#my fave is relevant for the first time in over a decade so. here's a decade worth of thoughts i guess | Explore Tumblr Posts and Blogs

ribarukirikaindenial · 3 years

Text

snst thoughts for when The Fave eventually comes back in jn (intruding in the tag again etc), or a (long) list of things i wish could happen because it would be neat imho

- one character pointing out that snst really seem like opposites

- reiji being mentioned (bonus if satoshi spontaneously asks “how is reiji-san doing?”, or it could be just his lil bro mentioning the big bro), even better if he is briefly shown (watching shinji and satoshi’s potential future battle in the pwc, for example)

- confirmation of whether shinji managed to beat jindai post dp or not

- shirona being involved in some way during their reunion (she was always watching over them during dp, so she could watch over their potential battle now, too)

- if they eventually battle, it would be cool if it was a 3vs3, it would be a throwback to their very first battle back at the beginning of dp (and 3vs3 were a recurring thing with them). it would make it more interesting than just a 1vs1 too, imo, and we could see what kind of pkmn shinji has now

- if they eventually battle, i want them to genuinely have fun and smile during the battle. while i felt like they already had fun during their last battle in the league (they smiled and complimented each other, for example), it also had lots of stakes for satoshi so there was a pressure attached to it (he and his team completely lost during their first full battle, so they felt like they definitely had to win in the league to make up for that loss). now, it’s different and i don’t think they would have anything to prove to each other at this point since they already settled their differences. so it could be a different kind of battle, more “free” and where they could go all out and have fun... it would be nice if they showed how they still acknowledge and respect each other (satoshi dropping a "aikawarazu sugoi~” for example, or satoshi pulling something unexpected during their potential future battle and shinji noting that satoshi hasn’t changed, something like that)

- snst friendship crumbs pls... (the first word of the "when one life meets another” quote is “friend” after all) (i’m also very curious as to how satoshi would refer to/introduce him, if he does?? it’s interesting because he never referred to him as his rival in dp, so would he now? what is snst? We Just Don’t Know)

- their pkmn interacting. it would be cool if pikachu and elekible met again since they were kind of friends already back in dp ;; (and the thought of elekible still being by shinji’s side this whole time is also good, they both seemed on the same page back then)

- gou and shinji interacting (insert here bnha joke because both their seiyuu are classmates in that anime ww) (the other real reason is that i think both these characters were intentionally made to be “satoshi’s opposite” in some ways, so that makes them similar on that point, as gou is “the co protag who is his opposite” and shinji is “the rival who is his opposite”, so idk it could be fun to have one interaction)

- characterization wise, it would be good if shinji was much more “relaxed”/at ease with things/wiser and less on edge than before, a bit more openly appreciative towards his pkmn too (like at the end of dp). just, sweet development iunno, showing that he isn’t stuck on the past anymore and generally being more pleasant to be around LOL. i am also curious about his current goal. what does he want to do, now? his goal at the end of dp is that he wanted to challenge jindai again, so if he managed to win, then what? what happens next? i feel like he is kind of like satoshi in that regard, where clearing a hurdle isn’t an end in itself. even though satoshi became champion in alola, that wasn’t the end of his dream and he still had goals to work towards (he wants to be a pkmn master, not necessarily a champion etc). so i hope they can parallel each other in this aspect.

- just random musings about things that happened, but...

(this is 妄想 heavy from now on, just wishful thinking, etc) if i recall correctly, shirona saw herself in shinji (back in dp040), talking about how she used to be in the pursuit of strength, like him when she was younger. but she got wiser with time. shirona also mentioned at the end of dp that both snst would climb their way up in the champion league someday which is seemingly what is happening now. back in the day, i found it a bit special because we never really had a projection in the future, or a prediction for the future for other characters.. so it made me think that these two are meant to remain rivals forever in the same field, pulling each other to greater heights, etc... i wonder if shirona is someone shinji could become like, in the future. wondering this, because satoshi was clearly meant to parallel dande, galar’s champion (in the way they both interact with pkmn, their personalities, etc), and dande is someone who seemed to feel lonely and scared at the top since he had never lost a battle and wondered if he could improve any further. in a way, dande didn’t really have someone who could truly come close to him. so it’d be nice if satoshi, as he is now, could still have a valuable rival in shinji, someone who could always challenge him and who would be his equal (musings for their future etc, i like the thought of them being eternal rivals). i’m also wondering if satoshi’s ascension to the top of the pwc will be that easy.

anyway, who knows if half of these could fit in one ep of cameo but i can dream ww just give me crumbs for the next decade, basically

#comashipping #staticshipping #my fave is relevant for the first time in over a decade so. here's a decade worth of thoughts i guess #and some of them i didn't write bc i don't wanna jinx it #also i write 'if they battle' bc we're not sure they'll actually do. i don't trust like that #what if he battles some random and not sato. then what. wouldn't it be funny #anyway this has the potential to be the most interesting reunion for me.#or a complete disaster when chara b is reduced to one trait and early characterization (one fear etc)

18 notes · View notes

a-queer-seminarian · 4 years

Note

I am trying to read more theology and I would love to know what texts have been most important to you? I am not a super academic person so things that are modestly accessible would be great, but also I am trying to push myself to read more challenging texts! ty so much!

Oooh what a fun question -- I’ve offered people book recs before, but never one that’s specifically the texts that have been most important to me.

To start, i recommend my #books tag on my other blog for way more books than the ones I’ll list here -- not every post in that tag is relevant to your question here, but some are. Here’s a list of the posts that are relevant to your request -- you’ll see that on most of them, I note how accessible vs academic or dense a text seemed to me.

a list of recs for theology that’s helpful in this 2020 climate of pandemic and protest.

a list of recs for books about being queer and Christian

And now for a list of theological texts that have been most important to me -- deeply impacting how I read the Bible, how I relate to God or to other humans or to creation, etc.:

The basics

I have to include Christian Doctrine by Shirley Guthrie on this list...

simply because it was the first book I read when trying to figure out what Reformed Protestants believe after growing up Catholic. It’s actually a fairly easy read -- it’s longish, and not like the most riveting book you’ve ever read, but dang it has great stuff in it. It made me way more excited to enter the PC(USA) denomination than I’d been before reading it -- before, I felt like i was mainly running from the crappy parts of the Roman Catholic Church; after reading it, i realized i could also be running to the beautiful parts of Reformed theology!

But yeah, if you’re looking for a book that helps solidify in your mind concepts like the Trinity, or sin, or divine inspiration....this is a great book for that! (Assuming you want to learn about those things from a(n LGBT affirming) Reformed Protestant lens.

If you wanna read tons of excerpts from this text before deciding whether you want to read the whole thing, I posted a lot of passages from it in this tag over here.

Inspired by Rachel Held Evans

this is the best book I can think of for non-academics who want to learn about reading the Bible in a way that confronts rather than ignores/accepts its more disturbing passages.

If you need help figuring out how to read the Bible without a fundamentalist / literalist lens, this is the book for you.

Holy Envy: Finding God in the Faith of Others by Barbara Brown Taylor

Very important if you want to practice a Christianity that doesn’t pit you against people of other (or no) faiths -- and very easy to read

Books that helped me develop a liberationist + queer + disabled theology

Justin Tanis’ book Transgendered was super important to me when i was first getting into trans theology...

However, the language in it isn’t particularly accessible -- it’s not horribly dense but I would now recommend OtherWise Christian by Chris Paige instead. Paige quotes from Tanis -- and many other foundational trans theologians! -- and does a great job of making their scholarly language a lot more accessible to non-academics. Ach yeah, OtherWise Christian is what you wanna read to get deep into the academia of trans theology without having to wade through the denser older books yourself.

If you do want to read some of Tanis’ book, you can read my fave chapters as pdfs here.

I’d also recommend Austen Hartke’s Transgender and Christian YouTube channel and my website blessedarethebinarybreakers.com for more trans theology presented in simpler language!

Disability: The Inclusive Church Resource by John M. Hull

Nancy Eiseland’s The Disabled God is also, like, foundational to a lot of disability theology but it’s not the easiest read. The last two chapters are the best part in my opinion.

For more great resources on disability theology, including some of my own writing (which is, I hope, easy to read), see this Google Doc i compiled once and also my disability theology tag.

Jesus and the Disinherited by Howard Thurman.

It’s a bit more academic / written more formally than some of the books on here cuz it’s older, but it’s also short and if you can get through even just the first two or three chapters you’ll have absorbed material that i promise you’ll be thinking about for a long, long time to come.

God of the Oppressed by James Cone

So foundational. Another classic by him is The Cross and the Lynching Tree. These books are both more academic but yeah, foundational stuff.

The only full text I’ve read by Gustavo Gutiérrez is On Job but I’ve read a lot of excerpts from other stuff by him...

You’ve gotta read at least a little bit of this guy to help you understand liberation theology as it originated in Latin America. Unfortunately, I do think he’s much more academic so not an “easy” read at all -- you could try to find other authors who sum up his ideas and works and offer fundamental excerpts in his own words, if you try to dig into something he’s written and find it too tough

But yeah, his book On Job in particular really helped me start figuring out “theodicy” -- the question of why there is suffering in the world / what God’s role in suffering is. But I had a lot of trouble figuring out what Gutiérrez was saying at a lot of points in the book, and I’ve been reading academic texts for like a decade now!! So if you try to read it and find it’s just too much, don’t feel bad. I only was able to get a real handle on this book after discussing it in a seminary classroom with a teacher helping us.

If you wander through my #theodicy tag, you’ll find my own understandings of suffering as shaped by On Job without having to read the book yourself! You also might like Everything Happens by Kate Bowler for a great look on suffering.

Native: Identity, Belonging, and Rediscovering God by Kaitlin B. Curtice (progressive Christian + citizen of the Potawatomi nation)

This book is truly incredible in that its language invites you in and reads like a devotional while making powerful statements about settler colonialism and assimilation and stuff. So so so good.

When it comes to books that have deeply enriched, like, my “personal” prayer life / relationship with God:

Learning to Walk in the Dark and An Altar in the World by Barbara Brown Taylor (Episcopal background)

This author’s books are all so easy to read, and so so so full of wisdom. If you want your theology served to you in a less “so this is theology” kind of way and more of a devotional kind of way, this is the author for you.

Also she’s super popular among non-academics and academics alike so it’s easy to find people to discuss her work with!

An Altar in the World is about finding God outside of church, in the everyday, in the “secular”...

Learning to Walk in the Dark is about forming a faith that can survive and actually nourish you during the struggles of life (as opposed to what she calls a “full solar Christianity”)

A Tree Full of Angels by Sister Macrina Wiederkehr (Catholic nun)

this one is a little bit more formal in style, but not bad if you read it like i did, which was as a devotional where i’d only read a section or two each evening. It focuses on finding the divine in the most mundane of things -- see here for some posts sharing short excerpts from it.

Wow this got long....sorry about that! And if you were hoping for more shorter works, like articles instead of whole books, let me know and I can dig through my seminary stuff and share my faves!

#wellofloneliness #recs #books #theology #about me #list

123 notes · View notes

panharmonium · 4 years

Photo

@merlinobsessionist you understand me on a spiritual level

[putting the rest of this under a cut because it just ended up being me grumping at length about fandom trends - which, yes, i am well-aware is a silly endeavour in all cases, but sometimes you just gotta have your little grump regardless, you know, for health reasons. X) and in this particular case the grumping is probably relevant/entertaining only to myself, and you, and one or two other people here, so, tucking it away to spare everyone’s dash :) ]

the other day i was exploring the mostly abandoned wasteland that is the merlin fandom on livejournal (since that’s my original fandom home and obviously i missed out on being involved in that particular niche of lj when merlin was active, so i was feeling nostalgic and kinda curious as to it had looked like) - i stumbled over a merlin fic-finders comm and looked up my boy william just for kicks, and surprisingly, a couple of the old requests sounded like maybe i WAS involved in the merlin fandom on livejournal back then and i just don’t remember it

i think i wrote this in a past life

this is an eleven year-old comment in a mostly defunct fandom community but i felt it in my BONES

oh, my dear commenter from 8 years ago, i WISH XD

it made me laugh, and then it made me grumpy, because obviously there were very few suggestions offered in response to these asks - the fics just don’t exist, not in any numbers.

and like, the thing is, i don’t particularly care about the shipping side of things for the most part; i always lean towards gen and that’s mostly been it, for me; that’s always been my MO in every fandom i’ve ever participated in, but - look. if i have to witness (*checks ao3*) 23,830 (twenty four thousand. twenty four THOUSAND!!!!) instances of merlin getting together with arthur hecking pendragon, over and over and over again, in every AU configuration under the sun, then you had better believe i am ready and willing to plead the case of the only person in the merlin-verse who did not think arthur pendragon deserved merlin’s entire life.

and of course, there’s nothing inherently wrong with arthur and merlin as an item, obviously (i mean, i can name a few things about it that don’t appeal to me personally, but that is not the same thing as a value judgment) and everybody should have fun with their own ships, always - but for me, personally, there is just...enough of that out there. i have seen Enough. it’s hard for me to even determine where the rest of the fandom is, under the ever-present spread of merlin/arthur content; a picture of merlin/arthur should literally be next to the dictionary entry for steamroller.

and of course, i knew it would be like this from the beginning, and i know complaining about the ubiquitousness of a particular ship in fandom is utterly silly, in the end, because it’s not like there’s anything wrong with something being ubiquitous - the whole point of fandom is to make what you love, and if that’s what everybody loves, well, hey, that’s just how it is! that’s what people should be making - the stuff they love! that’s what fandom is here for! i only mutter to myself in the bubble of my own blog because the ubiquitousness makes it almost impossible for me to find what *i* love, because i don’t want to read about arthur/merlin in the first place, no matter who else appears in the fic, and also because my fave minor character, while he gets a pretty good amount of fannish screentime for someone who showed up in one episode, also suffers from the curse known as “virtually everything he features in is actually about merlin and arthur getting it on”

like - by the numbers, when you exclude merlin/arthur from will’s character tag, will retains less than 20% of his fics, some of which are already like...you know, he’s dead, or just mentioned, et cetera.

and his poor ship tag...he and merlin have 136 fics in their tag, and at first you wanna look at that and be like - ‘hey, not bad, pal, that’s p. good for a rarepair!’ but in actuality, less than 20 of those fics are actually about him and merlin. like...12% of his own ship tag actually belongs to him, and the rest is him being used as a plot device to get arthur and merlin together.

and i am sure that a lot of other side characters probably suffer from this, too, given the general fic distribution in this fandom, though the only person i’ve looked at for comparison purposes is freya, who is a (mostly) one-ep character like will. she, despite that, doesn’t appear to get hit quite as hard - she seems to keep more of her fic for herself, which is nice (when i exclude merlin/arthur from the freya/merlin search, freya still retains about 65% of her fics, as opposed to will’s sad little 12%). i’m glad for her, though - she of all people does not need to be losing fic to arthur; she has suffered enough.

to put things in perspective, though - merlin and uther have more fics in their ship tag that earnestly focus on the tagged....hnhhmgnhn i can’t say it...relationship than merlin and will do - even filtering out every instance of dubcon/noncon.

(and yes, i did in fact want to die when i had to actually click the merlin/uther tag on ao3 in order to check that factoid, thanks for asking.)

so, that said - i don’t generally read canon-era fic anyway, when i’m actively writing for a fandom, but since the merlin fandom sometimes feels like it consists solely of modern AU’s anyway, all i am trying to say is that it would be nice if i could pick up an AU including a character i enjoy without seeing him constantly reduced to:

merlin’s loser ex

merlin’s abusive ex (w h at)

merlin’s ex who’s kinda sorta tolerable-ish, maybe, if you squint, but just ultimately Not Right for merlin - holding merlin back, or being too overbearing, or too pushy, or Just Not Enough - or being someone who merlin stays with only bc he’s familiar and merlin’s settling for something safe and unrisky and stagnantly unfulfilling

the dude who merlin cheats on to be with arthur

the dude who cheats on merlin, bc the fic needed a reason to break up merlin and will so that white-knight!arthur could swoop in (cue me shouting ‘IN WHAT UNIVERSE DO YOU THINK WILL WOULD EVER - ’)

the dude merlin “makes mistakes with” when things with arthur aren’t going well

the friend-with-benefits who’s apparently chill with a casual arrangement, thus keeping himself conveniently out of the way of the oncoming merlin/arthur train

the friend-with-benefits who’s secretly NOT chill with a casual arrangement and who’s pining for merlin, except we all know that ain’t ever going anywhere because arthur exists, and in the meantime merlin only ever gets together with will to try and forget his problems

the friend-with-no-benefits who’s still pining for merlin (which situation, i might add, would be read completely differently if it were arthur in will’s shoes, because if that were the case then the audience would 100% be rooting for him)

the “best friend” whose only purpose in fic is to provide space for conversations/debriefs about merlin’s relationship/pre-relationship with arthur (like - i’m sorry, but there desperately needs to be some type of bechdel-esque test for will; e.g. do will and merlin have a conversation about something other than arthur pendragon? if yes, u win, u may pass go, collect 20 dollars, congratulations)

the friend whose dislike of arthur always, ALWAYS ends up being framed as a mistake. as will’s stubborn unwillingness to give arthur a chance, until at last will sees the light and succumbs to the irresistible beauty of merlin and arthur’s eternal love. -_- there is vanishingly rare acknowledgement in fic of the fact that in the canon universe, all of the criticisms will makes about merlin and arthur’s relationship are not only accurate, but made in merlin’s best interests (and also, ultimately, proven right, by the end of the show - merlin tanks his whole damn life for a series of empty promises prophesying arthur pendragon’s future potential, and he gets NOTHING for his devotion. merlin is more alone at the end of the show than he was at the beginning, when his only dream was to be loved and accepted by more than the two people who’d comprised his entire life up until that point. and he spends at least half a decade in between the show’s hopeful beginning and its miserable end being told that he’s evil by the very person for whom he is expected to sacrifice his future.

so what, exactly, makes will so wrong to be wary? who among us wouldn’t be angry if we saw somebody we loved being forced to sacrifice themselves on an unforgiving altar like this?

i don’t know the answer. i’m not sure what it is that earns will his spot on the “destined to be shafted for arthur pendragon” list. i don’t know if it’s an unconscious backlash to will’s refusal to hop on the arthur/merlin train, or if it’s just a superficial understanding/lack of genuine interest in his character, which, in that case, sure, i’ll give people that one, in all fairness; not everyone has spent a year picking his character apart (though i still don’t think it justifies tossing him in there just because the fic needs a random insert who can be positioned as inferior to arthur’s gloriousness). either way, the end result is that we usually end up seeing a will who has very little in common with his source material, or who needs to ultimately step aside to make way for arthur - arthur, who never displays the same level of care toward merlin in canon that merlin shows toward him, and who actively oppresses merlin’s people for the entire duration of their relationship.

like...it’s all just fic, obviously, and we can make characters as OOC as we want; have fun; go wild. but at the same time, it’s impossible for me not to balk at how arthur in some of this fic is just - utterly unrecognizable. in comparison with fic!will, arthur is the most Solicitous, Gentle, Understanding, Deeply Concerned, Invested-In-Merlin’s-Welfare-and-Inner-Thoughts creature you ever did see, and I’m just over here like - it is not like that! it is NOT LIKE THAT! IT HAS LITERALLY NEVER BEEN LIKE THAT. arthur pendragon in fic sometimes interacts with merlin like - he tilts his head and listens like a therapist and affirms absolutely everything merlin says and tells him ‘gosh, i understand. tell me more. how can i help you’ - he goes about his day thinking about merlin and putting merlin first and i just - i literally have never seen this person before in my life. who is this man? who is this unbelievably attentive paragon of caring? i’ve never met him before.

the entire running problem with merlin and arthur’s friendship in canon is that arthur, while he absolutely does care about merlin, tends to take merlin for granted. merlin is just another feature of arthur’s landscape, until something dramatic happens and arthur has a little scare and saves merlin’s life, and then things go back to the way they were. arthur doesn’t See merlin the way he should, not in the ordinary moments. merlin goes home and spends his evenings thinking about arthur’s life; he ties himself in knots trying to help arthur develop as a person and to keep arthur safe and happy, but arthur just goes home and eats supper with his wife. arthur does not go home and spend his nights agonizing over how he can improve merlin’s life. he never once thinks, ‘my purpose on this earth is to serve and support my friend merlin.’ he never feels like he’s supposed to be half of some two-sided coin. i know people like to give arthur this quality in their fic - and that’s totally fine, of course, it’s fic, have as much fun as you want - but in canon, that is just not something arthur pendragon does. it’s not who he is shown to be.

and yet almost every time when i go to explore fandom, i find that the person who does put merlin first in canon is perpetually elbowed aside for this extremely generous interpretation of everyone’s favorite prince.

and i just...i always try to find the good bits in everything, and i am sometimes willing to overlook a ship i don’t personally enjoy if there’s something else about the piece that i think is great, but there’s only so many times i can read the sentence “merlin had never felt like this with anyone, not even will” in fics where merlin and will are supposed to have been dating or even married/engaged, or “will was merlin’s best friend, but he just didn’t understand” (not like arthur, of course, who merlin literally just met a week ago), or “will was great, but there was only so much of him merlin could stand in one sitting/will was great, but he was best enjoyed in small doses.” there’s only so many times i can read a hundred different variations of that before i start to get real grumpy. and that’s not even touching the fics where will’s portrayed less favorably than that, even.

so, you know. i feel grumbly about it sometimes, how this particular character is trapped in a perpetual net of always being less-than, when one of the nicest parts of fandom for me is that every character/ship can have an infinitude of possibilities, even the ones i personally think are unbelievably bizarre (which category merlin and will do not even fall into, like - it’s not an incredible leap. merlin/mordred is a leap, okay; mordred is like seventeen years old! leon/morgana is a leap - how on earth did that become so popular??? - but will and merlin? that’s not a leap.)

what is it about will that makes him so tempting to trample over? will’s only sin in canon was to look at arthur pendragon and pronounce himself utterly unimpressed. his only crime was to tell merlin ‘this dude isn’t good for you,’ about which fact he was CORRECT, by the way - he is the first person who ever chooses to care about merlin, the first person merlin ever chooses to trust, the first friend who loves real!merlin without needing to be coaxed and convinced and taught that it’s okay. he is the only one who ever tells merlin ‘you deserve better than this mess,’ the only one for whom merlin has always been priority number one and in whose eyes arthur isn’t even on the map. merlin’s friendship with will (and lancelot, afterwards) is the healthiest one merlin ever gets to experience, and i wish more fannish material acknowledged it as such, as opposed to using will to set up merlin and arthur’s epic romance.

all of this, i suppose, is just a very long way of saying that now that i am no longer avoiding spoilers and have actually started testing the waters of the wider fandom, i have come to the obstinate, utterly inflexible conclusion that will deserves his own collection of happy endings, and i don’t care if i have to write them myself. i’ve already got the gen angle covered. and even though i’ve never written ship!fic in my life, the fact of the matter is that spite can be a hell of a motivator, and i will bite the bullet and learn how to do it if i have to. if people can really be out here tagging their merlin/uther fics as “schmoop” (YES. REALLY.) then by GOD, i swear, there are no excuses - this fandom can accommodate literally anything; there’s no reason it can’t accommodate stories where will wins. let this kid have his good ending. arthur pendragon can fall in love with merlin 23,830 times despite his and merlin’s ship flying in the face of canon, and that means will deserves his own tiny handful of stories to be actually about him, without his and merlin’s relationship being used solely as a stepping stone on the way to merlin and arthur’s 23,831st triumph.

i am just saying - if uther pendragon can fall in love with merlin and have it tagged as ‘fluff,’ then for the love of all that is good, we can give will his moment. let will enjoy the respect he should have earned from us when he died saving both merlin and arthur’s lives. let will be a person in his own right, instead of a plot device sacrificed to the (in)glorious altar of merthur. let will have an inner life of his own. let will have a best friend who doesn’t treat him like an accessory to The Greatest Love Story Ever Told. let will himself live out The Greatest Love Story Ever Told, for once. let will get his guy. i may tend to focus on friendship in my own work, but there are a lot of universes out there, and when it comes to someone who has always been so alone, and so singularly focused on merlin’s wellbeing, i’m not entirely sure if friendship even feels anything different to “in love” for will at all, in at least some of these places.

let will have his happy tags. he’s been on his own for so much of his life - let him have his simple ‘friendship’, his ‘platonic love,’ his ‘found family.’ let him have his lovestruck ‘pining,’ ‘friends-to-lovers,’ ‘angst with a happy ending,’ too, and let him keep those tags for himself. let characters who aren’t arthur pendragon have their love stories.

i may not care much for shipping, and i would rather read gen any day of the week, but let me tell you right now, i would rather write will and merlin settling down in a haze of domestic bliss 23,830 times before i would ever want to watch merlin ditch him yet again for a dude who never matched merlin’s level of caring and investment in the canon ‘verse.

#the once and future slowburn #no kings no masters #fandom #thank you for coming to the extended version of my ted talk #ultimately i know it's silly to be so invested #in something this small #and i constantly struggle with feeling...bizarrely self-conscious about like - even writing things like this because #it's so inconsequential and then i feel silly for being so interested #and using so many words for such a little thing #you know like when you're young and you get embarrassed about being so passionate about some niche interest #i feel like someone is looking at me and being like 'BOY THAT GIRL IS STUPID'#(why you ask???)#(i don't know; it's ridiculous!)#but then there's like another voice in my head yelling 'THAT IS LITERALLY WHAT FANDOM IS FOR'#'fanatic domain'#you're SUPPOSED to be fanatically obsessed about something; that is literally the point #people devote whole blogs to their tiny niche interests and their favorite pairings and they post incessantly about one thing #and i never think that's weird #that's just fandom #so i just have to like - chill out about myself lol #i am allowed to make innumerable posts about something only i care about #and i am allowed to be as passionate about tiny niche things as i want #that is literally the purpose of fandom and i just have to keep reminding myself of that #i have no trouble remembering it when it comes to other people's interests #but i always get self-conscious about my own #ANYWAY I'M WORKING ON IT #but in the meantime i'm having fun #which is the entire point of being a fan so #all is well #:D

10 notes · View notes

dragonnan · 4 years

Text

Author Interview Tag

Tagged by @aelaer a week or two ago, thank you!

Name: Tanya (among family I'm Nan or Auntie Nanny)

Fandoms: Sherlock, MCU, Psych, Prodigal Son, and a goodly collection of others

Where you post: For a number of years I posted on FFN but between the really shitty reviews and extremely cumbersome posting process I finally quit. I posed on Psychfic while still an active part of that fandom but that, too, has pretty much ended. I put a few stories on Wattpad but found it to be pretty meh. I now post exclusively to AO3.

Most popular multi-chapter fic: It's a tossup between “Fury” on Psychfic and “All Nighter” on AO3 – one based on comments and the other on Kudos. Frankly “popularity” is really subjective because there's also stuff like read count and with comments, at least nearly half are replies from me and read count also includes re-reads as well as every time I clicked on the damn thing to edit so....

You know I'm just really not sure how to properly answer this??

Favorite story you’ve written so far: Like others have stated you can ask me this on three different days and get three different answers and there will be more than 1 fic mentioned every time so.... Because I write in different fandoms I just absolutely can't list a single fic. The best I can narrow it would a fic from my top 3 fandoms.

Psych: Paint it Black. I had read a fic where Shawn was gradually going blind and had really been enjoying it and the challenges it presented. Sadly it was never completed. As has happened before I decided I would write my own damn fic if I couldn't get a completed story so that was the primary motivation to start this. What I most love about this is writing from Shawn's perspective as he navigates being blind and not knowing whether or not his condition is permanent. I did my best to honor the experience of blind and partially blind people and tried to look beyond the cliché.

MCU: I have so much fun writing these stories! In spite of the dumpster fire the film canon became I do so love this sandbox and employing various forms of unfucking it. So I'm gonna cheat a little and pick two for my faves here since one is a WIP. Sed Diabolus. I don't need to have completed it yet to know this will be my all-time favorite. This is the first fic that has been entirely plotted out and OMG I'm so excited for iiiit!! The second is Simple Math which seems like an odd choice given there's zero action – mostly just one character – hell, not even any whump. But there is something about that deep dive into Tony's mindset that keeps this as a fave even though it was the first thing I ever wrote for the MCU. I learned about Tony as I wrote this and I also worked my way through those motivations that bothered me regarding Stane. Even years later I still mentally go back to this fic whenever I write Tony because I feel encapsulates the essence of how I see him as a character.

Sherlock: Compared to other fandoms I'm still quite new to this fandom so I don't have nearly as many fics. But I still have a favorite! And, like with the MCU, it's the first story I ever wrote for this fandom; The Tiger and the Shark. Returning to a plot device I've employed in other fics, this one is built around a sexual assault and taking the character on a journey from that terrible event to the point where they rediscover themselves. PTSD ever being my favorite form of whump I employ that fairly a lot in this story and employ some kinda radical methods for coping with those memories.

Fic you were nervous to post: I mean until I start getting comments I'm a world of anxiety with every story I post. But grabbing a specific fic that hit my nerves – that Sherlock fic I'd said was my fave certainly qualified. Not only was it my first Sherlock fic – it also was charging out of the gate with a very heavy topic so yeah – I wasn't sure if people would absolutely hate it or find my characterizations totally off or what.

How you choose your titles: It varies a bit. In some stories, like Sed Diabolus, I actually consult friends on various ideas. Other times I'll consider songs or lyrics and my favorite thing is if I can alter the known title just a bit to make it more relevant to the fic (I did that a LOT with Psych fics which was the method the show also employed for its episode titles). One of my favorite Psych titles is “The Wizard Was the Wicked Witch and the Scarecrow Lost His Courage”.

Do you outline: Almost never – not until “Sed Diabolus”. That story, though, is so astoundingly complex that without an outline I'd be hopelessly lost. I am, though, trying to make a practice of outlining more because it helps SO much!

Complete: If we count every one-shot collection and challenge collection it likely is over 200 stories. Of course a lot of those are one-shots. My total completed chaptered fics number maybe around 34?

In progress: 16 – between Psychfic and AO3. All Psych stories are on long-term hiatus for the foreseeable future (some, honestly, I will never finish as they are many many years old and I've lost the inspiration for the plot). Several MCU stories are also on the back-burner while I focus on “Sed Diabolus”. I admit I get LOTS of story ideas and staying focused on a single fic is not something I've ever been greatly successful with.

Coming soon/not yet started: I meaaaan.... lots?? I have probably several hundred ideas and partially started fics across many fandoms. As to “imminently coming soon...” I don't think I currently have an active story that I haven't already posted at least a first chapter. Sadly I have zero patience for developing something for months before posting which is why I have so many WIPs. That said I DO have a Sherlock au that has been poking at me now and then involving the witch trials that started in Denmark and, eventually, made their way to Salem. The idea would be that Molly Hooper is accused of being a witch. She, of course, is innocent but cause this unfortunate attention due to her “uncanny” ability to heal the sick and injured (not so much uncanny as opposed to employing methods that aren't so reliant on superstition and folklore).

She is scheduled to be tortured and executed but is saved by Sherlock – a strange recluse primarily ignored and given a pass as he solves mysteries for people. He and his friend John save Molly from this awful fate. The twist is that Sherlock is a sorcerer (bit of marvel crossover-ish) and able to transport them to safety.

Do you accept prompts: I wish I could cause I love ideas but I don't have the time/energy to always work on what I already have and I'm awful at follow thru. Like I will never turn away an Ask wanting to share ideas but I can't promise that I can actually write anything.

Upcoming story you are most excited to write: As was the reply to a previous query – I have lots that are ideas that will linger in partial stages for sometimes years. If it's “upcoming” I've already posted the first chapter lol! But, again, I have several story ideas that whenever I poke through my folders I get excited about someday actually writing them. Here is a teaser for an MCU fic involving Tony Stark and Obie (I still feel this was never explored enough – certainly not in fic):

They were doing a retrospective, ten year anniversary kinda... whatever. Unofficial, of course. Certainly nothing Pepper would have dreamed up even at her most drunk (which, honestly, was never her scene. Tony had sorta owned that space well beyond the time it had started owning him). Whose idea it ultimately had been? Frankly Tony couldn't give a fuck. That he was asked to be one of the speakers was slightly more... awkward. Awkward was the right word, yeah? Nauseating was certainly another and possibly a bit more accurate.

Dead for a decade and Obadiah Stane still managed to fuck with his life.

But... it hadn't always been that way. At least, not as he'd believed back when the Walkman had been on every kid's Christmas list.

He'd thought it was bonding; at the time. His dad had never been one for just hanging out; shooting the shit; telling tales out of school. No, Pops, when he bothered to interact, led with questions. “You keeping your grades up?” “You still seeing that floozy?” “When are you going to pull your head out of your ass and grow the hell up?” “You do realize it's my name you're disgracing every time you go on a bender?”

With Obie it was just, easy. Obie might ask about school but it was always with approval and pride. He would discuss Tony's conquests as though Tony had climbed Kilimanjaro wearing nothing but underwear and a cape.

Obie was there when his father wasn't. Which meant that Obie was always there. The first time he got astoundingly drunk on his father's scotch, Obie was the one to help him hunch over the toilet and vomit expensive, aged booze into the toilet. Obie was also the one to replace the depleted bottle to keep Howard in the dark. For a fourteen year old kid still trying to gain his dad's favor, that had meant everything.

He saw his first porn with Obie; sex education ala Traci Lords, three months shy of his fifteenth birthday. That was the same time he was introduced to weed. Obie had cautioned him to use it sparingly; didn't want to fry that genius brain, he'd say, and ruffle his hair. The porn had made him uncomfortable. Obie had turned it off and told him they could watch whatever Tony wanted. They'd ended up changing the station to Knight Rider; smoking and munching Cheetos and laughing over their orange fingers.

It was Obie who was there, arm around his shoulders, after his parents died. He desperately didn't want to sob in front of the man. Things were so complicated with his dad that all he felt was blinding guilt... as though some part of him had caused this. But Obie had filled him with bourbon until the emotions got soft around the edges and he'd sat beside the older man, head tipping gradually to the right until he was held up by Obie's shoulder. Obie had just slung an arm around him and let Tony pass out while he rubbed a broad hand up and down his bicep.

It was strange, now, looking back with adult perspective. A perspective that included Afghanistan and his intended execution while Obie talked about legacy and responsibility while Tony's lungs slowly seized. He'd taken the time to sit there – arm around Tony's shoulders while one broad hand traveled up and down Tony's bicep – just like when he was a kid and Obie was the whole world.

He'd tried to remember if it had felt so... tainted... at the time. Or if he'd always believed it was love.

Obie had never quite crossed that line. Though hindsight offered a peek into that possibility with enough clarity Tony had fought with his cramping gut for nearly thirty minutes. He'd staved off vomiting though he was fairly certain his dignity had still been in tatters what with Bruce wandering in on his misery.

Upcoming story you are most excited about (this is basically a repeat of the above question so I decided to change it. Do you have a future story idea you'd like to write that is not yet beyond the vague idea stage? I love stories that put Molly in some sort of jeporady and I have a barely formed idea to someday write a “stalker fic” of some sort and not I don't care that this trope had been done on repeat – I still love it lol! I have a smidge of writing for it:

“I need your help.”

As afternoons at Baker Street went, this was a mundane request heard so often that Sherlock's typical reply, “Obviously, or you wouldn't be here”, could have been printed on flash cards. The detective had actually made the suggestion after a particularly full day at the flat and having heard the statement no less than twenty times.

Today, however, Sherlock merely blinked for a moment. Then, with an awkwardness rare to a man with a lethal sort of grace in his movements, Sherlock gestured to John's chair, JOHN'S CHAIR, before taking his usual seat.

Molly didn't exactly smile but her lips edged up a bit before she sat.

John cleared his throat before pointing a vague hand towards the kitchen. “I'll just go make some tea, shall I?”

“No, please, I...” The stammer in her speech was not uncommon; though John couldn't recall such obvious fear. Forgoing the kitchen he, instead, took the hard wooden chair facing the other two.

“Molly, what's wrong?”

Tagging: @kitcat992 @mizjoely @sgam76 @ariaadagio @hanuko @ceruleanmindpalace

1 note · View note

bigskydreaming · 5 years

Note

yeah if you wanna talk realism then there's no way jason and tim got to bruce's and dick's levels so quickly. especially jason. bruce trained for most of his life and dick was raised as an acrobat and then spent the rest of his life training martial arts. tim and jason couldn't have reached that in the few years they spent as robin. so lets not bring realism into it cause then we all come off as asshats and it's not nice.

I mean, its just so dumb to me. I’ve never once been tempted to try and diminish Jason or Tim’s skills compared to Dick by citing the time frames their training took place in….especially given that those time frames IMO were basically random numbers writers with no real experience with any of those skillsets themselves just pulled out of their asses, because they honestly didn’t care whether it was believable or not. Like sure, one could feasibly make that argument if they really wanted to, but….why? What’s even the point? At the end of the day we’re still talking about child superheroes the entire DC fandom just accepts as being able to outlast, outmatch or outperform every child superhero with actual superpowers, just as their dad can do the same with literally every adult superhero, as far as most people are concerned.

Realism is just such an absurd argument to bring into this IMO, whether its in the name of propping up a character or diminishing a character, because like….by all means, I’m right there with anyone who wants to argue real world implications or ramifications to comic book stuff, because as long as a comic book is a mirror of our world to any degree, those things don’t go away just because something happens in a comic book instead of real life.

But its an entirely different thing when you’re trying to argue real world logistics as applied to comic book stories, because the very nature of the medium is a kind of absurdism. Like, its literally the point? Its larger than life, four color shit from the bottom to the top, solely for no other reason than it CAN be, that the medium ALLOWS for it to be. Superhero comics are literally the place where anything goes, so long as you can justify it in-story. Absolutely I think you still need to have internal consistency. The things you claim happen in a story should make sense according to the internal logic or rules set forth by that story, otherwise its just…plot holes. But that’s got nothing to do with realism, its purely how….storytelling works.

Like, I use the “Dick started as Robin at eight” timeline for literally no other reason than its the version of events that gives him the most time with Bruce for the much talked about and always referenced strong bond they have to form, and it gives him the most time and experience as a trained vigilante, which in turn, to me, accomplishes the far greater task of justifying Dick’s extreme and undisputed competence in the eyes of basically the entire superhero and supervillain communities, by the time he’s an adult and Nightwing.

I mean, that’s literally the only reason I go with that, and the reason I prioritize ‘what age he debuts as Robin makes Dick’s reputation and experience as an adult hero seem most plausible’ over ‘what age he debuts as Robin seems most plausible’…..

Is because there’s literally no childhood age where if you ask me, the things that are expected of and taken for granted with any and all of the Robins in either the comics or most fics…are remotely plausible.

Like, it doesn’t weird me out to write Dick starting as a costumed vigilante at age eight, because…..if I’m honestly viewing things through that lens…..then….him, any of them, starting at age ten isn’t any less ridiculous? Starting as a vigilante at age twelve isn’t any less ridiculous to me? Fourteen is barely plausible but stretching it, and still would require leaning heavily into the idea that the teen vigilante still had a literal lifetime of training under their belt in at least one of the relevant skillsets like acrobatics or martial arts….I mean ‘realistically,’ if we’re really trying to play that game, I would have trouble taking literally any story about any Robin ‘seriously’ unless they were at least sixteen or so….

And if you have them all start out as Robin at age sixteen or more, then….not only does that put a serious cramp in how much history/bond/partnership Bruce can develop with any of his Robins and y’know…family….in a comparatively vastly reduced time frame….but also, that pretty much negates the entire premise and point of Robin in the first place. Seeing as how IMO Robin basically exists as the quintessential youth empowerment archetype, heavy emphasis on youth….as well as at least in its early decades, doubling as the embodiment of childhood joy/innocence/potential as superpowers unto themselves.

*Shrugs* Bottom line is I honestly don’t think any one of us would be here if we were really dependent on viewing any of the Bat characters through any kind of ‘realism’ lens. The very nature of Robin’s existence kinda expects a suspension of disbelief regarding a child’s ability to go toe-to-toe with skilled foes with powers, resources and experiences far beyond anything he can comparatively match….and yet still walk away or come out on top most of the time anyway. And again, you ask me, the second you buy into that premise to any degree, you’re kinda sacrificing your right to play the ‘but realism!’ card, no matter what age we’re talking about specifically, so like….I honestly have trouble seeing where one specific ‘c’mon now, seriously?’ age is any more or less believable than any other.

And this actually really ticks me off, lol, even though its not that deep, because like…..the fact is I fully believe anyone who is able to conceptualize and word things as well as I know the particular poster whose post annoyed me is in fact capable of….like, they damn well know this themselves, and is just willfully pretending otherwise for the sake of making a bullshit argument they know is bullshit and yet are still making anyway because it suits their bullshit agenda….which in the context of an argument like that, like…it isn’t even “oh I don’t like this character or his stories and here’s why” which I mean, I get….but instead this kinda thing is “and also you shouldn’t like this character and his stories either and here’s why, even though I absolutely would never apply this same logic to any one of MY faves.”

I mean, I know its same shit, different fandom, and a lot of this is just carried over irritation after six years in TW fandom where people like…fucking ran strategic military campaigns committed to making sure as few people liked the main character as possible, lmfao….but its just, nothing about this kinda thing is remotely novel or original and I’m soooooo tired of people being so blatantly fake about their intentions, when its like….who even fucking cares?

Did you win a prize for pretending you didn’t hate that character you actually hate? Did you score all the points by being so slick that nobody caught on that you SOUNDED like you like this character even though you actually only posted to drop in these five different reasons people should actually hate that character instead? Is literally anything anyone gains from this kinda fake BS worth the time and effort they put into pretending they have a different opinion than the one they want people to actually internalize and agree with, because the fake opinion they’re pretending to have is actually one that they hate?

*rolls eyes so much they fall out of skull*

LMFAO, sorry, you didn’t set me off, just…..this kind of behavior is just such a pet peeve of mine. Its like hearing nails on a chalkboard for me, just gets under my skin, lolol. And also its lame and boring and dumb and what if people didn’t work so hard to be so fake all the time, I’m just wondering. For like. Science and stuff.

18 notes · View notes

amphtaminedreams · 5 years

Text

S/S 2020 Fashion Month: A Basic, Uneducated Fashion Heaux’s A-Z of Everything Noteworthy (Part 2/3)

Hi to anyone reading,

Back at it again with the giving my unsolicited opinion on 2020′s spring/summer offering, I’m gonna hop straight into part 2 of my fashion month review!

Sorry to start with an underwhelming few but my compulsive tendencies are making it really hard to break out of this alphabetical structure (cry laughs whilst thinking about how long it took me to face up at my retail job last night because it would give me vaguely homicidal urges and make my fingers tingle every time a customer moved something slightly out of line), so I’m gonna whizz through a handful of collections. First up, Halpern:

Not much to say but I’m envious of the heavy liner (my hooded eyes could never) and I like the colour scheme. As for the 80s style metallic pink dress?

Helmut Lang:

And Hermes:

Of these 3 collections, Hermes is definitely the most interesting. I like the colour scheme and the utilitarian shapes and the tan coloured jackets are an absolute shoot. This is how you make safari look fresh, D&G take note.

Isabel Marant was okay. It’s cute, sure, reminds me of something Mary-Kate and Ashley would’ve come out with/worn in the 2000s, and there’s definitely some things I would wear, but I wouldn’t say it looks all that luxury. Pricey, sure, but like, Free People pricey, not designer pricey. As a collection, it’s not all that conceptual, unless the concept is L.A girl does a Starbucks run after her bikram yoga class. What I will say though is that some of the S/S 2020 commercial trends are becoming clear: white cheesecloth pieces, peasant blouses, cowboy boots, scrappy sandals, neutral tones, and bandana print.

Now onto the darling of high fashion Twitter: Jacquemus.

As far as presentation goes, this has to be one of my favourite set-ups of the season; a hot pink runway running through a lavender meadow is as canny and serene as those who sing the praises of Simon Porte Jacquemus would have you expect, and the clothes were easy, breezy and beautiful, even if there is an element of getting dressed in the dark going on with the styling which put me off including a few otherwise gorgeous pieces. It might not be 100% my style but you can tell this is a brand of the future which is only going to go from strength to strength.

And everything was beautifully and purposefully crafted on the runway with J.W Anderson this year. The pieces are graceful and timeless whilst still easy to envision as something a modern woman would throw on to (very fashionably) run some errands in the city. This was also one of the handful of shows (IIRC! This might be a case of extreme deja-vu!) where we saw the sandal straps tied over the trousers, I’m guessing to accentuate the ankles, and...I’m surprisingly here for it? Though in a sense it kinda resembles when I accidentally get my work trousers tucked into my slipper socks, it’s an interesting touch and adds a bit of a shape to otherwise billowing bottom halves.

Following Jacquemus’ lead (or vice versa, I’m way too deep into this fashion month haze to work out who went first at this point), Lacoste also put on a co-ed show. Otherwise crisp and preppy as per, the neckerchiefs (even if seeing them all next to one another does give off a bit of a Disneyland Main Street barbershop quartet vibe) and vinyl/wet-look/PVC/I’m still not sure what differentiates the 3 coats were an out of the box touch for them and I really liked it. It’s athleisure, but more like something Hayley Bieber would’ve worn as part of her Princess Diana inspired shoot than anything I’d wear to the gym.

LMAO, as if I go the gym. But you get my point. Next, Loewe:

Delicate, feminine and all around delightful, the S/S 2020 Loewe collection is up there with Chloe and Brock when it comes to most spring appropriate. More chiffon, lace and doily-like detailing, please, the old woman in me lives for this kinda thing made fashionable. Like with J.W Anderson, you can tell the design team wanted to do something different without just throwing shit onto their pieces for the sake of being wacky, and so we end up with these dramatic, slightly geometric waistlines and almost angelic Victorian nightgown inspired dresses that kinda make me wished that 1). ghosts existed and that 2). I lived back in that era so I could die some tragic death wearing any one of the dresses on the left in the top 3 rows and then haunt the shit out of everyone. That would really be an iconic fashion moment. Also wonderful, imo, was Louis Vuitton:

The mix between 60s and Edwardian I never knew I needed, as opposed to Gucci’s forward thinking take on the former decade, Louis Vuitton takes it back even further and throws in late 19th/early 20th century structures and references. I adore the what seems to be a mix between brocade and paisley print and the exaggerated collars are a very cute touch. The jacket on the top left is a highlight, a more neutral version of the similar catsuit seen at the Longchamp show (I couldn’t personally pick enough highlights from that to include it), and I now more than ever really want to try and pull off a sweater vest. The shoes might not be the most exciting thing ever but they’re also a personal favourite, from the knee high boots to the loafers with the LV moniker.

Maison Margiela was very cool and again, I’m in love with the shoes and just the accessories in general, ESPECIALLY those hats. I don’t know if I’m way off base here but this show is almost a modernised, fashionable version of a 1940s period drama about WW2 pilots and evacuees. Yes, maybe I am just getting that solely from the trench coats and the naval influences and the exaggerated collars but I think with that list I made quite a case for that perspective, right? Right.

And completing this holy trinity (appropriating the term I usually reserve for Emma Watson, Emma Stone and Emma Roberts is not without careful consideration) is Marc Jacobs. One of my ultimate favourites of this season, this collection is absolutely EVERYTHING: kitschy, dream-like, whimsical, over-the-top, and totally appropriate for your slightly eccentric aunt who always drinks too much wine and talks a lot of shit every time she comes over for dinner. I really feel like I walked into wonderland looking at this collection, and in the best way possible, it gives me a female Russell Brand in the 2000s’ wardrobe on crack. On the one hand we have these insanely beautiful and ethereal chiffon floral dresses but then we also have fricken top hats. Basically, it’s everything I love about fashion and I don’t know if anything can top it. Periodt (and I type that with a totally straight face).

Next, onto another personal fave, Marchesa:

Which is as always, beautiful. I was going to write that if Disney princesses came to life and lived in the modern world (so, in other words, Elle Fanning), they would be wearing Marchesa and then I remembered that the film Enchanted exists and had a lightbulb moment and thought OH MY GOD IF THEY REMADE THAT IN 2019, THE DRESS ON THE RIGHT IN THE MIDDLE ROW WOULD BE A PERFECT LEVELLING UP OF THE CURTAIN DRESS.

Anyways, favourites of the favourites are the bottom row; I would die for that feather trim.

BUT where Marchesa is everything opulent, overly ornate and err-ing on “fussy”, Margaret Howell’s S/S 2020 collection is completely stripped back and just as effective, if not as to my taste. Very cool, very current, and altogether effortless (in a good way!), with this show Margaret Howell made mid-20th century utilitarianism relevant. I never thought I’d be praising the combination of bermuda shorts, crew socks and a beanie and yet here I am. Character development.

Next is Marine Serre:

Which I really like! The bottom row isn’t really to my personal taste but I can acknowledge that if I saw somebody wearing any one of those outfits I’d think they looked sick, and as for the first two rows, those mesh tops and the slightly chintzy florals are right up my alley.

Marques Almeida put out a really strong collection, imo. The blending of luxurious silhouettes and fabrics with street wear inspired prints and styling is a really interesting and unique contrast and if Billie Eilish ever decided to stop wearing those tweenie clothes and wanted to actually seduce somebody’s dad (I LOVE BILLIE EILISH AND I KNOW WHY SHE DRESSES THE WAY SHE DOES, IT’S A JOKE, PLS DON’T HATE ME), I’d love to see her wearing something like this. It’s a blend of punk, urban, and 2019 e-girl and has the kind of edge that Topshop has lost over the past couple of years that used to make it so aspirational to my 13 year old self. Of all the shows, it also probably has the most personally wearable accessories, and a shit tonne of cool make up looks I’d love to try if it weren’t for my lack of visible eyelid, lol.

Make up looks were a highlight of the Max Mara show too, for me anyway.

I otherwise wasn’t hugely keen on the collection, it being a little too matronly/Miss.Trunchbull-esque for my liking (wild card fashion inspiration of 2019, apparently?). The light paisley print dresses are very dreamy, though, and I can never resist a good suit.

As for Michael Kors, dare I say it, but the basic bitch in me loved it. I know as a designer he’s not held in very high regard by the fashion community and I'm not saying it’s at all original but it did what it set out to do well; I mean, it’s quite fitting that he cameo-d in an episode of Gossip Girl because every outfit would be perfect for the Constance attending incarnation of Blair Waldorf, which is probably why I like the collection. Like yeah, it’s a bit of a Polo Ralph Lauren/Lacoste rip off but it’s daintier and more feminine and so I’m not gonna lie, I’m on board with it.

Next, Miu Miu.

One of the collections I was most excited for, I was a little disappointed. Don’t get me wrong, I really like the collection, but I have never once disliked anything Miu Miu and I usually love it. There are things I love about this line too: the cream, floral lace-up boots, the off-the-shoulder cardigans, the houndstooth oversized coats and of course the fur-lined gilets. My mum used to buy me similar ones when I was a little girl and so they give me childhood nostalgia in the best way possible. I mean, the collection is as girly and eccentric as ever. I think it’s just a little too on the primary school librarian side for me, this time round. Sorry Miu Miu xoxo

Now I’m just gonna speed through a couple, starting with MM6 Maison Margiela, the younger sister to the more expensive regular Maison Margiela line:

And Monique Lhuillier:

So that I can get to one of my other ultimate favourite collections for S/S 2020: Moschino.

Oh my god, where to even start. Firstly, I might be reaching, but if this show is even remotely to thank for art nouveau mesh tops showing up in the Urban Outfitters new in section, then a very sarcastic thank you to Jeremy Scott. You just made ethical shopping a lot harder. HOW am I supposed to not buy an Alphonse Mucha top? HOW!? I mean, I’m sure I’ll manage (I’m on month 3 without a shopping spree I can’t actually afford now and yes, I am very much patting myself on the back), but HOW!?

But on a serious level, if renaissance was the print of 2019, which I’m still very much into BTW, bring on modern art as its 2020 replacement. The Pablo Picasso inspired show not only livened up a generally pretty predictable fashion month but it’s also got me searching up other times art has met fashion on the runway and thrown me down a particularly aesthetically pleasing wormhole I’m not sure I ever want to escape from (https://frontrowmagazine.ca/art-inspired-looks-were-all-over-the-runways-of-fashion-week-a74e8bc7ff0d and https://www.vogue.com/article/spring-2017-ready-to-wear-fine-arts-trends are good starting points!).

Mugler was also up there with the best of them, imo:

See, if the Moschino collection was all about dabbling in art class, Mugler’s S/S 2020 collection is its more mathematically inclined sister, all about sharp lines and deconstructed silhouettes and symmetry all whilst looking hot as fuck. So very Mugler, basically.

Now, this reference might be slightly off because I haven’t actually SEEN Ex-Machina yet but I imagine if Kim Kardashian were to channel that movie for a costume party she’d end up wearing something from this collection. That sounds like a roast because Kim has worn some questionable outfits but I blame Kanye for most of that and I’m referring to her on a good fashion day, alright!?

As for Off-White, it’s obviously a lot more commercial than most of the lines I’ve reviewed so far. Like, I can see a lot of these outfits on a mannequin in Urban Outfitters (no, I am not being paid to namedrop them, about 3 people in total read this Tumblr so any kind of sponsorship money would be severely wasted on me). That’s not necessarily a bad thing, and I love all of these looks; it just seems unfair to compare them to the the Mugler or Moschino collections, for example.

The stand outs for me are all on the bottom row: I would buy the utility vest, leather blazer and the all mesh turtleneck under washed-out tie-dye on the spot if I saw them in a high street store. Unfortunately, I feel like that’s kinda where they belong. You just expect collections to be a bit more conceptual, and this one is a little watered down, as much as it’s my style.

Oscar de la Renta was beautiful, of course. Not like I’m shook by how beautiful it is but kinda just what you’d expect from a brand with a name as poetic and fun to say as Oscar de la Renta. The silhouettes are dreamy and the details are as fit for a fairy princess (lmao) as ever. Plus can I just say how happy I am to see butterflies on dresses for adult women again!? And dresses worn by Blanca Padilla nonetheless!? Very here for it.

Next up is another on one of my fashion month highlights: Paco Rabanne.

LOOK AT THIS SHIT!

I mean, don’t get me wrong, something about this collection (I’m pretty sure it’s the knee high coloured socks) is giving me primary school teacher vibes, but I'm not mad about it. It’d be the kind of teacher who’s actually really good at their job and has loads of cool hobbies and a really hot boyfriend or girlfriend or wife or husband who you secretly want to be then you grow up/and or have a huge crush on.

Like with Marc Jacobs, there’s obvious flower child elements here, and whilst on the whole the former took my breath away slightly more, this is a lot more wearable. My favourites are the paisley print dress and cape on the left in the very bottom row and all the chainmail pieces (which remind me of the dress Naomi Smalls wore in that whole club ninety-sixxxxx skit on drag race), plus that floral cut out dress with the trailing flute sleeves, which is absolute PERFECTION.

The 70s influence was clear in Peter Pilotto’s S/S 2020 collection too from the abundance of tie-dye to the knit v-neck dress, zany colour and print being the very on-brand focus. That being said, this is definitely more of a street-style inspired collection than usual and whilst the floral suits and dresses on the 3rd row down are very typical Peter Pilotto, the tie-dye corset and combat trousers on the far right, second row from the bottom, are very Jaded London. As for the reoccurrence of the bucket hat, I’ve remained steadfastly against them for several years now (even when our Lord and Saviour Miss Robyn Rihanna Fenty started wearing them) but the way they’re done in this collection even I could definitely get behind; all in all, the show surpassed my expectations.

The same goes for Ports 1961, which was a lot more eccentric than I gathered is the norm from a few google searches. Honestly, I hadn’t really heard of the brand which, upon reading up on it, I feel very dumb for considering it has been around since (in the shock twist of the century) 1961.

Yes, I know how that sounds! But forgive me, I’m still learning:)

Anyway, the fishnet detailing alone pretty much sold the looks I picked out. Seriously, I got a pair of those bloody tights, like, 2 years ago when they became a thing again and now any outfit where I have my legs out feels incomplete without them.

Next is Prabal Gurung, which, as far as presentation goes, was fucking STUNNING:

I mean, you could say that I’m easily impressed and that the presence of the bouquets won me over (and you’d definitely have a point there), but it’s also this year’s Givenchy haute couture-esque feathers, the trailing pearl necklaces, the exaggerated shoulders, the dreamy colouring, the everything looking like it could’ve grown off a very fashionably-inclined tree. Like, there’s a lot to love here, from the naturalistic elements, to the context behind the show, an ode to American fashion history and those cast out of it (and the notion of “being American” in general) for so long.

Going from a high to a (personal) low, however, next we have Prada:

I don’t know, I get that it’s supposed to be simple and stripped back and dignified and whatever and I like the looks I picked but it’s just a bit blah for me. The bonnets that kept cropping up just didn’t do it for me and almost ruined what is an otherwise nice skirt suit (top right). Nonetheless, I like the silhouette of the sheer black dress and the the brocade print suit is really luxurious looking, even if the pattern is a *little* Wetherspoons carpet.

Anyways, here’s a quick overview of Rag and Bone:

So that I can stop moaning and get onto a collection I REALLY liked:

I am of course talking about Ralph and Russo. See, this is kinda what I expected from, like, Chanel and yet it’s Ralph and Russo that delivered. Also, it gives me Alessandra Rich vibes which is very much a compliment considering how much I love her designs. I mean, if Valley of the Dolls were to get another film remake in 2019, this is exactly what I’d like to see the female leads wearing, from the pastel suits to the satin kaftan style dresses. The yellow feather trimmed dress is practically a copy of something Marchesa has already done but it’s cute all the same. In my top 10 collections of the season, for sure.

Rick Owens was another strong collection; it goes without saying that it’s not the most wearable but that’s not really what Rick Owens is known for, so I wouldn’t expect anything else. If you want fashion on an alien planet, or something Lady Gaga would’ve worn in 2010, he's your man.

Next, Rodarte:

Obviously the dresses are beautiful and the set is magnificent, BUT...I’m really not a fan of the whole celebrities filling in for high fashion models thing. I like Lili Reinhart and I adore Kirsten Dunst, she’s been in a load of my favourite films, but in a similar vein to Dolce and Gabbana’s influencer show, it’s just distracting from the actual garments, if even worse because I don’t WANT to be distracted here (the same can’t be said for the D&G show, lol). If anybody has read this far, let me know your thoughts!

Roland Mouret was nice, and I always like a coed show, especially when a designer isn’t afraid to blur the lines of masculine and feminine. It’s fresh, lightweight and luxurious looking, Cannes film festival street style eat your heart out, and I love the colour palette.

Similarly, colour was my favourite thing about Sally LaPointe’s S/S 2020 collection.

I would never think that teal and burnt orange would work together, let alone in some kind of faux leather, and yet here we are. Orange is in itself always an interesting colour choice, perfect for the summer with a tan, and I really love monochrome outfits, even though they’re something that ends up being quite pricey to put together; slight differences in tone are okay but if you just randomly throw together a few things and they’re too off, it really doesn’t work and you’d have been better off wearing contrasting colours. For that reason, I’m just gonna admire that all-pink outfit from a distance.

As for Schiaparelli, it’s one I always look forwards to for the sheer weirdness. RTW isn’t quite as kooky as haute couture but still, the interesting choices are still there; what at first glance appears to be flame print is actually coils of hair, and paired with a water print suit is a sequinned jacket emblazoned with a paradisiacal mirage. Ornament-like facial decorations as seen in the over-exaggerated glasses worn with the pony hair suit are also one of my favourite new things to happen in the high fashion scene in the past couple of months and I can’t wait to see how they get watered down to become more approachable for us...regular, non-structurally blessed folks who can’t pull off anything and everything.

Simone Rocha was STUNNING. Romantic and ethereal, it’s druid goddess crossed with upper class Victorian woman of leisure, equal parts delicate and grungy, like a modern, fashion version of Lady Gaga’s Scathach in the Roanoke season of American Horror Story. You know, in the flashbacks, not in present day when she was all gross and like...scalping people and shit. Each dress is so ornate and has such an interesting structure, and the fabric choices give off an organic kinda vibe that create a handmade feel; the collection is, imo, really worthy of being shown under a haute couture heading. When it comes to my favourite element of the show, I’m torn between the petticoats and the hair accessories. I’m just gonna give a cop-out answer and say both.

Stella McCartney on the other hand, is very much a clear ready-to-wear collection.

It’s pretty, for sure. The pastel blazers paired with delicate white mesh tops underneath are a gorgeous combination for spring and I like the reoccurrence of the chain glasses (Gucci, right?). But I mean, when you go from Simone Rocha to this, it’s a bit anticlimactic. Plus, if I’m honest, kaftans are always going to remind me of Honey Mahogany from season 5 of Drag Race. Don’t get me wrong, I’m sure she’s a lovely person but her runway looks aren’t really ones I look back fondly on, and you’re lying if you say you enjoyed them for anything other than meme purposes.

Temperley is equally meh, though the return of the Erdem-style boating hats is getting me excited that high street retailers might actually pick up on the trend and bring out some cheap ones for me to embarrass myself by wearing.

I also love a good 70s suit, the neckerchiefs are cute and there are some really delightful prints here that are a more unique approach to florals for spring.

Coming towards the end now, next is Thom Browne:

I LOVE this. Like, don’t get me wrong Rick Owens was cool but I adore how on the nose the concept is here; time to bring back all the Marie Antoinette puns I didn’t get to use in my Versailles Instagram post. I don’t know if it’s the history buff in me or the Sofia Coppola Stan but I will always be willing to sign any kind of treaty for anything related to the excesses of the 18th century French monarchy, and this is that turned up to 1000 infused with a dash of the Teletubbies, which sounds like a nightmarish concept, I know, but as high fashion it WORKS.

Tory Burch was very commercial, seemingly half inspired by Monterey yoga moms and the other half by Hamptons socialites.

And then there was Valentino, which was fucking exquisite, imo. LIKE, CALLING DOCLE & GABBANA: THIS IS HOW YOU MAKE TROPICAL PRINT INTERESTING. YOU MAKE THE VELVET MONKEY’S ARM THE FRICKEN WAISTBAND.

Seriously, though, I am enamoured with this colour palette; all the whites and golds are angelic and fr, I didn’t know until now that you could make neons this elegant. I’m also getting an almost clerical feel from a lot of these looks, with the plaited waistband on the black dress that’s 7th row down in the middle, the stunning red cape and the multitude of exaggerated neck ruffs. I think I’ve mentioned before but I always love religious references in clothing-I don’t think I’ll ever get over the 2018 Met Gala-and so whether I’m reading too much into it or not, this collection really did it for me.

Whilst it’s probably as far removed a collection from Valentino’s S/S 2020 contribution you can get, I also loved Vera Wang this season. It might purely (I PROMISE THIS IS MY LAST GOSSIP GIRL REFERENCE) be because it gives me Jenny Humphrey vibes and *controversial* she did have my favourite style of any of the main characters, but sue me, this is just the right amount of late 90s/early 2000s grunge. Deconstructed trashy goth it girl is an interesting concept to see on the runway and I completely support it.

Versace on the other hand was very hit or miss. The looks I picked out I really loved but ultimately, for one of the household name brands, a lot of the actual garments were a bit pedestrian. I will say though that for me, it’s a case of the whole being greater than the sum of its parts. The slicked back mermaid hair and the pops of colour in the makeup and the interesting necklines meant that when it was good, it was GOOD. However, overall, still a bit too 80s Miami businesswoman, and please GOD, can we leave that hideous J-Lo dress in the past, it should really not be the climax of the show in 20-fucking-19!

As for Victoria Beckham, I liked it, but it’s a bit of a Gucci copy, no? And no way near as interesting?

And on that note, I’m gonna have to cut this off. Super annoying but with only 5 collections left that I want to talk about, Tumblr is being a little bitch and will not let me add anything more to this post. So, see you in 5 for the final post!

Lauren x

12 notes · View notes

osleyakomwonkru · 5 years

Text

Okay. More nuanced look at 6x13.

First things first: This episode saved the season for me. I was ready to write off this season like it never happened, and almost give up on the show.

But why do I suddenly love it? Glad you asked.

I know a lot of people apparently loved this season and hated this episode, but I guess that all depends on what you’re here for. If you’re here for the Bellarke, than yeah, I can see why it might be disappointing. But if you’re here for everything else, well, that’s why this show has been saved.

Naturally, it comes down to my faves: Octavia and Murphy.

Below be spoilers.

HOLY FUCK GUYS.

Okay, so stuff happened on the mothership, whatevs, that’s not really anything I care about. We’re all about the ground here.

Let’s start with Murphy. MURPHY. So many awesome moves and lines in this episode. Love him. Best lines: “Being a god should be more fun than this” and “Good kisser, too.” I’m excited to see where things end up going for him next season.

Also, can’t be a coincidence that they’ve quoted Buffy twice in this episode. First, Murphy with “Lie to Me”, then Raven with “Once More With Feeling”.

Now, to Octavia. My queen. Where do I even start?

Well, let’s get the Plot MacGuffin out of the way first - the Tank Top of Plot Convenience. When did Octavia pick up that skimpy number? It sure isn’t what she was wearing the rest of the season. Did Gabriel happen to have a new outfit to give her? Did Clarkephine pack a change of clothes when Bellamy dragged her into the woods? Whatever, it is a plot device, I get it. Let’s move on to better things.

I love the Octavia and Bellamy interactions this episode. Unlike the joking last episode, this did feel earned. I still want Bellamy to apologize though.

Now, onward to more serious things.

My biggest fear, and the reason why I’ve been a ball of anxiety with a pit of dread in my stomach for the past week, was that Octavia would die in some self-sacrificial act to save her ungrateful brother.

Thankfully that didn’t happen. Sure, she’s a question mark right now, but JRoth has said in interviews that Marie’s still very much a part of the show, and we will learn Octavia’s Anomaly story, be it in real time or flashbacks or both and I’m okay with that explanation for now.

Mostly because it emphasizes what I’ve been saying all along, something I’d been worrying that the writers had forgotten this season - Octavia is a key part of the show, perhaps more than anyone else. She might think she’s just Bellamy’s sister, but she’s so much more than that. She always has been. As Gabriel told Bellamy, “Your sister’s special”.

Other characters are players in this world, major or minor, but Octavia is the world. Without her, they wouldn’t know or understand the worlds they inhabit. That was true on Earth, that is true on Alpha. Then the last glyph on the Anomaly Stone - O.

Let that sink in for a moment.

I don’t know what it all means yet, but we’ll be speculating for a good long while, and I know over the hiatus I’ll be studying up on octonion algebra, which will be a fun challenge since I never took algebra in high school and even pre-algebra math was close to two decades ago. But a first look on Wikipedia says that octonions relate to spacetime dimensions and have appeared in the study of black hole entropy and quantum information science. Any or none of this could be relevant.

More spec to come over the coming months, you better believe it.

#the 100 #the 100 spoilers #the 100 6x13 #octavia blake #john murphy #bellamy blake

52 notes · View notes

homespork-review · 5 years

Text

Spork Introduction

CHEL: Hi! I go by Chel, they or she pronouns, and I’m the one spearheading this project. I still like at least a fair percentage of Homestuck, but after the ending disappointed me a great deal, I got bitter, and when Hussie pissed me off further by Godwinning himself, I decided to do something about it. I’m no longer angry about it, but I felt I’d benefit from picking out what I hate from what I love so I can focus on the latter without annoyance getting in the way, and also to benefit my own writing efforts.

BRIGHT: Howdy! I’m Bright, and I got into Homestuck fairly recently. After ploughing through the archive and digesting for a while, I realised that I was thoroughly annoyed by how something enjoyable had fallen apart so comprehensively. I am looking forward to the time-honoured practice of ripping the story apart to identify its weak points and shout at them.

FAILURE ARTIST: Hello, I’m Failure Artist (call me FA for short), she/her/herself pronouns, and I’m so old-school they burned the school down. I was introduced to Homestuck via Something Awful’s Webcomic thread. I checked the old mspadventures.com site and the latest update was [S] John: Bite Apple. After watching that bizarre piece of animation, I had to know what the hell happened before then. I found I enjoyed the wit of the comic though I didn’t really care much about the plot. It was only when Act 5 came around that I became a serious fan. I currently have 122 Homestuck works on Archive of Our Own. I have a lot of free time, you see. I am very disappointed in how Homestuck ended. Possibly there was no completely satisfactory way it could end but it still could have been better. I feel like Hussie was a juggler who threw a lot of balls into the air and ignored them as they fell to the ground and some fans think not catching them was a master move since you’d expect he’d try to catch at least one. Sadly, lots of the problems with the ending are embedded deep within the canon.

TIER: Hi hi. I am Tier, a very late newcomer to the wonderful world of Homestuck (2018 reader!) and average fan overall. I love this webcomic to bits, but the low points are deep and I enjoy seeking out what the heck went wrong. Not particularly analytical myself, hope that's cool!

CHEL: Cool by us! We’ve already done plenty of analysing before we started, as you may realise from my Tumblr’s “homestuck ending hate” tag (at @chelonianmobile).

FAILURE ARTIST: But let’s put that aside for a moment and talk about the good stuff.

Homestuck is incredibly innovative. It is the first true webcomic. It’s not just a print comic posted online. It uses not just still images and words but also animation, music, and interactive games.

Homestuck is the latest adventure in the series MS Paint Adventures. MS Paint Adventures started as a forum adventure. In forum adventures, the OP acts as a sort of Dungeon Master and other forum members give them prompts. Andrew Hussie’s previous works under MS Paint Adventures were Jailbreak (which is little more than Hussie dicking with the prompters in scatological ways), Bard’s Quest (Choose-your-own-adventure), and the actually-completed Problem Sleuth. Problem Sleuth lacks the music and animation and despite the weird physics shenanigans is a simpler story than Homestuck. The characters aren’t even two dimensional.

Homestuck (and the previous MS Paint Adventures minus Bard’s Quest) are set up like adventure games. Adventure games are where the player is a protagonist in a story and are usually focused on puzzle-solving though sometimes there’s combat. In the beginning, these games were purely text. The player would type what they wanted to do and the game would spout back text describing it - assuming the computer parser understood you.

CHEL: Oh god, I HATED that. I wasn’t around for the heyday but I’ve played a couple and

Pale Luna

was barely an exaggeration (horror warning).

FAILURE ARTIST: As graphics improved, adventure games started using them, but the commands were still in text. Only later was the point-and-click interface created and players didn’t have to guess what exact sentence the computer wanted them to type. Homestuck and the other MS Paint Adventures play with that frustration while paying tribute to the genre. The game within the comic uses RPG elements but the comic itself is set up like those good ol’ adventure games. In the beginning, Homestuck was guided by commands from forum members. Even after he closed the suggestion box, he used memes and fanon created by readers.

CHEL: How good an idea this was varies, as we’ll be showing.

We probably don’t need to describe Homestuck much more. Everyone here who hasn’t read it will doubtless have heard of it. Almost everyone with a Tumblr will have seen fanart, almost anyone at a convention will have seen cosplay. Shoutouts have been made to it in professional works such as the cartoon Steven Universe, and the Avengers fandom latched onto “caw caw motherfuckers” as a catchphrase for Hawkeye to the point that it’s now often forgotten it didn’t originate from there.

FAILURE ARTIST: The Homestuck fandom term “sadstuck” for depressing stories/headcanons somehow leaked into other fandoms. Using second-person is actually cool now and not just for awkward reader fics. Astrology will never be the same again.

CHEL: Now, in the interests of fairness, we will say that when Homestuck is good, it’s amazing, and it’s good often. The characters at least start out appealing and are all immediately distinguishable; even with the typing quirks stripped, it’s easy to tell who said what. The magic system is one of the coolest I’ve ever seen, who doesn’t love classpecting themselves and their faves? Hussie also shows a lot of talent for the complex meta and time travel weirdness, and it is fascinating to watch a timeline thread unfurl. And whatever else one says, it’s a fascinating story that’s captivated millions. I think it is deserving of its title as a modern classic.

However, as the years have passed, we have ended up noticing problems, big and small, and they nagged at us until we decided it had to be dissected. Our intention here isn’t to tear apart something we loathe entirely. It’s to take a complex work and pick out what works from what doesn’t. As I said, when Homestuck is good, it’s very very good. But when it’s bad, we get problems of every scale from various offensive comments to dragging pace to characters ignoring problems and solutions right under their noses to an absolute collapse of every theme and statement the comic stood for before.

The comic is ludicrously long; eight thousand pages, or thereabouts, to be specific. Officially one of the longest works of fiction in the English language, in fact. Naturally, we can’t riff that word by word in any timeframe short of decades, and we can’t include every picture, even if that was permitted under copyright law. Instead, as comics have been done here before, we’ll recap most of the time, and include sections of dialogue and pictures when particularly relevant to a point.

Here are the counts we’ll be using, possibly to be added to later if we find we forgot anything. Most of these counts will only start to climb post-Act 5, but we’ll be keeping track of them from the beginning. Most of them could have been fixed with a decent editor, which is sadly a hazard of webcomics, but still frustrating to read.

TIER: Note: we started this endeavor months before the thought of a "technically not but still we'll count it" set of canon epilogues were a twinkle in the eyes of the fandom. That is, by the way, a whole 'nother can of worms that will be dealt with at a later date if that ever comes around. We're judging Homestuck the Webcomic as a whole, so no after the credits stuff is to be noted for whatever reason.

ALL THE LUCK - Vriska Serket constantly gets a pass or gets favored over every other character. This count is added to every time she pulls some shenanigans with which others wouldn’t get away. ARE YOU TRYING TO BE FUNNY? - Sometimes it’s not entirely clear whether a thing is supposed to be taken seriously or not. We don’t require hand-holding through every joke, but when, for example, we’re supposed to take one instance of violence seriously while a similar case is supposed to be funny, this count goes up. CALL CPA PLEASE - Instances of creepy sexual behaviour (and perhaps particularly gratuitous acts of violence) from the thirteen-year-old cast. Now, mileage may vary on this one. We won’t pretend that thirteen-year-olds are perfect pure angels, especially thirteen-year-olds growing up in what is openly supposed to be a nightmarish dystopia. However, when full pages focus on said behaviour, there comes a point of it being very uncomfortable to read. Clarification: does not refer to cases where the adults do something heinous, this is strictly when the kids do. CLOCKWORK PROBLEMATYKKS - When an offensive joke or comment is made, particularly when not justified by the personality of the character involved, or presented in the narration as being okay. GET ON WITH IT! - When the pace drags. ‘Nuff said. Hazard of the format, but it makes archive bingeing very annoying. GORE GALORE - For unnecessary and/or excessive torture porn which is treated less seriously because it features troll characters, and therefore less “realistic” blood colours. HOW NOT TO WRITE A WEBCOMIC - When the comic does something mentioned in How Not To Write A Novel, and it isn’t justified by the webcomic format. HURRY UP AND DO NOTHING - Characters repeatedly neglect to do something about or even react to terrible happenings, either because they don’t care even if they should or they forget they have the capacity. Not necessarily anything to do with their magical powers, either - characters ignore personal problems that are right under their noses, too. IN HATE WITH MY CREATION - For reasons that are unclear, Hussie chose to create characters he apparently hated writing, or at least ignored in favour of others. Every time he’s clearly disrespecting one of his own characters, this goes up, whether it’s by nerfing their powers or changing their personalities. RELATIONSHIP GOALS? - Romantic relationships in particular get fumbled quite often. Ship Teasing is used with skill, but that skill tends to be lost when the characters actually hook up. Fumbled friendships and family relations can also come under this heading. SEND THEM TO THE SLAMMER - When characters other than Vriska get away with something morally questionable. Covers everything from sexual harassment to not trying to save people from the apocalypse. SOME OF MY BEST FRIENDS - Later on in Homestuck’s run, Hussie tried to make up for the offensive humour and casual -isms counted by Clockwork Problematykks above. How successful he was at this varied. This count goes up whenever an attempt at progressivism is waved in front of the reader but doesn’t stand up under scrutiny. WHAT IS HAPPENING?? - When the already confusing plot kicks it up a notch. Admittedly this is as much a selling point of the comic as it is an issue, but either way, we’re going to keep track. Points will be added to when it gets confusing, and taken away when a previous confusing thing is explained adequately. WHITE SBURB POSTMODERNISM - What is shown about Alternia repeatedly contradicts what we’re told about how different it is from Earth. For example, trolls still use heteronormative terms even after it’s established they reproduce bisexually, and the demonstration of the class structure doesn’t always add up. This count goes up every time that happens. It also goes up every time something happens which strongly implies Hussie was envisioning the human kids as white, despite his later claims that they were always supposed to be “aracial”, and every time their economic statuses don’t add up either.

#homespork #homestuck #review #literary critique #sporking #let's read #reread #homestuck meta

6 notes · View notes

richincolor · 5 years

Photo

Interview with Dahlia Adler

When I was a teen, Edgar Allan Poe creeped me out, but in the most delightful way. I can't wait to dive into this new anthology His Hideous Heart. An amazing group of authors have re-imagined his stories and now the collection is out there in the world waiting for readers to experience the chills. Today, the editor and contributing author, Dahlia Adler, is here to share about this intriguing collection and her work in publishing. His Hideous Heart: Thirteen of YA’s most celebrated names reimagine Edgar Allan Poe’s most surprising, unsettling, and popular tales for a new generation. Edgar Allan Poe may be a hundred and fifty years beyond this world, but the themes of his beloved works have much in common with modern young adult fiction. Whether the stories are familiar to readers or discovered for the first time, readers will revel in Edgar Allan Poe’s classic tales, and how they’ve been brought to life in 13 unique and unforgettable ways. Contributors include Kendare Blake (reimagining “Metzengerstein”), Rin Chupeco (“The Murders in the Rue Morge”), Lamar Giles (“The Oval Portrait”), Tessa Gratton (“Annabel Lee”), Tiffany D. Jackson (“The Cask of Amontillado”), Stephanie Kuehn (“The Tell-Tale Heart”), Emily Lloyd-Jones (“The Purloined Letter”), Hillary Monahan (“The Masque of the Red Death”), Marieke Nijkamp (“Hop-Frog”), Caleb Roehrig (“The Pit and the Pendulum”), and Fran Wilde (“The Fall of the House of Usher”).

As a YA author, editor, and blogger with family relationships to maintain, could you share a few things you've learned about balancing many roles? The number one thing I've learned is honestly that balance is kind of a myth. There's no way to do everything perfectly and make everyone happy. What's worked for me is choosing what my priority will be at any given time and then backburnering things as possible. So, for example, when I knew I really wanted to finish writing a novel, I took a hiatus from blogging inasmuch was possible and took advantage of the fact that my in-laws come over every Sunday to see my child and put my butt in the chair for as solid a time block (usually 3-4 hours with of course some interruptions) on Sunday mornings as possible until I was done. When I take on extra blogging, it means writing is gonna get backburnered. Consistency is important and so is being firm on your boundaries.

What should we be expecting with His Hideous Heart -- mild creepiness, full on terror, or something more in between? It really does run a gamut, in the same way I don't think everyone realizes Poe's story did. In addition to the Gothic horror he's known for, he's also called the father of the modern detective story, and of course some of his works were far more melancholy than terrifying. I think all of his different facets are captured really well in the collection. Certainly, though, even in the ones with happy endings, you're not gonna find sunny beach reads! Why do you think Poe's stories continue to fascinate readers after so many years? Because his themes have never stopped being relevant or interesting. They're so many of the darkest parts of humanity that we don't necessarily get to live out; they're some of our worst fantasies. Getting to live them out through literature, getting to take action against someone who drives us nuts or mourn ourselves into oblivion, is both a safe and satisfying way to explore them. It takes a brave writer to put that out into the world and I think it takes brave writes to adapt them and say, "Here's how we're still feeling those things in our current world."

How did you choose which story you would re-imagine? Well first off, I took a backseat to the others, because they're all masters of dark fantasy or thrillers or horror and I am...not exactly known for any of those things! So I was only selecting from what they did not. And then from there, "Ligeia" was such an easy choice, because I knew I was going to stick my romantic contemporary strengths as best I could, and I saw immediately how that story would play out if I did. It didn't even feel like a selection process; the idea was just...there, waiting for me to grab it.

What were some of the challenges and rewards of editing an anthology? It's always a challenge to corral that many authors, and it's just logistically complicated. There are a lot of contracts and payments and agent negotiations and I don't think people realize that it's very rare for editors not to be responsible for that (as opposed to publishers). So that in itself is a lot of work before you even get to the editing, deadline enforcing, mapping over everyone's copyediting and proofreading corrections, etc. But I have so much natural curiosity about the industry, especially as someone who's been working in it for over a decade, that I really wanted to learn how more things on this side work, so that was actually a big reward for me! As, of course, is getting to read all these amazing stories early and working with such amazing authors. I really could not have asked for better.

What was the process for finding contributors? This actually half happened on Twitter, where the idea arose and people I think are fantastic in these genres chimed in that they'd be interested, and then half happened in email, when I realized this project was actually going to happen and I wanted to make sure it had as many of my favorites as possible. Honestly, creating lineups is my favorite part of anthologies, so I just went straight to the authors I absolutely love who write in Poe's genres and asked them to join up. It was thankfully easy!

Could you share a few books you've been recommending lately? ALWAYS. I've had a lot of reason to recommend By Any Means Necessary by Candice Montgomery, which has the college setting I know a lot of YA readers are looking for, plus a killer voice, great romance, awesome friend group, and covers really relevant topics. Another upcoming favorite is The Last True Poets of the Sea by Julia Drake, which is a Sapphic reimaginging of Twelfth Night that I always pitch as perfect for fans of The Weight of the Stars by K. Ancrum and How to Make a Wish by Ashley Herring Blake, both of which I love. As part of my Patreon for LGBTQReads, I have sort of a "book concierge" service, where I help readers find the perfect queer book for them, and so far Tell Me How You Really Feel by Aminah Mae Safi and Hot Dog Girl by Jennifer Dugan are in the lead over there; all hail the f/f YA Rom Com! And, obviously I've been getting some Horror/Spooky requests too, thanks to both His Hideous Heart and the fall season being upon us, and my standby faves there are The Girl From the Well by Rin Chupeco, Mary by Hillary Monahan, Anna Dressed in Blood by Kendare Blake, As I Descended by Robin Talley, and Wilder Girls by Rory Power.

Just for fun, since you are involved with publishing in a variety of roles, would you share one of your strangest experiences in the industry? Oh man, it's really hard not to respond to this with anything I...shouldn't. But I'll go with an embarrassing one that also involves one of the only times I have ever lied at work. My first job out of college, I was an Editorial Assistant at Simon & Schuster. There was an event for an Entourage book, by which, yes, I do mean a show based on the horrid show I was extremely into once upon a time and that fully influenced the character of Josh Chester in my Daylight Falls duology, but I digress. Anyway, I went to the event, which was about 10-15 blocks away from the office, and I reallllly wanted a signed copy, but I also reallllly didn't want to take more than an hour for lunch because I was terrified of my boss. And since I worked there, I knew the name of the editor on the book, and I maybe used that to pretend I was her assistant so I could skip the whole line and then get my book signed. MAYBE. I cannot confirm or deny.

Thanks so much for sharing with Rich in Color. We look forward to reading these shivery tales. Thank you so much for having me!!

Dahlia Adler is an Associate Editor of mathematics by day, a blogger for B&N Teens and LGBTQ Reads by night, and an author of Young Adult and New Adult novels at every spare moment in between. Her novels include the Daylight Falls duology, Just Visiting, and the Radleigh University trilogy, and she is the editor of the anthologies His Hideous Heart (Flatiron Books, 2019) and That Way Madness Lies (Flatiron Books, 2021). Dahlia lives in New York with her husband, son, and an obscene amount of books, and can be found on Twitter and Instagram at @MissDahlELama.

2 notes · View notes

sole-cuore-amore-e-droga · 5 years

Text

Tel Aviv 2019: Straight outta Montenegro to Eurovision with 6 young souls

youtube

(this is a pre-vamp review so take this whole thing as “something I wanted to publish but my schedule was withholding until it was specifically time for them to be reviewed”, therefore, this is a bit of a retrospective review. Will tackle on its revamp later!)

Montevizija, which finally has an official Twitter account (we all should forget the times some dude named Vasilije pretended to having made one), offered us another batch of 5 songs for another year, actually revealing all of them beforehand this time and not just the snippets! Joy to the world I guess.

You gotta love Montevizija for it being the most underrated ex-Yugoslavian national final btw. Granted, it only lasted for 2 editions as of now, and it will take years to grow bigger as a thing, but so far, for us the NFs that are ingrained to our brains more are Dora, EMA and Beovizija (and even Skopje Fest when THAT was used to pick an act and not just served as a festival like it originally was meant to be), therefore Montevizija seems more shunned. But what do you expect when the lineup of 5 for two years in a row is not exactly as stellar as hoped for? Well, there are gems here and there, but they haven’t really won on either years (or at least not on the 2nd year if you call Vanja’s song a gem too), and yet somehow they find someone who call them great. But for me this Montenegrin entry is not. :L

And who is up there to be colossally blamed for its existence? None other than this group of 6 refering to themselves as D mol (with “mol” decapitalized for whatever reason... they used to have hyphen separating the ‘D’ and ‘mol’, but now they scrapped it altogether, an anime death I’ll never forget). Worth noting that I, as a 19 year old, have this particularly ugly feeling I must get rid of, and that’s the one of “feeling old”, already at my age. And this is how I felt seeing that the band whose song I am not fond of today is made up by members that are of 16-17 to 21-ish years old!!! So my heart insists that I shouldn’t go too hard on these poor younglings, even if this is just me, currently tackling the brethren of my age. Prepare as I’ll go to shred their composition they’re going to Tel Aviv with, “Heaven”, to bits.

Although, what I call “shredding to bits” is merely just nitpicking the reasons the original version (keep bearing in mind that I haven’t heard the revamp yet) sucks imo, and idk, the new “Heaven” miiiiiiight just grow on me, but I heavily doubt about it because I never cared for it in the first place (youhouuu, they were my last in Montevizija ‘19 for a reason), and I’m rather looking forward for the new faves from the 8 songs I haven’t listened to yet rather than those that were already chosen. And even the Eurofans were not quite fond on the revamp, as some think the additional ethno sounds made it sound worse (and of course there are some that kinda like it or think of the song as their guilty pleasure). So why shouldn’t I? :O

Anyway, old “Heaven”. The first sounds on here to grace my ears on this song consist of one light piano note being tapped to an exact rhythm and a confused baby girl stuttering. And I’d’ve maybe enjoyed this more ironically at some point if it weren’t for the latter sound effect being re(ab)used later in the song!! Ugh I hate it. The lyrics are fine I guess... though isn’t it ironic the only English song in Montevizija’s lineup this year won?? It’s like the Montenegrin people were openly cringing when being the only ones to understand Vanja comparing his life to cat’s and mouse’s and calling his heart “the most expensive toy” in his song and then they were like “you know what? Let’s let the WHOLE Europe understand how terrible our lyrics are! ^_^” (no but for real, who still uses “I’m in heaven, falling straight into your heart” as a pick-up line? Did they travel through time from 1998 to 2019 or something???)

Speaking of the 90s, the whole song smells like a dated cliché of that period. You know, the kind of “the high school prom song from that 90s teen sitcom’s who you’re forced to watch when your elderly aunt is in the house with you and there’s nothing else on TV” dated. Dated even more than “Chain of Lights”. Seriously though! It includes the pathetic “wah wah” bassline, mid-tempo beats, the boy/girl-group harmonies... catch me puking sugar-coated cheese to this, no thanks. Oh and if you already read my “Zero Gravity” review (which you probably never even bothered to after seeing how much text would you have to read), I definitely mentioned that I’m not a fan of those “two verses-two choruses” songs, and especially those kind of ones that aren’t sounding like something suited for radio (e.g.: Poland 2018, “Light Me Up”)... this obviously sounds like something from the radio of the times the at-the-time senior highschoolers are currently over 30 or slightly over 40, and that should be 4 and a half minutes long. These verses could just not be more ridiculously dragged out for the choruses to prevail and get stuck in our brains... fucking welp [sic] me already.

Well, if there are any brownie points I could give this, it’s pleasant, it’s harmless if I don’t take into account the cheese vibes this emits, and all this bunch are made up by up-and-coming talented singers that clearly deserved a better song...

And the staging concept in their NF was cool tho (illustrating their power of D mol), and I applaud the couple chemistry I guess

Oh and this below is one of the most underappreciated memes this Euroseason:

*stares into your soul in Montenegrin*

So yeah. Oh and the Rizo(tto) guy who is self-aware of his hotness and the hotness of the much older Eurovision guys this year, but he’s not doing it for me so that I could be in heaven falling, so he’s getting a hard pass.

All in all - a nostalgia cash-in made to appease the housewives from Podgorica to Skopje, from Novi Sad to Štúrovo, and nothing quite else, sung by a cool bunch of people that if anything are deemed this year’s "great people with an unfortunately too dated song and a shitty draw” by me. I don’t know much of their personalities but I do believe that even if they like what they’re singing, they’d be much better off doing a better sounding throwback, at least. So that even the disappointed-by-”Heaven” Eurofans could at least call it “so dated but a BOP!”. And hey, I’m aware of those fans that will likely be pissed at me for not bopping along to this, but I said what I said about it and yet again, if revamp changes my mind, I will change my opinion, but right now I’d not prefer to. Grumpy Adio.

Approval factor: Hell with the no. I would like Vanja back instead. At least he made himself a somebody to be cared about even if the Eurofans didn’t quite adapt to his song in return.

Follow-up factor: somehow, both “Inje” and “Heaven” were/are seen by the masses as instant NQs, so it somehow doesn’t sound like Montenegro is following a great path so far. And after this year anything that audience favours and wins can be seen as a way better follow up after something meh coming after something wrose.

Qualification factor: For the n-th time, I’m yet to check the revamp out to state where this will actually go, but being put 2nd in the draw is a massive stab in the knee, as demonstrated by even the national finals this year (Electric Fields in Australia Decides, Aly Ryan in Unser Lied für Israel, Lisa Ajax in Melodifestivalen final... the only glaring exception is ZENA in Eurofest but is it me or these producers did this just so they could be all like “heeeey we put a winning song on 2nd just to show that a NF song can win from ANY draw! ANY DRAW!!!” lol nope), and from it only a few lucky souls have crawled out victorious (Nathan Trent for example, the draw might have pushed him down in the semi but he got up again!). D mol, for as young and developing in talent as they are, don’t seem to be such. You can be young and pitied for your personality, but you always can at the same time have a song that completely crushes your chances to do well and sweeps up the last shards of hope right in front of your eyes despite being an angel worthy of protection (Ari Ólafsson, anyone?). Unless the D molians work all their magic and the random ethnic vibes into their favour for some reason, but for now it ain’t gonna work.

NATIONAL FINAL BONUS

And even then, what was so interesting about Montevizija 2019?? Let’s see...

• First off, let’s address one meme of the beginning of 2019 that Facebook may or may have not used purposefully to upgrade their automatic “facial recognition” skills - the 10 years challenge. Our first one of this season is the sassy maneater who spent her ESC stint by trying to unlove a guy so hard that he just couldn’t oblige - Andrea Demirović. Her decade-later A-game happened to be this one song she sang in her mother-tongue: “Ja sam ti san” (I am your dream). Now, I wasn’t particularly into it - I enjoy some electro tracks out there (like hello, “Igranka” is one of my favourite Montenegrin entries, and 2013 entries overall as well) but this one just ended up being the right amount of cool AND overbearingly unsettling for me to not really fancy it. Kinda like “Red” by HyunA - I can only bop to this if I don’t care about the fact I actually hate it, oops. (Or maybe it is just because Andrea once again used a composition done by one of those “rent-a-NF-songwriter” people. Which is at least better than collabing Ralph Siegel who’s stopped being relevant ever since starting to work with San Marino, or even since the hilarious attempt of a peace song sung by the original common framework, six4One. But since Michael James Down has co-contributed to one of the better Montevizija songs last year, I will not allow myself to think it’s thanks to those kind of songwriters.) Nevertheless, the Eurofans actualy kind of loved this song, but sadly, Montenegrins and the international jury did quite not, and she didn’t land on to the superfinal 2 (as opposed to a superfinal 3 last year, to which she could have easily qualified if it still were a 3). Here’s her song to y’all anyways (and the performance too, which just needed to include some random monster dudes dancing around... why? Because Eurovision! ^^):

youtube

• Speaking of Andrea, during the results part there was this one shot of hers where she was pictured just casually chilling on her phone, not giving a damn that she’s being underrated on the scoreboard. Not only she was badly rated, but this moment was such an universal #mood!

• In between the finally final results announcement (which I didn’t really know when exactly was it taking place because the winner wasn’t really said out loud before the event I will describe next was taking place??) there was this lottery going on of who would be the lucky two audience observers that’d win tickets to Tel Aviv... hilariously enough though, it somehow malfunctioned and there were some sort of errors regarding the announcement of the RIGHT winner <3 but the winners happened and I hope they’re getting to go to Tel Aviv at some point during the Eurovision events! Hope they don’t feel startled by the lack of taken seats this year.

• Unlike Eesti Laul, Montevizija this year took up the job of showcasing tweets of Eurofans, and somehow this fellow fella ended up seen by a handful of Montenegrins AND international viewers. Take a wild guess which of them know what a daddy Serhat is.

• And who could not forget the magic flying envelope for to announce the winner of the NF:

there must have been some Harry Potter magic in there :O

As for what touches the other songs, well there’s the last year’s fan fave Nina Petković with another song, but it’s no “Dišem”, so don’t even bother. Or bother, but imo it’s just okay-sounding, nothing that groundbreaking or pleasant enough to be competitive. The other few songs were also nice but I’d like not to make this longer as my other write-ups, to be fair. Sucked to be Mr. Kállay-Saunders who, as the international juror chosen for this national final, had to rank its songs... as that NF happened right on the same day his second A Dal 2019 performance was taking off. Not that the international jurors were supposed to be present in Montenegro on the day of this NF, anyways...

Anyway, despite all this goddamn criticism (that could’ve flown more smooth had my computer not restarted in the middle of me doing paragraphs for this review), I’m fare welling the D mol-ians and would like to wish them a heavenly Eurovision experience. ^_^

#eurovision 2019 #tel aviv 2019 reviews #montenegro 2019 #d mol #heaven #montenegro

3 notes · View notes

abitterlifethroughcinema · 6 years

Photo

#ABitterLifeThroughCinema’s WOKE! Film Reviews

The Top Ten (+1) Best Movies of 2018 and where to find them!

Lucas Avram Cavazos

+1…11. Overlord Having its premiere at this year’s Sitges Int’l Film Fest, Overlord not only happened to be one of the fave films screened there this past festival, but this cinematic fantasy is an all-too-real and stark portrayal of a horror that actually occurred, and it deserves a nod from the Barcelona film critic family, so here it goes. Duly noted, I’d say. It starts with an insane aerial combat mission on the night of D-Day, one which goes awry and sees only a handful of paratroopers surviving the drop when enemy fire rains hell. They land in provincial France and the plot sets out to detail some of the inner workings of the Third Reich in reference to the insane, gruesome experiments done on captured Europeans and Jews. Those stories you’ve heard about turning these poor people into guinea pigs for super soldier intent using potent, injected serums…yeah, those? They’re true, if you believe the words of JJ Abrams. Are they as utterly brutal and horror/zombie film-like as displayed here? I sure as hell hope not. (now available On Demand and DVD)

10. The Ballad of Buster Scruggs There once was a film called O Brother Where Art Thou? While this is not its sequel, there is a sharp-witted vein to this film that could only be crafted and gifted to us by the Coen Brothers. What a hoot it is, even if it is a rather darkly-tinted hue of that hoot and humour. It is also one of their finest in years. Revolving around the singing cowpoke Buster Scruggs (Tim Blake Nelson) and five other tales brought to us with the commonly-threaded theme of death in often brutally funny ways, this film is a fine return to oddball form from two of the finest sibling directors of all time. Starring Liam Neeson, James Franco, Zoe Kazan, even Tyne Daly and so many in its vignettes, and that acting star power fuses this Western comedy into new territory for the brothers. Their previous works set in the west always seemed to be re-hashing works of years gone by but here, with their usage of almost comic-book-like details and witty banter make this much more enjoyable than their other historical works like O Bother and their remake of True Grit. Best western in absolute years! (available on Netflix or VOD)

9. Eighth Grade This poignant little film, which should have been wide-released everywhere the world over, is given fierce and bittersweet star power by Elsie Fisher, protagonist and student at the heart of this film. Comedian Bo Turnham has brought us the quintessential coming-of-tweenage story and along with Fisher, everyone in this film is so perfectly placed in their roles, especially Josh Hamilton as her dad, who deserves some nominations for this film but is unlikely to get any. Telling the story of 13-year old Kayla, we the audience get a sneak-peek into the minds and lives of today’s young adults. From her simple YouTube videos made to encourage other young kids to her obvious desire to fit in with older kids to her insecurity with boys, this film paints a stark reality that too many have lived through and this little indie film deserves aplomb from anywhere it can get it! (now available On Demand and DVD)

8. A Star is Born I skipped the critics’ screening of this film for the mere fact that I couldn’t bear to see if the acting and plot lines were another torrid take on a much-redone film. Even into the holiday season, I had not yet seen it and then when I did, I certainly took back any reservations. Bradley Cooper’s update of the film starring himself and Lady Gaga is just about as good as everyone said it was, and that was beyond refreshing to note post-viewing. In many ways, I feel that Cooper is likely revealing a few things about himself with the guise of “it’s a movie” being a nice cover; in some ways, he gives us what I believe are hints of his covert life, and it’s with Gaga’s turn as Ally that we really see him shine beyond the shtick of his character, country-rocker Jackson Maine. In a tad corny-tad, gripping way that takes hold the moment you see Gaga, let’s be frank and real, this film goes on to detail a Diet Coke version of the grim realities that often detail too many a tale of celebrity in Hollywood. Without revealing too many details of the film’s plot and denouement, we are looking at a necessary conversation about alcoholism, drug addiction and fame (plus a lack of ’NO’ men/women in many relationships) that needs to addressed for all ages. Well done, Mr. Cooper Goes to the Oscars. (At select screens, On Demand & DVD)

7. El Angel Incidentally, this may be the first time in a rather long time that I say something good about Argentinian men, so do take note. Telling the true story of fresh-faced boy killer Carlos Robledo Puch, played to Oscar-worthy perfection by newcomer Lorenzo Ferro, the masterful detail to which director Luis Ortega has crafted this arthouse meets dramedy-thriller is astounding and easily touches heights set by dePalma and even, dare I say it, Scorcese. We follow young Carlitos Puch, who is just nearing the edge of seventeen, as takes up with a rough and tough family of his devilishly attractive school chum Ramon, played by the spirited Chino Darin, son of Ricardo Darin. But as Carlitos comes to find out, his street crimes can easily be paved to real ones and his sadistic tendencies suddenly yet gradually paint a picture of someone who is in part desperate for attention and tacceptance and in part a fairly smart, well-to-do young adult. He parlays his sociopathy at pubescence into psychopathy with time, and this film will likely be, but should definitely not be, forgotten come awards and Best Of lists time.(available On Demand and DVD)

6. Black Panther As Oscar season comes to a head, it is worth talking about one of the most striking films that you’ll see for a while. Black Panther is that good, not only because of its genre but also because of its message: that seeking freedom through recreating systems of oppression will only extend the ill-treatment and broken nature we find ourselves in nowadays. Set in the fictional African nation of Wakanda, protagonist King T’Challa (Chadwick Boseman) brings us the first real black superhero from the Marvel universe. With a cast including Lupita Nyong’o, Angela Bassett, Forest Whitaker and Michael B Jordan, the acting is beyond impressive. What is even more amazing, however, is how the plot power-plays many elements of our world’s current political climate. (now available On Demand and DVD)

5. Chappaquiddick Another film which is nothing short of striking in its relevance to the current political situation in the USA. Senator Ted Kennedy was the only remaining Kennedy that I was familiar with throughout my adolescence and early adulthood. Jason Clarke as the Massachusetts senator is astounding, as is the cut of his jib and chin, although the accent was a tad weak, to be ever sincere. This is a complete revelation on the many details that were only gingerly touched upon during the course of the week following the death which this movie is detailing . As the facts are laid out in the film, it astounds me that the American people continued to vote and elect Kennedy for decades after. This is a study on arrogance, class and governmental ambiguity. And if that was the case with liberals in the Sixties, how much more so with conservatives in this digital age? My favourite film of last year’s BCN Film Festival. (now available On Demand and DVD)

4. Private Life Good Lawd this is such a heartwarming/breaking story with the finest elements of believable comedy and situational realism that define the art of the classic Gen X film from the 90s to now. May we never forget that it was Gen, and even those a few years before them, who gave us the digiverse-Netflix-instant oatmeal www.orld in which we live today and when I see a very NYC film like this one, it makes it a true reality check. Being the age that one should be married with kids, I watched Kathryn Hahn as Rachel absolutely slay the silver screen and am eager to see if she picks up any more accolades throughout the current awards season. Simple plot…she’s in her early 40s and her hubby Rich (played by Paul Giamatti) is entering his late 40s and they are fully entrenched within the confines of every single way to conceive a baby. Following the couple through their trials and tribulations really get pushed up an ante when sort-of relative Sadie (the lovely Kayli Carter) decides she will be the surrogate mum for them as things get a tad pear-shaped. This could easily be dubbed a dreamed, for in effect, it is; what needs to be known is that this is also a morality tale for a new age. The old-fashioned ethics of yesteryear just do not apply anymore, at least not in big cities, and the less is more factor easily makes this one of the finest films released within the last year. (available on Netflix)

3. BlacKKKlansman Without a doubt, this is the finest work in all too many years by Spike Lee, and he takes no prisoners in letting you know that the spilled essence of blaxploitation all over this celluloid is to egg you into knowing that this story is 100% true…and crazy. The mere fact that David Duke is literally cheerleading for the current President of the United States should scare us all and wake those who are not. Watching actor John David Washington portray Ron Stallworth, the real-life cop who slyly infiltrated the inner workings of the Klu Klux Klan 40 years ago. After signing up for the Colorado Spring PD, he realises the lack of trust in the 98% Anglo-Saxon workforce, as he’s thrown into monitoring the goings-on of any Black Panther student situations. Eventually, he takes up with a guy on the force that he can dig called Flip and played to skilled excellence by the oddest of lookers Adam Driver. Basically, the plot follows the twosome, as they tag team the aforementioned white supremacist movement, Ron being the voice and Flip being the wingman as they start an investigation on grand wizard bastard himself David Duke, played to troubling perfection by Topher Grace, evoking all of the calmness and utter sociopathic tendencies of a man reviled by most yet revered by still too many. And watching this taut film and how it rolls through such a daunting story with comedic aplomb and vicious realness gives you goosebumps. That said, as the film gets toward its ending, is when Lee gives you the goods when he flashes to scenes from the crazy Charlottesville, Virginia, riots, AntiFa protesting and subsequent death of Heather Heyer, may she rest in peace. God Save the World…and Amerikkka.

2. Fahrenheit 11/9 Premiering a few weeks ago here in Spain at very select cinema screens across the country, this is the first documentary in some time by Michael Moore that could play across an international landscape and should be required viewing on any critic’s or person’s list. The titular oddity refers to the day after we all woke up across the world in shock and awe that Donald J Trump had won the Presidency of the USA. Even if this is not Morre’s best film to date, it is undoubtedly the one that holds the viewers’ feet to the fire and calls for them to fight the nasty funk of this administration. But, it’s when he takes it back to his roots, to Flint, Michigan, and ends up involving all local and state politics, that we start to see the more sinister undertakings happening amongst conservative parties, ideals and societies. When you add in the fact of the Parkland High School shooting and the way Moore later fuses footage of Hitler and his minions and followers with a rally speech made by the current occupant of the White House, it becomes all too obvious that things are exactly as we think they are (A HOT MESS!) and we have very little recourse rather than claiming truth. (now available On Demand and DVD)

1. ROMA There are tender moments of realism that are permitted to happen with the rise of instant cinema on VOD and direct-to-home films, and it has been a pleasure to see that sites like Netflix and Amazon and Canal+ have truly added to the foray in which great celluloid can be brought to the masses. Case in point comes the finest piece of dramatic celluloid that graced the silver screen in the last year. Being a Mexican whose father is a naturalised citizen of the US and a mother who is Chicana from the US, like myself and my siblings, the sentimentality ran deep with this film. One of the differences I experienced was the fact that we were the only Mexican-American family in a stately US country club…and we had an entire childhood spent with loving housekeepers, which is what this film inherently is honouring and depicting, using the backdrop of Alfonso Cuarón’s take on growing up in 70s-upper middle class Mexico City in the neighbourhood of Roma. Depicting the life of the house assistant Cleo (first-time performer Yalitza Aparicio in a J.Hud moment, frankly) and the family of Sr. Antonio (Fernando Grediaga), a doctor in the Mexican capital, what Cuarón has called his most personal film to date, is also a B&W modern tale in the vein of Gone with the Wind, and the fact that he centres around a privileged Mexican family is poignant for several reasons: it not only takes a focus away from how Donald bloody Trump has painted Mexicans, in general, to the world, but it also highlights a very human element to how many classes of society function and live there in the frontier regions of North America and, more importantly, EVERYWHERE…easily put, this is a sweet, oft-times simple, oft-times brutal story on humanity. What binds so many critics together on this film’s merits is that fact that Alfonso Cuarón has crafted the past year’s most enigmatic movie, leaving us to make our own answers to what happens to Lady Cleo, her best mate Teresa, and this beautiful family. Absolutely and quietly stunning! (available on Netflix and selects screens across the country)

#abitterlifethroughcinema #BCNinEnglish #englishradiobcn #overlord #theballadofbusterscruggs #eighth grade #elangel #a star is born #blackpanther #chappaquiddick #privatelife #Blackkklansman #fahrenheit119 #roma film #LucasAvramCavazos

3 notes · View notes

margridarnauds · 6 years

Note

📝💕🌐 for the symbols ask

💕 Your two top fave fictional characters

I’ve spent way too long in Lazare de Peyrol’s bird brain to not be attached to the idiot at this point. Also, since I did my Capstone on Bres, I’d feel remiss if I didn’t include him, though me putting him as a literary VS mythological character might very well open up a decades-long Celtic Studies Schism. (Also, since I feel guilty over not including any female characters on here, Lucy Westenra from Dracula and Morgan le Fay. I will defend both of them with my life.)

📝 Fave quote

I hate how, whenever I question like this comes up, I completely forget anything and everything I’ve ever read.

I was going to nerd out and include Emer’s speech from The Sickbed of Cuchulain because it’s quite frankly relevant to this day and FASCINATING from the perspective of the time (being one of the FEW times in Medieval Irish lit that we really...get a woman’s perspective on being left by her husband and bitter and still in love, because in the other examples we get, namely The Wooing of Etain, the jealous wife is portrayed as a very toxic figure) but then I decided no, it was too nerdy even for me.

So instead I took the less nerdy route and went with Lord of the Rings (though I’m committing a great heresy and using the film quote as opposed to the book because as beautiful as Tolkien’s prose was, MY GOD the man never wrote a word when ten would work):

“It's like in the great stories Mr. Frodo, the ones that really mattered. Full of darkness and danger they were, and sometimes you didn't want to know the end, because how could the end be happy? How could the world go back to the way it was when so much bad happened? But in the end, it's only a passing thing, this shadow. Even darkness must pass. A new day will come. And when the sun shines it will shine out the clearer. Those were the stories that stayed with you. That meant something. Even if you were too small to understand why.But I think, Mr. Frodo, I do understand. I know now. Folk in those stories had lots of chances of turning back, only they didn’t. Because they were holding on to something.”

“What are we holding on to, Sam?”

"That there’s some good in this world, Mr. Frodo. And it’s worth fighting for.”

I don’t think I fully...got this speech when I was watching LOTR for the first time as a fairly sheltered 6-7 year old and then, watching it time after time again, I think I kind of took it for granted. But taking a class on Lord of the Rings with the state of the world as it is today, seeing so many people in our generation bitter, but apathetic because “What good can I do?” it really hit home. It also shows why LOTR is so DIFFERENT from the Heroic Epics it was based off of and most of the Fantasy genre that would mindlessly copy it. Heroes like Achilles, Cuchulain, Sigurd, Beowulf, etc. are, more than anything else, concerned with #1. Or, if they’re slightly more altruistic, they give a damn for their own tribe. But, most of the time, they care about their own reputation and their own glory without really having a higher cause to serve. But, here, we see these two Hobbits, NOT the standard heroic template, about to give into despair, and the thing that brings them back is just that there’s good in the world, and even if there’s always going to be darkness, even if the world will end eventually (which....I love how fatalistic the LOTR novels are because it gives me lovely Anglo Saxon feels), even if things look scary and like there’s no possible way to survive it, it’s important to fight it because, dammit, the world’s too important to be lost to apathy. Humanity is too important to be lost to apathy.

🌐 Languages you can speak and/or are learning. Which are you fluent in

I took two semesters of Latin Back in the Day, which translates out to me being able to understand roughly 60% of the pretentious mottos I read. I also took 3 semesters of German, which means that I can translate full songs, more or less, with a decent dictionary and many tears. I can also say “Ja” “Genau” “In Ordnung” “Danke” “Es tut mir leid” und “Hilf mir, bitte; Ich bin eine dumme Amerikanerin” (Though I’ve not given up on doing an updated sub of Friedrick: Mythos und Tragödie.) One day, I will have to do Old and Middle Irish, but they make me cry so I’m holding off on it for as long as I can.

#janetcarter

3 notes · View notes

bitchinparty · 7 years

Text

Panel Voting is open!

Since we only got 7 more panel submissions than there are slots for panels, we decided not to do two rounds of voting as planned. Instead, voting will be open from now until February 18th. The voting form contains all the panels and descriptions along with mod names--please let me know ASAP if I missed any of the co-mod arrangements flying around! Voting closes at 11:59pm on Sunday, February 18th. VOTE HERE! (Voting instructions are in the form. You must be registered for the con for your vote to count. Side effects may include increased heart rate, shortness of breath, uncontrollable gigglefits, and inability to can. Do not taunt Happy Fun Ball.) Panel Descriptions SINGLE FANDOM Women of the Marvel Cinematic Universe (mod: Minim Calibre) Natasha Romanoff, Peggy & Sharon Carter, Jessica Jones, Shuri, Gamora, Valkyrie, Maria Hill, and many, many more! Let's talk about the wonderful women of the MCU and why we love them. Avengers Reassemble (mods: Lucifuge5, mizface) MCU's been kicking it for 10 years and counting. Where is it going and where would we want it to go next? Captain America: The Star Spangled Man With a Plan* (*for certain values of plan) (mods: Minim Calibre, Gwyneth) From a kid from Brooklyn to a bearded outlaw, come talk about Captain America and Cap fandom as it stands on the eve of Infinity War. Pacific Rim: Uprising - Next Gen Heroes Yay? (mod: Raine Wynd) Pacific Rim Uprising gave us another apocalypse and a set of new heroes to like. Let's talk - and maybe discuss where Raleigh and Herc were doing while this was going on. :-) The Real Bad Place Is The Friends We Made All Along (mods: SDWolfpup, Brynn, Minim Calibre) The Good Place started with a straight-forward premise and became one of the most complicated, delightful, and philosophy-loving shows on TV. Let's talk about why we love it (so many reasons!), how it manages to keep turning its own premise with such skill, and what we hope for next season. The State of Bandom: 2018 (mods: aethel, Lucifuge5) Bandom in 2018 is a different beast from Bandom in 2007. We'll chat about how the fandom has changed (and how it hasn't) and what the musicians are up to now. Come reminisce about your time in Bandom! A short time ago, in a fandom not so far away... (mods: bessyboo, exmanhater) Let’s talk STAR WARS! Originals, Prequels, Sequels, Rogue One, Clone Wars, Rebels, EU—which parts are you really feeling, and why? Which parts that you’re not already into should you check out? What did you think of The Last Jedi? Everything from the galaxy far, far away is on the table! Miss Fisher's Intersectional Feminism (mod: krytella) The adaptation of MFMM from books to the screen aged Phryne up into a rare portrayal of a glamorous heroine over 40 surrounded by a broad range of supporting female characters. The show tackles social issues around gender and class and occasionally attempts to grapple with racism and Australia’s colonial history. What do we love about it, what do we wince at about it, what do we wish we had fanworks about for it? Visit Themyscira (mods: cyborganize, metatxt) Share your Wonder Woman story, whether you're a movie lover, a Lynda Carter devotée, or a long-suffering comics fan. A conversation about the conversation about Wonder Woman: why we feel how we feel about her, what she represents, how she has been represented. Explore Diana's origin in the early 1940s (see: Professor Marston and the Wonder Women) and her fictional origin in the Amazon culture of Paradise Island / Themyscira, and why the character and her worlds are still relevant. Will involve the F word – feminism! (And the other F word – femslash!) META AND MULTIFANDOM Sometimes we pay for it (mod: rivers_bend) come talk about queer romance novels, fannish tropes in pro fiction, and finding the perfect book for you. It's the End of the World As We Know It, And I Feel Fannish (mods: SDWolfpup, cyborganize) Post-apocalypse shows & fic are plentiful, and have plenty of fans, even though they're (usually!) very dark. What draws us to these worlds? What are your favorite post-apocalyptic media and why? What do we learn about ourselves from watching others struggle with the destruction of everything they knew? Where Do We Go From Here? (mods: Minim_Calibre, cyborganize) As the Internet changes and sites rise and fall, how do we stay connected as a community? Can we? Explore the state of fandom in 2018 and how has it changed since the first Bitchin' Party ten years ago! Fandoms That Won't Die (mods: aethel, Lucifuge5) Come talk about the fandoms you love that surprised you with their longevity! Why do some fandoms last and others don't? Fannish Osmosis Fic Exchange (mod: Scribe) Write a stranger the fic of their dreams...for a canon you only know about via hearsay! Other types of fanworks welcome, as long as they can be completed in about fifteen minutes; reading/sharing with the room is encouraged for maximum hilarity, but not mandatory. You Like My Thing Wrong (mod: bessyboo) You know that moment when you’re really into a popular thing, but you hate the popular pairing, or character, or fanon characterization? Or maybe you’ve been into something for a million years and suddenly everyone else is on board too, but everything they’re saying and creating is just…WRONG? Friends, let us get together and discuss strategies for taking a breath, chilling out, and avoiding feeling like horrible fandom hipsters or Bitter Old Fandom Queens when other people just Like Our Thing Wrong. Cest is Best (mods: bessyboo, metatxt) Incest and step/pseudocest have seen a rise in popularity recently in the mainstream, from Game of Throne to Billy & Billie to The Flash, but they've been popular in fandom for over a decade. What's the continued appeal of incest in fandom? And why do you think it's starting to hit more mainstream popularity now? Do you have limits on what you will or won't read--and has that changed? Are you here for the sitcom fluff, the dirtybadwrong angst, or something in between? Let's talk about fandom's fondness for keepin' it in the family! Feelings Are The Worst (mod: jedusaur) Emotions run high when you care a whole lot, and fandom is all about caring a whole lot. Let's talk about different types and contexts of fannish feelings, what sparks and alters our fannish interests, how and why conflicts arise in fandom, what feelings even are (your mod will make a sincere effort not to derail the conversation too far into the intricacies of the ventromedial prefrontal cortex), and what situations lead to fandom obsession, frustration, gradual indifference, and loving everyone in this whole damn bar. Alphas, Omegas, Doms, & Subs: Alternate Gender System Tropes (mods: krytella, keerawa) Why do A/B/O, BDSM AU, and other AUs that play with alternate gender designation have such strong appeal? Do they provide a safer space to eroticize gendered oppression, create a dystopian critique of gendered oppression, or both at once? Are slash gender system AUs an expression of internalized misogyny or badly written female characters or something else entirely? Do slash and femslash uses if this trope serve to straighten the queer relationships they depict? How about alpha/alpha and omega/omega stories, or D/s AUs centering switches? Wait, we only have 50 minutes? Documenting Fandom (mod: aethel) Fans have been writing down the history of fandom since fandom began. Let's discuss the various ways and reasons that fans document fandom! And also Fanlore. Speed Dating Small Fandoms (mods: metatxt, cyborganize) A semi-structured con-game where we share and explore why we love the small fandoms we love. By generating a creative categorization structure, together we will match-make fans with new small fandoms relevant to their interests. Our goal is for everyone to leave with a new fandom to date and a new fan joining one of their small fandom faves. TECH AND WORKSHOP A Song and a Dream: Now What? (mods: SDWolfpup, scribe) You've got the perfect song for your fandom - what's next? How do you get source? What do you do with mkv files? Square pixels? Frame rates?! To outline or not to outline? Do I really need a clip database? Let's talk about it all! Break on Through: Getting Beyond the Block (mods: Minim Calibre, thewightknight) Come share tips and tricks for defeating a creative block. Why We Write: Fandom Needs You! (mod: keerawa) This panel is aimed at aspiring writers, experienced writers dipping their toes into fanfiction, fanfic writers who've been going through a dry patch, or anyone looking to get the creative juices flowing. Topics will vary based on the participants, but might include how to start, where to find cheerleaders and betas, where to post, how to get over that hump and throw ourselves into writing something we and other fans will love. I'm sure the FBI has a file on me: research and fandom (mod: Minim Calibre) Ever find yourself needing to know the marriage requirements in places you'll never live? In-depth information on weaponry? Best ways to hide a body? And, of course, sex tips you may or may not ever need. Come share your tales of research gone wild and/or pick up research tips and tricks from your fellow fans. Oral Not!Fic (mod: bessyboo) In this workshop, we’ll define what oral not!fic is, talk a little about how to create it, and then finish up by creating an oral not!fic before the panel is over! Cosplay 101 (mod: bessyboo) Have you ever wanted to get into cosplay, but weren’t sure how or where to start? This panel is for you! We’ll discuss strategies for choosing/designing a character & outfit, and putting together a costume (for both DIY & “I am 0% crafty” options!) Makeup Fandom 101 (mods: bessyboo, visionshadows) Do you not wear makeup because you find it intimidating, but would like to start? Are you a total makeup pro who loves to talk brands and share your knowledge? Maybe you're somewhere in between, but want to know how that person on tumblr achieved that super sweet eye look or particular nail art you loved. This panel is for all of you, as well as anyone else who wants to come talk everything from skin care to shadow to nail polish. (There may be a makeup swap at the end of the panel!)

#bitchin' party #bp panels

8 notes · View notes