#more than you would believe. you all are so important to me and I'm so happy you're in my life.

[power-handmaiden]

Chuck Tingle interview

OK, here is the FINAL 2024 Tingles My Butt post, which I've been pretty hyped for. I still kind of can't believe this. While I was figuring out how I'd move on from 2024, @drchucktingle generously offered to answer some questions of mine to commemorate the end of my tingler project! Here they are!

-Considering that your process for tinglers is just to write it out and not stress about proofreading and editing, was it weird for you to see someone decide to go back, examine, and contemplate every single tingler published in the past decade?

the whole dang project was really wonderful for me, for exactly the reason you have just said. tinglers are very STREAM OF CONSCIOUS and only edited with one quick pass so while i think this adds to their honesty and rawness it also means that my time with them is limited. really watching someone go back through them at this depth was like reading a diary that i have not opened for many years, and it jumps around through time in a very beautiful way. it was very moving

-I love tingler character names. I personally admire how many great ones you come up with. (I never know what to name my ttrpg characters.) You just come up with all these great names that seemingly spring from nowhere, how do you do it?

DANG great question cant believe i have not been asked this before but yes there is a type of name that shows up in the tingleverse that is unusual and has a certain feeling and cadence that is very specific. if i am trotting along with sweet barbara and there is a name of a product or a place or something that has this tone we will say ‘oh thats a tingleverse name.’ the reason i wanted to do this in the books was as a very subtle way of saying these stories exist on a timeline that is RIGHT next to ours, so in some ways it is exactly the same as our world but there are these little cultural differences with things like chocolate milk and spaghetti and then with the names. you will have buckaroos like justin and sarah trotting along next to buckaroos named corb torbins-quill or borto lart.

-So, as a reader, reading from 2014 to now, old tinglers and new tinglers feel different to me. I believe you when you say tinglers have always been sincere, but they feel MORE sincere than they used to be. Like, I feel like there was some self-consciousness and irony in some of the early tinglers that you've since let go of and embraced the Chuck Tingle voice more. I don't know, am I imagining this, or does this square with your tingler writing journey? If it does, what has that process been like for you?

i think you are absolutely correct. the intention with tinglers was always to be a place for me to express myself with complete sincerity, but the practical way of HOW to trot like this took a bit of an evolution to arrive at. in other words i knew the basics, but actually refining the best way to express yourself and perform your art takes time. maybe in the same way goin back and watching season one of a tv show can feel very different from season three, even though they are part of the same expression. 

similar thing happened with in my chuck PRESENTATION as well, where my main focus was to stay anonymous so the metaphors i used to talk about my life were still true but laid on much thicker. even my attire was a large gi so that you would not even be able to see my shape, which has obviously changed now because i wear suits these days. all of this was a process of starting in a place i knew was important to me and then peeling off the parts that were not helping the message or expression over time

-Is there anything you could tell us about the significance of Borson Reems? I feel like he's more than just another Buck Trungle/Chuck Tangle/etc but I'm not sure what exactly...

yes borson reems is god. not that i believe in GOD in the way that most buckaroos talk about god (i am agnostic) but within the tingleverse, borson reems is an avatar for the creator of that world. technically i am borson reems, because i am writing the books. the question is: are we all the gods of our own little worlds that we create? i do not know, but when i look around at my buds and the joy and love they bring to various timelines they sure seem like gods to me

-A lot of no-sex tinglers (especially ones that aren't romance-focused) vary in terms of plot and structure a lot more than erotic tinglers. Is your writing process for these stories any different?

same process actually, but the sex scenes in tinglers are about 1500 to 2000 words long, and total tingler length is 4000 words which means if you are not including that portion you are going to have to come up with some creative way to fill that space in the story and a new axis for story to turn on. so the variety comes from me getting creative and trying out different axis points

-In "Not Pounded By My Book "Pounded In The Butt By My Non-Fungible Tingler That Is Literally This NFT" Because Of The Current Catastrophic Environmental And Ethical Impact" there are references to an earlier draft of the story that was never released because you ended up disagreeing with the message. Are there any other tinglers that never got finished and/or published, if you'd be willing to talk about any of them?

oh this is a VERY good question. the story of the NFT tingler is that when buckaroos were first talkin on nfts online and nobody really knew what they were, my first thoughts were just ‘oh this is interesting what the heck is this?’ this is my way with most CURRENT EVENTS. and i thought ‘this would be an interesting tingler, i suppose maybe i should make the tingler an ACTUAL nft’. this was in VERY early days so i did not really even understand what an nft was (neither did 99 percent of buckaroos yet honestly). so i looked into it just enough to actually MAKE a nft tingler that was a real nft and put it out. lasted for about thirty seconds before buckaroos were messaging saying ‘oh this is bad chuck you should look into what this is’ and i DID look into it and thought’ oh yeah this is terrible nevermind’. i took down the original and thought ‘well THIS is what art is all about. this is where i thrive in a world of moving living art that is in communication with itself’. so i dove into the research and actually started to understand NFTS and then i repurposed the story into a strongly anti-nft tingler and put that on out instead.

as far as OTHER tinglers that kind of move and breathe and live like this, in communication with the audience, GAY T-REX LAW FIRM is another very good example. that one i wrote early on and i think it was kind of in the model of something like fifty shade of grey, where issues of kink and consent and communication are not really handled well. i think at the time it came out the story was okay, but as time went on it always kind of bothered me and finally i thought ‘i love art that exists in the REAL WORLD and changes and evolves, so lets rewrite that story and fix some of these mistakes.’ honestly it is something i wish more artists would be open to. its okay to let something hold strong against a changing timeline, but it is also okay to explore what its like to take the notes that time gives us

-This one is about Chuck Tingle that exists in deeper layers of the Tingleverse that operate on tingler logic: what does the location inside his/your butt look like?

probably a nice mid-century modern home up in laurel canyon neighborhood of los angeles. kind of quiet and small like a cabin but also very cozy, like the kind of place where you would put on a crosby stills nash and young record on vinyl and gaze out into the woods for a while then walk down the hill for dinner at a little cafe where you spot some actor from a 60s tv show also having dinner in the corner booth. this basically sounds like the start of a tingler and in that tingler i will say the actor would be a bigfoot.

-OK this one is very self-indulgent but if you could help settle this frequent point of discussion I have with my wife- where do the following fit in the Tingleverse bigfoot/dinosaur/unicorn/living object(/human/does not apply?) taxonomy?

-a ghost of a regular human

-a regular human vampire

-a human/fish mermaid

-a sentient winged horse

-a sentient centipede large enough to wrap around a mountain several times (she is handsome)

alright lets trot through these. a GHOST is not one of the four tingle types so you can have a ghost racecar or a ghost unicorn or a ghost bigfoot. ghosts are outside of the four types and do not have a classification

a VAMPIRE is also outside of the four types. so you can have a vampire bigfoot or, of course, a vampire night bus. does not strictly fall into any of the four main categories

MERMAIDS are technically a long lost species of unicorn I DONT MAKE THE RULES I JUST EXPLAIN THEM. this makes the MERMOPED tingler a little confusing but i had to pick a category and that one went into living object. now that i mention it possibly the only tingler that is technically a double category of unicorn/living object.

WINGED HORSE is easy, thats a pegasus which is a species of unicorn just like a mermaid

a SENTIENT CENTIPEDE LARGE ENOUGH TO WRAP AROUND A MOUNTAIN is an ancient creature, therefore dinosaur tingler

-My other self-indulgent question: do you have a favorite bug? (Or second-favorite if you count Mothman as a bug)

i love finding spiders in the house and giving them a pet because they are doing a good job livin their lives doin their thing. close second would be a pretty ladybug

-Any thoughts on what tinglers will be like in 2025? Do you expect to be writing a lot of political tinglers again, like post-2016?

honestly i really do not like writing specifically political tinglers anymore, and the amount that i write has gradually dropped over time (i think ALL tinglers are political but in a different way). so honestly i think i will write a few political tinglers but not many. my hypothesis on this is that my HORROR NOVELS are very very political and so maybe i get a lot of these ideas out of my system that way now. when it comes to tinglers i just wanna explore my OWN mind and heart and butt more

THANK YOU for these wonderful questions and thank you for your tingler-a-day project it was so moving and powerful. what a treat it was an honor to be a part of something so beautiful. THIS PROVES LOVE IS REAL

[summertimesadnessirl]

I'm not tired. Like... sleeping doesn't fix it. It makes it worse.

Avoiding physical activities doesn't make me feel better.

What I am is...

I just don't believe that there is any future situation where I will ever be allowed to choose a life for myself where I am happy, safe, comfortable, not constantly worried about money, not particularly under anyone's thumb, and not particularly inhibited by any artificial structures that exist to slow me down just to slow me down. I am pretty sure my choices are literally death or other people forcing me into stuff that makes me want to die all the time just to get my basic needs met until I die.

I keep attempting suicide and then being like fine in two days.

What I want is suicide since I'm not able to be useful enough to earn other people being respectful to me and a comfy little middle class life. I thought I had found a path to get those things but it took years to build it up and someone destroyed it and told all my friends to go to mad at you island in the hatred of a minute and then framed me for it and I'll never be able to prove they did that.

I never was going to be able to do like... anything and everything forever but if I can't have the lifestyle I had in 2019 and 2020 and that level of freedom of choice and agency over my own life and the ability to pay for support and medical care when I need it and yes, that percentage of disposable income to expenses and debt ratio, I want to die. I don't wanna be a billionaire. I think I could do their jobs. Everyone probably could do a lot of their jobs. I think the computer does a lot more of their jobs than we all think. But I'm sorry, I deserve a savings for emergencies and to be able to rely on being able to pay off the debts I take out easily and to be able to buy a bunch of stupid books and shoes just as much as anyone else and I don't care if that means I'm "in my ego" or I'm "delusional" or "entitled."

I deserve to get paid to interact with othe people, too, because they all make it so draining and annoying. And I deserve to dictate the terms of who I interact with and make the rules about them not being allowed to forget important things about me or be mean to me. Why not? It's not me having those things that would prevent other people from having them, it's some kind of insane mutant beast from an ayn rand novel

"Are you ok?" I'm actually tired bro. From the bottom of my heart I'm tired

[multific]

Healing the Emperor's Heart

Emperor Caracalla x Reader

Summary: You were to care for him. Instead, you loved him.

From the first day, you were assigned to care for Caracalla.

When you met him, his appearance startled you. 

He appeared worn and weak, a shadow of the man others whispered about in the palace corridors. 

Your role was more than that of a servant. You were trusted to tend to his every need and ensure his comfort.

Your days became routines entwined with his. Each morning, you prepared herbal remedies and charmed him into eating. 

At first, Caracalla resisted your efforts, his pride bruised by your efforts. He barely acknowledged your presence. Because if he ignored you, you would go away.

But you didn't. Instead, you stayed.

Slowly, he began to change. His eyes lingered on you longer, his tone softened when he called your name, and his occasional questions about you became sincere and kind.

One quiet evening, he decided to speak up.

“Why do you bother with me?” His voice was low.

“Because I was tasked by your brother.”

“Many would refuse such a task."

"Not me, Emperor Caracalla. I believe everyone has some good in them."

“You’re either brave or a fool.” For a moment, his expression faltered, a flicker of vulnerability shining through. 

“Perhaps both, My Emperor” You offered a faint smile with an aching heart. "Please, drink your tea." you handed him the cup which he took.

It was the first time you gave him the medicine.

After that, you gave it to him daily. A little into his daily tea which was prepared by you, so he never failed to drink it.

The medicine gradually began to take effect. 

Day by day, Caracalla’s strength grew, and his eyes got clearer and clearer. 

The haze clouding his mind slowly lifted, and his thoughts sharpened. 

The transformation was impossible to ignore, and soon enough, his brother, Geta, took notice.

It was after a rather quiet afternoon that you were summoned to Emperor Geta’s chamber. 

You felt uneasy as he looked you up and down. 

“What have you given him?” he demanded, his voice cold and sharp.

“Tea to ease his suffering, nothing more, Your Majesty.” You chose your words carefully. 

“Do not take me for a fool. My brother��s sudden recovery defies explanation. What are you hiding?” His tone grew more vicious.

"I meant no harm. And he is a lot better." you tried defending yourself.

Geta punched his chair as his anger grew.

"I'm not going to ask any more, what did you give him?"

Before you could respond, the door swung open, and Caracalla stormed in. 

“Leave them, Brother” Caracalla ordered, his voice firm.

“You trust them so completely, yet you fail to see how—”

“Enough,” Caracalla interrupted. “You will not question their loyalty. They have done more for me than the doctors ever have.”

Geta’s lips pressed into a thin line.

"I'm not angry because you helped him, I only wish to know how you did it when all doctors said we should give up." Geta's tone softened.

"Tea, My Lord I can assure you. Tea my grandmother taught me how to make." you replied.

Geta simply nodded before he left, closing the door behind himself.

Caracalla stepped closer, his expression was soft as his eyes met yours.

“You shouldn’t have come,” you murmured, your voice tinged with worry. “I could handle him.”

“I won’t stand by while my brother questions someone so important to me.”

Your breath caught, his words catching you off guard. “Important?” you echoed softly.

He reached for your hand, his touch warm and steady. “You’ve given me more than my health. You’ve given me hope. A second chance in life.”

“Caracalla…” you began, but he silenced you with a gentle look.

“There’s something I must say,” he continued, his voice low. “You’ve brought light to my life. You healed my illness and my heart. I wish to marry you.”

“Will you marry me?” Your heart raced as he knelt before you, his gaze filled with sincerity. An Emperor kneeling in front of a simple servant.

Tears blurred your vision as words failed you in the moment. 

"I would be a fool to say no to you. But I'm simply a servant. I am no Empress."

"Of course you are." He rose, pulling you close, and his lips met yours in a kiss that was tender yet full of promise. "You are my Empress."

In that moment, nothing else mattered.

Gladiator II Collection

Taglist: 

@castellandiangelo @imagines-by-a-typical-fangirl @manduse @jacalineiscomingforyou

@mandoloriancookie @deliciousfestsalad @lilliumrorum @asgards-princess-of-mischief  

@fallout-girl219 @dracaryxzs @snowtargaryen @brevlada24

@mel-vaz @akamitrani @ange-olras @nicholaschavezslut69

~Masterlist~

ˇAO3ˇ

/YOU DO NOT HAVE PERMISSION TO TRANSLATE, TO STEAL OR TO REPOST ANY OF MY WORKS TO THIS OR OTHER PLATFORMS/

[copinghex]

Sharing a pair of gloves with Tommy

"How fast do you think a Rolls-Royce can go?" Tommy asked, sitting down at the edge of the bed behind his wife.

"You wouldn't content yourself with less than the fastest," she applied some more cologne and continued, "if you want to get there faster then quit sulking and get my gloves, I'm almost done," 

He sighed and stood behind her, wrapping his arms around her waist. Usually, he loved to watch her getting ready to go out, tonight wasn't one of these times. The party they'd attend wasn't too far, but Tommy had the habit of arriving early and she certainly would make him late.

"You look beautiful already," he whispered in her ear, making a shiver run down her spine, however she knew it was just another trick of his.

"Tommy," she pushed him away, "the gloves, will you?" 

"Tsk, which ones?" he walked to the wardrobe.

"The black ones, to match my coat," 

He lit up a cigarette before opening a drawer with scarfs, stockings, hats, but no black gloves.

"Where are they?" he asked.

"There," 

"No, not in the drawer," 

"Of course they are, Tommy, just take a better look at it," she argued while fixing her lipstick.

He held himself back from cursing at her petulance. He wasn't blind nor stupid, the gloves weren't there.

"They're not here, I'm telling you," 

"Tommy, they're my black leather gloves, the winter ones! Look at the glove drawer!" 

"I am! And they're not here," 

"Look somewhere else then, I'm almost done," 

"Look where? I don't do the fucking laundry," 

"Neither do I, Tom, they should be at the drawer," 

"Well, they're not," 

"Oh, for fucks' sake," she cursed "ask Frances, she'll know," 

"We don't have time for that," 

"Tommy," she finished her makeup and took her coat from the hanger, "it's freezing outside, I need gloves," 

"Alright, fine," Tommy walked to his part of the wardrobe and took his own pair of leather gloves, it looked exactly like hers, except for the size, "there you go," 

She stared at the gloved in his hands and gulped, "What about you?" 

"What about me?" 

"Don't you have another pair?" 

"Of leather ones, no,"

"Then I can't take these from you, Tommy, it's not fair," 

"Love, for fuck's sake, I just want to leave," 

Sitting down at the bed, she sulked like a child, unwilling to admit that the reason why she was taking so long to get ready was because she didn't want to go, it's freezing outside and all she wanted was to stay home with her husband.

"Don't," Tommy scolded, "don't give me a fucking pout, it won't work, put the fucking gloves on and take yourself to the car," 

"I-" she shrugged off, "I can change my dress to match another pair of mine," 

"No, no fucking way, stand up," despite his harsh tone, he pulled her up gently, "c'mon, we have ten minutes," 

"Take it," she gave his gloves back, "I'll change,"

"You take this coat off and I'm leaving you here," 

"You wouldn't," she stood close to his face, "you wouldn't," 

Tommy pressed his lips together and slowly nodded, holding her arms, he explained the situation like he'd do to a child, "Listen, this dinner is important for the legitimate business,"

"...why?" 

"Because if we cause a good impression, more people will believe we're legitimate and we'll get more partnerships, do you understand?" 

With a frustrated sigh, she agreed, "...I still won't take your gloves though," 

"Alright, take just one then," 

"What?" she giggled while Tommy put one glove on his hand and the other on hers.

Holding her naked hand with his own, he put them in his pocket, in a way both could be warm, "It's not ideal, but it's the best we have now, eh? Let's go."

[bitletsanddrabbles]

Island of the Procrastinating Brain

I swear, my brain is actively trying to drive me insane.

Back in 2022 it came up with a plot for @alex51324 's "Island of the Gays" where the Duke of Crowborough comes to the Island because, well, by this point the man's less of a human being than he is a walking bundle of neurosis. I got through a couple of scenes before my brain got tired and stalled out, but I still have a good frame work. Every once in awhile, I come back and poke at it and get out a few more sentences. Maybe even a paragraph or two.

Yeah, have I mentioned I'm not a fast writer?

And Phillip does NOT want to deal with his issues and Thomas does NOT want to deal with Phillip, which, okay, FAIR, but that's kinda the point of the whole thing. But in the meantime my brain still wants to write Phillip on the Island, so what's it done?

Come up with a sequel, naturally!

And it really, really wants to write this sequel despite the fact I can't do it properly until I've written the first piece, which neither my brain or my characters seems interested in, because they are all PUNKS, but my brain will NOT stop thinking about this hypothetical sequel which, at this point, will never be written.

So I'm just going to write out the summary for the thing here, in case anyone's curious and wants a laugh, because I can and maybe it'll galvanize the lump of grey cells in my skull to be productive. Maybe. Not holding my breath.

Things you need to know before going into this:

Random.org has decided that Thomas is married to Peter Fitzroy for this one, which is kinda important for Thomas's characterization.

Phillip only kinda counts as human at this point, but he's actively trying to fix that. The results are mixed.

It was inspired by a couple of polls I ran when I was trying to figure out where I was taking the first piece (hey! I have the last scene written!) and the suggestions that Phillip might like working in some sort of architectural field (believe that was from @o-rchidae) and that he wind up married with an older working class bloke who would not take his shit.

Right then. Let's go.

-

Okay, so, this takes place a couple of years after the Walking Disaster of Crowborough arrived. At one point he was tapped to help with building or repairs or some such and he realized he liked it, so he's taken to studying books on building and architecture and has joined up with the local work crew. The problem is, he's basically teaching himself out of books and then applying it to real life, so he keeps getting ideas about "Say, why don't we do this thing THIS way?" and while it'll seem like a reasonable idea, there is, in fact, a very good reason NOT to do it that way, but because a) he's a Duke and b) a bunch of people hate him, on general principle if nothing else, everyone just goes "Oh, okay, sure" and the do it that way and…it fails. And the people who hate him laugh and it's obvious that EVERYONE knew it was a bad idea and he gets frustrated, but he wont' say it, because a) Duke and b) boys don't cry.

And this goes on for awhile.

After a bit, though, a new guy shows up who has lots of experience building things. It was kinda his job before he got here. He is educated in the ways of Building Things and knows what's up. He's also at least ten years Phillip's senior and has limited patience for upper class twits, so when he joins the crew and is informed there's this know-it-all-Duke who's always demanding they do things his way (by which we mean 'making suggestions that everyone just goes along with'), even though it's stupid and wastes time and resources, this guy goes "Pff, not on MY watch!"

And sure enough, the next time Phillip makes one of his suggestions, instead of "Yeah, sure, okay" he gets "We're not doing that." Why? "'Cause it's a stupid idea that won't work." WHY? "Because (insert full explanation of why the thing wouldn't work)." And Phillip stops asking and the rest of the crew cheers and laughs at how the old guy sure showed him and they anticipate an end to the questions.

THIS TOTALLY BACKFIRES.

Instead Phillip, who had actually been kinda slowing down on the suggestions over time, is making ALL of the suggestions, ALL of the times, and arguing every last aspect of the suggestion with Old Timer before giving up. The crew can't put up a fence without an argument. Old Timer starts calling Phillip 'Phil'. Rather than tell him to stop, Phillip just starts calling Old Timer by a similar nickname, which Old Timer ignores, because not giving in to his own trick, oh no. There's talk of starting a police department in case they murder each other.

After this has gone on for awhile there is a Big Dramatic Plot Twist and the Old Timer goes out into the woods for something and…doesn't come back in a timely manner. He stays gone long enough for people to get worried and mount a search. To everyone's shock, Phillip wants to come. He's quite insistent on the point. They finally agree to put him in Thomas's party because he and Thomas "get along now" (read: Thomas has spent enough time with Peter talking him down that he can tolerate Phillip's presence under the right circumstances as long as he doesn't say anything). The parties go out and before long, Thomas and Phillip's party has the good luck to find Old Timer. He's accidentally been injured badly enough he can't walk and crawling through the woods is not easy going. The manner of this accident wasn't a super obvious bad idea, but that could maybe have been avoided with a bit more thought, perhaps, with luck. Most of the party just nods and goes "Yeah, sounds about right, could have happened to anyone."

…Phillip flips straight out and starts screaming at Old Timer for being an idiot who could have got himself killed. And then storms off a ways into the woods, back toward the village, leaving everyone else wondering a) the best way to get the injured man back home and b) what the heck just happened with the prissy little Duke. Thomas gets deputized to go find out what Phillip's problem is. There is protesting involved, but he finally gives in because he'd like to be home by dinner, thank you very much.

Phillip has, by this point, stopped to have a smoke, which both gives Thomas an opportunity to catch up and, thankfully, a scent to find him by. Thomas asks him why on earth he's so upset that Old Timer is hurt since the two of them hate each other and everyone figured Phillip would LOVE it if the other man died…

And that's when he finds out that everyone's had that relationship all backwards. Phillip doesn't hate the Old Timer, oh no! He loves being called 'Phil'. He absolutely adores the fact that when he asks "Why don't we do this?", rather than just go "Yeah, okay" and waste time and resources doing something HE KNOWS WON'T WORK, the Old Timer says 'no' and, over the course of the argument, actually EXPLAINS why not, which means Phillip ACTUALLY LEARNS THINGS. The more he argues, the better he becomes at building things and he doesn't have to try and decipher what some book is telling him or guess what the book might be leaving out and he LOVES IT and if the Old Timer had died, how would he learn things then? When Thomas points out that he'd learn just as much - maybe more - if he just asked the Old Timer to teach him things rather than argue, Phillip low key panics because what if he figures out Phillip WANTS to learn and stops talking to him or refuses because he doesn't like him at all?

By this point Thomas is a) trying to remember if he was ever THIS paranoid, and praying he wasn't and b) wondering what on earth to do with a Duke who is clearly in love with a crusty old working class codger, but hasn't figured it out yet.

He decides to tell Rouse and make it HIS mess to deal with.

Phillip and the Old Timer eventually get married and get a cottage of their own and Phillip about dies happy at the idea of a home that he actually owns instead of something that he's the custodian of for the next generation who will be the custodians for the generation after that and so on.

[smileybasics]

Defending @lil-liaa

I usually don’t post in this blog cause i have other ones but i don’t think this is being fair, me and Lia have been moots for a year and I have seen all her work over the years, I don't know a more creative person than her and I have been with her while she makes her moodboards by call and it is simply impressive the hours she invests in doing it, today I She wrote so devastated and we made a call talking, she has worked on this for so long, I remember how excited she was when she reached 1k, what I mean is that her community and her blog are very important to her, these people are accusing her because three Posts are similar to those of other blogs and that seems stupid to me since you have not even seen her other posts to know if she really makes an effort or not, Lia has made collages, dividers, banners, and a lot of other things, to she is really passionate about digital art and the only time she left her blog was because of the loss of a loved one and the truth is I don't care how many people are going to believe me after this post I just want them to leave her alone, here I am attaching some evidence...

This doesn’t even have so much in common just a three pics, in case you don’t know how moodboards are made, 2 or more colors are taken as a base and the images that best match the tones are searched on Pinterest, not only what she "copied" are just two photos but she also made a divider and a collage

Here’s just pinterest pics (proofs that are from pinterest in keep reading) and again i saw a lot of rude comments towards her that so unfair and hurt feelings cause considering how long Lia has been on her blog it's like invalidating all her hard work!!

In this post she even clarify that the divider isn’t made by her but the collage it is, also it’s just 2 pics that are similar!

This pictures are from pinterest, everyone can use it!

People bullying her

This doesn't just happen on the internet, but in real life, one of Lia's moots simply republished the post where they accused her of copying, she asked him/her why he/her did it so quickly, If they were supposed to be moots, if someone betrays you so quickly without questioning anything, they were never your friend and instead of responding privately she/him made a post just to make her/him moots laugh and the comments are gross, my god it's disgusting, this is directly bullying, if you are a thinking person and if you have ever had some kind of link you should try to talk something privately instead of calling the crazy girl and tagging all your moots so they can laugh, the worst thing is that you can tell that this girl only wants interaction because when she and Lia were chatting she threatened Lia with blocking her but then when Lia blocked her she made another post like "she blocked me" it's like, besides being a treacherous rat you can't have the decency to talk to her about it, Lia has been so nice to everyone but after all, this is where you can see who the ones who truly supported her are, and not the fake friends.

I'm not going to censor his/her username, he deserves it, tumblr is as much as real life, the importance of moots is like friends in real life, because if you want you can just harass someone and all your friends will laugh without question anything.

Also, Lia has a tutorial of a lot of things that she made! If she knows how to do it, why would she steal or copy from other blogs?

She has tutorials of gifs, texts, banners, etc, if she really stole and copy, why she knows how to do it by herself?, and if she knows how to do it by herself she doesn’t even need to stole!

LIKE SHE DIDN’T CARE?! Sorry but this is so wrong, i can tell that, SHE CARES, all these people who are making posts mocking her and calling her crazy because according to them she "copied" three measly posts, when if I were in her place and all my years of work were at stake I would also act like a crazy person because it's worth it, here it is demonstrated clearly her hypocrisy, if Lia wants to defend all her hard work or defend herself from bullying by blocking you she is crazy but if she makes a post explaining everything it seems like she doesn't care, this frustrates me so much

Here more evidence of Lia’s drafts

Just a few of her drafts

And last but not least I want to give credit to Lia's great work these years, so you can see that there is a true artist behind all this nonsense controversy, here are some of her moodboards, my personal favorites that I can't imagine how much time it would have taken

Extra: “Lia we know it’s you” Don’t acuse me of being Lia, i’m just a real friend

Evidence: Contact of Lia and me

Hi guys, it's come to my attention that someone in the moodboard community known as lil-liaa has been copying / taking heavy "inspo" from other creators like @y-unjins and @iluvrei view more for more info + evidence + my opinions on the whole situation

before i start, i'm not trying to run lil-liaa off the platform nor am i trying to stur up drama, this is just to bring light to the situation as not many people know and many people (including myself) defended her when this first happened, i also want liia to realize that what she's doing isn't right and that she shouldn't just brush off "accusations" like these when there is evidence.

proofs

you can see the similarities as lil-liaa used 3 of the exact same pics as iluvrei's including one edited by the original creator without adding credits to the post.

2nd

here you can instantly tell that the moodboard was copied (lil-liaas on the right being an exact replica of y-unjins), only changing 2 pics excluding the idol change and

3rd / last

lastly, you can see how one lia used the exact same divider (+ didnt give creds), two she uses the same images not only in the moodboard but also in her gif (same pics from y-unjins moodboard including the png)

now, lil-liaa was sent multiple anonymous ask from last year and one recently accusing her of stealing moodboards, although a lot of people defended her last year including me due to the ask having no sorts of proof of moodboards being stolen and no one else speaking on it but now the recent ask she has received included proof and her response to it was very (in my opinion) rude and just sounded like she didn't care.

in my opinion, i don't believe this was just a draft she had premade and i don't believe she somehow got the same exact photos from y-unjins moodboard recommended, i believe since this isnt the first accusation and now there's proof of this i believe she has been copying moodboards since last year when she was accused. i don't believe lil-liaa cares about this, the fact she's stealing from other creators and when she gets called out for it she pushes it off with the same excuses

tags

@miujo @rkkuri @lvioung @ciestial @aeraras @sugarish @gyareii @i-kyujin @daddldee @i-mmaculatus @haerinism @chaeryeos @bloomqi @h-yeoni @p-oisn @bitchey @yeritos @yonkiibums @y-vna @y-urios @fairytopea @shuaver @yeoniis

[nonrebloggingviewerswillbeshot]

An Observation

Disclaimer: This is written by a sex(also kissing) repulsed, Asexual.

I think I finally realized what made Veilguard my favorite out of the other 3 games.

In the other 3 the precedent was set. If you wanted a relationship, sex, and its various other intricacies was a requirement.

Heck even the chantry boy was ready to go to the bone zone in no time at all.

If I could mod out the sex and stuff from the other games I would do it in a heartbeat.

Veilguard however? They took care of that for us- or me anyway!

Not to say you don't get to the bone zone at the end of the game, but at least to get a 'relationship' you didn't have to jump through the hoop of physical intimacy to get there.

They made you work for it!

Earn it!

Build a bond with the person you were interested in.

I'm so tired and bored of romance portraying the importance of sex, when some of us value a deeper emotional connection far more than any form of intimacy. I get it, I'm on the more niche end of my little spectrum, but how I feel is still important and valid.

Seeing media, in any form, push how important and expected sex is in a relationship just hurts to see, for me. I've known enough people in my life who don't understand asexuality in any way shape or form and will try and guilt you into putting out because, well, if you aren't there's something wrong with you. And I'm wasting my time with you if its never going to happen.

I'm not for everyone, and I don't expect to be. But if you're with me, you already know what to expect. I'm up front about it and am not going to hide who and what I am.

I dare say that my opinion on this translates onto my romance choice in Veilguard. Lucanis. Who was so clearly on the spectrum of asexuality it could make you cry. The fact that we, or I, got someone that just wanted to be with you without all that extra stuff... maybe I did weep a little.

Because FINALLY!!!

I refuse to believe that MK said he was Demi to, as people like to put it "pull a JK.R" because I knew what he was pretty darn quickly. And even then she responded to someone asking if he was, because clearly other people could tell too! And OMFG the Wyvern thing???

The thing about us Ace people and dragons being cooler than sex(I came into the community later than most so that was always the inside joke I remembered)? Perfection! I don't know if that was the goal, but damn did I love it regardless! It was so good!

So, all in all, I'm sorry that most of you don't think Lucanis' romance was done very well, and it needed more of something. But... you can pry his MK post confirming, slow burn, acts of service, demisexual, just let me fall asleep in your arms at the end of the day, having romance, from my Cold Dead Hands!

I've seen the cut content. I've seen the other romances in game, and I don't want his to be anything like theirs. Or change, get patched with more content, etc.

Let me, or dare I say 'Us' have this! You had 3 other games to enjoy your sex drives. Let me have just this one! He's not for everyone, and dare I say it, he doesn't need to be.

Much like how Dorian was gay, Sera was a lesbian, Cullen wouldn't date a Qunari. Solas wouldn't be with you unless you were an Elf. Not all romances need to be for everyone. And that's okay!

End rant!

Disagree with me if you wish, idrc, just be civil about it.

[goldensunset]

i looooove pokémon npcs whose team members subtly imply something about them that's never touched upon in the story or at least never outright said. i love villains having friendship evos. i love trainers who commit hard to one aesthetic or vibe with their team (beyond simply sharing a type) and i love it even better when there's one random exception especially if that's their ace. i love when later down the line someone boxes the cute fun soft baby pokémon they used to have in favor of a seemingly stronger or scarier one to show that they're getting serious. i love when they have a pokémon that's difficult to get and raises lots of questions about them. i love it when the lore behind a pokémon fits the character to a T and i love it even better when it appears to contradict them. give me the story-gameplay harmony but better yet give me what appears to be story-gameplay dissonance but might actually have implications if we're willing to dive deep into it

[trans-leek-cookie]

listen I'm not gonna be a Curly apologist he did Fucked Up as captain but I genuinely recommend ppl watch a playthru that goes thru the game in chronological order. It kinda helps clear up the events and gaps between them, bc even tho u See the times, you still experience it out of order.

The stuff Anya says definitely sets off alarm bells but it doesn't seem like he Fully Understands what she means, and I'm going to be 100% honest I think she was trying to repress it herself. This isn't to say that she is AT ALL "at fault" for what happened after and she should've gotten help even if she wasn't ready to fully discuss the issue but I genuinely think she herself was still coming to terms with things, so she didn't necessarily process the full impact before talking to Curly, and a lot of what happens occurs after they're laid off- like this delves into personal interpretation but I genuinely think Anya only registered Jimmy as a serious danger after his outburst towards Curly. Ofc my interpretation is limited bc of the limited pov in game and not having gone through what she has, but it personally reads more akin to coercion over time than a singular Obviously Violent incident (like. Not to say that Sexual Assault isnt violent in nature, just that coercion often specifically works to obfuscate the fact it is a form of violence.) The layoff is a Massive catalyst for her bc of Jimmy, in that she now has a very clear understanding of his capacity for aggression.

To extrapolate a little from the "Dead Pixel" conversation, she starts by saying she Likes The Screen (even though it's fake). While Curly has his quotes about the pixel "not ruining the illusion" which. Y'know is Symbolic Of His Flaws. She doesn't say the pixel ruins it, just that she can't get it out of her mind.

If we take the pixel to represent her Or jimmy, either way the way she talks about it kind of downplays things, like it's a Minor Thing that's Slightly Upsetting, but she's still okay with the big picture. Idk I could be 100% wrong but that is my take

Besides that, Anya tells curly she's pregnant 2 days before the crash, and it isn't until she outright states it that he starts Putting The Pieces Together. I want to note, he says "I'd do anything" and "this doesn't have to go on our performance evals" 1. Before he knows shes pregnant 2. Under the assumption she might attempt suicide, and I doubt he even thought about her using the gun on anyone else before she brings that up. He says literally before the line where she tells him she's pregnant that "being laid off isnt a reason to hurt [herself]". Like I've seen ppl talk about the performance evaluation thing like it's about her and jimmy, but I think he's referring to (his belief) that she might attempt suicide or similar which might genuinely be a consistent thing he's seen her struggle with, given she's able to go through with it. Also just to note: assuming their society is like ours (hellish) reassuring her he won't blab Abt her mental health is like. Genuine reassurance- lots of mentally ill ppl will Not Open Up bc it could have long term consequences (like. For example. On employment) ANYWAYS I hope it doesn't come off like "Curly never failed Anya" but rather "Curly approached this specific situation without the context of why Anya is panicking and (possibly validly) assuming she's dealing with a very different issue"

Also let me say again the time frame is 2 days. We don't Really see what happens, but we know Anya tells Jimmy without Curly knowing. I genuinely believe he maybe didn't do a Great Job in those two days (the fact he says Anya should've talked to Him before telling Jimmy is uhhh. Mm. 1. Your job to create an environment where she comes to you my man 2. Weird to tell her what she should do with HER OWN PERSONAL INFORMATION) but like.

I get a lot of ppl want immediate consequences but consider that they can't really get rid of Jimmy (co pilot. Which is. Y'know it's Own Problems) but also like. Curly knows Jimmy, and we know that Jimmy tends to lash out. Curly should probably Not Confront Jimmy Unless He Knows Exactly How To Keep Him From Hurting Anya. Like I'm not an expert but this is something genuinely important- when confronting an abuser you NEED to take into account the impact it can have on their victim, and sometimes for the victims safety you need to wait until you have a Solid Plan. It sucks but it's important.

And theres discussion to be had about Curly kinda going along with Jimmy saying "well what if we all died" and like. I do believe he Didn't Realize What Jimmy Said. Like he was just processing/trying to keep the situation under control (and failing because he underestimated how willing Jimmy was to hurt everyone including himself).

Like he's definitely an enabler but I would say his problems are mostly before he understands the gravity of the situation, in that he's friends with Jimmy and assumes the best of a man with abusive tendencies, and fails to create an environment that can keep Anya and the others safe. Like, he definitely doesn't handle in game events perfectly (psych evaluation for one- he does do it instead of Anya which is actually helpful, but he still treats it like. Weirdly.)

Idk I have a lot of thoughts about this game and I don't necessarily want to defend Curly but more like. Anya's situation is very delicate (and light on details) so sometimes the way ppl talk Abt it feels like they aren't actually focused on what she wants and what it means to prioritize her safety y'know?

Edit bc I just now figured out kinda how I want to word it: curly is an enabler and making things worse bc he doesn't put a stop to Jimmy's BS, but in the specific scenario we see in game I think he's trying to use his Skillset of like, people pleasing not for Jimmy's sake but for the crews (like "if I nod my head and say I sympathize he won't lash out and hurt them") which like. There are situations which that is unfortunately the safest option (on an individual level yes, but sometimes it's also necessary to prevent abusers lashing out in response toward ppl who are more vulnerable) but it was the Wrong Choice.

It's like. I think Curly was trying and had good intentions, and understood that he needed to protect the crew, but he didn't have the toolset/experience to realize he can't Just go along with things and that he needs to be able to set hard limits, even for ppl he likes and trusts. Like he failed but the failure was "for want of a nail", where it began way before what we see (for want of an understanding of power dynamics I guess.) Again, don't think this makes curly more forgivable or whatever, I just think he's a good example of trying to make the right choices when you never realized you'd have to make these kinds of decisions and therefore are unprepared and/or unaware

Second edit: personally I don't think you can really incapacitate jimmy without there being serious risk (again he's the copilot) but curly should've given Anya the gun when she told him Abt the pregnancy

[duskdog]

I've been approaching the riddles with the thought that Eddie is actually answering Steph's questions. I've considered each one in response to the question directly preceding it. 1. "The gift that keeps on taking. The theft that keeps on giving" is in response to "What did he say about me?"

I generally agree with something of a combination of what's been proposed before. The gift that keeps on taking is traditionally the White Elephant, a gift that causes more trouble than it's worth, and I think it's likely -- given what we know of Arthur and how he reacts to failure/being beaten (he goes on angry rants!) -- that he may have reacted the same to Steph getting in his way. Here's his child, something that's supposed to bring him joy, and all she does is fuck him over.

(He may even be, vaguely, remembering a time when she did bring him joy, maybe when she was a new baby, and it just makes him all the more bitter now. I don't know if we can fairly say that he actually cared about her even then, but I'd like to think there was a time when he and Crystal lived a semi-normal life? I'm sure it was never a healthy relationship, but they got married -- clearly once upon a time they had feelings for each other, and hopes and dreams and stuff. Maybe Arthur was happy to hold his new baby. And now look at what a pain in the ass she is.)

Regardless, something that's supposed to be seen as a blessing has been nothing but a curse -- and I could definitely see Arthur going on more than one angry rant about it to Eddie. (Last we saw him and Eddie together, after all, they were getting thrown out of the house, and it doesn't take a genius to realize that the only reason Black Canary would know they were there, or care, would be because of Steph.)

2. The bug riddle is in response to "why do you believe he had to leave clues to his crimes?".

First I have to preface this by saying that this is a weird question for Steph to ask, because as was pointed out, Arthur hasn't been leaving clues for a long time by this point. Still, it may be something that bothered Steph a lot when she was younger, and maybe still bothers her? I'm one of those folks who believes Arthur was suffering from OCD (which is never outright stated, but I believe is implied when he talks about how he was "cured" of his need to leave clues -- at the very least, this makes me think that it was psychological in some fashion, and some flavor of OCD best fits the bill, so he may have begun taking some sort of medication?), which does have a genetic component, but we've never seen any indication that Steph would be worried about anything like that, or that the thought has even ever crossed her mind, so I don't think that's a factor.

So why does it matter? I think it's just that Steph is just trying to understand her father. She's just recently found out that he's dead, and now she has all these unresolved questions, and unresolved feelings, and him leaving clues was a core part of his original costumed persona. He never changed his name from Cluemaster, either, even after he stopped leaving clues. I think the question is still important to Steph, because the clue thing had been a big part of who Arthur was, and "who Arthur was" is exactly what she's trying to resolve right now.

I think, with this riddle, Eddie may have cut straight to the heart of the matter that I just discussed -- this seemingly no-longer-relevant question that's still clearly very important to Steph even so. Digging up Arthur's metaphorical bones here makes her the bug... but which bug? Is she going to let these questions, these feelings, trap her in someone else's web -- is she going to get tangled up in the man Arthur was, in his mistakes, and let that devour her? Or is she going to cocoon in her own web instead, nurturing herself through this in a more healthy manner, and emerge better for it?

3. "Dog in a manger" is in response to "Did he ever talk about someone who hurt me? Someone named Murray?"

This one is... complicated.

To understand, it's important to note that this saying has a long, long history, and variations of it have been used in several different contexts throughout that time. At its core, it's exactly as described above -- someone who selfishly hoards something it doesn't need/can't use so that others cannot have it. But there are a lot of different shades of that thought. In one of its earliest references, it was specifically used as a commentary on pederasty -- the practice of sexual activity between a grown man and a boy/youth. And there are multiple instances later on where it's used in a similar (if less pedophiliac) fashion to comment on May/December romances -- the idea is that, when an older lover takes a much younger one, they're "wasting" the younger lover's beauty and vigor, which they can no longer hope to match themselves.

Jim Murray, a grown man, lusted after Steph, who was only 11. I don't think Eddie is trying to play games with this one, or analyze anything. I think he's just straight-up (as straight-up as the Riddler can get) answering the question. He's saying "ah yes, that guy who did that", which clearly indicates that Arthur did mention Murray.

He may also be subtly casting judgment on that, since he chose a reference that generally condemns such a thing, but it's hard to say.

4. "What day has no man lived to see?" is in response to "Do you think he wanted to give up crime?"

The actual traditional answer to this riddle is "tomorrow". No man lives to see tomorrow, because when it arrives, it immediately becomes "today".

I think this one is just really simple, and really sad. He's saying that we'll never really know. Steph herself is struggling with the idea that any possibility of her father ever changing his ways is now gone. All potential destroyed in death.

What could have, and maybe would have, happened "tomorrow" is beyond any of them. Maybe Arthur did want to give up crime, or maybe he didn't -- it doesn't matter, because he didn't live to see that day.

I think that's the answer that's most likely. However, he also might be trying to say that Arthur did want to give it up, but just didn't live to see the day when he would, if you also interpret the next riddle a certain way...

5. "The tiger envies the oxen but only understands its horns" in response to "Did he want to stop?".

Going out on a limb with this one, but given the question I think he's answering: the oxen lives peacefully on the farm, working hard but without strife or worry. The tiger envies this peaceful life, but as a creature of violence, all it understands is violence.

Eddie may be saying that Arthur did want to stop... at least on some level. Maybe a part of him did want that more peaceful life, without all the stresses associated with the life they lead as criminals.

But he would probably never achieve that, because crime/violence is all he understands.

I think, however, it's far more likely that Eddie is just following up on the previous answer, and not implying anything about what Arthur actually did or did not want to do. It doesn't really matter what Arthur wanted -- it never had a chance to happen, and frankly, it probably wasn't ever going to anyway. Because Arthur really only understands one way to be.

6. "The number you can't count on your fingers" doesn't have an associated question at all, but it's directly in response to "One straight answer and I'll leave."

Eddie struggles here before giving his riddle, and the impression I get is that it's not just because Steph has gotten violent with him at this point. What I can't decide is why he would find it difficult to continue, when he's been rapid-firing riddle responses for the entire conversation. Maybe it is just because Steph's about to beat the shit out of him and he knows it, but... I don't know. It doesn't feel that way.

As for the riddle... it doesn't really have a good traditional answer. I've seen reference to it being "11" (which is mildly interesting because that's how old Steph was when Jim Murray tried to assault her), but that doesn't actually make any sense to me -- there are tons of numbers you can't count on your fingers, not just one (or, alternately, you can count even more than that if you think beyond just counting by ones).

I think @armed-with-a-waffle-iron is probably correct here -- Eddie thinks Steph is missing the point. What she's looking for is something that can't be quantified. There are no answers. The way I interpret the previous two riddles, this one would follow naturally: none of what Steph is asking about matters. She's not going to find what she's looking for here, at the very least.

The part that throws me for a loop, actually, is the Riddler's words after Steph leaves. Steph having a question mark over her head is a pretty obvious thing to say, but why is he speculating about Arthur's "game"? It seems to imply that he thinks/knows that Arthur is alive... but even if that were true, why would he assume the man's grief-stricken daughter was part of any sort of plan?

I don't think they actually ever follow up on this, so I guess we'll never really know.

I'm gonna have a go at the riddles which The Riddler throws at Stephanie Brown in Robin (1993) #113. @a-bad-case-of-the-stephs I'm hoping you can help me out, haven't actually read Robin in well over a year.

It's a gift that keeps on taking. It's a theft that keeps on giving. Having a child is the "gift" and when Arthur was imprisoned or estranged, his child was "stolen" from him. When Stephanie came into Arthur's life, he saw her as a "white elephant", but when he no longer had her, he became driven by the idea of her.

One bug is wrapped in a web, therein to die. Another bug is wrapped in its own web, there to be reborn. In a sense, being tangled in a web can be fatal but it can also indicate introspection and growth. Arthur's obsession with leaving clues were often his undoing so will Stephanie preoccupation with her father be her's or will it actually represent reflection and change?

There is a dog in the manger, but it cannot subsist on hay. A manger is a feeder for livestock, typically holding hay; which dogs do not eat. A "dog in a manger" is a person who spitefully refuses to let someone else benefit from (or let go of) something for which he or she has no personal use (dictionary.com). But dogs cannot subsist on hay and the livestock cannot eat with the dog in the manger. If the dog doesn't relent or change, then everyone loses. Stephanie is the dog and her memory of her father is the manger she cannot let go of.

What day of the week has no man ever lived to see? Judgement day. You have to be dead to see it. And they're both very much alive.

The Tiger envies the Oxen but only understands its horns. The Tiger envies the Oxen's power but it only understands power through the language of violence. Steph easily outmatches The Riddler in a fight yet is confused how he still holds all the cards although she attacks him because she only speaks the language of violence.

I am the number you cannot count on your fingers. Edit: he’s saying Steph’s missing the point; you can’t count him on your fingers, he’s not that kind of number.

Would love some input.

[the-insouciant-scientist]

what are hyakinthos's thoughts on the boatman and the slow boat in general?

Ooh, taking a quick sidestep from the rest of the ask game asks to answer this real quick! Short answer: a little complicated but generally friendly! Long answer: Gotta give some backstory first, bear with me. I have been thinking so much about belief systems vs established canon. Canon says that every human who dies regardless of belief (there may be nuance I'm forgetting but I'm in full speed infodump mode rn so that's a problem for future me) goes to the Far Shore. I say that's... kinda bleak? Also I'm just not a fan of stories where there is only One Real Belief and the rest are played off as silly distraction or whatever, but I digress.

A lot of his everything is based around the idea that both belief and proper death/burial care are important to get people to the afterlife they're meant to be in. Ritual makes all the difference between going to the Far Shore vs the Fields of Asphodel, for example.

His Boatman is Charon, or at least accepts the name. Hyakinthos has a working relationship with him and has probably taken up the oars at least a few times, especially for people who need the extra care in getting to where they need to be.

There's respect there, but there's also a certain... I'm not sure I have the words for it. The idea that death in the Neath is uncertain in so many ways (whether it'll stick that time, whether the person will make it to their afterlife or if they'll slip between the cracks and end up in the wrong place, etc) can be... discomfiting, to him. So while he does hold the boatman in high regard, there's always some little uncertainty there.

(Every so often, by their standards at least, Hyakinthos will bring him a very old obol. The Boatman will always refuse it. This is a ritual of its own. They'll sit for a while and talk anyways, and then part ways afterwards a little lighter.)

[wild-at-mind]

I feel like tags like these were inevitable on the post about people traumatising themselves for the greater good or w/e... There is SO much emphasis on posting on tumblr and other social media being so important and so useful and we must never stop. But I would like to counterargue with the idea that posting on social media (especially tumblr) constantly does very little/nothing. If that was true then the point here becomes meaningless.

[grapeskeeto]

big fan of aromantic kinitopet as an aro individual. now how do I reconcile that with selfshipping with him

[vengeance-jones-fn]

*Venge nodded*

I understand, you had to grow with weights you couldn't carry at such young age...but it truly impresses me that you have still managed to get this far...i don't think many would have managed to do similar thing...

But I can't let myself see someone troubled and carrying it on their shoulders, it pains me more than what my body has been inflicted with...so I try to do anything in order to at least bring enough comfort to help. If it fails your duties....I'm not forcing you to accept it all...but just enough for you to lift some weight off of your shoulders.

I do not believe this is a weakness. If you truly feel like you have one however...remember that your weakness is not a flaw...everyone is weak...and if we show it...it is no flaw...we are just showing a part of us that is as important as our strenght. If we weren't weak...we wouldn't be truly strong.

*As Venge was about to say something else, his eyes suddenly darted towards the floor, his body freezing, almost as if he had been distracted.

What was truly happening could only be felt by Vengeance in his mind, somewhere deep inside him, he felt as if something was laughing...laughing at the Empress' pain. He kept staring at the floor, the only movement being the one of his chest, raising and falling with his breath. It must have been it.*

*Vengeance had began to stir in his bed, slowly opening his eyes and looking around. His eyes focusing on Mizuki, who seemed to have stayed awake for the night. Vengeance lifted his head up and looked at the Empress. His voice still a little strained from the recent events.*

Empress...? You're awake?

-Venge❌️ ( @vengeance-jones-fn )

[The Empress turned her head upon hearing her name called, leaning forward to see Vengeance looking up at her. Despite her exhaustion, a warm smile spread across her face.]

The sun smiles on you, my friend. Yes, I am awake. You needed constant vigilance all night, so I kept it, that is all.

[She reached for a slightly steaming bowl on the table beside him, holding it within easier reach.]

Sojiro made miso soup this morning. Something light for your stomach.

[fionnaskyborn]

one day when i am not busy dying on the inside and out i will write an honest-to-god essay about how people are, for the lack of a better descriptor but simultaneously for the lack of a more perfect one, too edgy about five.

[strinkstuff]

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(⁠ ⁠⚈̥̥̥̥̥́⁠⌢⁠⚈̥̥̥̥̥̀⁠)

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