#never actively listen to 2020s pop music and I can still see it improving!!!!!!!!!! | Explore Tumblr posts and blogs

bts-weverse-trans · 4 years ago

Photo

210104 Weverse Magazine ‘Be’ Comeback Interview - Suga

SUGA “I'm grateful that there are still unvisited areas in the world of music” BTS BE comeback interview 2021.01.04

SUGA has this way of talking passionately with a deadpan look on his face. Full of passion about his life and music.

How is your shoulder? SUGA: Good. I think it’ll get even better once I take off this brace. Apparently, it takes several months for a full recovery, but I'm trying to get better as fast as possible.

How does it feel like to have resolved a problem that has distressed you for long? SUGA: First of all, I'm glad. The pain is one thing, but when my shoulders got worse, I couldn't even raise my arms. But when I heard that this might recur when getting the surgery at a young age, I waited for the right time and had decided to get it done early next year regardless of the COVID-19 situation. I had planned to get the surgery after the year-end stages, but I got it done this year (2020) because my doctors advised me to start preparing early for next year’s promotions and activities.

Is that what made you join the promotion as much as possible? You shot lots of video footage in advance and you even appeared in the Mnet “2020 MAMA” through VR. SUGA: Fake SUGA (Laughs). There’s this 3D studio where we shot it. I shot, scanned, and acted there, but couldn't see the actual result at the studio. I thought a sense of displacement was unavoidable, and that was exactly the case. (Laughs) I acted normal because it would have been aired anyway even if I hadn’t had the surgery, but it seems a lot because it’s aired after the surgery.

You must feel restricted not being able to go on stage. SUGA: The thing is, it's only been a month after I got surgery, but my absence on stage is so apparent. But my doctors keep telling me that I shouldn't be impatient and in fact, many athletes get a resurgery when they return to the field without proper rehabilitation. So I'm working on trying to care less. For the first two weeks after surgery, I felt so frustrated that I tried out new things. I even watched movies I didn't watch.

Could you elaborate on that? SUGA: A lot of candidates on ‘Sing Again’ are very talented but hadn't had the opportunity, and on ‘Folk Us’, I noticed that many took their own guitars on stage. I started playing the guitar lately and I'm having this urge to broaden my scope of music. And since my interest in the music industry in the U.S. grew, I'm getting prepared, studying English and all.

What fueled your interest? SUGA: In some ways it’s the most commercially developed market. You could lose the industry attention in a flash if it's not feasible. So in this system, you would try everything and that would be an efficient way. I want to do music for a long time, and to this end, I always want to learn more about the global music industry because I want to do music that’s loved not only in Korea, but also in the U.S., Japan and Europe.

Speaking of which, it seems BE was influenced from music of the past rather than today's trends. SUGA: I especially like impromptu music. I love the songs that were made in one take instead of being recorded several times. In this era of crossover genres, the desire to do better in music is growing inside me.

As the genres become more blended, the melody you use must be more important. Does starting to play the guitar affect your composing in any way? SUGA: I always liked using guitar sounds. And I have always liked the Eagles. If you play the guitar, it’s way easier to write songs because you can carry it along wherever you go, pluck on the strings to create melody lines. Keyboards are difficult to carry around. (Laughs) I usually work on my laptop but I had this thought that I definitely needed an instrument. It accelerates my work and improves my understanding of chords.

It makes me think you could intuitively make melodies. SUGA: It’s easier to write a song because you can intuitively make a progression and try many different things. During my work on ‘Eight’, IU had recorded and sent me a song from her phone. At the time I couldn’t play the guitar, so we tried to make sure we’re working on the same page when keeping track of each other's progress. That made me feel the need to learn an instrument.

When I listen to your singing, it feels like you’re hitting the beats rather than singing along the notes. So I thought perhaps you're singing as if you're rapping. SUGA: When you're rapping, you just think of the rhythm, so it’s like simply putting on a melody to a rhythm. To define which comes first, I think melody adds to it while writing the rap.

In ‘Life Goes On’, the lyrics ‘Thankfully between you and me, nothing’s changed’ are somewhere in between. It's not rap but it’d be mundane to say it's a mere melody. SUGA: There are obviously songs where the rap needs to be highlighted. For example, in ‘Dis-ease’ or ‘Ugh!’, you have to be good at rap. But in songs that should be easy to listen to, impressive raps are not always the way to go. Sometimes, you want smooth transitions without obstacles.

In that sense, the rap flow of ‘Blue & Grey’ was impressive. Rather than a dramatic effect that emphasizes each part, you extended the rap just as much as the slowing beat. SUGA: To be honest, this beat is difficult to rap to. The beginning of the song only has a guitar line, which made it even more difficult. I participated when we wrote lyrics for ‘Blue & Grey’ and I've always wanted to work on a song like this. It was because verse 1 talks about the theme of the song.

Many creators are unsure even after they’ve produced good work. How do you get the conviction to release your work? SUGA: Many musicians are unsure whether they should release their music or not. It was the same for me, but the thing is, you’ll never release anything if you nitpick everything. For example, if we release 10 songs, we have a chance to unveil them in concerts or fan events. And sometimes, as we listen to the song, we think, ‘Why does this part that had bothered me no longer bother me?’ Some things might feel awkward at some point, but in time, it no longer feels awkward. Even I forget about it. So it's more efficient to fine tune, looking at the big picture, rather than thinking too much about the details. On top of that, during promotions, I don’t have the time to pick tracks that others have sent for 10 hours. It would be a success for all of us if each of us play and write a melody in their own time and collaborate with others on the details. So the way of songwriting has evolved in many aspects.

What motivated such evolution? SUGA: I think it evolved naturally. I've changed in personality this year (2020), as well as in terms of my interpretation and attitude toward life to the extent that I almost thought I've been rehearsing. How would it feel like if there were no stage to go to or anyone looking out for me? This thought made me realize the value of these things.

In ‘Dis-ease’, you sing ‘I don’t know if it’s the world that's sick’. Was it this lifestyle that changed your thoughts about your work? SUGA: Yes. When I was young, I had embraced the belief that ‘It must be my fault’, but as I got older, I realized that this is not always true. Most of what I had thought was my fault was in fact, not my fault. On the other hand, there are things that I did well and times I had been lucky.

‘I NEED U’ came out during a time when you were still thinking, “It must be me”. After the members put on a stage with ‘I NEED U’ in KBS' ‘Song Festival’, you wrote on Weverse, “It’s the same as five years ago.” How would you compare with back then? (This interview was held on December 19, 2020.) SUGA: We've matured quite a bit. And our stage performances have become more natural. I still like ‘I NEED U’. Just listening to the beat makes me sentimental, and above all, the song came out nicely. So as I was watching this and that when I stumbled across old videos. Watching them made me think that we haven’t changed much.

I'm amazed personally. I’ve had the chance to meet the members before your debut, but from your way of talking with members or others, it seems you haven't changed. SUGA: I think it's because we don’t give it a big deal about success. For example, it's incredible to be ranked first on the Billboards, but there’s also this sense of, “Okay, and?”

Even the Grammys? (Laughs) SUGA: When we got nominated for the Grammy Awards, we thought, ‘Is this real?’ (Laughs) Of course we were delighted, but it didn’t make us think, ‘We're singers nominated for the Grammy.’ If you're nominated, you're nominated, and if you get the award, you get the award. You don't get shaken by that. I know it's a great award and would be so grateful if we receive it, but we know that nothing is possible without the tremendous support of our fans. What’s more important is that the fans are more flattered than us when we receive a great award. So everyone's rejoicing, but it’s like, ‘Let's do what we have to do.’ We've been training ourselves to keep finding our places, so no one remains overexcited.

In ‘Fly To My Room’, there are lyrics that say, ‘This room is too small to contain my dream’, and ‘Sometimes this room becomes an emotional trash can, but it embraces me.’ I had this feeling that the room had been such a place and that you were accepting that you have changed. Then the essence must have remained the same. SUGA: It wasn’t easy to accept that we eventually change. But I think it's a good thing that we changed. What we did back then was possible only at that time, and we could change because of the things we had accomplished.

Then, what new things are you dreaming about? SUGA: I'm eager to continue doing music. Since all performances were canceled due to COVID-19, I had a chance to talk to so many musicians in Korea. I talked with legendary singers as well as people who are my contemporaries. Talking with them once again made me realize that I love music so much. Because music is my profession, I can’t imagine myself not doing it. I'm grateful that there are still unvisited areas in the world of music.

That must explain your interest in a broader spectrum of music from instruments to composing and musical genres. Because you want to be doing this for a long time. SUGA: My goal is to continue doing music in any shape or form. In that sense, I have this great respect toward Cho Yong-pil. He takes the best sound there is and reinterprets it into his own. I think that’s something I want to emulate and keep changing and evolving so that I can continue doing music for decades to come.

The lyrics ‘Thankfully between you and me nothing’s changed’ must sound more meaningful for the fans because they will be listening to your music for a long time. SUGA: A month and a half in the current times must seem like a lifetime for the fans when we're far apart. I feel the same. But I think that's proof that we worked hard for the past seven years and that the fans have been passionately reaching out to us. I'm striving to get to them as fast as I can, and I'm eager to go on stage. I'm going through this because I want to be better on stage in a better condition, so don't be sad, and please hang in there a little longer.

Trans © Weverse

#bangtan #yoongi #weverse #weverse magazine #Be Album #comeback interview #210104 #2021

1K notes · View notes

sugadaily · 4 years ago

Link

SUGA has this way of talking passionately with a deadpan look on his face. Full of passion about his life and music. How is your shoulder? SUGA: Good. I think it’ll get even better once I take off this brace. Apparently, it takes several months for a full recovery, but I'm trying to get better as fast as possible. How does it feel like to have resolved a problem that has distressed you for long? SUGA: First of all, I'm glad. The pain is one thing, but when my shoulders got worse, I couldn't even raise my arms. But when I heard that this might recur when getting the surgery at a young age, I waited for the right time and had decided to get it done early next year regardless of the COVID-19 situation. I had planned to get the surgery after the year-end stages, but I got it done this year (2020) because my doctors advised me to start preparing early for next year’s promotions and activities. How does it feel like watching the other members doing promotions? SUGA: I can't say it feels great. I could see the emptiness because we've been together as a group of seven for so long. Not necessarily because I'm not there but because something that should be there is missing? Is that what made you join the promotion as much as possible? You shot lots of video footage in advance and you even appeared in the Mnet “2020 MAMA” through VR. SUGA: Fake SUGA (Laughs). There’s this 3D studio where we shot it. I shot, scanned, and acted there, but couldn't see the actual result at the studio. I thought a sense of displacement was unavoidable, and that was exactly the case. (Laughs) I acted normal because it would have been aired anyway even if I hadn’t had the surgery, but it seems a lot because it’s aired after the surgery. You must feel restricted not being able to go on stage. SUGA: The thing is, it's only been a month after I got surgery, but my absence on stage is so apparent. But my doctors keep telling me that I shouldn't be impatient and in fact, many athletes get a resurgery when they return to the field without proper rehabilitation. So I'm working on trying to care less. For the first two weeks after surgery, I felt so frustrated that I tried out new things. I even watched movies I didn't watch.

What movies did you watch? SUGA: I watched ‘Samjin Company English Class’ as it happened to be on IPTV, and now I have ‘Tenet’ on my list. ‘Parasite’ was the last movie I saw at a cinema. As the social distancing measures became stricter, I haven’t been going outside, except going to the hospital. I even eat at home. I'm also watching a lot of TV nowadays. Watching music shows like ‘Sing Again’, ‘Folk Us’, and ‘Show Me The Money 9’ made me think of what I should do in the upcoming days. Could you elaborate on that? SUGA: A lot of candidates on ‘Sing Again’ are very talented but hadn't had the opportunity, and on ‘Folk Us’, I noticed that many took their own guitars on stage. I started playing the guitar lately and I'm having this urge to broaden my scope of music. And since my interest in the music industry in the U.S. grew, I'm getting prepared, studying English and all. What fueled your interest? SUGA: In some ways it’s the most commercially developed market. You could lose the industry attention in a flash if it's not feasible. So in this system, you would try everything and that would be an efficient way. I want to do music for a long time, and to this end, I always want to learn more about the global music industry because I want to do music that’s loved not only in Korea, but also in the U.S., Japan and Europe. Speaking of which, it seems BE was influenced from music of the past rather than today's trends. SUGA: I especially like impromptu music. I love the songs that were made in one take instead of being recorded several times. In this era of crossover genres, the desire to do better in music is growing inside me. As the genres become more blended, the melody you use must be more important. Does starting to play the guitar affect your composing in any way? SUGA: I always liked using guitar sounds. And I have always liked the Eagles. If you play the guitar, it’s way easier to write songs because you can carry it along wherever you go, pluck on the strings to create melody lines. Keyboards are difficult to carry around. (Laughs) I usually work on my laptop but I had this thought that I definitely needed an instrument. It accelerates my work and improves my understanding of chords. It makes me think you could intuitively make melodies. SUGA: It’s easier to write a song because you can intuitively make a progression and try many different things. During my work on ‘Eight’, IU had recorded and sent me a song from her phone. At the time I couldn’t play the guitar, so we tried to make sure we’re working on the same page when keeping track of each other's progress. That made me feel the need to learn an instrument.

This is actually before you started playing the guitar, but I found ‘Telepathy’ in BE very interesting. The varying melodic progressions between hooks for each member made me wonder if you wrote the melody intuitively for each part. SUGA: I tried a melody for the first time this year (2020), and as I started knowing the fun of music, it opened a lot of new doors for me. So it was kind of easy working on it. I just played a beat and wrote from the beginning until the end. Done. I wrote it in just 30 minutes. The song almost wrote itself. The trends of pop and hip-hop these days cross boundaries between vocals and rap. I like this trend. When I listen to your singing, it feels like you’re hitting the beats rather than singing along the notes. So I thought perhaps you're singing as if you're rapping. SUGA: When you're rapping, you just think of the rhythm, so it’s like simply putting on a melody to a rhythm. To define which comes first, I think melody adds to it while writing the rap. In ‘Life Goes On’, the lyrics ‘Thankfully between you and me, nothing’s changed’ are somewhere in between. It's not rap but it’d be mundane to say it's a mere melody. SUGA: There are obviously songs where the rap needs to be highlighted. For example, in ‘Dis-ease’ or ‘Ugh!’, you have to be good at rap. But in songs that should be easy to listen to, impressive raps are not always the way to go. Sometimes, you want smooth transitions without obstacles. In that sense, the rap flow of ‘Blue & Grey’ was impressive. Rather than a dramatic effect that emphasizes each part, you extended the rap just as much as the slowing beat. SUGA: To be honest, this beat is difficult to rap to. The beginning of the song only has a guitar line, which made it even more difficult. I participated when we wrote lyrics for ‘Blue & Grey’ and I've always wanted to work on a song like this. It was because verse 1 talks about the theme of the song.

It seems you achieved almost everything that you wanted in BE. SUGA: I think it took less than a week to make my part in the album. After having written one or two melodies for ‘Life Goes On’, I wrote a version complete with rap, and liked it that I even worked on a separate arrangement and lyrics. Rather than pondering over the ways that might work, I choose to simply play the music and write. Many creators are unsure even after they’ve produced good work. How do you get the conviction to release your work? SUGA: Many musicians are unsure whether they should release their music or not. It was the same for me, but the thing is, you’ll never release anything if you nitpick everything. For example, if we release 10 songs, we have a chance to unveil them in concerts or fan events. And sometimes, as we listen to the song, we think, ‘Why does this part that had bothered me no longer bother me?’ Some things might feel awkward at some point, but in time, it no longer feels awkward. Even I forget about it. So it's more efficient to fine tune, looking at the big picture, rather than thinking too much about the details. On top of that, during promotions, I don’t have the time to pick tracks that others have sent for 10 hours. It would be a success for all of us if each of us play and write a melody in their own time and collaborate with others on the details. So the way of songwriting has evolved in many aspects. What motivated such evolution? SUGA: I think it evolved naturally. I've changed in personality this year (2020), as well as in terms of my interpretation and attitude toward life to the extent that I almost thought I've been rehearsing. How would it feel like if there were no stage to go to or anyone looking out for me? This thought made me realize the value of these things. In ‘Dis-ease’, you sing ‘I don’t know if it’s the world that's sick’. Was it this lifestyle that changed your thoughts about your work? SUGA: Yes. When I was young, I had embraced the belief that ‘It must be my fault’, but as I got older, I realized that this is not always true. Most of what I had thought was my fault was in fact, not my fault. On the other hand, there are things that I did well and times I had been lucky. ‘I NEED U’ came out during a time when you were still thinking, “It must be me”. After the members put on a stage with ‘I NEED U’ in KBS' ‘Song Festival’, you wrote on Weverse, “It’s the same as five years ago.” How would you compare with back then? (This interview was held on December 19, 2020.) SUGA: We've matured quite a bit. And our stage performances have become more natural. I still like ‘I NEED U’. Just listening to the beat makes me sentimental, and above all, the song came out nicely. So as I was watching this and that when I stumbled across old videos. Watching them made me think that we haven’t changed much.

In what aspect haven't you changed much? SUGA: Before the social distancing measures got stricter, I talked with the photographer for BE, whom I had met four years ago. The photographer was surprised that we hadn’t changed much after all the success, even though he had assumed we’d be very different. I'm amazed personally. I’ve had the chance to meet the members before your debut, but from your way of talking with members or others, it seems you haven't changed. SUGA: I think it's because we don’t give it a big deal about success. For example, it's incredible to be ranked first on the Billboards, but there’s also this sense of, “Okay, and?” Even the Grammys? (Laughs) SUGA: When we got nominated for the Grammy Awards, we thought, ‘Is this real?’ (Laughs) Of course we were delighted, but it didn’t make us think, ‘We're singers nominated for the Grammy.’ If you're nominated, you're nominated, and if you get the award, you get the award. You don't get shaken by that. I know it's a great award and would be so grateful if we receive it, but we know that nothing is possible without the tremendous support of our fans. What’s more important is that the fans are more flattered than us when we receive a great award. So everyone's rejoicing, but it’s like, ‘Let's do what we have to do.’ We've been training ourselves to keep finding our places, so no one remains overexcited. In ‘Fly To My Room’, there are lyrics that say, ‘This room is too small to contain my dream’, and ‘Sometimes this room becomes an emotional trash can, but it embraces me.’ I had this feeling that the room had been such a place and that you were accepting that you have changed. Then the essence must have remained the same. SUGA: It wasn’t easy to accept that we eventually change. But I think it's a good thing that we changed. What we did back then was possible only at that time, and we could change because of the things we had accomplished. Then, what new things are you dreaming about? SUGA: I'm eager to continue doing music. Since all performances were canceled due to COVID-19, I had a chance to talk to so many musicians in Korea. I talked with legendary singers as well as people who are my contemporaries. Talking with them once again made me realize that I love music so much. Because music is my profession, I can’t imagine myself not doing it. I'm grateful that there are still unvisited areas in the world of music.

What kind of music do you think you’ll be engaged in in the future? SUGA: I was greatly motivated when I saw the concert of Na Hoon-a last Chuseok . I wondered how many musicians would actually be able perform and write music for so long like he has. At that moment, it occurred to be that ‘I want to be like him’. He has passion and desire, and most of all, he is a superstar. A few years ago, I took my parents to a Na Hoon-a concert, and when they watched the performance last Chuseok, they said it was way less impressive to see him perform through the TV. (Laughs) That must explain your interest in a broader spectrum of music from instruments to composing and musical genres. Because you want to be doing this for a long time. SUGA: My goal is to continue doing music in any shape or form. In that sense, I have this great respect toward Cho Yong-pil. He takes the best sound there is and reinterprets it into his own. I think that’s something I want to emulate and keep changing and evolving so that I can continue doing music for decades to come. The lyrics ‘Thankfully between you and me nothing’s changed’ must sound more meaningful for the fans because they will be listening to your music for a long time. SUGA: A month and a half in the current times must seem like a lifetime for the fans when we're far apart. I feel the same. But I think that's proof that we worked hard for the past seven years and that the fans have been passionately reaching out to us. I'm striving to get to them as fast as I can, and I'm eager to go on stage. I'm going through this because I want to be better on stage in a better condition, so don't be sad, and please hang in there a little longer.

#yoongi #suga #bangtan #bts #interview #210104

125 notes · View notes

fyeah-bangtan7 · 4 years ago

Text

SUGA “I'm grateful that there are still unvisited areas in the world of music”

SUGA has this way of talking passionately with a deadpan look on his face. Full of passion about his life and music.

How does it feel like watching the other members doing promotions? SUGA: I can't say it feels great. I could see the emptiness because we've been together as a group of seven for so long. Not necessarily because I'm not there but because something that should be there is missing? Is that what made you join the promotion as much as possible? You shot lots of video footage in advance and you even appeared in the Mnet “2020 MAMA” through VR. SUGA: Fake SUGA (Laughs). There’s this 3D studio where we shot it. I shot, scanned, and acted there, but couldn't see the actual result at the studio. I thought a sense of displacement was unavoidable, and that was exactly the case. (Laughs) I acted normal because it would have been aired anyway even if I hadn’t had the surgery, but it seems a lot because it’s aired after the surgery.

#bangtan #suga #m:weverse magazine #o:interview #210104

33 notes · View notes

thepenpalhub · 4 years ago

Text

Howdy, Y'all! So this is bound to be a super long post, one because I am super excited to find some more penpals, and two because I can’t ever do anything half way! So to sum up some of it I’m a seventeen year old ADHD Legal Studies college senior in Arkansas with a background in Political Science (USA) addicted to coffee looking for some penpals!

I’m currently sitting under the sunrise daydreaming up some new plots for a couple of stories I'm probably going to end up starting. In the process, I obviously started wondering deeper into the cosmos and questioning everything about life, for example, with the way 2020 is going, what's the probability of the zombie apocalypse breaking out? This pondering has lead me here, searching for some friends that hold the intellectual capability to have a serious not serious conversation, because in my opinion penpals and snail mailers are some of the greatest friends yet!

My name is Allison, though I’ve got a whole slew of nicknames that you could pick from if Allison is too much of a hassle ;D! Allie, Elle, and Allis being a few of them!

I’m your normal run-of-the-mill College student, besides the fact that I’m a college senior at seventeen and I graduated high school at thirteen! I’m studying Law, though I have a degree in political science as well! For reference, I will be turning eighteen within a month.

My goals in life include bringing light to the corruption and corrupted in politics and government, helping as many people as possible to better their lives and improve their state of living, and being as much happiness and joy to the world as I reasonably can! My career goals include achieving all the above through politics, public speaking, corporate ventures, and government!

So yeah, I’m a pretty ambitious gal, to the point that some people have claimed I’m overbearing and too interested in myself! While I might come across as overbearing or self-interested, I’m one of the most selfless people I know, and on top of that, I try to be as self-aware as possible so that I can continue to emotionally, intellectually, mentally, and physically improve myself! One of my motos in life is “to know where you're going you must first know where you’ve been”! Plus... I’ve just got a really really big personality!!

Let’s see, I am a Sagittarius, ENFP-t, and enneagram of 8! I am also a Slytherin! In my professional life, I like to compare myself to a much nicer version of Katerina Petrova… or Clarke Griffin (if you ignore the manipulative and kinda bitchy part of both… sometimes)! Though in my private life I tend to take on more of a child-like nature, in the sense of being cheerful, energetic, always curious, and kinda oblivious in certain situations! I do tend to be a bit bratty, blunt, and bossy though!

Moral of the story, you can probably expect some rambling and super cute designs slash miscellaneous things in your letter if we go the snail mail route!

I kinda have some pretty diverse and interesting taste when it comes to things I enjoy! I like to think I have the interests of an elderly person and personality of a child, but you can be the judge of that!

* I love politics, linguistics, diplomacy, history, stock markets, real estate, law, and philosophy!

* Hiking and swimming are probably two of my favorite outdoorsy activities!

* I adore the gun range, it is probably one of my favorite places to go (after malls and libraries)! Very American of me.... I know 😀

* Beekeeping is something I’ve been doing since I was a child, I currently have over four-thousand hives!

* Reading, writing, and painting are also some of my favorite things to do!

I’m a painter, who absolutely loves bright colors (I.e pink and yellow)! I don’t particularly have a favorite music genre, from rock to country and pop to opera/classical I’ll listen to anything (it all depends on mood)!

I like to consider myself the reigning queen of over-energetic happy-go-lucky bubbly people! *Bow down peasants!* Some people have claimed I’ve got major crackhead energy, without the crack! I just blame it on my caffeine addiction paired with really really bad ADHD!

I’m a bit of a girly girl, with a love for the preppy look, and a love for hair bows and leather jackets! I love dancing in the rain, going to parks, blowing bubbles, watching Disney, playing make-believe or whatever, and acting like I’m high on sugar 9/10! I mentioned I had a childish personality, though as I said, some people find it overwhelming!

I love reading and writing (both originals and fanfics... yeah I’m a groupie when it comes to tv/movie/book fanfics)! Currently, I’ve been really invested in fiction works, I’m nearly finished with the CL Stone Academy Ghostbird series (It's a reverse harem for those that don't know, I highly suggest it), which I started last week! Though I obviously have been keeping up with my lovely textbook readings and such (seeing as this week is Midterms and all)!

Oh!! I almost forgot I know three languages (not including English)! Spanish, French, and Russian! Though I’ve never had anyone to use the languages with, and I’m still in the process of learning Russian!

Side note, I'm a full-time college student that has multiple entrepreneurial businesses that I run, so I'm fairly busy! But I'm also super chatty and talkative, so there's that!

As for what I’m looking for! I’d love a best friend, someone that can put up with my amazingly hectic self, while also being able to hole and intelligent conversation.

I’m cool with an email pen-pal, a messaging pen-pal, or a snail mail pen-pal! Admittedly I’m currently in a crafty mood, specifically because the holidays, so snail mailing is probably at the top of my list at the moment! I just moved to a new location, which has been a blast, mountain people are so super sweet (coming from someone who grew up in the city) and I’ve officially managed to get my address and everything squared away! So that should be spectacular!

Age and gender identification don’t really matter to me, though I do connect with people older than myself a tad bit easier because my interests normally don’t line up with my peers! Similarly, people who have life goals, ambitions, and/or self-aware people are a serious weakness of mine, what can I say, I'm a sapiosexual, both in regards to romantic relationships and friendships, the brain is the most beautiful part of the human. Similarly in that fashion, I am also demisexual and pansexual.

I'm looking for something long-term, whenever I start something I pour 100% into it, and I expect 100% back! My time is a delicate thing, and even though I'm ridiculously busy I love sharing it with others! I would also be interested in exchanging photos early on with people that pique my interest, both for verification purposes, and because I prefer to put a face to a name. Similarly, your location does not particularly matter, domestic or international pen pals are welcome! I would love to be able to put some of my languages to use, however, but all cultures are welcome!

Anyways! I’d love to get to know you, so please shoot me a message and we’ll see where it stands and where we land! I’ll try to respond to all messages, but I can’t stand small talk, so if you just send a “hey” with no context or a few other words like “hyd” I probably won’t respond (and imma blame it on my Adhd)! I mean.... I did mention I love long messages!!

Can’t wait to hear from y’all!

And I hope everyone has a spectacular day and night!!

My email is [email protected] for anyone who wants to reach out there! Or you could just message me on Tumblr!!

8 notes · View notes

theseerasures · 4 years ago

Text

Conspicuous Media Consumption, 2020

it’s that time of year again! *saddest toot from the party horn*

for those of you just joining us: it’s a “consume a different content every week for 48 weeks of the year” challenge. for a longer explanation, check out last year’s write-up here, and as always, feel free to pop in and ask questions about any and all of this content.

(same disclaimer as last year too: content for this project ONLY here, and not certain...*looks at my billion Sad Cop Lady posts*...hyperfixations.)

(man remember when i was big into X-Men comics earlier this year? better times than these, if only because no one's discoursing about Emma Frost’s woobie/war criminal ratio anymore--her w/w, if you will)

(...i swear at one point i didn’t exclusively like platinum blondes but alas)

Bitter Root (comic, 1 issue finished 1/1/2020): still very cool on a basic concept level, but runs into the Image Comics problem of just not having enough content to keep my interest beyond that. part of that is on me, for picking it up again BEFORE the second arc rolled out, but the first five issues didn’t really follow (or resolve) any cohesive story either, so...meh.

Immortal Hulk (comic, 3 trades finished 1/17/2020): still not gonna be something i care deeply about (maybe one of Bruce’s Hulksonas dyed his hair???), but i do want to give kudos to Al Ewing for sheer consistency in terms of sustaining this level of quality storytelling month by month for more than two years now. working with the dense archive of the Hulk mythos and managing to make it interesting and thoughtful is impressive even if i personally would not expend the same effort.

Disco Elysium (game, finished 1/18/2020): honestly i should have twigged onto what this year was gonna be like when the third thing i drew from the barrel was pure uncut Eastern European flavored depression. i faintly recall people ragging on it for being pretentiously cynical, but i actually thought its core slid more towards idealism than people give it credit for. also gratified that i haven’t heard anything about Robert Kurvitz using slave labor to finish it, which is a thing we have to say about our video games now!!! fun.

Watchmen (TV, 7 episodes finished 1/27/2020): i am a fool who wants to believe in Damon Lindelof and I WAS RIGHT!!! honestly still cannot believe that he pulled off this highwire act with such deft aplomb. might be my favorite TV this year, which is a pretty high bar given how much TV i ended up watching.

On a Sunbeam (comic, finished 2/1/2020): Tillie Walden rightly deserves all the praise for inventive queer storytelling, but i will say that on reread--since i first read this as a webcomic--there ARE some issues with pacing here that clearly come from the foibles of its original intended medium. still just excellent, even if after some plot significant haircuts i was having trouble telling a few folks apart.

Lazarus (comic, 1 trade finished 2/8/2020): it’s so good and i want moooooorrrreee--though obviously Rucka and Lark have the right to take all the time they need. the newer longer issues work really well with the epic prestige drama vibes of the story! i’m into it.

The Good Place (TV, 4 seasons finished 2/18/2020): i’m gonna be super honest: i actually wasn’t a big fan of the finale, nor the last season as a whole. it felt like all of Eleanor’s flaws vanished for a majority of the season, and the Chidi-centric episode where they tried to give a legible justification for why he’s Like This was...i didn’t care for it. still, it’s so good and unique on the WHOLE that we’ll literally never get anything like this ever again, and that counts for a lot.

The Old Republic (game, finished 2/21/2020): it’s an MMO so it will never actually Be Finished so long as the servers aren’t shut down, but i caught up on the content i’d missed in the intervening months. Onslaught thus far has mostly been...kinda bland tbh; going back to Imps vs. Rebs after all the shakeups in the previous expansions feels like a waste.

High Road (album, finished 2/22/2020): someone should tell Kesha not to say that word!! otherwise i was very happy with this album, and happy FOR her even though we don’t know each other. being able to find joy again in the same genre of music you made while you were being horrifically exploited is very cool.

Young Justice (TV, 13 episodes finished 2/28/2020): given how much the middle stuff dragged--STOP KILLING YOUR HIJABI CHARACTER IN HORRIFIC WAYS--i was...actually kinda mad by how the end managed to stick the landing anyway. the day being saved by Vic’s self-acceptance and Violet’s sublime compassion was A+, and even the Brion/Tara switchup was a pleasant surprise, though it relied on me caring about Brion MUCH MORE than i actually did.

Manic (album, finished 2/29/2020): do people still care for/about Halsey? i feel like even That One Song that was on every tumblr gifset ever has kinda faded into obscurity at this point. this album was...okay. i feel like people give Halsey a pass for extremely obvious lyrical turns that they wouldn’t for other folks because of her subject material--which is fine. not really my cup of tea, but i also listened to lots of Relient K this year, so that’s probably a good thing.

Jade Empire (game, 3/10/2020): the only 3D-era Bioware game that didn’t franchise out, and for good fucking reason!!! the Orientalism and appropriation really haven’t aged well, and even beyond that the story was...standard Bioware faire. even my usual “my wife’s a bitch i love her” Bioware type didn’t do it for me, and i just ended up romancing no one. it did make me think a lot about what level of cultural borrowing is accepted nowadays, and why: people still look fondly at Avatar and talk about how ~accurate and respectful it was, for example, despite it being staffed almost entirely by white folks, and the Orientalism ALL OVER the monk class in DND is still fine for some reason.

Alif the Unseen (book, finished 3/31/2020): interesting to have read this AFTER reading The Bird King last year, because it highlights how the intervening years have shifted G. Willow Wilson’s thematic interest and improved her craft. i’m actually quite fond of how her characterization work is rougher here--Alif is extremely flawed to the point of being insufferable, but it makes his development by the end more satisfying. Dina is also just good and i love her

Baldur’s Gate (2 games, finished 5/31/2020): well, having finally finished the series i’m happy to say that it...still doesn’t really do it for me, sorry. any awesome story moments were overshadowed by the EXCRUCIATING inventory management system and the combat (i still don’t know what a THAC0 is and at this point i’m afraid to find out). these games crucially lack the Home Base that later Bioware games were so good about, and that (coupled with the huge cast of characters you can drop off and never see again) really hurts the intimacy for me. by the time we finally did get one it was the Hell Dimension in Throne of Bhaal, and i was just...trying to get through it. (yes, i did just say that about one of the most beloved expansions ever to one of the most beloved games ever.) THIS particular iteration of “my wife’s a bitch i love her” was very good, but the game wouldn’t let me romance her :(

The Underground Railroad (book, finished 6/19/2020): honestly what is there even left to say at this point! it was exactly as good as every critic on the planet said it was, even with my usual aversion to hype. draining and horrifying in turns but still insistent upon a future for Black folks.

Steven Universe (6 seasons and a mooooooviiieeee, finished 7/11/2020): yes, i DID finish the show and almost immediately begin a rewatch. this series is now one of my top five most formative things, and the amount of love and respect i have for it is incalculable. that said: i once again did not love how the central conflict of Future was resolved (just the resolution--i loved the finale just fine). for all of Steven’s breakdown was built up, resolving it with “EVERYONE HUG HIM UNTIL HE CRIES” felt...cheap, especially since up until this point the show had been so good about treating trauma and mental illness with the respect and nuance it deserves. it made me wish some of the earlier, less substantial episodes had been cut so we could spend more time at the end.

What It Is (comic, finished 8/19/2020): y’all i love Lynda Barry SO MUCH. for the longest time i was worried that One Hundred Demons was more a lightning in a bottle situation but every book of hers i pick up makes me feel obscure emotions i didn’t even realize existed. the compassionate way she’s able to describe her child self and how weird and fucked up she was (and still is) is honestly aspirational.

She-Ra and the Princesses of Power (TV, 5 seasons finished 9/26/2020): so here’s a reversal of what i’ve been complaining about with other shows: i was mostly lukewarm-to-warm about She-Ra, but the later seasons and the finale made me much more into it as a whole. more shows should improve in stakes and overall quality as they age tbh!! i still don’t actively love Catradora (my sole quibble with season 5 actually has to do with the way Adora kept backsliding as a character to make certain Plot/Relationship things happen), but i’m very happy for them nonetheless. i can certainly appreciate a show that will go for High Feeling over tight plot. dark horse standout moments: trees growing everywhere proving that Perfuma Was Right, and Hordak and Adora seeing each other--that weirdly intimate moment of recognition.

Fetch the Bolt Cutters (album, finished 10/7/2020): again i find myself not having much to say that no one else has said. it’s good! once again love it when an artist reclaims something they’d attached with negative affect (anxiety, depression, disordered eating) for better and brighter things.

Solutions and Other Problems (comic, finished 10/25/2020): i was very into Allie Brosh’s ambition with this book, which feels weird to say but i stand by it. it’s cool to see an artist try to make a new medium work for them instead of just sticking to what already works. not all the experimentation was 100% effective, but it was still delightful and occasionally devastating to read, so.

Legend of Zelda (3 games: Ocarina of Time, Majora’s Mask, Link Between Worlds, finished 11/1/2020): this was the third time i’d played Ocarina of Time, which made it the nice, comforting groove i settled into before Majora’s Mask blatted me in the face. i’m not usually a completionist Zelda person because...the gameplay in Zelda is bad, do not at me it just is, but i really felt like i HAD to be one for Majora’s Mask since the whole point is to get attached to the banalities of the town. i’m sure nobody’s surprised that i loved it, even if it gave me an existential crisis about how life goes on in the game for NPCs when you’re not there to save them from it, and there’s not enough time to save them all all the time (also not a surprise to anyone: Romani and Cremia gave Personal Feelings). Link Between Worlds...bad. not like in a “this is a bad story by every measurable gauge” way, but i was already struggling with the 2D playstyle shift enough that for the whole story to end with some “yes it’s v sad that Lorule is Like This but trying to steal Hyrule’s privilege is Even Worse Actually” noblesse oblige bullshit left a VERY poor taste in my mouth, this year of all years. i did audibly gasp when Ravio took off his mask, though. i’m currently playing Breath of the Wild in cautious increments; it’s the first time i’ve enjoyed early Zelda gameplay, but if they wanted fully voiced cutscenes i wish they got voice actors who...knew what words sound like.

folklore (album, finished 11/6/2020): my belief that Taylor Swift is Just Fine continues, i’m afraid. i LIKED this album, don’t get me wrong, and respect her constant drive to innovate, but i didn’t love it substantially more or less than any other Taylor Swift album. mostly i’m just tickled by how she thinks leaning into the indie aesthetic means borrowing Vita Sackville-West’s entire wardrobe, though i will admit to feeling Something when she swore in a song. i think it was like. savage vindication?? you go ahead and swear, Taylor Swift. you deserve it.

Shore (album, finished 11/19/2020): do people still care about the Fleet Foxes? i think there was some Drama with Josh Tillman a while back but i don’t remember where the discourse landed with who was being more problematic. it was nostalgic for me to listen to their new album--made me remember being an undergrad who exclusively listened to men who mumbled and played acoustic guitar all over again.

Star Wars (3 movies: original trilogy, finished 11/27/2020): there is So Much bad Star Wars these days that every time i rewatch the original trilogy i’m afraid that they will suddenly be bad, but guess what! they’re not. i love these children and their hot mess stories, i love that Lando doesn’t know how to say his best friend’s name. what stood out to me this time was the way Obi-Wan described the Force in A New Hope, which strongly implied that ANYONE can be Force Sensitive; that obviously faded with each subsequent movie, but part of me does wish they’d kept it.

X of Swords (comics, 22 issues finished 12/5/2020): i am enjoying Hickman’s X-lines!!! not so much here for the Grand Conspiracy or whatever, but the character work and highkey weirdness is fabulous--they FEEL like X-Men, despite all the shakeups in-universe. this crossover is a nice microcosm of all that: grandiloquently all over the place, but still full of cool standout moments and genuine hilarity. ILLYANA DOESN’T KNOW HOW TO SPELL MAGIC.

Fire Emblem (4 games: Sacred Stones, Path of Radiance, Radiant Dawn, Awakening, finished 12/14/2020): this was the thing that i was closest to giving up early on, but i ended up hyperfixating on it instead. that’s a credit to what the gameplay does to my lizard brain more than anything else, because the story and character writing is...insipid. it was very bizarre to witness this franchise blunder around with its animal-people racism allegory around the same time i was getting back into RWBY, and ITS animal-people racism allegory blunders. Awakening was the first time i felt anything for the franchise beyond “teehee red units disappear make exp bar go up and brain go ding,” so i’m excited for more mature storytelling in subsequent games (they MUST get better. they MUST). the child husbandry thing is...very bad tho, and Apotheosis being “challenging” entirely through the game changing all the rules is also bad.

once again no vidya games that came out this year--i’ll probably pick up Spiritfarer or Hades after the New Year, though (or maybe TLOU II! but probably not. sry Laura and Ashley). more TV and franchises this year, which made me feel In Touch with the Children but was also kinda exhausting. nothing was so egregiously terrible i dropped it without finishing! in a year like this that feels almost like an accomplishment

#conspicuous media consumption

6 notes · View notes

prettywordsyouleft · 6 years ago

Text

50 Questions Tag

Tagged by @g-exo Thank you sweetie! <3

1. What takes too much of your time?

Working and writing.

2. What makes your day better?

Writing, k-dramas, crafting, bullet journalling, chocolate lol.

3. What’s the best thing that happened to you today?

This is going to sound odd, but we have 3 little kittens (and their mama) who we rescued from our horses’ hay shed a few weeks ago. The kittens started on solids like two days ago and one of them hadn’t pooped and was pretty full. After some assistance from me, she went and pooped. I could have cried with pure happiness. Poor thing was so uncomfortable.

4. What fictional place would you like to go to?

The world of Howl’s Moving Castle. To be able to use the door in Howl’s Castle to go to different realms and places would be truly magical.

5. Are you good at giving advice?

I believe so. Not so good at taking the same said advice though >_<

6. Do you have any mental illness?

Generalised Anxiety.

7. Have you ever experienced sleep paralysis?

Nope and I’m grateful that I haven’t :/ << same.

8. What musician inspired you the most?

SHINee as a group. I was in a hard place when I got into kpop with being unable to walk. I was entirely depressed from my accident and thought I would never get anywhere again. Their music gave me an escapism that I needed at first, and then I found the confidence in myself to get back up and try again.

9. Have you ever fallen in love?

I don’t think I truly know what love is aside from familial love. I’ve not had the opportunity to fall in love.

10. What’s your dream date?

I don’t think I have one. Something simple yet fulfilling with a person who is actually engaged in the date happenings and wanting to be in my company would be enough for me!

11. What do others notice about you?

I like to give. Everyone who has come across me - whether in passing or actually get to know me, all say that I have this ability to share with others and make their lives brighter by doing so.

The ones who know me well complain that I don’t know when to stop and rest because I’m so focused on completing my tasks/ giving to others lol.

12. What is an annoying habit you have?

I guess the above - being too stubborn to know when I need to rest. I’m pretty bad about it. I overload myself and then get too stressed out. It’s something I’m working on!

13. Do you still talk to your first love?

Not applicable to me.

14. How many ex’s do you have?

Zero.

15. How many songs are in your playlist?

6456 is the amount I have on itunes. I have various playlists that I listen to despite my mood though.

16. What instruments can you play?

None.

17. Who do you have the most pictures of?

Uhhhh on my phone it’s Mark Tuan. Followed by Kyungsoo and both Jung/Park Jinyoung’s.

18. Where would you like to go before you die?

Italian Peninsula is my top pick. Other places would be Greece, Japan, Korea and England.

19. What is your zodiac?

Gemini technically.

20. Do you relate to it?

I fall on the Gemini-Cancer cusp and relate to articles I’ve read of Gemini-Cancer cusp people than pure Gemini traits. I’m definitely not an outgoing, carefree person as Gem’s are describe to be lol.

21. What is happiness to you?

My family, friends and even our pets succeeding in life. Seeing their happiness makes me feel good.

22. Are you going through anything right now?

This whole year has been a “going through” kind of year. Every time I think things are settling, another thing is thrown my way. But I’m optimistic it means I’m getting stronger with this testing period.

23. What’s the worst decision you’ve ever made?

Not buying VIP tickets when B.A.P came here for their L.O.E tour. I chose Gold tickets because they had seats and as a partially disabled person through my right leg, I didn’t think I could stand for the duration of the concert. It’s something I’ve regretted for years - they were so amazing to everyone, but those in VIP were so darn lucky with all the interactions they had!

24. What’s your favourite store?

I guess Gordon Harris, the local art store, because I am always there picking up new stationery supplies for bullet journalling.

25. What’s your opinion on abortion?

It’s a very personal choice. As a person who wants to be a mother one day, it’s an option I could never ever bring myself to do. However, it’s not my place to judge, condemn or preach at those who feel it’s their only choice at the time.

26. Do you keep a bucket list?

Kind of? In my bullet journal for the past 2 years I’ve done the whole “19/20 things to do before 2019/2020″ but I don’t have an official bucket list or anything.

27. Do you have a favourite album?

Probably Verse 2 - JJ Project because I listen to it all the time. Otherwise, Good Timing - B1A4 is probably another long time favourite.

28. What do you want for your birthday?

Not really sure... my birthday is hard because it’s ten days before my Dad’s death anniversary. So I just try to do something to smile each year. Maybe go out for dinner to celebrate mine and Mum’s birthday (she’s a week exactly after my birthday)

29. What are most people’s first impression of you?

I’ve been told most people think I’m shy and awkward but once I talk, they are surprised with how engaging I can be in conversation. Which makes me laugh because generally on the inside I’m panicking as I have social anxiety issues.

30. What age do you seem according to most people?

I’m 32 but people never seem to think it. When I was at university, I was older than everyone else as an adult student but they all thought I was around 20-21 when I was 24+ hahah.

31. Where do you keep your phone while you’re sleeping?

On top of Octavia’s crate which is next to my bed. Or if I need to charge it, I leave it on my desk. I’m a very light sleeper so when my alarm goes off, it doesn’t need to be next to me to wake me up.

32. what word do you say the most?

When I’m talking - “like” (which really annoys me). When I’m writing - “but”.

33. What’s the oldest age you would date?

I try to believe I would date anyone regardless of age. But I’ve been known to have put an age limit of no more than 8 years older when I was feebly using dating websites. I don’t actively search for someone anymore, so if they came into my world and matched me well in a natural way, then I don’t think age would deter me.

34. What’s the youngest age you would date?

I’m a bit more carefree on this one... I think it comes from being an older kpop fan and liking on younger idols because there’s hardly any idols left that are my age/older lol. Again as above, I wouldn’t let a younger age deter me in the right setting.

35. What job/career do most people say would suit you?

Author. I’ve even done those career quizzes on multiple occasions and the first choice is always Author/Writer.

The second choice people say is teacher. Which I was training to be until my injury.

36. What’s your favourite music genre?

K-Pop.

37. If you could live in any country in the world, where would it be?

I’m happy where I live. I’ve never thought of being able to live elsewhere.

38. What is your current favourite song?

White or Feeling - both by Jeong Sewoon.

39. How long have you had this blog for?

I started it on July 2nd, 2018.

40. What are you excited for?

Uh, I’m not really excited for anything?

41. Are you a better talker or listener?

A bit of both.

42. What is the last productive thing you did?

Yesterday I made a new paddock up for our horses, cleaned out my guinea pig’s house, cleaned out the entire bathroom where Byul and her kittens are staying. And then last night I did Chelle Chats which was pretty busy!

Today I’ve been pretty chill compared so far.

43. What do you want for Christmas?

I’m not sure. I’m never good at knowing what I want. Better at knowing what to buy others.

44. What class do you get the best grades in?

In high school, it was English and Biology. In university, it was Classics/Ancient History.

45. On a scale of 1-10, how are you feeling right now?

46. What can you see yourself doing in 10 years?

Not sure. I had an image of how I hoped to be a mother, and continuing on with my art business, but with puberty rocking our house with my sister and my finances taking a nose dive, fertility treatment is long gone sadly. I’ll just think I’ll focus on the now and improve/appreciate what I have!

47. When did you first get your heartbreak?

I’m sure this question is related to dating but for me, when I was 14 my heart broke when my Nana died. And in 2012, when my Dad was killed was when I gained another ball in my box of grief. Last year was tough losing my dog of 15.5 years too. Got three balls in that box now :(

As for dating, sure, I’ve hurt from limited attempts to confess and being rejected... but I’ve never had real opportunity for heartbreak like that.

48. At what age do you want to get married?

Lmfao. I’ll probably be single for my whole life. Marriage is so far from the cards for me, I can’t imagine it.

49. What career did you want to have as a child?

I wanted to be a Veterinarian or Teacher.

50. What do you crave right now?

Food cos it’s 1.34pm and I’ve not eaten yet oops.

Tagging: @this-song-thats-only-for-you @mark-tuan-and-namjoon-lover @katdefbeom @listlessmaenads @tuanyiems @peachyparkjinyoung @jinyoungmoans @ahgase55g7 @itsallabigmess and anyone else who wants to do this!

#get to know the blogger #pwyl; tagged

16 notes · View notes

theundergroundarchives · 5 years ago

Text

Band Crush: Reminiscing the journey of love, with Lamhkaron of Lukarts

Writer Ainaa Amirrah catches-up with the frontman Lamhkaron from Malaysia’s own psychedelic pop band, Lukarts.

Words by Ainaa Amirrah

Once during 2017, they were crowned as the 2017’s champion of Vans Musicians Wanted and representing Malaysia in Guangzhou, China for House of Vans within that same year. At the time, the future seemed to be promising enough for them; they had every superstar potential to become a breakout star inside the gleaming music scene. But it wasn’t until 2018 when they decidedly took a break from music due to the occurring internal conflicts among the band members. However, the hiatus didn’t last long when they finally held a one-act feature, and comeback gig at Merdekarya in Petaling Jaya in September 2019 – this time around with a whole and completely new line-up. Since then, they’ve been actively indulging themselves playing for the live crowd with the recent gig being held at Angkasa Space in February 2020, alongside other up-and-coming alternative acts such as A. Limin and Kamizunawi. In case you still haven’t had any clues about who this act is, this is Lukarts that I’m talking about – a modern pop-funk band, being led by the one and only frontman and singer-songwriter Lamhkaron.

A talk with Lamhkaron of Lukarts

We engage in a conversation through Instagram messages, I ask Lamhkaron how he has been doing as we’re currently in the midst of quarantining to which he casually replies, he has never been better. The Lukarts’ fronter even admits that he’s been thinking of losing some weight, but strangely, it’s the other way round that’s happening! It’s funny, because again, isn’t everyone facing the same thing at this time of staying at our humble abode?

2020 started great for Lukarts, he goes on. In fact, they had a good feeling about the abundance of opportunities that was about to come in this year. “Unfortunately, the thing about life is, we never know what’s going to happen. He surely has His plan for all of us and we could only pray, expecting for the best,” he says, referring to the unprecedented pandemic that the world’s facing at this moment, Covid-19. According to Lamhkaron, there are also a few of Lukarts’ projects that have been in the works for some time now, but due to the currently occurring Covid-19 situation, they have decidedly postponed the plans for later dates. But for Lamh regardless, that certainly isn’t a sign for him to break himself away from continuously working on his arts. “As for now, the best thing to do during this RMO is to come up with more and more ideas for new songs.”

Perhaps, some of us are not aware of the band’s own history, of how they first kick-started their journey into the music scene – through highs and lows, since 2013. Recollecting the bittersweet moments, Lamh remembers the starting of Lukarts began with a bunch of “smelly” teenagers that dreamt of becoming rock stars. They daydreamt a lot about it to the point where what they had dreamt about turned out becoming a living fantasy. Just a little note; prior to forming Lukarts, Lamh has already had his own experience of playing in a band during his high school years, but as they graduated, everyone except him, decidedly pursued their other dreams which weren’t music-related. Consequently, this is where the journey of Lukarts would eventually be commenced; Lamh was determined to form a new band which he named as Lukarts, an abbreviation of “look at the arts”. Interesting enough.

What inspires each and every creation Lukarts? I ask. “Everything, basically. Everyday life, the struggles, the good and bad times, movies, nature, people and anything else. One time, we read about a female spy from France who grew up in Bali and was named Mata Hari. That’s how we came up with our song, “Mata Hari”. Random stuff!” Random enough, but seriously, thanks to the very character which eventually inspired them to create one of my personal favourites by Lukarts which is “Mata Hari”. Personally, “Mata Hari” appeals as nothing short of unique as it kind of brings out the classic 90s essences, musically.

So this is the part when I eventually ask him something that has actually piqued my curiosity for so long; it’s that, will there ever be any possibility of him branching out as a solo artiste in the future? Here’s his answer: “Most of my close friends and a few friends in the industry has been suggesting me to come out as a solo artiste. Even though it’s something that I could easily work on, but once you used to play in a band, and even started out as a band, it’s pretty hard to go solo. The feel, the vibe, the energy, everything’s just totally different. But let’s just say that I’m putting this on hold first. Let me think about it.” Amidst our conversation, there’s a thought of mine that goes unsaid; as someone who has been listening to Lukarts since their early days, I definitely would love to see Lamh persisting his band movement with Lukarts; because again, don’t we all just love the classic pop vibe of this band?

Being the key member of Lukarts, Lamh confides his bittersweet moments throughout the musical journey with the band; it’s when the band members come and go, and having signed under a record label. “It’s definitely not easy to find band members that fit well because some of them may have different things that they would like to achieve, career wise. Besides that, some prefers to play different genre which could be a bit tricky when it comes to performing. But regardless, I can say that of all of them who used to be and has been part of Lukarts, are great musicians, no doubt!” he says, continuing: “On the other side, being under a record label was totally a different challenge. It was great, but being too young and naïve at the time, with no proper guidance and sense of responsibility, things came out as a little bit messy for all of us.”

As the Lukarts’ frontman, Lamh, or his actual name, Nor Akhmal, personally describes himself as someone who could get a little awkward when it comes to interacting with the live crowd. He reasons, it’s probably because he would be totally immersed in focusing his vocals whenever he stands on stage. Lamh admits to still trying to improve on that certain part of him as a performer. He confesses, “It’s not that I’m not friendly. I’m just that typical introvert human being.”

I personally hope that Lukarts will keep on producing good music just like they’ve always done, because deep down, I’m sure that we all want more of cozy-vibe music like “Risiko”, “Mata Hari”, “Ilusi Visualis”, and “Journey of Love” coming from them! You can check them out on the digital music platforms everywhere just by searching Lukarts. There are these two videos published around two years ago where they played for the Kamar Seni Studio Live Session on YouTube. Their music is something that we could definitely dance to! Some people said they sound life Daft Punk! But I think they are Lukarts with their own memorable identity.

A note from Lamhkaron of Lukarts:

“Thank you so much to The Underground Archives for choosing Lukarts for this quick catch-up. I hope everybody is doing well during this RMO. Stay safe everyone and I pray that all of us will be fine, healthily, financially and mentally. Take care and again, thank you!”

#tuazine

0 notes

josephlrushing · 4 years ago

Text

Google’s Pixel Buds Are a Taste of the Future in Your Ears

Totally wireless earbuds once felt incredibly futuristic and out of reach, but they are now pretty commonplace with a virtual smorgasbord of choices available. Google’s Pixel Buds announced last year, but just shipping now, enter this crowded market and do everything you would expect from a quality set of earbuds.

What separates them from every other earbud out there is their tight integration with Google Assistant, which feels like a small taste of what we all hope our future human-computer interaction will be.

The Basic Stuff First

It’s important to get the basic earbud stuff out of the way first before we can talk about what makes them special. To start with, while Google offered different colors at launch, they only had the white version available to order without having to join a wait-list, so that’s what I have. They are a soft white, if that makes sense, and not the shiny or plastic-looking white of say, Apple’s AirPods. If you’ve used any, earbuds you know they work; I thought I’d use bullets to make it easier to see where Google’s Pixel Buds stack up with my experience with other headsets so here goes:

The charging case is tall and narrow, rather than the typically wider but more shallow cases. It seems to be easier to fit in pockets because of this shape

The charging case has a USB-C port for charging and also supports wireless charging with any Qi-compatible charger. Note if you have a Pixel Stand though to the placement of the charging element, you have to charge the Pixel Buds case upside down. Hey, at least it still works.

The Pixel Buds left and right earbuds are entirely independent of each other, and they operate individually. This means that the user can operate the buds independently or as a pair; the controls are the same on each earbud. This is a pretty useful feature, and it works well. One weird quirk of this is the battery level on each bud varies and seems to drain at different speeds, so you need to keep an eye on that.

The battery life is so-so and probably the least impressive thing. They last long enough for listening to music, but if you are someone who keeps the music playing 24/7 because you like to have a soundtrack to your life, then these are not for you.

The fit of the Pixel Buds is great because they don’t go deep into your ear canal; instead, they sit right in your ear and use a tiny hook to stay put. I’ve used them while running and doing all kinds of activities, and they haven’t fallen out once. More importantly, I haven’t felt uncomfortable. I can see how if you were to wear them for hours and hours, they might get annoying when you compare to on or over-ear headphones, for example.

They are incredibly light! Compared to other earbuds I’ve used, they are very light, which is why they don’t lead to much ear fatigue from prolonged wearing. You can sometimes forget you have them on, and they ship with three different sizes of earbuds to get a good fit.

The audio quality is excellent, and I would say on par with Jabra Elite 75ts. They don’t sound mind-blowing, but also they are excellent quality. Because they do not sit deep in your ear canal, they don’t block out all noise for better or worse. They handle mids and highs well, but the bass is not as good as other buds I’ve used; if you like thumping bass, then look somewhere else.

The controls are intuitive and easy to touch or swipe gestures that are easy to learn. They work consistently and feel natural when you get used to them.

There is in-ear detection (default is on, but you can turn it off) that will pause your audio if you remove an earbud and resume when you put it back. Google also uses this to know to direct Google Assistant queries to your phone rather than other devices if it knows your earbuds are in your ears.

The Software Experience

If you have an Android phone, there is a Pixel Buds app/add-on that will install (or that can be installed) to provide additional features. Without a doubt, it’s a requirement because, without this, you won’t appreciate what makes them special.

Similar to Apple AirPods, when you first open the Pixel Bud case next to your Android phone, you will see a pop-up that you can tap to pair them with your phone (and any other devices logged into that Gmail account) which is nice. You can also obviously pair them manually via Bluetooth if that doesn’t work.

Once you get it set up, you will notice that whenever you open the case near your phone, there will be a notification that shows the battery levels of each bud and the case, which is handy. Note, per what I said earlier, that each bud has different battery levels – weird.

Tapping on that notification, or going in via your Bluetooth settings, you can get to the main part of the Pixel Buds application. This is where you’d typically see toggles for Bluetooth profiles (they’re still there at the bottom), but Google added a ton of extra stuff for the Pixel Buds.

I’m going to skip Google Assistant and Adaptive Sound as I’ll cover those in the next section, but the other ones are what you’d expect based on the description. Find Device lets you ring either earbud as long as they are currently connected to your phone – not sure personally how useful that is but might be handy if, for example, you have a habit of losing them in your couch cushion. In-ear detection is a simple toggle to turn that feature on or off, and More Settings lets you check for firmware updates as well as various other stuff that’s not super important.

The Google Magic

The first feature worth a mention is Adaptive Sound, which on my software was turned off by default, but I would highly recommend turning this on as soon as you get yours.

This uses the microphones on the Pixel Buds to detect ambient noise and adjust your listening volume accordingly. This type of stuff has been around for what seems like an eternity and is very popular in cars that promise to increase volume as your speed (and road noise) increases. The difference? Google’s implementation works! I was not expecting much, but this is a handy feature. You can have the volume down while you’re in the house, but when you step outside, if the wind blows or there are other ambient noises, the volume will increase very smoothly and gradually. It will also drop when ambient noise is low, but the killer part is the volume change is so smooth that it is never jarring, and you don’t even realize it’s happening unless you’re paying attention because you’re going to write about it for a review! This is how the best technology should be, turn it on and forget about it as it just works.

Now we get to the real killer feature of the Pixel Buds, and that’s the Google Assistant integration.

So the first part is that you can say “Hey Google” at any time to call up the Assistant, and the detection happens on the bud, so it recognizes it instantly, and there’s zero lag at all. Once that happens, you can interact with your Google Assistant as you’re used to on your phone or other device and ask it to do things, read your notifications, reply to things all completely hands-free. That sounds great, doesn’t it? But the next part is what makes this into what I feel is a taste of the future. There is a setting for spoken notifications, and there you can enable toggles for individual apps (any app installed shows up). If you get a notification for that app, it will prompt you as a good digital assistant would do.

Here’s a use case. I’m listening to music while walking my dog, and I get a message from a friend from WhatsApp. There would be a pleasant ding and then “New message in WhatsApp” while fading down the music, and then that’s it. I have two ways to take action, I can say “Hey Google, read my messages,” or I can tap and hold either earbud. That will call the Assistant up, tell me current time, and go through all pending notifications I haven’t ye.

So it’s increasingly possible to keep your phone in your bag or pocket and still stay in touch with the world purely with your voice. This is not just excellent for safety (think about riding a bike or walking in NYC without having to look down at your phone), it is what I hope the future will embrace — a natural human conversation with computers. Watch any sci-fi movie/show that tries to predict the future, and it will nearly always involve talking to a computer!

Now let’s be clear, this is not anywhere close to that, but it’s the first step and the fact the Assistant can seamlessly jump in and let you know what’s going on feels futuristic and more importantly incredibly useful. For example, I was listening to music this morning on the Pixel Buds when Google Assistant gently reminded me I had a calendar entry to write the Pixel Buds review, so you have Google Assistant to thank for having this review up.

The Google Pixel Buds are available on the Google Store for $179 and can be found at various retailers as well.

Source: Personal purchase

What I Like: Google Assistant integration is a killer feature; Adaptive Sound works perfectly; Light and comfortable to wear for long periods; Wireless charging case; Buds operate either together or independently; Sound quality is excellent; Extra software features on Android; Tap and Gesture controls work consistently on either bud and are natural

What Needs Improvement: Battery life could be better; Different battery levels/drain for each bud is odd; Bass is not as strong as other earbuds

from Joseph Rushing https://geardiary.com/2020/06/01/googles-pixel-buds-are-a-taste-of-the-future-in-your-ears/

0 notes