#more information to come in the future!

[it-one-line-at-a-time]

[Stan] "...And if you find someone worth holding on to... never, ever, let them go. Follow your own path.

"Think of this letter as a promise."

[Eddie] "A promise I'm asking you to make."

[Mike] "To me."

[Ben] "To each other."

[Bev] "An oath."

[Stanley] "See, the thing about being a Loser is... you don't have anything to lose. So..."

[Young Richie] "Be true."

[Young Eddie] "Be brave."

[Young Mike] "Stand."

[Young Bev] "Believe."

[Young Bill] "And don't ever forget..."

[Young Stan] "We're Losers... and we always will be."

[cuppajj]

just a little heads up for future notice, since I get these from time to time - feel free to put your ocs in baau! just please try and refrain from sending them directly in my inbox...

because I don't want to give the impression that I'm someone to talk about ocs with (in the inbox), I don't usually answer them. I do feel bad though because I really like how passionate people are about their characters! But as much as I like seeing that, I would rather see them in their own individual posts. No need for me to validate your ideas whatsoever. hope this makes sense for yall

(if you really want to know if a concept is ok or possible in canon, then that is something you can either dm me about or send in my inbox in broad terms... it makes it easier for me to answer)

edit: I do know some people send stuff to me just for me to read it and not actually post, if that's your intention w/oc asks then that's fine - i would just like to know!

edit 2: I know this might not stop some people which is fine, just setting the precedent that while I read oc submissions/asks in my inbox, i am probably not going to answer them

[lucabyte]

transfem loop + siffrin... you agree

i does agree.... i does in fact ... write a 7k word essay on the subject..... if you would like to perhaps click that link and read it if you were not already aware...... kisses u on the forehead......... sorry its that long but i had to cover all of my bases you know how it is with textual analysis when you're trying to draw a distinction between "headcanon" and "reading of the text" because those are different things.... to meeeeeeee.......

[ghosttoastx]

Bituín Character Lore Stuff

gonna try my best to sum up as much as I can about them under the cut :3

∘₊✧The Hermit✧₊∘

Name: Bituín (Bits)

Pronouns: She/They

Age: 16

Birthday: April 21

Craft: Paper

Weapon: Pointy Umbrella

Armor: Moth Clip

Background:

A shut-in recluse from one of the Houses of Jouvente, on a journey across Vougarde, accompanying their best friend along the way.

Personality:

- Very socially awkward with terrible communication skills,

- Oftentimes stay quiet around people she is unfamiliar with

- Likes poking fun at and making lighthearted jabs towards the people she's comfortable around

- Can be a bit sarcastic at times

- Always two seconds away from a psychotic break/hj

More Lore important Facts:

- Due too bad anxiety, Bits has always had a difficult time interacting with people, leaving her to spend most of her time locked away in her dorm room at the House of change.

- Bits’ father has been missing since she was about 4 or 5. Bits was too young at the time to really understand when they had disappeared, but her mother was wracked with grief over a person she didn’t even know ever existed in the first place. 

- the disappearance of her Husband drove bits mom a little coo-coo-bananas, causing a strange relationship to form between her and Bits

- One night when bits is about 10 or 11, her mother tells her is a manic, possibly drunken frenzy that she was going to be leaving, in search of something. She wanted to bring bits with her originally, but inevitably decided it’d be safer to just up and leave bits alone in the House. 

- bits would often spend time either cooped up in their lonely dorm, or would be hanging out with her friend and/or his family (probably for like, holidays and diner and stuff)

- while out on this pilgrimage/journey or whatever through Vougarde, Bits is hoping that maybe, just maybe, she might find her mother again. For better or for worse

Miscellaneous Facts:

-Can’t cook for shit

- Has an interest in plants and flora

- The claw clip in their hair is based off of a Luna Moth

- Likes to study craft (because of this, she is also know how to deal weak scissor damage)

- Grew up in one of the Houses of Change in Jouvente due to their mother being a Housemaiden there

- Bits speaks animatedly with their hands

- Favorite foods are Chocolate lava cake, Pineapple bread pudding, and Plain rice

- Bits isn't quite sure of the origins of the necklace she likes to wear, but looking at it makes her head hurt and her heart ache...

- Height is 5’8 (172 cm I think??)

- likes books and reading (specifically stories with found family and and fantasy)

Miscellaneous Art/doodles:

(these next two are technically from the PartySwap au but they're still just a younger version of Bits so)

okokok I think I've compiled most of the important stuff :D!!

Please please please feel free to ask me about my OCs!! I want to talk more about themmmm!!!!!

[architectural-sims]

Henford Hall -December, 18:39PM

[hopefull-mindset]

Lately I've been thinking about the current progression of the story, obviously we are nowhere near the ending, however, what are your thoughts towards how the main story is going to end?

Based on what we know so far how do you think what do you think the climax and the resolution the story is going to be? Because so far it seems like it's going to be something related to the book, but there's so many plot points and characters that we haven't even really touched on yet and I'm wondering if we ever will (for example the order of the clock tower was this just a one and done thing or are we getting more on that Asagiri????)

I am SO sorry. I got sick on the weekend I was thinking of answering this. Then I got completely stuck on what I wanted to say because honestly I have no idea where this series is going besides a few things I know Kafka Asagiri wouldn't leave behind. I have faith in him and I feel like him pulling along Nathaniel Hawthorn for this long into the story and knowing when Fitzgerald would have involvement proves he doesn't forget about his previous storylines.

I see complaints sometimes about how Steinback’s side plot with the Guild is never touched on again and it's like?? Because there's already so much going on already?? I'm personally impressed with how Asagiri handles this bunch of characters and that's why I'm not impressed with complaints about the female characters getting “no” screentime. I think some of you really need to reread the manga because, of course, it would feel that way if you needed to split it between all these characters and have a smaller amount of female characters compared to guys.

It's an ongoing story so treat it like an ongoing story. Some criticisms I see of BSD really feel like they're in bad faith and don't give it any grace. To me, that's really depressing. I don't know what some of you even want from him. I'll move on now to your actual question.

This is a character-driven story with hmm, well I shouldn't say it doesn’t have a clear plotline because the antagonists have a clear goal for The Book, but it's not a story where the protagonist is driven to do anything besides overcome himself. I have ideas on what future plotlines would look like, but not all of them.

There are things that are absolutely going to be followed up on. Like how 55 Minutes’s story was left on a mystery to be explored in a future arc. 55 Minutes was very involved in the Great War and Europe, so I’m guessing some of that will be explored in due time. I’m not very good at guessing so I’m not the best to be asked on theorizing that far into the future.

How about I just speak on the present arc? I think that will be easier and it's good to work with the pieces we have. The ending is much too far into the future for me to come up with anything, really. This series is much too technical with its reference and motivations to say anything other than, “We should expect this stuff in the light novels to play into the story later.”

Since I gave myself some time to think this over, there are some things I am completely sure of having a critical role in the present and future of this story—besides the obvious lasting effects of the Great War and the storm Verlaine mentioned waiting for very much having to do with the Clock Tower’s eventual involvement.

I’ve been thinking about them a lot and I hadn’t realized this was my chance until now! So exciting! I mean these two tend to cross over for me.

55 Minutes is the 4th light novel in this series. Anyone who has read it loves it because of the focus on world building and getting to follow Atsushi for once in novel form. I went into it thinking that it was going to be a quick, self-contained story that happens a bit after the guild arc, but I was shocked to see that there were so many questions unanswered! On purpose obviously to set up a plot line for the future, but man.

While I am excited for many things from the light novels to be answered in the main story, I want to bring attention to the main antagonist. The living ability of Jules Gabriel Verne AKA Gab. Verne was a part of The Seven Traitors, a group that committed itself to stopping the war by any means necessary. They were what the Armed Detective Agency is to Atsushi for him. His ability (The Mysterious Island) absorbed other users’ abilities, so long as they were on an island he claimed as his domain.

By the time the war had ended, he was alone again and the rest of the members were either dead and disappeared. Verne decided to stay and maintain the Standard Island so his friends had a place to come back to. Fourteen years pass and a deadly weapon called Annihilation and it's maker, H.G. Wells, came onto the island. Annihilation had been stolen from her and Verne agreed to help her get it back from the terrorists under the name “Gab”. The terrorist in question being the colonel, not to be confused with the character of the same title who was an executive to the Port Mafia.

This colonel had actually been the former leader of the group who had called themselves Mimic after being abandoned by their country and had heard his men drifted to Yokohama, only to die there in vain. I wonder if that connects to anything that happened in another light novel, wink wink.

It wasn’t hard for Verne to find where it was hidden, but next he had to come up with a way to get it back without using his ability. He decided to join the thieves that had snuck onto the island by turning himself into a teenager and asking to be the pupil of the boss so he could borrow his ability to go through walls. It had worked as planned, until Wells was hit by a stray bullet and died. He was devastated that he couldn't save this one woman.

His solution to save her was to absorb her ability (Time Machine) to go back 55 minutes in time to reverse what had happened. That worked, but then he thought of another thing: if he absorbed her ability again, couldn't he go further back in time to get a better result? Wells’s ability has the condition that it could only send a person back in time once, but by absorbing it again, he can ignore it as if he were using it for the first time. He regretted how many of the colonel's soldiers had died and he never learned his motivations in the end.

He was right, but creating the perfect future is almost impossible because of how someone always gets hurt in the process. Every time he succeeded, there was only the “what if?” hanging over him that this wasn't enough. The more he used the ability, the further he could go into the past. Even larger ideas had come into his head. What if he could reunite with his friends? What if he could prevent the entire war from happening? He hadn't realized just as Wells's ability evolved, something else would too: Gab, the island and the boy he posed as.

It overtook him and left to reside inside his own flesh as an echo of his own self, at the very corner of his mind. He died and Gab had been birthed from it. Gab is an unstable creation and even so, his humanity still urges him to keep living no matter what. So instead of being motivated to repeat time to save others, he keeps living to save himself so he doesn't fall back into the darkness of an unknown waiting for him.

I could keep going and talk about how he's pretty much the embodiment of the themes present in BSD, his resemblance to Atsushi that the narrative points out so graciously, and the nature of what he is supposed to be in the grand scheme of BSD, but this isn't why I brought him up.

55 Minutes has aspects that have appeared in the main story ever since the Decay of Angels have taken their place in the manga as antagonists. Dazai’s ability to control his heartbeat, time travel, Akutagawa calling Atsushi his “trial” and fighting out at sea, and the Great War being the source of the conflict. Now what if I propose my idea of what had happened to Fukuchi to be similar to what had happened to Verne when he had used Wells’s ability?

This is Fukuchi’s corpse reanimated, I think we all know it. While it’s possible Fyodor must've put a safeguard to put the condition for this to have happened or that this is a Fukuchi from another universe, I think what had happened altogether, in the end, was the consequence of using Amenogozen so freely to the point he was messing with the state of the timeline and creating paradoxes. The backlash of this divine blade had either created a divine being or let one reside in him.

It's not only 55 Minutes that has parallels/foreshadows what's to come, but Untold Origins as well. I do like noticing how Kafka Asagiri adds things so they fit more snuggly into what's to come later in the season or make the connection more obvious, like Fukuchi having a feature when Fukuzawa is visiting Oda behind bars and Fyodor appearing on the roof when Fukuzawa monologues about “V”.

I think I've been seeing some people notice this too, but I think the play featured is incredibly important. Like really, really important. I mean beyond any resemblance people saw in the visuals used in the anime background that looked like Fyodor being crucified. I feel unprepared to talk about it, so I hope I make some sort of sense.

“The Living World Is a Dream. The Nocturnal Dream is Reality” is a real quote from Ranpo Edogawa and is used as the name for this play. Twelve fallen angels gather in an old theater to earn god’s forgiveness. They had disobeyed god in the past by wanting to coexist with human beings and were shunned after the fact. During this, they are killed off one by one without the killer ever being seen. The killer, as the script follows, is a supposed angel of judgment, but it's hard to tell for the others if it really was an angel imparting their judgment or a serial killer because of how common the methods seemed to be. That is their mystery to be solved.

One of the fallen angels claims that an angel would use a divine blade to purge them and not methods like these, while another begs the question of why a fellow sinner would go after them and that an angel would have a real motive to have them killed. Their reason to going to this old theater is because they were searching for an ability user. In this fictionalized story, ability users are angels who had fallen but were able to atone and given a portion of their power back. Their hope is that when they encounter the ability user, they will gain atonement as well.

Suddenly, Murakami (the lead performer) is stabbed by a blade that came from nowhere. Completing the promised threat of an organization named “V”:

“An angel shall bring death, in the truest sense of the word, to the performer.”

So, what happened?

As he takes his newfound identity as an “ability user” in pride on stage and claims himself to be the savior of all, Ranpo explains that the angel that the play refers to is the audience watching it. A metaphor to how the audience is invisible to the characters on stage and knew almost every that had happened, but Ranpo also says that because the audience couldn't have laid a finger on the them, it means the angel couldn't have been the killer.

The “angel” was more the victim than anything and the so-called judgment imposed was the show of what was originally regarded as another victim. The switching of roles. The same thing has also applied to this murder. While Murakami was regarded the victim, the accused killer the police suspected was a man under a fake name who has randomly disappeared. Tied up behind the currents, the man had been here all along. The true victim of this case.

Which makes Murakami the real culprit of his own “murder”, but he's only a piece of the picture. After getting arrested, he speaks about how he had planned with the playwright about this but has no clue what capturing the older man was for. Not even after saying this, a detective rushes in saying that the playwright had been impaled with no weapon to be found.

Again, after an officer who had worked for the mysterious group “V” and tried to kill Ranpo after refusing to join them had been arrested, he was also killed the same way as the playwright. I feel like I don't even need to say that this “V” group is obviously the Decay of Angels after laying that out. The same motivations as Fyodor (”rid all evil of this world”) and the sword business is Fukuchi silencing people.

What was the purpose of the play though?

Besides capturing Natsume Soseki (if you haven't read it), it was foreshadowing for what was to come. Let's abandon the idea that skill users are redeemed angels for a second. Just a second, I promise. Have you ever looked up what Kaumi (神威) even means?

While one of the first results you get will refer you to gods themselves, you should be focusing on a more literal translation. That being “God’s Authority” or greater divine power, making Fukuchi function basically as Fyodor’s own angel of judgment. Let's say that ability users are the sinners and Fukuchi (or Fyodor) is the one imposing their judgment, even if they should've been in the same boat.

Just like the play, they swap the victim (Armed Detective Agency) and the killer (The Decay of Angels) for the public‘s unknowing view. This play is filled with Fyodor’s personal bias and I think the irony of their searching for the “ability user” in the play is that to Fyodor, there's no such thing as a redeemed ability user. There is only salvation of death for this great evil and that is exactly what happens to the characters from the play.

Ranpo filps this narrative on its head and forcefully changes the ending of the fallen angel. He wasn't a part of the story, he forcefully shoved through its bullcrap to create something much more ideal. Something much less miserable. It's a little fun that two people he goes out of his way to help out (Yosano & Mushitaro) both have the title of “angel of death/murder” as that's how the angel of the play is also referred to. Save the killer that was actually a victim…

With that, I really shouldn't abandon how ability users get referred to with titles like angel and demon right? Chuuya had an angelic allusion in Storm Bringer when he activated corruption for the first time, and hell, look at my buddy Gab and his mechanical wings. The further they transcend themselves of their humanity, the more angelic or demonic they become. There really is no true difference between them though.

This should've been about the trajectory of bsd…. Then it became me wanting to talk about DOA crap….

Well, I really don't know much. I connected dots that were there for me, but nothing to say for the future of BSD. I understand what is happening, but not enough to be psychic haha. I mostly went on about that because I didn't want our conversation about what is currently happening to be pushed aside because there's always more to say. Maybe if I read more of the authors involved, maybe I'd know.

If this is disappointing, oh well! It has taken me so long to think of something to say that the new chapter has already come out. Kafka Assgiri always leaves me with more questions than answers.

What even are abilities anyway?

[opens-up-4-nobody]

...

[sicktember]

Hi! :3 I’ve participated in sicktember for a few years on my sideblog and it’s been a blast!! Sad to hear it wrapping up but i do understand managing an event like this is a lot of work, just wanted to say thank you for organizing it all this time ^^ 👏🏼👏🏼

Hi! Oh my goodness! Thank you so much! Creating and running this blog has been a journey, for sure! It's had its ups and downs, but ultimately, we have thoroughly enjoyed bringing this event to life and witnessing the creativity it's sparked. And we are definitely going to miss making the prompt lists and interacting with all the awesome creators that participate!

I can not fully express how happy we are to hear you've enjoyed it! We are loving all the content that has come out so far this year, keep it up! It's great!!

This also seems like a good time to announce that we have identified a successor. We feel this person will be a good fit for taking over any and all future Sicktember events. You can expect to see a formal introduction towards the end of this event cycle.

Again, thank you so much for sharing your appreciation. It has 100% made our day.

[soracities]

God I had such a wonderful literature teacher in high school. It pains me to admit that I spent most of his classes either sleeping or daydreaming about death and other equally depressing subjects. I remember thinking even then, I used to like books. Why can't I get myself through this readings why are all of these poems so lifeless to me? And like the rest of my classmates I just googled the Spanish equivalent for SparkNotes for all the readings and got a 10 in every exam. Now I find myself seeking out those same poems and sonnets and books and wishing I could turn back in time to actually listen to this passionate guy who had been all over Europe and knew 5 languages and lived so much and was so specific about which translation to get for every poem and have strong opinions about 10 other translations. I just want to grab my past self and shake them hard and scream "WAKE UP!!!!!! This thing you're ignoring right now will be the only spark of hope and joy you will find in your 20s please it's can save your life NOW if you manage to open your eyes and ears for a little bit"

Now I'm getting a degree in english, and I'm an auxiliary teacher at a primary school and it really feels a bit depressing to know that sometimes not even a great, passionate and talented teacher can make someone with an underlying interest in the subject actually pay attention and enjoy a high school class. Or maybe I was just an idiot and it's a me problem. Or maybe literature is meant to pass you by the first time around and make you go and get it out of your own will at your own time.

I think there's definitely something to be said for finding the right literature at the right time, absolutely--but I also think the fact that you still remember this teacher and the incredible passion and attentiveness he brought to those classes, that you are holding this recognition close to you now, even if you weren't able to give it the attention you wish you had at the time, counts for something, too 💕 in spite of everything something of his teaching still remained with you, even if it's being appreciated after the fact, and I think that, for most teachers, that impact alone means a great deal! Maybe you didn't appreciate the class itself, but you are appreciating the poems and those outlive every classroom and what greater influence is there than that? (And sometimes it's not even the subject itself that remains with you, but the actual teacher. I had an incredible English teacher also, but I know the impact she left on some of my friends had little to do with the poems and plays and everything to do with who she was as a person, and this is, I think, one of the most important things that come from a marvellous teacher)

I don't think you were an idiot at all--I think that whatever you were going through at the time must have been so immense, and as frustrating as it is to look back and wish you could have managed things differently, I think it's so important to allow yourself some grace for the fact that who you are now, looking back, and who you were then, are two different people--some circumstances, I think, are beyond a pupil and a teacher's control but we do the best we can with what we have, and what you have now, and what you had back then, probably look very, very different. Have you ever considered reaching out to your former literature teacher? Writing a letter or an email to let him now what you feel about his classes now, being older, and what this recognition means to you?

I think it's amazing that you are where you are now, with the passion you have now, and also with the awareness, even if you couldn't appreciate it at that time, of what a passionate teacher can bring because it will help make you a more attentive and better teacher as a result. I think teaching is one of those vocations you need to love with your entire being and if you can bring that love and that attentiveness with you to the best of your ability at any given time, then this counts for something, even if not immediately in the classroom itself 💕

[nashmusicguide]

TPAC announces 45th Anniversary Broadway season featuring six Nashville premieres and two-week engagements of HAMILTON and Disney’s BEAUTY AND THE BEAST

A storybook season awaits as the nonprofit Tennessee Performing Arts Center® announces its 2025-26 HCA Healthcare/TriStar Health Broadway at TPAC season, presented in partnership with Nissan and Farm Bureau Health Plans, as part of its 45th Anniversary. The upcoming season features six Nashville premieres, plus the return of a classic fairy tale and the revolutionary re-telling of American…

[moth-mart]

"I need them to die in eachothers arms and for it to mean something" then proceeded to make a terrible. horrible punch to the gut

[justascrollingghost]

.

[cactusdying]

yess hatsune miku would love your sopping wet dog of a man 🥰🥰🥰

bonuses under the cut

also this thing (ft ritchy flt and genbu lite)

[ornstein]

I thought my new meow meow in Lies of P would be Geppetto and yeah, he is, but it turns out Carlo is taking the crown this time.

[ur-fav-alien]

Chapters: 1/1 Fandom: All Elite Wrestling Rating: Mature Warnings: No Archive Warnings Apply Relationships: Jungle Boy/Kenny Omega Characters: Jungle Boy (Professional Wrestling), Kenny Omega, Small roles:, Judas Devlin | Luchasaurus, Marko Stunt, Christian Cage, The Elite - Character Additional Tags: Porn With Plot, Kenny Omega's ego is way too big, Jungle Boy finds out he has several kinks hes ashamed of, lots of hairpulling and degrading, during Kenny's world champ reign Summary:

Jungle Boy doesn't like Kenny Omega's bullying for reasons he'd rather not admit outloud.

[voguewoozi]

can gabe saporta just stop talking please