#my opinion pretty much

[demaparbat-hp]

She will (and he'll let her)

[allthepandasintheworld]

tonight's mood is listening to disease by lady gaga on repeat (i probably wont finish this sketch but like. guys)

[egophiliac]

OMG EGO HAVE YOU SEEN THE BOOK 7 CATER CARD YET

80s britpunk Cater is such an incredible direction to take. his Sid Vicious jacket! his little british police cap! I wouldn't have anticipated that going full-on Sex Pistols would be his alternate self but it is SO fitting actually. 😭

(also th-the crown symbol?! the gavel?! is housewarden Cater real because I will TRANSCEND --)

[poorly-drawn-mdzs]

Gaslighter? I hardly know her!

[First] Prev <–-> Next

[sincericida]

ANDREW GARFIELD and FLORENCE PUGH for Bustle.

“'Ultimately, it’s a story about choosing the life we want for ourselves and making the most of the time we have." Bustle cover stars Andrew Garfield and Florence Pugh on their once-in-a-lifetime love story ‘We Live In Time’ - in theaters NY/LA today, nationwide October 18.”

(X)

[yeonjune]

Yeonjun about the strain he felt while preparing for his debut solo project ✙ "GGUM" MAKING FILM

[beautifulstorms]

Yuna Aoki, SP Adios Nonino • Skate America 2024

[skitskatdacat63]

How did I never hear this radio until the brawn doc hahahaha

[narnia-dreamer]

Me, going to Critical role tag to see Predathos arts and theories (and also parallelisms to the Collector):

Also me, finding only hatred and people complaining:

[gingermintpepper]

I would love to hear you talk about Kassandra???

So, what can I say about Kassandra.

Well, firstly, I've been thinking about how I want to answer this question since I got it however many months ago and I figured I wanted to speak about my own interpretation of things rather than formal stuff - half because I don't want to cite anything since going through Iliad based papers brings me little joy and half because I figure I could treat it a bit more casually this way. So here's like, a very brief selection of thoughts I have about Kassandra, Saintess of Troy.

I view her tale as a microcosm of the wider tale of the Fall of Troy from Apollo's perspective. A human is given a choice and, of their own free-will, they make the most destructive decision ignorant of the way they're sealing their own fate and no matter how much their patron will want to save and help them, they will be unable to so much as lift a meaningful finger because the choice made is one that is sealed in Fate and powers far beyond any one god. The themes of doomed love are also shared; Kassandra loved Apollo just as Apollo loved her but she couldn't be what he wanted of her. She couldn't accept what it was he was offering, no matter how much power, honour and love he tried to tempt her with and in a lot of ways, I think of her devastating visions of doom and death(tm) as a physical parallel to the feelings Helen must be tormented with knowing that she will be cited as the reason of such mass death, destruction and violence. Likewise, I see Apollo's inability to save Kassandra up until the end as representative of his wider inability to save Troy. All his love and blessing were not enough, even though all she had to do was take his hand, it simply wasn't meant to be and so I imagine that must be a fresh hurt for him with each beloved mortal he loses during the campaign.

Kassandra is genuinely so interesting? Both as a character and as a narrative idea; she sits almost in the center of so many fascinating parallels and foils that it gets me so excited whenever she comes up in conversation! I've mentioned it briefly before but she forms a very neat triad with Iphigenia and Troilus which runs parallel to the three dominant male powers in Iliad - Agamemnon, Achilles and Apollo. They're what I somewhat refer to as the sacrifice trio, innocents who must ultimately be abandoned and stripped away for the sake of the desire of their sacrificer, in turn revealing something intrinsic about the nature of the man. For Iphigenia, she reveals that Agamemnon truly values his ambition over all, that his image and status as a leader is more meaningful to him than the love of his family (which, of course, dooms him in the end). Likewise, for Achilles, Troilus' sacrifice reveals that no matter the glamour or glory that crowns Achilles' head, his rage is ultimately his most powerful feeling and it burns bright and hot no matter the circumstance, opponent or arena. For Apollo, Kassandra's sacrifice (which is much more symbolic as he is a god and therefore need not actually physically kill her) reveals his position as the 'loser', one who will be scorned and reviled and lose all the things he loves no matter how closely he cherishes or adorns them. He can't protect the mortals he's blessed, he can't protect his children - he can't even save one woman. She also has that aforementioned triad with Helen and Andromache - the sequestered women; doomed to wait and pray but each, in their own ways working to save and support their own in the conflict. They're all haunted by the promise of what awaits them - Andromache's hopes and future lies with Hector and with her son yet she is the embodiment of a war-wife, solid and stoic in her support when Hector returns but suffering deeply knowing each fight could be his last. Helen, of course, carries with her both the suffering of the greek women and the hatred of their men - if Andromache fears death taking the breath from her beloved fighters then Helen bears the weight of death upon her shoulders, all grief and scorn is bore like a crown upon her head and she must bear it. It is her duty to bear it. Kassandra then becomes the suffering of the young women - they who are surrounding on all sides by throngs of death and do not know why it has come, they whose screams intermix with that of the dead upon them. There is no avatar for Kassandra to experience the war through, no reason for her to be stoic or strong or upright. She tears her hair, hysterical at the suffering that is poured into her mind day in and day out, wild and unrestrained where her elders must hold their grief and tame it. In this way, she gives voice to the voiceless, she screams for those who cannot and is reviled for it - a young woman surrounded by death yet ordered not to speak a word of its stench or horror. There's many more things I can talk about too such as the whole Kassandra as Apollo's living Palladium thing or the Kassandra-Electra-Clytemnestra trio or even Chryseis as a reflection of Kassandra and how the taking of a priest's daughter could be seen as tantamount to trying to steal away Kassandra (and how this eventually wraps back around to the actual incident of Kassandra being stolen away and ending up right back under Agamemnon's care just as Chryseis before her) but like, we would be here all day.

Y'all maybe this is a hot take but scorned woman Kassandra is like, the most boring interpretation of her ever. She has so much life and passion in her, so much joy, so much despair, so much love - making her jaded and cynical towards both her fate and her god is such a slap in the face to me of what her character could and generally does seem to stand for. Kassandra never stopped loving Apollo - likewise, Apollo (at least to me) never abandoned her. All in Troy suffer heavy, cursed fates - Kassandra is one of the few who at least had some awareness of how hers would turn out. I like that she's a fighter. I like that she screams and cries and spits and is expressive and ugly in her torment and grief when so many of the women around her cannot afford to be. I like that she said no and despite how much she suffered for it, she never begged for her yolk to be taken from her because she knew that the choice she made was the right one for her. She's raw, she's vivid, she's human and more than anything, that's what I love so much about her.

[coochiekrab]

I moved some of my cherries into the 20 gallon today

[thatskindarough]

My actual only request and probably unpopular opinion for season 3 is that they tone down the color grading. I think season 1 looked a lot better. Season 2 was way to saturated. Crowley’s skin looked orange.

[sincericida]

ANDREW GARFIELD & FLORENCE PUGH

Interview Each Other for the Buzzfeed UK

[Buzzfeed UK video]

[egophiliac]

Hi!

What's your favourite Disney movie? And does your preference for the dorms have any influence on their movies and vice versa? Like I know you love Diasomnia so is Sleeping Beauty high up there for you?

I'm just asking because Snow White is actually my favourite Disney Princess and her movie is my favourite yet Pomefiore is my least favourite dorm (but Lion King and Savanaclaw are both in my top two) and I was wondering if it's similar for you?

yessss someone else whose favorite princess is Snow! ❄️

that said, it's hard to say what my favorite movie is, because I'm one of those annoying people who's like "well it depends" (on different aspects, on my mood, on the phase of the moon, etc). though out of the ones represented in Twst, I think it probably is Sleeping Beauty! I think it's really pretty and just a delightful movie! it hits a nice sweet spot for me of being kind of...gently grounded while still having that floaty-fairytale feeling, if that makes sense also I might have had a huge villaincrush on Maleficent that is being massively projected onto Meleanor, shh

although I actually sort of hated Diasomnia at first (l-look, they didn't have cards at first and all we had to go on were the website descriptions that make everyone sound horrible). so I dunno, maybe the influence helped win me over to them! or maybe just because, like everything else in Twst, they were unexpectedly enjoyable in practice?

(I don't think there are any that had a negative influence either, because I am also one of those annoying people who's like "well I don't have a least favorite, I like everybody!") (sob. it's true though.) (I just, I just love characters so much --)

[mourn-and-watch]

merrill dragon age isn't The Character in terms of being the guy with the juiciest backstory details or protagonist material but she is The Person. The Heart. she was working on one of the most important researches of elven history and no one believed in her. not her keeper, her teacher and mother figure. nor her clan, the only family she's ever had. nor hawke's friends, the only people who were surrounding her for six years. the only person who can actually place their faith in her is hawke but if they don't she won't mind. she is used to it, being on her own. and, despite everything, she believes in people. she knows it matters. better than anyone.

she has never heard a nice word from fenris, but she still tries to cheer him up from time to time. she has never heard a nice word from anders either and she still feels for him. varric annoys her when he tries to distract her from the eluvian, but she appreciates it because she knows he means well. aveline refers to her work as senseless and potentially dangerous for the city, but she is still happy for her when she falls in love.

if hawke sides with mages in the last straw merrill is the first to support them. "I believe in you, hawke", she says, when everyone else is consumed by doubt. and then she's the only one who openly suggests sparing anders. so he can put things right.

she knows the feeling. when you're on your own and everyone thinks you're beyond salvation, undeserving of compassion or understanding. and this is the best she can offer for people she cares about: her unconditional faith, her sympathy, a second chance. the things she was desparately looking for and never had. she believes in people because she knows: there's no one else to believe in them

[sulky-cabbage]

I keep seeing people comparing that scene where Nanami sees Haibara BEFORE he dies and him thinking his final moments weren't so bad to Gojo seeing geto (and everyone) AFTER he died as if they're the same thing...

Like sorry but the thing that made Satoru smile before death was Sukuna telling him that he was magnificent and that he won't forget him for as long as he lives😭😭

Yeah this is your man he wanted to be acknowledged by the king of curses yeah he's a freak just accept it.