#more in a 'this author is clearly used to writing in a specific genre and style'

[daisyachain]

the shinigami/incense performances through the journey into the underworld were some really beautiful episodes that brought the story back to the smaller scale where it works best. A small drama with some well-acted recitations. The slow subtle drift of Miyokichi and Sukeroku back in through the supernatural cracks primes us for the resolution of the underworld episode. The candle imagery is stunning. Then watching the promise break apart as Kiku finds himself surpassing Miyokichi and Sukeroku’s failures, in death as life, puts the final button on it.

which makes the last episode feel all the more weird. Little Shin is now a twerp. The third (3rd) female character in the series gets pushed off to the side with an occupation of: wearing skirt and interests of: being cute. Konatsu is at least a rakugoka now, but she’s silent on stage as Yotaro gives the big speech. Then the real thing that sticks in the craw is the ? reveal? of Shin’s parentage.

two options. One, Shin isn’t related to Kiku and his resemblance is the same cosmic echo that marks the Sukeroku line, from Yakumo Seventh’s rival through Shin-san through Yotaro. Sensei’s insistence that they must be related is evidence of how short-sighted he is, and Konatsu is playing with him.

Two, Shin is related to Kiku, the aforementioned defiance of biology gets overturned, and things get dark. It’s not that the show isn’t the type that would go there. You’ve got skeletons, candles, ghosts, that sort of poisonous rotting relationship is in line with the other imagery presented (it feels wrong to call it ‘gothic’ with how strongly the show is rooted in unrelated literary tradition, but if it were gothic, it would be). It’s that the tone of the scene is jarring. You could reveal that Konatsu pursued her hated semi-abusive guardian figure and have it fit into the horrific aspects that float around the flashback timeline and its murders suicide. It’s not played like that. If anything, it’s played for laughs, a funny little cap on the intertwined names instead of the dark twist that it should be

[yooglefics]

Reveal — Part three: celebrating

Pairing: Yoongi x fem!reader ( camboy!yoongi x camgirl!reader )  Wordcount: 4,513 words Genre: 18+ / smut. mdni! remember to not use fics as your only source of sex ed.  Summary: Your birthday celebration takes a turn when Jungkook forgets to uninvite a particular guest. Part 3 of Recording & Editing. Read it in that order for context. More warnings under read more.

Includes: 3k words of just smut. Mentions of posting / selling sex content. Dirty talk. Use of pet names ( baby, doll, good girl? ). Fingering ( f ), Oral sex ( f and m ). Frottage. Cum play? A bit of overstimulation? Possessive Yoongi because Reveal!Yoongi is just like that and I can't do anything about it. It's true, I tried.  Author's note: Okay, I think this is actually the last one for this. A trilogy is fine, right? But also don't quote me on that because clearly I can't seem to know how to stop writing this pair and I'm watching Jungkook from a distance like 👀 but shhh Which speaking of, I was thinking and if you want to know more about the characters in this verse specifically, you can send an ask with “( reveal!verse )” at the beginning, maybe specify if you want it to be answered ic with “( @ reveal!theirname )” , and a question or whatever you want to say. Idk, thought it could be fun~ Also, I made a post with different options for tag lists in case anyone is interested. You know, for future projects and stuff. But don't feel preassure to request it, and thank you for following this mini series. Anyway. I hope you like this and if you do please remember to comment, reblog, ask, follow, and whatnot. And again, thank you for reading <3

“You know, you could reply instead of just staring at it,” Jungkook says, over your shoulder.

You're sitting in your living room, phone in your hand with the audio post on screen. There was no way of denying you were caught, you had already embarrassed yourself by acting like a schoolgirl when telling him about SugaD leaving a comment.

“But what if I say something dumb and he deletes it?”

“Why would he do that? He thinks you're cute,” he teases.

“The cutest,” you correct, silly smile on your face once again. 

“See. You should shoot your shot and talk to him, he clearly is interested in you too,” he winks, finally walking around the couch to sit at your side, fresh bowl of popcorn on his lap.

“But it's all so crazy. I don't even know how he found my page, he only follows big creators.”

“Well, he asked me.”

“What?”

“He asked who you were,” his Bambi eyes blink at you, fear creeping on his soft expression, “I… don't kill me, please.” He moves away from you and that makes you turn to him, leg over the couch and phone forgotten.

“Jungkook? What did you do?” All the scenarios go through your mind, imagining the worst. He told him you kind of have a big old crush on him even if you have never seen his face? Did he tell him about the joke of suing him because he is so—

“And I was busy so I thought, you know, he works with music and edits his own content and it seemed like a good idea,” he is talking so fast and you realize you missed the beginning of it, but before you can ask him to start over he just burst it, “so he edited it.”

“He what?”

“The audio. Your audio. He edited it.”

“My… audio.” The audio you're sure included the start of his video.

Fuck.

Shit.

That's so much worse.

You should delete your account. Delete yourself. You want to move to another country and change your name. 

“Fuck.”

“I'm sorry. I should have asked you, but I figured…” he trails off, coming closer again. “I just… I didn't think it was a big deal because… well, I didn't know he was gonna subscribe to you. He only subscribes to people he is friends with and I know he doesn't even watch their stuff.”

You can tell he is trying to make you feel better, and although you appreciate the effort, everything is confusing. Does that mean he wants to be friends? But he doesn't watch his friends's content so… no friends?

“Fuck.” You murmur again.

“Are you mad at me?” Jungkook asks softly, worrying the ring on his bottom lip. 

“I… don't know.”

“Do you want me to go?”

“No. Let's finish the movie.”

But you can concentrate for the rest of it, and know that you'd have to watch it again another time in case your friend brings up something important about the plot. But now, the only thing in your head is theories about what you're going to do about that one particular comment and, again, you consider just deleting the whole thing.

Jungkook invites you the next weekend to the restaurant, it's his free day but he tells you he can get you the birthday special even if it’s one day early and he can even sing for you. You tell him you are only going if he doesn't make a whole thing out of it. You'd wear the birthday hat and blow out the candles, but if he dares to bring more attention to you, you actually will kill him.

He believes you. 

And so, here you are. Sitting in a booth in front of Jungkook and Hanna, your best friend. Big chocolate cake in front of you that they insisted on getting because “you can have it for dessert for the next week and think about how much we love you”, and also because you love chocolate.

“Sorry. Am I late?” A voice behind you interrupts the end of the birthday song, your smile falling because you could recognize it anywhere, and the fact that he is here makes you panic.

“Oh, shit… ah…” Jungkook stumbles over his words, even comes close to knocking his drink. “Sorry. Hi.” He greets the guy and throws an apologetic look your way. “This is my friend Yoongi.”

“Oh, hi. I'm Hanna and didn't know we were waiting for someone, but good thing we got a big cake, uh?” she jokes and looks at you. She does that whenever you're around people and you don't talk, her way of making you feel included. 

But right now you want to disappear. Birthday crown and all. Maybe take the cake too.

“Hi,” you say timidly, eyes on Jungkook instead.

“I…” he starts, remorseful look on his face as he explains, “invited Yoongi last week, didn't want to third wheel with you two.”

“Oh, that's fun! Well, you want to sit there or should I move?” Hanna proposes and you're about to say she should come to your side even if that means Jungkook has to stand up too, but Sug— Yoongi speaks faster.

“I’ll sit here. Is that okay?” 

You only nod, scooting to your right to make space for him. To not be so close he notices how nervous he makes you just with his presence.

He smells nice. Fresh and woody at the same time, and is only overwhelming because is him. Because a lot of things about him are a mystery still and you are about to unlock them all right now.

“Those are cute,” Hanna says.

“Ah, yes. I… these are for you,” a bouquet is presented on your line of vision. Is not big nor too much, the perfect size to be a nice present and it lets you admire the flowers’ beauty. “Happy birthday.”

“You didn't have to.”

“You don't like it?” If you weren't so focused on your own nerves you'd have noticed the ones on his voice.

“I do.” You quickly say. It's cute. The lavender mixed with two types of white flowers you don't recognize but you love the look of, mostly the one that looks like little stars. “Is really pretty. Thank you.”

“I'll bring you a drink,” Jungkook says, and looking at him you know he needs one himself. You could actually kill him after this.

“Wait, where is the restroom?” Asks Hanna and your eyes lift from your present so fast your neck almost hurts, but she is quickly disappearing in the direction Jungkook points her to.

And that's what you get for keeping everything a secret from your best friend. Karma as its finest.

“Pff,” you breathe, sinking into your seat. 

“I can go if you want me to,” Yoongi says softly at your side.

“What? No, no is—” you try to explain is not him. Nothing is wrong actually. Everything is perfect and you're totally not freaking out.

“You haven't looked my way,” does he sounds hurt? “Is alright. I don't want to make you uncomfortable or anything, I just thought… I don't know. JK invited me weeks ago and then I found out who you were,” you cringe at that, knowing he most likely means when he listened to your audio. “I figured I'd take the chance and meet you.”

“Why? I mean. Don't you feel uncomfortable because of the…” finishing your sentence feels unnecessary and saying it at loud is embarrassing.

“The fact that you watch my videos?”

“I swear I only watched like three and I don't do that with all of them is just— Are you laughing?” Finally you turn to him, a smirk playing on his lips.

“Sorry, sorry. But is that supposed to make me feel better?” 

You don't answer. 

“Of course I don't mind.” He leans in, "If you sound that cute, I'll let you watch all of them for free.”

Breath caughts on your throat, looking at him with big round eyes. His face is right there and you try to take it all in. Clean shaved, jawline not too harsh and with soft features, crested moon shaped brown eyes, pink lips, and the way they curve up when he catches you staring at them.

“I don't want to go, but if you want me to, I'll do it.” he backs out, and somehow you can tell he is genuine.

“Stay.”

After dinner and some chatting, Jungkook offers to drive Hanna home and Yoongi takes you to his place. It’s fancy, looks like taken out of a magazine and you tell him exactly that. He asks you if you want to judge his room too and with a laugh you tell him yes, because honestly, you're curious now.

You tell him it doesn't look too cozy and suggest investing in a nice blanket, he raises an eyebrow at you and finally you confess you're an interior designer by day. He tells you he is a music producer. And then you talk about how and why each of you decided to join OF and what kind of things you have discovered you like during that journey.

“Interesting,” he says when you confess you started following him because of a hand picture you saw somewhere else. He has been playing with your fingers while you lay on his bed, is relaxing and you don’t mind at all. “You said you were going to sue me, should I even be this close?” 

“Oh my—” you pull away, covering your face. And he laughs. “Go away.”

“No, c'mon. It's cute.” He tries to turn your body to its side, but you don't give in. “Look at me, please.”

“No. I can't.”

“Why?”

“Because no.”

He laughs again, hand on your hip, “Baby, please?” Head shake is your answer, “I'm sorry. Should I confess something too?” 

“Yes.”

“Let's see,” he props himself on his elbow, looking at you even if you are still covered. “I knew about you before the audio.”

“You did?”

“Well, Jungkook talks about you all the time and I was curious. I think it was the third time you guys collabed that I saw a picture and he mentioned your name on his page.”

“Which picture?” You ask, uncovering half your face to look at him, he smiles.

“The one with the books. You were holding one in front of you.”

You remember that. Like all your pictures with Jungkook, it was suggestive more than anything and in that one the pose made it look like you were touching yourself.

“And now I know what you sound like doing that,” he teases, “wonder if I'd be lucky enough to see it someday.”

“You've to stay subscribed and see,” is your turn to have fun.

“Should I make another instruction video for you?” or maybe not. And before you cover yourself again, he holds your wrist, bracelet digging a little on your skin but not enough to actually hurt. “Don't. Let me see you.”

“Yoongi…”

“Fuck. Don't say my name like that,” is only half joking, but he knows you can tell he wants you just as much. “Can I kiss you?” 

You nod and his lips touch yours in a millisecond. They are soft, but his movements are quick, and soon his tongue is asking for permission to enter your mouth. With a moan, you granted happily and hungry to taste him. 

His hand goes back to your waist, only resting before squishing it gently. Your own hand traveling to his nape and bringing him closer, your chests touching.

In need of air you break the kiss, and instead of stopping, his mouth keeps working down your jaw and neck, “ohh…” you try to breathe, throwing your head back just enough to give him space. It feels so good you don't want to stop.

And he doesn't. He continues until he reaches the fabric of your dress, covering your chest. He imagines your little gold collar he saw in some pictures. He thinks about buying you one on silver to match his own jewelry or buying a chain for himself the color of yours. Anything would do, he just wants you to be his and for people to know.

“W-wait,” your voice brings him back, and he stops immediately, “don't leave marks. At least not visible.”

“Okay, I can get creative.” A wink seals his promise and his hand moves to the buttons in the front of your dress, his lips following soon behind to attach themselves to the exposed skin. To your breast. He licks and kisses and when he reaches your nipple he flicks his tongue a few times. 

That gets a good reaction from you, but he still asks “You like that?” because it does good to his ego and the mid-erection on his pants.

You nod between whimpers and can feel his laugh through his chest resting on your stomach, “is that enough?” You look at him, the lust on his eyes and his stupid smirk on his lips when he frees your abused skin from his mouth, leaving a bruise on your breast. “Is my tongue enough to make you cum, doll?” 

And your pussy answers for herself. Legs impossibly close in search of some friction and, of course, Yoongi noticed.

“You need something?”

“P-please…”

“Tell me. I'll give you anything, baby.” His voice is raspy like on the videos you watch alone at night. Except is not through a screen and is actually directed to you. Is everything you wanted while touching yourself and for a second you wonder if it's really happening.

Running your hand through his hair you look at him, now lower on the bed and playing with the bottom of your dress while he waits for a sign between your folded legs, cheek against your thigh, letting you catch your breath. 

“Yoongi?” 

“Hmm?” his hand stops on your leg, heavy and warm.

“Touch me, please.”

And you don't have to tell him twice. His hands roam your body, while he leaves kisses here and there. Too desperate to finish unbuttoning it, the bottom of your dress gets pooled at your waist, revealing the lilac lingerie he saw a picture of the other day. 

“So pretty,” he whispers, fingertips traising the embroidered details. It makes you shiver. “Fuck, I can see how wet you are.” His movements travel south to the patch over your entrance, and you respond just as he expects, moaning.

And before you can get used to that, his tongue is on you, flat over the wet and thin fabric. “Can't wait to taste you properly,” sounds a lot like a promise.

Biting your lip, you contemplate asking him to hurry, to give you anything. To get rid of all of your clothes yourself.

But he knows exactly how to drive you crazy. 

Moving your panties to the side with the help of his left hand, the fingers on his right one make an appearance again. Collecting your wetness and using it to rub over your pussy, only applying little pressure at first. Moans echo throughout his room once again, louder and this time in the company of a couple groans from him when he finally pushes in. 

“O-oh… oh my,”

“That's it. Let me hear your pretty sounds,” he encourages, letting you get used to the sensation before adding another one, his eyes on you the whole time. In the way you lick your lips before moaning, the way your hips move towards his hand asking to be fucked, the way your pussy wraps around his fingers. 

“...more.” Is barely a whisper but he hears it, smiling at you.

“Want more? Is not enough?”

“Need you, please” 

And how can he say no to you when you look at him that way. Like he is the only one that can give you what you need, how you want. 

His head disappears between your legs, mouth watering at the thought. He can't even deny he was waiting for you to ask him to eat you out, he would do it in a second, whenever you want, because “oh, god, you taste so sweet.” 

Feeling your legs closing he holds them back, pushing them against your torso with his free hand and squishing your soft skin just as tight as you are doing to his fingers. Thinking about how much force he would need to apply to leave a mark.

“F-fu… fuck. It, it feels so good, please.”

He is proud, lips curving lightly but without wanting to pull away to smile properly. His tongue laps at your entrance alongside his fingers, moving faster and faster, against that spot that makes your body tremble and makes the knot at the bottom of your abdomen want to scream.

“Please, please, please…” 

And he knows what that means. Knows you're close and just need a little push, and he gives it to you in the form of a “Cum for me, baby.”

And you do. Head back and pussy tight around him, legs closing and hand pushing him away when his tongue keeps working, overstimulating and catching all that you give him.

“Oh… my…” you breath. Legs still shaking but feet finally on the mattress again. 

He is standing at the end of his bed, one hand pushing his long hair back and the other unbuckling his belt, eyes on you while he takes you in. “Was that good?” He asks, you nod and he smiles matching yours. “Great. You deserve it.” 

“You want some help with that?” 

“What do you want?” Yoongi throws back, “You’re the birthday girl, after all.”

Worrying your bottom lip between your teeth, thoughts filled with ideas of the things you had wished to be able to do before, you watch him get rid of his jeans and boxers, his dick on full view for you. Only you. “Can I suck you off?”

Obviously, he can't say no, so he nods and you are quick to stand up, legs still feeling a bit weak after your orgasm, but it isn't a problem because as quick as your dress falls completely to the floor, you're kneeling in front of him, between his legs and hands on his tights.

You watch him stroke himself a couple times through gritted teeth, his other hand coming to cup your cheek as you get closer to his length. Saying you had been waiting for this wouldn't be an exaggeration, and without breaking eye contact you stick your tongue out, touching the blush tip slowly. 

He sighed, as if he was, too, relieved at the contact. “So pretty.” 

You push his hand away, taking his hardened length into your hand, only realizing then how big he actually is.

Tapping his dick on your tongue gets you a groan from him and you hum as you wrap your lips around the head, circling your tongue around it inside your mouth before letting go. He smiles at you, his chest moving fast as his breathing increases and his eyes are filled with lust. Your hand moves up and down when your mouth is not working, still wanting him to feel good.

Preparing yourself, you get closer again, taking more in and closing your eyes, adjusting to the girth. 

“Fuck,” he moans, thumb softly stroking your face as his hand moves to the back of your neck when you imitate the previous movements of your hand, going up and down, taking more and more into your mouth. “Y-yeah, just like that.”

The encouragement helps the feeling on your lower abdomen to build in again, pussy squeezing around nothing and moaning around his dick, making Yoongi clench his jaw, bucking his hip up, and letting his grip go only at the last second. He wants to fuck your mouth so bad. Only watching your lips around him is driving him crazy and you feel oh, so warm. 

“So pretty, doll,” he compliments as you try to keep your eyes on him as much as possible, only closing them when he hits the back of your throat. 

You come up, catching your breath as you let your hand do some more work. Collecting your spit and rubbing your thumb on his sensitive tip. He reacts just as you expect, groans and head tilted back slightly, with his hands on either side gripping the black sheets. And that gives you an idea. 

“Can you…” eyes are on you immediately, but you wish they weren't because that makes you shy and is even more difficult to ask.

“Tell me, baby.” He pleads, “I'll give you anything, just ask.”

But is easier to show than tell, and your fingers grab around one of his wrists, positioning his hand on the back of your head. “Just… hold it.” 

“Fuck.” He has to inhale quickly before nodding, are you reading his mind? “tap my thigh if it gets too much, okay?”

A nod of your own, licking your lips before taking his dick in your mouth once again, the simple weight of his hand being enough to encourage you to take more in and staying there a bit longer before bobbing your head.

Yoongi alternates between letting you follow your own peace and holding you down for a few more seconds every once in a while, finally letting himself slam his hips more harshly against your mouth and the back of your throat. His moans fill the air as he pushes into you. “feels amazing… you take my cock so well.” You hum, making his hips fuck into you at the vibration, increasing the tension on his lower abdomen. “Such a good girl.”

“I could fuck your pretty mouth all night,” he goes on, looking down at you and all the mess you've created between his legs. “Oh f-fuck. What a beautiful sight.” opening your eyes makes the view even better, and he holds your head down, making you gag around his dick, “ah… ah…” he lets go, not wanting to come just yet.

And it might be the first time you see him and his beautiful dick in person, but SugaD’s last video is fresh on your mind, —how could it not after the anxiety of him finding out— so you remember he likes to hold back. And is hot. But he is right, is your birthday celebration and you don't want to play by his rules.

“Are you close?” the hoarseness in your voice is surprising for a second, but you don't have time to think about how it's most likely going to hurt tomorrow because he is fixing your hair behind your ears with a devious smile on his beautiful face.

“Want me to come in your pretty mouth?”

“No.” He raises an eyebrow at the quickness of your answer. “I have an idea.”

Standing up, your knees thank you, only realizing then you'll also have to deal with that later, being so in your head while giving head, the weight of having him in your mouth a priority, that you didn't even care until then. 

You're back laying on his bed, pulling Yoongi to be in front of you, between your legs. “Is going to be embarrassingly fast if you ask me to fuck you right now.”

And for a second you consider it. Because he is not saying no and because he looks so good like this, hands reaching down to hold your waist and bring you closer to him down the bed. But you shake your head no. “You ruined my plans today,” feeling the need to justify your pervy desires you explain, “I was supposed to take pics today for my birthday post, so now you have to help.”

“You want me to take pictures of you?” also not saying no, just clarifying, and you can see in the lust of his gaze he likes the idea.

“I want you to do something first,” shyness invades again but looking down at his hardened length is enough to deliver the message, “and then take a picture. If you want.”

Yoongi is close to you again, bending down to kiss you with a “fuck yes, I want to.” His dick is resting over your pelvis, and you can't help the involuntary thrust your own body does. It feels heavy, and warm, and just so perfect. And when he thrust his hips, frotting against yours, you can't take it.

“Y-yoongi,” and he does it again and again, and soon you're cumming by just the feeling and the thought of how would it be to be actually fucked by him, how much would he reach inside you, making you feel so full and “Ohhh… oh”

He holds you and kisses down your neck as you come down your high a second time, before kneeling once more at the end of the bed. “You look so fucking precious, baby,” he notes, hand wrapping around his dick once more.

“You look great too,” you offer, biting your lip before letting honesty take over shyness, “I finally get to see you.”

“You been thinking about it?” He knows exactly what you mean. The reason he cuts it off his videos isn't just for privacy, is to give people something to wish for, to yearn.

You nod.

“Baby wants to see me cum?” Another nod, lost for words, but he is not having it. “Tell me.”

“Yoongi…”

“C'mon, baby. Tell me,” he taps his dick over your clothed pussy. Once, twice. Making your body jump at each touch. He teases the tip over your over-sensitive area and then taps again. Honestly, is hard to tell if he is teasing you or himself, but either works.

“I-I want to see you, please.”

His wrist moves in a faster rhythm, his other hand resting on your leg because he just needs to touch you. “Yeah? I'm going to cum,” he pants, “and you're going to show people how gorgeous you look covered on it.” 

You really don't know how much he loves the idea of that, how much he wants to show the world you let him ruin you, how you whisper “please, please,” as he finishes, head thrown back and your name escaping his lips on a moan, shooting white over your naked stomach.

But you can imagine, his victory smile gives him away. And the way he keeps complimenting you all the while grabbing his phone and snapping picture after picture just confirms it.

But you can judge Yoongi too harshly, it does something to you as well. It helps your confidence and a proud smile matches his as he tells you people are going to hate him if you really post this on your page. And that newfound confidence tells you is going to be the first time you click upload without second-guessing yourself.

[     afterhours(y/n):     Thank you for the birthday wishes!     I indeed got a nice present, don't you think?            [ picture ]                                                                          ]

[    SugaD:     Unbelievable 😻     Can we do something for my birthday too?                                                                                                                   ]

♡ Tag list: @m00njinnie , @sexytholland , @seoullove96 , @thelilbutifulthings , @disneyprincessshuri , @yoongibaybee ,

Thank you so much guys for your interest and support on this little series, I appreciate you 🥺💙

➪ Part one. | ➪ Part two | ➪ Updates for this verse | ➪ Ko-fi

➪ Main masterlist. | ➪ Updates in general | ➪ Request & chats ♡

[the-modern-typewriter]

helloo just wanted to know your thoughts on the recent tik tok commentary on “booktok” about how literature is being “ruined because of spicy books” and authors who cater to tropes I definitely see both sides!

Caveat: I don't have tiktok. I don't spend a lot of time on bookstagram either. So while I'm vaguely aware of the discourse, assume I spend most of my time blissfully unaware of everything, under my rock, writing my own little things.

Spicy books:

As with everything, there is nuance to be had. I don't think there is anything wrong with spicy books. There is clearly an audience for them and it's great to have books that recognise this desire! Western society can be weirdly puritan about sex and anything that challenges that get points from me. I've enjoyed the spicy scenes myself when they happen to miraculously meet the very specific vibes I personally like.

However, I also don't think every book needs to or should be pressured to be spicy and I personally get annoyed when I feel like spice replaces adequate plot or character development (which is something I've come across a few times in the last few years). I don't say this in a 'every sex scene must only be there to develop plot/character' way! I say this in a, oh my god, why has the plot stopped for sex in every chapter instead way. In a 'you guys used to have interesting conversations! why are you doing this to me!?' way.

But, you know. I'm not typically the target audience for sex scenes. So I'd just not read another book by an author who did that and let other people enjoy it, if that's what they're looking for. I still feel that there are still plenty of other books in the world I can read.

Tropes:

Tropes have and always will be a tool in writing. It's not new that writers are using them, but I think it's just a trend at the moment to be particularly upfront about them (especially in the romance genre tbh). Specifically, I think this is a marketing trend not a writing trend.

(Does trad publishing like books that are easy to market? Obviously. It's a business.)

I don't inherently mind this, because book marketing is really hard and realistically a lot of people don't stop to engage with original content or long descriptions about original content. Especially not on social media. Tropes are an excellent shorthand for conveying information/vibes, and then people can get more information and decide for themselves if they want to engage with the story.

(In a way, to me this is like when people add 'it's queer!' when they make me a recommendation. Does it make me more likely to go and look at the thing? Yes. Is it the deciding factor on if I actually read/watch/like it. Nope. It's just a quick flag for me to consider it and make my own decision.)

Maybe there are people who are specifically just writing tropes without much more to it...but I haven't really seen it in the books I personally read. At least not any more than the usual.

Some great books I've read this year so far:

The Luminous Dead By Caitlin Starling

Our Wives Under the Sea by Julia Armfield

Rolling in the Deep by Mira Grant

(They are all horror to some degree...I've been on a kick.)

[astralnymphh]

I just got on and saw what’s been happening and bro…I’m glad people are talking about it. Mostly about the smut, inclusivity, Palestine, and the fetishization of trans people.

Reading smut is so underwhelming like it seems like that’s all what people write these days. Like I need ANGST! I need to CRY! I need SLOW BURN AND PLOT….

And to be honest, I personally feel like some writers purposely list the reader’s physical descriptions as being white… like damn you know multiple people are going to come across your shit. I would get annoyed asf when I see something like “she touched your soft pale flushed skin” BITCH- 💀 don’t piss me off 😒🦶🏽

I won’t speak too in depth about the fetishization of trans people in fanfics because I’m not trans and I don’t want to say anything inaccurate BUT I will say it’s so disturbing and off putting seeing shit like that and seeing how people are sexualizing trans people more than treating them like regular humans…I also came across that ‘femcel’ series and🧍🏽‍♀️erm… no.

I appreciate the account who made the post discussing how the word trans and the f word are completely different. I didn’t even know that word was derogatory and it shocked me... I hope that account takes it down and they educate themselves or something cause 🙁👎🏽

yes pook YES smut can be underwhelming and so overdone. we definitely need more angst/fluff.. or just PLOT in general. no, i'm not saying don't write it at all (incase anons twist my words, cause.. they're good at that.) i'm just saying that it would be nice to see some fully fleshed out pieces with emotion and storytelling. i have something in the works though, that encompasses all genres (fluff/smut/angst) so, there's that!

people will so clearly write the whole petite pale white girl bs like "ur delicate small hand" or the fuckass "doey eyed and blushing cherub red" like NEVER portray reader so specifically unless you're going to specify it in the cw!!!! do whatever for ellie's white ass but for the love of gods and goddess BE AWARE OF READER AS A SPOT TO FILL, NOT AN OC!!!! idk how else to describe what i just said. but. it is said. so it. yeah. that whole delicate small petite thing kinda trickles into writing childlike readers too but. thats a whole nother discussion. no clue if i ever used that phrasing in the past tho i have no bold memories of my writings in detail.

i think people will listen to anybody but trans people who are actively calling it fetishization, like. all the mfs arguing with them say "trans and f💀ta aren't the same!" yeah. they aren't. cause one is like, a genuine, flesh and bone person.. with a whole story.. and feelings.. and experiences.. and one is.. fetishization. how many times do trans people have to repeat that? bet most of the people trying to argue against it aren't even trans.

the whole thing about authors "flooding" the tlou tag with palestine posts is also dumb as fuck. is scrolling a bit too taxing on your poor smut-guzzling thumbs?? ur scrolling over big booty fics, i think you can scroll a little further past those posts if you're really that much of a basement dwelling fuck that's sitting comfortably in their homes while a genocide is happening. out here sobbing cause people are spreading awareness. eat my bum bum booty. ++ also add-on cause we're holding writers accountable for ignoring a strike (different than not knowing at first) but there's also the artists!! they're there too.

anons r gonna come into my inbox abt all this but i'm not even gonna answer like, don't waste your time. im not reading all that. especially coming from an ANON 💀

me when

[mermaidsirennikita]

I'll be completely honest, I just kinda feel like the romance genre needs to accept that dubcon/noncon, whether or not you want to read it, was a big part of the genre's history.... and no amount of rerelease editing is going to make that go away.

You wrote a book; it was a long time ago; you followed conventions of the time; you maybe wouldn't now; but you were in fact writing into a genre that did raise you creatively on this element being a big part of it.

No issue with authors wanting to voice what they'd change, make edits with author's notes (and without the erasure of the original content). But pretending it didn't happen does nothing to help us, and it frankly makes it harder to treat the genre as one deserving of serious, potentially academic, analysis. If you're erasing the original work because it makes you uncomfortable, how can we discuss it honestly and analytically and contextually.

This is a very different matter in some ways, but—Eloisa James (an academic scholar who got her doctorate from Yale and taught at Fordham at one point, among other things) backed out of writing the forward to a special edition Georgette Heyer book because of the antisemitic content being removed. It erases an important part of the work, however we may dislike it. How can we DISCUSS the book if the book has been mangled and its history compromised?

"But it's less readable with the bad content", I mean, yeah. For a lot of readers, noncon and dubcon takes a book off the table. And that's so valid. And it's also true that no book can be for everyone. It Happened One Autumn is not for readers for whom dubcon and noncon is a hard stop. I so respect that. I frankly think it's a bit insulting to butcher a book like that in order to get readers who have hard limits to read something that like... famously did. Just let them pass on a book.

I mean, the reality is that for the AUTHOR, there are many reasons to make edits likke these, and again, I'm not necessarily against releasing a VERSION of your novel that better matches your perspective today... as long as that's very clearly not the only version around. For the publishers? It's money. It's making a book more palatable to a larger group of people.

But also... some people like reading dubcon and noncon. And that's okay. And they should have books with content that they like to read, too. And it's fine. There's a huge history of women reading that content specifically to process complex feelings about their experiences and their feelings about their places in the world, and also to simply have fun, and... yeah. That's valid, too.

I just have a lot of feelings about this practice, and it really does come back to a love of the genre and wanting everyone to have books that they enjoy reading (while acknowledging that literally zero books work for everyone and that's OKAY). And a RESPECT for the genre too, and a desire to make it something you can study, if you so please, like any other. I think there's a way to satisfy readers who want to just read for fun and people who want to read for fun and take the genre seriously. We just don't need to make every book cozy and without people who have flaws in order to do so.

[ashen-crest]

self-publishing pros and cons

@earlronove and @antique-symbolism had some interest in this topic, so here I go!

I would love for other indie authors to weigh in as well. (zero pressure, but tagging in case you’re interested in adding insight: @authorlaurawinter @author-a-holmes @natalieironside @maxkirin @spacetimewraithwrites @dnbryn @thebibliosphere @b-a-pigeon and anyone else I’m forgetting right now!)

The pros and cons I’ve noticed so far in my itty bitty time as a self-published author thus far:

Pros:

you have more creative control over not just your writing, but your cover, your illustrations, your formatting, etc.

related to that: if you have a book that isn’t perfectly ‘to market,’ or isn’t following all of today’s Super Hot Tropes, you can still get your book out into the world. You're not dependent on the whims of agents and editors.

you also have more control over your profits/how you get paid, rather than being under a publishing house. in self-pub, you’re choosing the distribution system, the price, when to do sales, etc. (this can also be a con- see below.)

you’re not beholden to the timeline of trad publishing (eg- several years to get the book out)

it’s a cool thing to do! I am proud of the fact that I wrote and self-published a book that otherwise would have just gotten buried under a pile of query letters.

Cons:

re: book content (editing, formatting, cover) - it’s a lot of work to do it yourself. and if you don’t want to do it yourself, it will cost a certain amount of money. (range of cost varies wildly depending on what you want and what your bandwidth is.)

you won’t have a publishing house assisting with marketing, distro, all the business aspects, etc. that will be on you as well. this is something that’s harder to outsource and has a learning curve.

I find marketing & visibility to be the hardest part. that includes writing blurbs, setting up a website, social media, ads, newsletter swaps, etc. It’s really tough to do it all yourself, it doesn’t really end, and can also cost a lot of money.

(the one positive to marketing: you have time to experiment! it’s not like the book has an expiration date. you can continue tweaking your blurbs, covers, ad strategies, website, social media strategies, until you find what works.)

another downside is that I find that the self-pub authors making six figures (so I guess the most ‘traditionally successful’ self-pub authors) often adhere more to current formulas and tropes than even trad authors do. they basically find what works in a specific sub-genre, often romance, and just churn out books that follow precisely what people are looking for there. one person I know literally uses the same outline for every book. now, as a business strategy, it’s clearly working for them. but from a creative perspective? that’s not why I got into self-publishing.

Anyhoo, this is just me blabbering! I hope some of it was helpful!

[deanwax]

Writer Interview

Cheers for the tags, @autism-purgatory and @the-golden-comet <3

no-presh tag to @dyrewrites and @winterandwords, lets gooo

About Me

When did you first start writing?

I would've cut my teeth in the Neopets roleplay forums around age 11-12, likely didn't start writing standalone fics until age 18-19.

Are the genres/themes you enjoy reading different from the ones you write?

Not really, but also: I'll read literally anything if it's presented as a graphic novel. It's been a useful way to discover new things, and historical graphic novels have been a gateway drug to documentaries and video essays.

Is there an author (or just a fellow writer!) you want to emulate, or one to whom you’re often compared?

I don't really concern myself with emulation these days, but way back I tried to style a novel heavily on the works of Poppy Z Brite. I was too green to understand how to give a gothic horror a point, and "Wailing" fizzled out with not much more than wallowing in edgy misery. I've still never been able to salvage the plot or characters to this day.

Can you tell me a little about your writing space(s)? (Room, coffee shop, desk, etc.)

In order of frequency: lying on my stomach in bed with a heat pack, at my computer desk, hunched up in the corner of a train, being weirdly intense in the bar of a local theatre. So yeah, I do a lot of writing on my phone.

What’s your most effective way to muster up some muse?

I'm actually in the middle of reckoning with my own limitations caused by a chronic pain condition, so I'm more in the camp of "let the muse come to you". I try to check in often, I'd only to smash out a few more notes or paste in some research.

Did the place(s) you grew up in influence the people and places you write about?

No, except Sucks Down Under which is literally set in early 2000s Australiana. For the most part I'm making stuff up freestyle.

Are there any recurring themes in your writing, and if so, do they surprise you at all?

I didn't think there'd be so much symbolic cannibalism when I started out, but here we are.

My Characters

Would you please tell me about your current favorite character? (Current WIP, past WIP, never used, etc.)

Man. Adam "Flicker" Prescott from Wailing was the OG, man. He was supremely socially awkward and couldn't stick up for himself against his trans friend who was too angry about gender to see how cruel they were being. He could see ghosts. Eventually he got separated from his body entirely and became a spirit trapped in the mind of the vampire who killed him. He deserved better.

Which of your characters do you think you’d be friends with in real life?

Flicker could live in the back of my mind if he wanted. I guess he does.

Which of your characters would you dislike the most if you met them?

Setting aside outright villains, I actually would start to avoid Alistair from Impressions of Aire for long stretches of time if I knew him IRL. He's way too socially outgoing, man. That's not my speed. Small doses only.

Tell me about the process of coming up with of one, all, or any of your characters.

The speed at which I can come up with these dudes is too fast to clearly separate the process onto steps. It helps to have a prompt to get the bones down, like a genre or an event that will happen in the story. Then: nyeeeooowwww.

Do you notice any recurring themes/traits among your characters?

Autism.

What’s your reason for writing?

Also autism. Yes, yes, the joy of creation. But also: I am putting the characters through The Situations with wildly different parameters.

Is there a specific comment or type of comment you find particularly motivating coming from your readers?

Babe, I write original fiction. Any kind of comment at all is a joyous rarity.

How do you want to be thought of by those who read your work? (For example: as a literary genius, or as a writer who “gets” the human condition; as a talented worldbuilder, as a role model, etc.)

A trickster.

What do you feel is your greatest strength as a writer?

Grounding the actions of the story in some kind of reason, or at least a process that can be observed if not clearly understood.

What have you been frequently told your greatest writing strength is by others?

Knack for words.

How do you feel about your own writing? (Answer in whatever way you interpret this question.)

I have loved everything I have ever written.

If you were the last person on earth and knew your writing would never be read by another human, would you still write?

Yes, so I could read it later.

When you write, are you influenced by what others might enjoy reading, or do you write purely what you enjoy? If it’s a mix of the two, which holds the most influence?

Any story where I've tried to inject content that would make it popular has hit wall until I've allowed myself to rework it to be as weird as I truly want it to be.

[walks-the-ages]

Hey nanowrimo, what the fuck does this mean. What is this article about.

Why do you have an article that sounds like an angry tumblr post that is *clearly* about some incredibly serious allegations, but you're trying to sidestep them by..... acting like people questioning your endorsements of clearly shitty people/company is somehow the same thing as belittling the romance genre or people who became published authors after starting out with fanfic??

Full text from September 2nd, 2024 so they can't edit it later:

"I can't believe NaNoWriMo is endorsing a person/company who does ______________!"

3 days ago Updated Not yet followed by anyone NaNoWriMo is not in the business of telling writers how to (or how not to) write, taking a position on what approaches to writing are legitimate vs. illegitimate, or placing value judgments on personal decisions that are a matter of free choice. Opinions about "correct" ways to write or "right" vs. "wrong" kinds of writers should not be brought into our spaces. Our priority is creating a welcoming environment for all writers. There is no place for that kind of virtue signaling within NaNoWriMo. This position extends to our partnerships with sponsors and affiliates, with authors who we invite to write pep talks or serve as camp counselors, and to people who we invite to participate in events. NaNoWriMo is a global community of more than 550,000 writers who we fully expect to have different values, different needs, different preferences, and different curiosities. Because Wrimos are not a monolith, we don't cater to a specific author archetyope or ideology.  We take this position firmly, and we take it seriously. NaNoWriMo is a 25-year-old organization with staff that has been in the writing community for a very long time. We've seen tremendous harm done over the years by writers who choose to pick at others' methods. We've seen indie authors delegitimized by traditionally published authors, highbrow literary types look down their noses at romance authors, fanfiction writers shamed for everything from plagiarism to lack of originality; the list goes on. Not only is this sort of shaming unnecessary and often mean. It's proven itself to be short-sighted. Some of the most shamed groups within the writing community are also the most successful (e.g., Romance is one of the highest-grossing genres; an increasing body of data shows that indie authors do better than trad-pub authors, and some of the biggest names in publishing started out in fanfic). NaNoWriMo's mission is to "provide the structure, community, and encouragement to help people use their voices, achieve creative goals, and build new worlds—on and off the page." We fulfill our mission by supporting the humans doing the writing. That means not judging them and not allowing judgmental dynamics to enter into our spaces. 

this just reads like an angry, desperate attempt to downplay a serious issue by pretending people are just being misogynystic or looking down on indie authors when clearly that's not what they're responding to lmao, considering probably 99% of Nanowrimo's participants are aspiring writers who probably started out with fanfiction and are probably going to be self published?????

[alpydk]

Writing Interview Tag Game!

You said it was open tag @dr-demi-bee so yoink!

When did you start writing?

I've always written since I was a kid. I remember writing a self insert Jonny Quest fic of about 100 words when I was really young. Couldn't tell you what happened it in but I know I kept it hidden because there was kissing involved.

Then I remember being about 11 and writing a fic of a girl who lived with her two step parents (Guess whose parents hadn't got divorced by that point so they didn't understand how that worked). There was so much angst and TV soap drama I got asked if everything was okay at home. But serious writing wasn't under Feb this year with the BG3 obsession. I don't have a fancy literature degree; I don't have analysis skills of Shakespeare and other fancy authors. I'm just a muppet with a keyboard.

Are there different themes or genres you enjoy reading than what you write?

I love reading sci-fi, especially if its dystopian, Children of Men is one of my favourite books, as are a lot of works by Philip K. Dick, but I've never tried writing sci-fi before and don't really plan to. I also enjoy reading some smut (within reason) but really dislike writing it. I will happily give you a nondescript non/con fic over an explicit love fucking. I've done it, you've all seen it and some even liked it, but my smut writing days are very much on hold right now.

Is there a writer you want to emulate or get compared to often?

I've never been compared to anyone else. Do we normally get compared, is that a thing? I'm curious who I would be compared to now... As for emulation, I don't really want to. My writing is my own, and it conveys who I am as a person. If I were emulating someone else, would I not just be a cheap copy of them? (Possibly I'm seeing emulation in the wrong terms, blame the illiteracy)

Can you tell me a bit about your writing space?

This is it currently. Basic I know, but I'm not one for clutter on my desk otherwise I get distracted easily. I share the room with my kid who has her PC next to me, normally playing Minecraft or nattering away, so I get pulled away plenty. The troll has been with me since 2005 and sat on my desk in various offices across the UK and Ireland, now helping me to write with its words of wisdom. (It doesn't really but maybe I can claim it's a beta reader or something.)

What's your most effective way to muster up a muse?

Spite! Yes, I know this sounds insane and petty and all the other negative words but fucking hell is spite one hell of a muse. One of my fics I wrote very long ago was based of a fanfic I read that just got under my skin. The subject had been taken and turned into this fluffy, romance thing and I was so fucking bitter and annoyed at how little the person had clearly researched into the topic. I went and wrote my fic including the reality of it all and it felt so cathartic to do so. (This is not the way to write fics, I'm just a terrible person) Otherwise, walking, daydreaming, regular tropes you like. Browsing the tags on Ao3 and seeing what strikes your fancy. That's where the hate sex fic came from.

Are there any recurring themes in your writing? Do they surprise you?

Control is a big theme that I find creeps in. Whether it be Gale and smut and his self control, or the non/con fics that seem to slip in. Then there is Nana and her past, and the PPD fic, and of course the S/H fic. Yeah control is the big one. Does it surpise me? Not Really. Control is a topic I've tried to explain many a time to a therapist only to be misunderstood so I think I use my writing a lot to get my thoughts on it out into the open.

What is your reason for writing?

More productive daydreaming. If I could lie in a room all day or walk around in a daydream I would, but unfortunatly the world seems to be insisting that I embrace reality, and so writing is the compromise. I also genuinely do enjoy it but could not explain to you why.

Is there any specific comment or type of comment you find particularly motivating?

Motivating? I'm not sure... I like comments, I like validation like anyone else but they fill that void, they don't necessarily motivate me. When I finished my bachelor paper we had to do an oral exam to back it up, and the exam censor was a professor of literature. Her feedback to my writing was that it was easy to understand and a pleasure to read. That comment stuck with me and has definitely motivated me to stick with my style. I don't like gatekeeping behind faux intellect. So possibly that comment?

How do you want to be thought about by your readers?

I AM A GOD! I don't know really. I guess just being thought about in general is enough. I've always been sort of out of sight, out of mind in life. Like Gale, I've always believed myself to be very much 'if I'm not needed then I'm not wanted' - So just being remembered is enough. (Gods, that sounds so fucking sad now that I think about it.)

Under the surface, I'm pretty sure I'm worthless if I can't be of service

What do you feel is your greatest strength as a writer?

Hopefully it's just ease of understanding. Like I know we all want these literary masterpieces that will change the world or provide some sort of beauty that bring people to tears, but I just want to tell stories and make people feel stuff other than confusion. And I like to think I manage that. So yeah, that's my strength.

How do you feel about your own writing?

Hmmm.... I am my own worst critic in every single aspect of my life. It will never been good enough (see how I've got Gale's angst down so well???). I like my writing, I like flow and repetition. I like how it covers topics I want to read about and isn't just being produced to be produced like I've seen some bigger writers do (they're not on Tumblr, don't worry before you all start wondering 'is it me?'.) And I like how it's not all the same stuff. I have quite a lot of variety of varying standards. Some I really like, others I sigh at and wonder how I'd do them differently.

---- Anyway, do I tag this for others or open tag it again. I just like talking and am trying to distract myself from the inevitable chapter I need to write today.

[aevallare]

I fell out of love with Sarah J Maas books a while back, but watching her descent into madness and watching the fanbase build, then turn toxic, has been the most interesting thing to me. I guess you could say I grew as a reader alongside her as a writer, but keep in mind, I’m old now.

She started out as one of us, an online poster. I’m about to show my age here but she wrote Queen of glass, which would later become throne of glass series, on fictionpress in the mid 2000s. She definitely would have been a watpad girlie. I remember her responding and engaging with those of us who followed her and really taking feedback to heart. She was so excited when her book, eventually, got picked up and was especially keen on it being available on the kindle store. She would release novellas for kindle exclusives and was so proud it. I remember her so exited to write for DC comics at one point. She even made a little YouTube video with cat ears on asking us to read it. (she fumbled that so hard btw)

When the first few TOG books first came out remember there being no fanbase, no fan art, no online discussions on theories. Ghost town. As someone who had followed since the beginning it was just nice to see someone get flowers for their hard work. She still engaged with her followers, she loved specific fan artists and spreading their work on socials, and eventually started having her favourite fan artists make art for the physical copies of her books. Still a woman of the people. Still taking notes.

THEN ACOTAR, and something shifted in the wind. It’s odd to see a woman so keen on the YA genre just decide one day…. Nah I’m good. I think that’s the appeal. She was writing YA for the people who were beginning to age out of YA at the time. Since then the books exploded, and in my opinion, dropped in quality with every release. I can’t say when it was but at one point she just… removed her self. Stopped getting involved in discussions and engaging with people. Which professionally, smart move. Creatively though, keep in mind this woman THRIVED on online feedback at one point.

Ironically Sarah has since built her self a new reputation in the last 12 years of publishing. With hit after hit She’s a gatekeeper and a hater, who is mean to new and upcoming authors, won’t play well others, and won’t take an editors advice to save her life. I hear editors flat out refuse to work with her now which is so ironic.

I was once so happy to see her get popular, but now it’s just embarrassing to be associated with her new fans. Fans who bully an actress and fat shame her while gushing about their “kind of” feminist “icon” love interest… it’s not the group I want to be associated with anymore.

Anyway thanks for coming to the ted talk of a former SJM fan.

Love your work! Keep being you!

i admit, i'm not very dialed in to SJM as a sort of... institution. in my experience, this attitude toward editing is very common, especially in people who found success in the past. i don't edit on anywhere near this scale, but it's just so. who do you think helped you put the good in it. obviously this is your baby but i want your baby to blossom into a beautiful adult someday. please listen to me. please.

more power to her for success and clearly it's working for her. i'm throwing stones from the sewer up at mount olympus. i don't begrudge anyone liking her books. they're just not for me.

[nevermeyers]

I don't know if this opinion is something "radical", but here goes. I wish TR was a seinen.

[there aren't spoilers here or anything related to the leaks, don't worry + this is just an opinion, if you don't wanna see this just keep scrolling]

I wish it, because it would have given us a deeper exploration of the obscurity of gangs, youthful drug use*, sexual violence**, prostitution*** and the yakuza clans****. I wish it was darker. That doesn't mean it can't have a happy ending ofc!

* haruchiyo. I have the hc that he threw himself into drugs 1) because of the environment in which he moved, because when someone close consumes there is a probability that you will also do so and 2) because having memories of another timeline was unbearable for him

** remember the raped girl in the arch of moebius? or would senju ever be harassed? What about Yuzuha?

*** it only gives us hints about the prostitutes with the first meeting of draken and mitsuya, where mitsuya and one of the girls talk

**** Wakui respected the typical pyramidal structure of a mafia, with its leadership leadership, in the Bonten arc. It was very interesting to see

I only know that if TR had been a seinen the treatment towards certain moments would have been very different and all those shonen clichés (like in these last chapters where they left aside the importance of all the characters just to highlight the relationship between Takemichi and Manjiro) would disappear, leaving a much larger and emotionally stronger work.

If it had been a seinen, the work wouldn't have been directed by and to sell copies. I mean, yeah, it's an industry that only seeks money, but the exploitation of the shonen genre is much greater than the seinen genre, or it gives me that impression.

For example, shonen usually have protagonists of adolescent ages so that the viewer feels identified. We see this in TR with characters who clearly don't act their age.

(I'm just referring to their way of dealing with that environment and making some decisions. Let's remember that there are actually teenagers involved in gangs and if you deny that it's because you probably live in a enough privileged place not to open the news and see they have stabbed a fourteen year old boy)

Shonen are aimed at young audiences who consume and quickly forget. Shonen must satisfy the huge needs of these teenagers, either with fanservice or putting the usual clichés because they know they work.

Things in seinen are much more serious and don't usually focus on constantly pleasing the audience.

If TR was a seinen he probably wouldn't have been as famous as he is, maybe it wouldn't even have had an anime. But, maybe then his ending wouldn't have been so rushed and Wakui would have been able to explore all the hints he gave us throughout the series that things are much bigger than they seem (example: hanma's role in the history + fix the plot holes).

Also, Wakui is an author used to writing seinen. If I'm not mistaken, this is his first shonen and it's just where his narrative (specifically at the end of the story) has weakened. I'm convinced that it's not his fault, because he had been doing great until then.

With this I do not intend to detract from his work! TR is great and I will always appreciate his work. It is my favorite manga precisely because of the things it has made me feel (let's say that my favorites are measured more by the sensations than by the plots, lmao) and its characters feel unique and real.

I'm honestly not mad at this ending. I just think it could have been handled in a much better way, because that's what TR deserves.

On the other hand it makes me be in conflict with myself. I look at the characters and think they're not the same, because they have not lived everything they lived in the other timeline. And all of a sudden I say to myself "wait, are you wishing someone went through trauma just to satisfy you?" it's so strange :')

I have to say that the S62 are the most similar characters to the other timeline. Look at those smiles of enjoying the cruelty hehe I love them

So I'm just saying that maybe it would have been more coherent being a seinen and of course maybe Wakui would have felt more comfortable writing it, since that's what he's used to

He has worked very hard, he himself has said this year that he has had his first week off in a long time, and that he suffers from kidney pain (magazine comments). He deserves all the love and respect.

I don't think any of you like it when a job you've put hours into is detracted just because of its ending. So always remember to say things with respect!

Take care <3

[veliseraptor]

Hello ! I've read a lot of the posts you shared or wrote about horror, especially in reaction to "pearl-clutching" discourse against the whole genre.

It was very though provoking (thanks!) but I was wondering if/how you draw the distinction between that and, well, honest and "legitimate" bad review / negative analysis of some individual stories who happen to be horror ?

Oh, for sure. Of course there's legitimate criticisms to be made about individual horror works, or even about horror as a genre on the whole. I'm never going to claim that there isn't. While I do feel like there's a place for the "let people have fun" school of thought around media criticism, I don't think it should be a blanket smothering of all criticism - mostly, as with so many things, it is worth considering your time, place, and audience. For your own sake as well, I find.

I do think that sometimes the language of "criticizing" or "being critical" has become a handy mask for people to say whatever they want in some of the same (though less pernicious) way that people use "I'm just asking questions" to shut down discussion of misinformation and conspiracy theories. Again, #notallcriticism, much of it is good and beneficial and keeps things fresh (and me thinking), even the criticism I ultimately might end up disagreeing with. And at the same time, I do see the tendency popping up sometimes to use the idea of "legitimate criticism" as a way to shield a person from disagreement (the somewhat infamous "think critically about x" translating to "and you'll agree with me" comes to mind.)

As far as the how, well, it's certainly a little your mileage may vary - what I might read as an unfair review of a book I liked, for instance, someone else might read as a well-deserved ripping to shreds of a mediocre work, and it's certainly possible for neither of us to be "right" about which it is. Some of this - maybe even a lot of it - is a matter of perspective.

I guess I would think of two things that shape my perception of how someone is talking about a work or a genre, in general and in particular with horror:

1. Is the writer familiar with the genre? Do they have at least a passing familiarity with the conventions, tropes, and other narrative tics that tend to crop up? If not, are the criticisms they are making marked by that lack of knowledge (ime some of the discourse about the A Song of Ice and Fire falls victim to this, sometimes). I'm not saying that criticism is invalid coming from someone without genre knowledge, but I am saying that I'm more inclined to be skeptical of criticism that comes from someone who clearly dislikes the specific genre they're discussing, because it sometimes feels like a willful lack of curiosity and unwillingness to engage with a text/genre on its own terms.

> Addendum to this: is the writer familiar with the genre as it stands recently? Horror now looks rather different than horror fifty years ago, just for instance.

2. Is the argument or point they're making actually coherent? Is the analysis solid and grounded in at least some kind of evidence or source? (Is the author using screenshots of tweets in lieu of actually writing about the phenomenon they're discussing?) I can't always but I'd say I can usually at least recognize, even if I disagree, when someone is actually taking what they're engaging with seriously and when they're not (in terms of the work put in to convince me what they're saying is true, relevant, and important), and if they're not taking it seriously then why should I?

And one more, I guess, which feels obvious but sometimes on the internet isn't, because people love to have opinions (I get it! so do I!):

3. Has the writer actually read (or watched/played/whatever) what they're talking about? This ties in a little with point one but is slightly divergent, because someone can to an extent be familiar with a genre without having read it. But someone talking authoritatively about the problems with something they haven't actually had direct contact with, based purely on a set of cultural osmosis and related assumptions, is frustratingly common, and people will assume that they know what they're talking about from that alone and are qualified to make a sweeping judgment from that position. And I'm just not going to take criticism made from that perspective very seriously.

That's how I'd draw my lines, anyway. I don't claim to be an authority, certainly; I'm a gal on the internet with a big mouth and a lot of opinions. I think the important things here though are a. I certainly don't think that there's no such thing as legitimate criticism (in the negative sense) of horror works or horror as a genre, and b. I have particular standards for how I judge that criticism based on content and context.

I guess it's also worth noting, with this particular example, that the other question is "how much does this feel like it aligns with the present moral panic around dark or disturbing content in fiction?" and if the answer is "a lot" then I'm significantly more likely to dismiss it.

[weaselandfriends]

I’ve become aware, lately, that, while there exist many sources of advice on how to avoid writing bad prose (typically of the form “here are a bunch of common errors one should avoid making”), there seem to be very few sources of advice on how to write *good* prose. Do you, in your capacity as a writer-of-good-prose, happen to have shareable techniques in that field, ways to lift prose up from merely lacking obvious errors to being actively high-quality and lending impact to its containing work?

In college, after I'd already written seven novels, I took a creative writing workshop. Before then, I'd taught myself everything I knew about writing, mainly by reading classic literature and writing stories that unconsciously imitated their styles. I thought taking this workshop would elevate me to the next level, unlock new techniques and skills I hadn't even known about beforehand.

The workshop itself was modeled on MFA programs. MFA stands for Master of Fine Arts, which is a postgraduate degree specialized in creative artistic fields, such as literature, theater, visuals arts, and so on. The first rule of the course was "no genre fiction," meaning anything fantasy, sci-fi, etc., and the works we read and were expected to write were what would be described as contemporary "literary fiction," which is the kind of writing that wins awards like the Pulitzer. We read Karl Ove Knausgaard, Alice Munro (who had recently won the Nobel), and a few other more obscure contemporary writers. The professor herself was a published, award-winning author.

The professor had a particular philosophy toward writing prose, which I would summarize as the following: You focus on conveying information as clearly and simply as possible most of the time, and then at strategic points add lavish, vivid, gripping detail. The idea was that most of the reading experience would be elegant, easy-to-read, and utilitarian, but would then hit extremely hard when it was important.

It's easy to see the rationale behind this philosophy, how it lends power to a work, and it's a writing style you see in a lot of contemporary literary fiction, where the underlying aesthetic is what I would describe as "neo-realism": life stories, spanning wide amounts of time, of a person or family, where there is less emphasis on "plot" than on delving into the relationships and existence of these people as they are. The "intergenerational family epic," you might call it, with one of the favorite themes being "generational trauma" (which has more recently become a prevalent topic in pop media too). These stories often straightforwardly narrate a person's life for years in brief, summative detail before slowing down for a key moment that is expounded upon much more thoroughly. My professor's prose technique, with its modulated level of detail and potency, is specifically tailored to this type of story.

My issue is that this type of story, while currently in vogue with certain literary circles, is not the only type of story there is, and its prose style is not necessarily appropriate for other types of stories. What about Ulysses, in which a character's most irrelevant action is detailed in unique and potent prose? What about any work by Kafka, in which layers and layers of irrelevant bureaucratic trivium are heaped upon the reader in breathless comma splices, creating a labyrinth? What about As I Lay Dying, where character psychologies are detailed in muddy, ambiguous stream of consciousness? What about the maximalist epics of Thomas Pynchon or David Foster Wallace, which overload each sentence with detail and detail and detail until the sentence is about to explode? What about Hemingway, who stripped all his sentences down to their most basic essence, and who used what was stripped away and unseen by the reader to contain the true meaning of his works? What about Melville, who conveyed information in an encyclopedic fashion? What about Shakespeare, who invented a brand new word whenever he felt like it?

Prose is innately meaningful. The words you choose to use are meaningful, their arrangement is meaningful, the structure of their sentences is meaningful. I can tell you a lot of specific techniques to imitate any of the authors I listed above, but what's actually important is understanding the meaning you want to convey and deciding on prose techniques that convey that meaning. Ask yourself: What does a short sentence feel like. How does a long, rambling sentence, with multiple digressions and parentheticals (perhaps even parentheticals that could be considered their own sentences nested within the original), impact the reader differently? When you repeat the same idea, and repeat it, and repeat it again, and repeat it once more, what does that do? Perhaps a more erudite (some may say pedantic!) tone conjures within the reader a certain emotional response much dissimilar to the one conveyed by a sentence that just doesn't give a fuck, dude.

With all that said, here is my actionable advice for improving your prose:

Read a lot of literature from a wide variety of authors writing in a wide variety of styles. Think about why they are writing in the styles they are, or how those styles contribute to the overall meaning of the work. A major mistake I see young writers make is that they only read fiction that is similar to the fiction they plan to write. For instance, aspiring fantasy writers only read relatively contemporary fantasy, sci-fi writers only read sci-fi, MFA writers only read MFA-style works, webfic writers only read Worm, and so on. Doing this you might learn how to imitate a singular style by rote repetition, but you'll lack versatility and have a fairly shallow bag of prose tricks to employ, which in turn limits the range of meaning and emotion you can convey.

Write imitations of a wide variety of styles. Every writer I've ever known, including myself, started out by writing imitations of something they liked. It's how you learn, and it's the starting point before you can develop your own unique style. If you try different styles you will eventually learn what works and what doesn't and synthesize that into a technique you can call your own.

Edit your writing and think about what meaning is conveyed by your prose style. You have a significantly different perspective on your writing when you write it and when you read it back. Don't just write something and never look at it again. Read through it again and make tweaks to improve the prose. Then read through it a second time. A third. Even more. Keep making changes each time. Think about what these changes mean and why they improved the work.

In general, I think any writing-related advice should boil down to: Read, Write, Edit. This is mostly how you get better at any technique: See how it was done before, do it yourself, revisit what you did and figure out how it can be improved. Then repeat. Definitely avoid platitudinous advice like "Show don't tell," "Cut every adverb," etc. That kind of advice is the get-rich-quick scheme of writing, and like get-rich-quick schemes, they never work.

[sanityshorror]

so someone sent and ask to another blog I follow saying that your OC, julius is a rapist/necrofile. They also said that you bully people. I think it might be BS, but you never know.

I appreciate you coming to me directly to ask. Ironically enough, I was just considering making a statement where I ask people to ask me before believing what an anon says. This got long but I felt like it was necessary to include as much context as I can. Thank you /gen

First, I want to remind everyone that I am not my character and Julius is not any sort of representation of me. The way the person who has been spam sending these asks regarding this very clearly is using specific wording to make people subconsciously see me and my character as one entity, frankly that's rather slimy of the person sending the anons to blogs.

REGARDING ME: I do NOT bully people, I keep to myself.

There was a situation over a year ago that started based on miscommunication and me being an idiot, not thoroughly fact checking, and proceeding to make a claim about someone that turned out to be untrue. I gave the person a sincere both private and public apology, to which they accepted. (This all happened over a year ago). I'm keeping it vague as said person affected by my careless actions has been extremely clear they don't want the situation to be spoken of.

At their request, and as the morally right thing to do, I used it as a learning experience and I'm very careful to not let my emotions and impulses get the best of me. I also ignore drama and certainly don't instigate it. Yes, I stand up for myself, but not in a way that is harassment.

This drama is ridiculous given I have left creepypasta, and I have no desire to personally interact with the fandom or be involved. I do not have time for this drama, I do not know why on earth people are suddenly anon spamming. It's stressful. I have more than enough going on in my life. To again reiterate: I left Creepypasta. I'm a published author and a professional freelance artist. I created The Hellcrew Project, an original horror series/franchise that I co-create with @gracilissart and @scarfaxia . The Hellcrew has a fandom of it's own and those are the people who I interact with.

NOW, AS FOR JULIUS - there are two 'versions' of the character.

This is an important post I made that's relevant regarding creepypasta & Julius:

The character known as Julius the Dressmaker is a creepypasta. His only creepypasta canon is what's explicitly in the creepypasta: Julius the Dressmaker from Hell. Again, this story it's the ONLY canon for the creepypasta Julius, and there is no rape or necrophilia, but there is WiFi in Hell! It's tongue in cheek, rather comedic campy slasher, you can read it for yourself here:.

Julius 'Jules' Doherty

is the same character on only a very base level and by name. Yes, Julius 'Jules' Doherty is a necrophiliac and rapist, this is not a secret and never has been. He is an extreme horror character. He is meant to make you uncomfortable and I would be concerned if he didn't. I write extreme horror/splatterpunk, what will you expect from the genre? These things he does are never and have never been portrayed in any light other than horrific.

If you suspect I glamorize it, then you can read The Man with the Scarred Neck - Julius 'Jules' Doherty is the secondary antagonist, and see for yourself that I do not. You can buy The Man with the Scarred Neck in ebook or in physical copies

Here's the preface for it:

Hope this clears things up, thank you.

[alectology-archive]

What you dont like about sanderson writing?! I'm starting to read his books and so far i like it, but i always appreciate other opinions

that’s fine, I’ve already stated plainly on my blog before that I can recognise why his books are probably enjoyable for a lot of people because he structures his stories in ways that make them very readable. a lot of people probably enjoy his plot twists too, although I always thought he was very cruel and cynical with his storytelling (re: specifically with how he pokes fun at himself and the genres he’s working with in a manner decidedly meant to evoke ridicule. like… where is your fucking whimsy! he has no respect for the artistic process of writing besides telling stories - and as a writer myself I can’t abide that kind of an author being paraded around as an aspirational figure) and very disconnected from reality (specifically with respect to Reverse Misogyny, Reverse Racism and Oppressed People Should Find A Middle Ground With Oppressors. it frankly disgusts me) besides being just terrible at handling any theme even if I can concede that some of his ideas are good (on that note, I think his worldbuilding is also very overrated, constituting a mish mash of different concepts that don’t quite cohere. you can tell that he used to run dnd games). I just think his stories are probably more comparable to pjo, writing and skillwise, and I enjoyed one of them better (it was pjo). I also outgrew young adult long ago, which means his works could never appeal to me even if he wasn’t Like That (whatever That means when you’re a kind of very privileged white mormon guy who has a very protective fan base). The problem that is the terrible quality of his work also mostly stems from pumping out 500k-1 million words a year. it’s just not possible for any of that to be very good, I’m sorry. at one point quantity does very much become indicative of quality. no good or sane writer would publish any of that material unless it was heavily, heavily edited (his books are not well edited either, but I feel sorry for whoever his editor is). I don’t think there’s a single line anybody could pull from his works that I would find poignant, meaningful or quotable precisely because of his tendency to put down on paper anything and everything that occurs to him (there’s a reason why his works read like a disjointed stream of consciousness). his works also convey the sort of smug, contented state of confident self-possession he’s managed to reach where he’s comfortable publishing any piece of bad writing (I’m saying this after reading the first couple chapters of tress of the emerald sea, so I don’t think anyone can really accuse me of not reading his recent and therefore, supposedly, better works) because he has an established fan base that’s ready to eat it up. he also does suck at writing women. like a lot. it’s a conversation that nobody is really ready for even when they critique the deplorable depictions of oppression and class dynamics in his books - his male characters are always the real stars of the show and are clearly very dear to him besides being the vessels through which he inserts a lot of religious commentary that specifically stems from his background. he also does (consciously and unconsciously) insert lot of conservative rhetoric in his books when he’s writing his female characters.

whatever - I’m not stopping you from enjoying his stuff. but to put it very crudely, I think his stories also suffer from the same issues that the mcu does.

[olderthannetfic]

Speaking of esoteric knowledge, when a canon that already has common unrealistic elements (things like legal/medical inaccuracies, 'zoom and enhance' computer stuff, incorrect science/math, guns having too many bullets, stuff blowing up when it shouldn't, etc.) does it then bother you when fanfiction for that canon has the same or similar inconsistencies, or does the canon doing it first give fic authors a "pass"? 

Very interested in what people say in the replies, too.

Personally I usually don't mind either way if the canon set the precedent, but I think most of us have a subject that we just don't tolerate inaccuracies about. Like a lot of, say, unrealistic computer use in canon will be rectified in fanfiction, since we're all on the computer, however I find most people don't care about fixing things like medical inaccuracies or blowing up a whole gas truck by shooting it a few times, unless they're purposely doing an intensely high-realism take on the canon for added drama.

--

It depends what the fic gets wrong.

I almost never mind action movie physics and healing.

The things that will probably jump out at me and annoy me tend to be very specific cliches. If you literally do the "zoom and enhance" thing, I'll wonder if you just don't know. If you have the villains knock someone out so they don't know where they're being taken, I'll probably roll my eyes more than if you have some less specifically cliched potentially deadly injury that action heroes survive all the time.

If you write about alleys in Manhattan, I will for sure laugh.

There's one, guys. One. Every single one of those movie scenes and also J-Hope's music video are filmed there.

(Okay, there are a couple of others, but seriously. This is not a thing. Write about Philly or L.A. or Chicago or something! At least set your damn story in Brooklyn or Queens!)

Canon shooting that one Manhattan alley from 57 angles does not make me like this nonsense better in fic.

The thing about unrealistic guns and whatnot is that on screen, things go by quickly and don't always have dialogue about them. On the page, you're being more explicit, and you're usually in a character's POV. So if canon treats guns unrealistically, this may slide by okay in a tv/movie/etc. In a book canon or in written fic, errors may be more glaring. I'll usually forgive things that are clearly exaggerations that suit a genre or characters cocking a hammer unnecessarily... but you'd better not confuse 'hammer' and 'trigger'.

I'll forgive things more if canon would be significantly changed by making them accurate. "Zoom and enhance" nonsense could be easily replaced by less wrong computer stuff without changing canon's tone or even the plot. Treating trauma realistically would often radically change canon's tone in ways I dislike.