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enigma-the-mysterious · 2 months

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Komuram Bheemudo: "Make that bastard kneel now!" Part 2/?

Hey! Hey! Hey! Remember how the whole point of the public flogging was to make Bheem kneel?

Who am I kidding? We are reminded of it constantly throughout the flogging

Ram's failed attempt #1

Ram's failed attempt #2

This bitchiest bitch to ever bitch

Ram's failed attempt #3

This asshole dickfuck vomitted straight out of hell

Ram's failed attempt #4

And in the end, Bheem has his way. He falls, but he does not kneel. They break him, but they cannot be bend him. They can command him, threaten him, brutalize him, but they cannot subdue him. He is the tiger, he cannot be tamed.

But!

BUT!

You know what detail makes me go absolutely feral is interesting?

Bheem is not the one who kneels after the flogging.

RAM DOES!

RAM IS THE ONE WHO IS BROUGHT TO HIS KNEES AT THE END OF THE FLOGGING!!!

And I don't even mean this in a metaphorical sense (though that one is true as well)

Ram. Is. Physically. Kneeling. Beside. Bheem. I cannot stress this enough.

This is a KEY moment in the movie. It's a turning point.

We know that seeing the unarmed civilians rising up against the armed British forces in the wake of Bheem's defiance is what spurs Ram to finally, FINALLY arrive at his epiphany. His idea of what a revolution is and how it can be achieved is too narrow, too rigid, too costly. The sacrifices are too many and at what point will the ends justify the means?

But to change his viewpoint (again both literally and metaphorically), RAM HAS TO BEND FIRST! Once Ram bends, only then can he finally SEE!

And what is it that makes Ram bend? It's his LOVE FOR BHEEM! His love for Bheem changes him.

So these, that is, the shots where Ram is SEEING a revolution, an actual revolution in action, sparked by nothing more than Bheem's song and his indomitable spirit....

....come AFTER these shots. Where Ram is compelled by his love for Bheem to bend down and kneel

Compare this with Ram's introduction scene.

There is a revolution going on. People show up in front of a police station on the outskirts of Delhi to protest the arrest of Lala Lajpat Rai, a prominent Indian political figure, in Kolkata, armed with nothing more than torches, flags, and their righteous anger.

Ram watches the revolution. But he does not SEE it. He is so focused on his distant goal that he is blind to what is right in front of him. What is literally staring at him in the eye.

So, what does Ram do with his myopic worldview? He quashes the revolution. He stamps out the very thing he is fighting for. He breaks the spirit of the revolution, the spirit of the people, and he watches stone-faced as the protesters limp away, defeated. All because he cannot SEE the revolution for what it is.

So, with these two scenes in mind, we understand that this is not the first time Ram has witnessed a revolution. The people's uprising in the wake of Bheem's torture is nothing new to him. He has watched it all before, has actively participated in snuffing it out even.

Here, Ram STANDS tall, straight, rigid, focused, unbending.

Here, Ram is ON HIS KNEES.

The only factor that changes between these two scenes is the presence of Bheem..... and Ram's love for him. It's Ram's love for Bheem that bends his inflexible worldview. It's Ram's love for Bheem that makes him take a step back and actually see the true meaning of revolution. It's Ram's love for Bheem that shifts his perspective. It's Ram's love for Bheem that makes Ram willingly give up a 15 year long mission he has been toiling endlessly for.

Love is THE MOST powerful force in RRR. No amount of pain, grief, anger, heartbreak, trauma, brutality or violence can wipe it out. It is love that shines and love that emerges victorious. And after the flogging, Ram's love for Bheem is the most powerful driving force in his life, more powerful than a lifelong mission, more powerful than a promise made among tears and blood.

The visual storytelling and symbolisms in this movie are insane. I am going to scream about them for the next 80 years.

[Part 1] [Part 2] [Part 3] [Mini Meta]

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hum-suffer · 3 months

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It's A Farce

It's a farce, Sahdev thinks, as Yuddhishthir smiles at him and tells him that he's fine, it's not a big deal. The wound on his eldest brother's bicep bleeds and curls, and for a moment all Sahdev can think is: I did this. I asked him to accompany me. I should have seen that uneven field. How could I let any animal near my brother? The skin on the inside of his mouth turns red as he keeps biting it, and Yuddhishthir laughs, throwing an arm around Sahdev and the curve of his elbow matches the curve of his wound.

It's a farce, Sahdev thinks, as Bheem tells him about a grey coloured flower, about how it's the nature of the flower and not Sahdev's neglect of the tree and he feels the ache of a lifetime rush in his eyes as he stares at a flower, dead and cold, because he forgot to give it to Mata. Bheem puts the dead flower in his hair with pride, claiming Sahdev as a new botanist, and Sahdev swears that he will make something that will have Bheem's name echoed through the world, name a flower after him.

It's a farce, Sahdev thinks, as Arjun holds him close and tells him tales untrue about their father. Neither of the boys remember his voice, and Arjun holds him all the time when he realises that Sahdev doesn't even know that he has a maternal uncle— he barely remembers how his mother sounded like. Arjun tells him long tales, laughable pranks, and tales of victories. Sahdev falls asleep in his arms, and as his eyes close, he feels a tear that isn't his, rolling down his cheek.

It's a farce, Sahdev thinks, as Nakul pretends that he isn't hungry anymore and fights with Mata about eating the same sweet fruits and pushes all of his fruits in Sahdev's direction and stomps off to find some other fruits for himself. Sahdev waits for him, even as everyone else falls asleep, and even if he can't see that well in the dark of the night, he knows there are no residual fruit juices on Nakul's fingers. Sahdev sneakily wipes his dirty hands before Nakul can see and feeds his brother the fruits that he collected, even when Nakul says he's full. Nakul eats all of the fruits, even the too ripe ones, with a crooked proud smile.

It's a farce, Sahdev thinks, as Mata tells them they'll be safe with their cousins in the royal family. Cousin Suyodhan seems to take it as a personal insult whenever Sahdev and his brothers are more comfortable in their asharam, their years of experience in forest comes handy and Sahdev feels eyes burning into his hands as he starts a fire for the food. Sahdev burns his fingers that day, and Sushasan says he's sorry for accidentally bumping into Sahdev.

It's a farce, Sahdev thinks, as Mama Shakuni tells them about their stay in a palace built especially for them, which doesn't require fire to be illuminated because there are mirrors all over the palace that reflect the moonlight. The palace is drenched in silver light, and Sahdev takes a deep breath as he appreciates the beauty of it and it is then that he smells the wax and turns around, just in time to see Yuddhishthir's hand almost slip from the wall he is leaning on.

It's a farce, Sahdev thinks, as Vasudev tells them that they may go home and live a happy life after being married to Krishnaa. She doesn't talk to anyone for days on end, but he sometimes catches her whimpering in the night, and he can't help but run a hand down her hair when she pretends to sleep on the hay. It's his first time comforting someone, and his hand is trembling and unsteady, he worries it'll be too heavy to rest on her head and hovers awkwardly. Her eyes don't open until morning, but the next night onwards, she sleeps beside him and doesn't open her eyes until dawn.

It's a farce, Sahdev thinks, as their land is divided and everyone seems so pained but no one will say anything to cousin Duryodhan and uncle Dhritrashtra and Sahdev feels the burn marks on his fingers go tighter and Mata knows him too well because she sends him a look and he keeps his words in his throat, burning again.

It's a farce, Sahdev thinks, as they receive an invitation. It's a farce. It's a farce. It's a farce. It's a farce.

No one looks at him to ask what is wrong as he kneels and chokes on air that night in his room. There's no arm around his shoulders, no flower in his hands, no stories in his ears, no fingers that pinch his cheeks, no comforting presence beside him, and no wise words.

It's a farce, Sahdev thinks, as he sees his own nephew burn in a pyre. He wishes he was burning instead. Fire kissed, the heirs of Pandu. Scorched. Yuddhishthir's burnt hands, Bheem's burning eyes, Arjun's scorching words, Nakul's furious sword, Sahdev's burnt fingers and— Abhimanyu's burnt body.

It's a farce, Sahdev thinks, as he kneels and holds his sosn to his chest, telling them that the war will end soon and they'll go home and it will all be fine and they're doing the right thing. He presses kisses to his sons and nephews, telling them all that they just need to pass this time, it's a whirlpool of death and they just need to hold steady and it'll all be fine.

It's a farce. It's a farce. It's a farce. It's a farce. It's a farce. It's a farce. It's a farce.

The day his children die, Sahdev uses his dagger to scrape off two birthmarks that he had passed onto his sons. Shrutsena, his wise child, had a dark blotch of a birthmark that Sahdev had passed on. Shrutsena wore it with pride on his neck and Sahdev scrapes off his own birthmark that rests on his clavicle. Suhotra had an almost half moon shaped birthmark passed onto him, he touched it whenever he was angry. The skin around his mark on his elbow was always red, just because of his temperament and the consequential habit. Sahdev scrapes off the same mark from his left calf.

The blood feels like a farce.

Does blood really matter, these days?

#desiblr #suffer ye suhana nahi #desi tumblr #writers on tumblr #hindublr #sahadeva #yudhishthir #arjun #bheema #nakula #krishna #draupadi #kunti #mahabharata #mahabharat #vijaya (wife of Sahadeva)

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aisling-writes · 5 months

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Why the real villain of Chhota Bheem was King Indravarma: A meta-analysis of who he really was.

Alternative Title: An episode where I go nuts and have zero backing behind my essay.

(A note to the readers: This essay does not take into account the existence of the Mighty Little Bheem show. The matter at discussion is purely based on the Chhota Bheem show only.)

Most Indian Children born in the late 2000s can easily recognize the musical ensemble of the theme song of Pogo’s crowned jewel: Chhota Bheem. Eyes were glued to the television and clock ticks were memorised for when the show would start because Chhota Bheem to them was not just an animated show; it was an expression, a memory, a piece of childhood, if you will.

And yet, while watching the show through an “adult” lens, Chhota Bheem leaves a bitter taste in the mouth.

Why?

The answer, I personally believe, is of two aspects. One would be the obvious irritation in how King Indravarma ruled the land, and the other is about how Chhota Bheem was a Mary-Sue and how the show perhaps needed to be styled around Kalia, his imperfections and his character arc. (But that’s for another time.)

Let’s focus on the topic at hand: King Indravarma. He was, bluntly put, a stupid King.

Imagine a King as such in the real world. A King who had no strong Military, who constantly relied on a 10-year-old for any trivial matter whether it was an external threat to the kingdom instead of sending out an army, did not invest in new technology for the betterment of his people and used it for personal gain. The list can go on and on.

The argument presented here is that King Indravarma as a villain is not a bad evil person but rather how his aloofness was the one reason his kingdom suffered. Being a “villain” does not always necessitate violence and crude language; all it requires is to bring harm to others. And King Indravarma, indirectly, does that.

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“Stupidity is a more dangerous enemy of the good than malice. Dietrich Bonhoeffer ----------------

On the other hand, we can theorize that King Indravarma was merely “acting” to be stupid and always had ulterior motives behind his every move. This argument is also proven along the way when I dissect his character in this essay.

In fact, this essay reaches a conclusion that King Indravarma was a strategist who was…. stupid. A perfect balance. (But not for Dholakpur.)

I.Outsmarting a kid; getting outsmarted by the world.

When scouring through the deep dark pages of the internet, one question plagued me: How did Chhota Bheem get his powers?

Yes, it’s common knowledge that eating a Laddoo gives him super-human strength but how does he get such a power in the first place? Alas, that’s not an answer that the cartoon canon can answer but it is integral to the next question that follows: How did King Indravarma realize Chhota Bheem had such powers? Maybe he never found out because had he, he definitely would’ve chosen to make all his citizens the perfect citizens. (A strategist, remember?)

It’s natural for any parent to desire the safe protection of their child from the dangers of the world. As seen in Spider-Man, Aunt May chooses to protect the identity of Peter as his alter-ego and would go to any extent for his safe keeping. But why didn’t Bheem’s mother do the same? Why didn’t she hide the powers of Bheem?

Or maybe, she did.

She did try to hide it but somehow it reached the ears of King Indravarma. And King Indravarma strategicallydecided to use it to his advantage.

And I say strategic because, by all rights, Bheem deserved official employment. He worked as a protector of the kingdom more than the soldiers ever did. He could’ve been a member of the royal guards, or a leader of it too. But instead, the king always played along with the HA-HA Bheem- is- just- a- loyal- citizen- who -helps- sometimes card and gave him no remuneration.

This could’ve had two motives: An economic perspective where he didn’t have to pay Bheem for his services and/or a jealous King perspective where he wanted to avoid a 1789 France Bastille-Storming situation. Empowering Bheem and giving him more administrative power on top of the physical power he already had would make him a dangerous weapon. He was already charismatic and loved by the villagers; it would only be a matter of time until they felt that Bheem would be a better leader than the King himself.

The king further added on to this plan by employing some of the most useless soldiers in his army ever therefore making it seem that the King did try to save his kingdom, but it was to no avail. And at some point, he stopped using the soldiers (probably dismissed them, thus saving even more money for his personal gain) and purely relied on Bheem, a kid who he didn’t even have to pay! (And Bheem, being a “kid” did not have the sense of asking for remuneration as well.)[1]

Smart, isn’t he? (King Indravarma, I mean.)

But also, stupid.

By following this method, he made sure that the one key asset that Dholakpur had was revealed to the entire world. He placed the country in danger from threats all the time! (And I truly mean one asset because by its looks Dholakpur had nothing else to offer. The crops often struggled due to pests, the landscape was unappealing to the eyes, it had no tourist’s income etc.) It’s truly surprising how Dholakpur was not already overtaken by some other colonizer or king because all they had to worry about was defeating one kid. Just one kid. (Yes, he’s strong and what not, but Bheem’s got to have some limit?)

II. Economic drain for… what exactly?

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“Th’ abuse of greatness is when it disjoins remorse from power.” Brutus in Julius Caesar (2.1.19-20) ----------------

In one episode of Chhota Bheem, King Indravarma had no qualms or shame in announcing that the kingdom had no new bicycles for a bicycle race when the neighbouring kingdom had brand new, shiny bicycles and therefore, Bheem and his friends had to manage with the old bicycles. Either the kingdom was not financially stable to accommodate the purchase of such bicycles, or the king lied that the kingdom had no money.

Let’s explore both the views, shall we?

The kingdom being too “broke” to purchase bicycles implies how financially unsecure it is! Perhaps the kingdom was knee-deep in debts or just refused to spend whatever reserves it had on importing foreign goods. Maybe the kingdom had an import substitution policy (similar to what the post-British India followed) but was not able to implement it seeing how the kingdom had an agrarian economy.

Which brings us to the question: How is an economy expected to grow without any investment in additional technology?

The only source of revenue that was noticed were from the fairs conducted, the crops reaped and Tun-Tun Mossi’s Laddoo sale. And as anyone with two eyes can note: It is not enough. The policies followed by King Indravarma were dangerous to Dholakpur in the short-run and long-run. Inflation was just a door’s knock away for the citizens of Dholakpur! People would’ve been forced to lead even more horrendous lives and forced to spend a bucketful of cash but a pocketful of things! (Again, how the kingdom survived is such a mystery.)

On the other hand, maybe the King just wanted to hold all the gold reserves to himself and did not wish to splurge on any investment in technology for the kingdom. Which again proves how he is a stupid strategist because if he wanted more money, the country needs development. More jobs, more employment brings about higher level of income, GDP and better lifestyle. How are the people supposed to pay taxes to the King if he doesn’t provide them enough opportunity to make money for paying the taxes? It would’ve been more understandable if he invested in their advancement first and then participated in red-tapism and what not.

(Idiot.)

The King, in my opinion, is begging for a Marie Antoinette situation by running around in gold chains and necklaces while his people slog and suffer.

III. Diplomacy at its finest. Not.

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To say nothing, especially when speaking, is half the art of diplomacy. -Will Durant

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The third, and final facet of why King Indravarma was the real villain is perhaps the shortest and the simplest. [2]

There’s no doubt why Dholakpur was often plagued with terrorists and external threats and challenges from other kingdoms than the neighbouring countries: King Indravarma’s tongue.

Instead of rallying allies and forming alliances with other countries, the king often chose to goad other rulers into competitions of which-kingdom-is-better game which is humorous to think because Dholakpur had no additional advantage except …Bheem. The entire fragile ego of Indravarma’s was built on nothing but a nine-year old boy!

The demise of the King’s pride would be swift and sweet the day Bheem decides to move out of the godforsaken kingdom.

Conclusion

“It is unwise to let a man who isn't king sit on a throne for too long.” ― Costanza Casati, Clytemnestra

Thus, I bring this essay to its end. A hyper-fixation of my childhood has now become a piece of media that will forever make me think of this 1600+ word essay that brings no added meaning to this world.

To you, Bheem, I wish that you escape from the clutches of Indravarma’s stupid reign. Perhaps if the King was just evil I could’ve respected him more. Alas, stupidity is a turn-off.

To you, Dholakpur, I wish that you understand that it’s better to have no king than have Indravarma as a king. Rise and revolt, fellow comrades. History would look kindly upon you.

And to you, King Indravarma, thank you for spoiling my favourite cartoon.

Aisling Elle 16.04.2024

[1] A further note to be added is that the king was a frequent enabler of Child Manipulation because he always made it seem that Bheem voluntarily decided to choose to fight for the kingdom and was not requested by the King. [2] This argument is in reference to the cycle competition that the King engages in with Pehelwanpur.

Part 1 of Random Essays

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captain1unikitty · 16 days

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List of shows! (ANIMATED)

Might try to watch maybe because I need to watch something new at least.

Author (one of my childhood shows I want to see some interesting episodes)

Ninjago (I have seen it but I’m still thinking about it since they kept on adding a lot to it in newer seasons, the og stuff is good)

Franklin (iconic to me since it was chill)

Slugterra (YO anyone else remember this show, only unsure if the rest of the seasons come in English)

The owl house (yeah I missed out lol)

Anphibia (also missed out but I now feel like I need to see it)

Unicorn academy (just to finish up season one and then season two, it’s actually really good)

Gravity Falls (yes, I’m gunna finally see it)

Murder Drones (yeah I didn’t get to it yet but I guess I should now before everyone dies down)

Unicorn: warriors eternal (just need to finish it)

Chhota bheem (some show from India I found online but it’s hard to understand them in the English dub since they have kind of heavy accents) (EDIT: informed it’s more for younger audiences, I mean I am fine with it but I’ll keep it on hold since maybe I can find something better)

Elena of avador (even though it was a small joke because I have an oc with a similar name but I heard it’s actually good) also Central American culture I’m into but most things center around Mexico (hope one day something will go to the other countries like Guatemala)

Avatar the last airbender (need to see more!!)

There are probably a lot I’m missing here, also if anyone else has a good series, you can recommend one to me (also I’m 18, so you can recommend some adult animated series, only I know it’s a bit rare to come across a good series but hopefully there’s hidden gems out there)

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luxshine · 7 months

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We keep joking that Ram looks like Rampunzel whenever we draw him in his post-jail time and get his hair Longer and Longer and LONGER every time :D And well, Charan has Disney Princess eyes! So I had to draw this.

The Peacock? The tiny peacock? He's Bheem. I still don't know it was a curse (The Freedom Fighter and the Peacock! New fic! Maybe) or Bheem is a shapeshifter with very weird ideas on how to woo a human. Either way, they both love each other very much.

#Calico Chimera #Luxshine Art #RRR #Rambheem #Disney Princess Rampunzel #Rampunzel

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rrr-is-gay · 9 months

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Fuck it. Fluffy mpreg headcanons this time! If pregnant Ram isn’t your thing, avert thine eyes! HEADCANON PARTY, PART 7!!!

When Ram first visits the midwife to confirm his suspicions, he goes alone because he’s too embarrassed to admit to Bheem that he thinks he could be pregnant. He’s heard that there are some rare men who have wombs, but he’s never met one, and he has no idea how it all works. He certainly never thought that he could be such a man. The midwife has to laugh when she sees his belly. She’s like… “my man, you are like four months along already, wtf did you think was happening?”

Bheem is ECSTATIC when he hears the news, and he insists that the whole village throw a celebration in Ram’s honor. The tribe goes buck wild showering Ram with offerings and blessings, since this is the first pregnant man they’ve seen in decades. He and the baby are viewed as blessings in their own right.

Ram secretly hopes the baby is a boy, because he has some father/son issues he needs to heal. Bheem secretly hopes the baby is a girl, because he’s always wanted a daughter. He imagines himself putting flowers in her hair and teaching her how to dance and he is just giddy the whole time.

Bheem’s doting instinct turns up to ELEVEN while Ram is pregnant. Bheem insists on cooking every meal for Ram, massaging him every night before bed, controlling his stress levels, restricting visitors to make sure Ram has some peace & quiet, etc. He’s quick to remind Ram and everyone else within earshot that his husband is in delicate condition and needs to be cared for accordingly.

Bheem STILL does squats with Ram on his shoulders even when his belly gets huge. They both laugh, it’s so absurd, but it’s a tradition dammit, and Bheem isn’t going to let anything stop him! If anything, it’s a true test of his strength, since Ram puts on so much weight in his third trimester.

Speaking of weight, Bheem is DELIGHTED to finally see some fat on Ram! He pinches Ram’s cheeks and gushes about how beautiful he is, how happy it makes him to see his Ram so healthy, etc etc.

Ram’s mood swings are mellow as hell. If anything, Bheem is way more emotional during the pregnancy than Ram is. Ram will sometimes cry unexpectedly, or find himself uniquely sensitive to stress, but in general, he just glows for all nine months. He rubs his belly and says prayers for the baby every morning and night, he reads novels and poetry out loud “for the baby to hear,” and he’s happy to let people from the village touch his belly and marvel at his child. Bheem’s child. Their child.

#mpreg #hc #ram/bheem #rambheem

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ad15124 · 2 months

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why is the new chhota bheem 3D animated 😭

#aalutalks

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yuzukahibiscus · 3 months

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Maisora Hitomi Retirement Press Conference

She has always been shining ever since she joined the revue, and in the blink of an eye, Maisora has been aiming for a higher level. After being in Flower Troupe, she became the Star Troupe Top Musumeyaku in 2019. She challenged the role of the heroine the many grand works, and she always coloured every performance with her grace and lovely stage presence, yet she announced her retirement in December. On April 8, she held the press conference in Takarazuka Revue.

Maisora's speech

To everyone whom I have met, who have guided me and raised me up, and also to all the fans who have been supporting me, I am grateful from the bottom of my heart. Until the last day, I wish to remember Kobayashi Ichizou's words of "Pure, Proper, and Beautiful and Bright" by heart, and continue to hone myself as a Takarazuka musumeyaku every day.

Extract of the Q&A

What was the moment you decided your retirement?

Since I became a Top Musumeyaku, I've always been thinking when I would be retiring. I was admitted into the Takarazuka Music School in the 100th anniversary of Takarazuka Revue. Now, I am still a current sienne in the 110th anniversary of Takarazuka. And at this year I call my turning point, I had played the role of Sally from "ME AND MY GIRL" that I admire so much, and I feel so satisfied, and that was when I thought of retiring.

When did you tell your partner Rei (Makoto)?

I told her during the rehearsals for "RRR x TAKA"R"AZUKA -√Bheem- / Violetopia". I'm not good at expressing my thoughts in words, but Rei-san has always been so understanding, and she knows who I really am... She slowly heard my words and said, "If that is what Naco-chan (Maisora) decides, I will support you fully", and said such warm words to me.

What is/are your memorable role(s)?

The first role I got with a name was during Flower Troupe times when I played Hanna in "Hanna's Florist" and it's still a very dear role to me even now. When I came to Star Troupe, I played Juliette in "Romeo & Juliette", and it was a time when I wanted to do my best and confront the challenges ahead, the teachers and everyone from Star Troupe helped me a lot and I felt that I was able to open a new door for myself. Also, I was able to perform in a musical written by Shibata Yukihiro "Valencian Passion", which is a dream come true for me and thus unforgettable.

What's the greatest hurdle you've faced?

When I transferred to another troupe, it was a great change in my Takarazuka life. There were so many hurdles to overcome, but Rei-san who was the closest to me and encouraged me, "It's okay if you can't do it. Just enjoy yourself the most on stage" and I was able to progress forward. Whenever the time, Star Troupe members never let go of my hand and guided me warmly, so my encounter with them is a great fortune, and I wanted to convey my gratitude for each and every one of them.

A message to the fans.

I'm truly thankful for all the fans that found me and cherished me. Even in the midst of the coronavirus that we couldn't meet each other in a close distance, it's because everyone was always supporting me and never left my side that I was able to continue walking on my path. Until the last day, I will convey my appreciation on stage and do my very best. Please continue to support me.

#maisora hitomi #takarazuka #takarazuka revue #hoshigumi #hanagumi #star troupe #flower troupe #top musumeyaku #hibiscustranslation

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