#neotonics works

[md-reviewwebsite]

Hey, how's it going? I'm Jennifer, and today in this video, I'm going to spill all the details you need to know about NeoTonics before you actually buy this product. Plus, I have two crucial warnings about NeoTonics to make sure you don't waste your money or compromise your health. So pay close attention to what I have to say in this video, okay?

First things first, be careful about where you purchase NeoTonics because currently, the product is only available on the official website. Watch out for scams to ensure you buy the authentic NeoTonics. Using a fake product can seriously harm your health. Also, be wary of people claiming they've used NeoTonics and promising instant results here on YouTube or elsewhere. They might be trying to deceive you, and you could end up frustrated with the results, alright? To help you out, I've left the link to the official NeoTonics website in the description below this video and also in the first comment, okay? But hold off on clicking now because it's essential to hear what I have to say about this product!

So, what is NeoTonics? Does it really support good skin health? Well, NeoTonics offers a blend of crucial probiotics and other complementary ingredients to promote skin health, digestion, weight loss, and more. Furthermore, NeoTonics' probiotic formula is based on scientific research that links gut health to skin health. So, a healthy gut full of beneficial bacteria promotes a healthy process of cell renewal, where your skin sheds dead cells and replaces them with new ones.

According to research, cell turnover is highly regulated by the absorption of nutrients in the gut by beneficial bacteria present there. So, if you have gut health issues, it can slow down the cell turnover process, resulting in accelerated aging.

That's why, folks, to combat this and ensure good gut health, NeoTonics is enriched with powerful bacteria and plant-based ingredients. Together, they help regulate your gut health and promote healthy, radiant skin in no time.

And the answer is yes, NeoTonics works! Thousands of people are using NeoTonics and experiencing fantastic results! People with acne problems, hyperpigmentation, milia, uneven skin texture, or wrinkles are getting great results because NeoTonics is formulated with many natural extracts and herbs that genuinely support healthy skin rejuvenation, providing smoother, more youthful skin without the need for risky procedures or invasive surgeries, okay? So, if many people are seeing results, you can too!

But here's another warning: every body reacts differently, so it may not work as quickly for you as it does for others. Some bodies absorb the vitamins, nutrients, and other elements in this product at a slower rate, so you have to be patient with your treatment as well, okay? If you want to see great results, you have to use NeoTonics every day, alright? It won't work as well if you use it every other day! So, take your treatment seriously, okay?

For NeoTonics to work, you need to take 2 capsules a day before your main meals, that's before lunch and dinner. Additionally, it's crucial to take NeoTonics with a glass of water, alright?

Another very important thing you need to know before actually buying NeoTonics is that it comes with a 60-day unconditional guarantee. So, if you use NeoTonics correctly and don't notice any improvements, you can get your money back without any hassle or questions. Keep that in mind when you purchase NeoTonics, okay?

It's essential to know that people who are achieving excellent results with NeoTonics are those who've been using the treatment for a more extended period. So, while you might expect a miracle in the first month of using NeoTonics, people are actually seeing better results between three to six months of use. However, yes, you can see many improvements in the first and second month of using NeoTonics, okay? These are some testimonials from people who've used or are using NeoTonics, and you can find more testimonials on the official website of this product. It's also important to note that NeoTonics doesn't cause any side effects or dependency since it's 100% natural, alright?

I really made this video to help you out! So, if you're seriously thinking about buying NeoTonics, make sure you get it from the official website, follow the treatment diligently, be realistic about your treatment expectations, and remember you have a 60-day money-back guarantee if the product doesn't work for you, for any reason. I genuinely hope I've been helpful, and if you have any questions, leave a comment below, and I'll get back to you, okay? Have a great day!

[amelia20042023]

🛑⚠️ Does Neotonics work? Is Neotonics good? Is Neotonics Gummies reliable?

[gltzgghln]

headcanon ive had for a bit that trolls are fleshy neotonic morphs of the mother grub, which evolved from a skeletal moth/mantis creature. arthour comes from a related clade with accessory glands adapted for lactation. Ignore the part that says "honeydew" idk what I was thinking

so most of the traits that make alternian trolls and centaurs ""bugs"" are on the Inside except for the mother grub

i think ive always considered kuprum's lusus to be a horseshoe crab. they communicate psychically. It Just Works.

[ofgoldandfear]

Physical differences between Margot and P

Hi I'm back - a bit late, a sorta-flu has been kicking my ass since last week, the New Year happened, then I got back to work and my sorta-flu decided to get worse - ANYWAY, get yourself some tea and check out one of the new tracks from Margot's playlist while reading that post.

While I'm slowly starting to write my fic, I've decided to show some differences between Margot and other characters. If there's a thing I LOVE in this game, it's how varied the characters look, the devs didn't shy away from giving them specific traits that makes them very unique in a "would see them in the street" sort of way.

I've been picturing specific traits for Margot in that aspect, and found a fitting model for her as well last week - Olivia Hussey. Her parents also have models, I'll show them later. Let's just say Margot is a proper mix of the traits both of her parents present.

Anyway, here is the quick rundown of the facial differences between Margot and P.

If you can't read my handwriting, here are the explanations:

Jaw: Margot's jaw is v-shaped with a pointy chin, P's jaw is squarish with a wider chin;

Eyes: Margot's eyes are almond-shaped with a rounded inner corner, P's eyes are droopy and semi-hooded;

Lips: Margot's lips are downturned and her lower lip is notably fuller, P's lips have a more balanced fullness between the upper and lower lip.

Both of them have a dark lash line with long eyelashes though lol However P's hair is dark brown while Margot's hair is black, and P's eyebrows are more angled than Margot's. Margot's cheekbones are a bit more pronounced than P's, he has a bit more roundness at the cheeks. P has striking blue eyes while Margot's are dark brown. Margot has an even porcelain-like skin with a beauty mark under the left eye and particularly red lips, while P has freckles and two notable beauty marks above his upper lip and on his lower lip.

Overall, while both of them seem to physically be about the same age, there's some sharpness in Margot's face that contrasts with her rather delicate and youthful features, while P's face retains some dainty roundness (and some neotonous features like his freckles and rounded forehead) that contrasts with the otherwise typically boyish traits such as a square jaw and hooded eyes.

[filurig]

💔 and 💄 for arvo, since his face technically isnt his

💔 (broken heart) - Who has your character hurt most? Physically or emotionally? How did it feel? Do they regret it?

OHHH tbh for this one it requires all of the categories . and more

physically: well every vätte he's killing at jägarlyan KJFDSKJFSD and also arvo (human) and juhani. although i think the most brutal deaths were actually the humans, since arvo couldnt have shot them then (so his means of kill are..... Primal and driven by a meltdown). emotionally during pt 1 he does hurt a lot of people someone quite significantly indirectly. one of them is selma ofc. he doesn't really think about what he's doing at this point because of repressing any doubts/feelings of wrongness so at the moment he doesn't feel guilt about it - especially because he legitimately viewed bäckahästar as animals (not even only in his fucked up brain way but literally, bcs he didn't actually know that they were sapient). and of course he sees what he does as survival and an exacting of justice later on during pt 2. and post story he does deal with a lot of guilt/shame over what he's done to warrant selma's ire, but i think at first that guilt is actually misplaced and kind of selfish, and more concerned with how bad he feels that he hurt folke through that (who was also really hurt- you could probably on a similar level to selma, but part of that is maybe that folke is a bit more fragile tbh, it depends on how you look at 'hurt'). through pt 2. i think he experiences things which causes him to shift that perspective a bit, but he has very ill thought patterns which are hard to unlearn for him. i think he has very complicated feelings about regrets at this point, because he probably never really stops believing that the world is fundementally cruel, its moreso his perspective of him trying to survive by living in accordance to that might change

💄 (lipstick) - What does your oc think of their face? Do they have a positive or negative opinion? Do they wear makeup? Do they have a skincare routine? What traits do they like most about their face?

OHHH THIS IS INTERESTING FOR HIMMM.

i think he, at first, deeply loathes it actually. he hates it because he can see that it didn't end up looking like human arvo much at all, since the illusion doesn't work for him - he sees his feathers, skin, claws etc. its a constant reminder of what he is, and somehow even more humiliating because its a shoddy (in his view) imitation of the position that he is trying to survive as (as a human that is). he feels alienated from it and it just reminds him of the fact that he is never really safe unless he does his utmost best to secure a good place among humans, to the point where they wouldn't suspect him of being anything else

later on in his life i think his opinion mellows a bit about it and begins to identify with it more than his basilisk form, but they are both him to him. his humanoid forms "not quite human not quite basilisk" appearence is something that he finds identification with a lot too because he struggles with feeling alienated/not really belonging in either with humans or in sartrill during pt 2 and post story and i dont think that ever really goes away.

this became more general than just face but thats because well i dont think that arvo thinks of his face as much other than just a face JKFDJKSFD. human attractiveness doesn't really register to him as he isn't human so he doesn't have much of an opinion on that front. funnily enough i think that he probably believes he looks "more mature" than other humans because he is visibly feathered (to himself) - basilisks tend to think that the sparse filaments on humans look kind of "cute"/neotonous because basilisk chicks are featherless when hatched and are sparsely feathered in early life. i think that he finds his lips really weird though, he gets used to having them (and teeth) but part of why he isn't very expressive is just that he thinks moving his lips too much is weird.

[neotonics]

NEOTONICS REVIEW 2023 ((WATCH THIS)) Does Neotonics work? How Does Neoto...

[amelia20042023]

🛑⚠️ Does Neotonics work? Is Neotonics good? Is Neotonics Gummies reliable?

[gltzgghln]

assorted mehdepulan loreposting

a Piripa is a neotonic ant-like beast that looks like it has 4 heads, but its mouthparts, eyes and ocelli, and antennae are all just very modified to appear more distorted and confusing than it already. They live in caves and weave these creepy bloody flesh webs that can take over any nook & cranny and can allow the piripa to teleport to different spots in their webs. There's a medicinal/magical use for their "silk" that I haven't decided on yet

Random ideas for... organic computer hardware from kuputelo iirc? And below that is concepts for cave exploration in Mehdepulah. This is where the public farm workers look for slime molds, salts, and rarer spices. sometimes mazel and must bring in their bootpawed atmus so they don't get lost

and finally mazel & must when they were starting out their business! Selling herbs, seeds, soaps, and teas. They developed their businesses & trades during a massive Economic Crisis in mehdepulan and they managed to get big and even help the govt from just how many citizens they worked to support

[casseyjournal]

Principle Study Class Journal (Semester 1)

Week 1: Review Previous Material & Assignment Overview

Review Previous Materials:

Advance Modulation

As the first semester started, I was bombarded with the recollection of previous materials and an overview of this year’s assignments. Same as the things that we know:

Duration: 22-24 mins [Half Recital: 10-12 mins]

Provided Instrumentations:

5 Winds: Flute, Oboe, Clarinet in B, Horn, Bassoon

4 Strings: 2 Violin, Viola, Cello

Requirement:

10 Mins of 5 Winds + 4 Strings

Showcase accumulated knowledge

Luckily, the first semester only requires you to showcase half of the recital, basically your progress, and no examination. This is pretty much a good deal for me as it helps motivate me to at least finish half of my work and get some feedback regarding my progress. 

For me, one of the conversations that sticks in my mind is the simple fact of the need to portray all of the things that we’ve learned from the course. I need to showcase different types of pieces so that there is diversity throughout my whole recital. With this in mind, I’ve planned a few styles that I would like to put:

Atonal

Neotonal

Film music (Modern)

Moving on, the class did a few reviews on the previous year’s materials:

Chord Family

Modulation

Minor - Major

Real Sequence

Enharmonic Pivot

Chromatic Mediant

Dominant of a Scale

Neopolitant (b2)

Slight modal interchange

Composition Techniques

Sequence

Etc…

[aaronprincipalstudy]

Composition Devices

This week was a whirlwind of ideas as we explored a wide range of compositional devices. It reminded me how many tools we actually have at our disposal as composers—not just for writing music, but for shaping expression, structure, and colour. Some of these techniques were familiar, others were completely new, but all of them expanded my view of what’s possible in music.

We started with the common practice tonal centers—major and minor keys. While these form the foundation of so much Western music, I’ve come to see them as just one option among many. The more we explored, the more I realized how flexible harmony can be.

Chord extensions like 9ths, 11ths, and 13ths were a natural next step, adding richness and colour to standard chords. Alongside that, added note chords (like adding a 2nd or 6th) provided a more contemporary sound that I really enjoy. These subtle shifts can change the entire mood of a progression.

We also touched on chromaticism and tonal ambiguity, which I’ve always found fascinating. The idea of floating between tonal centers—or not settling into one at all—creates a kind of suspense and openness that I’d like to explore more in my writing.

Then came meter, especially mixed and asymmetric meter. These rhythmic shifts can be tricky to write and perform, but they offer so much in terms of movement and unpredictability. They make the listener pay closer attention, which I think is a powerful tool.

We also explored modes, synthetic scales, and more adventurous tonal systems. Using pandiatonicism or polyharmony(like layering two keys or chords) really pushes the boundaries of traditional harmony. I was particularly intrigued by non-tertian harmony—writing with 4ths, 5ths, or 2nds instead of 3rds—and how it leads to fresh, spacious textures.

Parallelism, where chords move in the same shape, and unrelated triads (jumping from one chord to another without traditional voice leading) were also highlighted as ways to create contrast and colour. These techniques break the usual expectations and can give music a more cinematic or abstract feel.

We also explored serialism and 12-tone technique—systems that give structure to atonal music. Even though I don’t often write serially, I appreciate the discipline behind it, and it’s good to understand how to use these tools if the piece calls for it.

Some newer concepts for me were hexachord writing, mirror writing, and limited composition based on specific intervals. These offer focused ways to build material from a small set of ideas. I found them useful when thinking about how to keep consistency across a piece while still developing it.

We wrapped up with neotonality, harmonic direction, harmonic synthesis, and indeterminate procedures. These are big ideas, but they all center around the question: how do we organize sound in a meaningful way? Whether through clear cadences or more open-ended processes, these devices offer ways to guide the listener—or let them wander.

I left this week feeling like I had opened a big toolbox. It’s a bit overwhelming, but also exciting. Not every piece needs to use every technique, but now I have more ways to shape sound, structure, and emotion. The challenge is to choose the right tools for the right moment—and to keep discovering how they work in my own voice as a composer.

[deannajournal]

Sem 1 Week 7

We continued going through Holst's neotonal works, and analysed Jupiter, Uranus, Venus and Mercury. I like Jupiter the best as it has a very grand feel to it, and very fanfare-like compared to the other pieces. It is intriguing how Holst manages to orchestrate the same instruments to produce different atmospheres and feelings for each piece.

[deannajournal]

Sem 1 Week 3

We went through some neotonal works, and used sheet music to identify how the composer ensured comprehensibility. Some methods include using repetition and similar intervallic relationships. I also became clearer on the concept of neotonality, and since I have not written any neotonal works, I plan to compose one for my recital.