#my child's never seen a MICROSCOPE BEFORE
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Well I've been going a bit... Unhinged lately; and the umbrella reader prompt gave me a few... Ideas
Umbrella reader who fell first for wesker? In the whole yandere-ish way? Like "I have an entire scrapbook dedicated to him" way???
oh man this is a good one. cut added bc it ended up much longer than i expected
youâve been working at umbrella for a while, youâre no longer just a rookie assistant. Youâre in charge of your own lab and techs, and they actually like you, which makes manipulating them a lot easier
everyone knows who Dr. Wesker is. And i mean everyone. There isnât a soul in the building, in the entire company, who doesnât either shiver or scowl at his name. Heâs umbrellaâs golden child, after all, especially since Birkin went and got himself killed.
he is not known for being friendly, but he was never cruel to you, at least. Nowadays heâs out making deals and monsters so his time in the actual labs are rare, so every moment you see him is like a miracle from god.
you notice everything about him in these days. The cut of his trousers, how much gel is in his hair, which pair of sunglasses heâs wearing (no one except you even realizes he has different pairs - seven of them, to be exact). You even count his breaths when youâre both in the same lab and one of the assistants is pissing him off (he actually breathes slower when heâs angry, like it takes every ounce of focus to keep his composure)
this is when you think things might be getting out of hand. Youâve gotten yourself into quite a situation. Youâre thinking about him constantly - in traffic on the way to work (he drives an unmarked, pristine black sports car), when youâre hunched over your desk working (he actually wears headphones when heâs using a microscope, you noticed he doesnât like the sound of the slides clicking), when youâre cooking dinner (he never eats during his shifts, and he scowls at anyone who isnât using a napkin in the break room) - even when youâre showering, all you can do is remember the smooth scent of his air when he walks past you.
youâre certain you know everything about him now. Even his cologne. A few weeks ago he leaned over your shoulder to correct one of your equations, his voice quiet and void of any emotion, and before he stepped away you got a solid breath of his expensive cologne - subtle, woodsy, deep, intoxicating. You went home and spent half the night looking up the undertones of every single obscure cologne you could find, because no way was it cheap or popular, until you found what you think was the right one
(you order it and a week later, youâre elated to find you were correct. Now your entire bed smells like him)
you make your move on a Tuesday. The entire lab had been whispering about annual reviews, Wesker would be conducting them himself since the other supervisors were busy. A few weeks earlier you had seen his coffee cup in the trash and memorized his order (ew, but you had big plans) and you had left a perfect cup of coffee on his desk before he arrived, conveniently walking past him in the halls just a few minutes later and flashing your most charming smile. He actually smiled back
later that day he leaned over your shoulder again, mouth brushing your ear and hand next to yours on your desk, and his voice was pure sin.
âMy office, Doctor, three oâclock. I think we have a few things to discuss.â
needless to say, the two of you are inseparable after that
#umbrella reader#albert wesker#resident evil#albert wesker x reader#trekk answers#albert wesker x you#yandere reader
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track 005. jugaste y sufrĂ
âââ â yo ya no quiero sufrir, quiero ser feliz â âââ
masterlist // previous // next
lando norris so i guess oscar unknowingly became a dad??
ollie bearman why is that where you brain immediately goes?
mae jones his brain needs to be studied under a microscope.
checo perez can i leave now?
dulce perez si yo tengo que sufrir tĂș tambiĂ©n tĂo! checo perez ya me voy. daniel jones-ricciardo unless austin shows up in texas or vegas. checo perez mierda.
fernando alonso sergio! there are children here!
bailey winters have any of you tried locking them in a closet?
penelope trevino hmm. that might work.
ollie bearman what she needs is therapy. sebastian literally said she was afraid of falling in love. AUSTIN MADE HER CRY IN MIAMI!
arthur leclerc she would've cried over anything. she's an emotional person.
dulce perez have you see the group picture? max verstappen she was crying over tangled.
daphne jones-ricciardo i cry over tangled too. it's a beautiful movie.
pierre gasly that's because you are rapunzel and daniel is flynn rider.
arthur leclerc but yes, she does need therapy.
logan sargeant has anyone seen oscar? we were supposed to meet up for lunch?
oscar piastri i forgot sorry. logan sargeant YOU DITCHED ME?
max verstappen go have lunch with zoya or something.
zoya torres what the fuck? why are you signing me up for things? max verstappen if you show up one more time to my apartment crying over your ex and hoping to steal my cats were going to have problems. zoya torres it was only twice. mae jones it's been 7, he started keeping track. there is a board on our fridge and everything.
dulce perez hey, you know who else is missing?
daniel ricciardo-jones SHUT UP!
ollie bearman she's with me!
isabella perez i am not missing dulce! i told tio checo where i was going
logan sargeant oh it must be nice to not get ditched by your friends. i wouldn't know BECAUSE OSCAR'S A TRAITOR!
oscar piastri how exactly is it my fault that thing 1 and thing 2 showed up at my hotel room at 6:30 in the morning and dragged me out to breakfast?
ollie bearman you're lucky it was 6:30 isa dragged me out of bed at 6. isabella perez WE LITERALLY MADE PLANS THE NIGHT BEFORE OLIVER!
fernando alonso i was unaware isabella and oscar had acquired a grid child
oscar piastri bella has a grid child not me. i don't want him ollie bearman you're a horrible father. ollie bearman i hope you dnf in monaco oscar piastri i'm not your dad! ollie bearman good. i wouldnât want you as my father. youâre horrible and you suck! isabella perez oh great, now you've made him sad oscar!
oscarpiastri, isabellaperez, and olliebearman posted new stories
i'm going to die with her behind the wheel. that smile is plotting murder. what is it with drivers and showing up in team gear to everything? they will also sleep anywhere, as shown by ollie. i feel like i'm interrupting something.
alex albon did you or did you not go out on a date with oscar?
isabella perez no, i did not go out on a date with oscar.
george russell i call bullshit! i saw ollieâs story! esteban ocon i agree.
charles leclerc wasnât she out with oscar and ollie? how is that a date?
pierre gasly aww a family date! isabella perez iâm going to murder you gasly
natalia ruiz boys, leave her alone.
isabella perez it wasnât a date! ollie was there!
alex albon which means if ollie wasnât there it totally wouldâve been a date
lewis hamilton when will the day come where all of you learn to mind your own business?
pierre gasly pretty much never
mae jones isa, it was a fucking date if iâve ever seen one. trust me on this one.
isabella perez yes, i'll take advice from the people who had a fwb relationship, a situationship, and someone who broke up with her ex because she was afraid.
isabella perez really the only one's who should be giving me advice are esteban, george, alex, and lewis.
pierre gasly you're mean sometimes.
mae jones and for the record i wasn't afraid!
alex albon explain things i wish you said? charles leclerc or you're losing me? esteban ocon or exile? mae jones OKAY I GET IT!
sooo, how'd the date go?
it wasn't a date logan.
oh sure and ollie wasn't third wheeling the two of you.
he wasn't?
MY BROTHER IN CHRIST HAVE YOU SEEN HIS STORY?? YOU ARE IN L-O-V-E!!
how can i be in love?? i barely know her
okay, fine, you have a crush on her.
no, i don't.
yes, you do. i know you pastry!
you don't know shit. i don't have a crush on her.
oscar, either i'm fucking blind or you're stupid but you, my australian friend, have a massive crush on her.
fuck off
no, i don't
sure buddy, and i'm not from miami
but you are?
exactly my point.
logan sargeant he's got the l-word
lando norris leprosy??
daniel jones-ricciardo how the fuck did your mind go to leprosy?
lando norris bailey and i watched ice age last night.
bailey winters max, you're performance in that movie was amazing
max verstappen i will take lando out.
pierre gasly the way his season's going he'll take himself out first. lando norris literally fuck you gasly. i know you and esteban are going to take each other out at least once this season.
logan sargeant OSCAR'S IN LOVE!!
arthur leclerc WITH WHO?? logan sargeant i cannot believe that sentence just came out of your brain.
dulce perez my sister i assume??
logan sargeant well, it's more like a crush but that counts right??
daphne jones-ricciardo and you came to this conclusion how?
logan sargeant denial is always the first sign, no?
carlos sainz it is like lando when he said he wasn't in love with bailey! lando norris we are not talking about me.
isabellaperez posted a new story
paddock dad isabella, are you okay?
super max are you depressed? honey badger did austin call again?
duckling i'm okay. i think.
duckling i'm feeling things. i don't know if they're good or bad.
paddock dad therapy helps. duckling so i've heard.
super max good things or bad things?
duckling I DON'T KNOW!!
duckling feels are hard. i don't want them anymore.
paddock dad sorry kid, you're stuck with them forever. duckling SEB! MAKE THEM GO AWAY!! paddock dad i can't isa. you have to face them.
duckling here's a thought, what if i don't? i could ignore them, they'll go away eventually.
super max you've already tried that isa. it's not working out that great for you.
honey badger already tried that kiddo. maybe it's time to talk to someone?
duckling i'll call my mom!
paddock dad that's better than one of us.
isabellaperez posted new stories
my mother won't answer the phone, who's more important than me?? her baby?? her pride and joy??
nothing like a good ole lana song to cry too.
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click here to be added to the honest series taglist
ÂĄleclerc-s speaks! OLLIE IN F1!! LET'S GOO!! i also couldn't help myself including that ice age joke. does this qualify as angst?? i don't think so? this has also been sitting in my drafts for ages.
ÂĄdisclaimer! this is in no way making assumptions about the people involved in this story, this is all fake. it is a fanfiction please don't take any of what is said seriously. this is all for entertainment purposes and as a creative outlet for me. enjoy!
#leclerc-s#the honest series#oscar piastri#oscar piastri x female oc#formula 1#formula 1 fic#fanfic#fanfiction#f1#f1 smau#f1 social media au#f1 instagram au#f1 fic
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OTHER FRANKIE X READER: BIRTHDAY! ONE SHOT
In honour of my birthday today!â€ïž
You didnât tell him it was your birthday.
Hell, you didnât even remember it was your birthday today.
Itâs hard to keep track of dates here, but even if you did have an up to date calendar or access to a computer, you would have kept it a secret. What business did this lazily written plot device have knowing your birthday?
Like your apartment, you have no idea how he knew.
Nor why he was making a big deal out of it.
âFrankie, for the last time, itâs not that deep. I donât care about my birthday.â you grumbled, throwing your head back at the rabbitâs jarring refusal to listen.
âBut lucky contestant! It is my duty as the host to honour the day you were birthed!â what kind of stupidity was that?
âNo, itâs not.â you spat one more time before you walked off. Your thought process must have been hey, if I physically go, he wonât bother anymore, but nope. A few minutes later, he appeared in the doorway and knocked on the wall of the monitor room.
âSpecial delivery for the contestant.â
You turned around, and your eyelids shrunk. Frankie was holding a tray with a traditional birthday delicacy on it. He set it in front of you.
âWhat- Where did you get this cake from?â you asked suspiciously, eyeing it: it was in the shape of the contestant mask, however, the cake itself had clean white icing and sprinkles scattered all around it, with the words âHappy happy birthday!â piped in the centre in red calligraphy. You were slightly annoyed by how childish it was, though that annoyance slipped away when you sneakily dipped your finger in the frosting and licked it- the taste of vanilla explodes in your mouth.
Lighter in hand, Frankie began setting the candlesâ heads ablaze,âDonât question miracles, contestant.â
You were enticed by the glowing ovals, like you were ten years old again. It always fascinated you how gentle the fire was like this and how easily it could hurt you if you were too close.
You were about to blow them out, but Frankie stopped you by placing his hand as a buffer zone,âAh ah, not yet, contestant!â you nearly kissed it.
âHuh? What-â
âNo birthday celebration can be certified without the anthem!â he announced mirthfully.
Your face instantly boiled and you shook your hands,âNo no, no, please, you donât need to, Iâm okay-â
In the face of your denial, he began, manipulating his voice to be lyrical as that permanent smile matched appropriately,âHappy birthday to you, happy birthday to-â
Oh my God-,âNo noooo, stop it! Frankie please, youâre embarrassing me.â you whined, covering your face, if only you had enough to cover your ears too.
It was almost like he was on autopilot, because he literally did not react to your pleas,â-you, happy birthday to our lucky contestant!â
âPlease stop.â you let out defeated, knowing there was no point in asking when he had one line left.
âHappy birthday to-â he took a deep breath, before finishing on a long opera style of tone,âYou!â
You glanced up, surprised that he was capable of such a voice,âWell damn.â for a moment, you felt inclined to clap.
He gestured to your candles enthusiastically,âGo on, make your wish!â
You silently looked back at the cake, the glowing circles of flame on top of each colourful pieces of wax. The whole thing was hard to sit through, but it was your birthday. This was how you were going to spend it. You were now a year older.Â
This setting, you had seen it many times, yet it was still appealing. It was strange how so much could change in such a short span. Your life, from your eyes, was lengthy, but to the universe, it was microscopic. The distance from when you used to be so excited to wear your Wellington boots, rushing home to play on your DS, playing with your kitchen set, wasnât that long.
You quietly laughed to yourself. There the biggest tragedy was homework.
Ah, easier days.
Easier days that you would never get back. The time of being a little child, whose diet was mainly dino nuggets, who was still learning how to pronounce basic letters, whose biggest worry in the world was why the moon appeared to be chasing the car, was gone. All kinds of memories flooded through... The friends you would never see again after leaving the ball pit, the bouncy castles that your kindergarten hired every year around your birthday, the joy of finally riding the gifted bike without training wheels.
It was a good life, which was buried now. Little (Y/N) was buried. Little (Y/N) was still here, of course, but under the layers of reality checked adolescence and bleak adulthood. You would never be that innocent child again. You always knew that, but the occasion rubbed it in. Each birthday, youâre just gonna get older and older- that is, if the next season doesnât kill you.
Then your heart tightened. How devastated would (Y/N) be to see you like this... A person whoâs grown so numb to all things fun?
No. For the sake of that little child, youâll live. Youâll appreciate every little thing and youâll put a little more effort into making your life one worth surviving for.
The flames went extinct.
Frankie clapped, oblivious to your existential reflection,âBravo! I hope you made your wish wisely, congratulations on seeing a new age! Hereâs the knife-â he handed you a cleaver from nowhere,âDo the honours!â
For a knife so large, it was surprisingly light. Or maybe it was your newfound determination. You grin at the robot, not only for making a big deal of your birthday, but for essentially reminding you of how temporary your life was,âThanks, Frankie. Iâm sorry I was rude earlier.â
He waved dismissively,âDonât worry about that, contestant! Itâs your special day! Now cut the cake, will you? Iâm curious about the inside!â
#finding frankie#itâs my birthday#birthday special#finding frankie the other frankie x reader#finding frankie game#finding frankie x reader#finding frankie the other frankie#the other frankie#the other frankie x reader#the real frankie#the real frankie x reader#finding frankie the real frankie#finding frankie the other#finding frankie fanfic#finding frankie fanfiction
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Another perspective
Halloween Special
"Text: regular talking
'Text': regular thinking
"Text": Saiki talking telepathically
'Text': Saiki thinking
Summary: Class 3 puts on a Halloween play, an adaptation of the Corpse Bride.
ATTENTION! You might want to read the last few episodes of Another Perspective to fully understand the characters and/or rewatch the movie Corpse Bride before reading to fully understand the events.
Red: Y/Nâs mother
Orange: Y/Nâs father + lord Barkus
Green: Saikiâs father + singing skeleton
Blue: Kokomi + kokomiâs mother
Purple: Y/N
Pink: Saiki
Another Perspective Halloween Special:
The Corpse Groom
Act one begins in a gray, poor ish looking town.
âHere ye here ye! Ten minutes until the L/N wedding rehearsal!â
âItâs a beautiful day!â âItâs a rather nice day.â âA day for a glorious wedding.â
âA rehearsal my dear, to be perfectly clear.â âA rehearsal for a glorious wedding.â
âAssuming nothing happens that we donât really know.â âThat nothing unexpected interferes with the show.â
âAnd thatâs why everything, every last little thing, every single tiny little microscopic thing little thing must go, according to plan!â
âOur child will be married.â âAccording to plan.â âOur family carried.â
âWill be brought to the heights of society.â
âTo the costume balls,â âin the hallowed hallsâ ârubbing elbows with the finest.â âHaving crumpets with her highness.â
âWeâll be there, weâll be seen having tea with the queen. Weâll forget everything, that weâve ever ever been.â
âWhereâs Y/N? We might be late.â
The L/Nâs leave the stage and the Teruhashiâs walk on.
âItâs a terrible day.â âNow donât be that way.â
âItâs a terrible day for a wedding.â âItâs a sad sad state of affairs weâre in.â âThat had lead to this ominous wedding.â
âHow could our family have come to this?â
âTo marry off our daughter to the newly rich.â
âTheyâre so commonâ âso crass,â âit couldnât be worse.â âItâs couldnât be worse? Iâm afraid I disagree. They would be penniless without a coin to their name, just like you and me.â
âOh dear.â
âSo that why everything. Every last little thing, every single tiny microscopic little thing must go, according to plan.â âOur daughter weâll wed.â
âAccording to plan.â âOur family lead.â âFrom the depths of dearest poverty. To the noble of our ancestry.â âAnd who would have guessed in a million years that our daughter would provide our ticket to our rightful place?â
The parents walk off stage and the scene is now set farther in the desolate mansion, where Kokomi was getting dress for the wedding.
âWhat if Y/N and I donât like each other?â Kokomi asked.
âHa! As if that has anything to do with marriage. Do you suppose your father and I like each other? â Her mother responded.
âSurely you must! A little.â
âOf course not,â the both rebutted.
âGet those corsets laced properly. I can hear you speak without gasping.â Ms Teruhashi said dismissively then everyone walked off stage.
Y/N just finished getting ready and ran into the carriage that would take them to the Teruhashi manor.
âWe certainly hope to win her this time Y/N.â âNow all you have to do is reel her in.â
âIâm already reeling mother. Shouldnât Teruhashi Kokomi be marrying⊠a lord or something?â Y/N responded plainly.
âOh nonsense. Weâre every bit as good as the Teruhashiâs. I always knew I deserved better than a fish merchantâs life.â
âBut, Iâve never even spoken to her.â âWell at least we have that in our favor!â
Going back to the Teruhashi family.
âMarriage is a partnership. A little tit for tat. You think a life time watching us, would have taught her that.â âEverything must be perfect.â
âThatâs why everything. Every last little thing, every single tiny microscopic little thing must go, according to plan.â Both sets of parents said.
As the door open to the Teruhashi manor Y/N mother was fussing over them.
âOh! Oh such gradure! Such impeccable taste. Beautiful innit.â âItâs not as big as our place dear. But shabby it is, isnât itâ âShut up!â
âLord and lady Teruhashi, Mr and Ms L/N.â
âWhy you must be Ms Victoria. I must say, you donât look a day over 20.â
âSmile darling smile,â the lord found it hard to do so.
âWell hello, what a pleasure, welcome to our home.â
âWeâll be taking tea in the west drawing room, do come with us.â Both sets of parents set off, leaving Y/N alone in the foyer. However they found a piano, it was in-tune so they decided to play it.
The music was somber but powerful, it flooded the manor and even reach Teruhashiâs doors. Hearing the piano played made her run out of her room to meet the player, but she ended up spooking Y/N.
âOh do forgive me.â âYou play beautifully.â Teruhashi said with a smile.
âExcuse me for the playing, and the mess,â Y/N said awkwardly as they picked up the piano stool that they had knocked over.
âIf I may ask, Teruhashi, where is your chaperone?â âIn view of the circumstances you could call Kokomi. As tomorrow we are to be married.â âYes.â Y/N like they had forgotten that fact.
âSince I was a child Iâve dreamt of my wedding day. I always hoped to find someone I was deeply in love with. Silly isnât it.â
âSilly? No. To our parents? Perhaps. But to me? No. Wanting love isnât as silly as our parents make it out to be.â Y/N said with charm.
âWhat sort of impropriety is this?! You shouldnât be alone together. Here it is, one minute before 5:00 and youâre not at the rehearsal. The pastor is waiting, come at once.â Ms Teruhashi was clearly outraged, shooing everyone off stage as the curtains came down.
There was a small break where the curtains closed as the chapel scene was set for act two.
âââââââââââââââââââââââââ
âAgain! From the beginning. With this hand I will lift your sorrows. Your cup will never empty for I will be your wine. With this candle I will light your way in darkness. With this ring, I ask you to be mine. Letâs try it again.â Said the pastor.
âYes. Yes sir. With! This candle.â The candle did not light when Y/N put to the flames. âWith this candle.â Y/N repeated, again it did not light. âThis candle,â Y/N said dejected. Y/N tried multiple times to get the candle to light, but it didnât work. Once it did light Y/N restarted the phrase.
âWith this candle!â When Y/N laughed dryly to ease themself the candle blew out. Causing both sets of parents to groan. âContinue!â The pastor said, suddenly the door bell rang and a butler was sent to get it.
âLetâs just pick it up at the candle bit.â Said the pastor. âA lord Barkus sir,â âI havenât a head for dates, apparently Iâm a day early for the ceremony.â Said this supposed lord Barkus.
âIs he from your side of the family?â âI canât recall, Emil. A seat for lord Barkus.â âDo carry on.â
âLetâs try it again. Shall we Mx L/Nâ âYes sir, certainlyâ They said quietly Teruhashi lit their candle for them.
âRight.â The pastor said with annoyance. âRight. Oh! Right!â Y/N once held the candle in their left hand quickly and cartoonishly put it in their right hand. âWith this⊠this.â âHand.â âWith this hand.â Y/N then hit the table by accident.
âThree steps! Three! Can you not count?â The pastor yelled. âDo you not wish to be married Mx Y/N?â âNo! No.â âYou do not?â Teruhashi asked.
âNo, no. I meant I do not not wish to be married. Which is that I want very much to- Ow!â The pastor hit Y/N with his cane. âPay attention! Have you even remembered to bring the ring?â
âThe ring? Yes of course.â Y/N produced the ring from their breast pocket but it fell from their hand. âDropping the ring?! This child does not want to get married!â Y/N ran after the ring and grabbed it however Ms Teruhashiâs dress was set on fire by Y/Nâs candle. Luckily lord Barkus put out the flame with his drink.
âEnough! This wedding will not take place until this child is properly prepared! Child! Learn. Your. Vows.â The pastor said sternly towards Y/N, with much fear Y/N existed the stage.
âHeâs quite the catch, isnât he.â Said lord Barkus.
âââââââââââââââââââââââââ
The curtain closed and shuffling was heard as actor left the stage and the back drop was changed again, to a forest, the setting of act three.
âOh Teruhashi. She must think Iâm such a fool.â Y/N said glumly. âThis day couldnât get any worse.â
âHear ye hear ye! The rehearsal is ruined because L/N child causes chaos!â Y/N could only sigh and walk away from the voice shouting from off stage.
As Y/N walked slowly the background slowly changed,showing Y/N going deeper into a forest.
âIt really shouldnât be all that difficult. Itâs just a few simple vows! With this hand I will take your wine- no!â Y/N sounded tired and frustrated but they continued to walk.
âWith ⊠this⊠with this, with this candle I will-âbefore they even realized, Y/N walked very far, not even recognizing their surroundings.
âI will, set your mother on fire,â Y/N face palmed. âOh itâs no useâŠâ Y/N paused for a moment, gathering themself.
âWith this hand, I will lift your sorrows. Your cup will never empty, for I will be your wine. Ah! Ms Teruhashi. You look ravishing this evening.â Y/N said with confidence, holding a tree branch.
âWhatâs that Mr Teruhashi? Call you dad? If you insist sir.â Y/N said to another tree.
Y/N broke off a small branch before speaking again with vigor and acting out the motions of the vow. âWith this candle, I will light your way in darkness! With this ring! I ask you, to be mine!â Y/N said while placing the ring on a hand like branch.â
The sound of wind and crows that was once idol now blared in the speakers as the branch was now moving. And the noise was blaring as the branch grabbed and tugged Y/Nâs arm beneath the stage.
Y/N fought with the hand and managed to break free but a skeletal arm still held theirs. Scared at the sight they threw the arm off stage. The hole where the hand looking branch used to be, opened up and someone sprouted from it.
âI do.â The man from the ground replied. He was dressed in a tattered wedding suit and his skin was painted to look decomposing. Y/N gasped and ran away from the newly animated corpse but the groom chased them into the forest and through the graveyard.
Y/N only stopped momentarily when they ran into a tree. But otherwise Y/N was running for their life, fighting trees and brambles to get away.
Once Y/N got to the bridge and the man was out of sight Y/N started to walk and catch their breath. However when they turned around the dead man was right behind them.
The man approached Y/N and held their shoulders gently as he said, âYou may kiss the groom,â when he leaned in the curtains closed, signaling the end of act three.
âââââââââââââââââââââââââ
When the curtain opened again a skeleton and the tattered groom surrounded Y/N in what but the sound of the place seemed to be a jazz bar.
âA new arrival.â âThey must have fainted. Are you alright?â âWhat, what happened?â
âBy Joe man, looks like weâve got ourselves a breather!â A skeleton said before he was pushed by a blue corpse woman. âDo they have a dead brother?â âTheyâre still soft!â
Y/N could only whimper was they got up from their place on the floor.
âA drink! To the newly weds!â âNewly weds?â Y/N wondered allowed.
âAh! In the woods you said your vows so perfectly,â corpse groom said sweetly. âI did? I did!â Y/N said in awe. âWake up! Wake up! Wake up!â Banged their head on the bar table to try and wake themselves from what they thought was a dream.
When Y/N stopped they were terrified and started walking through the crowd of skeletons and various bodies before they finally lost it and tried to pick up a sword but ended up also taking the man who the sword was attached to.
âIâve got a- a dwarf. And Iâm not afraid to use him! I want some questions! Now!â âAnswers, I think you mean answers,â the man on the sword said. âThank you, yes answers. I need answers! Whatâs going on here? Where am I? Who are you?â
âWell, thatâs kind of a long story.â âWhat a story it is, a tragic tale of romance, passion, and a murder most foul.â âThis is going to be good,â the sword man addressed Y/N before they dropped him.
âHit it boys.â The skeleton that started talking about said story started to hit other skeletons, making them come alive while a skeleton on the piano make the bar alive with music.
âHey! Give me a listen you corpses of cheer. Least the one that still got an ear, Iâll tell you a story, make a skeleton cry of our own jubilisously lovely corpse groom!â As Y/N looked towards the groom, he seemed rather melancholy.
âDie, die, we all pass away. Donât be afraid cause itâs really okay. You might try and hide, you might try and pray, but we all end up the remains of the day.â The skeletons danced to the chorus their bones adding another level of sound to the music.
âWell! Your boy was a beauty, known for miles around, till a mysterious stranger came into town. He was plenty good looken but down on his cash, and our poor little baby, he fell hard fast.â The skeleton dipped himself into the groomâs arms as he told the story to Y/N.
âWhen his daddy said no! He just couldnât cope, so our lovers came up with the plan to elope.â
âDie, die, we all pass away. But donât be afraid cause itâs really okay. You might try and hide, you might try and pray but we all end up the remains of the day!â By the time the chorus came around the bar patrons came to dance with Y/N.
Instead of going straight back into the story the group of skeletons played some heavy jazz and showed off their skills.
âYa! So the conjured up a plan to meet late at night. They told not a soul, kept the whole thing tight. Now his fatherâs suit fit like a glove, you donât need much when youâre really in love. Except for a few things, or so Iâm told, but the family jewels and a satchel of gold. Then next to the grave yard by the old oak tree, on a dark foggy night at a quarter to three. He was ready to go! But where was he?â
âAnd then?â The crowd asked. âHe waited.â âAnd then?â âThere in the shadows, was it the man?â âThe man?â
âHis little heart beat so loud!â âAnd then?â âAnd then baby. Everything went black.â
âNow when he opened his eyes. He was dead as dust. Heâs jewels were missing and his heart was bust. So he made a vow lying under that tree, thatâs heâd wait for his true love to come set him free. Oh heâs waiting for someone to go and his hand.â The groom then takes Y/Nâs hand and they spin to the music
âWhen out of the blue comes this groovy young sport, who vows forever to be by his side! And thatâs the story of our own, corpse, groom!â
As the song ends and the crowd cheers Y/N runs up the stairs and makes it out of the bar, and when the door shuts so does the curtain.
âââââââââââââââââââââââââ
Act five starts on the streets of a more blue than gray town, where the corpse groom was searching for Y/N.
âY/N, darling where are you?â âIf you ask me, your partner is kinda jumpy,â a voice sounded from the speakers. âTheyâre not just my partner, theyâre my spouse.â The groom told the voice.
âY/N? Whereâve you gone?â âIâll keep any eye out for himâ said the maggot in the groomâs eye socket. Little did they know Y/N was watching from behind a statue.
âY/N?â âThere they are, there they are! Theyâre getting away, quick quick!â As the voice sounded from the speakers Y/N ran off again.
âY/N?â The groom paused for a moment so the arms in barrels pointed in the direction Y/N went, âthank you.â
âY/N, where are you?â Y/N knew their groom was close behind so they played dead in coffin as he passed by. âMarried huh? Iâm a widow.â A spider said, hanging from the top of the coffin.
âHe went that way!â The spider said as Y/N ran off in the direction they came from.
âY/N, Y/N darling.â
âPlease! Thereâs been a mistake!â Y/N said while grabbing the shoulders of a pedestrian. âIâm not dead!â After their head fell off, Y/N ran away from the now headless man, trying to get as far away from the shouting of their name as possible.
âDead end.â In their hysteria, Y/N started to climb the wall. However when they reached the top they grabbed onto their groom, who appeared out of no where.
âYou could have used the stairs silly.â The groom said as they pulled up Y/N. âIsnât the view beautiful? It just takes my breath away. Well it would if I had any. Isnât it romantic?â Saiki asked as he sat down on a near by bench. Y/N defeatedly sat done next to him.
âLook. I am terribly sorry about whatâs happened to you, and Iâd like to help. But I really need to get home.â
âThis is your home now.â âBut I donât even know your name.â âItâs Kusuo.â
âKusuo.â Y/N said, letting his name roll off their tongue.
âIâve almost forgot, I have something for you!â Saiki said, grabbing a box from beside him. âItâs a wedding present.â He whispered.
Y/N lightly shook the box before opening it. When they did they gasped at the sight of bones. And turn fearful when the box started to shake and it jumped from their lap. Before their eyes Y/N watched as the pile of bones turned into a dog skeleton, it barked, then pranced back to Y/N giving them its collar.
âScraps?â Y/N asked, the dog barked in response.
âScraps! My dog Scraps!â Y/N said lovingly and the dog jumped onto their lap. âOh Scraps, what a good boy!â
âI knew youâd be happy to see him,â Kusuo said dreamily. âHeâs so cute.â âYou should have seen him with fur.â
âMother never approved of scraps jumping up like this.â Y/N commented. âBut then again, she never approved of anything.â âYou think she would have approved of me?â âHa, youâre lucky youâll never have to meet her.â
âI wish I could,â Saiki said a little sad. âWell, you will one day right?â Y/N laughed humorously.
âI suppose so, well, letâs get you introduced to everyone. Iâm sure that will help you settle in here.â âAre your parents around here? If you canât meet mine yet, I might as well meet yours.â
âI think Iâd like that,â Kusuo said, taking Y/Nâs arm and walked off stage, Scraps following close behind. The audience clapped and the play was over.
ââââââââââââââââââââââââ-
âWhat did you think of the play Kusuo?â
âI still donât understand why I played Emily. I donât think our personalities match at all.â
âWell I donât think Teruhashi or Hairo would let to get away without trying out for a part. It was just pure dumb luck you played the corpse groom. I was mainly asking about the story though. What did you think of it?â
âI wish we had time to play out the full movie.â
âMe too but I donât like the idea of the real ending, Iâd have to give up my life with you to marry Teruhashi. I think I like this implied ending, a bit better,â Y/N smiled. Saiki returned a small smile.
âââââââââââââââââââââââââ
Happy Halloween! Hope you liked it!
#the disaster of psi kusuo saiki#kusou saiki#saiki kusuo#saiki x reader#saiki kusuo x reader#the disastrous life of saiki k#saiki no psi nan#saiki k#saiki kusou no psi nan#kusuo saiki#kusuo saiki x reader#kusuo x reader#x gn reader#x gn y/n#corpse bride
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One thought that's been rattling in my brain for awhile, what if Rebecca was the one to tell Rook about the supernatural world & the agency?
I mean she would obviously of known about it longer than he did to rise to the rank of being a chamber member. Maybe she didn't want to keep the secret any longer, maybe she thought everything would be fine. So Rook, as the town's detective, takes on the liason position and things are ok for a little while. He loves the supernatural and nothing to dangerous happens.
Then he dies protecting some and she's left wondering if it's her fault. That of she'd never told him then he'd still be alive.
Certainly not excusing her absence from detective's life but depending on how accurate my theory is it would certainly explain some things. If that's what happened before then it'd make even more sense for her to want her child as far away from it as possible.
Hello, hello, friend!! This is an excellent thought, and I absolutely see this. Rebecca having such remorse by allowing Rook into her world and him losing his life because of it. Weâve seen thatâs her plan, keep her only child ignorant and hope that the supernatural doesnât find them â
And now that I think about it, Rebecca may have thought her child was safe from the supernatural world and those who may have more nefarious motivations. For one, sheâs protected them from afar with the agency (I think? Certainly took her time with Murphy on the loose), for two, she may have thought the mcâs immunity from pheromones as something protective, and for three, well, taking a job in Wayhaven really isnât anything all that glamorous and sheâs familiar with the town⊠so similar thinking to where she may have been with Rook
I did some reading on what we know about Rook - Rook was a human liaison (for Wayhaven?) when he met Rebecca. They worked on a mission together. He fell, she fell, and they married and had a child. Now, I think Rook stayed the human liaison (though the Agency had big plans for him), and Rebecca climbed ranks to Chamber member
To your point, though! I really think that Rebecca was indirectly tied/responsible to what happened with Rook that led to his death. She knew more than him, had all the security clearance, and maybe she over/underestimated something and that led to his death (the latest thing we know is that it may have involved trappers) â and with THAT
I am definitely on board with what youâre saying! The guilt compounding and confounding the loss of her husband. The need to protect and from afar
Thank you so much for this message! I love your theory and your thoughts! Itâs always super fun to pit Rebecca under the microscope
#thank you for the ask!#this was great and a lot of fun to think about#and review the rook and rebecca lore#god i canât wait to find out more!! i think if you donât do a bobby/doug route youâll get the lore route#twc rook#twc rebecca#ask#long post
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Response To Post On Socialism/Marxism
maersung
Except for the fact that Karl Marx never once said that capitalism was an abysmal system; he actually praised capitalism and stated that it was the most productive system the world had ever seen:
i.e. youâre right, in a way. âThe very standard which they judge their position was created by the system they condemn.â However, are socialists expected to abandon society to have a foundation to stand on? If we abandon society, we are accused of ânot understanding capitalismâ and thus the world, and if we do not abandon society, we are as you say âspoiled children railing against conditions in their parents houseâ. So what is it? Are we allowed to point out criticisms of the world we live in? Or should we all turn a blind eye to the suffering of millions and be content with the privilege we have?
Philosophicalconservatism
First of all I'd like to thank you for actually engaging with the ideas and argument expressed in the post instead of merely taking offense at the analogy.
Marx certainly did not praise Capitalism, he did concede certain facts. But what we have seen in free societies is not merely an increase in âproductive capacity â as Marx is willing to concede, what we have seen is a dramatic increase in the quality of life of the common man. We have seen a historically unprecedented decline in general human suffering which you cite as your great concern here. There is a significant difference between the generic desire to improve the world through criticism, which we must all feel (and which is incidentally also a part of the Free Enterprise system itself) and the very particular act of petitioning to replace a system that has been the most beneficial in history with one that is at best simply unproven, and at worst one of the more destructive systems ever adopted.
This brings us to my general criticism of radical politics. I have argued before that if radicals (of all kinds) were as rigorous in their criticism of their proposed alternatives as they are in their criticism of the existing system they would be much less certain, and as a consequence, much less radical. The American philosopher Sydney Hook articulated the mentality of the radical Socialist that he had once been like this:
"I was guilty of judging capitalism by its operations and socialism by its hopes and aspirations; capitalism by its works and socialism by its literature. To this day, this error and its disastrous consequences are observable in the judgment and behavior or some impassioned individuals, mostly young."
This type of double standard is a part of the essential nature of radicalism. It is the necessary condition for its (non-empirically grounded) militant certainty. Figuratively it observes one idea through a telescope and the other under a microscope. The spoiled child that perceives the parents who are responsible for everything that he has as his biggest problem in life (because they won't give him more) is not simply looking for "improvement". People who merely seek improvement will exhibit gratitude and appreciation for what they currently have. Their perception of reality is a grounded one. But ingratitude is a blinding force. It literally obscures one's perception of the world. It motivates one to find endless flaws within what one already has, but perfect salvation within any thoroughly vague, half fleshed out alternative as long as it is in fact an alternative.
This is not a clear practical perception of the superiority of another model, it is an emotional contempt for what one already has. The spoiled child believes that if he can just be rid of his parents everything will be wonderful. The specific details of what will actually replace them can be dealt with later. Marx himself (in The Germany Ideology) admits that his writing does not in fact embody an alternative model, merely a critique of the existing order. But he expects that through some dialectical magic the alternative will eventually just emerge; the same as our young child does.
. .
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For more TWST Shenanigans please consider joining the Discord Server!
Summary: After what happened at STYX, Epel was extremely traumatized and never wanted to part from Vilâs side for as long as possible⊠he did not want to lose Vil. The sight of seeing Vil all old and wrinkled, brittle and worn by age was enough to send him into panic- heâs seen many elderly in his hometown pass away but the images of elderly Vil fresh in his mind just made everything worseâŠ
TW: Mentions of D3@th/Dy1ng and mega angst
If you were looking for Emotional Damage this is the place! Abandon hope all ye who read this! Ye have been warned beforehand of angst and pain!
Epel Felmier and Vil Schoenheit: Donât Leave Me All AloneâŠ
Rain pelted the windows of the Pomefiore dorm, thunder rattled the walls and lightning lit the dark hallways and bedrooms that cold February night. It was truly a rough storm and the howling wind whistling a ghostly tune made it no better for Epel as he shuddered under his blankets. The thunder roared again and he clutched his poison apple plush tighter, truthfully, he was not frightened of storms but the events at STYX was enough to send him into panic.
CRASH! BOOM!
The thunder roared again, releasing yet another wave of ferocity. With every roar of thunder came the memories of the titans⊠of VilâŠ
âNo⊠No, Vil is alive, Vil is fine⊠gotta stop being a scaredy-cat! Man up, Epel! Man up, damnit!â
Nightmares of the horrors that fateful day flooded his mind, images of Vil falling into the Underworld to save Idia still were fresh in his memory, haunting him with the thought of losing Vil. Tears pricked his baby blue eyes as he hid his face in his pillow, oh how he despised this weakness⊠but he supposed it was only right considering how the eventâs traumatized him so dramatically.
CRASH!! BOOM!!
The thunder roared once more, causing Epel to jump slightly at the sound. Sevens above how he hated feeling so weakâŠ
Epel huffed, sitting up in bed and grabbing his pillow and apple plush, making his way quietly out of the room and straight to Vilâs room. He knew Vil was likely already in bed but he just had to see him, he needed to know Vil was alive still. His dreams of Vil all old and wrinkled dying before his eyes shattered his heart into microscopic fragments, the images of the dream were too real for him, it was too much. Outside Vilâs door he could see the dim glow of lamp light from under the door, Vil was likely still awake if the lamp was on. Epel took a deep, shuddering breath and knocked on the door, trying his hardest not to break down like a small child.
âHm? Epel? Whatever are you doing up at this hour? Eye bags, my dear, eye bag- EpelâŠ? Oh Epel whatâs the matter?â Vil knelt down to Epelâs height, brushing his gentle, soft hands across they youngerâs face. âCome on in, potato, tell me whatâs the matter.â
Epel walked in slowly, nodding his head and sitting next to his Housewarden on the bed, staring at him with wide, frightened eyes. âV-Vil⊠I-I was just scared you were gone⊠that you left us for good⊠that the Underworld took you⊠*sniffle* Iâm sorry⊠I know this is childish anâ stupidâŠâ
âStupid! Damnit! Cryinâ like a lil kid in fronta Vil again⊠Iâm gonna get a scoldinâ of a lifetime for the eyebagsâŠâ
Vil gasped, pulling Epel into a tight hug, petting his hair gently, swaying softly in an attempt of comfort. He had no idea Epel was so frightened, he had figured something was wrong when Epel refused to leave his side almost all afternoon during their Friday night cleaning session and this afternoon during lunch break but to see this side of Epel was entirely new. He was nothing more than a frightened little boy who had nearly lost someone he cared about deep down even if he did not want to admit it.
âIâm right here, Iâm not going anywhere, just keep your head on my heart, see? Itâs still beating, Iâm still here, little apple. Iâm still hereâŠâ Vil whispered soothingly, almost in a motherly manner as his slender fingers combed through the soft, violet locks.
âNo, Vil, you left us behind in my dream⊠you died⊠you died from old age too soonâŠâ
âI-Iâve seen buncha old folks b-back home go anâ all but⊠but seeinâ you get old anâ leavinâ usâŠâ Epel could not finish that sentence, the words felt so rough on his tongue. The pain in his heart was excruciating and all he could do was wail into Vilâs chest like a child.
âSevens above, please donât take Vil from us⊠pleaseâŠâ
Vil gently shushed the crying boy, whispering words of comfort as his tears flowed from his eyes. The feeling was the only calm Epel felt against the raging storm of emotions. The Pomefiore Housewarden knew that Epel always tried his hardest to keep a brave face, a defiant attitude, and a tough guy persona but Vil and Rook knew deep down Epel was a gentle soul who cared deeply for others even if he never showed it openly.
âEpel, how about you spend the night here with me, hm? That way you will know I will not leave you.â Vil smiled softly as the younger looked into his eyes as if questioning his suggestion. âI promise, I will not leave your side, you will be safe in here with me. No storm, titan, or Overblot monster will come in here.â
BOOM! CRASH!!
The first year gasped at the sudden clap of thunder, clinging to his Housewarden as if he were a baby koala. He nodded his head in agreement to Vilâs suggestion, eventually looking up at Vil worriedly before releasing his hold.
âS-sorry⊠dunno why the stupid storm is making me like this⊠Iâm not usually all a scaredy-cat.â
âIt canât be helped, potato, to be completely honest with you, I too have had a difficult time with the stormâŠâ Vil sighed and shrugged. âTruthfully, it reminds me of what happened at STYX, the titans and all those escaped monsters⊠and the fear of losing you and Rook.â
âI-I had no idea Vil felt this way⊠I thought he was gonna say losing his good looks or somethinâ like that. HuhâŠâ
âWhat? I know that look, potato- you have something snarky on the mind, spill it.â
âAck- um- uh⊠n-no Iâm good, Vil! Heh⊠hehâŠâ
âOne⊠Two⊠do not make me say three, potato.â
âGreat, heâs gone mama mode⊠no escapinâ this oneâŠâ
âAight, I was gonna say just thought you were gonna say something âbout losing your good looksâŠâ
Vil laughed, genuinely laughed at Epelâs remark. Ruffling his first yearâs hair, he pulled him back into a hug. âYou cheeky little apple, what am I to do with you?â
âSend me to Savanaclaw, maybe?â
âNot happening. You are staying with me, spudling.â
âDamnit, guess Iâm stuck with Vil- although, guess it ainât a bad idea⊠heh- life does work in weird ways, huh?â
âAlright, potato, bedtime. Itâs well past both of our bedtimes but sleeping in tomorrow as it is the weekend would not hurt, fufufufu~â Vil lifted the covers for Epel to climb under, like a mother he tucked him in and gently petted his head. Vil too tucked himself into bed and pulled the younger close to his frame, running his gentle, slim fingers through his hair and humming a soft lullaby.
Epel slowly but surely drifted off to sleep, the sweet humming of Vilâs lullaby and his heartbeat that was very much alive soothed his mind and guided him to slumber.
âGnight⊠mumâŠâ Epel mumbled sleepily, snuggling closer to Vil like a kitten.
âGoodnight, my littlest apple. May no nightmares touch your dreams tonight while Iâm here.â
#windblume writes#epel felmier#vil schoenheit#pomefiore family#Vil and Epel#fluff#Vil fluff#Epel fluff#twst epel#twst vil#twst fanfiction#disney twisted wonderland#twisted wonderland fanfiction#twst chapter 6 spoilers#twst spoilers#twst styx
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the Phantom Thieves as medical specialties
disclaimer: Iâm in the medical field, specifically anesthesiology, and Iâve worked in the ER/emergency medicine before pursuing anesthesia
Ren: emergency medicine -jack of all trades -the Swiss Army knife of medicine -can do everything from suturing cuts to reviving people from cardiac arrest -bikes to work -hits up the batting cages to decompress -has seen some real gnarly shit -can keep a cool head when someone comes in actively dying
Ann: dermatologist -has the bougie lifestyle that everyone in the medical field wants -no calls, no weekends, always living her best life -perpetual glowing complexion -knows a billion clinical terms to describe skin -knows the perfect skin care regimen for all her friends
Ryuji: PM&R (physical medicine and rehabilitation) -helps patients literally get back on their feet -knows all the therapies to correct gait and posture but his own posture is shit -always reminds his friends to stretch -knows every conceivable way the human body can break (mostly from personal experience) -almost went into orthopedic surgery but didn't want to do more school than he could take
Morgana: anesthesiologist (my field!) -makes you go to sleep -won't shut up about patient safety/advocacy ("watch your health!") -would sedate a combative uncooperative kid with a ketamine dart -expert at glaring at surgeons over the sterile drapes -would complain out loud if the medical student is chosen to close skin -more than happy to cancel cases and make surgeons throw a fit -crossword puzzles
Yusuke: pathologist -attention to detail, visually oriented -studies pretty slides all day -constantly mesmerized by the patterns in microscopic cells and tissues -always in search of the perfect beautiful specimen
Makoto: neurosurgeon -been in school/training forever -lives in the operating room -the queen of said operating room -in a profession that demands both physical stamina and immaculate precision -would stand for 10 hours straight correcting someone's spine with screws and rods -would make anesthesia stick an IV in her arm and hydrate her with an IV bag so she can keep operating (yes I've done this for a neurosurgeon once. She was pregnant too. Neurosurgeons don't fuck around.) -appointed as chief of surgery and regrets it sometimes
Futaba: radiologist -rich in the dark -never sees sunlight -stares at the computer all the time -has to be dragged outside by her friends so she can get her daily vitamin D -knows her patients inside and out without speaking a word to them -goes ham on trying out the latest medical tech -hangs up (generic) CT scans and X-ray images in her room for the aesthetic
Haru: pediatrician -wears cute cartoon badge holders -also wears cheery pastel-colored scrubs -keeps calm and polite even before the most anal unreasonable parents -can soothe any crying baby in seconds -very sharp eye for catching signs of child abuse -would rather take the lower salary working with kids than dealing with adults
#persona 5#persona 5 headcanons#ren amamiya#ryuji sakamoto#ann takamaki#yusuke kitagawa#makoto niijima#futaba sakura#haru okumura#p5 morgana#p5r#some of these are exaggerated stereotypes just for fun#morgana is basically anesthesia i love that for him
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you told loli anon you don't defend or care about loli but literally a few posts before, you rbed a post that says people who are against pedo kinks on twitter just hate women. The person literally said "what do you think about this? (pedo, incest, rape)" and you rbed that post in agreement that people against pedo shit just hate women. That's probably the kind of thing anon was talking about and it's not the only time you've defended it.
You mean this? Tbh the anon seems a bit sus because they seems to be wording their ask in a generalized manner about woman and dark media. I mean not all dark media enjoyer are into certain things
I dont know man, but its true that people are often putting women on BLAST over the media they consume hence why I said those people are misogynistic. But the optics in this conversation is easily diverted towards "you support pedo" while the main issue that is being talked about is how fandom and society always put women under microscope over their media consumption (and everything)
Remember twilight hysteria?
and most of the time when fandom talk about 'pedo shit' its about things that cannot be legally labelled as child sexual abuse content that actually harming IRL people. Sesshomaru x Rin? Even tho Sesshomaru never touched Rin when she was underage? People scream its pedo. An SFW fan art of an aged up Anya from Spy X Spy? People call it pedo. NSFW art of an ADULT Azula? Pedo.
Shipping Zhongli with Hu Tao? Pedo. Your mom? P word
You can be uncomfortable with something like 14 years old Keith shipped with an adult Shiro from Voltron but refuse to waste your time fighting over it. I'm not into loli but why would I waste my time fighting lolicon online??? Unless those people are legit harming IRL children I'm just gonna filter the content
I have spoken against Terminator art that is using the likeness of an underage actor for nsfw/shipping fan art, I forgot whatever I post it to tumblr or not but its on twitter
I have also spoken against RPF that involving IRL childern/teens
I have seen so many bs online over it and so many false accusation towards innocent people, at this point unless someone is legit preying on irl children, or saving and consuming content that can be legally labelled as child abuse material I refuse to give a damn
I have reached "callout fatigue" point
People can read their incest noncon step sibling fanfic and do whatever so long they are not actually supporting it or legit abusing IRL people and support the abuse of IRL people.
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. . . đŻïž !
youâre so fucking stupid are you absolutely out of your mind ?! how dense can you be ⊠fucking disappointment. it really fucking shows how narrow minded you are. someone mustâve dropped you when you were a fucking child for you to end up like the dumb fuck that you are. are you actually so fucking stupid ? do you ever formulate a thought ? donât get on my last never donât get on my last nerve donât get on my last nerve you stupid bitch ⊠fuck. are you actually fucking here in the room or thinking with your ass ? i cant stand this anger youve put me through and only because youre so fucking stupid. its unbelievable. youre so fucking lucky your mother didnt swallow you when she had the chance and instead had to birth a disappointment. are you actually dumb or are you just dumb ? because youre DUMB. theres no other word for you. thats literally you. i open the dictionary and your face is beside that word and definition. fucking hell ,,, you canât be serious. you just cant. i have never been this infuriated and so âŠ. UGH ! FUCK YOU. merry krampus cuz i hope he gets your ass for christmas. i canât believe youâve just got on my last nerve on s holiday season, in MY timeline, and in MY space. fuck you. fuck you fuck you fuck you fuck you. ive never been this disappointed and it takes a fucking moving mountain miracle for me to even THINK about you and formulate a thought about your existence like this. youve done pissed me OFF BITCH. you stupid bitch ⊠youre such a fucking stupid dumb bitch. how could you do that ??? do you think before you act like a dumb bitch ??? do you ever see the benefit or the relevance ??? it baffles me. ive never seen a specimen creature scientific experiment like you. your existence is something a scientist cant ever decipher under a microscope. your brain is nonexistent and in need of development. you stupid dumb BITCH. oh my fuck âŠ! on my DAYS, and my LIFE ⊠WHAT THE FUCK ??? FUCK. oh my âŠ..
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Guilt and guilt consciousness - The righteous always accuses himself first
It is difficult to compare oneself with others, to find criteria for a yardstick and to use these as a guideline according to selected criteria. In the manifold development of man, the course for later development is set in the initial phases of his being. The family, which should give the child its roots and wings, becomes a means of interpreting and coping with life, whether consciously or unconsciously. One does not outgrow childhood, it rather enlarges over time as if itâs seen under a microscope.
Genet, who did not know his biological parents and grew up with foster parents, stole from them at a young age and later explained that he only became a criminal because society had chosen him to be one. This phenomenon is not new, but it can be applied to Genet's biography (before he was recognized by the philosophers), who, as many indications show, chose a life of crime for autonomous reasons.
After all, anything that seems too dangerous as an idea, too unruly for the people's concept of freedom and their intellectual autonomy, is sanctioned and stifled. Be it the ideas of Socrates (he was accused for corrupting the youth, although he wanted to increase the ability to think through dialectics and the principle of questioning), Jesus (charity and forgiveness, in a society in which the talion principle, ius talionis, was seen as necessary retribution) or Bruno (a sad proof of the lacking development in knowledge, when discoveries are considered as blasphemousâŠ) , shook the given structures of order and wanted to help find the truth more deeply. However, by considering their ideas to be crimes, establishing their culpability for their actions and emphasising their danger to society, the subsequent punishment was intended to restore justice.
The perpetrator's guilt as the basis for the imposition of punishment seemed arbitrary; it pursued purposes other than that of being a response to alleged misbehaviour. It often served to uphold political and economic interests.
Further and yet different examples of the phenomenon of society producing the criminal are from the literary world e.g. Edmond Dantés (The Count of Monte Cristo) and Jean Valjean (Les Misérables), whereby Dantés was falsely accused and had to endure as a political prisoner in the dungeons of the castle of If for a crime he never committed (until his legendary escape, and, as a result of his fourteen years of imprisonment, he first sought the criminal logic of retribution) and Jean Valjean, despite his hard work and endeavours, was unable to provide his seven nieces and nephews with a crumb of bread to live on: He stole so that others would not starve and served his sentence in the galleys, but wasn't it already a crime to keep bread in a gilded cage far away from the toiling people?
Genet deliberately broke with morality, not for reasons of hunger or life support, but out of poetic fascination with the life of a criminal. He banished himself from the circle of the so-called righteous, his sympathy was with crime and criminals, he downright loved them, but he also loved the punishment that came with a criminal offence, as he himself emphasises:
"But if I love their crimes, it is for the share of punishment that it contains (...) and so I want to love them so that my love finds fulfilment." [24]
He seemed to seek misfortune for his sense of beauty, the rough and hard was just as necessary for it, he liked to feel hurt and outcast in his delicacy, and yet Genet felt a great bond with creation, although he always saw it in terms of the separation between criminals and others:
"I wish to become a multitude, my companions from misery, the children of misfortune. I envy them for the fame which they separate and which I use for less pure purposes. Talent is courtesy to matter; its essence is to give song to mute things. My talent is my love for what makes up the world of prisons and bagnos. Not as if I wanted to transform them, to lead them towards your life, or as if I granted them indulgence and pity: for me, thieves, traitors, murderers, villains and swindlers have a deep - an empty beauty that I deny you!" [108]
The application of criminal law is the postulate, closely linked to the idea of human dignity, that someone may only be punished for an offence if this offence can be imputed to him as a personally attributable wrong. Was Genet compelled to commit a crime for heteronomous reasons, like Jean Valjean, in order not to watch children starve to death, or were his extraordinary deeds declared crimes because the power-elite saw them as having too great a revolutionary force?
In the newspaper article above, Genet compares himself very unhappily with Kafka, with a person who- beginning from early childhood, felt guilty for everything, because his father blamed and accused him for everything. The invisible judge, who manifests himself not only in his works, is an integral part of his personality. An opaque judicial system that passes bureaucratic and impersonal judgement on people, condemns them and keeps their entire lives behind a file number. A maze of paragraphs and legal definitions, endlessly long corridors where artificial light makes you forget the night. Judges and lawyers, statues of the law, cold, deaf, mute.
The righteous man is in an eternal trial against himself, conscience as the voice of reason and there will always be a reason to feel guilty, be it because one is better off than others and feels the pain of the world (Weltschmerz) or because the universal capacity for guilt is a relic from original sin? The idea becomes even clearer in view of the climate crisis: our carbon footprint and the consequences for the world and posterity.
Genet may have consciously withdrawn from the system of bureaucratised work, he certainly never experienced the pressure and irrationality of ordinary life, yet he condemns Kafka and his art, even though he himself should have realised that he lacks the moral organ to put himself in the Kafkaesque world.
This text began with the difficulty of comparison and will end with it. Both Kafka and Genet describe the crime and the punishment in their own way: Kafka is blamelessly guilty and Genet, despite being guilty, is incapable of feeling guilt. A person's capacity for guilt is an inner peculiarity, which is trodden on by the coarse and nourished by the tender.
Warum wurde ich der Dieb? Ein Kind guckt aus dem Fenster und sieht unten jemanden gehen Es fragt sich warum es so geboren ist und ob es spÀter wird mehr verstehen
Der Dieb hebt den Kopf und sieht des Henkers Silhouette âWieso musste ich der Dieb werden, bald sterbend fĂŒr etwas wofĂŒr ich keine Schuld empfinde? Der, der den Arm austreckt in einer Welt, die den Hungrigen frisst- und ein Verbrecher wird, weil das ihm zustehende Brot im goldenen KĂ€fig ist? Stehe ich im gröĂeren Unrecht? Oder bin ich klein genug, dass man mit dem Finger auf mich zeigen kann? Ist dies die Gerechtigkeit der Menschen, so erkenne ich sie nicht an!
Wenn entbeut Lieb dem Andern Lieb, da Geteiltheit nicht das Ganze gibt Wohl oft war ich dieser Fahrten ein verrohter Dieb DafĂŒr verdiente ich ein Tödlichhieb!
Wahnjammer fĂŒrchtend musste ich stehlen Niemand kann diese Beichte abnehmen Das Herz wird dem ohne Courage und auch ich mir selbst Nie und nimmer vergeben
Sicher, oft war ich am Verfehlen Und oft scheiternd an ausgedachten Hindernissen Mit diesen Geistern, die mich quÀlen Schatten von VersÀumnissen
Ein Fleckchen blau ĂŒber meinem Haupt- o, bitte! Ein StĂŒckchen Erde, sei sie auch am Abgrundsrand
Jede Sekunde einatmend und dann die Zeit wegpustend mit dem Löwenzahn
Alles wird durchseelt und ich sehe ein Fenster dahinter ein Kind, welches lacht Auch mein schlechtes Los hÀtte ein Billet sein können hÀtte der Vorwurf mit dem Möglichen getanzt
Wie groĂ hĂ€tte diese Welt sein können, ein Reich, in dem ich immer wĂ€re satt Doch der Bauchschmerz verdrĂ€ngte und fraĂ dann auch die Moral!â Der Dieb dachte so laut, dass es um ihn herum wie zu blitzen schien Noch weiter wurde der Hals noch oben gestreckt Vielleicht wollte das Ohr noch ein letztes Vogellied vernehmen In kontra-f, ein Posaunenton Der knurrende Magen des Brotdiebs, welchâ Schicksalshohn! Doch unverhofft zart kurz vor dem Hieb ein leises Gezwitscher und ein GruĂ aus der Ewigkeit im reflektierenden Eisenglitter
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It's Just A Game... CHAPTER EIGHT. â
DATE : âFEBRUARY 11TH, 1998. LOCATION : âRACCOON CITY, MISSOURI. TIME : â10:19 PM.
âžș . â â â . âžș
 William Birkin, one of Umbrellaâs top researchers, runs down one of the NESTâs hallways, an Umbrella laboratory beneath Raccoon City. Heâs broken out into a sweat, anxiously looking around as he rushes past employees, stepping through a set of double doors and scanning the area in search of Wesker.Â
 William has found something, and it puzzles him. In his hand is a drawing his daughter, Sherry, had hanging on her bedroom wall.
 He remembers coming across it as he was tucking Sherry into bed. A rare moment the two were able to share when he was home.
 He leaned down to kiss her head goodnight and walked over to turn off the light, but he spotted a drawing out of the corner of his eye. Itâs an illustration of a woman, indicated by her long hair and eyelashes. He wouldâve glossed over it had he not read the name at the top. âStar.â William knew that name regardless of the misspelling, and it wasnât hard to mistake who it was, based off the pictures Umbrella operatives had acquired while stalking the young woman. This had to be Starr.Â
 William looked at Sherry. âWhoâs this?â
 âThatâs Starr.â Sherry said, âSheâs from a dream I had.â She fiddled with her fingers nervously. âDo you like it?âÂ
 William blindly told her âyesâ before he took it down from the wall. âCan I have it?â He asked.Â
 Surprised and excited by her dadâs sudden interest, Sherry nodded enthusiastically. âYeah!â
 How does Sherry know about Starr? Could this even be the right Starr? William isnât sure, but maybe Wesker can give him some answers â or at the very least â entertain him with what he thinks about it. A sliding door opens with a hiss as William enters a laboratory.
 The lab is filled with busy employees leaning over their desks and microscopes, scribbling down their finds to report to their superiors or ask for a colleagueâs opinion. Far across the room, Wesker is leaning over an employee's shoulder inspecting the contents of their paperwork. William approaches Wesker once he spots him from across the lab, shooing away any nearby employees as he does so. Wesker turns to his colleague and quirks a brow, perplexed by his sudden intrusion.
 âSomething to report, Dr. Birkin?â
 âOf course.â William responds, and he holds up the drawing to Wesker. Wesker takes it and examines the illustration before frowning, unamused. âThis is a less than accurate imitation.â He says, handing it back.
 William scoffs. Not me, you prick . âI didnât draw this. Sherry did.âÂ
 Wesker is taken aback by Williamâs response. To Weskerâs knowledge, Sherry Birkin has been nowhere near Starr and vice versa. How could this child draw a picture of someone she has never met?
 Wesker knits his brows together.
 âWhat are you on about?â
 âI asked Sherry about it, and she told me she met Starr in a dream.â He sighs. âHow is it possible for my daughter to dream of someone sheâs never met or seen ?â
 As men of science, the two realize that the brain is one of the bodyâs vital organs â it powers the body, sends receptors through itself, and so much more â it can do many, many things, but itâs virtually impossible for the brain to create a new face. Even in a dream. It simply just canât. It definitely baffles Wesker as it does William, but Wesker simply brushes it off as a childâs imagination. After all, dreams are just that: dreams.
 âIâm sure itâs nothing.â He says, pointing to the name written above the drawing. âYour daughter didnât even spell her name properly.âÂ
 Wesker knows how dense it sounds, but it sounds even more moronic for him to entertain such fantasies. William stares at the drawing for a couple moments before running his clammy hands through his hair. âWho else in Raccoon City, that we are aware of, is referred to as âStarrâ, Wesker? That doesnât require a lot of thought.â He remarks.Â
 William is fully aware how ridiculous he sounds, but what do they have to lose? They havenât been able to explain what exactly happened on January sixteenth when the energy surge was captured on radar; only for it to disappear after a few minutes. Heâs heard a few trainees and researchers theorize that Starr and the surge could be related, but he chose to push them to the back of his mind and instead bury himself in realistic ideas. However, he isnât so sure he believes that he has the luxury of thinking anything ârealistic.â After all, his position as one of Umbrellaâs Chief Researchers and expert virologist spoke for itself.
 âWhat are you implying? Astral projection?â Wesker chuckles. âDo you believe that Starr can travel through dreams?â He scoffs at the idea. Itâs such a ludicrous concept to Wesker.
 William frowns. âDo you have any better ideas?â
 âNot at the moment, but you know I donât entertain such concepts.â He responds.
 âPerhaps you should, Dr. Wesker .âÂ
 A thick, Russian accent cuts through their conversation, and the two men look in the direction of the voice. Standing in the doorway is Sergei Vladimir, Umbrellaâs U.B.C.S. (Umbrella Biohazard Countermeasure Service) founder. He also serves as Oswell E. Spencerâs, one of Umbrellaâs founders, personal enforcer. His large frame is intimidating, menacingly leering over others at a height of 6â7â. He has a scar over his right eye, and his hair is a mixture of different grays. Sergei is infamous for his scary exterior and even more terrifying interior, and anyone who knows whatâs good for them wonât cross his path of destruction. That includes any nearby employees, who quickly get out of his way to avoid him.Â
 â Colonel .â Wesker addresses, and he straightens. âWhat brings you to NEST unannounced?â He inquires, raising a brow.
 Sergei clears his throat.
 âSpencer sent me to figure out why his top priority hasnât exactly beenâŠÂ priority .â
 Wesker knows what Sergei is referring to. Itâs been two weeks since Umbrella has attempted to capture Starr, and the executives are becoming restless in their seats as they wait in anticipation to see results. Wesker wants to see results, too, but the right time hasnât come upon Wesker yet.
 âI need more time.â Wesker states, looking away from the large man. Sergei folds his arms behind him and begins walking towards Wesker, causing any researchers standing by to casually slip away as Sergei passes them, averting their eyes. Any other time he would have entertained them by scaring them, but now is not the time for that. Now is the time for business , and he wants Wesker to know.
 âYouâve had plenty of time to play cat and mouse, comrade. However, we will get back to that.â Sergei turns to William. â Dr. Birkin , mind sharing with me the information you shared with Dr. Wesker?â
 William doesnât look at Sergei at first, but after he gathers his courage he clears his throat and turns to him. âGod, heâs fucking scary.â He thinks.
 âItâs uh â nothing important.â He mumbles the last part, and Sergei chuckles. Donât play with me, Birkin.
 âYour hasty trip here leads me to believe itâs something of urgence.â
 Sergei had been doing mandatory security checks at the entrance when he spotted William, who sped in the direction of the labs with a determined look on his face. This piqued Sergeiâs interest, prompting him to follow William. After all, he was sent to press Wesker to capture the test subject Umbrella has recently laid its money filled eyes on. If he was to find Wesker, he would follow William.Â
 William looks at his daughterâs drawing nervously, unsure if he would get such aâŠÂ kind response like Weskerâs from Sergei. Would he laugh at him? Would he yell at him? He doesnât know, but he doesnât want to keep him waiting and find out. William sighs before holding out the drawing to Sergei.
 âI found this in my daughterâs room.â He swallows nervously. âWhen I asked her about it, she said she saw her in a dream.â Sergei examines the drawing before placing it onto a nearby table.
 âHow can your daughter dream of a stranger?â
 âThatâs what weâre trying to figure out.â Wesker remarks.Â
 Wesker thinks back to the night he first saw Starr in person â the night he sent a team out to extract her from Jillâs residence. Wesker has never dreamed much in his life, and it took him by surprise once he realized he was dreaming.Â
In his dream, he appeared to be in one of the many labs heâs worked in, but the lights were much, much brighter and the walls were made from the same kind of light panels on the ceiling. Wesker observed his surroundings before he stepped outside of the lab, only to find that the room on the other side was a wide, open plane made with the same panels as the laboratoryâs walls.
 As he began walking forward, he spotted Starr who was standing in a pool of blood, facing away from him. He approached her, and as soon as she turned around to face him he saw the same expression she had at the police department. Fear and recognition â a curious combination that caught Wesker by the tongue ever since he saw it. He reached out and grabbed Starrâs throat, and his excitement returned to him all over again. Wesker lifted Starr from the ground and smirked when she began kicking her legs. Starrâs eyes showed so much terror and hopelessness, but as they stared deep into his own Wesker spoke to her.
 âIâm coming for you.â
 That was the last thing that happened before Wesker woke up in his bed. It was a strange encounter, but he chose to brush it off. Until now.
 âYour little science formulas finally failed you, have they?â Sergei hums.
 â No . Weâve simply come in contact with somethingâŠÂ different .â William retorts, folding his arms.
 âIf I recall the energy surge that occurred on January sixteenth was something different, too, yet you donât have any answers.â Sergei states.Â
 âWell, what do you propose?â Wesker inquires.
 âItâs possible the woman has something to do with it. After all, there was blood found at the scene and her hospital records show she came in covered in it.â Sergei responds and Wesker folds his arms. Before he can reply, however, William speaks up.Â
 âThat is true.â He says, âThe S.T.A.R.S. members found her body after the large amounts of energy surged through Raccoon City, but a human being doesnât have the ability to produce energy like that.â William swallows. âTheoretically, if that is the case then that means she is capable of channeling energy, allowing her to practice astral projection, correct?â He looks at Wesker. Wesker looks at William and answers.Â
 âPossibly. And what if she is? What do you propose we do with that information?âÂ
 Sergei smirks smugly to himself. Oh, Wesker .
 âI propose that you get to your mission.â Sergei responds, âSpencer is putting his faith into you, but he is becoming impatientâŠÂ What is taking you so long?â
 âIâmâŠobserving her.â Wesker replies.Â
  More like admiring.
 William looks at Wesker and quirks a brow. Why did Wesker say it like that? He isnât sure, but he quickly shakes the thought from his mind as Sergei chuckles.
 âWe can observe her from behind the glass, comrade Wesker.â Sergei turns and begins to walk away.Â
 While he has only seen the subject through pictures, Sergei knows what Wesker implied. He doesnât believe pictures do anyone justice, but if Wesker is interested then surely she must be a treat!
 âYou have two weeks.â
 Wesker forces a straight smile, one that William takes notice of.Â
 Wesker has always tread carefully in Umbrella. Heâs like a wolf in a den, snarling at those who come near and biting those who oppose. Sergei is a much larger wolf, and Wesker would be foolish to oppose him. They have come close to ripping out each otherâs throats, reducing themselves to their animalistic natures. Wesker holds himself back most of the time, remembering he has to be patient in order to get his kill. At least for now.
 When Sergei leaves, William breaks the silence that settles between Wesker and himself.
 âDo you have a plan?â
 Wesker turns to William. âOf course I do.â
â
DATE : âFEBRUARY 14TH, 1998. LOCATION : âBREAKROOM, RACCOON CITY POLICE DEPARTMENT. TIME : â10:09 AM.
âžș . â â â . âžș
 Chris stares at the officers around him as he grabs a cup of coffee, unable to pinpoint why heâs uncomfortable. Oh yeah, thatâs right. Itâs Valentineâs Day. Chris didnât really like this time of year. He feels like itâs just something people will use as an excuse to spend money on their significant other or themselves for outrageous things. Or maybe itâs because heâs usually single â
 Chris quickly pushes the thoughts to the back of his mind. He reaches his cupâs edge to his lips to drink, and his mind begins to wander to the kiss he shared with Starr the other day. The way she kissed him, the way her hands touched him, justâŠÂ her .Â
 He nearly chokes on his coffee and swallows rather harshly before he places his cup onto the counter.Â
 Starr has been on his mind since it happened, and he isnât sure if he can get her out of it. The struggle to think about anything but his feelings has been at an all time high, and he isnât prepared for today â not one bit .Â
 As Chris turns and spots an officer gift another with a box of chocolates and flowers, he wonders if Starr would like that.
  Oh, boy . Chris really is love sick isnât he?Â
 Chris grabs his cup and exits the break room, heading towards the S.T.A.R.S. office.Â
 The thought of telling Starr how he feels crosses his mind, but he brushes it off instead as he enters the office and greets his colleagues.Â
â
DATE : âFEBRUARY 15TH, 1998. LOCATION : âJILLâS APARTMENT. TIME : â1:47 AM.
âžș . â â â . âžș
 The apartment is deathly quiet, save for the sounds of the outside world. All the lights are off, and the only light illuminating the bedroom is a nightlight plugged in the corner of the room. Jill is in her bed out cold with an arm and foot half dangling off the side of the bed. A pillow is on top of her head and the covers are halfway covering her body. The window to the fire escape is open, letting in a cool breeze to blow softly into the apartment. Starr is sitting out on the fire escape, staring up at the sky. In her lap is in her notebook open on an empty page, and she has a pen in her hand, tapping it slowly on the page. Sheâs been sitting like this for a good half an hour, staring up into the seemingly starless sky and wondering what she should do. It seems like thatâs all sheâs been able to do lately â nothing but worry about how to get home and escape Umbrella. Starr doesnât even know how she got here in the first place much less how to get home. Escaping Umbrella isnât easy either, especially when the Chief of Police is paid to cover up Umbrellaâs crimes and Albert Wesker is the captain of the S.T.A.R.S. Alpha Team, further strengthening Umbrellaâs influence over the police department.Â
 Starr pouts. Should she tell Chris and Jill about Wesker? She knows Wesker inevitably will search for a way to prevent her from exposing him, and without proof it was her word against his.Â
 Starr thinks back to the night she was attacked. Chris asked her if she would tell him or Jill if they were in any danger. At the time, she only said yes because she was scared. Now, Starr is more afraid than sheâs ever been, but she feels like she canât just sit by and let things happen. The more time Starr has spent here, the closer sheâs become with everyone. Deep down she knows that none of this is real and it doesnât matter, but the experiences sheâs had are real.
 This town is real, Chris and Jill are real, and Umbrella is real. Theyâre all real .
 Starr sighs through her nose before looking down to the notebook and putting the pen into the spineâs crease. She runs her fingers through her hair and leans her head against the brick wall.
 Her life's in jeopardy here in Raccoon City, and while she has never really been afraid of dying â sheâs always been afraid of dying without making a difference.
 Maybe she can save the city â save everyone from the terrible apocalypse that was bound to set upon the innocent citizens of Raccoon. Thereâs so much more to the story, but Starr canât just drop over twenty years worth of information on someone. She has to start small and from the beginning. She has to be smart and use her words carefully. Who knows what could happen if she said something too loud or someone she tells repeats it? Unfortunately she doesnât know and she feels like she canât give away any specific names or dates. However, she can at least give an explanation or some advice.
 Starrâs thoughts travel to the night she and Chris shared their kiss.Â
 Her heart begins to break, and she starts to cry.
 Everytime Starr looks at Chris she sees anything and everything sheâs ever wanted. Heâs cute, funny, considerate â a literal dream boat â and Starr feels like she doesnât deserve any of it. Starr isnât supposed to be here. Chris was never supposed to meet her, and if anything, Chris deserves someone like Jill â whoâs pretty, smart, and confident. Not someone like Starr, whoâs average and lame.Â
 Starr feels as if she doesnât believe she deserves Jillâs friendship, either, and this causes her to cry harder.Â
 The more she thinks about the companions sheâs grown to love, the more tears flow down her face. Starr has lied to Chris and Jill for too long, and itâs taking a toll on her. Starr thinks back on the kiss she and Chris shared, and she canât help but to think that maybe this was all some kind of cosmic joke. She wants this to be fake. She doesnât want any of this to be real. She doesnât want to be attached to these people. She doesnât want toâŠbut her heart has become attached to them, feel for them, and she ultimately realized itâs her heartâs choice to make, not her mindâs.
 Starr sniffles and begins to wipe away her tears before picking her pen back up.
 She might not make it out of this situation alive, but her gut says sheâll be damned if she lets the people she cares about get hurt.
 She begins to write in her notebook, tears falling onto the paper. She spills herself onto the pages, writing down a letter for Chris and Jill to find in case something might happen to her.Â
 If Starr can manage to stay out of Umbrellaâs grasp, sheâll instead use the letter as a reference and explain to Chris and Jill whatâs going on herself. Sheâll tell them about whatâs going on in a weekâs time, and even though sheâs still nervous about telling them, she thinks a week is long enough for her to gather the courage.
 Once sheâs finished writing, she stares at the bottom of her letter.
 Sheâs never told anyone or even thought about her real name since sheâs been here. While the name Starr has grown on her, she thinks if sheâs going to be honest she should be honest about who she is, too.
 Starr signs her name at the bottom and smiles weakly to herself.
 Itâs nice to see her name for once â her real name.
 Starr closes the notebook and begins climbing back inside the bedroom, quietly closing and locking the window behind her.
 She walks over to Jillâs desk and places the notebook on top of it. She sighs through her nose before turning to look at Jill.Â
 Starr walks to the opposite side of the bed and crawls onto the bed, slipping underneath the covers. Jill moves in her sleep at this, causing her pillow to fall onto the floor. Jill shifts to face Starr, and Starr turns to face Jill and rests her head onto the pillow.
 She reaches over and pulls the covers up to cover Jill, and she smiles to herself.
 âGoodnight, Jill.â Starr whispers before closing her eyes and slipping into a teary eyed induced slumber.
â
DATE : âFEBRUARY 20TH, 1998. LOCATION : âCHRISâS APARTMENT. TIME : â2:35 PM.
âžș . â â â . âžș
 Jill and Starr had traveled over to Chrisâs apartment for a day of grilling and relaxation, and the two women were occupying themselves with a record player in the living room, sifting through piles upon piles of record albums. Forest had started up the grill out on the fire escape, and as the smell of food fills Chrisâs nose he joins his roommate out on the escape.
 âSmells good, man!â Chris grins.
 âYeah, and Iâm sure theyâll taste good, too.â Forest quips, and he wipes his hand on a cloth before he looks at his friend.
 âSo..âÂ
 Chris quirks a brow and shrugs, âSo..?â
 ââSo?â Dude, have you told Starr how you feel yet?â He asks, and he canât help but chuckle. âI never thought Iâd see the day that Chris Redfield gets a kiss from a hot girl and doesnât say anything.â
 âWhat was I supposed to say?â Chris defends himself, âItâs not like I donât wanna tell her â I just â â Forest cuts him off with a sigh.
 âLook, I get it. You still have feelings for Jill.âÂ
 Chris pouts. Thatâs not the reason, but as Forest brings it to his attention he starts to think. He does care for Jill, but any time he thought about telling her his feelings he just felt like he would ruin it and make things awkward. After a long time of thinking, he realized that Jill is his friend and thatâs whatâs important. Theyâll always be friends. With Starr itâsâŠdifferent. He cares for her, too, but when he thinks about telling her his feelings the courage comes freely. Is that how itâs supposed to be? Is that how romance works? He doesnât know; Chris has pretty much relied on what his gut has told him, either that or â
 Forest flips a burger, breaking Chris away from his thoughts.
 âNo, I just donât wanna put any pressure on herâŠÂ Starr â I mean.â he taps his fingers on the fire escapeâs railing. âAll we did was kiss, man.â
 âAnd that kiss could lead to something else~â Forest hums, and Chris scoffs. If only I could get that far .
 His stomach flutters at the thought of seeing Starr in his bed; naked and looking up at him with her pretty, big eyes. The thought causes Chris to feel embarrassed and Forest rolls his eyes at his friend, smiling to himself before he makes another remark.
 âYouâre free to do what you want, but personally I donât think thereâs any harm in telling her how you feel.âÂ
 Chris breaks away from his fantasies and watches as Forest flips another burger, thinking about what Forest just said.Â
 Thatâs true. There isnât any harm in telling Starr how he feels, and if it doesnât go anywhere he feels better knowing that he was able to get it off of his chest â to be able to breathe the air that she was suffocating him in.
 Oh, God how he wanted to tell her.
 AndâŠas a matter of fact, he will .Â
#resident evil#resident evil fanfic#resident evil fanfiction#chris redfield#jill valentine#albert wesker#starr (oc)#S.T.A.R.S.#pre resident evil 1#pre-resident evil 1#isekai#forest speyer#sergei vladimir#umbrella corporation#william birkin
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I've arrived late to the fandom, but I've never read someone who said the Wen *deserved* to die. I've seen Jiang Cheng could maybe have spared them, or that he *had to* kill them, or that he himself was not conflicted at all about choosing revenge rather than moral high ground like wwx, or whatever. The Wen themselves were not the focus, on that analysis, as they should, they're a plot device of which the only utility is to drive a wedge between the different characters. I've seen, however, rants on how JC's fans are child abusers, homophobic bitches, vain and shallow, the kind of people who support genocide and mysogyny. So you're upset because you see a few posts floating around, written by probably young women, who play doll? I'm upset by bullies. I think that's why I can't see your point of view because, in truth, I don't care about all that. I care that I'm attacked on a fan space for having a hyperfixation that's lasted waaaaay longer than the few previous ones or I'd have fucked out of there.
Every time I see people discussing characters they like and don't like, the focus is on the characters, but for some characters lie jc and jgy, my *god* the focus is dial up to a thousand and hurled at the readers instead and *that* is my roman empire. And if people defending a character that is important to them, that makes them feel good, that maybe got them out of a reading or writing slump is not your cup of tea... âšblockâš
Curate your content. Block those that attack readers and those that put shields in front of their blorbos. If jc is your roman empire, keep putting him under a microscope, posting that if you want and blocking the answers you don't like. It's fandom. It's not jobs with colleagues and bosses, it's for fun. "Playing with dolls" as a post said.
And here's the last point I think I'm gonna add to the conversation. It was pleasant enough but starting to be a bit cyclic, and I'll just end up repeating myself, that means that part of the conversation is dying or dead:
Jiang Cheng doesn't have to do anything. No self-reflection, no acknowledgement of abuse, no grand apologies, nothing! Neither does Wei Wuxian for killing half the jianghu's cultivators and reanimating a child as a zombie without his consent or violating his enemies as revenge, or lwj for existing (erm..) because they're fucking fictional. Their existence is a loop, that goes from first page to last page and back to first page again when the book is picked back up. Maybe a few additional chapters when people write post-canon fanfictions that you particularly enjoy. Otherwise? Nothing. I don't like the book, I constantly oscillate between mxtx is a great writer and mxtx wrote the longest introduction just to get to the porn chapters, but again I only have the English version as reference, I don't like the main characters, but my god I love the universe, the possibilities, everything. And I love Jiang Cheng as a character, why he acts like that, what happened to him and what he did as a response, as extreme as it was. I love other characters but him? I wrote 20k words in maybe 2 months and for some of y'all chronically on ao3 that's not that impressive but I hadn't written something I liked in half a year before that purple motherfucker came in. But he is only what we let him be. He's not real, and he won't change and he won't apologise more than he did in the temple, and he won't grow as a person because the author finished her book. And so, the rest is up to what the readers and watchers and fanfic writers want him to be, what they need him to be. And people don't need the same thing from the same image and it's okay. He's here for that. Catharsis, self-reflection, unhinged scenarii and all. It's okay. What is not is using a fictional character to throw hate at very real, and maybe vulnerable people. Because no one gets as obsessed with a character if they're not helping them cope with whatever happening in their lives. So criticise if you want, burn your roman empire until you're satisfied with your prodding and digging and clawing, but that's how you enjoy the story. Some are clearly only here for the romance and the porn. Some are here because the actors in the Untamed are nice to look at, some are here because their mutuals pushed them in. I suspect some are participating in the discussion without having read or seen anything and have instead recomposed the entire story with only gifs and metas and fanfics.
So, before I sound too much like a mom on the internet, have fun, let people have their fun. I love debating but I hate fighting. Debating with people I disagree with is great! Getting insulted is not. So my only solution is to curate my content heavily, and I'd never had to do that before! And I've been to many fandoms! Maybe the quiet part of them. Anyway I'd rather see defences than empty attacks that had been said a thousand times. At least I had a good laugh at how unserious some of the defences were, like the torture-dugeon conundrum in wetlands.
Hope my point of view of fans was clearer! I tossed literary analysis because I've said what I wanted before, that context and plot device are fundamental to be thought about when analysing, and the point was not really on dusting my literary degree, but being a JC fan
I donât think Wen Ning told Jiang Cheng about the golden core because he wanted him to know he owed Wei Ying or any of the sort. Like a lot of people seem to think that and therefore conclude Wen Ning was out of line. But itâs more likely that he did it to give Jiang Cheng the wake up call he needed. Because he has lived for 13 years in denial of the truth in that Jiang Yan Liâs death was not Wei Yings fault and he himself had a hand in his brothers demise. It was meant to be a reminder to him of who Wei Ying actually is and the made version he has in his head is a perception that has been warped by his anger and grief. Itâs meant to be a reminder of how much Wei Ying loved him. Jiang Chengs anger is understandable but it doesnât justify him treating Wei Ying the way he did and putting all the blame on him without ever trying to comprehend the choices his brother made and why he made them.
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x || @g33kych33ky â„âd
    âI do not understand.â Neatly shaped brows pull together and a nose scrunches, crinkling momentarily. A look of absolute bewilderment slaps across tan features. A deep, horizontal line thatâs been carved into a forehead amplifies her confusion.Â
    âYou are able to determine what I am by examining the sample you took from inside of me through a lens.â An index finger juts and prods at the air, gesturing at the foreign device in front of the shorter woman who stood alongside her. âHow? Is it a-- a machine thatâs been enchanted? Perhaps granted powers from a higher being of sorts?â  Â
#x || starter#x || verse: I USED TO WANT TO SAVE THE WORLD (MODERN)#g33kych33ky#[ lord forgive her#my child's never seen a MICROSCOPE BEFORE#so i hope that this starter is okay <3 ]
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The Hero of Nature was the youngest of the group, both in terms of timeline and physicality and bore similar attributes to his Hero Link counterpart in more ways than one. You knew, ignoring the fact the Gerudo man was a Ganon, Wild would have loved to meet the man and cause their feral chaos together like the destined soulmates they were. A piece of home in a way, you clung to him quite quickly also, pulled into his wacky shenanigans and his fun little messes that had the group groaning in distaste.
"You're insane." Like now, certainly, something that would have had your favourite brooding monarch throwing a fit even a child would wince at. "Seriously, Nat, this is fucking crazy."
The bear's head raised at your whisper and you both ducked down a little more.
The redhead looked at you, confused. "You've never wanted to ride a bear before? Not even once?"
"Of course, I've wanted to." You snapped like it was the most obvious thing in the world. "But you know what I also want? To keep my guts inside me rather than splattered on the floor."
Hours spent listening to the wonderful voice of David Attenborough had instilled both a fear and a fascination with the Earth and its inhabitants, while bears did indeed look friend shaped a small 'fun fact' from the broadcaster about how a bear's claws, teeth, running speed, size ect, etc. Was enough to deter you from getting even the slightest bit close to then- even now was pushing your "I don't want to die this way." Boundaries miles away, the boundary line was a dot in the distance, a star in the sky, an atom to a microscope-
You yelped when the man threw you over his shoulder, huffing out air at the impact as he leapt over the log you had found refuge behind and raced towards the beast, laughing at its guttural growls and roar.
"Nat, Nat, NAT!"Â
Screams were drowned out but the sounds of the bear as the man hopped onto the great creature, bucking feverously to rid you of its back and make you its next meal for your very rude disturbance.
Oh, but Nature certainly wasn't going to let that happen, dropping you onto his lap and digging his hands into its fur. He certainly was pleased with himself, laughing like a madman as you were both thrown about, a dizzy spell hitting you fast as the mammal continued to try and throw you both off, groaning in distaste.
A minute or two passed, a headache forming as your brain slammed against your skull violently at each jump and turn, eyes straining to see the forest in front of you as you made a last ditch effort to stop this 'fight'.
You leaned over to gently massage the bear's ears in pure desperation.
And slowly but surely, the bear began to real, the buck reducing to shaking and the shaking reducing to stillness as the creature panted to catch its breath in the middle of the dense woodland. You were rigid, from both pure fear and pure adrenaline running through your veins, icy cold while Nature laughed something impressive, patting the giant creature between the ears.
"That was amazing!" He praised, gently nudging you. "I haven't seen a bear relax so fast, how did you- (Name)?"
The Gerudo man poked you quizzically, your body bopping to the side before falling off the creature, petrified.
"Oh no."
The man's stomach dropped as he thought about Tide's reaction, hopping off and letting the beast step back, still panting as he shook you wildly, calling your name in a frantic voice.
Oh, he was dead. Dead for sure. The old man had already grown protective, a parent claim over you from those days of your fever while he nursed you back to health. You were delirious of course, muttering something or other that had the elder man soft with empathy as he patted your hair and wiped away the sweat.
"I think they should come with us."
And despite the argument that transpired with a few not wanting such a decision, Tide stood firm and that was that- you were part of the group.
A great decision really, no one else was crazy enough to join his escapades.
"NatâŠ" Your voice was but a whisper, the man perking up in relief. "I needâŠto ask you somethingâŠ."
The man leaned closer, concern still written over his face as he nodded for you to continue, holding your hand gently.
"Why the fuck is the bear licking my hair."
#linked universe imagine#linked universe#linked universe x reader#lu#a player's aid#player au#mess au
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Part I
July 8th 2018
Lexa has learned to find the events around the city. She knows where people store their spare key, and when they may be out of town. She knows the patterns of the local bakeries and when they toss their day-old bread. Sheâs surviving.
Itâs easy to sneak into events when no one remembers you once youâve walked past them. Lexa has taken advantage of this perk many times to get into clubs, concerts, and weddings. This rooftop party is no different.Â
Itâs a hot and muggy July evening in the city. The gallery below is hosting a party to celebrate new partnerships with artists. The rooftop is full of budding artists and wealthy patrons. Thereâs a low hum of music, chilled cocktails, and a few waiters wandering through with finger food.Â
Lexa is content to stand off by the side, filling up on free snacks and drinks.
A blonde woman approaches the table, lays out a napkin and begins piling cocktail wieners on it. Then, as stealthily as she can, places the whole thing into her purse. Lexa watches her do this again with mini quiches.Â
This time, the woman looks up and catches Lexaâs eyes.Â
Lexa smirks. âHungry?âÂ
The woman looks slightly embarrassed, but admits, âIâm an executive assistant at the gallery. I planned this whole thing, and everyone is too busy sucking up to the artists and patrons that they arenât eating this delicious food that I spent hours on the phone with a caterer about.â
âThen by all means, let me help you.â Lexa grabs a napkin to start filling with mini crab cakes.Â
The woman smiles and with renewed vigor, she fills her purse with as much as it can hold. When itâs too stuffed to hold anything else, she reaches out her hand and says, âIâm Clarke, by the way.âÂ
âAnna,â Lexa replies, taking her hand.Â
Clarke is slow to let go, allowing her eyes to trace over every feature of Lexaâs face. Itâs long enough that Lexa begins to feel like sheâs under a microscope and she starts to fidget.
âYour eyes are like a forest.â
âWow, what a line,â Lexa jokes, trying to laugh it off.Â
But Clarke is still looking at her intently, focused on the green of her eyes and replies in complete seriousness, âItâs not a line. Iâve just never seen anyone with such deep verdant eyes.âÂ
This time Lexa flushes, and Clarke comments, âYouâre cute when you blush,â which only makes the tips of Lexaâs ears turn even more red under the observation.
âCan we talk about something else?â
âWe donât have to talk at all,â and Lexa watches Clarkeâs eyes dip to her lips.
Lexa stares back at Clarkeâs, lost in the beauty mark above her top lip and asks, âDoes that line usually work for you?âÂ
âHonestly, Iâve never tried it before. But stealing apps with you has been the most fun I've had all night, and I'm really ready to get out of here.âÂ
âLead the way,â and Lexa offers her hand for Clarke to grab.Â
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They walk to a park nearby, where Clarke finds a picnic table and spreads out the spoils from her purse. âDinner?â she offers.Â
Lexa takes the seat across from her and pops a crab cake into her mouth. Stuffing it into one side of her cheek she asks, âSo do you always leave parties early?âÂ
âMy friends say that I need to learn how to have more fun.â
âAnd skipping the party complies with that?âÂ
âIt was a work party, so yes. I did all the planning, I already know the patrons and the artists, so yeah. I didnât want to be at work any more. And you were beautiful, and helped me steal dinner for this wonderful date.â
âSo itâs a date now?â
âI was hoping so, yeah,â and for the first time that night, Clarke seems unsure of herself.Â
âSounds like we need to get some first date questions out of the way then.âÂ
They talk about work. Their childhoods. Hopes and dreams.Â
Clarke is honest. Sheâs an executive assistant for a gallery, but sheâs an artist herself. Waiting for the right collection to break her way into the gallery scene with an exhibit of her own. Sheâs an only child. Her father died when she was young. Her mom has been somewhat overbearing ever since. She wants to be an artist, but feels stuck in her art. Sheâs currently working on a series of portraits of people as skies, but nothing is quite meeting her expectations.Â
Lexa has to lie. Blatant honesty about being a homeless, jobless, ghost would probably scare her off. She pretends sheâs a teacher, because if she could enroll in school, thatâs what she would have wanted. She skips over the ugly foster care parts of her childhood.Â
By the time they finish all of the stolen snacks, hours have passed and Lexa thinks she may know Clarke more than any one sheâd talked to in the last ten years. Sheâs not ready for this to end. This is a rare experience for Lexa, getting beyond the initial getting to know you greetings.Â
Clarke asks if she wants to walk around the park a bit, and she immediately agrees. They slow when they reach a fountain. Lexa isnât sure how it happens, but she suddenly has a girl with pretty blue eyes who wants to kiss her, and she finds herself kissing her back.
Lexa finds herself being tugged down the street, fingers intertwined as they stumble through an apartment door.
âI donât usually do this,â Clarke breaths as she pulls away.
âMe neither,â Lexa sighs, pinning her against the wall.
It was a race after that. A hot, sweaty, needy race that left both of them spent, and drifting off to sleep after giggling late into the night.
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Lexa wakes up to sun pouring through a window, a mass of blonde hair in her mouth, and her arm trapped under Clarkeâs neck. She knows she needs to leave before Clarke wakes up. But Clarke looks so peaceful and Lexa canât bear to wake her up to extricate her arm.Â
Clarke stirs in her arms, nuzzling further into Lexaâs body before she wakes with a start.Â
She looks confused. Brow furrowed, trying to pull a name or a memory from last night. She settles for a soft, âHi?â
âHi,â Lexa whispers back.Â
Clarke looks down at their bodies, clocking the fact that both she and Lexa are naked. âWell it seems we had a fun night.â
âWe did,â Lexa smirks.
âIâm sorry⊠I donât actually remember your name⊠I mustâve had too much to drink last night.â
âOh, right. Anna,â Lexa lies again, holding out her hand to reintroduce herself.Â
Clarke looks at it and shakes it again. âSo what exactly happened last night?âÂ
âI was at your gallery event. Caught you stealing snacks, so I helped you fill your purse. We left, talked, and wellâŠâ Lexa glances down at the tangled sheets to let that do the talking.Â
Clarke rubs at her temples where the hangover headache should be. Lexa knows she doesnât have one-- they only had one drink each. But the mind convinces itself otherwise when you wake up to a stranger in your bed and have no idea how they got there. Â
Eventually, Clarke says, âI have to shower and then get to work.â
âOf course, Iâll get out of your hair.â Lexa jumps out of bed and starts pulling her own clothes back on.Â
Clarke watches her closely, and Lexa again feels like sheâs under a microscope. No one has ever looked at her as intensely as Clarke does. âDo you need to shower?â She cocks her head to the side awaiting Lexaâs answer.Â
âI can shower at home,â Lexa answers, lying through her teeth because she has no idea where sheâs sleeping tonight.Â
Clarke stands, letting the sheet slip down her body, and Lexa forces herself to look at the wall.Â
âCanât even look at me now?âÂ
âIâm trying to be respectful,â Lexa pleads.Â
Clarke approaches her, hooks her fingers in Lexaâs belt loops and tugs. âA gentleman. But it seems only fair you join me so I have a new memory of the night I apparently missed.â
Lexa tries to argue, but her words pause in her mouth. She lets Clarke tug her shorts back down and lead her towards the bathroom. Theyâre kissing before the water is even hot and then Clarke pulls her into the shower and lets Lexa push her against the cold shower tiles.Â
Lexa sinks to her knees, kissing a soft belly and inner thighs and earning a gasp from Clarke. Clarkeâs hands root in her hair as she licks through her, head thudding against the tiles, and an endless stream of fuck. yes. there. tumbling from her mouth. Lexa steadies her as she arches into her mouth and coaxes her through the aftershocks, then stands to kiss her long and slow.Â
Clarke seems barely coherent before saying, âWow, that was⊠unforgettableâÂ
Lexaâs heart seizes at her word choice. She knows sheâll be forgotten once again as soon as she leaves this apartment, but decides to make the most of it before she goes.Â
After they are dried, clothes, and caffeinated, Lexa sees Clarke glance at her watch and realize just how late sheâs going to be for work, and rushes through the rest of her morning routine. She and Lexa step out of her apartment together when Clarke asks, âWill I see you again?â Â
Lexa offers a smile in lieu of an answer. âGet going, Clarke, I donât want you to be late for work.â
âThis morning was fun. Iâm sure last night was too if I could remember it,â Clarke laughs, kisses her on the cheek, and starts to power walk to the office.
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