#murder link adds yet another to his list of people he’s corrupted

[trashedump]

I wanna see murder link and yona being best friends 🥺

u mean like this?

[the-z-part]

A Personal List of Lietners, or Book Recs for Each TMA Entity

These are not all horror novels (although some of them are), but I think they speak to themes that will resonate if you’re particularly into one fear or another.

Feel free to add your own recs! I’m obviously limited by what I’ve read (ie I suspect that Wilder Girls is a good corruption book, but I haven’t read it yet). 

Books with canon queer characters are marked with an asterix! 

The Eye

- The Children’s Hour* by Lillian Hellman. An accusation made by one of the students brings scrutiny and heartbreak to a girls’ school. OG queer tragedy. (CW: suicide)

The Spiral

- Finna* by Nino Cipri. Two exes working at fantasy!IKEA must find a lost customer by travelling through even-more-fantasy!IKEAs.

- “The Yellow Wallpaper” by Charlotte Perkins Gillman. Imprisoned by a husband who thinks he’s helping her, a woman sees a figure in the ugly wallpaper of her room. You read it for English class, but read it again.

- Challenger Deep by Neal Shusterman. Caden’s a normal teen whose friends and family are starting to notice that his mental health is not quite ideal. Caden is on a ship heading for the Marianas Trench, torn between loyalty to the captain and the allure of the deep. (You know that song Ship in a Bottle?) (CW: forced institutionalization)

The End

- They Both Die at the End* by Adam Silvera. Two teen boys get a call that they’re going to die (this is normal in the world). They meet, and decide to spend the day really living.

- Scythe by Neal Shusterman. In a utopia that has moved past natural death, two teenagers learn to kill for the greater good.

The Stranger

- The Murders of Molly Southborne by Tade Thompson. Every time Molly bleeds, her blood creates a perfect clone of her that wants to kill her. This is inconvenient to say the least.

- The Call by Peader Ó Guilín. In a fantasy future Ireland, teenagers train for the day they’ll be transported to the fairy realm, where they’ll be hunted for sport.

- Coraline by Neil Gaiman. Coraline finds a secret passage to a house just like hers, but full of delightful, magical things--and another mother who wants to keep her forever.

The Lonely

- Like Water for Chocolate by Laura Esquivel. The food Tita cooks make those who eat it feel her emotions--it’s the closest anyone comes to understanding her.

The Desolation

- The Fifth Season* by N K Jemisin. Geology-magic causes an apocalypse, but it might also keep a grieving mother alive.

The Slaughter

- The Lamb Will Slaughter the Lion* by Margaret Killjoy. A spirit summoned to protect a commune starts killing people. Queer and punk rock af

- The Light Brigade by Kameron Hurley. “They said the war would turn us into light.”

The Vast

- To Be Taught, If Fortunate* by Becky Chambers. A group of astronauts jump from planet to planet, cataloguing the life they find. But then their updates from home stop arriving...

- Into the Drowning Deep* by Mira Grant. Killer mermaids, hard science, and genuinely every kind of rep you can think of! (also has some Stranger stuff going on in it)

The Buried

- The Unfortunates by Kim Liggett. Teens are trapped in a cave while hiking, and something is hunting them through the dark. (Ok, I couldn’t actually think of a book for this fear, but I asked the inimitable @acesaru and she recommended it. She hasn’t steered me wrong yet!) 

The Dark

- The City in the Middle of the Night* by Charlie Jane Anders. Humanity struggles to survive on a tidally-locked planet: one side is pitch dark, the other blazing with light. Sophie, a student, is exiled into the darkness.

- The City of Ember by Jeanne DuPrau. Ember is the one bright spot in the darkness, but blackouts are becoming more frequent as the city falls apart, and only Lina and Doon seem to be paying attention.

The Corruption

- The Hot Zone by Richard Preston. Ebola!  It’s the only nonfiction on the list but Oh Boy. (CW for graphic depictions of illness)

- Code Orange by Caroline B. Cooney. Can you get smallpox from a book? Mitty isn’t sure, but these terrorists seem to think so...

The Web

- The Haunting of Hill House by Shirley Jackson. “No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream. Hill House, not sane, stood by itself against its hills, holding darkness within” (It really does have themes about, like, manipulation, but also join me in mixing Hill House and Hilltop Road up 100% of the time)

- Jane, Unlimited* by Kristin Cashore. An orphaned artist goes to a spooky house. She has to make a choice, and we see every possible consequence for that choice. Genre-bending and bi!

- Middlegame by Seanan McGuire. Psychically-linked twins, Rodger and Dodger, are manipulated by the alchemist who created them and controlled (almost) every aspect of their lives. Weird timeline shit!

The Flesh

- The Belles by Dhonielle Clayton. Girls with the power to mold bodies and make people beautiful vie to become the Queen’s favorite in the beautiful, dangerous court of Orleans.

- Unwind by Neil Shusterman. Three teens scheduled to be “unwound” and have all their organs sold to other people flee their fate. Some really gnarly body horor.

The Hunt

- Vicious by V. E. Schwab. Victor and Eli used to be best friends, but after years in prison, Victor will stop at nothing to get his revenge on Eli. Also, they both have superpowers. 

- “The Most Dangerous Game” by Richard Cornell. A long short story about. the hunter becoming the hunted. Spoiler: the most dangerous game IS man. 

The Extinction

- Borne by Jeff Vandermeer. The Company destroyed the world, and then a giant bear destroyed the Company. Only a few survivors remain, including Rachel, a scavenger, who finds a creature called Borne and decides to care for it, even as it grows increasingly stronger and more terrifying. 

- Parable of the Sower by Octavia Butler. A girl who literally feels others’ pain quietly develops a religion while America crumbles around her. (CW: sexual relationship with a really big age gap)

- All the Birds in the Sky* by Charlie Jane Anders. A witch and a mad scientist fall in love at the end of the world. The most real-feeling apocalypse I’ve ever, ever read. (Not really a CW but if reading things that remind you of Current Events makes you uncomfy, beware, because Charlie Jane really nailed it) 

[zerolover66]

How would you write Kaname as a character if you have the chance?

Hi anon. I am going to answer you with a few things that I remember reading about a couple of years ago on the internet. If I had the chance to write Kaname as a character I would definitely make him the final villain for sure. I would not whitewash him and erase or make excuses for what he did or became. Hino was actually doing a pretty good job following the list below. She could have given us more of a believable and in depth backstory to show how he got from point A to point B. But overall she was pretty on point with creating a worthy villain. The problem happened when she started to try to retcon him and his actions. That is where it fell apart for me.

 But she followed the list of creating a villain pretty well until for whatever reason, that we may never truly know, she changed direction and just made him a mess of a character in the end. I personally have never thought Hino did a terrible job with Kaname as a character until the final 5 or 6 chapters. She was completely on track until towards the end of the series. That is where it seemed she went for the redemption arc and had him also sleep with Yuuki which totally made him seem even more loathsome than your normal villain. It just didn’t fit at all at that point in the story. But if you take the time to truly read the list below you will find that Hino was pretty much following an awful lot of the list that makes a good villain. Therefore I would have to conclude that she had every intention of having Kaname be a villain but was swayed at the last moment for whatever reason to try to redeem him and that lead to him just falling flat as a character.

But if you would like to know how I would have written Kaname just read the list below. I would have followed the pattern that is written in order to make Kaname a wonderfully believable yet understandable villain.

The villain functions as a reflection of the hero.

Picture your hero looking into a mirror. The reflecting image is that of your villain. At first you only see their obvious similarities. But upon closer inspection, you see how the two characters contrast each other in all their disturbing glory. These dark reflections equip your villain with layers of character that match your hero’s depth.

Lord Voldemort is a reflection of Harry Potter.

Both are orphans:

Both view Hogwarts as their first home:

Both open the Chamber of Secrets:

Both lead crews toward their story goals:

Both are half-blood wizards whose emotions fuel their great strength:

Voldemort became an orphan due to misery and lack of love when his mother died from heartbreak.

Harry became an orphan founded in love when his parents sacrifice their lives to save him.

Voldemort (Tom Riddle) allowed Hogwarts to become another broken home as he emerged into the Dark Lord.

Harry made Hogwarts a happy home where he finds his best friends and true family.

Voldemort embraced the power of the Baselisk to wreak havoc on Hogwarts.

Harry destroyed the Serpent of Slytherin.

Voldemort rules the Death Eaters with self-serving fear to vanquish half-bloods.

Harry inspires good-hearted friends and wizards while doing almost everything for others to protect the world.

Voldemort uses hate to dominate without regard for anyone’s safety.

Harry is driven by love and despises putting anyone else in danger.

The Joker is a reflection of Batman.

Both wear costumes:

Both instill fear in Gotham:

Both inspire Gotham:

Both subscribe to ideological views:

The Joker dresses like a carnival freak show to confuse and disturb.

Batman shields his identity and body to protect and safeguard.

The Joker forces criminals to accept and join his insane mission.

Batman drives criminals to look over their shoulders.

The Joker breeds chaos which motivates lunatics to help topple the city.

Batman serves justice which drives citizens to help protect the city.

The Joker believes the world offers no redeemable value and mayhem should govern.

Batman aspires to support the world long enough to fix itself so it can flourish

The villain exposes truths the hero does not want to admit.

Your hero has fears they don’t want to believe or admit. These fears are dark truths. Your villain must preach these dark truths like gospel to the hero. These revelations will cast your villain as a memorable conductor of conflict.

Voldemort vows to Harry Potter that he’s destined to die by the Dark Lord’s hand.

Voldemort tried to kill Harry Potter as a baby but failed. The Dark Lord reminds Harry of his murderous intentions throughout the series. And Harry can only escape Voldemort’s proclamation for so long.

Because in the final novel, Harry Potter and the Deathly Hallows, it’s revealed to Harry that Voldemort’s repeated death sentence was actually a dark truth. Harry learns the only way to defeat the Dark Lord is if he, himself, dies by Voldemort’s hand.

The Joker pledges Gotham will turn on itself.

The Joker tells Batman in the Police interrogation room that Gotham’s morals and code are a farce. The Joker declares the citizens will eat each other alive and cross Batman at the first sign of trouble.

The Joker’s words are fulfilled after his plan transforms Harvey Dent (a secondary hero) into Two-Face (a secondary villain). Dent was supposed to be Gotham’s White Knight, the best of them. But The Joker turns him. So in turn, Two-Face seeks revenge against the corrupt cops and citizens that failed him (killing five people).

The villain forces the hero to evolve into a savior.

Your villain must push your hero to confront the exposed truth. This confrontation permits your hero to emerge as the savior they’re intended to be.

Harry Potter faces Voldemort’s death sentence.

After Harry learns he must die by Voldemort’s hand to destroy a protective link they share, Harry decides to surrender in the Forbidden Forest.

Harry allows Voldemort to cast the Killing Curse but finds himself go to a place between life and death. In this strange place, Harry learns that by facing death and not running from it, he’s become the true master of the Deathly Hallows (a trio of powerful, magical objects).

Harry is then reborn and conquers Voldemort, an impossibility had Harry refused to brave the uninviting truth that Voldemort forced him to reconcile.

Batman faces The Joker’s self-destruction prophecy.

After Two-Face dies trying to kill Batman and Lieutenant Gordon’s family, Batman recognizes that Gotham will implode if it discovers the Joker’s revelation that he, himself, did not want to believe.

Batman decides to make Gotham think he killed the five people, not Dent (Gotham’s White Knight). The joker’s “chess game” forces Batman to accept all the blame and sacrifice his reputation, an act that propels him to become The Dark Knight which Gotham needs to survive.

Why it Works

It’s no secret that villains generate the primary conflict in stories. They produce major obstacles that heroes must overcome. It’s this cause and effect process that empowers heroes to save the day and shine at the climax.

Except we want our villains to shine, too! As storytellers, we dream of creating unforgettable monsters that impact readers. The kind they secretly root for. Or openly rave about. Thankfully, every storyteller can prepare a villain that leaves a remarkable impression.

But it can’t start until you permit your villain to be more than the “Lord of Cliches.”

When you position your villain as a dark reflection of the hero, you guarantee that the villain has a backstory just as deep as your hero.

By having the villain reveal dark truths to the hero, the reader sees legitimacy in the villain’s evil plans. Finally, the act of challenging the hero to overcome what he did not want to behold is more effective than the act of attacking the hero’s current beliefs.

Orchestrating this blend of conflict elevates your villain beyond the cliches. And it should move readers to gush about your villain, maybe even more than your hero

Villains are real people to whom terrible things have happened.

Maybe in childhood, maybe in adolescence, maybe later. At some point, rather than learning and growing, their maturation process stunted and stalled.

Roots of bitterness and anger sprang up in them. On the surface they may have many, if not most, of the same attractive qualities of your hero. But just beneath the surface fester the qualities you can access in yourself if you allow yourself to.

While this may explain the reasons for your villain’s actions, it doesn’t excuse or forgive them. He’s still evil, and he must still be brought to justice. But giving him motivation will make him more than a cardboard cutout.

So conjure a backstory for your villain. Make him real and believable and credible—even attractive in many ways.

And while you’re writing your story, see how many boxes you can check off on this list of characteristics that pertain to your villain.

The more that apply, the more successful your novel is likely to be. Because the more worthy his opponent, the more heroic your hero will appear.

He’s convinced he’s the good guy

He has many likable qualities

He’s a worthy enough opponent to make your hero look good

You (and your reader) like when he’s on stage

He’s clever and accomplished enough that people must lend him begrudging respect

He can’t be a fool or a bumbler

He has many of the same characteristics of the hero, but they’re misdirected

He should occasionally be kind, and not just for show

He can be merciless, even to the innocent

He’s persuasive

He’ll stop at nothing to get what he wants

He’s proud

He’s deceitful

He’s jealous, especially of the hero

He’s vengeful

The most interesting villains are not completely evil. They have a soft spot for puppies or they write cheesy love poems. Contrary personality traits add depth and realism to all characters. Describe your villain’s positive traits.

Thanks for dropping by :)

[wonderfulchaos69-blog]

Fanfic Recs

I’ve been meaning to make one of these for a long, long while and so here it is! Amazing fics that I’ve read and enjoyed a lot =) I hope you’ll find something that you might enjoy, too, along the way. And feel free to share any fics you’ve read/written, I’d be more than happy to add to the list!

Artemis Fowl:

Why One Must Not Attempt to Analyze A Child Genius, fiercejinx - Complete, G. "Artemis Fowl had retired half a dozen counselors from St. Barleby's already this year." Here's how. Six chapters, one for each psychologist losin' it.

Blue Exorcist:

To Be Good, Kizmet - Complete, T. Yukio had always been the good twin, intelligent, studious, disciplined and, most importantly, not a demon. It was obvious that he only wanted what was best for Rin. Yukio's intentions were one thing Rin would never question, no matter what. After Father Fujimoto's death Yukio went quietly insane. No one noticed.

Danganronpa:

A Farewell to All Futures, Yukari - Complete, Not Rated, Oneshot. One of them in theory belonged to the chosen ones, but still wondered if his life had any meaning.

The other one had a chance to become the chosen one, but still wondered if his decision was right. Basically the first, very brief meeting of Komaeda and Hinata before the world went completely insane, because we probably won't get to see it in the anime.

Bad Poetry of a Lopsided Heart, IcicleWieldingManaic - WIP, T. Komaeda likes to write letters that he never sends. However, one time Hinata accidentally receives one addressed to himself. He also feels a responsibility to watch over Komaeda after the events of the first trial. You know, just so nobody else gets killed.It's a good thing Hinata doesn't know who the letter's from, huh? Komaeda/Hinata, slow burn.

just looking at you i enjoy myself, suitablyskippy - Complete, Mature. “Hm?” says Komaeda, and looks down at the grip he’s still got, cold and clammy and squeezed uncomfortably tight. “Oh – that! Of course! You know, sometimes, Hinata-kun – sometimes I forget, when I’m touching you! Because it feels so natural. Like you and I are one, almost! Like we were always meant to be this close – do you know what I mean? Do you feel it?”

“You’re still holding my wrist,” says Hinata.

Komaeda lets him go, and then he touches his elbow, gently, as though in consolation. “With my luck the way it is,” he says, “no one’s gonna be able to kill me unless I let them.”

(Someone's got to die next, and Komaeda would really, really like it to be him!)

Long Road to North, Urponator - WIP, T. There’s nothing as hopeless as a life being a regular salesman at a regular office. And after waiting for years for his life to change, he can’t contain his excitement as he finds himself threatened by a knife, held by a brown-haired stranger on the run. Komaeda/Hinata, slow burn, AU.

Death Note:

A Forgotten Encounter, Alex Prosper - Complete, T. Light is faced with his first murder case at age nine after meeting a strange, hooded teenager in Harajuku. Dupin becomes the one special thing in his childhood, long forgotten. This is L and Light's true first meeting, but they will never know it.

Genius is a Curse, Bloodshot Eyes - WIP, T. If Light had never touched the Death Note, would he ever have found an escape from the depression and boredom that plagued him? Would he have had a future at all? Undertones of Light/L, dark themes.

Leave the Light On, Ne Quittez Pas - Complete, T. Light had dealt with admirers before, but nothing like this. Between an unknown stalker and a mass-murderer with a God complex, it's unlikely that Light will ever sleep again... unless an insomniac detective can help him put a stop to both. Light/L, dark themes.

Detective Conan:

It's Raining Men, Hallelujah, Asuka Kureru - Complete, Oneshot, T. Conan already has some kind of corpse magnet power, but when Heiji is in his orbit the corpses actively come to them. From above. Witness.

D. Grayman:

Fair Play, liketolaugh - WIP, T.  Cross hated his master. Really. Allen fucking Walker was the most infuriatingly mysterious human being on the planet - but even Cross couldn't say Allen had done a bad job looking after him. Oneshot series.

vertigo, hurryup - WIP, Mature. Los Angeles, 1951. Allen Walker, a private eye of cult celebrity status, has been running from his past for a long time. Howard Link, an LAPD cop rising quickly through the ranks, finds himself caught between that which is lawful and that which is right.

As Sunset Boulevard crackles with caged heat, the thread of their investigations meet. With them, corruption, obsession, and celebrity meet in a game of chess that holds the entire city as its hostage.

The descent into hell is easy. All it takes is a little push.

Durarara:

If We Ever Meet Again, Shitsuren69 - Complete, T. AU. Mikado thought that the biggest event in his life was when the love of his life ran off with his best friend. This was, of course, before Celty invited him to Ikebukuro. Eventual Shizuo/Mikado. Prequel to Operator.

Comments: I just really love the way this one was written. From Mikado getting along with Walker and Erika to the falling out in the beginning with Kida and Anri. It makes when they meet again all the more interesting! And there's this one scene that will always stay in my mind - Mikado jumping off the roof, fully expecting Shizuo to catch him. I know, I know, what is the likelihood of something like that happening in real life, right? Still, I got a kick out of reading Izaya's reactions in this story. In addition, this story gives me the same vibe as the series - it's about different forms of love.

Thirty-Two Steps, Nanimonaimono - Complete, Oneshot, T. He guesses it's time to make Anri fall in love with Mikado like she should've from the start. As he opened his mouth, Masaomi fought the ridiculous, overpowering urge to stop and shout that he's been in love too long for this. Kida/Mikado.

Final Fantasy 7:

Beloved, Sinnatious - Complete, Mature. It all starts when Cloud tries to leave during the middle of a Loveless performance. Genesis/Cloud. Tifa/Cloud.

Dishonorable Discharge, icynovas - Complete, T. Seeking a new career, infantryman Cloud Strife attempts to get fired from ShinRa.

Off the Line, esama - WIP, T.  In which Cloud gets a Virtual Reality Dream Console – ShinRa's latest in virtual reality technology. Aaand everything pretty much goes downhill from there. Vincent/Cloud.

The Fifth Act, Sinnatious - Complete, T. Cloud has an accident with a Time materia. There are people to save, and for that, some people need to die. 

Comments: This is a pretty well-known story in the FFVII fandom, and let me tell ya, it’s worth every second of the read. Even if you haven’t played the game, this sort of storytelling will drag you in and keep your attention. You’ll be left wanting more!

My Hero Academia:

but you gotta get up at least once more, simkjrs - WIP, T. Izuku’s never run into this problem before with anyone else, but it’s still not much of a problem. “Oh, that’s alright,” he says. “I don’t have a Quirk.”

Tsukauchi stares incredulously at him, and then looks at the iron bar that Izuku is currently straightening with his hands.

Midoriya Izuku does not let his lack of a Quirk prevent him from being strong.Also known as that one AU where Izuku follows the ridiculous training regimen of Saitama from One Punch Man and becomes stronger than anyone ever imagined he could be.

Persona 4:

Dare Disturb the Universe, jackdawq - Complete, T, Oneshot.  A creeping, nagging sense of repetition: rewind, replay. Yosuke/Souji, Naoto/Kanji.

Days Without Nights, Angevon - Complete, T. Years after the events of Persona 4, Yosuke Hanamura is married. Then his wife leaves him. Yosuke/Souji, slow burn.

First Impressions (Seventeen Variations), jackdawq - Complete, T, Oneshot.  It sucks to be the new transfer kid. Right?

Reversing Arcana, Sinnatious - Complete, T.  P3, P4. Six months after Souji leaves Inaba, he wakes up to his house on fire. The Investigation Team are the only ones who know he survived. But that's only the beginning of their troubles.

Ten Steps, chisotahn - Complete, T. Written for a prompt over at badbadbathhouse. "Souji never told anyone about being able to enter the TV. So, even though Chie and onward somehow ended up with Souji, Yosuke never wound up knowing about the shadow world. For months on end, Souji has been keeping his otherworldly adventures a secret from his predictably ignorant (yet suspicious) boy [best] friend (though he's still your Magician).

Preferably later in the game, Yosuke appears in a Junes-exclusive interview (bonus if the media was filming Junes without permission), and thus, dungeon time ensues." Only... well, slightly modified. ;) You'll see! Yosuke/Souji.

Psycho Pass:

Unconventional Normality, scorchedtrees - Complete, G. AU: In which Akane joins Division Four to work alongside Inspector Makishima.

Servamp:

Fragile Bonds, Atherin Ashura - WIP, T.  A silent walk home from school can change the outcome of so many paths. Fears arise, secrets that are closely guarded come to light and partnerships can crumble. But if one can survive through it, a brighter, more certain, tomorrow awaits. Kuro + Mahiru, sloth pair friendship.

Honest is Your Only Policy, faecakes - WIP, Explicit.  Being Ex-Lovers can be complicated, especially when your ex happens to be Tsurugi. Mikuni/Tsurugi.

Unmasked, stirlingphoenix - Complete, Explicit, Oneshot. "The smile falls from Mikuni’s lips and he dons a more pensive expression before reaching forward and taking a piece of the paper bag between his fingers.

'I want this gone,' he says casually, like it’s only a suggestion, and not the demand Jeje knows it is. Once again, he feels as if he’s being pinned down by Mikuni’s gaze, and he can hardly think." Jeje/Mikuni.

The World Ends With You:

Blindsided, R. Seldon - Complete, Oneshot, G. Neku has something to say that Joshua does not particularly want to hear. One-shot. Warnings: spoilers; mild, kinda-sorta one-sided Joshua/Neku. Or just Josh being, um, obsessive. Spoilers for endgame.

Dust, DarkRulerDominica - Complete, M. After surviving three weeks of the Reapers' Game, Neku demands that Joshua return him to the world of the living; Joshua agrees, but there's a catch to the deal…. Dark themes. 

Comments: As a thriller/horror story, this one is damn good. It answers one of the glaring questions from the game: what happens to the bodies of those who are playing the game?

Perfect, Infamousplot - Complete, Oneshot, T. One month. That was all the time he gave Kitanji: four weeks, 28 days- give or take a few. Well, now he's down to three weeks. A whole week wasted. Because SOMEBODY, though he won't name any names -Neku Sakuraba -, just won't freaking DIE! Now, he's sprinting through the RG with a gun, a psycho on his tail, and only one goal in mind: Kill the proxy. Now.

The Red Queen series, Kay (sincere) - Complete, T, unfolds in four parts.  In which someone who has been too long alone finally reaches out, building a bridge between his world and another's. It has been decades in coming, and it isn't easy, but the more difficult the ordeal, the greater the reward -- just like in any Game. 

Tokyo Ghoul:

mamihlapinatapai, sinshine - Complete, T, Oneshot. 

“Hey, babe,” he crooned into the phone. “I know you're thirsty but you can't keep calling me at work like this.”

“Hide.” Came the exasperated sigh and he couldn't help but smile at the sound. “You're not really at work, are you?”

“Nah, I'm just getting something to eat.” Hide took another bite out of the dismembered arm he held and licked a drip of blood up his wrist before it could hit his jacket. “What's up?”

Your Cross, I’ll Bear, PTchan - WIP, T. “You make him sound like the hero of a shonen manga or something,” he couldn’t help but comment.

“Who knows,” Koma replied just as Irimi stood to deliver the order. “Maybe he is,” he winked. “And you would be the sidekick right?”

Kaneki sweatdropped, but chuckled all the same. A story with Hide as the main character, huh… he thought, wringing his cloth in the sink before hanging it on the rail and picking up his notepad. Well, if it’s him… then it would surely be one filled with hope.(Or: that fic where Hide wakes up in the past just in time to prevent the Tragedy that was Kaneki Ken's life... by taking it on himself.

Of course, it doesn't have to be a Tragedy.)

Yuri on Ice:

a glide in your step, Yuu_chi - Complete, T, Oneshot.  Ah, Yuuri thinks as his skates touch down on the ice, and even as Yuuko watches him it’s the weight of Viktor’s eyes he feels on his shoulder blades, I’m not ready to let this go. Victor/Yuri.

fight for you, write for you, third - Complete, T, Oneshot.  The thing is, Yuuri had completely forgotten about his account on Figure Skating! until he sees the email in his inbox. He doesn’t know how he ends up awake at 3 AM defending Victor’s reputation from strangers on the internet. Victor/Yuri.

i see quiet nights poured over ice, ohhotlamb - WIP, T. He’s a despicable man, but what he offers is the truth. I’ll make you a winner, he says. And he knows -

This is one thing that Yuuri can’t refuse.

like your french girls, ebenroot - Complete, T. "Victor," Yuri begins, lowering the eighteenth sketch of the figure skater Victor drew this week, "you have a fucking problem." 

--in which Victor is an artist, Yuuri is his figure skating muse, and Yuri is so done hearing about their stupid love story through Instagram. Victor/Yuri.

stay young (go dancing), ryuuzaou - Complete, Explicit, Oneshot. Victor/Yuri.

“Do you do this with every pretty boy that serves you champagne?” Yuuri asks, finally a touch of humor in his tone.

“I’ll admit, I’m the flirty type,” Viktor says, “but I haven’t asked to kiss any.” Oh, fuck it. Yuuri throws caution to the wind and says, “You won’t have to.”

aka: the one where yu-topia onsen caters a celebration party for viktor nikiforov's fifth world championship win, and viktor takes interest in the super hot waiter.

[lefilmdujour]

Another 500th movie celebration

My Tumblr just reached the 1000 movies mark, so I figured it’s time I write something about my last 2 and a half years of movie viewings and recommend 50 more movies out of the ones I’ve seen since the last 500th movie celebration.

Times have been strange in the last couple of years, and my movie habits have reflected it. There have been times when watching films was all I would do, but there have also been moments of complete disconnection from the medium. I went from watching several movies every day to spending months avoiding anything to do with sitting through a movie. 

Part of it had to do with the space I share with my demons, but mostly there has been a change of pace. My laptop died, it took me months to get another one only to also die on me. On the other hand, an enormous chunk of my viewings have been in cinemas or squats, which is a very positive change but led me to watch more recent films in detriment of classics or ancient underappreciated gems. I also got my first TV in over a decade this month, and my very first Netflix account last week, so I may be exploring streaming a bit more, although so far I am not finding the experience  at all satisfying. All pointless excuses since I went through 500+ movies in a little over two years, which is not bad at all.

It was hard to pick only 50 movies this time, and the list would have probably looked a little different if I did it tomorrow. Regardless, here are 50 movies I recommend, and why. Random order, all deserving of love and attention.

Ghost World (Terry Zwigoff) - This movie is unfairly  ignored in the best comic book adaptation lists out there on the internet. The opening scene is memorable, the soundtrack is a lesson in early Blues, and the characters are quirky and well written.

Hate (Mathieu Kassovitz) - An absolute classic about the class system in France and its tendency to end up in riots. Beautiful shot and highly quotable. Saw it a few times, the last of them with a live score from Asian Dub Foundation. One of the greats.

Audition (Takashi Miike) - Whenever I’m asked about my favorite horror movie, I tend to fall back on this one. Audition is very slow, starting out soft but with an underlying tension that builds until the absolutely gut-wrenching finale that makes us question our own sanity. Brilliant subversion of the “hear, don’t see” rule, just the though of some of the sounds used in the most graphic scenes still send shivers down my spine.

Kedi (Ceyda Torun) - A Turkish documentary about street cats, what’s there not to like?

Sympathy for Lady Vengeance (Park Chan-wook) - The third in the loosely-connected Vengeance trilogy by Park Chan-wook, and my favorite of the bunch, especially the Fade to Black and White edition, in which the movie very gradually loses color as the violence grows. A visual masterpiece.

Paterson (Jim Jarmusch) - The poetry of routine. Adam Driver is one hell of an actor.

Love Me If You Dare (Yann Samuell) - Two people that obviously love each other but are not mature enough to follow it through. Frustrating. Beautiful. Made me sob.

The Exterminating Angel (Luis Buñuel) - I am realizing that a good part of this list deals with frustration. A group of people finds themselves unable to leave a party for no apparent reason. Buñuel is a genious in surrealism, I have yet to watch most of his Mexican period.

The Mutants (Teresa Villaverde) - Kids on the run from themselves. Strong visuals, very moving interactions at times. A hard but very rewarding watch. Teresa Villaverde’s entire filmography also gets a seal of approval.

Bad Education (Pedro Almodóvar) - A movie about sexuality and problematic relationships, taken to unbelievable extremes.

The Death of Mr. Lazarescu (Cristi Puiu) - The adventures of Mr. Lazarescu as he struggles to find help for the sudden pain he feels and ends up being passed on from hospital to hospital. Felt very real. Sold as a comedy, but I found it terrifying. 

The Killing of a Sacred Deer (Yorgos Lanthimos) - A classic greek tragedy brought to the modern age. My favorite Lanthimos film, ranking slightly below Dogtooth. The deadpan acting and the unnerving sound serves as wonderful misdirection.

It’s Such a Beautiful Day (Don Hertzfeldt) - Three shorts stitched together to create a confusing, philosophical, absurd, funny and deep masterpiece. The animation skills of Don Hertzfeldt needs more recognition.

Amores Perros (Alejandro González Iñárritu) - A movie so good it didn’t even had an English name. Three tales of love, violence and loss, all linked by a dog.

Endless Poetry (Alejandro Jodorowsky) - Jodorowsky’s romanticized auto-biography, played by his own sons.Bohemian and poetic.

The Passion of Joan of Arc (Carl Theodor Dreyer) - Show this movie to someone who refuses to watch silent movies. The acting is so impactful and emotional, and the use of close ups was highly unusual for the time. A 90-plus years old masterpiece.

Everything is Illuminated (Liev Schreiber) - Sunflowers.

Dunkirk (Christopher Nolan) - I have a soft spot for war movies, as to remind myself how brutal people can be to their fellow man and how meaningless the concept of nations truly is. This movie in particular achieves greatness due to its usage of sound, the best I’ve heard in recent memory.

Vagabond (Agnès Varda) - Be careful of what you wish for yourself, you may end up frozen and miserable in a ditch (spoilers for literally the first few seconds of the film).

Stroszek (Werner Herzog) - I know Herzog mostly through his documentaries. His voice brings me the feeling of a deranged grandpa sharing stories of a reality tainted by dementia. I have yet to explore his fiction work in-depth, and this has been my starting point. Stroszek is bleak and desperate but humor still shines through it at times. Ian Curtis allegedly hung himself after watching it. Not sure if this story is real, but it once more feeds into the Herzog myth.

HyperNormalization (Adam Curtis) - Put together through found footage and newscasts, HyperNormalization is an unforgiving study on how we got to where we currently are. Fake becomes real. Trust is an abandoned concept. “They've undermined our confidence in the news that we are reading/And they make us fight each other with our faces buried deep inside our phones”, as AJJ sings in Normalization Blues. Which you should also check out.

Chicken with Plums (Marjane Satrapi & Vincent Paronnaud) - A man decides to die, so he goes to bed and waits. An apparent simple plot that uncovers a world of beauty and poetry, as life passes slowly through the man’s eyes.

The Florida Project (Sam Baker) - William Dafoe was born to play the role of a motel manager. He is so natural in his role that I think he would actually be great in that job. The rest of the movie is great too, but his performance is the highlight for me.

Lucky (John Carroll Lynch) - Speaking of great performances, Lucky is Harry Dean Stanton’s final movie and a great send off. IMDB describes it best: “The spiritual journey of a ninety-year-old atheist.“

Paris, Texas (Wim Wenders) - More Harry Dean Stanton. The desert plays a more than decorative role in this wonderful movie, representing the emptiness that comes from estrangement. A story about reunion and all that can come from it.

On Chesil Beach (Dominic Cooke) - I sometimes cry in movies, but this one shook me to the core. A play on expectations and reactions and their devastating impact on relationships. We all fuck up sometimes. Try not to fuck up like these characters did, not on that level, you will never be able to make up for it.

The Royal Tenenbaums (Wes Anderson) - An absolute classic. A movie about the concept of family.

No Country for Old Men (Coen Brothers) - Murder mysteries and bad haircuts.

Dawson City: Frozen Time (Bill Morrison) - I highly recommend this documentary for anyone who professes their love for cinema. The story of how hundreds of lost silent movies were preserved though sheer luck and human stupidity. Seeing these damaged frames coming back to life is truly magical.

Mandy (Panos Cosmatos) - Some films turn into cult experiences through the years, some selected few are already born that way. Mandy is a psychedelic freak-out and Nicholas Cage fits like a glove in its weirdness. If you didn’t catch it while in cinemas, you’re already missing out on the full experience. Mandy is filled with film grain, which adds to the hallucinogenic experience with its continuous movement, a feature that does not translate when transferred to a digital medium. 

City of God (Fernando Meirelles & Kátia Lund) - A masterpiece of Brazilian cinema, very meaningful and relatable if you grew up in a similar environment. One of the most quotable films in my memory, something that gets lost in translation if you don’t speak Portuguese. My Tumblr is mostly pictures because I “só sei lê só as figura”.

Loro (Paolo Sorrentino) - On the topic of languages, I watched this Italian movie with Dutch subtitles, by mistake. It is actually an interesting exercise, watching something without fully grasping every word and letting your mind patch the pieces together to make a coherent narrative. Impressive cinematography, amazing script. I learned a lot about corruption, not everyone has a price. I also learned I can speak Italian now.

Roma (Alfonso Cuarón) - Beautiful shot, every frame of it can be turned into a picture. Roma is about the meaning of family, seen from the eyes of someone who will never be part of it. A lot of people considered this movie boring and pointless. These people probably have maids at home.

Bad Times at the El Royale (Drew Goddard) - Engaging heist movie, well developed characters, amazing soundtrack.

Melancholia (Lars von Trier) - The World is coming to an end and the date and time has been announced. How would you react to these news? Would it matter?

Climax (Gaspar Noé) - A very scary experience, equal parts trippy and evil like all Gaspar Noé’s movies. A dark ballet that that shocks and confuses the senses. Dante’s Inferno.

Fish Tank (Andrea Arnold) - A strong story about ambitions, neglect and survival. Katie Jarvis is very realistic in her performance, a little too much judging by her history after the movie.

A Girl Walks Home Alone at Night (Ana Lily Amirpour) - An Iranian feminist movie about vampirism and records. Watched it with live score from The Black Heart Rebellion for extra cool points.

Another Day of Life (Raul de la Fuente & Damian Nenow) - Based on Ryszard Kapuściński‘s autobiography, Another Day of Life consists of rotoscopic animation sprinkled with interviews. A look at the Cold War in the African continent, and an important watch for everyone, especially Portuguese and Angolan nationals.

Once Upon a Time in Hollywood (Quentin Tarantino) - Rich in dialogues and paced very slowly until the insane climax, this is probably the best Tarantino film after Pulp Fiction. Filled to the brim with cinematic references, it’s a delight to all film nerds. Looking forward for an Bud Spencer/Terrence Hill film adaption with Leonardo Dicaprio and Brad Pitt after this.

The Beach Bum (Harmony Korine) - Google’s top voted tags: Boring. Mindless. Cringe-Worthy. Forgettable. Slow. Illogical. Looks like this movie didn’t resonate well with the audiences, but then again Harmony Korine’s stuff is not for the masses. I personally think this is one of his best movies, a true exercise on nihilism. The main character is lovable and detestable in equal parts, and every action is pointless. Such is life, the only meaning it has is attributed by yourself.

The Mirror (Andrei Tarkovsky) - A man reflects on his life. Memories tend to get fuzzy, conflicting and confusing. More like a poem than a narrative. A dreamy masterpiece.

The Spirit of the Beehive (Víctor Erice) - The most charming child of this list, she couldn’t memorize the names of the characters she interacted with so they were changed to the names of the actual actors. The innocence of childhood in dark times.

A Pigeon Sat on a Branch Reflecting on Existence (Roy Andersson) - A series of absurd vignettes connected by a pair of novelty items salesmen and their struggle to bring a smile to a grey World. Slow, but humorous and delightful. An unconventional and memorable ride.

Man Bites Dog (Rémy Belvaux, André Bonzel & Benoît Poelvoorde) - Fake documentary about a serial killer. Heavy, gruesome and hard to watch, despite the false sense of humor in some scenes.A glimpse at the darkness of human nature.

Tangerine (Sean Baker) - Shot with cell phones. A story about love, gender and friendship. Funny, sad, touching.

The Guilty (Gustav Möller) - Focused on a shift of an emergency dispatcher, the camera focuses only on his face and phone interactions with the callers.A very effective thriller, its setting leads us to create our own narratives just to subvert them at the most unexpected times.

Cold War (Paweł Pawlikowski) - Loosely inspired in Pawlikowski’s parents, Cold War is a beautiful love story set against impossible odds. Powerful and heartbreaking. 

Parasite (Bong Joon-ho) - Poor family scams rich family. Rich family takes advantage of poor family. Everybody feeds off of everyone. Drama/Comedy/Thriller/Horror/Romance about control, delivered in a masterclass on cinematic rhythm. Best film of its year for me.

The Straight Story (David Lynch) - More than the fact that this movie is radically different than the remaining Lynch work, The Straight Story is a wonderful exercise in pacing and storytelling. Mr. Straight’s stories allow us to fill in the blanks with our imagination, and their impact in him is also felt in us. An underappreciated gem in its apparent simplicity.

Thank you very much for reading.