#my apologies for the jumpscare at the end i did not know what to putđ
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My one true gripe w the ending of hazbin hotel was Charlie did NOT get to go apeshit enough let my girl lose her temper I need to see her rage
Also hereâs the actual comic lol:
#my apologies for the jumpscare at the end i did not know what to putđ#also like the thing abt charlie genuinely bothers me i want her to kill someone next season#im not even kidding sheâs a princess of hell her dad needs to stop bailing her out of shit#i enjoyed lucy but like cmon#let her be strong on her own#anyway love her thoâď¸#itâs all said w much love#hazbin hotel#hazbin hotel fanart#charlie morningstar#fanart#my art tag#hazbin hotel adam#also i genuinely hate adam like heâs funny but holy shit#idk man ik a lot of ppl liked him i just kept getting annoyed im sorryđ
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dress rehearsal went overtime by almost an hour but hey, weâre alive. barely, but still. because iâm trying not to complain too much about my personal performance, moments of levity only:
tita conductor could not find her scheduled order of pieces on her phone so she asked very generally how long we had for the first piece on the roster and i (had my phone on my stand to record the rehearsal) piped up â4:10 to 4:30â. habitually helpful strikes again
we started the britten at a noticeably faster clip than i was used to and got cut off very shortly after with tita conductor saying âso thatâs a really good example of me being a little wound up and, therefore, you playing fortissimo instead of pianissimo. so i will try not to be wound up and you will play pianissimoâ đ
WE HAVE REAL CELESTA THIS TIME YAYYYYY
âitâs a tinker bell moment!â (tita conductor, about celesta)
tita conductor questioned the violas and cellos what they were trying to emulate (pro tip: if tita conductor ever asks you âwhat are you trying to emulateâ the answer is, 99% of the time, âa hurdy-gurdyâ) and they stared back at her. stand partner and i took a look at each other and sort of just held in our giggles because we both knew what answer she wanted.
tita conductor turned back to us, made eye contact with me, saw that i was suppressing giggles, and almost started giggling as she prepared to cue so she stopped, said âsorry,â composed herself, and started the piece
âcan you sound really perky and not scared?â -tita conductor to the firsts on a tricky entrance
tita conductor gestured out at the theater and said, âwe canât be thin or pale because this hall will eat us alive if we donât put sound out there, i promise you. it ainât theâŚlike, st. patrickâs cathedral. i assure youâ at this viola friend and i made very pardon me? faces at each other across our sections
tita conductor continued to ask me for the time and when we switched to the dvoĹĂĄk after my botched solo attempt i wasnât entirely ready to consider all the possible angles of my sentence and said a little shortly âitâs 5:15 and you were supposed to start it at 5:00â and she started giggling which did NOT help matters. girl i was in a CRISIS đ
ânow we only have two clarinets against the WORLD!!!â
the cellos and violas were being too soft about a part and tita conductor told them âthis is the time to be aggressive. as my high school football team used to say. i will not do the cheer for you. be aggressive.â GIRL HELP ME
âthereâs a fear looseâŚafoot in the populace. i donât know why. i donât know what happened.â
we got a little too heavy during the dvoĹĂĄk second movement and tita conductor whipped around to us and said âlike youâre happy to be here?â and we cleaned up our act immediately
âitâs an open invitation to fall into a holeâ -tita conductor. context totally unknown.
we were at least fifteen minutes overtime when tita conductor squatted on the podium, tapped her phone to wake it up, checked the time, and muttered âoh godâ under her breath
tita conductor apologized to one of the flutes, who apparently took a huge breath at the end of the lyrical heart of the fourth movement of the dvoĹĂĄk in preparation for the coda
we jumpscared someone who was watching the rehearsal getting into the coda section of the dvoĹĂĄk movement 4 when we finally did it đ he quite literally jumped in his seat when we all came in đ i hope nobody screams like in that one firebird video that goes around
tita conductor gave us a rehearsal marker to start from in the fourth movement of the dvoĹĂĄk and it was in one of my least favorite places of the whole piece (because of all the repeat bars that go fast) and i said âeughâ under my breath but tita conductor overheard, looked at me, and said âeugh?â and i was like whoops sorry you didnât hear anything lol đŤ˘đŤ˘đŤ˘đŤ˘đŤ˘đŤ˘
fourth movement is going to go WAYYY slower than i was working up to on metronome lmao.
âitâs like a drum beat,â tita conductor said to the violas during a rather percussive, militaristic bit. âhe gave it to you because there wasnât a snare drum lying around.â
tita conductor apologized for the winter concert being scheduled the weekend after lunar new year which was really sweet of her đĽš
concert in two days. i donât know whether to be scared or excited at this point. i pray to god everything will be okay.
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