#moonlit winter

[dailyworldcinema]

I used to write you letters whenever I dreamt of you — but I could never send them to you, as you may be married with a family. Because those letters then piled up in my heart, it always feels like the first time when I write a new one. Time glided past while I hesitated... I was a coward. I ran away from you and still do.

MOONLIT WINTER 윤희에게 — 2019 written & directed by Lim Dae-hyung

[smittenskitten]

ASIAN QUEER MOVIES 🎬🌈

[girlsloveupdates]

Hi, there!

I was wondering if you had some sort of a list of long-lenght GL movies from any Asian country. I've either found short films on GagaOOLala, or very few titles at all.

Hi! There are lots of movies and many good lists to find online, especially on Letterboxd. Here are some I’ve watched and would recommend:

Blue (2002), dir. Hiroshi Ando

An introverted schoolgirl falls in love and starts a relationship with one of her classmates. Set in a small seaside town in Japan.

Saving Face (2004), dir. Alice Woo

A Chinese-American lesbian and her traditionalist mother are reluctant to go public with secret loves that clash against cultural expectations.

The Handmaiden (2016), dir. Park Chan-wook

In 1930s Korea, a swindler and a young woman pose as a Japanese count and a handmaiden to seduce a Japanese heiress and steal her fortune.

Billie & Emma (2018), dir. Samantha Lee

Billie, a teenage rockstar, moves to the province and meets Emma, a model and almost perfect example of a good daughter. They go through the experience of first love.

Moonlit Winter (2019), dir. Lim Dae-hyung

The arrival of an intimate letter prompts a young woman to bring her mother on vacation to a small Japanese town, where someone special resides.

Badhaai Do (2022), dir. Harshavardhan Kulkarni

A gay cop and a lesbian teacher enter a sham marriage to pacify their families but find that relationships — both real and fake — aren’t all that easy.

Maja Ma (2022), dir. Anand Tiwari

A rumour about an unassuming housewife threatens to disrupt her middle-class family’s life on the eve of her son’s engagement.

Rookie (2023), dir. Samantha Lee

An awkward 6-footer teen is forced to learn and play volleyball half-heartedly when the Catholic school she transferred to did not have a basketball team. Everything changes when she meets her star player.

[jeon6yeon]

Kim Hee-ae and Yūko Nakamura in Moonlit Winter (2019)

[hayaomiyazaki]

MOONLIT WINTER 윤희에게 — 2019 written & directed by Lim Dae-hyung

[wlwcatalogue]

A few sapphic film recs!

Just a few recommendations for sapphic films under 2 hours which may or may not have flown under the radar:

Moonlit Winter / 윤희에게 (1hr 45m, 2019, dir. Lim Dae-hyung)

Professor Marston and the Wonder Women (1hr 48m, 2017, dir. Angela Robinson)

Who's the Woman, Who's the Man / 金枝玉葉 2 (1hr 50m, 1996, dir. Peter Ho-Sun Chan)

Sisterhood / 骨妹 (1hr 37m, 2016, dir. Tracy Choi)

DEBS (1hr 31m, 2004, dir. Angela Robinson)

Farewell, My Queen / Les adieux à la reine (1hr 40m, 2012, dir. Benoît Jacquot)

Bonus - short film: Love Does Human / 사람 하는 사랑 (24 mins, 2019, dir. Oh Seon-ju)

Commentary under the cut!

1. Moonlit Winter / 윤희에게 (1hr 45m, 2019, dir. Lim Dae-hyung) - IMDB | MyDramaList

This movie is about a daughter (Kim So-hye) who finds out about her divorced mother’s (Kim Hee-ae) past with another woman (Katase Jun), and how in encouraging her mother to reconnect, the two finally open up to each other as well. Dry stuff on paper, but there’s more to it: the mother and her former lover didn’t just break up, they were split apart by their families as teenagers and the mother was forced to marry a man against her will. In short, it deals with the aftermath of the typical “bad ending” of older stories featuring WLW characters, wherein schoolgirls in love would be separated and married off to preserve the heteronormative status quo.

Although the queer relationship does not get much screentime at all – the two characters share a single scene, there are no flashbacks, and there’s not even a hug – queerness remains at the heart of the movie. It’s a rare depiction of how the repression of queerness leaves scars on people which affect how they engage with the world, but which also shows that as long as they are alive, there is still hope that those scars can be healed. Also, despite the heavy-sounding subject matter, it’s a very gentle experience: there are no direct depictions of homophobia and no sensationalism, just a little story of human connection unfolding in a snow-cloaked Hokkaido.

2. Professor Marston and the Wonder Women (1hr 48m, 2017, dir. Angela Robinson) - IMDB

The blurb on IMDB says that this movie is about “psychologist William Moulton Marston (Luke Evans), and his polyamorous relationship with his wife [Elizabeth] (Rebecca Hall) and their mistress [Olive] (Bella Heathcote) who would inspire his creation of the superheroine, Wonder Woman”. As someone who is not particularly drawn to biopics, male protagonists, polyamory, BDSM, or Wonder Woman, I assumed that this movie wouldn’t be my jam and so didn’t watch it until quite a while later – which is when I discovered just how wrong I was.

First, the two women take up just as much of the movie’s focus as Marston. Elizabeth, Marston’s wife and fellow psychologist, is highly intelligent but equally highly-strung; she does not know how to deal with her husband’s attraction to new research assistant Olive, nor Olive’s attraction to both her husband and Elizabeth herself, and this internal conflict (even after the three enter into a polyamorous relationship) features heavily in the story. Second, although it declares itself to be “based on a true story”, the movie is not especially interested in recreating or representing the past. Rather, the historical elements are used as a framework to explore certain ideas: Diana’s Lasso of Truth symbolises how progress and healing must be first founded upon honesty, for example. The polyamory and BDSM is also not at all sordid or sensationalised, but rather presented in a nuanced (though still sexy!) manner. More than anything, this is a movie with a big heart and big ideas, and should be judged on its own merits.

3. Who's the Woman, Who's the Man / 金枝玉葉 2 (1hr 50m, 1996, dir. Peter Ho-Sun Chan) - IMDB | MyDramaList

All you need to know going into this sequel of 1994 movie He's a Woman, She's a Man (金枝玉葉) is that main character Wing (Anita Yuen) is a woman who has found both fame and (heterosexual) love while disguising herself as a male idol, and that her relationship with record producer Sam (Leslie Cheung) is known to the general public— although it is perceived as being homosexual in nature due to her persona. At this point, you might be wondering why an M/F romantic comedy is on this list, but this movie is a bit odd in that instead of focusing only on problems such Sam’s internalised homophobia and misogyny (both of which are addressed in the story), one of the new obstacles facing the couple is the female lead meeting female pop star Fong Yim Mui (Anita Mui)… and both starting to fall for each other.

I was surprised at how sensitively Wing and Fong Yim Mui’s respective arcs are handled, especially for a mainstream movie from the 90’s starring two of Hong Kong’s most popular performers at the time. Instead of giving the two women a meet-cute and leaving it at that, a lot of care is put into showing them processing and coming to terms with their feelings in their own time. Romantic and sexual attraction is also highlighted separately, which is refreshing given how they are usually depicted as inextricably linked even now… Obviously Wing and Fong Yim Mui don’t end up together, but their feelings aren’t dismissed and – relative to the narrative constraints – the ending is a warm, optimistic one. Also, Anita Mui gives an absolutely award-worthy performance in one of the scenes with her character and Wing, so fans of her should definitely give this movie a try.

Important note: Although there’s much that’s good about it, Who's the Woman, Who's the Man is far from perfect. Early on, there’s a masquerade party where two of the characters are wearing masks which look like racist caricatures, and the masks are crop up in multiple scenes in the film. More serious is the subplot about a male character who keeps trying to win over a lesbian, culminating in her agreeing to sleep with him once while he’s dressed as a woman (CW: transphobia, homophobia) – though this storyline ends with the man accepting that she really is gay and parting on friendly terms. That said, these problems are already mild compared to the actively hateful transphobic and homophobic jokes present in so many of its contemporaries, so if you’ve watched a 90’s Hong Kong comedy before, chances are that your tolerance level is more than high enough.

4. Sisterhood / 骨妹 (1hr 37m, 2016, dir. Tracy Choi) IMDB | MyDramaList

Sisterhood opens with tragedy. Originally from Macau, main character Sei (Gigi Leung) is living quietly in Taiwan with her husband after the 1999 Handover when her life is overturned by a newspaper personal ad informing her that her long-estranged friend and colleague Ling has passed away. The movie is shot through with flashbacks to earlier times, tracking a young Sei (Fish Liew) as she starts doing sex work and is taken under the wing of the more experienced Ling (Jennifer Yu) and her friends. Memories of togetherness and community are juxtaposed against sequences of present-day Sei struggling to navigate her grief, the tensions of the now-fractured friend group, and a Macau that has changed just as much as she has. The acting and script can be clunky in places but the sentiment shines through, especially after the first third, at which point the movie starts honing in on Sei and Ling’s relationship. It’s not a happy story, but nor is it defined by sadness; instead, it posits that the past is not merely to be mourned, that it is instead something that can shape and provide a foundation for the future. I won't talk too much about how queerness figures into this story, due to spoilers, but rest assured that it is present and important!

5. D.E.B.S. (1hr 31m, 2004, dir. Angela Robinson) - IMDB

Okay, you've probably heard of this one before if not watched it already, but anyway! This was the first WLW movie I watched, and for a long time, the only one which I actually enjoyed. It’s about an elite spy (well, more like an honours student at spy school) (Sara Foster) and a criminal mastermind (Jordana Brewster) falling for each other, a premise which is just as fun and over-the-top as it sounds. The movie does a great job of mixing action, humor, and romance, and it doesn’t overstay its welcome – it’s got a nice compact runtime and a cracking pace. There’s still nothing quite like it in my opinion, though I’m very welcome to any recommendations in this line (my askbox is open if you have any!).

6. Farewell, My Queen / Les adieux à la reine (1hr 40m, 2012, dir. Benoît Jacquot) - IMDB

Loosely based on Chantal Thomas’ novel of the same name, Farewell, My Queen is a portrait of French nobility in decline, following maidservant Sidonie Labarde (Léa Seydoux) who is in the service of Marie Antoinette (Diane Kruger). It's a beautiful, lavish production which effectively conveys the perspective of a servant locked in the gilded cage that is Versailles during the French Revolution, and is a rare case of a historical figure as famous as Antoinette being presented as queer in a serious historical drama.

That being said, the queerness is mostly background, coming mainly in the form of Antoinette’s crush on? relationship with? duchess Gabrielle de Polignac (Virginie Ledoyen)— though a case can be made for Sidonie, whose outward opacity belies an unwavering, almost unsettling, devotion to her queen. Also, be warned that the movie has many a dodgy shot of cleavage, and two instances of unnecessary and voyeuristic nudity... but other than that, it really does have gorgeous cinematography.

Fun fact: there really were rumours about Antoinette having a scandalous relationship with the duchess, although these have nearly always been written off as baseless reputation-smearing.

Bonus - short film: Love Does Human / 사람 하는 사랑 (24 mins, 2019, dir. Oh Seon-ju) - MyDramaList

Some say that the best science fiction puts a spotlight on some part of the human condition, and this short film does just that. Main character Tae Eun's (Kim Min-ju) girlfriend Joo An (Jang Sam-yi) no longer has a human body: after carrying out a medical operation which transferred her consciousness to a computer system, she now has a web-camera for her eyes, a speaker for her mouth, and control over their home's devices for her hands. And although the change was by Joo An's choice and Tae Eun was supportive, the pair struggle to adjust to this new reality, and are confronted with the need to communicate and to consider each other's perspectives. Love Does Human has a bit of a slow start, and there were points where I didn't understand why the characters were reacting in a certain way, but it all comes together beautifully in the end. Through its sci-fi premise, viewers are encouraged to think about real-life problems using a different angle, and the movie never gets too heavy. Also, shoutout to some excellent voice work from the two actors - Joo An is performed nearly entirely through voice but she feels deeply human and present, and Tae Eun's actor also has a standout scene featuring some great voice acting. All in all, it's a short film that's well worth checking out (especially since the director has made it available for free, with English subtitles, on Youtube - embedded above)!

[stuffnonsenseandotherthings]

July has been a month of ups and downs in that there have been some truly excellent shows for me to watch but there have also been plenty of let downs. It's also been a month where I've had more free time than usual thanks to my being on holiday and I've definitely taken advantage of that to cram in as many dramas as I mentally and physically can.

Anyway here's a song for the month (perhaps I listened to it so much to trick my brain into believing it's summer despite the constant rain) and let's get started!

4Minutes 🇹🇭👨‍❤️‍👨 [1/8]

What a strong start. I am seated and fully on board with wherever this drama wants to take me next. Something I really loved was how the first episode opened up so many questions with regards to various characters and their motivations and didn't just bank on the central plot device to build the intrigue (although there's plenty of intrigue there as well, and quite possibly already some answers). Yes I want to know about the seeing the future thing, obviously, but I also want to know about Great's relationship with his family, what kind of person Korn actually is, and why Tyme seems 5 kinds of jaded despite still being early in his career.

Battle of the Writers 🇹🇭👨‍❤️‍👨 [1/12]

This one.... I'm not sure about. Its selling point was (and still is) that it's fulfilling my wish to see Tutor and Yim as leads and, in that, it's doing very well indeed. But, I'm not going to lie, the only reason it's here instead of in the "dropped" pile is because I try to give every show 2 episodes before making a decision. It's not that there's anything wrong with it (it genuinely seems like a perfectly good show judging by the first episode) but I just don't think it's something that's going to be able to hold my interest and make me want to make the time I need to watch it.

Century of Love 🇹🇭👨‍❤️‍👨 [3/10]

I took a break from this one but I'm fully planning to catch up! I was enjoying it but I wasn't in the right head space for it at the time. I am now though so I'm going to rewatch the first 3 episodes and then hopefully be caught up in time for the last episode.

Knock Knock Boys 🇹🇭👨‍❤️‍👨 [10/12]

I am very attached to all the residents of the Knock Knock house but especially Latte, I 100% buy that he has no problems finding partners because he won my heart too. I also really like his and Almond's storyline, not just the romance (although that is very cute) but the things that built that romance up; the intimacy group, their friendship with Shawn and Jumper, their friendship, the careful handling of the hidden camera story arc... Some really good writing all around there. I'm a little less sold on Thamwa and Peak (despite them being the older characters their storyline feels less mature if that makes sense?) but I'm still enjoying them immensely.

Midnight Romance in Hagwon 🇰🇷👩‍❤️‍👨 [1/16]

I needed to take some time before I started watching this because I knew it was going to be such a rich watch. One episode in and it was already like eating a 3 course meal, there was so much to unpack and I am loving it. I know from @lurkingshan that this drama focuses much more on the education/Hagwon system than the titular romance and I also know that's not for everyone but, as someone who has a professional interest in the education system, that's more than okay with me and I'm curious to see what conclusions it comes to.

My Sweet Mobster 🇰🇷👩‍❤️‍👨 [14/16]

I'm really loving the main message of the show (restoration not perpetual punishment) and the vibrancy of the characters. The ex-cons are so much fun and the found family they make together is adorable and hilarious in equal measure. The central romance is pretty adorable too with the gruff-softie/feisty-with+heart combo, although it is probably the thing I'm least invested in as it's quite typical for a k-drama romance (I actually think I prefer the second couple thanks to their social taboo breaking). Overall it's been a fun ride and I'm going to miss it when it's done, I'd also definitely recommend it to anyone who enjoyed A Business Proposal (it gives off very similar vibes).

Sweet Home S3 🇰🇷 (👩‍❤️‍👨) [2/8]

I don't think any of the proceeding seasons could ever have hoped to live up to the masterpiece that was season 1, but, to be fair, I never expected them to. What made S1 outstanding was it's confined and cramped setting and how that was then used to explore the complexity of social relationships through the lens of monsters vs survivors. Once they left the apartment complex and opened up the world, they were never going to be able to maintain that in quite the same wau. Still, I'm enjoying S3 for what it is and I think it's going to be a good conclusion to the series.

The Trainee 🇹🇭👨‍❤️‍👨 [5/10]

This. Show. Is. Fantastic. It's the first time in a long time I've seen a drama treat the workplace seriously and not just as set dressing and so far it has hit all the right beats. Characters, comedy, themes, relationships, plots and subplots? All on point so far and developing so nicely in a well paced slow burn that it's obvious to me how much thought and care went into making this show. Also Gun is in equal measures cute, funny and relatable as Ryan and Jane is definitely Off's best and most crush-worthy character to date (which is great because that leaves Ink for me).

Lovestruck in the City 🇰🇷👩‍❤️‍👨

Lovestruck in the City was an incredibly ambitious drama, both in terms of its format (a semi-docu interview style mixed with a lot of flashbacks) and its central theme (an exploration of modern relationships, especially those coming to or after their end). I really wasn't expecting it and to say I was pleasantly surprised would be an understatement. However what started off as its strengths in the first half ended up becoming its weaknesses in the second; it wanted be and say too many things all at once and in the end what was innovative about it got lost in its attempts to still fit the typical romance k-drama mold.

⭐ rating: 7/10

Moonlit Winter 🇰🇷👩‍❤️‍👩📽️

I don't know how to describe this film other than quiet but with a lot to say. It doesn't shrink away from the harsh realities of growing up, falling in love and living in a society where part of who you are is treated like something dirty and the lasting trauma that inflicts, but it also offers solace and comfort and a quiet hope for healing and change. It broke my heart and healed it in so many ways and I'm going to be thinking about it for a long time to come and recommending it to whoever will listen.

⭐ rating: 8.5/10

I should start by saying that I drop dramas quite often and for a variety of reasons. I don't have to be not enjoying a show to drop it, I just have to not be enjoying it enough. This means that there are plenty of dramas in my dropped pile that I think are perfectly decent shows but which, at the same time, didn't pull me in enough within the first few episodes.

Love Sea 🇹🇭👨‍❤️‍👨👩‍❤️‍👩 [On Hold]

I thought Rak and Mut's storyline was great and I genuinely enjoyed their dynamic, even more so with all the meta around it. The very fact that this is "on hold" rather than straight up "dropped" is a testament to how much I am still taken with them. Unfortunately, however, Vi and Mook made me want to put my head through a wall every time they were on screen together and I couldn't, for my own sanity, keep watching a show where I was skipping half of each episode in a desperate attempt to escape even a glimpse of their scenes.

Red Swan 🇰🇷👩‍❤️‍👨 [Dropped]

I think I got to episode 3 or 4? It was very fast paced and there was plenty of intrigue and family plotting to keep me on my toes, which I did appreciate. It also did a great job of making me feel like something was actually at stake and that the protagonists weren't always going to win, which is pretty rare. Ultimately though, I have a lot of other dramas that I like a lot more and which are more to my taste in terms of genre and subject matter, so Red Swan gets the boot. I would consider picking it up again later though.

Serendipity's Embrace 🇰🇷👩‍❤️‍👨 [Dropped]

I found the first episode of this surprisingly boring, so much so that I spent a lot of it flicking through the news on my phone and didn't even consider watching the second. I'm glad that Chae Jeong Hyeop seems to be making a name for himself though. I really liked him in Love All Play and Castaway Diva (both of which I stuck with for longer than I normally would have for him btw), I guess now my hope is he gets some dramas that aren't quite so.... Middling.

Sunset X Vibes 🇹🇭👨‍❤️‍👨 [Dropped]

This is so very much not my style and I knew that going in but I was briefly led astray by how beautiful Bank and his outfits were.

Wandee Goodday 🇹🇭👨‍❤️‍👨 [Dropped]

I'm not going to go into loads of details because I've spoken enough about my feelings towards this drama. All I'm going to say is that it's the one that hurts the most to put here because I had such high hopes going into it. On the plus side, it's given me an OST to add to my playlist and 2 pairings I would quite like to see again.

Things have been relatively quiet on the K-dramas side of things these past few months but it finally looks like there's a number I'm looking forward to for August! Looks like I'm still going to have to wait for a K-BL to watch, however, I think the last one I watched was Love for Love's Sake and that was a depressingly long time ago now.

Monster Next Door 🇹🇭👨‍❤️‍👨 [Aug 8] ⭐

Romance in the House 🇰🇷👩‍❤️‍👨 [Aug 10]

Love Next Door 🇰🇷👩‍❤️‍👨 [Aug 17 ] ⭐ (being introduced to Jung Hae In through Something in the Rain means I am now automatically excited whenever he's in a drama).

The Paradise of Thorns 🇹🇭👨‍❤️‍👨 [Aug 22] ⭐

Cinderella at 2am 🇰🇷👩‍❤️‍👨 [Aug 24] ⭐ (Shin Hyun Been is also an automatic watch)

No Gain, No Love 🇰🇷👩‍❤️‍👨 [Aug 26]

I'm always open to recommendations so if there's an upcoming drama you think I might like, please let me know! Doubly appreciated if they're JBLs because I really want to break the stupid block I have with them.

[verypersonalscreencaps]

KIM HEE-AE & YUKO NAKAMURA as Yoon Hee & Jun MOONLIT WINTER (2019, dir. Lim Dae-hyung)

[kooyikyung]

Kim So Hye and Kim Hee Ae as Sae Bom and Yoon Hee in Moonlit Winter (2019)

Bonus:

[cinematicjourney]

Moonlit Winter (2019) | dir. Kim Dae-hyung

[anjellynajolie]

I get it I too would yearn for her 20 years after she left me

[smittenskitten]

KIM HEE AE & NAKAMURA YUKO MOONLIT WINTER (2019)

[veeicons]

kim heeae as yoonhee in moonlit winter (2019) icons

[jeon6yeon]

Moonlit Winter (2019) Dir. Lim Dae-hyung

[pinkstarlightcomputer]

Pierflavio Gallina "Monviso"

[doublebilled]

Love Letter (1995) dir. Shunji Iwai

Moonlit Winter (2019) dir. Lim Dae-hyung