#morrison went wild with those last two arcs
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thenotoriousscuttlecliff · 8 months ago
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Esme: Okay, sure, I caused Sophie's death, shot mom, got hooked on drugs, and teamed up with Magneto (who wasn't actually Magneto) to commit mass murder, but Phoebe dyed her hair to look like Jean Grey so who's the real traitor here. Celeste: She makes a good point. Phoebe: Shut up, Celeste!
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stxleslyds · 3 years ago
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Also, the writers' failure to understand, every crime Jason committed had a motive. Attack other criminals? Holy warrior destined to purify the world of evil. Attack Bruce? Joker's still alive. (Oh, Jason, it's much worse than that.) Attack Tim? A parody of what he once was. He wasn't just a "bad boy". He was dangerously insane.
Hi, Anon! Yup, there seems to be a lot of things that writers have gotten confused about Jason Todd/Red Hood and the biggest one is his motivations to kill certain criminals.
Let’s be honest, Judd Winick set a golden path for the upcoming Red Hood writers. But each and every writer that used Red Hood in their stories completely missed the point of Jason’s character. All of them. It’s so incredibly wild to me that every other writer read UtRH and came up with whichever version of Jason they came up with.
Let’s list the writers that completely missed the point.
Geoff Johns in Teen Titans vol.3 #29.
Geoff Johns was one of the first to completely mischaracterize Jason, why on earth would Jason go to the Titans Tower to beat up Tim? This is not me saying that Jason would never do that because Jason thinks of Tim as his brother or a friend or the person that he can trust the most from the Bat-Clan (can you believe Lobdell tried to sell us that one?), this is me saying that Jason wouldn’t have done that because he couldn’t have given less of a fuck about Tim’s existence.
When Jason found out that Bruce had another Robin he wasn’t bothered by his “replacement” he was mad at Bruce for having another child playing hero after he lost his life as a fifteen-year-old. Jason didn’t even think of Tim as his replacement as fandom likes to make us believe, Jason called Tim “pretender”. And that was that, but to go from minimal recognition to go out of his way to beat him up at Titans Tower is a massive mischaracterization.
Paul Dini in Countdown (to Final Crisis).
Paul Dini in Countdown did absolutely nothing with Jason, I am sorry but that’s all he did. Him writing Jason was like watching a dog trying to catch their own tail. He started with a pretty basic take on UtRH Jason, then he added a bit of Jason being an annoying man with Donna, then we had the jealousy arc because apparently, Jason had the hots for Donna but she didn’t want anything to do with him and he was all angsty when she paid attention to Kyle instead of him, and then, later on, he had that whole Red Robin bullshit (I am sorry about this, but I absolutely hated that, it was so dumb, I am so glad it didn’t last long because it was just too bad), and after all that mix of just not interesting stuff he went right back to the Jason that he had at the very start. It was a waste of time, but I guess that he had to be there because he was an anomaly and all that. I just think that was DC’s first try at making Jason Todd/Red Hood something more than just a street-level vigilante and they failed miserably.
Tony S. Daniel in Batman: Battle for the Cowl.
Even though the first two did make mistakes with Jason’s characterizations, this man was the first to just throw UtRH out of the window and make up his very own version of Jason Todd. And his version was horrendous, that Jason had no problem with attempting to kill children and innocent people, he also really wanted to be Batman because Gotham needed a Batman and he wanted to be the person to wear the Cowl and he was looking for a Robin for himself.
I know, the whole concept is the perfect opposite of what Jason Todd and Red Hood were in UtRH. Every aspect of BftC Jason is based on nothing.
Jason wanting to be Batman because Gotham needed Batman is just the beginning of what’s wrong in this book. Jason became the Red Hood (in part) because he believed that Batman and his ways weren’t what Gotham needed so he made a better version of Batman with Red Hood (according to him) because Red Hood did what Batman refused to do. Another thing that is just wrong is Jason wanting, Damian, Tim or Dick to be his Robin, there is just so much wrong with this, first of all, Jason wanted Batman to stop having Robin because child soldiers ran the risk of dying at a very young age and that’s exactly how he saw the whole thing because that was what had happened to him. Second, if Jason was mad at Bruce for getting another Robin why would he now want one of his own to team up with his Batman? Damian was a child, Tim was someone that apparently Jason hated (because Jason beating Tim was mentioned in this event), and then Jason actually asked Dick Grayson, Nightwing, to be his Robin? Listen, there is no way that was Jason, nothing about him makes sense, even taking into account that Jason had beaten Tim already in this event Jason actually tried to kill both Tim and Damian (it might have been just one of them but yeah, it still doesn’t make sense).
I just don’t think that Tony S. Daniel knew who Jason Todd was, maybe he got confused but the thing is, his “villainous” and deranged version of Jason Todd allowed a villainous and deranged version of Red Hood to happen with the next writer that I will be talking about.
Grant Morrison in Batman and Robin vol.1 #3-6.
This was the birth of the villainous, deranged and bloodthirsty Red Hood. There is absolutely no trace of UtRH Jason here, not even if we are looking at the opposite of things like we could do with Daniel’s Jason. Grant Morrison wanted Dick and Damian to have a villain to match their Batman and Robin and they decided to give us a red-haired-pill-headed-red hood. Everything from Morrison’s characterization of Jason is crazy, from the red hair (hello pre-crisis) to the awful Joker’s Red Hood looking suit, everything was just weird.
I still don’t believe that was Jason, to be honest, I would rather think that version of Jason was actually a rouge Skrull that came all the way from the Marvel Universe and lost his way in Gotham City. Maybe when he made the jump between universes, he got too much information and got confused and took the form of the wonkiest Jason Todd he could come up with.
This Jason was absolutely deranged, he knew exactly what he was doing and he didn’t care if innocents died. This Jason was the one that got locked up in Arkham. This is the Jason that Dick put in Arkham for Jason and everybody else’s safety.
Dick putting that Jason in Arkham wasn’t a bad thing or something that anyone can use to shit on Dick Grayson (not on this house). This Arkham was reformed and that Jason knew that if he stayed in that new Arkham he would stay away from trouble, but here is the thing, that Jason loved trouble, so he took all the tests to prove he wasn’t insane and asked to be transferred to Blackgate (where all the Red Hood’s enemies were). That Jason didn’t ask to be sent to Blackgate because the Joker was a cell away from his in Arkham, he did it so he could go on a killing spree in Blackgate (which he did when he got there).
Skrull Jason was just bloodthirsty and nothing like UtRH Jason, he had no motive other than just killing for fun or whatever. He didn’t want to protect Gotham and he couldn’t have cared less about the drug trade in Gotham. In Batman and Robin vol.1. Jason Todd was unrecognizable. And luckily, we never saw him again.
Scott Lobdell in Everything that he ever wrote about Red Hood.
This one is pretty self-explanatory. Lobdell was the king of overpowering Jason, he was the one that drove Red Hood farther and farther away from his street-level vigilante status. He continuously added more to him, he was a big deal because he was meant to take down Ra’s al Ghul, he was a big deal because he was the only human to train in the All-Castle and learned to summon the All-Blades.
This Red Hood’s morals and ideals were kind of gone, there just wasn’t any kind of interest in Jason to get rid of drugs or try to control its trade in Gotham, he just had no interest in street-level threats, everything was extraordinary in both New 52 and Rebirth. If he wasn’t in space he was in some mystical land. His friends and allies became even more and more powerful, his level of power was completely off compared to the others. His personality was ever-changing and quite honestly you could barely see the Jason that he once was.
This Jason also was very inconsistent in the way that he felt towards people (obviously because Lobdell is a shitty writer), he wanted to follow Batman’s rules and was shown as someone that still had fond memories of his life with Bruce before he died but was also willing to let those memories go, to move on? Maybe? I don’t know. But he changed his mind about Bruce and following his rules or not for a very long time. Jason was also a little bitch about Dick, and he was a little bitch because he (Lobdell) never gave the reader or anyone a concrete reason as to why he hated him so much and then in Rebirth he decided that Dick wasn’t that bad. Also, Jason went from “Willis Todd, abusive husband and father that deserved to die” to “Willis Todd abusive husband and father but he sent me letters when he was in prison and Penguin had him killed so now, I really want to avenge him”. Yeah, I don’t really know why that happened and like most of Lobdell’s arcs and stuff it was never really completed or well thought out.
Lobdell’s Jason characterization was a mess for ten years and that’s the prime reason why Jason is a character with no solid background, story or future.
James Tynion IV in Red Hood and the Outlaws.
Tynion’s Jason Todd was a hero, he was like a mini Tom King Batman. Everything he did was right and there was just no way that you could bamboozle him. This Jason was able to hold to Blades that drained his soul as well as hosting the Untitled in his body (that were able to drain his soul too) and on top of all that he completed his journey of the Chosen One by making those ancient martial arts moves that he learned before he was Robin even though Talia hadn’t been able to master it yet.
Scott Snyder, Tim Seeley in Batman Eternal and Batman and Robin Eternal.
A mess, this was pure New 52 levels of bullshit and they all just wanted to push the “Batfamily” and while Dick was gone, they were trying to make Jason fill the void that Dick left in Batman events. It didn’t work at all and all they did was mess around with Jason’s characterization more.
Geoff Johns in Three Jokers.
I have talked enough about Johns’ takes on Jason Todd and Red Hood, but let me tell you something real quick, if a writer thinks that the best they can do with a character is make them give up their morals/ideals for an unrequited love interest, then they can keep that idea for themselves. Geoff Johns wrote a book that was absolutely not needed and then proceeded to butcher every characterization that he could, Three Jokers was three issues long and he managed to add more trauma to Jason’s torture, push the narrative of Jason being at fault for his own murder and make Jason’s motivations to be the Red Hood weak enough to make him want to give up his work for a woman that he barely knows (and doesn’t like him at all).
Joshua Williamson in Future State: Red Hood and Robin #5.
Now, with Williamson I have issues only when he writes Jason, not because his stories are bad, don’t get me wrong, I would have completely enjoyed FS: Red Hood if it weren’t for the completely unnecessary Rose/Jason side plot he had going on. Jason was clearly working undercover for some people that he hated working with. He had to arrest or kill “masks” (vigilantes, just like he “used” to be) for the Magistrate.
His ideas were pretty solid, Jason did the job but he never killed the masks and actively didn’t trust the Magistrate but he was working there to tear them apart from within, and that’s amazing if Williamson had given us Jason Todd/Red Hood working undercover to dismantle an organization I would have been really happy.
But that’s not all he gave us, even if I just forget about his failed attempt at giving Jason a relationship, I can still see that Williamson is the kind of writer that wants (or is just following DC) to make the “Batfamily” happen no matter how dumb and out of place it looks in comics’ canon. So, I am a little bit weary, any writer that leans too much towards making Jason and Bruce work together and become a family makes me want to scream, but I do understand that is just me, many people want those two to be buddy-buddy, I, personally, would love to see Jason kick Bruce in the balls and tell him to lose his number.
Chip Zdarsky in Urban Legends: Cheer.
Ah, yes, I remember the days in which I thought that this could have been something good. Well, I was utterly wrong and I suffered all the way through this mini. I feel like now I can safely say that Zdarsky only wanted to write a Batman book but DC told him, “Hey you can write Batman but it has to be within a Red Hood story, but don’t worry, you don’t have to know much about the Hood guy, just come up with something and write Batman around that”.
I know that’s what happened because I read that story and all we got from it was horrible characterizations for pre-Robin Jason, Robin Jason, Jason Todd and Red Hood. I don’t know how he did it but yes, he managed to mess it all up.
From Jason not really wanting to be Robin and acting recklessly every step of the way, to secret desires of a perfect family with Bruce and so many other people that he couldn’t care about, Urban Legends: Cheer is the perfect book to avoid at all costs if you believe that the concept of “Batfamily” is the biggest lie, DC is trying to profit off this time around.
Zdarsky also nerfed Jason in ways that I thought DC only wanted to nerf Dick Grayson. But I was able to see that I was wrong. Zdarsky’s run also pushed some of the most disastrous narratives that DC really wants readers to believe like: Robin Jason wasn’t good at his job, he was too reckless and ultimately his death was his own fault. Yay! I want to cry!
I will give Zdarsky two points for at the very least showing that Red Hood wants to protect children and that he has a huge issue with how the drug trade is controlled and abused in Gotham City, it had been a while since we had seen that aspect of Jason’s Red Hood make an appearance.
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It’s just too many writers completely missing the point of Red Hood’s character or simply writers agreeing to destroy Jason’s uniqueness in the DC Universe so DC (as the publisher) can further push the abomination that is the “Batfamily” in comics’ canon.
I do agree with you Anon when you say that Jason isn’t just a “bad boy” but I also don’t think that we can call UtRH Jason “dangerously insane”. Personally, I will only use that last description for BftC and Batman and Robin Jason, those two were dangerously insane indeed.
UtRH Jason was very meticulous in who he wanted dead and who got to live. He entered Gotham’s most dangerous world and he had to make a big entrance, he invited the eight most prosperous street dealers to a meeting, showed up with the decapitated heads of each of their right-hand men and an AK-47 and said:
“I am offering you a deal. I will be running the drug trade from now on. You will go about your business as usual. You will kick up forty percent to me. That is a much better deal than the Black Mask will give you. In return, you will have total protection from both the Black Mask and Batman. The catch? You stay away from kids and schoolyards. No dealing to children, got it? If you do, you’re dead.”
This was Red Hood! Red Hood wanted to control the drug trade in Gotham because he knew that Gotham is far too corrupt and filled with drug lords for him to just want to eradicate drugs from Gotham. If he had tried that he would have been a dumbass, but he wasn’t. He didn’t want to start a gang war and get innocent people killed because of it, he wanted to set the rules of his new Empire and he had to start with the street-level drug dealers, from there he grew until he became a major pain in Black Mask’s ass.
We went from Jason wanting to control the drug trade and take over Gotham’s underworld so people like Black mask couldn’t have people work for him (or being dependent on him) when they were still in high school or were in a vulnerable position, to Jason fighting a war for a mystic land because he was their “Chosen One”. DC really wanted to do something grand (yet boring) with Jason instead of sticking to a street-level vigilante that could have become a Drug Lord to control the drug trade of a city that is so filled with crime and corruption that it can’t be saved by anyone.
Batman doesn’t eradicate crime, he “controls” it, puts a blank it over it, lets it nap up until it wakes up once more to make more mess.
Red Hood had other plans, certain criminals didn’t get to nap, or, better said, they would get to nap forever.
So, no. I wouldn’t call that “dangerously insane”, I will call that “vigilante that believes himself judge, jury and executioner” of a city that is drowning in crime and corruption.
Anyway, I hope you have a really nice week Anon and thank you so much for sending me this ask!
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etlunainmorte · 5 years ago
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"I have,... something for you." He said as he grabbed something from his bag. You eagerly waited as he searched, and when he finally handed you a pack of popcorn, you couldn't help but smile.
"You bought this, V?" You asked him as the smell of butter reached your nostrils.
"Yes. We haven't finished Endgame, have we?"
"Come to think of it, no, we haven't." You admitted.
V smiled as he reached for his bag once more, producing a stuffed tiger from it and giving it to you, reminding you of,...
"Is this,... did you win this at the carnival?"
V proudly hummed. "I have,... quite a skill with,... should we say,... sniping?"
Oh, God, he remembered! You happily thought. He remembered I have a really bad aim and couldn't win the stuffed tiger at the carnival.
"And that's not all." V said.
"Hmm?"
"I went fishing."
"Oh, you did?! What happened?"
"I caught a boot."
"YOU DIDN'T!"
V laughed, the sound of his low voice sending warmth all throughout your whole body. In fact, you have never felt so warm in your entire life. And when he handed you a single boot from his bag just for laughs, you fell in love with him all over again.
"I - I never thought this is possible, oh my!" You confessed through fits of laughter, however, at this point, the smile on V's face vanished. You noticed this and went silent as he took the boot from your hands and upended it, making a small velvet box the color of your eyes fall from it. Then, he went down on one knee and opened the box, revealing the most beautiful ring with an emerald attached to it.
"(Y/N) (L/N)," V declared. " ... will you marry me?"
***
I See My Future Before Me - The ENDing
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There really was a wedding, yes. And a most memorable one, at that.
All of your friends and loved ones came to the small, and yet special, event. Together, you celebrated the most important day of your life.
The wedding took place in a small, charming garden where V's favorite flowers bloomed. Kyrie, Lady, Trish, and Patty all helped you to choose the perfect wedding gown. Unfortunately, the ones they chose for you didn't feel comfortable on your skin ( Kyrie's being too covered, Lady's being too flashy, Trish's showed too much skin, and Patty's looked a bit too modern for your own taste ). Nico, Alicia, and Cagliostro all helped with the decorations. Petya supervised the buffet, even helped you and V choose the perfect menu ( from the sumptuous appetizer down to the luscious dessert ), and Natasha volunteered to be the wedding singer ( she made it sound like you don’t have any choice and she even refused to say she's hyped up about being a first - time wedding singer ). Dante, by the way, was thoughtfully shoved to the side by Nero, who knew full well that his uncle would only mess things up and destroy everything should he decide to help with anything, at all. The younger Devil Hunter, on the other hand, was tasked to usher the guests to the venue. Morrison graciously volunteered to call for one of the Ministers from Swan Lane, the neighboring city of Red Grave, where most of the state's churches were. Griffon ( who still swore too much ) and Shadow ( who looked far too old carrying around an Elmo plush ) were forced to take literacy, manners, and etiquette one - oh - one crash courses, courtesy of the haughty Miss Natasha, herself, for the social event. Little Eva was chosen to be the flower girl, and Sister Christina was chosen to be the Matron Of Honor.
And so, on the eleventh of May that one, bountiful and beautiful year, you and V were married.
V, who had his waist - length snowy white hair cut for the special event, waited for you at the arc of azaleas and white roses, his Best Man, Nero, who was wearing his grandfather's coat and tie ( which he honestly detested ) for the event, standing just next to him.
A few moments later, the bride, on the arms of the Best Man, Dante, who was forced to wear his father's coat and tie ( which he honestly detested ), finally came, making heads turn around in awe and wonder.
Dressed in a sheer, form - fitting immaculate, white gown with floral patterns made of silk and lace, and with a long chiffon train that brushed the carpet of flowers that led towards the arc, you walked towards your one, true love, who was waiting for you.
His eyes wide with love and adoration, and his heart pounding with excitement, V watched as you walked, your serene movements and perfect poise catching the eyes of him, and everybody else.
His breath was,... simply taken away. And no one could blame him.
For, now, standing next to him and lovingly looking up at him was the most beautiful bride he has ever seen.
And she will be together with him, at last!
Dante reluctantly, and with a visible pout, gave your hand to V's waiting one, and the ceremony finally began.
Vows of eternal love and devotion were exchanged, rings were exchanged, heavily rogued cheeks were stained with running mascara, manly sobs were heard all over the place, teary eyes were wiped with handkerchiefs of all forms and colors, noses were sniffed unto handkerchiefs of all forms and colors, even the Minister tried so hard to conceal his emotions.
And with that much awaited kiss, the crowd went all wild and emotional with celebration.
There was dancing ( Trish and Lady took the center stage and wowed the audience ), partying ( Nero isolated the pouty Dante and drank whiskey with him, instead ), games ( Patty and Nico managed to beat Griffon and Shadow in almost every game, except for the paper dance, where the familiars cheated and used their powers to win ), photo ops ( strangely enough, people were all drawn to Nightmare because they thought it was a very realistic - looking sculpture, and chose to have selfies with it instead of the newly wed couple, making its multiple photos viral on social media ), and, of course, the much awaited feast ( Petya fed the guests until they were satisfied and beyond, making sure that they would leave the event with bulging stomachs ), and the amazing five - foot ( not five – tier ) wedding cake decorated with fondants of azalea and white roses ( which V, who was secretly a huge cake and sweets fanatic, was gladly able to fully take home with you, the guests being so full because of Petya that they weren't able to partake of the dessert, at all ).
Ahh, truly, it was the most amazing day ever.
And that amazing day was followed by weeks of blessedness, months of fruitfulness, and years and years of prosperity.
All beside your dear, darling, and faithful husband.
However, those years, despite being happy and full, took a toll on your body.
"Happy anniversary, my love." V greeted you that one, sunny morning, kissing you on the forehead and offering you your breakfast in bed.
"What a surprise! Thank you, V." You answered as you allowed him to hold your wrinkled hand.
"Anything for my one, true love." The man whispered to your ear.
However, no matter how happy you looked, no matter how many times you showed him your smile, he knew you were anything but.
And he knew why.
Standing in front of a mirror after that hearty breakfast, the two of you looked at each other's reflection, just like what you've always done every morning since the beginning of your married life.
"You,... look so handsome." You said as you gazed at your husbands features.
"And you, my dear," V exclaimed as he lovingly took your hands in his and placed a tender kiss on them. " ... you are the most gorgeous person I have ever seen."
To this, you chuckled and simply shook your head. "You're lying."
"I'm not!" V chuckled as he tried to kiss your cheek. However, his face fell when you took your hands from him and turned away. "(Y/N)?"
"Yes?" You asked monotonously as you took away the dishes and placed them on the sink.
"Tell me what's wrong."
"Nothing's wrong - "
"(Y/N), I know something has been bothering you." V urged. "Tell me, please."
You chuckled and turned to him.
But, your eyes,...
... they didn't look cheerful, at all.
"There is nothing wrong, V."
There was a moment of silence after those questionable words you just uttered, and after those tense seconds, he walked closer to you, tried to hold your hands, and touch your face.
But, still, you wouldn't let him.
With your back still turned away from him, you finally let out those thoughts, those,... fears,... that have been crushing you all those years ago.
"Leave me, V." You simply said.
And this alarmed the poet. "What?! I'm not going to leave you, (Y/N)! I promised you! I will NOT,... LEAVE YOU!"
With tear - stained eyes, you finally looked at him. And this only confirmed V's worst fears.
"Look at me!" You said to him in such a broken voice that wrecked the poet's heart. "I'm old! And wrinkled! And,... not me!"
"But, I love you, (Y/N),..."
"And look at you! Still,... s - still so young and strong and,... "
"(Y/N),..."
"We don't look,... okay together! You can't go on loving,... a grandma like me!"
"Listen to me, please,..."
"V, I love you too, I really do. But, I have to let you go. You still have a wonderful and long life ahead of you."
In a futile attempt to make you listen to him, V tried, once more, to hold your hands.
And you still refused. And this made him beyond depressed.
So, just like that, he left.
And you haven't seen him in three days.
Of course, you were sad upon this separation but, you have to accept that you can't be together with V now. He has a life ahead of him. He could even move on and be with another person should he decide it.
V,... deserved so much more.
But, being all alone,...
... it made you so, so sad,...
And as you woke up that morning without him by your side, you couldn't help but let out the tears of sadness and heartbreak.
Wiping your tears away with your fragile hands, you cried, "I miss you so much, V,..."
"Mom!" The door suddenly opened and in came your daughter, Avery ( now a very proud mother of twins who looked exactly like Dante and Vergil when they were little ), who looked so, so happy despite this dreary situation. She noticed your pitiful state and came forward, giving you a tender hug and a pat on the back. "Oh, mom. Don't cry. We're here for you."
"Oh, dear,..." You went on, letting your emotions out on your sweet daughter. "It's just that,... I missed your father so, so much."
"Oh, mommy,..." Avery sighed. "Alright. You should get dressed. We're going somewhere."
"What? Why? Where are we going?"
"It's a surprise!" She said, taking your hand and making you get out of bed. "Come on!"
And so, you let yourself be led by Avery and her husband, Roman, towards that old garden where you and V got married many, many years ago.
Thinking it was a really bad joke, you said, "You two are gonna give me a heart attack. Please, tell me what's going on."
"We have a surprise for you, mom." Avery said excitedly.
"This way." Roman said, gesturing towards the gazebo where you and V danced on your wedding day.
"What is this, really?" You, being an old and cranky person, asked one more time.
Avery simply rolled her eyes. "I told you! It's a surprise!"
"It's our gift to you." Roman, who was the softer of the couple, answered. Then, with tender hands, he gently led you towards the gazebo.
"Dear, I'm too old for these surprises." You told Roman along the way. "Won't you have any mercy to me?"
"Haha! Well, I'm pretty sure you'll love this." The man made you turn towards the gazebo, and what you saw there made you feel really strange. "Happy anniversary, mom."
The moment you heard the simple greeting from the young man, another man, who looked the same age as you ( or even older ) turned towards you, smiling at you as if you were his long lost lover, or something. It seemed as though he has been sitting there inside the gazebo, waiting for you for a while.
In fact, his gorgeous green eyes never left yours.
"Ahh, can I,... ahh,... help you with something?" You asked the old man as you entered the gazebo.
However, he didn't answer you. Instead, he stood up from his chair, leaning against a metal cane, and took out a very familiar – looking, worn out book. He opened it, and smirked,...
"I,... have no name." His voice, despite it cracking a bit, sounded clear and beautiful. And oh so heartbreaking. "I' am,... but two days old,...
“Just kidding. You can call me, V.”
You giggled at the poem, finally realizing who this man was.
Of course! How were you able to not notice?!
"Y - you're anything but two days old!" You laughed, feeling your tears leave your tired, burning eyes.
The old man chuckled, his beautiful green eyes gleaming with so much mirth and gladness. Then, he went on reading.
"Little Lamb,... who made thee,... dost thou know,... who made thee? Gave thee life,... and bid thee feed. By the stream,... and o'er the mead. Gave thee clothing of delight,... softest clothing,... wooly bright. Gave thee,... such a tender voice,... making all the vales rejoice! Little Lamb,... who made thee,... dost thou know,... who made thee?"
The old man, still relying on his old metal cane for support, walked towards you and softly laid his hand on your face.
To him, you were still,... the most beautiful woman on earth,...
You were crying so much but, still, he went on reading despite his blurry eyes. "I went to the Garden of Love,... and saw what I never had seen: a Chapel was built in the midst,... where I used to play on the green. And the gates of this Chapel were shut,... and thou shalt not writ over the door. So, I turned to the Garden of Love,... that so many sweet flowers bore."
"Azaleas." You said as you laid your hand on his. "And white roses."
"Yes, azaleas and white roses." The man answered as he wrapped you in his arms. "You remembered my favorite flowers, my love."
"Why would I forget about that, V?"
"Ahh,... I'm such a fool,..."
You shook your head as you let the old and wrinkled poet wipe away your tears. Just like how he did it whenever you cried from watching your favorite sad movies. "You're not a fool, V! Never. But,... why? How did you - ?"
"I gave the Sisters to the twins." V answered your obvious question.
"Dante and Vergil?"
"Yes. It's about time I pass them on, after all."
"But, what about you? You'll - !"
"Ssh. It's alright." V hugged you as he rubbed your back. "Power,... means nothing me,... without you by my side. I'd rather wilt away like an old rose in the Garden Of Love than live without you, (Y/N). I love you,... so much,..." Gently touching your cheeks, he, then, said, "May I have the honor of this dance,... my lady?"
And dance, you did. Just like the first time you met in that Grecian balcony.
Now, could you honestly deny this feeling of happiness with him by your side?
You and your beloved poet lived a few more years after that sweet and heartfelt reunion. And during those sweet, and yet short, years, you did everything you could think of to fill your days with happiness and adventure. And love, of course.
The two of you went to the carnival and ate junk food ( meaning popcorn, caramel apples, cotton candies, and such ). V tried so hard to win that stuffed tiger for you again by sniping ( he didn't win the plush, he won the Complete Elvis Presley Album Collection, instead ). You traveled as much as you can to many places ( with Griffon and Shadow as your two personal assistants, always there to remind you should the two of you forget where you last placed your dentures ). You went out fishing ( the boot myth was real ). And you binge watched all of your favorite movies, from LaLaLand, to Titanic, to Dracula ( you purchased digital copies of these and V kept them in his trusty one terabyte USB where he kept all of his poetry audio and eBooks ).
Those few years were simply,...the best years of your life.
But those few years,... were sadly too short,...
For there came a time when V started to forget some things. Little things, yes but, really noticeable ones, nonetheless. Not to mention his already deteriorating body. And this worried you.
Especially during that one particularly cloudy day when, out of the blue, V asked you to watch a movie with him.
"What movie would you like to see, my love?" You asked.
He opened his mouth to answer but, no words came out. You knew he has forgotten. He has forgotten his favorite movie and he was aware of this, as well but, he tried not to show it. And you couldn't blame him. He,... just aged faster than you after giving up the Sisters Of Fate's powers. 
He simply took your hand and said, "Anything you wish,... my love."
As much as it worried you, you did nothing but to lead him straight to your humble living room in your small Swan Lane house where you and your family spent a lot of time watching all of your favorite shows and movies. But, not before calling Avery, Roman, Nero, Kyrie, and Nico ( Dante, Trish, and Lady were not able to come that day due to an emergency in Red Grave that they must attend to ). Even Griffon and Shadow were present.
Taking Griffon's hand, you told the loyal familiar, "Come with us, please."
Without a word, the demon nodded and followed you and V towards the living room. Griffon closed the door, but not before seeing the worried faces of your friends and loved ones.
"Come on, Dante and Vergil." The familiar heard Eva, Nero and Kyrie's daughter, say to the little twins as she took their chubby hands, leading them to their play rooms along with Shadow. Griffon turned away and finally closed the door. It was then that he saw you and V already huddled together on the sofa as the poet's favorite movie started playing on the old television.
As carefully as he could, the thoughtful familiar placed the wool blanket, which he has been carrying around since morning for his master, over V's body to protect his body from the cold.
“Thank you, Griffon.” The familiar barely heard V say. “For,… everything.”
Just from the other side of the room, Griffon could hear the weather forecast being broadcasted on the radio. Apparently, a storm really was coming, according to the reporter. And according to the same reporter, the storm came from Red Grave, of all places, where Dante, Trish, and Lady were taking care of something.
But, he's not involved in it this time.
For he,... was needed by the two most important people in his life, one of them needing him the most,...
And so, the movie ensued, despite the bad weather outside.
"There was a boy,... a very strange, enchanted boy. They said he wandered very far,... very far,... over land and see,..."
"Don't be fooled! Evil!"
"A little shy,..."
"Turn away from this village of sin!"
"And sad of eye,... but, very wise,... was he,... And then, one day,... A magic day he passed,... my way,... And while we spoke of many things, Fools and Kings,... this he said to me:
"The greatest thing,...
You'll ever learn,...
Is just to love,...
And be loved in,...
... return,..."
"I - it's Moulin Rouge!" V wheezed as he grabbed your hand in his excitement. Just like the sixth or twenty - third time he's seen it. "My favorite movie. (Y/N), dear, you remembered!"
"Of course, I do, my love." You answered.
For a few more minutes, V's green eyes watched, in awe and wonder, the wonderful colors jumping before him on the screen. He tried to say along the lines he could still remember, and sing along to the familiar tunes of the musical.
However, there was one song you knew V truly wanted to hear.
His most favorite song,...
"On Opening Night, I have to sleep with the Duke. And the jealousy will drive you mad."
"Then, I'll write a song - "
"Christian - "
" ... and whenever you hear it, or sing it, or whistle it, or hum it, then you'll know it'll mean we love one another. I won't get jealous."
"Things don't work that way, Christian. We have to end it."
"I,... want to sing it." V muttered. "Could you,... please,... sing it with me?"
"Yes, of course." You answered without hesitation.
"Never knew I could feel like this. Like I've never seen the sky before. Want to vanish inside your kiss. Seasons may change, winter to spring, but I love you until the end of time.
Come what may,...
Come what may,...
I will love you until my dying day.
Suddenly the world seems such a perfect place. Suddenly it moves with such a perfect grace. Suddenly my life doesn't seem such a waste. It all revolves around you. And there's no mountain too high, no river too wide. Sing out this song, and I'll be there by your side. Storm clouds may gather, and stars may collide.
But I love you,...
I love you,...
Until the end of time,...
Come what may,...
Come what may,...
I will love you,..."
"The greatest thing,..."
"Oh, God, V!" You held your beloved's hand in yours as your tears flowed out of your eyes. "I love you,... so much,..."
" ... you'll ever learn,..."
"I,... love you,..." V weakly sang, his voice getting softer and softer, his eyes never leaving yours for even a second. "Until the end,… of,… time,..."
" ... is just to love,... "
Griffon's eyes widened at that exact moment. He, then, looked down and took one of his master's hands in his as he heard your heartbreaking sobs.
" ... and be loved in,... "
It was,... cold.
" ... return."
It was then that his own tears fell,... for the very first time.
Griffon, a Demon, cried,... for the very first time.
"Rest well," He whispered as he wrapped an arm around his master's body. " ... Shakespeare."
And there's no mountain too high, no river too wide. Sing out this song, and I'll be there by your side. Storm clouds may gather, and stars may collide.
But I love you,...
I love you,...
Until the end of time,...
"He,... wasn't able to see his favorite scene." You whispered to Griffon, who, like you, refused to leave V's side after the movie has long ended.
"It doesn't matter, sweet pea." Griffon answered, his voice raw with emotion. "He was able to tell you how he felt, and that's what's truly important."
And it truly was the most important thing. V was able to tell you how he felt. You cherished those words from that day onward, always remembering how V lived as a man of honor and dignity, as a loving father, a very supportive grandparent, and as a truly devoted husband.
The mysterious man called V, who was so fond of poetry, of flowers freshly blooming in the morning, of artful grace, and of the simplest things in life,...
... was never forgotten, his name forever etched into his loved ones' hearts.
His smile,... forever in your memory,...
... until the next storm of the following year that finally brought you into his loving arms,...
At last.
***
🖤 @la-vita and @clevermentalitybeliever . 🖤
***
Many years back, in an Alternate Universe,...
"Miss Edwards,..." V called the woman's attention, slightly running to catch up to her before she could drive away.
Avery fortunately ( and finally ) noticed him and removed her helmet, turning her gaze towards him and appraising him from head to foot. In fact, she looked so surprised that a man such as V was trying to have a conversation with her.
Was it his unusual appearance?
"And you are - ?"
"V." The poet answered, taking a deep breath and leaning on his metal cane for support. He, then, straightened his back and tilted his head to the side. "You can call me V."
"Oh. What can I do for you, V?"
"About the commission - "
"Stop. Right. There." Avery pointed at V, cutting him halfway through his sentence. "If you're planning to take on the Poltergeist at my home, then you're making a HUGE mistake."
Huh? "And may I ask,... why?"
"Furniture floating and smashing about. Disembodied voices in the middle of the night. And your skinny, princess ass begging to be fed and given vitamins. Are you goddamn sure?!"
"I would like,... to see myself try." V simply told her.
The woman raised a scornful eyebrow. She knew that Dante was her one and only hope and choice. No other person in Red Grave could do it but him.
But, this man?
"So, will you take on the job, or not?"
"I would like to,... if you would allow me."
Avery furrowed her eyebrows and regarded him like he was some suicidal maniac begging to be fed to the lion. "Alright. I'll expect you tomorrow, then. Move into the house for a week. Bring whatever or whoever you need. You know my address."
"Would a cat and a bird do?" V innocently asked as he playfully twirled his metal cane in a display of confidence. This woman,... must be taught a lesson.
Avery pursed her lips and wore her helmet once more. "Sure. Whatever. I don't care. Just,... get rid of the ghost for me. I'll pay you. That I can assure you."
And with those words, she finally drove away.
Despite the question strangely bugging him, he was, in fact, feeling excited of this new mission. Yes, Dante might consider it as "small fry" but, facing Poltergeists was definitely a welcome change compared to his boring Devil Hunting routine. And he wanted so much to prove that woman wrong about him.
He was about to go back to the shop to pack what little belongings he have when he noticed Nico staring at him with wide eyes and open mouth. Apparently, she has been standing near the door for quite a while and must have heard the conversation between him and Avery. She almost dropped her groceries as she attempted to close her mouth and control her drooling.
Wait, did she look,... excited?
"Whoa, a paranormal investigation!" The Artisan gasped. "Can I tag along?"
"I don't - "
"Come on, man! Ya gotta let me!" Nico strode closer to him, flailing her arms about and almost sending her groceries flying everywhere. "This is like,... a dream come true for me! Okay, how about this: we'll split the pay 70 - 30. But, I'll be happy with nothing, though, if you don't want 70 - 30! But, come on, that's good deal, yeah?"
"Nico, I - "
"Please? I'll drive you on the way there. I will not be a bother."
V felt cornered. The woman looked really excited that he would surely feel guilty if he refused her.
Him, Griffon, Shadow, probably Nightmare, as well, and finally, Nico.
What could go wrong with this simple task of driving away a single evil spirit from someone's home with some comrades? After all, Avery did say he could bring just about anyone.
And what does her house look like, anyway? And what was the reason behind this Poltergeist's ceaseless haunting?
***
THE END
***
🖤🖤🖤
***
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aion-rsa · 5 years ago
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The Many Origin Stories of The Joker
https://ift.tt/2OhrRwu
The Joker has had many different versions of his origin told over the years, including in the new movie.
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This article contains some spoilers for the Joker movie. We have a completely spoiler free review right here.
The Joker is probably the most recognizable supervillain in the world. Loosely ased on famed German actor Conrad Veidt in The Man Who Laughs, the Clown Prince of Crime’s unique look and penchant for elaborate, themed murder has left a giant mark in the public consciousness.  His real world origins are in dispute - Bob Kane claims the Joker was his creation, but Kane was so full of it that Jim Steranko, the legendary artist behind the groundbreaking Nick Fury: Agent of SHIELD, once went upside Kane’s head because Kane patted his face like some nobody kid. The general scholarly consensus is the Joker was created by Jerry Robinson and Bill Finger rather than Kane.
And while the Joker’s real world origins are disputed and nebulous, his in-continuity origins are generally pretty thematically consistent. The real variation comes from a creator’s fundamental view of the Joker: is he a character within the Batman universe? Or is he a primal force standing in opposition to what Batman represents? Or are you...whatever the hell Gotham was? Let’s take a look.
THE RED HOOD: VARIATIONS ON A THEME
Most Joker origin stories hit several of the same notes. A man is involved in a crime in a chemical plant, falls into one of the tanks, and comes out a crazed psychopath with chemically bleached skin and a shock of green hair, often with a permanent smile of some kind. 
In most of those, the man involved is a flamboyant criminal known as the Red Hood. While the Joker’s first appearance was in 1940’s Batman #1, his actual origin wasn’t fleshed out for more than a decade. In 1951’s Detective Comics #168, it was revealed that a dapper master criminal in a domed red helmet was planning a heist at Ace Chemicals. He was caught in the act by Batman and Robin and dove into a catch basin full of chemicals to escape them. Those chemicals deformed him, turning him into an evil-looking clown, so he leaned into the gimmick and became the Joker.  
This origin is the foundation for a lot of variations. In Alan Moore and Brian Bolland’s The Killing Joke, the unnamed man who becomes the Joker was originally a lab assistant at Ace Chemicals who took up the most dangerous job known to man, stand up comedy, to make extra money to support his pregnant wife. When that didn’t work, he then signed up with some mobsters to rob his former workplace as the Red Hood. After his wife died and he was forced to stick with the robbery anyway, he jumps into a chemical vat to escape Batman, with the usual results.
read more: Every Batman and DC Easter Egg in the Joker Movie
And in Scott Snyder and Greg Capullo’s “Zero Year” from 2013, the story is basically the same, only with the Red Hood being a gang of criminals instead of just one. It’s the mysterious Red Hood One, the leader but possibly one of any number of rotating primaries, trying to escape Batman by jumping into a vat of chemicals as a planned heist of Ace goes wrong.
There are small differences to each of these origins, but they’re all fundamentally the same - one bad day turns a regular person into a super-psychopath. It’s worth noting that two of the four modern movie interpretations of the Joker also go roughly down the “chemical bath” route. While we never learn the exact details, it’s a safe bet something along these lines happened to Jared Leto’s nameless Joker of the DCEU before Suicide Squad. But other big screen Jokers took a slight detour...
JACK NAPIER 
Tim Burton's Batman from 1989 followed a similar premise, only without the Red Hood aspect. Jack Napier was set up by Carl Grissom, his immediate supervisor in the mob, to die in a robbery at Axis Chemicals. Napier caught on to the setup and killed Grissom, but falls over the side of a catwalk and is accidentally dropped into a vat of chemicals by Batman, who was trying to save him. There, we get the added bonus of a bullet ricochet scarring and paralyzing the facial muscles of the vain and handsome Napier, hence the permanent grin.
read more: What the Joker Controversy Gets Wrong
This is also pretty much what his origin was in Batman: The Animated Series. Jack Napier is referred to by name several times throughout the series, and a gangster who Bruce is convinced eventually becomes the Joker is responsible for the death of Andrea Beaumont’s father in Mask of the Phantasm. However, this takes some piecing together, because to the best of my knowledge, it’s only ever referred to and not directly shown. 
WANNA KNOW HOW I GOT THESE SCARS?
Not every origin story for the Joker follows that pattern. Or any pattern at all, really.
Heath Ledger’s Joker is probably the one that is most solidly planted in the current popular consciousness. Christopher Nolan's The Dark Knight very pointedly did not give a clear origin for the character, opting instead to present him as a force of chaos, a kind of psychotic antibody to the Batman’s rigid order. He gives two vastly different (and terrifying) origin stories at different points in the movie, one where his father carves up his face because he’s a violent drunk, and one where he does it to himself to make his wife happy after she gets her own face disfigured by bookies. We’re never told if either is true, but that’s the exact point the movie is trying to get across - it doesn’t matter where he comes from, just what he’s doing. The Joker in The Dark Knight is less a character, and more an elemental reaction to the existence of Batman.
read more: The Many Deaths of the Joker
Grant Morrison did something similar with the Joker in his epic run with the character in the late aughts. In the first, pre-Batman, Inc. part of the story, Bruce is led to believe that his father is still alive and a servant of the dark Bat-god Barbatos. One of the primary goals of the arc is for Morrison to weave together all of the disparate eras of Batman - the wackiness of the Silver Age, the grim and gritty Batman of the post Dark Knight Returns/Year One era, the street level guy who fights regular old murderers in the Golden Age. 
Morrison really wanted the reader to understand that everything counts. In doing so, he set the Joker up as Batman’s foil - while Batman was using his Zurr-En-Arrh personality as an emergency backup, to reset and run on automatic while Bruce Wayne healed, the Joker was also resetting his own personality periodically. This Joker, he argued in a bizarre and wild prose issue (Batman #663, if you’re checking), was super-sane and would alter his own thoughts and methods to match the times. So for this Joker, nothing was true and everything was true at the same time.
GOTHAM
And then there’s Gotham. Good Lord, there’s Gotham. Bear with me now, because we’re about to enter “Xorn’s brother Xorn” territory.
Jerome Valeska is a violent, mentally ill anarchist son of a circus performer with a signature laugh. He kills his mom, confesses, and gets tossed into Arkham, where he inspires a cult. He and his cult escape, and they kill Sarah Essen to help someone run for Mayor, before getting killed by that Mayoral candidate to tie up loose ends. He gets resurrected by his cult, collects a team of supervillains, sows anarchy around the city, and dies again. In the process, he hoses down his identical twin brother Jeremiah with assorted chemicals, which turn Jeremiah insane. Jeremiah is a much more low-key serial killer, and in the last season, he gets tossed into a vat of chemicals making him even crazier. 
read more: The Actors Who Have Played the Joker
It’s important to note that at no point were any of Jerome or Jeremiah or any of Jeremiah’s personality changes ever actively identified as the Joker. They just shared almost all of the Joker’s characteristics at varying points. And there was lots of laughing when they were around. Heavy allusions and all. Man, Gotham was a lot.
THE JOKER
Arthur Fleck is a wannabe (and terrible) standup comedian who lives with his mentally ill mother. Awkward and shy, Arthur has some issues, including an unnerving laugh that has nothing to do with humor. Instead, a brain injury (brought on by years of physical abuse he suffered as a child) causes him to break out into fits of uncontrollable, mirthless laughter, which is sometimes seems painful, like a coughing fit. Lest you feel too sorry for him, Todd Phillips’ Joker movie makes it clear early on that Arthur leads an unhealthy (and thoroughly narcissistic) fantasy life.
read more: 10 Times the Joker Almost Nailed Batman
Arthur reaches his breaking point after a mugging, the loss of his job, the continued deterioration of his mother...and a triple murder he commits on a subway car. His spiral continues as more facts about his past are brought to light, and he finally snaps, donning clown makeup (rather than something more permanent) and embracing his destiny. Of course, the movie offers a slightly ambivalent ending that makes it clear that, like Ledger’s conflicting stories, this may be only one of Joker’s POSSIBLE pasts…
Joker is in theaters now.
Read and download the Den of Geek NYCC 2019 Special Edition Magazine right here!
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aion-rsa · 8 years ago
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Wolverine’s 15 Craziest Retcons
Wolverine is a powerhouse whose claws, super-strong adamantium skeleton and incredible healing factor make him a force of nature. He’s also a messed up guy with a history filled with tragedy, confusion and contradictions. It was established early on that Wolverine suffered from a combination of brain damage, mental trauma, psychic blocks and memory implants that gave him amnesia and flashbacks of things that never happened. That makes him… complicated, to say the least.
RELATED: Everything You Knew is a Lie: 15 Most Altered Superhero Origins
Until Wolverine’s origin was laid out in the pages of the appropriately-named 2001 mini-series “Origin” (by Bill Jemas, Paul Jenkins and Joe Quesada, with art from Andy Kubert and Richard Isanove), his life was a collection of ideas that would get changed whenever a new writer came along. Those changes are known in comics as retroactive continuity or “retcons,” and they can be both interesting and problematic. He’s not the only character with retcons, of course, but he’s one of the most famously affected by them. With Wolverine’s new movie “Logan” making a stir in the ether, the CBR team runs down 15 of Wolverine’s biggest retcons.
HIS HEALING FACTOR
One of Wolverine’s defining powers is his healing factor, which allows him to quickly walk off almost all injuries. It’s part of what makes Wolverine almost indestructible, which is why it’s kind of surprising that he didn’t start out that way.
In his first appearance in Len Wein and Herb Trimpe’s “Incredible Hulk” #181 (1974), Wolverine didn’t heal rapidly at all. Instead, he was so fast that Hulk could barely touch him, except for one moment when Hulk hits Wolverine, but he mysteriously shrugged off the impact. It was only when he became a regular member of the X-Men in 1977’s “X-Men” #107 that his healing was established, but throughout the ’80s, it took him weeks and even months to heal from major injuries. Starting in the 1990s, Wolverine’s healing ramped up until he healed from a nuclear incineration within minutes. He later explained this by saying his healing factor grew more efficient the more he used it, retconning his earlier weakness.
HE KNEW EVERYONE
For a long time, it was said that no one knew how old Wolverine was, because his healing factor made him both immortal and also kept him from showing his age. That meant writers could say he was as old as they wanted him to be, and wrote stories of Wolverine hanging around for decades. With his long life, it makes sense that he met a few familiar faces along the way, but it kind of got out of hand.
For example, in Archie Goodwin and Howard Chaykin’s “Wolverine/Nick Fury: The Scorpio Connection” (1989), Wolverine tells Nick Fury that they knew each other in his days serving with Canadian intelligence. However, “Wolverine Origins” #17 later shows them meeting during World War II. Since Fury didn’t dispute Wolverine in ’89 and didn’t recognize Wolverine, that was clearly a retcon. Also, the story showed him meeting Captain America, even though Cap didn’t recognize him decades later. How can you forget Wolverine? That hairdo alone tends to stick with you.
WEAPON PLUS
One of the defining moments of Wolverine’s life was his kidnapping by the Weapon X program, which forced the powerful adamantium metal onto his bones and tried to brainwash him. But Weapon X itself has gone through a lot of changes throughout the years. In 1975’s “Giant Size X-Men Annual” #1, Wolverine was codenamed Weapon X, but that changed in “Wolverine” #50 (1991), when Weapon X became the name of the super-soldier program that experimented on him.
In Grant Morrison and Frank Quitely’s “New X-Men” #129 (2002), another huge retcon was introduced when it said the “X” in Weapon X stood for the Roman numeral ten, meaning there were other experiments going all the way back to World War II, with more created after Wolverine. The program’s full name became the Weapon Plus program, and included most Marvel super-soldiers (including Captain America) as former members. At that point, it was said that early Weapon Plus experiments involved animals, but “Uncanny X-Force” #22 (2012) retconned Weapon III as the human supervillain, the Skinless Man.
RELATED: Bait and Switch: 15 Comic Book Reveals That Were Changed
HE MET PROFESSOR X
Wolverine became an official member of the X-Men in “Giant Size X-Men Annual” #1 (1975), when Professor X went to the Canadian government to recruit Logan because the original team of X-Men was lost on the mutant island Krakoa. Wolverine reluctantly agreed, which seemed kind of odd, considering he’s always been a lone wolf and didn’t fit in well with the rest of the team.
It was always the first meeting between the two, but that all changed with Daniel Way and Mike Deodato’s “Wolverine Origins” #29 in 2008. In that issue, Professor X revealed that Wolverine had been sent years before their meeting in Canada to kill him. Xavier knew about Wolverine’s mission, but used his psychic powers to erase his memory of the meeting and also implant the suggestion to become an X-Man because Xavier wanted to use Logan as a weapon. This retcon set up Xavier as kind of a jerk, manipulating and lying to Wolverine for decades.
HE FOUGHT THE ANGEL OF DEATH (A LOT)
As we mentioned earlier, Wolverine’s healing factor has grown to pretty ridiculous levels. Even with his unbreakable skeleton and rapid healing, Wolverine seemed to be able to brush off death way too easily, and it got to the point where someone had to explain why. When Marvel decided the time had come to kill off Wolverine, a new explanation for his miraculous healing was retconned.
In Marc Guggenheim and Howard Chaykin’s “Wolverine” story arc in 2008, it was revealed that Wolverine actually had died many times in the past, but each time had fought Lazaer (the Angel of Death) for the right to escape Purgatory and come back to life. As quickly as that was set up, Wolverine discovered his soul had been damaged and made a deal with Lazaer that if it was fixed, he would stay dead. Just in time for the “Death of Wolverine” stories, Logan was killed for good. Or at least, so far…
HIS REAL NAME
The real name of Wolverine has been a huge mystery, which makes sense since he couldn’t even remember where or when he was born. It didn’t help that he spent some time as a secret agent using false names. Over the years, there have been a few suggestions for his name, several of which contradict each other.
In Chris Claremont and John Byrne’s “Uncanny X-Men” #139 (1980), it was first revealed that Wolverine’s name was “Logan,” but he didn’t say if it was his first or last name. This became a critical point, and something other comics played with. Throughout the comics, they’ve also made references to the name “James,” but the matter seemed to be settled in “New X-Men” #143, when a file in the Weapon X program listed his name as “James Logan.” However, in “Wolverine Origins,” it was retconned and finally made canon that his original name was James Howlett. Logan was just the name of the family groundskeeper.
SILVER FOX
It’s hard to overstate how complicated Wolverine’s relationship is with the woman known as Silver Fox, since she’s both one of his greatest loves and greatest mysteries. In fact, she’s arguably been the subject of more retcons and switcheroos than any other character in his history.
First introduced in “Wolverine” #10 (1989), Silver Fox was a former lover who was killed by his archenemy Sabretooth, and her death became the spark that lit the flames of hatred between the two for years. Yet, in “Wolverine” #60-64 (1992), her death was retconned when Wolverine discovered she never died at all, and was actually an agent of HYDRA. In fact, the comics went so far as showing him a fake cabin that was used to implant his false memories of her. Her death was retconned yet again in Brian Michael Bendis and Olivier Coipel’s “House of M” in 2005, when Wolverine recovered memories of Silver Fox being killed by Sabretooth, after all. They didn’t even bother to explain that one.
HIS FATHER
As we mentioned before, Sabretooth is Wolverine’s most cruel and sadistic archenemy, revelling in tormenting Logan. There have been a lot of attempts to explain the conflict between the two, and one went way too far.
Sabretooth was originally created by Chris Claremont and John Byrne in “Iron Fist” #14 (1977), but readers quickly noticed his similarity to Wolverine, so they became enemies. The two fought lots of times, but in “Wolverine” #41 (1991), Sabretooth shocked the comic world by telling Logan they were father and son. It kind of made sense, since the two look similar, have similar powers and Sabretooth is indeterminately older. Later, Claremont in interviews confirmed he intended for Sabretooth to be Wolverine’s father. However, in the very next issue, this was revealed as false by Nick Fury and S.H.I.E.L.D., who conducted DNA testing to prove Sabretooth wasn’t Wolverine’s father, after all. That left their relationship to continue, but the roots of their hatred still hasn’t been solved… at least not the way readers may have wanted.
HE WAS A LUPINE
Now we’re getting into some of the bigger retcons Wolverine has gone through, which were changes to his very species. From his joining the X-Men, it’s been said that he was a mutant, which was how Professor X was able to locate Wolverine. That all changed in “Wolverine” #53 in 2007, though. In that story, Wolverine met a new enemy named Romulus (who we’ll get to later); he explained they were actually not mutants, but a new species of human evolved from canines instead of simians, or what he called Lupines. More than that, he claimed that all other wild mutants like Sasquatch, Sabretooth and Feral were Lupines, and that Sabretooth hated Wolverine because he was from a blond-haired tribe that hated the dark-haired tribe on sight.
That retcon went over with fans about as well as a screen door on Wonder Woman’s invisible airplane, which may be why this was reversed in “Wolverine” #312 (2012), when Romulus’ own sister Remus told him that Lupines didn’t exist, and said Wolverine was a mutant, after all.
ROMULUS
Speaking of Romulus, let’s get to that big ball of retcons. By any standard, Wolverine has had a hard life. He’s been crushed, blown up and poisoned, but his physical injuries are nothing compared to his mental trauma. Pretty much every woman he’s ever loved has been brutally murdered, he’s fought through countless wars, and most of his life has been spent not knowing who he was or where he came from. There was no rhyme or reason to any of that, except to show why he’s such a hard-drinking and angry loner.
That all changed in Jeph Loeb and Simone Bianchi’s “Wolverine” #50 (2007), when Wolverine had dreams of a mysterious figure known as Romulus, who was thousands of years old and had been manipulating Wolverine before he was born. He secretly controlled Weapon X, took Wolverine’s son Daken from his mother’s womb, arranged for the death of Wolverine’s lovers over the years and pretty much got the ball rolling on anything bad that ever happened to Logan. His entire existence is a retcon of Wolverine’s sucky life.
HE STARTED WEAPON X
Since Barry Windsor-Smith’s classic story “Weapon X,” which appeared in “Marvel Comics Presents” #72-84 in 1991, Weapon X has been portrayed as a dark and shadowy organization that kidnapped and subjected Wolverine to the torturous process of bonding adamantium to his skeleton. The moment the Weapon Plus program came into his life changed Logan forever, and certainly wasn’t something he agreed to. At least, that’s the way it always was until 2012’s “Wolverine #312.”
In that story, Wolverine has a climactic fight with Romulus, who reveals that his claims of the Lupine were lies (another retcon mentioned earlier) and that he wants to create a new race of his own. In the final moments, Romulus also says that Wolverine was the one who altered his own memories to make himself into a test subject, and that Weapon X is and always was Wolverine’s idea. So far, that hasn’t been explained, because it makes no sense. It also contradicts the claims and flashbacks of Wolverine and other people involved in Weapon X.
ADAMANTIUM
Besides his claws, Wolverine’s unbreakable skeleton is one of his most defining physical features, with the indestructible metal used to reinforce all his bones, making them unbreakable. His skeleton is one of the strongest objects in the Marvel Universe, second only to Captain America’s shield. Much like everything else involving Wolverine, his adamantium skeleton is also a retcon.
In his first appearance fighting the Hulk, it was never said that Wolverine’s entire skeleton was covered in adamantium, only his claws. Wein only intended the claws themselves to be adamantium, and removable at that. After Logan joined the X-Men, later comics established that the adamantium ran through his entire skeleton. That made him not just fast with a quick healing factor and razor-sharp claws, but unbreakable, leading to his legendary immortality and invulnerability. It’s hard to imagine the old Canuckle-head without his metal skeleton, but that’s exactly what his creators did.
HIS CLAWS
When it comes to Wolverine, his most prominent feature is his pair of razor-sharp adamantium claws. That’s why we’ll be getting into how those claws have changed over the years, and how they’ve been retconned since the very beginning.
In his first fight against Hulk and Wendigo in “Incredible Hulk” #181, Wolverine fought the Hulk with his claws out the entire time, and never retracted them. That implied that his claws were attached to his gloves, which was actually the original writer Len Wein’s intention. When he returned in “Giant Size X-Men Annual” #1, Wolverine could retract his claws, but everyone assumed the claws were attached to his gloves. In “X-Men” #98 (1976), Wolverine surprised everyone when his gloves were removed, and he still was able to pop his claws, showing they were a part of his body, not his gloves. Reportedly, this was changed because Chris Claremont felt it would be easy for anyone to be Wolverine just by putting on his gloves. By having the claws inside his arms, they became a part of him and one of his most distinguishing features.
HIS (BONE) CLAWS
In his early appearances, it was said quite clearly that Wolverine’s claws were added during the process at Weapon X. Wolverine himself said this many times, and Weapon X confirmed it. In Fabian Nicieza and Scott Lobdell’s “X-Men” #25 (1993), Magneto infamously ripped the adamantium out of Wolverine’s skeleton, leaving him a shattered mess. Everyone expected Wolverine’s claws to be torn out as well, since they were (as previously said) believed to be a part of Weapon X.
But in the aftermath, they discovered his claws were actually made of bone, and the adamantium was just covering the claws. This was a huge retcon, since it meant his claws were in fact part of his mutation after all. It also meant his claws had been a part of him all along. This became clarified in “Wolverine Origin” #2, when he was shown as a young boy popping his bone claws for the first time.
HE WAS AN ACTUAL WOLVERINE
This is the big one, the mother of all retcons, so controversial that it never even made it to the printed page. It involves Wolverine’s very nature and existence, and goes all the way back to his first Hulk appearance, where he appeared to fight the Hulk and Wendigo with no explanation of who he was and where he came from. When he returned in the pages of “X-Men,” Xavier said he was a mutant, but that’s not what his creators intended.
Rumor has it that Marvel planned to reveal Wolverine wasn’t a mutant, but an actual wolverine, who had been turned into a human being. The idea was that the High Evolutionary (pictured), a supervillain obsessed with evolving animals, would have created Wolverine, making his mutant history a huge retcon. Wein has loudly stated that the evolved wolverine idea wasn’t his, laying the blame on Chris Claremont, Dave Cockrum or John Byrne. In an interview with Cockrum, he did admit he planned to have the High Evolutionary involved in Wolverine’s origin, which seems like confirmation. Given everything we’ve seen of Wolverine over the years, we’re kind of glad that idea never saw the light of day.
What do you think is Wolverine’s biggest retcon? What other Logan retcons have you noticed?
The post Wolverine’s 15 Craziest Retcons appeared first on CBR.com.
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