#muntashir

[lyricsolution-com]

Lyricist Manoj Muntashir Accuses Bollywood Of Conspiring Against Sanatan Dharma:'This Kind Of Cinema Is Unacceptable To Me' | People News

New Delhi: Manoj Muntashir, also known as Manoj Shukla is a renowned lyricist and scriptwriter. His notable work includes hit songs like ‘Galliyan’,Tere Sang Yaara’and Teri Mitti among others. Recently Manoj Muntashir appeared at Zee New’s biggest conference, ‘Ek Bharat, Shreshth Bharat’. During the special conversation, he engaged in discussions on topics ranging from National and International…

[ilyricshub]

Dhokha Lyrics - Sarfira | Mika Singh

Dhokha Lyrics - Sarfira | Mika Singh #Dhokha #Sarfira #MikaSingh #AkshayKumar #RadhikaMadan #ManojMuntashirShukla #GVPrakashKumar #SudhaKongara #HindiSong

[tipsandtricksforlife28]

MOTHERS DAY SPECIAL | Manoj Muntashir Shayari | Whatsapp Status Shayari ...

[newzquest]

The Next-Gen Bhajan Singers Who Are Setting the Tone for Ram Temple's 'Mere Ghar Ram Aaye Hain'

The new generation of Bhajan singers, whose lyrics and music Prime Minister Narendra Modi shared on X, are being lauded by Gen Z, who have been swept up in the Ram Mandir excitement in the country.

The new generation of Bhajan singers, whose lyrics and music Prime Minister Narendra Modi shared on X, are being lauded by Gen Z, who have been swept up in the Ram Mandir excitement in the country. There was a period when Anup Jalota was associated with Bhajans. Jalota was a phenomenon, whether it was with his legendary ‘Aisi Lagi Lagan‘ or ‘Sri Krishna Govind Hare Murari‘. The 70-year-old,…

[lyricsgoal]

सतरंगा Satranga Lyrics In Hindi (Animal) - Arijit Singh

#Satranga #Animal #ArijitSingh

[suchananewsblog]

Aamir Khan gives his best to Adipurush, wishes that it wins 'the hearts of audiences all across the world!': See post inside | Hindi Movie News - Times of India

Om Raut’s magnum opus is all set to grace our silver screens tomorrow, June 16. The movie, starring Prabhas, Kriti Sanon and Saif Ali Khan in lead roles, has been creating a lot of buzz and it seems like it is not just the audience, but the industry too, who is excited for the same. Recently Aamir Khan Productions took to its official IG handle to wish the entire team the best of luck. Sharing a…

[lizzie-is-here]

lonely is a man without love- series masterlist

summary: you’re an ex-black widow, now working with the avengers. and marc spector, a soldier gone vigilante, is your target. so who’s this steven guy, and what’s up with the giant skeleton bird?

relationships: moon boys x fem!reader

total wordcount: 20k

warnings: violence, language, episode five, specific warning listed in each part

ALSO I’M DELETING LAYLA I’M SORRY I LOVE HER TOO BUT I FOR THE SAKE OF THE FIC I MUST

this series is complete!

[pictures aren’t mine]

🌙🌙🌙🌙🌙🌙🌙🌙🌙🌙🌙🌙🌙🌙🌙🌙

part i- the mission

“and i say to myself: a moon will rise from my darkness.” -mahmoud darwish

you head to britain to begin your most recent assignment: to find the vigilante marc spector.

part ii- the scarab

“the moon taught me there is beauty in darkness too” - marine ashnalikyan

steven gets arrested, there’s a cult, and apparently, a magic bug. how did you get roped into this?

part iii- cairo

“i am a deserted sky, and you are the moonlight” - manoj muntashir

arthur harrow causes more problems

part iv- the hunt

“the moon in me finds the sky in you” - dikshasuman

a bit of breaking and entering, a touch of mummy surgeons

part v- the boat

“we are all like the bright moon, we still have our darker side” - kahlil gibran

grave robbing and a shootout lands you in a bit of trouble. ok, i guess being dead is a lot of trouble

part vi- fault

“someday someone will bring the moon down for you in the shape of their love” - dikshasuman

a dive into the past to save the future

part vii- choice

“hug me like the night holds the moon” - alexandra vasiliu

two resurrections that could arguably give that jesus dude a run for his money

part viii- home

“love you to the moon and to saturn” - taylor swift

you come back from your mission with a little more than you expected. namely, a boyfriend.

[themorguepoet]

The way Manoj muntashir said "भ्राता श्री वाली भाषा अब नहीं चलेगी"* as an excuse to use chhapri dialogues in adipurush and meanwhile my tumblr mutuals all ranging in the 13-25 age group are writing entire essays citing verses from the works of adikavi valmiki- *chefs kiss* i love you all. I am loving your rants. The condescending tone towards the youth from some of these self acclaimed guardians of culture is pathetic. We arent spoiled or out of touch. We are very much rooted and it is disrespectful of the makers to have assumed otherwise. All the more reasons to ban this movie.

*(Trans: "the bhrata shri language will not work anymore" <referring to sanskritised hindi not resonating with the youth>

[icebearfromnorthpole]

Manoj Muntashir again writing the most beautiful lyrics i heard in recent times, but then what happened to him while writing Adipurush’s dialouge!🫤

“माना हसीन है लेकिन तुम्हारी तरह कहाँ है

उस चाँद को दिखाते हम उसकी जगह कहाँ है

उसकी जगह कहाँ है

छुप जाए बादलों में यूँ शर्मसार करते”

[ramayantika]

Okay just because manoj muntashir wrote those dialouges doesn't mean you write abusive words to his mother. Wtf are we this retarded now

[ilyricshub]

Chaawat Lyrics - Sarfira | Shreya Ghoshal

Chaawat Lyrics - Sarfira | Shreya Ghoshal #Chaawat #Sarfira #ShreyaGhoshal #AkshayKumar #RadhikkaMadan #ManojMuntashirShukla #GVPrakashKumar #SudhaKongara

[pronunciationplanet]

In Arabic, "قرن منتشر" (pronounced "qarn muntashir") can be translated as "spreading century" or "spread century." This phrase is ...

[beatverse1]

Evolution and Experimentation in South Asian Soundscapes

The South Asian music landscape, with India at its cultural core, has undergone remarkable transformations over the past few decades. A confluence of ancient traditions, regional flavors, and global influences have led to a musical ecosystem that is both deeply rooted and continuously evolving. At the forefront of this sonic revolution are influential figures who have embraced experimentation as a guiding principle. By blending classical foundations with international styles, weaving poetic narratives that transcend borders, and inspiring the younger generation of artists to push beyond established norms, they have collectively created a fertile ground for innovation. Exploring these icons sheds light on how their contributions have helped shape an ever-shifting tapestry of sounds and genres, ensuring that South Asian music remains vibrant, relevant, and universally appealing.

Ilaiyaraaja: A Visionary Bridging East and West Among the earliest pioneers in this wave of innovation was the legendary composer Ilaiyaraaja. Regarded as a musical polymath, he harnessed the power of orchestration, blending the intricate constructs of Carnatic and Hindustani traditions with Western symphonic elements. This approach broke barriers that had once confined Indian film music to a narrowly defined space. His compositions, layered with string arrangements, woodwinds, and choral harmonies, established a new lexicon for expressing deep emotional narratives. Ilaiyaraaja’s work set a precedent for others to follow. It taught subsequent generations of composers that cultural synthesis need not dilute tradition—it can enrich it. By demonstrating that a symphony and a sitar could co-exist, complement, and enhance one another, he revealed limitless potential in merging seemingly disparate musical worlds.

Manoj Muntashir: Words that Resonate Across Eras If a composer’s job is to craft landscapes of sound, the lyricist’s role is to populate these realms with stories, emotions, and ideas. This is precisely what Manoj Muntashir has achieved. Emerging in an era where the Hindi film industry constantly reinvents itself, he has penned lyrics that pay homage to poetic traditions while speaking in a tone accessible to contemporary listeners. Muntashir’s words form a bridge between eras, connecting the spiritual subtlety of ancient verses with the immediacy of modern storytelling. His skill lies not only in the metaphors he employs but also in his understanding of changing audience sensibilities. By doing so, he reminds us that even as musical backdrops evolve, the human experience remains a constant source of inspiration, ensuring that songs continue to matter deeply to listeners from every generation.

Sid Sriram: A Modern Minstrel Embracing Global Influences As the 21st century ushered in new technologies and a more globally connected audience, artists like Sid Sriram epitomize a fresh brand of experimentation. Trained in Carnatic classical music, his voice naturally carries the weight and nuance of centuries-old traditions. Yet, he effortlessly layers this foundation with elements drawn from soul, R&B, and Western pop. The result is a sound that resonates across cultural and linguistic boundaries. Sriram’s approach exemplifies a generation that has grown comfortable blending genres, viewing the world as a vast library of musical techniques. Through his art, he proves that tradition is not a static relic but a launching pad, enabling him to create dynamic, genre-fluid compositions that enchant listeners who may never have heard a raga before yet find themselves moved by its beauty in this modern context.

Anuv Jain: The Rise of Indie Authenticity While the film industry has traditionally served as the epicenter of Indian music, the rise of independent artists like Anuv Jain has ushered in a new era of authenticity and personal narrative. Freed from the constraints of cinematic storytelling, Jain’s approach is refreshingly intimate. His minimalist arrangements and acoustic textures stand in marked contrast to the grandeur of film scores, offering listeners a direct line to the artist’s inner world. This quieter, more introspective style resonates particularly with younger audiences, who seek music that mirrors their own quests for identity and purpose. By carving out a space outside of the mainstream, Jain and other indie musicians have expanded the palette of what Indian music can be. They have introduced new thematic concerns, forging direct connections with fans on digital platforms, and proving that experimentation need not rely solely on technical complexity—it can also arise from sincerity, vulnerability, and subtlety.

Karthik: A Polyglot Performer Spanning Genres and Borders At the heart of South Asian music’s experimentation is the notion that languages, regions, and genres can freely intermingle. The singer Karthik embodies this principle. Comfortable singing in multiple Indian languages, he navigates between classical renderings, filmi tunes, pop ballads, and fusion experiments with remarkable ease. This linguistic and stylistic fluidity mirrors the mosaic nature of South Asia itself, where multicultural communities share melodies that cross state lines and national borders. Karthik’s career trajectory highlights that experimentation can occur not only on a compositional or lyrical level but also in performance. By moving effortlessly among genres and linguistic traditions, he challenges the notion that an artist must remain confined within any single sphere. His body of work encourages new artists to embrace a broad spectrum of influences, reminding them that music is as infinite and borderless as one’s own imagination.

Conclusion: Sustaining the Culture of Experimentation What unites these diverse innovators—Ilaiyaraaja, Manoj Muntashir, Sid Sriram, Anuv Jain, and Karthik—is their shared commitment to evolution. Each, in their own way, demonstrates that experimentation is not a fleeting trend but a core tenet that sustains the vitality of South Asian music. They have collectively shown that blending classical and modern forms does not erode tradition. Instead, it perpetually revitalizes it, ensuring that fresh ideas emerge and that listeners remain engaged. Through their work, we see that the act of musical experimentation can honor the past, speak powerfully to the present, and pave the way for future generations. In a global age, where access to any style of music is only a click away, these artists affirm that authenticity and originality derive not from rigid adherence to established norms, but from the courage to reimagine what music can be. Each note they compose, lyric they write, or phrase they sing contributes to a grand, ongoing dialogue—one that will continue evolving as long as artists have the audacity to push boundaries, embrace new sounds, and welcome listeners into ever-expanding sonic landscapes.

[tokyotrendnews]

【#TSeries ] Shikayat Hai (Lyrical Video): Aditya Shankar | Manoj Muntashir | Zaid Darbar, Mishhti, Shadab

本記事のYouTube動画はこちらから💛 Shikayat Hai (Lyrical Video): Aditya Shankar | Manoj Muntashir | Zaid Darbar, Mishhti, Shadab Presenting the Lyrical Video Song "Shikayat Hai", Sung & Composed by Aditya Shankar and Written by Manoj Muntashir. ♪Full Song Available on♪ JioSaavn: https://bit.ly/3CTffak Spotify: https://bit.ly/49dzonA Hungama: https://bit.ly/4g0y9uB Apple Music: https://bit.ly/4g5sVgz Gaana:…

[lyricsgoal]

Bewafa Se Pyaar Kiya Lyrics - Jubin Nautiyal

#BewafaSePyaarKiya #JubinNautiyal