#never in my life have i ever seen a man whos design fits the descriptor waifubait like this
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watching blood of zeus from the hospital bed and everyone is hot
#blood of zeus#apollo#apollo blood of zeus#his design was meant for my sisters in fujo#never in my life have i ever seen a man whos design fits the descriptor waifubait like this#i like my waifus to be grown ass men#also the scene where he was beating the shit out of dio?? peak cinema#im not putting this on slub or sh8 cuz those are for other fandoms#ignore his lack of abs whenever i try to sketch abs instead of shading them during coloring it looks like dogwater so#ignore how messy this is#ignore howi forgot to draw his earrings and shoes#just shhhh#the apollo autism transferred to boz too sigh#i cant pay attention to the plot bc im too busy drooling over all of the characters#actually ignore his face too bc im physically incapable of drawing masculine facial structures#guys...theres actually a secret version of this where the precarious skirt thing got too precarious and his dingaling is out oops
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Answering Asks from @fadingclamalmondrascal : “Hi! I hope you're still doing asks, but I understand if you're not, it sounds like you've got a lot going on. I've got 3 questions for you:
1: What made you want to adopt this story and write an "Anakin's big sister who falls in love with obi" au? What about it appealed to you initially, and what about it keeps you coming back?
2: I love Elara's Sith name! Carus is so cool. What kind of thought did you put into that name and her sith design?
3: What does your writing process for each chapter look like?”
Hi!! My asks are always open, and even if my life his completely hectic, I’ll always get around to answering them! But, thankfully, my life has started to calm down in the last week. I’ve gotten a lot of writing done in the last day, so I’m in a very “Balance” mood, so I’m super stoked to answer these!! (I also wrote a lot again, so buckle up!!)
1. So fun backstory on my finding the story: I was living in England for my first year at University, and I was on a big ol’ Star Wars kick because The Force Awakens had just come out in December. It was January. It was cold, the evenings were getting rainy, so one night after dinner and scrolled through FFN to find something fun to read. And when I first found and read the original story, pre-adoption (which I believe is still up and called “Another Skywalker”), I remember being like ‘wow, this is an interesting concept.’ And as I read it, in my head, all of these ideas were coming to my head; and I remember being kinda sad about that. I didn’t want to write my own story, then have it seem like I’d ripped off the concept from the author. Because this was the first fic with the “Anakin’s older sister falling for Obi” concept that I’d ever seen. I didn’t know if it was something of a trope for an Obi x OC pairing, or if this one was an odd one out. So I finished reading the 11 chapters, and the author had posted a note saying that the story was, effectively, up for adoption. I have never jumped on something so fast. I drafted out two scenes (a now obsolete scene where Elara sees Obi-Wan off to Kamino, and a chunk of the final battle RotS) and sent it to the author. When she told me that the story and concept were all mine to do with as I pleased, I was so excited. Because I realized that all the ideas that had been tentatively brewing in my head, I could now fully bring to fruition.
What initially drew me to the concept was the idea of being able to explore a story and a romance that is, in a way, a foil to Anakin’s. Almost a way to show that maybe, if things had gone differently, Anakin and Padmé’s romance didn’t have to be doomed. Because I have always believed that there had to be some way that it didn’t have to end in disaster. Presenting a Jedi OC x Obi-Wan can explore similar issues (and there’s a lot of fun to be had with that concept, too). But then you have two people who were raised with/to follow the same ideals. Though they are both unique individuals, they will come up to very similar blockages––struggling with breaking the Code, with sloughing off ideals and a way of life they’ve followed all their lives. But with a Skywalker OC… that changes. You get someone who wasn’t raised to keep her emotions in ultra-check. Someone who, like Anakin, is family oriented, passionate about protecting those they love, and innately wishes to express their emotions in a more open manner. Those characteristics present unique conflict (particularly in conjunction with Obi-Wan’s characteristics), and I just… I wanted to, and continue to want to, play with that. Because Elara is dedicated to the Jedi Code. She’s a good Jedi. But put her want to be a good Jedi (for herself, for her brother, for the good of the galaxy) right up against an undeniable, innate need and want to love (because, at her core, Elara is just a purely loving person)––you get whole other obstacles to overcome. It’s a lot of fun to figure out how her overcoming her obstacles helps Obi-Wan overcomes his, and vice-versa. How we can see, in recent chapters, that Obi-Wan realizing he can’t hold Elara at arm’s length anymore affects her; how she starts being more gentle towards him again, tentatively letting him back in. I just love playing with stuff like that!!
And there are a whole lot of things that keep me coming back to this story. One of the biggest things, I think, has to be the idea that ‘love prevails.’ I love myself a complex romance. Maybe that’s why I love Regency/Period Dramas so much; because there are so many ups and downs––and that’s what makes it feel so good! Because while there’s hope and love and happiness, there’s also drama and frustration and confrontation. But through all of that, at the end… love prevails. I’m a hopeless romantic, I’ll own up to that any time of the day. So seeing a couple, so hopelessly in love, go through trials and tribulations and come out on the other end completely alright? That’s my jam! And when you’ve got someone who stands so steadfastly by their ideals as Obi-Wan, but who very clearly is… so passionate and loving… That just feels like the way a love story with him would go. And ‘love prevails’ doesn’t just apply to the Obi-Lara stuff either. It’s about the familial love between Anakin and Elara, and how that love for each other may thrive or suffer in events to come… it’s the platonic love of Elara and the men of the 442nd. Star Wars is a story of many things––family, adventure, coming into your own… but it’s also about love. And getting to add to that aspect of the story in any given way, for people who enjoy reading it, to have fun conceptualizing and writing everything… it keeps bringing me back for more.
2. I had so much fun thinking up all the Darth Carus stuff!! It was prompted by a question in a review, asking what I thought Elara would be like as a Sith/what her name would be. So I started looking at all the other Sith names, and realized a lot of them were words that stood for descriptors of the Sith Lord. “Maul” for (the literal usage of) “maul,” “Tyrannus” for “tyrant” (derived, likely, from Latin tyrannia or tyrannos), “Vader” for “invader” (or “father”). So I decided I would use a Latin word for her Sith name, and decided I needed to think of what she would be like as a Sith. Tyrannical? Violent? Rampaging? And none of those seemed… right. It felt, to me, that if she were to become a Sith, it would be out of heartbreak. And it wouldn’t be a denial of love kind of heartbreak; it would be losing someone she truly loved (Anakin or Obi-Wan) forever. Their death, perhaps by a mistake that she made. So I went, ‘okay, the birth of her being a Sith is related to love.’ I searched up some Latin words and found “Carus” which means heart. And because Elara, Jedi or Sith, is so involved with her emotions and with love, with her heart… it just seemed to fit.
Now, the outfit––ohh, I had so much fun with the outfit. I’ve got a BFA in Theatrical Arts, so I’m big on costumes and costume details, so creating Elara’s Sith outfit was absolutely delightful. Again, I started with what I thought Darth Carus would be like. There’s a mournful aspect to her, so black as part of her color palette works, but I didn’t want her to be dressed in all black. I thought that, in the wake of her heartbreak, there would be a dangerous passion about her. An angry passion. So ‘anger’ and ‘passion’ are typically associated with burning colors like red, so I through red (and orange) into the mix. And I wanted them to be bright––Darth Carus is no longer hiding in the neutrals of Tatooine or the Jedi Order. She’s letting the galaxy know her pain. I did, however, want to stick with clothing articles that were more robe-like. It’s what Elara’s known her whole life. But instead of multiple layers, I stripped it down to singular, more form fitting articles. In a way, the fewer layers is displaying the vulnerability that turned her towards the Darkness. Red is the predominant color (the tunic) because it draws attention. You have to look at her, you have to see her pain. It’s almost like staring into a fire, or gaping at an open wound. And because all good Sith Lords need a dramatic cape, I thought I’d do a fun take on it and do one of the ones that attaches at the shoulders instead of drapes over them. Maximum drama for sweeping down staircases or jumping off of tall platforms. Now, like I said, I’m a sucker for small details… hence why I added the embroidery on the tunic collar. It’s floral. It denotes her love of life. Now, if this were all real life, real costume design in an actual movie… the embroidered flowers would be Gleannish Snow Blossoms. And, of course, amidst all the bright reds, vivid oranges, and swaths of black… against all this intensity… you have the delicate, cool softness of the real Snow Blossom pinned to the spot over her heart. The very same Snow Blossom that Obi-Wan gave her on Gleann. A gentle reminder of better days… of the reason she became the ways she is… of the man she loved so wholly and deeply that, in losing him… she’d much have rather killed her own heart instead. (Also, a friend of mine and I had a wonderful conversation discussing how much of a terrifying, badass power couple Sith!Elara and Sith!Obi-Wan would be. It’s delightful.)
3. So, if I’m writing a chapter that deals with a chunk of movie or episode, what I’ll do first is sit down and watch what I perceive I’ll be writing. I’ll take down notes on things that I’ll want to add in/describe. I’ve also got a whole document of ideas I’ve already written down, and a document of bullet-pointed ideas, so I’ll give that I skim/edit, too. I always have to pick what scenes to leave in or take out, decide if they can be summarized or should be left in. Sometimes this’ll happen the same day I start writing, but sometimes I take a day to really think things over, sleep on it, then start the next. Then I’ll start to write, and I’ll have the movie/episode open for reference. When I write canon dialogue, it’s a lot of: watch, listen, pause, transcribe; rewind, read subtitles, listen, pause, transcribe. I also usually have, like… five safari tabs open with different research pages open––one for the movie/episode, probably one for a character of some kind, a google image search of a costume or something, and another one that’s got, like, different kinds of starships or droids (because there are so, so many). A lot of the time I’ll just transcribe/describe a chunk of canon stuff, then go back and add in extra details, weave Elara into it, or change up the dialogue to fit. An example being Obi-Wan and Sugi’s conversation in the barn. I beefed that up a little bit, added in references, and used it to benefit the overall storyline.
With chapters that are more original content based, those take a little longer to plan. Even if I have an idea of what’s going to happen, it takes a bit of time to figure out how to order it all, how to get a proper lead in, how to make transitions. And I also contemplate whether or not what I want to write is really going to be beneficial to the story, or if it’s going to end up being meaningless filling. There are a lot of ideas that I have had or do have that would be fun to write, but don’t really… work into the story well enough (like, god, do I want a girls’ day chapter 😂). And it’s in writing these chapters in particular that I do a lot of my music listening. Star Wars soundtracks, the story playlists I’ve made… the right music can help me find the mood or setting of a scene, inspire a moment. Like, I cannot tell you how much of the bunker scene on Ryloth was inspired by Sebastian Böhm’s rendition of “Blue Monday.” Music plays a huge role in writing for me. I’ll have music playing when I’m driving or doing dishes or cooking, and I’ll start to formulate ideas while listening. There are times, too, when I feel stuck when writing that I’ll swap on over to YouTube and I’ll watch some Star Wars edits. There’s an amazing edit of “War Pigs” by Black Sabbath over battle sequences from the films, and it’s just… it feeds my soul when I get stuck writing battle sequences. I’ve got, like… a go-to list of edits I watch when I feel a little stuck, and they’re all phenomenal. And when all is said and done and I’ve finished the chapter, I usually take a break and sit on it for a bit. Then go back, read over it, do grammar edits, change things if I see fit too. Then it’s on to review replies and I get it uploaded and posted!!
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Hi, Ben! I hope your day is going well so far! Are you still getting snow, or has the storm calmed a bit? We’re supposed to be getting a potentially severe ice storm over the course of today. There’s already a thin layer this morning, we’ll see how the rest of the day goes. And temperatures are supposed to stay in about the -4 to -6C range the rest of the week. I’m very glad that I’m off the next couple of days, and managed to get by the grocery last night after work.
I saw your post about writing and writing styles! It was helpful because I’ve not really seen the different styles written out and explained before. I’m still not 100% which I am, but probably either an intuitive plotter or a methodological pantser. Usually there’s a scene or a line or two that I’m like “this needs to happen in this story” and everything else is fairly free-form. I did try actually writing down an outline for IYWTD, but even then it’s more a list of beats/tropes and the order I want to include them in. (And I’ve only just made it past halfway through, although a couple may need to be altered a bit, oh god, how did this get so long…)
It’s also always kinda of amusing to me how many of those writing advice lists are like “Don’t do this”, “Stop doing this”, “Never do that”, and then they’ll encourage you to find your own voice and style. Like, bitch, you just told me not to ever do half the shit that makes up my style. Which am I supposed to do? Damn. XD (You will seriously pry adverbs and similar descriptors from my cold, dead, grasping hands. Also the occasional epithet. No, I’m not using a character’s name nine times in one paragraph, sorry, and pronouns don’t always help if the characters are the same gender. The reader can deal. ;D )
And I feel ya on the tall, skinny, blue-eyed boys thing. It doesn’t have to be just a white boy, but if he’s taller than me, slender, and has a pretty pair of baby blues, my higher brain functions tend to go into insta-lag. I ain’t particularly proud, but I’ve long accepted this about myself (there are many reasons Luke became my forever BAE.) That’s not to say a lack of any of those is a deal-breaker in the slightest, but it’s definitely going to immediately get my attention.
Speaking (vaguely) of Luke, I had a thought the other day of him and Din being off on some planet together (Grogu is staying with Aunt Leia and Uncle Han for a few days), and there’s a noise in the middle of the night, and Din refuses to accept Luke’s assurance that there’s nothing out there, and in true himbo fashion insists on going out to investigate having grabbed only the darksaber and his helmet to cover his face -but nothing else. Luke just finds it a combo of hysterical and adorable (and kinda hot.)
I hope your novel is going well (whatever stage you happen to be at), and I’m always up for hearing whatever you feel like sharing about it.
I hope you’re still doing well with the whole eating and hydrating regularly thing (it’s also totally okay if you aren’t!), and I’m super proud of you for sticking to it as much as you can anyway. That shit is hard. (Also, ignore the 1500 calories thing, I swear that shit is designed for 130lb women trying to shed a few pounds, not people who need to safely and steadily lose larger amounts of weight. But then I’ve also never fully understood making someone lose weight before surgery, either. “We need you to get rid of some excess weight before we’ll okay this surgery to *checks notes* get rid of some excess weight." Like, weird flex, but okay.)
Anyway, I’m rambling again, and should really eat some breakfast and try to write a little myself today, maybe. Hope you’re feeling okay, and that things are going well overall. I hope Mo is doing well, and enjoying his best cuddle buddy life. Take care! *Hugs!*
Okay, gonna try this this way so that I can refer back to the links on my phone if need be. I couldn’t quite see the full entries for the physical descriptions, and when I tried clicking on them it kept asking for a login, but I think I saw enough to get the gist. I’m not sure exactly what sort of feedback you’re interested in, if any, so this will mainly be my usual sort of rambling stream-of-consciousness type thoughts and questions. Hope that’s okay. Feel free to ignore if it’s not what you’re after right now! :D
I think one of the first questions that popped to mind was where is/what happened to Ellie’s mom, and is that something that’s going to cause problems later in some way? (I.e.- was she killed on a hunt, are they divorced, was it bitter or amicable [would she come after her daughter if she heard about his relationship?]) I guess technically similar questions could also apply to Nate (late husband, ex-husband, ex-boyfriend, one night stand, sperm donor?) it was just more noticeable with Ellie being so young still. Although that could also be part of why he’s ended up in Wyoming, which was another question I had, although there I assume it’s hunt-related.
I also anticipate quite a bit of tension of all kinds when he and Nate first meet, because Faron strikes me from his descriptions as someone rather used to being able to get his own way either through the influence of who he is, or through his size (not necessarily in any kind of intentional or aggressive way, more in an unconscious privilege kind of way, if that makes sense?), and I don’t think Nate sounds like the type to give two shits about either of those things, and it would probably drive Faron up the proverbial wall that Nate isn’t intimidated by him in the slightest. (I could be entirely wrong about all this, this is just the impression I get so far. :D ) And I think Nate being noticeably older than him would just make it that much more irritating at first, too. Now, how long these impressions last will just depend on how quickly they get to know each other, and whether Bachelor #3 is helping or hindering things. XD The potential for just sitting back and watching the fireworks as “laid-back dad jokes with a quick temper” clashes with “quiet, reserved, and possibly takes themselves slightly too seriously” might prove too much for our last contestant for a while, depending on where his personality falls. ;D (Especially since Faron coming in and starting shit will likely come off as a direct threat to people and places Nate considers under his protection.)
Also, are any of these three going to have met before? Will Nate already have some sort of relationship with the werewolf (Does he already know about the supernatural at all?) Did he and Faron encounter each other on the trip to Europe you mentioned in the Life Highlights? If he and the wolf already know each other, how does he get along with Cas, or Nate’s pets? Is the werewolf also going to be native to the region? Does he know anything about Faron’s family? Does Faron already know he’s a werewolf, or is that going to be a bit of a crisis for him later? A test of how well he’s learned not to judge? If Nate doesn’t already know, how will he deal with both their secrets? Do you plan for full-shift only wolves, partial-shift only wolves, or a mix of the two like TW? Are there other supes in the area?
I think you mentioned maybe having him be of Native American descent? I think that could be very interesting, but would require a LOT of research into which tribes are active in the Yellowstone area, and what their individual mythologies say about things like shapeshifters, and LGTBQ+ issues, etc., because there can be a fair amount of variance, I’m sure. Also, I’m just overall curious how he’ll fit in with the other two size wise (get your mind out of the gutter, you know what I mean. XD ) Also curious if any o them are going to have the slightest clue on the feelings front, or are they all going to be just absolute disasters? Will the kids figure it out before they do? Will the kids get along? (Will BachelorWolf have any kids of his own, or just Nate and Faron?) Will Nate’s coworkers have any clue about either the supernatural, or what’s going on with those three? Because I suspect at least some of them will be way more obvious than they think they’re being. XD
Uh… I think that was all that’s occured to me right now?… I’m sorry you’re having a yucky day overall, and I hope tomorrow’s a bit better! The ice storm has finally moved in here, and I can feel the temperature drop radiating off of the front door and windows. It went from rain to freezing rain/hail and I’m not sure how long it’s supposed to last. Hopefully only a little while. Also, sorry your book was terrible. I haven’t seen too many recent recommendations from friends, and I’ve been mostly reading “cozy” mysteries (Agatha Christie, Elizabeth Peters, etc) as my comfort reading myself, lately, so I can’t really suggest anything in particular, unfortunately. At least, nothing I think you wouldn’t already know. Anyway, hope you’re getting some decent rest, and hope you have a better day tomorrow! Take care! *Hugs!*
Alright since this is going to be like a very long one, I’m break it down into a few things.
First full physical descriptions, cause I didn’t know Milanote would be a bitch about it.
Nate:
164 cm (5'4), 75 kg (166 lbs), Short slightly overweight trans man in his middle age. Nearly always the shortest man in the room, only standing around 5'4 and weighing in around 166 lbs. With kind moss green eyes that have permanent crow's feet in their corners and a polite but reserved smile always on his face.
A face that's framed by faint freckles that are only visible in the sunlight. A neatly trimmed beard spices up his features and frames his pink lips. His thick but short eyebrows frame his eyes and create a short arc to his slim nose.
A high forehead separates his brows from his wavy dark blond hair that's always tucked behind his ears.
He generally wears the Superintendents' Park Ranger uniform while on duty. When he's not he wears comfortable jeans and t-shirts, usually a mono color like green, white, or black, plaid flannel shirts, socks with the weirdest patterns and colors, and hiking boots. He wears a steel ring on his right index finger and has a little steel Mjolnir on a necklace around his neck.
He's missing two fingers (his ring and little finger) on his left hand due to a childhood accident.
Faron:
185 cm (6'1 ft), 93 kg (205 lbs), Faron is a tall man with plenty of muscle from his time hunting. He can seem daunting and intimidating when you first meet him but there is a kinder, softer side to him. He has a warm light brown skin color, blue eyes, and black natural tight curly hair that he keeps very short. His full dark beard decorates his cheeks and chin, connects to his upper lip, and all the way up to his sideburns.
He tends to wear dark clothing, leather jackets, no jewelry that could identify him, jeans, henley shirts, or V-neck shirts, and black, brown, or red jackets. He usually wears black combat boots or dark brown hiking boots. He's got knives and other weapons hidden all over his body and pockets and it might take him a good few minutes to unload every single knife from his body when he was to disarm.
There are also scars all over his body, including some scars on his neck that are visible from day to day life. He had the bad luck of being struck down by a vicious Wendigo but managed to escape. He survived thanks to his sister's quick thinking and first aid.
He covers some of those scars up with tattoos; he has one tattoo of a dragon laying down on his shoulder, with its head on his chest and its body curling over his shoulder and ending just below his shoulder blades. And one tattoo covers up some scars on his lower arm, it's a tattoo of a wolf's head that covers up a bite mark.
Dichali:
He’s 37 and has 4 siblings, and two children, Kajika & Kaniya (Jika & Niya, identical twins, but one of them identifies as male, he’s trans. Kajika is his chosen/reassigned name. They are 10.) Dichali grew up in Riverton, WY, which is the largest town of 10,000 in the largest Native Reservation in Wyoming. He’s also a dear friend to our Nate (who is also his boss technically) and has slowly been falling in love with him for the last few years. (Although he still hasn’t realized that he loves his friend.)
Yena, his coworker and friend, who’s much younger at 25 has been watching her coworker and her boss joke and dance around each other. She has a betting pool with her girlfriend on who snaps first.
Not sure how I’ll connect him to Faron if it’s more fun/better to have him find out later or to already know him and keep it quiet.
I’m still working on him, so I don’t have much of personality and other things written down yet. But I have made his physical description:
At 178 cm (5'8) and 83 kilos (182 lbs) Dichali probably isn't the tallest man you've met, he's also not the shortest. And while he's got some good muscle on him from working as a Park Ranger, and being a werewolf, he also has some softer sides. All the better to cuddle with. He has long straight brown hair that falls to his mid-back and deep brown eyes and a long nose that ends prominently. His eyebrows are thin and he has a high forehead. His skin is a light Tawny color, there's a hint of an orange brown with a cool undertone.
His skin is also relatively clear and youthful looking because of his lycanthropy.
He tends to wear pants and jackets made by native designers and always incorporates native fashion into his outfits. He has jackets of mostly gray, blue, brown, and black colors made of denim, cotton, wool, or brass that are lined with more traditional cloths and patterns like the designer brand Ginew. Usually he pairs them with dark jeans, either black, gray, or dark blue. He pairs it with white, blue, red, black, or printed band t-shirts (Metallica, Green Day, Marianas Trench).
For shoes he has brown hiking boots that are part of the Ranger uniform, more western styled boots like black cowboy boots, and a pair of sneakers.He also wears a copper bracelet with lighting bolts etched into it.
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Now this whole story got started because I had the question what if we had a DILF romance going on while/because the following happened?
What if a YouTube video that accidentally got uploaded shows the existence of a werewolf in Yellowstone park? Threatening to expose the entire supernatural world.
The werewolves right now are a mix, so half shift is like the classical half shift of a wolf head on a man’s body, but the full shift is more like a larger wolf. Almost the size of a black bear. Though I might change those ideas as the story progresses.
But that is how the Cryptid of Yellowstone is brought into the world. And that brings problems. Big problems.
Wendigos, vampires, djins, I plan to create a world where a lot of supernatural creates exist. From all sorts of cultures. I’m also toying with the idea of Kelpies and Griffins. That kind of stuff.
The supernatural world is hidden from ours, hidden in plain sight if you will. Most encounters are written off as really strange, sometimes a picture pops up, but with the coming of the internet, things have gotten more complicated. Also with deforestation and competition with regular wildlife has made some bigger supernatural creatures either extinct or thought to be extinct. They’re not sure what still lives in Australia, though.
Nate or his son don’t know about the supernatural world. Neither does Yena. Or much of the world. Dichali, his children (to some extent), Faron, and Faron’s family do know about this world.
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Alright, as for your other post XD
Right now it’s no longer storming but due to the freezing temperatures the snow’s not going away and all public transport and delivery services are still not driving/delivering/running. So that’s neat. Not.
I swear we get some snow and the country is just down. Upside, ain’t nobody going outside and this helps with lockdown.
I hope your snowstorm won’t be too bad and everything thaws down soon. Snow’s fun for a day but after that...
Make sure you stay warm alright? And bundle up.
Yes dad... alright XD
Honestly, I’m glad to hear you liked my advice too. I’m getting quite a bit of positive feedback on it and that just makes me really happy ^^. I’m definitely writing more writing advice from everything I’ve learned so far.
There’s honestly so many contradicting ones out there, it’s a matter of picking and choosing which ones work best for you and applying those. And that’s the real trick of advice.
Fun fact, a lot of famous writers are also pantsers. Steven King, Neil Gaiman, George RR Martin are examples of famous pantsers or gardeners as they are also called.
John Grisham, JK Rowling, RL Stein fall into the plotter or architect category.
Writers like Hank Green seem to fall in the in-between category of plantser (somewhere between a plotter and a pantser. Or the Intuitive plotter.)
Okay but the DinLuke things is really really kinda hot and cute and adorable and has me smiling <3
And I can’t remember what else I wanted to say since it is like 2 am and my meds are seriously kicking in now.
But I hope you’re doing alright and that the snowstorm isn’t too bad where you’re at.
I’ll be alright, my diet hasn’t been going so well the last few days and I can’t really exercise, but I did mostly get healthy groceries that will be delivered friday so there’s that.
Fingers crossed I can pick it back up.
Okay I’m heading to bed XD
I’ll talk to you later, B <3
Hugs from me and Mo <3
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Bookclub; February Highlight
February is the month of love and as we all know, love doesn’t happen over night. Whether it is angst, sexual tension or pining we all love to be on the edge of our seat hoping and begging that they would finally get together. So, naturally this month theme was “Slow Burn” and these are our our monthly fanfic recommendations from our bangtanxm; bookclub!
In the following you find a list of fics we recommend and reviewed this month. Please support these amazing authors! With every monthly recommendation, there is also a drabble game that everyone can participate in. You’ll find the masterlist at the end of the reviews. Happy Reading!
BOOKCLUB; recommendations
TIDES WILL BRING ME BACK TO YOU by @sujigguk [aka @ftyoonmin]
— Summary; Fate is a funny thing. Humble fisherman, Yoongi, learns this when one evening, it's not a fish that sits at the end of his hook, but a bottle, containing a note claiming that a creature of the sea by the name of Jeongguk has been left stranded on land and is soon to draw his last breath.
bookclub; review
“This story immediately pulls you in with the amazing story-telling. Lou has a way of writing so beautifully detailed that it makes you imagine the amazing scenes in your head vividly. On top of that, it is a really heart wrenching love story, mixed with a wonderful fantasy theme of siren Jungkook and his fishermen Yoongi.” [@softjeon]
“Wow. So, Tides Will Bring Me Back to You has been on my to read list for quite a while. I regret my choices in not reading it until now. This fic was an absolute work of art. The singular amazing thing I want to point out is the attention to detail. So, we as readers expect fics to be good, especially AUs. Like we want some world building and detail so that we can visualize the setting and location and what is going on with the characters that are being put into this new world. This fic was able to do that but MORE. The attention to the setting detail was unbelievable. There was so much in terms of vivid descriptors and explanations that painted this super vivid and pretty image in my mind. I’m scared of the ocean to be honest, so I have never gone out on a ship beyond like, a lake. And have only ever seen the ocean from the safe confines of the beach. But because of the detail in this fic, I was able to visualize it so perfectly and vividly, it felt like I was really there.I really enjoyed Jungkook as well. Obviously he’s a gorgeous young man in real life, right? Which is why I liked this fic because it wasn’t this stunning perfect man from the waist up, you know? He had the scaly back, the webbed fingers, the sharp and kinda creepy teeth, etc. I think that this made it more “realistic”, as realistic as a mermaid fic can get of course, but like… I don’t know, it felt more real and added a layer of uniqueness to the fic that a lot of supernatural AUs tend to lack in fanfic terms. Also, the ending. Some might struggle with this because it was so ambiguous (no spoilers of course) but I really liked it. Though I’m sure the author had like a set “this is how it is” ending or explainer, I like that it’s this sort of grey area for readers to think on and figure out.” [anon]
“Omg, I really loved this fic. It's a bit longer than I normally read because work sort of keeps me away from reading more than writing haha but I really loved how Yoongi had this NEED to help a stranger he had no idea existed or not. Then to watch their love blossom that way and Yoongi protect Jungkook. It's also cute that Jungkook calls Yoongi 'My Yoongi' and Yoongi first thought it was a mispronunciation of his name. I do love mercreatures too, so that also drew me to this one. I loved the details and the tidbits of background we get from Yoongi and his love for the sea/sea creatures. Sorry, this is just all over the place.” [anon]
BABY BLUE by @chimknj
— Summary; Jimin is blue. He’s loyal to his customers and confident in everything he does. Namjoon is white. He’s pristine and maintains a perfect balance in life. When the two come together, they create baby blue, a color of freshness and something new. It’s new for both of them, but not all new things are bad.
bookclub; review
“What an amazing story! Even though Minjoon is basically already "together", although Namjoon is just paying Jimin to be there, it is just heartbreaking to read about how Jimin tries to get to know the other more, trying to get him out of his shell and falling in love while he is doing it. All while Namjoon tries to stick to his rules making it so much harder for Jimin, himself and the reader....cause damn!!! I could have screamed the characters sometimes and it literally hurt my hurt so much each time Namjoon pushed Jimin away ;; I can't.... I wanna cry just thinking about it again.” [@softjeon]
“...beautifully written plot, where you just want to punch Namjoon in the face until he finally reveals his true feelings.” [anon]
“I didn’t mean to consume over 70,000 words in one sitting. I honestly didn’t. Over a few days, over a week. Space it. But I knew I was lost at the end of chapter one, the same way Namjoon knew he was lost the second Jimin’s cute hands started unbuttoning his shirt after date night.Honestly. This fic had everything. I laughed a lot, I cried way more than I’d like to admit to, I had the urge to take a cold shower more than once, I wanted to take Joon by his perfectly ironed lapels and shake the ever-loving crap out of him. Honestly though, it felt like a full-length novel. I mean it was, by length, but also by content. The world that was created was beautifully devised and detailed, and everything from the various business names to the design of the apartments was so easy to visualize due to the richness of the descriptors. Personally, I appreciate that. It adds to the ‘movie playing in my head’ way that I like to read.The smut was unbelievably well written. It was sexy without feeling too unrealistically “porn film fantasy” if that makes sense. Like the progression felt natural and easy rather than being rushed or faked like some fics tend to do. It was clear the author did the required research in terms of D/s and wrote what felt very accurately.I loved the involvement of the other members, I think they all played really great, vital roles as side characters. And honestly, they were so rich in their own right that I would love spin offs about their own arrangements with their respective partners!The ending was absolutely sweet and perfect too. I spent the whole fic praying it’d end in a way that was satisfactory to my wrenching heart and I feel like it gave me every single thing I wanted and more.” [anon]
EVERYGREEN by @softjeon & @cassiavioletblue
— Summary; Yoongi felt that something was wrong the moment he had stepped foot into the garden. He hated that this sense of foreboding could mean anything and he had seen enough to have a very vivid imagination of what could wait in the bushes for him. His grip was tight and ruthless but when he felt he weight of something heavier he startled. In front of him on the grass, bloody and shaking was a deer hybrid; a boy, obviously younger than himself and apparently in a lot of pain.
bookclub; review
“Whuff. There's hybrid fics. And then there's THIS hybrid fic. I know that hybrid fics are one of those things you either love em or hate em, I honestly couldn't find a thing to dislike about this fic even if I tried. Firstly Yoongi as the grumpy on the outside (but squishy on the inside) raccoon is perfection. Imagining his markings and those growls and grumbles -- it's so endearing. And then there's JK who, a deer? Oh come on, I'm soft. Imagining him with the broken little antler and those soft, cute markings V_V It's tooth rotting, I swear. But for all the fluff and sweetness, there's this layer of angst and hesitation that makes this feel like such a deep, melancholy slowburn. The will they - won't they, the pull of each and push back, the "I can't" and "I want" -- GUH. Really, it's just so sweet and perfect.” [@kimlinebiased]
“I read Evergreen as it came out. It seemed like such a cute take on a trope that’s pretty common in our fandom, but one I’m less comfortable with, so I was really eager to see these authors’ take on it, since I knew I love their work already. The story opened up with action that sucked you in almost immediately, but it really balanced that with some slower, almost peaceful moments. I think that’s a really big draw of this story, really these authors overall, but this one in particular. They have a handle on the ebb and flow of the story. What I mean is, things happen and it’s exciting and oh god cliffhanger, but then things slow down and give the reader a second to breathe (but not too long, because then it would get boring). The balance between breathing space and action can be really hard to balance and I think these two do it really well. For this particular story, I think my favorite character is actually Namjoon. Sure, he doesn’t have a huge part, but I think he’s super well written and quite in character to the canonical person. (All of them are in their own way, but he sticks out to me). He’s so supportive but not afraid to tell Yoongi the truth even if it’ll sting. Further, he isn’t perfect. He lets his heart get in the way of his head sometimes (like with Jimin) and it makes him really endearing and realistic in a refreshing way. I think that he’s one of those absolutely indispensable characters in this particular world. Like sometimes, it’s easy to switch members, have x play y’s part, y play b’s part, etcetera. But I think that Namjoon’s part was written so perfectly, it fits him like a glove and made it really enjoyable when he was on the page. The plot has some things that the reader can “call” so to speak – like you might read and know there’s gonna be trouble for JK, he’s gonna get tangled up in the mess in some way, but even thinking you know, it’s still done in a way that it doesn’t take away from the enjoyment and “oh no” factor when the big climax does finally get rolling. Just like you know pretty sure, it’ll end happy, I still found myself worried about ‘well what if it doesn’t’. And I think that’s a testament to the authors, really. They are able to take these fanfic tropes and make them feel fresh and new, so even if you feel like you might know what will happen, the way that they weave the story together makes those emotions still hit in a really palpable way.I’d also like to discuss the overall setting of the story. There’s only a few locations that the readers really get a feel for, but particularly the cabin. I think that the descriptions of the cabin and forest and general development of the backstory and setting was really well done. Things like hybrid or other non-human AU’s can be really tricky to keep interesting but still give the right amount of backstory and description so that they aren’t confusing. We as readers need to know the rules, but not have a history textbook, and I think this fic really accomplished that as well.Overall, I just really enjoyed the feeling and emotions that this fic caused. I think that it was able to really convey some important messages while still being woven into a sweet, unique love story. [anon]
THE JUSTITIA PUGNATORES by ShoshinLaurels [AO3]
— Summary; When stable boy Park Jimin's best friend, crowned Prince Kim Taehyung finds himself under threat in his own palace, his guards dropping like flies, the only option left is to call on the Justitia Pugnatores, the 'Justice Fighters.'Three men boasting incredible skill and legendary pasts come barrelling through the heart of the palace, shaking everything in their wake.As the dilemma of the princes impending chances of murder only escalates, Jimin finds himself wrapped up in a mess of secrets, heartache and suspiscion.If only Min Yoongi didn't complicate things.
bookclub; review
“It's been a while since I read this, but I would happily read it in one sitting all over again. I'm a sucker for royal settings and I absolutely ADORED the dynamics of this one. It's just the right amount of angsty and fluffy, and keeps you hooked throughout.” [@sujigguk]
“Damn these apples! I really loved this fic out of various of reasons, the relationship between the characters are amazingly written, the setting and overall plot is so well thought out and it just has the perfect mixture between angst, fluff and comedy… i mean, just the first chapter had me laughing so much.” @softjeon
THE WAY GUCCI LOOKS ON YOU by @joonsrack
— Summary; “Funny how even in this ridiculously absurd situation, life had made Taehyung a third-wheel. Or a sixth.If Bangtan Dry Cleaning was his fairy godmother, Jimin his little mouse, the jacket his magic dress and the club scene his ball, where the fuck was his prince charming?A knock on the door pulled him out of his thoughts.”
bookclub; review
“So, this fic is really is so cute. I started in on it just casually, but found myself entirely sucked in and couldn't put it down until I'd read all that was written on it. Taehyung specifically is such an interesting character - his thought processes and sass are just perfect. I adore Jimin as well. And then there's Jungkook, who is so -INSUFFERABLY ARROGANT- but not in a way that makes you dislike him. He's still so endearing and you WANT these guys to just get off their high horses and kiss or something, but you also kinda want Tae to pour water into his lap because he's such a rich boy. I love it so much. I can't wait for the next part.” [@kimlinebiased]
“A story that could very well fit a movie! It’s everything you need on a sunday night! You laugh, you want to throw something at their rich faces and scream at the boys to just kiss already. A perfect Slow Burn!” [@softjeon]
“The way that Gucci look on you (amazing) is such an adorable and absurd (in the best way) slow burn. It’s a wip now, and I honestly cannot wait until the author updates. The case of mistaken identity is such a good trope that honestly, I feel, isn’t done enough. Especially not in such a cute and fun way. Of all the ways for Tae to get outed as not who he said he was – this one was epic. Of course, it’s a slowburn, so you expect the endgame ship to you know, not be huge fans of one another, but the tension here is so palpable, it is awesome. Taehyung cannot stand that cocky little JK and JK’s arrogance is both hilarious and infuriating. But there’s very clearly something deeper to him, and I really like that the author is able to make that clear through hints and clues, rather than just outright saying it. It adds a depth to JK’s character that often gets missed in fics, especially because we know these guys so well, so to speak. Having those sort of subtle nuances really adds to the overall enjoyability of the fic. I think Jimin is such a great supporting character too. He’s the perfect mix of Jiminy Cricket and devil in your ear, so to speak, and his personality comes off as so honest to who he is canonically. It makes him so fun to read. (And the YoonMinSeok trio is helpful as well, what can I say, soft spot for poly even in side pairings). All in all, it’s just an absolutely stunning fic so far and I can’t wait for the author to continue it.” [anon]
UKIYO by Sharleena [AO3]
— Summary; A story of tender tides and unmoving hummingbirds.
bookclub; review
“I'm almost halfway into this story but I really have to rec it cause wow...if you like mafia and urban fantasy themes then this is THAT fic for you listen succbus jimin, mafia leader yoongi, a damn deeply laced mystery that I can't EVEN FREAKING FIGURE OUT I usually can connect a few dots in mystery stories sometimes bUT THIS STORY IS KILLING ME there is someone yoongi is looking for that's destroying his gang and he like DOESN'T FREAKING EXIST and I know once I reach the end I'll be like IT WAS RIGHT FREAKING THERE IN MY FACE lmao but seriously the authors' worldbuilding skills is freaking legendary and I'm always hoe for mixing different themes together and the mix of urban fantasy and mafia just ugh freaking beautiful. The Slow Burn is real in his fic, yoonmins' dynamics are annoying and frustrating as heck but can be really sweet sometimes because they're both very broken individuals and they're trying to find comfort in one another. The themes are obviously very dark so carefully read the tags and also author notes in the beginning so you know what to expect but seriously it's so damn worth it and I will be personally putting a long feedback directly on their Ao3 as well when I'm done because i know I'm going to have lots more to say. BUT SERIOUSLY THIS IS THE SHIIIITTTT SO FAR SO GOOD SO DAMN GOOD I FEEL FED EVERYTIME I READ IT GIVE IT A READ WHEN YOU CAN!!” [@flowerwrites06]
FAKE SUGAR by minverse [AO3]
— Summary; "I guess," Jungkook pauses momentarily to inhale a deep, bracing breath, "I would just want you to come to my work events and laugh at my jokes and don't correct people if they imply that we're doing it.""Having sex, you mean," Jin clarifies gently, and Jungkook chokes on air. If his face was any redder, Jin would insist on taking him to the hospital. Jungkook clears his throat, obviously trying to play off the strangled, choked sound as a casual cough."Yes. Doing... sex."
bookclub; review
“I love a good concept for fic, and a face sugar dating au sign me up!!! honestly this is one of my all-time favourite fics, cos its not only funny and entertaining but it has so much heart!!! like i just love the vibe of the fic, and i wish i could keep reading it forever. Plus the characters are so like-able and feel so human. Also jinkook holds a special place in my heart, and jk being all shy in the beginning and jins confidence is an unmatched pairing!!! EVERYONE JUST READ IT, ITS SO FUCKING GOOD, okay im done now sorry…" [@tinysweetscrown]
“I read this a while ago, and also everything else by minverse... Everything they write is gold, the character construction, the dialogue, the relationship/chemistry, the humour, the plots...just everything. Fake Sugar kept me up at night with its brilliance and originality, i couldn't get enough of jin and jungkook's relationship, but also all the other members' interaction and storyline. It's expertly written and i sincerely think everyone should read it, if they have not already.” [anon]
“Aaaaaah i love this so much!!! I absolutely love the characterisation of jin!!! I find it very refreshing! In some ways it’s completely /jin/ yet in others it’s such a nee and fun way of describing him (the fact that hes a competition eater absolutely sends me its just. So! Jin!) i also love jungkook!!! Tiny gay babie kook having to impress ppl he doesnt want to impress and getting competitive over that dindjdjd once again i could genuienly see it happening! And oh boy oh boy am i excited to see how this story pans out! The little appearances by the rest of bangtan as well i love it! It all flows very naturally and none of the cameos feel forced or anything. AND JIMIN UDJDJDJD I LOVE HIM. the fact that hes just a chaotic brat having dumpster sex and causing trouble oh my god im still crying jsbsjsnjs.” [anon]
The Drabble-Game; MASTERLIST
— prompt; “Romantic attraction is literal: characters feel a pull like gravity to people they’re attracted to. The bigger the attraction, the harder the pull.”
Thank you to everyone who participated! Stay tuned for the next theme of the month to participate!
NUMINOUS written by @softjeon & @cassiavioletblue
— Summary; “You’re fucking kidding me, are you?” He looked up at the ceiling and made an annoyed face. “You really want me to suffer do you? Stupid universe.”
— Join the Bookclub here! — official post — faq
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#810 The Thin Blue Line
Source
Released: August 25, 1988
Directed by: Errol Morris
Written by: Errol Morris
Starring: Randall Adams, David Harris
Had I Seen it Before? No
A Fun Anecdote Before We Fall Into Despair: Morris met Werner Herzog while he (Morris) was planning a movie about serial killer Ed Gein. Morris asked Herzog for his help in digging up the grave of Gein’s mother. Herzog showed up at the designated time of the plan, but Morris flaked. This led to a long series of events with Herzog questioning whether Morris could follow through anything, and led to a bet that if Morris finished his debut film, Gates of Heaven, Herzog would eat his own shoe. Morris finished the film, and the subsequent result was that we now have a documentary called Werner Herzog Eats His Shoe.
There is a lot of unique power in a documentary, and they are probably my favorite genre of film. I’ve talked about in the past few entries to some degree about my belief in how a work of art creates an emotional truth using a false construction and argues emotionally throughout. Documentaries still very much fall in line with this, but they are grounded in a more intellectual structure by nature and present their case often in more formal, distant terms. Their arguments are often logical in a way that fictional films would be ill-suited to convey. Documentaries like Herzog’s Into the Abyss single-handedly reversed my opinion on the death penalty, turning me from a tepid supporter to a full-throated critic with its depiction of the process as a complete loss of time and humanity from everyone involved, from the victim of the condemned to the condemned himself to the executioner. Documentaries have a power, and it’s one that when used effectively, is unrivaled.
Although Morris himself disputed the label of documentary for his breakout effort The Thin Blue Line, it’s not unreasonable to understand the massive impact on documentaries and documentarians that this film would have. Maybe Morris shirked the label of a documentary because of its connotations with a static, disinterested viewpoint which tend to make up a good bulk of the genre up to the making of this movie, with few exceptions.
Among Morris’s innovations to the field he desperately wants to avoid being identified with is the hyperfocus on one criminal case of a man of no importance, the recreated scenes from the crime based on witness testimonies and court documents, and the dramatic flair brought by Phillip Glass’s intimidating score. Few if any introductions are made to the subjects in the speaker that aren’t said by the speakers themselves. There are no name cards or cutesy set-ups. Voices simply start speaking into the void of the camera, doing their best to present themselves as they want to be seen.
All of these characteristics of The Thin Blue Line can be found in productions like Sara Koenig’s Serial podcast, Netflix’s Making a Murderer, or HBO’s The Jinx. There is a mutual exchange with one of Morris’s influencers, Werner Herzog, whose monomaniacal impulses are present but subdued in Morris’s own work. There is a legacy that this film has, and with good reason.
Randall Adams, the wrongfully convicted (Source)
Morris does an excellent job of maintaining the structure of the narrative, pushing the story through its ins and outs and never overtly giving way to one definitive interpretation of an event until the moment when you’ve been made most impressionable. It’s then that Morris strikes in with what feels like an objective realization but is, on closer inspection, editorial speculation channeled through his subjects. It’s a myopic view to assume that documentaries are free of any subjective bias simply because they rely on what should “objective” facts like testimony, paperwork, and educated guesses. To paraphrase Hunter S. Thompson, there is no such thing as Objective Journalism. And Morris knows it.
Randall Adams is a man entirely sympathetic to Morris and, by extension, the viewer. As he narrates his version of the events, he does not hedge, waiver, or contradict himself. His body language is constrained, respectful, and his eyes plead with Morris and the camera to believe him. At one point, Adams recalls watching an episode of the Carol Burnett show in his motel room at a time which would preclude him from the possibility of the murder of Officer Woods, and a later image Morris includes in the movie confirms that the Carol Burnett show was indeed airing at the time Adams claimed he was watching it. It’s a small detail, but in a case who penalty is death, it’s the small details that Adams’s story will live or die by.
And just as interesting is the way in which Morris portrays Dallas. A place long known colloquially as “The City of Hate,” Morris paints Dallas through his interviews with the people who live about it as a city of barely-restrained contempt and rage, all too willing to devour the innocent like Adams. Adams himself recalls a member of his family remarking that if there ever was a Hell on earth, it’s Dallas, Texas. I’m not sure if that descriptor is still apt today. It’s been nearly thirty years since The Thin Blue Line was released, but it’s only been about a year since the city was the center of a series of police killings that happened in any already fraught racial and political climate. Morris prominently features Vidor, a small town outside Dallas where Davis Harris hailed from, and a regional center for the Ku Klux Klan, the kind of town that isn’t simply tolerating the Klan but is made up of it.
Adams is positioned as someone swallowed up the inevitability of tragedy that occurs from a place as hateful and entrenched as Dallas. Adams may have been dumb in hanging out with a clearly-dangerous sixteen-year-old, but you can’t fault the man for wanting any kind of trouble. He didn’t. It found him anyway.
Officer Mark Woods, the victim (Source)
There is a certain amount of pointlessness that seems to be recognized by Morris in which subjects he chooses to include in the movie. The prosecutor who brought the case against Adams declined to participate in the movie, but many of the law enforcement officers and the presiding judge both chime in and reveal a sentiment that they were always pushing for how they should resolve the murder of a police officer so that it would carry through to a cathartic conclusion. At no point does there seem to be any genuine doubt from the people responsible for condemning an innocent man to death. Adams himself notes that it seemed to him throughout some of the judicial processes it felt obvious that the question of his innocence was entirely irrelevant, the only thing that mattered is how and when they could kill him.
One of the people responsible for Adams receiving the death sentence is a psychiatrist named Dr. Grigson, who is notable in that this whole movie originally started out as an investigation into his career. Known as “Doctor Death,” Dr. Grigson was a psychiatrist frequently used in cases where the possible sentence could include death to perform evaluations on the defendants. Encouraged by the prosecution, Doctor Death would invariably claim that if the defendant were to be released, he would murder again. It was only when Morris met Adams as a result of this initial investigation did he realize that Adams was not a danger and that his trial was likely a miscarriage of justice.
There are stories like this throughout. Witnesses with something to gain, inconsistent testimony used like a bludgeon against Adams’s consistent defense, Officer Woods’s partner being near-useless in her description of what happened, and David Ray Harris’s knowing demeanor about what really happened that night all show a judicial system that got the result it wanted and not the result it should’ve worked for.
It’s unnerving to think how quickly your life can be seized from you in the name of justice. We know this. I know this. The trade-off we make is to give a privileged few the ability to take from us what we most privilege in our own lives. This is one of the cornerstones of a civil society. We do this in the hopes that the system will be near-infallible, but we all know that it isn’t. Even if there is no injustice committed against us by the state, we are all at aware of at least one instance in our lives when someone we knew or someone we saw was denigrated and humiliated by a system we all tacitly endorse, and whose misapplication is never taken as seriously by us as it should.
David Ray Harris, the likely murderer (Source)
This movie is often remarked on for its sense of activism, which is maybe more explanatory for why Morris recoiled at the idea of marketing it as a documentary. There’s an inherent bias towards structure and anticipation of a particular kind of argument once you label a film with a well-recognized genre, and something affixed with a generic label can live and die by how well the movie fits in with audiences’ expectations (see: The Cabin in the Woods and the misplaced disdain that movie gets from people claiming it isn’t “scary” enough for a horror film). It’s the same logic that led Jon Stewart to repeatedly denounce The Daily Show as a news program.
I believe Morris’s aversion the documentary label is to shed the responsibility that might come with claiming to be a documentary. Purists might take issue with The Thin Blue Line for its artistic ambitions and the creative liberties it takes with the story, and for Morris, the point isn’t even to be a part of cinematic movement tied to a form, he wants to send a message. Morris, sight unseen, ignores the conventions of the documentary and positions his film as a deeply-researched, deeply political work that carries a chip on its shoulder and an ideology in its heart.
But I think it would be a misunderstanding of Morris’s intent and the movie’s construction to claim that The Thin Blue Line is interested in heroes and villains Morris makes no particular point to paint Harris as evil, only as the likely murderer. It never lionizes Adams, either, instead of showing him for what he was: an aimless guy going nowhere fast, who got caught up in a sequence of events he never had any influence over.
Morris is steadfast in an unsentimental pursuit of the truth, something which inadvertently positions him as a sort of antiparallel to the sins of the state actors who simply wanted a result in condemning and executing Adams. While Morris’s aim is undoubtedly nobler in his desire to find the truth of the matter, both Morris and the men who botched a case so badly that Morris had to become involved were both interested in a sort of rational explanation for the world that is outside their control. Morris might have been right about Adams’s innocence, but his intuition and judgment came from a place of the same futility he supposedly condemns: that of a man trying to impose how he’d like the world to be in place of how it is. If only that mentality more often led to the Randall Adamses of the world being exonerated rather than convicted in the first place.
Final thoughts:
Randall Adams had his case reviewed as a result of this movie, and eventually had his verdict overturned and was released when the prosecution declined to press for a re-trial. Adams received no financial compensation from the State of Texas, sued Morris for the rights to his life back, and became an anti-death penalty activist. According to the internet, he lived in such obscurity that his death was only discovered a year after the fact. There’s no shame in any of that, except for his not having received any compensation from the state.
David Ray Harris was convicted of a separate murder which happened during an attempted kidnapping. He was sentenced to death and finally executed in 2004. His final words were “Sir, in honor of a true American hero: Let's roll. Lord Jesus, receive my spirit. I’m done.” The reference to the American hero was reportedly words said by Todd Beamer on the United 93 flight before fighting the hijackers attempting to crash the plane into the Capitol Building during the September 11 attacks.
I don’t know if it was FilmStruck, the film itself, or my lackluster TV, but the visual quality of this film was abhorrent. This movie might be in dire need of a remastering, the noise was insane and every 40-60 frames the film seemed to flash a single frame that was more exposed than the rest, making the picture look like it was lighting up.
Recommended: Werner Herzog Eats His Shoe, and Into the Abyss, Herzog’s own 2011 documentary on a capital murder case. Like Morris’s film, Herzog examines the questionable verdict of the case. Unlike Morris’s film, Herzog uses the case as a more explicit condemnation of the death penalty.
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