#neil haskell

[tripleaaze]

Neil Haskell

[pealeii]

goodbye theme i’ve had for a year and a half…you’ve been good to me

[bikinibottomdayz]

NOVEMBER 10, 2024 RELEASE

All my videos can be found here, full release under the read more! If interested, please contact me at bikinibottomtrading@gmail.com!

This release includes: Romeo + Juliet, & Juliet (cast change), Death Becomes Her, Moulin Rouge! (Aaron + JoJo), Ragtime, Safety Not Guranteed

& JULIET October 27, 2024 (E) | Broadway | 4K MP4 (10.56GB) | bikinibottomday’s master Cast: Maya Boyd (Juliet), Alison Luff (Anne), Drew Gehling (Shakespeare), Megan Kane (u/s Nurse), Paulo Szot (Lance), Justin David Sullivan (May), Philippe Arroyo (Francois), Ben Jackson Walker (Romeo), Phil Colgan (s/w Crosse/Bathroom Attendant), Andrew Chappelle (Lord Capulet/Sly), Virgil Gadson (Augustine), Makai Hernandez (Richard), Najah Hetsberger (Lady Capulet/Nell), Joomin Hwang (Kempe), Khailah Johnson (Judith/Rosaline), Ava Noble (s/w Titania), Jasmine Raphael (Imogen), Matt Raffy (Gregory), Bex Robinson (Charion), Tiernan Tunniclffe (Eleanor/Benvolio) Notes: Excellent 4K capture of cast change performance! Final performance for Philippe, Justin, Ben, Phil, Andrew, Virgil, Megan, Jasmine, Matt, Bex, and Tiernan. Minor obstruction that blocks off some action on the right but is worked around well. Some moments of wandering and unfocusing. Includes curtain call and the post-show speech, audio is fed from external source. https://flic.kr/s/aHBqjBPL3Y | ASKING $20 USD NOT FOR SHARING EXCEPT THROUGH ME UNTIL MAY 2, 2025

DEATH BECOMES HER October 23, 2024 | Broadway (Previews) | 4K MP4 (10.07GB) | bikinibottomday’s master Cast: Megan Hilty (Madeline Ashton), Jennifer Simard (Helen Sharp), Christopher Sieber (Ernest Melville), Michelle T. Williams (Viola Van Horn), Marija Abney (Ensemble), Lauren Celentano (Ensemble), Sarita Colón (Ensemble), Kaleigh Cronin (Ensemble), Natalie Charle Ellis (Ensemble), Taurean Everett (Ensemble), Michael Graceffa (Ensemble), Neil Haskell (Ensemble), Kolton Krouse (Ensemble), Josh Lamon (Ensemble), Sarah Meahl (Ensemble), Ximone Rose (Ensemble), Sir Brock Warren (Ensemble), Bud Weber (Ensemble), Ryan Worsing (Ensemble), Warren Yang (Ensemble) Notes: Excellent 4K capture of this show’s first preview! Minor head obstruction on the far left and on the bottom, doesn't block action except for a few moments. Some short blackouts scattered throughout the show because of people getting up and walking the aisles. Increased wandering / readjustment and unfocusing throughout. Includes curtain call, audio is fed from external source. https://flic.kr/s/aHBqjBPwL6 | ASKING $20 USD NOT FOR SHARING EXCEPT THROUGH ME UNTIL MAY 2, 2025

MOULIN ROUGE! October 2, 2024 (E) | Broadway | 4K MP4 (10.43GB) | bikinibottomday’s master Cast: Joanna "JoJo" Levesque (Satine), Aaron Tveit (Christian), Patrick Clanton (s/b Harold Zidler), David Harris (The Duke of Monroth), André Ward (Toulouse Lautrec), Alexander Gil Cruz (Santiago), Sophie Carmen-Jones (Nini), Nicci Claspell (Arabia), Jacqueline B. Arnold (La Chocolat), Jeigh Madjus (Baby Doll), Nick Martinez (Pierre), Giovanni Bonaventura (s/w Ensemble), Cameron Burke (s/w Ensemble), Aaron C. Finley (Ensemble), Bahiyah Hibah (Ensemble), Kamal Lado (Ensemble), Heather Makalani (Ensemble), Kaitlin Mesh (Ensemble), Jenn Stafford (Ensemble), Brooke Taylor (Ensemble), Alex Varcas (Ensemble), Frank Viveros (Ensemble), Cole Joseph Wachman (Ensemble), Michael Bryan Wang (s/w Ensemble), Jordan Wynn (Ensemble) Notes: Excellent 4K capture of the show’s 1500th performance! Three short blackouts, lasting 90 seconds near the end of “Sympathy for the Duke,” 30 seconds after “Nature Boy,” and 25 seconds after “Backstage Romance.” Action on the far left and on the walkway is somewhat obstructed. A railing is also visible and occasionally blocks off action but is usually unintrusive. Some wandering and unfocusing throughout. Includes curtain call, and encore, audio is fed from external source. https://flic.kr/s/aHBqjBL7yf | ASKING $20 USD NOT FOR SHARING EXCEPT THROUGH ME UNTIL MAY 2, 2025

RAGTIME November 3, 2024 (E) | Broadway | 4K MP4 (10.86GB) | bikinibottomday’s master Cast: Joshua Henry (Coalhouse Walker Jr.), Caissie Levy (Mother), Brandon Uranowitz (Tateh), Nichelle Lewis (Sarah), Colin Donnell (Father), Ben Levi Ross (Mother’s Younger Brother), Matthew Lamb (Little Boy), Tabitha Lawing (Little Girl), Stephanie Styles (Evelyn Nesbit), Shaina Taub (Emma Goldman), John Clay III (Booker T. Washington), Todd Cyrus (Harry Houdini), Kai Latorre (Coalhouse Walker III), Nicholas Barrón, Briana Carlson-Goodman, Billy Cohen, Rheaume Crenshaw, Tanika Gibson, Olivia Hernandez (Kathleen), David Jennings, Marina Kondo, Jeff Kready (Henry Ford), Tiffany Mann (Sarah’s Friend), Morgan Marcell, Tom Nelis (Grandfather), Ramone Nelson, John Rapson (J.P. Morgan / Admiral Peary), Destinee Rea, Deandre Sevon, Kathy Voytko, Jacob Keith Watson (Willie Conklin), Alan Wiggins Notes: Excellent 4K capture of this very anticipated production! Minor head obstruction blocks off some action on the far left during the opening number but disappears for the rest of the show. Increased wandering and unfocusing throughout. Some washout on the wider shots. Includes curtain call, audio is fed from external source. https://flic.kr/s/aHBqjBQEix | ASKING $20 USD NOT FOR SHARING EXCEPT THROUGH ME UNTIL MAY 2, 2025

ROMEO + JULIET October, 2024 | Broadway | 4K MP4 (10.1GB) | bikinibottomday’s master Cast: Kit Connor (Romeo), Rachel Zegler (Juliet), Taheen Modak (Benvolio), Gabby Beans (Mercutio/Friar Laurence), Solá Fádìran (Lord Capulet/Lady Capulet), Tommy Dorfman (Tybalt/The Nurse), Daniel Velez (u/s Paris/Sampson/Peter), Nihar Duvvuri (Balthasar), Jasai Chase-Owens (Gregory), Daniel Bravo Hernández (Abraham) Notes: Excellent 4K capture of this star-studded revival! Minor head obstruction that doesn’t block off anything. Action that takes place on the catwalk and on the far sides of the theatre (not on stage) are mostly uncaptured. One blackout in both acts lasting 40 seconds each. Some moments of wandering / readjustment and unfocusing. Includes curtain call, audio is fed from external source. https://flic.kr/s/aHBqjBQ9bx | ASKING $20 USD NOT FOR SHARING EXCEPT THROUGH ME UNTIL MAY 2, 2025

SAFETY NOT GUARANTEED September 26, 2024 | BAM (Previews) | 4K MP4 (8.12GB) | bikinibottomday’s master Cast: Nkeki Obi-Melekwe (Darius), Taylor Trensch (Kenneth), Pomme Koch (Jeff), Rohan Kymal (Arnau), Ashley Pérez Flanagan (Liz/Belinda/Others), John-Michael Lyles (Tristan/Others) Notes: Excellent 4K capture of this world premiere musical! Increased moments of wandering / readjustment and unfocusing throughout. Includes curtain call, audio fed from external source. https://flic.kr/s/aHBqjBKeEe | ASKING $20 USD NOT FOR SHARING EXCEPT THROUGH ME UNTIL MAY 2, 2025

[retropopcult]

"Lotta Love" is a song written by Neil Young and was covered by Nicolette Larson in 1978.

Neil Young and his backing band Crazy Horse recorded "Lotta Love" first (in 1976), with Larson and Linda Ronstadt providing background vocals. After a year went by with Young indicating he might not use or release the song, Ronstadt suggested to Larson that she should record her own version, indicating she didn't care for the sparse, melancholy tone of Young's song. So Larson went into the recording studio, determined to create a more upbeat rendition: it featured a string arrangement by Jimmie Haskell, a classic soft rock horn riff and a flute solo - all of which made the tone of the song more optimistic. Larson would recall: "It was a very positive song and people don't want to hear how bad the world is all the time. It had a nice sound rhythm and groove. And a great visual video."

Listeners seemed to agree. Larson's version reached No. 8 on the Billboard Hot 100 chart and No. 6 on the Cash Box Top 40 in early 1979. It also hit No. 1 on Billboard's Easy Listening chart and was also a Top 10 hit in Canada, Australia and New Zealand.

[sleepythug]

hey brian, I was wondering if you had any recommendations on film criticism/theory/reviews. are there any critics/thinkers you deeply admire that write well and have challenged your ways of seeing/thinking that you believe would help in better appreciating the medium?

i probably could have gone much longer on this five years ago but my brain did some sort of system reboot and lost all the memories ive had consuming film reviews, criticism, etc this ask makes me want to dust off that book i have of pauline kael capsules on my shelf lol anyways here's list of some fav critics/people to seek out if ur eager to dig deeper into cinephilia:

my most favs

ignatiy vishnevetsky (my fav)

jonathan rosenbaum

filipe furtado

dave kehr

david bordwell

j. hoberman

dennis lim

kim morgan

neil bahadur

nick pinkerton

xxx

james agee

miriam bale

richard brody

k. austin collins

fernando f. croce

manhola dargis

bilge ebri

manny farber

sean gilman

molly haskel

kent jones

pauline kael

peter labuza

matt lynch

adrian martin

calum marsh

adam nayman

nick newman

tony rayns

vadim rizov

jonathan romney

dan salitt

andrew sarris

scout tafoya

armond white

robin wood

ppl on letterboxd who's musings i enjoy

jake cole

max coombes

ryland walker knight

john lehtonen

willow maclay

luke mccarthy

matt mccracken

diogo serafim

arthur tuoto

ethan vestby

kurt walker

*also, i do like ebert but as i get older i realize i enjoy other lesser known critics a bit more+his taste in the latter years (21st century) is kinda wack tbh. 2007, one of the consensus last great years of american cinema, his best of the year was juno (i know, i know, it's an opinion but still lol) . cannot say he wasn't a formative figure, him being the most well known, most accessible film critic, and did the thing the best critics do in elevating, shedding light on artists they believe feel deserved of recognition/putting more eyes on their work.

**i think there's more people i could name-drop but i havent read enough, or been exposed to them as frequently, to go all-in on an endorsement of them/their work

[scorchedthesnake]

December 7, 2011

This is when Chapter 2 begins. Gossip Girl had aired; the Halloween parties and the Vanity Fair shoot had let the world know this was a scene. Neil Patrick Harris had raved on Regis and Kelly. The run was no longer extending in short fits and spurts. And original cast began to move on and new residents arrived. Some had trickled in: William Popp and Tony Bordonaro had come in in the late summer and fall. But tonight, I would learn, was the debut of many, many new faces.

As it happened, I was celebrating my 32nd birthday (my original blog said 31st, but come on, do the math). Friends gathered at Manderley with elaborate and themed gifts; a bottle of absinthe I wouldn’t finish until 2022; a journal crafted from my show notes. Banquo had been my first infatuation in the show, but I had pretty quickly moved on the Malcolm, and the journal told the tale of that new fascination.

But the new cast that night included a triumvirate of extraordinary women: Lily Ockwell (Sexy Witch), Haylee Nichele (Lady Macduff), and Chelsea Bonosky (Agnes). 

As I wrote at the time… Chelsea immediately took my breath away. And somehow I didn’t put together that when she picked me for the 1:1, it was her first one ever. We would revisit this moment numerous times over the years. Once, she pulled me in and said: people are being awful tonight, can we just sit for a minute? And most poignantly on her final night as a regular resident, when she would insist on an elliptical structure for our journey together in the building. 

Other highlights of the night: Haylee’s Lady Macduff, whose 1:1 I saw on her final pick. I had been with her at the start of the show and watched as her very first pick *declined her hand,* and she later told me the audience member she picked after that had to be ejected. I can’t imagine how hard it must be to learn these scenes, harbor the confidence to pick someone, and have two mishaps like that one after the other. 

Ben Thys as Malcolm. It was a golden age of handsome Malcolms with Ben and Will sharing the role. Many years later I’d have the good fortune to see Ben’s final Malcolm loop and be part of an audience that all choked up when he chose Will for his last 1:1. 

Tony Bordonaro as Banquo! It was not his premiere night, but it was my first time seeing him. In the very small universe we inhabit, I’d been told to look forward to this performance. Matt, in his final acting gig ever, had managed to land a small role on One Life to Live as a high schooler going to the prom (he was 30 already I think?) - and the other two boys in the posse were So You Think You Can Dance’s Neil Haskell (a fellow Western New Yorker)… and Tony.

Later, in Manderley, came John’s component of my birthday gift: an introduction to Maxine Doyle. He indicated I’d seen the show a fair few times, and she said, so what do you think of the new cast? I replied they were all wonderful and brilliant! And then she said, don’t patronize me, tell me what you really thought. So I tried my best to give some even notes on things that had felt off (but truly, the people I had followed closely, were in fact wonderful and brilliant!). I was moderately terrified but also in awe of her seriousness.

This was the final normal show of 2011 for me. The New Year’s Eve that followed was a massive, massive party and full of dramatic hijinks to kick off 2012, the year we all lost our minds. (sorry, work blew up and I am behind, I had hoped to reach Remixed 1 by today in honor of Remixed 2 but it will not happen. Enjoy Remixed 2!)

[lesterplatt]

Mullen "Drive The Impossible" from Emile Rafael on Vimeo.

For Mullen: VP Marketing: Jason Putnam Marketing Specialist: Cody Mahaffey

Agency: The ID Agency @theidagency VP Client Services: Josh Bulrice Creative Executive Producer: Alison Howlett @birdiefrombrooklyn

Directed by: Emile Rafael @helloemile Production Company: Arts and Sciences @artsandsciences_ Executive Producers: Mal Ward @malward, Marc Marrie, Christa Skotland @christacarrie Head of Production: Milena Milicevic @uniqueism9 Directors Rep West Coast: Depot of Sales Jonathan Logan, Dexter Dexter Randazzo

Produced by: Patric Harris @Patharris71

Written by: Atila Martins @atilamartinsl Emile Rafael @helloemile Cinematography: Gus Bendinelli @gbendinelli First Assistant Director: Ryan Lippert @lippy90265 - DGA Second Assistant Director: Sarah Craveiro @craveiro_sarah - DGA Production Supervisor: Chris Valdez @c.h.r.i.s.v.a.l.d.e.z Assistant Production Supervisor: Raymond Steege

Edit by: Patric Ryan @patricryan7 Assistant Editor: Hannah Yerbury @hannahyerbury Edit House: Marshall Street Editors @mse.tv Voice Over: Johnny Neal

VFX by: UPP @upp_advertising Senior VFX Supervisor: Mario Dubec @maxtorag Producer: Kristýna Řádková @tyna.radkova Grade: Ondrej Stibingr @ondrej.stibingr

Music Composition: @finnmcnicholas Music Company: @feltmusic Music Supervisors: Max Beattie, Jonny Joel Beck @jonnyjoelbeck, Steve Spiro @steve_spiro_

Sound by: Rascal Post @rascal.post/ Sound Design: Neil Johnson @neilkjohnson, Izaak Buffin @izaak.buffin Producer: Maddy Lebel @maddylebel

First AC: Ryan Sax @ryansax Second AC: Joe Ashi @joe_ashi DIT: Pete Aguirre @_pete_aguirre Pilot - Inspire: Tony Thompson PILOT - FPV: Tommy Tibajia @ummagawd Drone Cam OP: Zack Haskell @zackhaskell Drone 1st AC: Ben Stefanides @_benstef VTR: Calvin Evans @calvinleeevans Ukrainian Arm: Car Driver: Chris Barrett @cl_barrett Head Tech: Ross Wilson Crane Tech: Jason Tubbs Electric: CLT: Nick Durr @dicknurr ACLT: Justin Roxbrough @justin.roxbrough Key Grip: Jon Coyne @witgrip Grip: Luke Poole @lukeatmenow

[howardhawkshollywoodannex]

Mary Elizabeth Mastrontonio in Limbo (1999), photographed by Haskell Wexler. Haskell has eight entries among my best 1001 including John Sayles' Matewan, for which he was Oscar nominated.

Haskell also had 20 director credits from a 1953 short to a 2015 Neil Young video, including my best 1001 movies entry Medium Cool. His other notable credits include a 1978 John Wayne tv commercial and No Nukes.

[stranger-rants]

For context, this is what happens in Ch. 10 of Runaway Max from Max’s perspective. Billy had been pulled over and given a ticket. When Neil finds out, he hits him. Susan pretends like nothing is happening while she reads a magazine. but Max stands in the kitchen watching in shock. Neil continues to hit him. Billy ends up on the floor, and Neil takes off his belt to whip Billy:

Neil planted his feet and raised the hand with the belt. “Are you ready to take your punishment?” “Stop it!” I shouted it. I hadn’t known I was going to say anything until it came tearing out of me. It felt jagged, like I’d been holding something inside. Neil turned, and for a second, looking into his eyes was like looking into the sun, blank and dazzling. Then he smiled a tight, mechanical smile and turned back to Billy. “Is this the son I raised? A worthless loser who needs a little girl to fight his battles for him?” He said it with so much wonder and disgust that I felt my face get hot and my eyes fill up. In that second, I believed it - that he was right, that I was no one, just a little girl and there was no way to stop someone like him. He was a grown-up. Neil set his jaw and swung the belt. He did it without hurrying, like it wasn’t a big deal. He did it the way Mrs. Haskell down the street beat the dust out of her rugs. When he was done, he didn’t look at either of us or say anything else. He just turned and walked out of the kitchen.

Max asks if he’s okay, and he says “get away from me, Max.” She asks if he needs ice, and he says, “I said, get away from me.” more aggressively. Then she backs off. Here, we see the consequence of Max trying to intervene - Billy gets beat harder, with his father emotionally abusing him on top of it all. This isn’t Max’s fault, but it illustrates why Billy feels negatively about anyone trying to help him. Susan does nothing. Pretends nothing is happening. She doesn’t even look horrified by the situation, which unnerved Max. Max is just a little girl who cannot actually help him, though, so Billy feels hopeless. Neil intentionally divided them to make controlling and abusing them, easier, with Billy being his primary target.

There’s no evidence of Lonny doing anything like this to either Jonathan or Will. He was not a good father, and he traumatized his kids. However, his abuse wasn’t like this and people have got to stop comparing the two. Different contexts for abuse. Different maladaptive coping mechanisms. Different duration of abuse. Different support systems. Etc.

I know people aren’t going to listen to me, but you guys have got to stop comparing two completely different characters’ trauma.

Jonathan and Billy do not share the same trauma.

In fact, they are the exact opposites. Yes, both had abusive fathers. Fine. But that’s about it. Their similarities end there. See, Jonathan had one thing that Billy didn’t. Proper support.

Joyce didn’t decided to leave Jon with Lonny and disappear from his life forever. Jon was not left in an abusive household with absolutely so form of support. Joyce, instead, left Lonny, took her kids with her, and was trying her best to be a good single mother to her two young boys. Jonathan still had his mother and his brother to guide and support him.

Billy didn’t. His mother straight up abandoned him with his abusive father. I don’t know how many of you know what typically happens in those situations, but here’s how it goes. When there are two victims and one of them gets free, the abuser doubles down on the abuse of the victim still in their care. They want the remaining victim to think there’s no way they’re going to get free, so they tend to abuse the victim more frequently. Billy, already hurt from being abandoned, is suddenly alone and dealing with even more abuse than he was originally dealing with. You could argue that he did have support through Max at one point, but he pushed her away. Now, I haven’t read Runaway Max yet, but from what I understand Billy was getting beat worse due to Max trying to help. This was not Max’s fault by any means, but her help wasn’t actually helping. If anything it gave Neil even more leverage to abuse Billy into the mindset that he would never be helped or loved.

(Also, I’m not going to go into it in this post but, Max and Billy didn’t have the same trauma either. You can live in the exact same household and go through extremely different things.)

Jonathan Byers and Billy Hargrove did not go through the same trauma. Jonathan had a safe space. Billy never did.

[nealspaper]

Hamilton -- National Tour, Academy of Music

Hamilton — National Tour, Academy of Music

  Sweep on several levels accounts for the achievement and excitement of “Hamilton.” It’s no wonder it’s earned both critical acclaim and popular support since the Lin-Manuel Miranda burst of the theatrical scene in 2015.        Miranda manages to ace a feat that has daunted and defeated many. He has taken a person from history, to my mind the second most important figure in all of American…

[pealeii]

i haven’t changed my blog theme in a year 😭😭 my banner image is still just neil haskell robert lenzi and michael park looking at you like bugs when you lift up a rock 😭😭

[dancebook]

Neil Haskell and Sabra Johnson

[glitter-and-be-gay]

Oooooh this is a hard one! Ok, let’s see:

Seed to Dust: A Gardener's Story by Marc Hamer

The Starless Sea by Erin Morgenstern

Hogfather by Terry Pratchett

Olivia by Dorothy Strachey

The Ocean at the End of the Lane by Neil Gaiman

Complete Tales of the Unexpected by Roald Dahl

Meditations by Marcus Aurelius

Letters to a Young Poet by Rainer Maria Rilke

The Order of Time by Carlo Rovelli

In an Absent Dream by Seanan McGuire

A Psalm for the Wild-Built by Becky Chambers

The Girl Who Soared Over Fairyland and Cut the Moon in Two by Catherynne Valente

The Dictionary of Obscure Sorrows by John Koenig

Andromaque by Jean Racine

The Complete Tales and Poems by Edgar A. Poe

Beyond the Deepwoods by Paul Stewart

Le Petit Prince by Antoine de Saint-Exupéry

The Complete Calvin and Hobbes by Will Watterson

Sounds Wild and Broken: Sonic Marvels, Evolution's Creativity, and the Crisis of Sensory Extinction by George David Haskell

An Immense World: How Animal Senses Reveal the Hidden Realms Around Us by Ed Yong

20 books challenge

If you could only keep 20 books (physical/ebook/audio), which would be the ones you would keep?

Rules are simple:

1 book per author. 1 book per series. Tag #twenty books challenge

i saw a challenge from @theinquisitxor and tagged myself to do it

book names are below the cut

magic for liars by sarah gailey

american gods by neil gaiman

the silver chair by cs lewis

lirael by garth nix

the return of the king by jrr tolkien

jonathan strange & mr norrell by susanna clarke

we are okay by nina la cour

house of hades by rick riordan

the magician king by lev grossman

assassin's quest by robin hobb

crooked kingdom by leigh bardugo

black leopard red wolf by marlon james

words of radiance by brandon sanderson

dracula by bram stoker

squire by tamora pierce

a swiftly tilting planet by madeline lengle

just ella by margaret haddix

wuthering heights by emily bronte

the sweet far thing by libra bray

ptolemys gate by jonathan stroud

[danceoftheday]

Performed by: Kameron Bink, Cedric Gardner, Jaimie Goodwin, Lauren Gottlieb, Neil Haskell, Sabra Johnson, Hokuto Konishi, Pasha Kovalev, Shauna Noland, Lacey Schwimmer, Danny Tidwell, and Sara Von Gillern

Number: “You Can’t Stop the Beat”

Choreographer: Adam Shankman

Style: Broadway

From: So You Think You Can Dance, Season 3 (2007)

[thefederalistfreestyle]

20-schuy-teen

[thediaryofatheatrekid]

HAMILTON PHILLIP COMPANY CAST UPDATE

Nyla Sostre is now an Eliza u/s

Tommar Wilson has joined the company as standby for Burr, Washington and Lafayette/Jefferson

Aaron J. Albano is now a King George III u/s

Marcus John has joined the company as a swing and u/s for Lafayette/Jefferson and Mulligan/Madison

August 6th

Warren Egypt Franklin joins the company as Lafayette/Jefferson

Desmond Sean Ellington will be promoted to principle Mulligan/Madison

Neil Haskell joins the company as principle King George III