flying Circus, Eastenders, Heartbeat, Dirty Tricks, The Plastic Man, Murder Most Horrid, The Bill, In Suspicious Circumstances.

Matthew Pidgeon – Jack Weatherill Theatre includes: This House (Chichester/West End/National Theatre), Salome (RSC), The James Plays (National Theatre of Scotland UK/World Tour), Wolf Hall & Bring Up the Bodies (RSC/Aldwych Theatre/Broadway), Edward II (National Theatre), Midsummer (Traverse Theatre/World Tour), Much Ado About Nothing, The Mysteries (Shakespeare’s Globe), Kyoto (Traverse Theatre) The Wonderful World of Dissocia, Realism, Caledonia (National Theatre of Scotland) The Lying Kind (The Royal Court), The Cherry Orchard, The Wizard of Oz, Vanity Fair, Pinocchio, The Glass Menagerie (Lyceum Theatre Edinburgh). Television includes: Taggart, Casualty, Holby. Film includes: Daphne, The Winslow Boy, State and Main, A Shot at Glory.

Miles Richardson – Speaker Act I/Mansfield/Serjeant at Arms Act II/West Lothian & Ensemble Miles graduated from Arts Educational Drama Collage in 1982, winning the Best Actor award. Theatre includes: Macbeth, Death of a Salesman, The Caucasian Chalk Circle (Newcastle Rep) Another Country (Queens) Romeo & Juliet (Ludlow Festival) Wilfred, A Midsummer Nights Dream, An Inspector Calls, The Contractor (Birmingham Rep) Othello (Theatr Clwyd) Private Lives (Theatre Royal York) Richard II & Richard III (UK Tour) An Evening with Gary Lineker (Lyric) The Seagull (Bromley) Journeys End (Kings Head) Charley’s Aunt, The Three Musketeers (Canizzaro Park) The Picture of Dorian Gray (Westminster Theatre) The Three Musketeers (UK Tour) Romeo & Juliet (Hull Truck) Wuthering Heights, Cause Celebre, First Class Passengers (Pitlochry) The Invisible Man (Stratford East/Vaudeville Theatre/Harold Pinter Theatre) Candida, The Lovers, Playing Sinatra (New End) Lulu (Almeida/Kennedy Center, Washington DC) A Doll’s House, A Midsummer Night’s Dream (Warwick) The Rivals (Wimbledon) The Moment of Truth, Dear Brutus (Southwark Playhouse), Anjin: The Shogun and the English Samurai (Tokyo/Sadler’s Wells), 12 Angry Men (Garrick Theatre), King Charles the Third (Wyndhams Theatre/Broadway) King John (Rose Theatre Kingston) Sleuth (Nottingham) Loves Labours Lost, All’s Well That Ends Well, A Midsummer Night’s Dream, As You Like It, Volpone, Henry IV pt1, Henry IV pt2, Henry V, Henry VI pt1, Henry VI pt2, Henry VI pt3, Richard III (RSC). Television includes: Elizabeth, Highlander, Byron, Inspector Lynley Mysteries, The King Must Die, Porterhouse Blue, Allo,Allo, The Brief, Cambridge Spies, Miss Marple, Doctors, Upstairs Downstairs, Dirk Gently, Doctor Who, Jo, Midsomer Murders, Dancing on the Edge, Sick Note, Lucan, Genius, The Crown. Film includes: Maurice, Harry Potter & The Sorcerer’s Stone, The Best Offer, Beat Girl, The Remains of the Day, Flushed away, A Princess for Christmas, Mindgame, Their Finest, A Quiet Passion, The Colour of Magic, Big Pants, The Return of Sherlock Holmes, Sabotage, Titanic, Peterloo, The Queen of Spain.

Tony Turner – Michael Cocks Theatre includes: Ink (Almeida/West End) This House (National Theatre/Chichester/West End), The Curious Incident of The Dog In The Night Time (West End) Burnt by the Sun, Her Naked Skin, Present Laughter, Playing With Fire, The UN Inspector (National Theatre), Measure for Measure, Big White Fog, Enemies (Almeida Theatre), The House of Special Purpose (Chichester Festival Theatre), The Damned United (West Yorkshire Playhouse/Derby Theatre), The School for Scheming (Orange Tree Theatre) Journey’s End (UK Tour/West End), Personal Enemy (Brits Off Broadway), One Night In November (Belgrade Theatre), The Jail Diary of Albie Sachs (Salisbury Playhouse), Mad World My Masters, Neville’s Island (New Wolsey), Madness of George III (West Yorkshire Playhouse/Birmingham Rep), The Danny Crowe Show (Bush Theatre), Christmas Carol (Stoke New Vic), Talent (Colchester Mercury/Watford Palace Theatre), Communicating Doors (Manchester Library Theatre), Macbeth, Othello (Liverpool Everyman), Romeo and Juliet (Birmingham Rep). Television includes: Delicious, WPC 56, Call The Midwife, Downton Abbey, Loving Miss Hatto, Holby City, Silk, Doctors, Andrew Osler, Maxwell, Party Animals, Gavin & Stacey, Trial & Retribution XIII, Foyle’s War, Derailed, Eyes Down, Red Carp, Coronation Street, Children’s Ward, September Song.

Orlando Wells – Walsall North/Plymouth Sutton/Serjeant at Arms Act I/Speaker Act II/Caernarfon/Clerk & Ensemble Orlando trained at LAMDA. Theatre includes: This House (Chichester Festival Theatre/West End), Noises Off, Tonight at 8:30 (English Touring Theatre), The Woman In Black (Fortune Theatre), Katrina (Bargehouse, South Bank), Our Country’s Good (Watermill), The History Boys (National Theatre), Pirandello’s Henry IV (Donmar Warehouse), A Midsummer Night’s Dream, The Modernists (Sheffield Crucible), The Tempest (Plymouth Theatre Royal), A Midsummer Night’s Dream, Othello, Anthony and Cleopatra (RSC), Treehouses (Northcott Exeter), Deathrap (Vienna’s English Theatre), The Journey of Mary Kelly (Theatre Clwyd). Television includes: Father Brown, Casualty, Holby City, A Very British Sex Scandal, Doctors, Nowhere Left to Hide, Living the Quake, The Machioness Disaster, Slave Dynasty, As If, Trust, A Rather English Marriage, Killer Net, Mosley, After the War. Film includes: The King’s Speech, Midsummer Madness, Zemanovaload, Wilde. Orlando is also a writer for Theatre and Television.

Charlotte Worthing – Understudy Charlotte trained at Oxford School of Drama and East 15 Acting School. Theatre includes Princess Charming (Spun Glass Theatre and Ovalhouse Theatre), These Trees Are Made Of Blood (Arcola Theatre and Southwark Playhouse), A Midsummer Night’s Dream (The Young Shakespeare Company), Twelfth Night (Open Bar Theatre Company), The Absolute Truth About Absolutely Everything (Camden People’s Theatre), The Wind in the Willows (Open Book Theatre Company), The Just So Stories (National Tour for Red Table Theatre Company), Little Pieces of Gold (Theatre503), Wait (Arcola Theatre), The Wasabi Nut (National Theatre of Scotland). Film includes Here and Now, Souljacker, Coincidence. Television includes Panorama.

Creatives

James Graham won the Pearson Playwriting Bursary in 2006 and went on to win the Catherine Johnson Award for Best Play of 2007 for Eden’s Empire. His upcoming and recent plays include The Culture – A Farce in Two Acts for Hull Truck Theatre, Quiz (Chichester Festival Theatre, transferring to the West End this spring), Labour of Love (West End), Ink (Almeida and West End), Monster Raving Loony (Theatre Royal, Plymouth), The Vote (Donmar Warehouse), Finding Neverland (American Repertory Theater), The Angry Brigade (Theatre Royal, Plymouth and The Bush) and Privacy (Donmar Warehouse). His television credits include the award-winning Coalition (Channel 4) and his film credits include X+Y (BBC Films).

Jeremy Herrin is Artistic Director of Headlong, for which he has directed Labour of Love (a Headlong and Michael Grandage Company co-production), Junkyard (Bristol Old Vic/Theatr Clwyd/Rose Theatre Kingston), Observe the Sons of Ulster Marching Towards the Somme (UK Tour), The Absence of War (UK Tour) and The Nether (at the Royal Court and in the West End). For the National Theatre his directing credits include Common (A co-production with Headlong), The Plough and the Stars (co-directed with Howard Davies), People, Places & Things (A co-production with Headlong which transferred to the West End, toured the UK tour and played a sold out run at St Ann’s Warehouse, New York in 2017), This House (Olivier nomination for Best Director), which transferred to Chichester Festival Theatre and the West End in a co-production with Headlong, and Statement of Regret. For the RSC he directed the world premiere of Hilary Mantel’s Man Booker prize-winning novels Wolf Hall and Bring Up the Bodies, which transferred to the West End in May 2014 and Broadway in March 2015 and for which he won the Evening Standard Award for Best Director and was nominated for an Olivier and Tony Award.

Jonathan O’Boyle’s credits include: Pippin (Southwark Playhouse/Hope Mill Theatre), Dear Brutus (Southwark Playhouse), Hair (Hope Mill Theatre/The Vaults), Four Play, Sense of an Ending, Water Under the Board (Theatre503), Bash Latterday Plays (Trafalgar Studios/Old Red Lion), The Surplus, All The Ways To Say Goodbye (Young Vic), The Verb, ‘To Love’, Made in Britain (Old Red Lion), Broken Glass (Central School of Speech and Drama), Last Online Today, Guinea Pigs (Crucible New Writers’ Project, Sheffield Crucible Studio), The Monster Bride (Tristan Bates Theatre). Associate Director Credits include: An American in Paris (Dominion Theatre), This House (Chichester Festival Theatre/West End), The Judas Kiss (Ed Mirvish Theatre, Toronto/Brooklyn Academy of Music), Mack and Mabel (Chichester Festival Theatre/UK Tour), Bull (Young Vic), This Is My Family (Sheffield Lyceum/UK Tour). Assistant Director credits include: The Scottsboro Boys (Young Vic). Jonathan was selected as one of the Guardian’s Rising Stage Stars of 2014.

About Headlong Headlong creates exhilarating contemporary theatre: a provocative mix of innovative new writing, reimagined classics and influential twentieth-century plays that illuminate our world.

Headlong is one of the most ambitious & exciting theatre companies in the world. We make bold, innovative productions with some of the UK’s finest artists. We take these industry leading, award-winning shows around the country & beyond, in theatres & online, attracting new audiences of all ages & backgrounds. We engage as deeply as we can with these communities & this helps us become better at what we do.

Productions have included Labour of Love (Noël Coward Theatre), People, Places & Things (National Theatre/West End/UK Tour/New York), The House They Grew Up In (Chichester Festival Theatre), Common (National Theatre), Junkyard (Bristol Old Vic, Theatr Clwyd and Rose Theatre Kingston), This House (Chichester Festival Theatre and West End), Pygmalion (UK tour), Boys Will Be Boys (Bush Theatre), 1984 (UK and international tours and West End), The Nether (Royal Court Theatre and West End), American Psycho (Almeida and Broadway), Chimerica (Almeida and West End), and Enron (UK tour, West End and Broadway).

https://www.nationaltheatre.org.uk/shows/this-house-on-tour

http://ift.tt/2DXZMmF London Theatre 1

[lakenonakw]

Tech giant Apple corporate campus

Tech giant Apple Inc. (Nasdaq: APPL) announced on Jan. 17 that it's seeking an American city in which to build a corporate campus that will create 20,000 jobs. Orlando's economic development agency already is seeking a chance to submit a proposal to the iPhone maker.

Apple, which has a 14,000-square-foot office at the #Orlando University Center at 11301 Corporate Blvd. near the University of Central #Florida, says the economic benefit will come through increased spending in manufacturing, capital expenditures, hiring and company tax payments, including about $38 billion in repatriation tax payments as part of recent changes to tax laws.

"The Orlando Economic Partnership certainly is interested in putting together a proposal for Apple, and we are in the process of learning more about the company's needs," said Laureen Martinez, senior director for marketing and communications for the city's economic development agency.

Getting Apple would be a major deal — the same, if not bigger than landing Amazon's HQ2. Amazon plans to invest $5 billion in a yet-to-be-selected.

While Amazon (Nasdaq: AMZN) would have been a big get for Central Florida, getting Apple would boost Orlando's technology industry, too, said Chester Kennedy, CEO of BRIDG, the group that operates the $70 million, 109,000-square-foot Florida Advanced Manufacturing Research Center in Osceola County. "Apple is a huge magnet to convene and elevate the tech industry. Our region will gain by having them locate here, especially since this leverages the strengths of our existing targeted industries and brings awareness to those that don’t already know 'the other half' of our story."

The story he's referring to is the fact that Florida Advanced Manufacturing Research Center anchors NeoCity, a 500-acre tech campus in Osceola County, which is a blank canvas for elite tech companies to expand and capitalize on the growing Internet of Things industry. The center will focus on producing smart sensors — tiny microchips that connect everyday items to the internet for data analysis. Smart sensors are something that Apple uses often in its products from its iPhone to smart watches.

Kennedy was aware of how useful Apple could be in Central Florida before the company made the announcement that it was searching for a city to in which to expand. "In fact, I and the team from the Orlando Economic Partnership met with Apple representatives at their headquarters last year to discuss the value of increasing their presence here in Central Florida. Of course it would be a big deal for us as they are big integrators of sensors in their devices. With an Apple location, Central Florida will gain even more momentum in the world of smart sensors and the Internet of Things."

However, getting Apple will be difficult, much like competing for Amazon, which involved 238 proposals from across the U.S., Canada and Mexico. "This will be another coveted trophy in competition with a lot of cities in the country to get this next Moby Dick of a headquarters," said University of Central Florida economist Sean Snaith. "Amazon would have been a major game changer in the line of Disney World for the region, but you can't cry over spilled prime memberships."

Local tech leaders agreed that lessons can be learned from losing Amazon. "The criteria Amazon had, which included access to an airport and a region with a million residents, we clearly fulfill," said Carlos Carbonell, CEO of Orlando-based Echo Interaction Group. "An important aspect was the region's ability to attract tech talent. This is the aspect we not only can work better at, but demonstrate that we can attract tech talent and then follow through on our plans."

Carbonell further recommended the city gather insights from other local leaders previously from cities where big companies like Amazon and Apple are located. "If the product is 'Orlando as a place to relocate a #business to,' then let's leverage local voices and perspectives. We need to introspect what proportion of programs and career tracks our academic institutions focus on for training that can help us become a more prepared city. If we are not ready for Amazon today, we can be within a few years."

Snaith agreed with Carbonell, saying the local workforce may not have been large enough, but public transportation is also something the region needs help with. "Transportation is under improvement right now with Brightline, but I don't think Lynx has a dedicated source of funding and that is something we need to pay attention to."

Snaith also said a lack of incentives may have played a big factor in not making the Amazon HQ2 shortlist. "Until we see what the final deal looks like, if this is driven by incentive packages, Florida may need to revisit its stance on incentives."

However, "being in the consideration for Amazon really helped us. Being in the game brought together various groups across the region to talk and cooperate at a new level. This left us in a much better place to cooperatively pursue future opportunities," Kennedy said. "I’m convinced we all gain if Miami stays in the [running], although not as much as we would have gained if a Central Florida site was still in consideration."

Snaith also is confident that even if Orlando loses out on Apple, there will be other opportunities. "From the tax reform law, money will be coming back to the U.S. and a lot more companies will be looking to expand and invest in the U.S. down the road."

Tech giant Apple corporate campus Read more on: We Know Nona Blog

[suerusselldj]

Father John Misty Expands World Tour

Spoil me - I'm a DJ and I'm cute!

Father John Misty has added additional dates to his tour in support of his album Pure Comedy, After starting the tour in Europe in March and continuing onto the North American leg in April, Josh Tillman has announced new headlining shows in the UK, including a night at the Hammersmith Apollo. The new dates add to an itinerary that includes stops at FORM Arosanti and End of the Road Festival. Check out his full schedule below. Father John Misty recently soundtracked a new ad for Los Angeles’ tourism board and gave a performance at Coachella 2017.

Revisit Pitchfork’s feature, “Here Is the Scandalous Father John Misty Interview You’ve Been Waiting For.” 

Father John Misty:

05-05-06 Toronto, Ontario - Royal Alexandra Theatre % 05-10 Brooklyn, NY - Kings Theatre % 05-11 Brooklyn, NY - Brooklyn Steel ! 05-13 Mayer, AZ - FORM Arcosanti Festival 05-15 Chicago, IL - Chicago Theatre % 05-24 Seattle, WA - Paramount Theatre # 05-26 Burnaby, British Columbia - Festival Lawn at Deer Lake Park 06-07 Mexico City, Mexico - Metropolitan Theatre *** 06-21-25 Somerset, England - Glastonbury 06-22-24 Oslo, Norway - Piknik I Parken Festival 06-23-25 Ewjik, Netherlands - Down the Rabbit Hole Festival 06-27 Lund, Sweden - Merejet !! 06-28 Stockholm, Sweden - Cirkus !! 06-30 Roskilde, Denmark - Roskilde Festival 07-21-23 Wooyung, Australia - Splendour in the Grass Festival 07-28-30 Niigata, Japan - Fuji Rock Festival 08-04-06 Montreal, Quebec - Osheaga Festival 08-18 Winnipeg, Manitoba - Interstellar Rodeo - The Forks 08-19 Minneapolis, MN - Surly Brewing Festival Field * 08-25 Morrison, CO - Red Rocks Amphitheatre ** 08-26 Portland, OR - Project Pabst 08-31-09-03 Dorset, England - End of the Road Festival 09-01-03 Stradbally, Ireland - Electric Picnic 09-13 Boston, MA - Blue Hills Pavilion $ 09-14 Port Chester, NY - Capitol Theatre $ 09-15 Philadelphia, PA - Skyline Stage at the Mann $ 09-18 Toronto, Ontario - Massey Hall ^ 09-19 Royal Oak, MI - Royal Oak Music Theatre ^ 09-20 Chicago, IL - Auditorium Theatre ^ 09-22 St. Louis, MO - Peabody Opera House ^ 09-23 Columbus, OH - Palace Theatre ^ 09-25 Asheville, NC - Thomas Wolfe Auditorium ^ 09-26 Nashville, TN - Ryman Auditorium ^ 09-27 Atlanta, GA - The Tabernacle ^ 09-29 Austin, TX - Bass Concert Hall ^ 10-01 Houston, TX - White Oak Music Hall ^ 10-02 Dallas, TX - Bomb Factory ^ 10-04 Phoenix, AZ - Orpheum Theatre ^  10-05 San Diego, CA - The Observatory North Park ^ 10-06 San Diego, CA - The Observatory North Park ^ 10-07 Berkeley, CA - Greek Theatre $ 10-11 Santa Barbara, CA - Arlington Theatre ^ 10-12 Las Vegas, NV - Brooklyn Bowl ^ 10-13 Los Angeles, CA - Greek Theatre ^ 10-14 Pomona, CA - Fox Theater Pomona ^ 11-01 Edinburgh, Scotland - Usher Hall 11-02 Glasgow, Scotland - O2 Academy 11-05 Manchester, England - O2 Apollo 11-07 London, England - Hammersmith Eventim Apollo 11-11 Paris, France - Le Trianon ^ 11-12 Brussels, Belgium - Ancienne Belgique ^ 11-14 Berlin, Germany - Huxley's ^ 11-16 Milan, Italy - Fabrique ^ 11-18 Barcelona, Spain - Razzmatazz 11-19 Madrid, Spain - La Riviera ^ 11-20 Lisbon, Portugal - Coliseu dos Recreios ^ @ with Tim Heidecker % with Dams of the West # with Entrance ^ with Weyes Blood ! with Adam Green !! with Hamilton Leithauser $ with Phosphorescent * with Tennis ** with Jenny Lewis *** with Adanowsky

Watch Father John Misty perform “Bored in the USA” at Pitchfork Music Festival Paris 2015:

[Read More ...]

IN MY Dreams

[ricardosousalemos]

Father John Misty Expands World Tour

Father John Misty has added additional dates to his tour in support of his album Pure Comedy, After starting the tour in Europe in March and continuing onto the North American leg in April, Josh Tillman has announced new headlining shows in the UK, including a night at the Hammersmith Apollo. The new dates add to an itinerary that includes stops at FORM Arosanti and End of the Road Festival. Check out his full schedule below. Father John Misty recently soundtracked a new ad for Los Angeles’ tourism board and gave a performance at Coachella 2017.

Revisit Pitchfork’s feature, “Here Is the Scandalous Father John Misty Interview You’ve Been Waiting For.” 

Father John Misty:

05-05-06 Toronto, Ontario - Royal Alexandra Theatre % 05-10 Brooklyn, NY - Kings Theatre % 05-11 Brooklyn, NY - Brooklyn Steel ! 05-13 Mayer, AZ - FORM Arcosanti Festival 05-15 Chicago, IL - Chicago Theatre % 05-24 Seattle, WA - Paramount Theatre # 05-26 Burnaby, British Columbia - Festival Lawn at Deer Lake Park 06-07 Mexico City, Mexico - Metropolitan Theatre *** 06-21-25 Somerset, England - Glastonbury 06-22-24 Oslo, Norway - Piknik I Parken Festival 06-23-25 Ewjik, Netherlands - Down the Rabbit Hole Festival 06-27 Lund, Sweden - Merejet !! 06-28 Stockholm, Sweden - Cirkus !! 06-30 Roskilde, Denmark - Roskilde Festival 07-21-23 Wooyung, Australia - Splendour in the Grass Festival 07-28-30 Niigata, Japan - Fuji Rock Festival 08-04-06 Montreal, Quebec - Osheaga Festival 08-18 Winnipeg, Manitoba - Interstellar Rodeo - The Forks 08-19 Minneapolis, MN - Surly Brewing Festival Field * 08-25 Morrison, CO - Red Rocks Amphitheatre ** 08-26 Portland, OR - Project Pabst 08-31-09-03 Dorset, England - End of the Road Festival 09-01-03 Stradbally, Ireland - Electric Picnic 09-13 Boston, MA - Blue Hills Pavilion $ 09-14 Port Chester, NY - Capitol Theatre $ 09-15 Philadelphia, PA - Skyline Stage at the Mann $ 09-18 Toronto, Ontario - Massey Hall ^ 09-19 Royal Oak, MI - Royal Oak Music Theatre ^ 09-20 Chicago, IL - Auditorium Theatre ^ 09-22 St. Louis, MO - Peabody Opera House ^ 09-23 Columbus, OH - Palace Theatre ^ 09-25 Asheville, NC - Thomas Wolfe Auditorium ^ 09-26 Nashville, TN - Ryman Auditorium ^ 09-27 Atlanta, GA - The Tabernacle ^ 09-29 Austin, TX - Bass Concert Hall ^ 10-01 Houston, TX - White Oak Music Hall ^ 10-02 Dallas, TX - Bomb Factory ^ 10-04 Phoenix, AZ - Orpheum Theatre ^  10-05 San Diego, CA - The Observatory North Park ^ 10-06 San Diego, CA - The Observatory North Park ^ 10-07 Berkeley, CA - Greek Theatre $ 10-11 Santa Barbara, CA - Arlington Theatre ^ 10-12 Las Vegas, NV - Brooklyn Bowl ^ 10-13 Los Angeles, CA - Greek Theatre ^ 10-14 Pomona, CA - Fox Theater Pomona ^ 11-01 Edinburgh, Scotland - Usher Hall 11-02 Glasgow, Scotland - O2 Academy 11-05 Manchester, England - O2 Apollo 11-07 London, England - Hammersmith Eventim Apollo 11-11 Paris, France - Le Trianon ^ 11-12 Brussels, Belgium - Ancienne Belgique ^ 11-14 Berlin, Germany - Huxley's ^ 11-16 Milan, Italy - Fabrique ^ 11-18 Barcelona, Spain - Razzmatazz 11-19 Madrid, Spain - La Riviera ^ 11-20 Lisbon, Portugal - Coliseu dos Recreios ^ @ with Tim Heidecker % with Dams of the West # with Entrance ^ with Weyes Blood ! with Adam Green !! with Hamilton Leithauser $ with Phosphorescent * with Tennis ** with Jenny Lewis *** with Adanowsky

Watch Father John Misty perform “Bored in the USA” at Pitchfork Music Festival Paris 2015:

[mistrustmusic]

New Single from Mistrust

I have a new song out on my Bandcamp page! It’s called “New Chester Road (Revisited)” and is a rework of the song that appeared on my 2023 album “Sunlight”. It’s a bit of a tribute to Chris Cross, the bass player from Ultravox who sadly passed away last month. I started playing the original version of New Chester Road live at my gigs last year but wanted to try it with a more uptempo, electronic…

[mistrustmusic]

Give this song a listen: New Chester Road Revisited

Synthpop for the masses!

[mistrustmusic]

Stream My New Single Now!

Check out my new single! Out today on all major streaming platforms!

I’m excited to announce that my new single “New Chester Road Revisited” is out today 24th May 2024 on all major music platforms! The song, which is taken from my forthcoming album “Sunlight (Revisited)” will take on a journey down New Chester Road in Wirral, United Kingdom, from Birkenhead via Port Sunlight. It’s a metaphor about looking back on life and how things are no longer the same, but…

[mistrustmusic]

Out tomorrow! Presave today!!!

[mistrustmusic]

My new single! Hope you like it!