#musicweek22

[dailytomlinson]

Definitely, yeah, and it's a good point. Around halfway through making Walls, I had a conversation with my manager at the time, because I [was thinking about] a number of things, the sessions I was going into and the natural perception and judgement around coming out of a band like One Direction... I had this plan in my mind that was, not quite like a Gorillaz kind of vibe, but something where I could hide who I am, and maybe people like the song first, and then be surprised that it's me. I definitely went through that process in my head. I mean, I might still do it one day, I do like the idea. [I.: Where did that idea come from?]  From the fact that I felt frustrated about the perception and the judgement I'm always going to be up against. I understand that I've lived long enough now, that's why I have to play the long game, but it’s about chipping away at this idea of me as a solo artist and someone coming out of a band.

Faith In The Future sounds in parts like a record made by a band rather than a solo act. Have you ever thought about doing something like that, rather than under your own name?, Music Week

[dailytomlinson]

It's hard to think like that... I don't really compare myself to others. Look, the most important thing for me is that I can keep making the music I love and touring it to the extent I have been. So, in terms of what a dream might be, if I can still be touring in 10 years, I'll be buzzing.

Louis on artists he looks up to in terms of career, Music Week

[dailytomlinson]

To keep growing the festival would be great. The next target will be next year, maybe the year after. I'd love to do it over two days. And I'd love to play on the Sunday, because that will give me a really clear indication of whether it can live outside of the context of myself. Because in an ideal world, if I can keep growing this festival, one day, I won't play it and we could still put it on and that will be really cool.

Louis on his biggest dreams and ambitions on FITF, Music Week

[dailytomlinson]

Louis Tomlinson is revelling in the feeling of hitting No.1 as a solo artist for the first time.

As the Doncaster singer and his team told Music Week in our cover feature, Faith In The Future was a painstaking process, with Tomlinson poring over every detail. He was obsessed with the physical product and the connection he hoped it would have with his devoted fanbase.

Faith In The Future, the star's first album for BMG, debuted at No.1 on consumption of 35,239 units (14,944 CDs, 9,577 vinyl albums, 1,501 cassettes, 6,790 digital downloads and 2,427 sales-equivalent streams).

Tomlinson’s debut solo album, Walls, debuted and peaked at No.4 on first week sales of 14,729 in February 2020, and has since gone on to achieve consumption of 72,329 units. Faith In The Future, then, sold more than double its week one total.

“I like anything that's tied to a physical release because that's what I grew up with,” Tomlinson told Music Week. “It's nice to have something to hold and we put cool little inserts [into the records].”

Here, in a previously unseen extract from our interview, we look into the future with Tomlinson and talk, success, perception and his Away From Home festival…

What are your biggest dreams and ambitions that Faith In The Future is out in the world? “To keep growing the festival would be great. The next target will be next year, maybe the year after. I'd love to do it over two days. And I'd love to play on the Sunday, because that will give me a really clear indication of whether it can live outside of the context of myself. Because in an ideal world, if I can keep growing this festival, one day, I won't play it and we could still put it on and that will be really cool.”

Are there any artists you look to in terms of careers you'd want to emulate? “It's hard to think like that... I don't really compare myself to others. Look, the most important thing for me is that I can keep making the music I love and touring it to the extent I have been. So, in terms of what a dream might be, if I can still be touring in 10 years, I'll be buzzing.”

Faith In The Future sounds in parts like a record made by a band rather than a solo act. Have you ever thought about doing something like that, rather than under your own name? “Definitely, yeah, and it's a good point. Around halfway through making Walls, I had a conversation with my manager at the time, because I [was thinking about] a number of things, the sessions I was going into and the natural perception and judgement around coming out of a band like One Direction... I had this plan in my mind that was, not quite like a Gorillaz kind of vibe, but something where I could hide who I am, and maybe people like the song first, and then be surprised that it's me. I definitely went through that process in my head. I mean, I might still do it one day, I do like the idea.”

Where did that idea come from? “From the fact that I felt frustrated about the perception and the judgement I'm always going to be up against. I understand that I've lived long enough now, that's why I have to play the long game, but it’s about chipping away at this idea of me as a solo artist and someone coming out of a band.”

How do you feel about where you’re at in life now? “Where I'm quite lucky in my life is that my job keeps me feeling forever like I'm 18, it just has that way about it. 

[dailytomlinson]

Where I'm quite lucky in my life is that my job keeps me feeling forever like I'm 18, it just has that way about it. We're always moving about.

How do you feel about where you’re at in life now?, Music Week

[dailytomlinson]

I like anything that's tied to a physical release because that's what I grew up with,” Tomlinson told Music Week. “It's nice to have something to hold and we put cool little inserts [into the records]

Louis for Music Week

[dailytomlinson]

I could have had a meet and greet for the seven months I’ve just been on tour and it would have been amazing money… but the bottom line is, whoever’s got the richest parents or the most money gets a better experience, and that’s not fair.

Louis about doing Meet & Greets to Music Week.

[dailytomlinson]

MusicWeek: ICYMI @Louis_Tomlinson on his solo career, Syco, new BMG deal, album collaborators, One Direction and fair prices for fans #FaithinTheFuture

[dailytomlinson]

Louis Tomlinson doesn’t want your pity, but he does want recognition

MusicWeek on Louis

[dailytomlinson]

I’m sure Syco would have been over the moon if I was willing to make a more commercial, down the middle record. There have been times in my career where I’ve thought that maybe I deserve a bit of credit for following what I want to do.

Louis for MusicWeek

[dailytomlinson]

Touring was stressful, we moved the American tour five times throughout the pandemic and we were one of the first world tours to go out early this year. But it was more what we had to put in place because Covid was flying at that point. It was the bubbling, we also had musicians trained up across America ready to fly in and out of shows. At one point in the tour, we had members of the party in isolation in three different states. So it was testament to our touring party and all the agents that we were able to complete the tour without dropping a show. I saw a lot of other tours go down so we were very grateful.

Matt Vines on LTWT for MusicWeek

[dailytomlinson]

It sounds wet, like, I wish it didn’t, but even just meeting Liam [Gallagher] the other day [helped]. Historically he has been such an asshole to so many people – and I love him for it – but he was really, really fucking nice and considerate. And it just meant a lot to me, because there have been times in my career where I’ve been swimming against the tide.

Louis on meeting Liam Gallagher for MusicWeek

[dailytomlinson]

I fell in love with the phrase before lockdown, and before l'd written any of the songs. It's actually a lyric in Mind Games by John Lennon. I love the song, but every time I heard it, that phrase just said something to me.

Louis on picking up the name FITF for MusicWeek

[dailytomlinson]

Louis for Music Week (clean)

[dailytomlinson]

Louis for Music Week.

[dailytomlinson]

I think it probably made sense for both me and Syco to go opposite ways. I had my own frustrations, I’m sure they had their own frustrations with me to a degree. I wasn’t really the traditional Syco artist. So it was a bit of a no-brainer for me really, and I did feel relieved when I was out of that.

Louis on ending with SYCO, via MusicWeek