#moon 22.23

[trailblazer-clangen-comic]

moon 22.23

[tawodi777]

Spells for Dec 2023

SW7 Spellcasting Calendar

Dec 2023

Angel summit -  12.02.23

New Moon - 12.12.23

Geminids Meteors -12.13&14.23

Angel summit -  12.16.23

Ursids Meteors - 12.21&22.23

WINTER SOLSTICE -  12.22.23

Full Moon -   12.27.23

NEW YEARS EVE  -  12.31.23

NEW YEAR DAY - 01.01.23

All Spellcasting Events

[evikdpriagung]

20230107 #2 22.23 WIB

7/365 Days 11,952

The Glory…..

Kisah balas dendam seorang gadis SMa setelah 18 tahun. This is only the 1st part. Udah bikin tercenganh. Song Hye Kyo bisa sesadis itu. You might never understand when we do something because we are not in their shoes. But, God create us with heart to feel and to see not only with our eyes. Yang terlibat banyak dan sedetail itu. Cannot wait the 2nd part. The quotes that i like, “You’ll never find a solution in the past. It’ll always be in front of you. That’s just what life is like.” and “For a time, I had this thought ‘What if anyone or anything had tried to help me?’ Maybe a friend or a god. Even the weather, maybe. If not, then a sharp weapon.” – Moon Dong Eun. And this is my opinion:

Story: 9

Acting: 9

Audio: 8

Visual: 7.5

Plot: 8

Moral Value: 9

AVERAGE: 8.42/10

#TVSeries #Revenge #Thriller #TheGlory #Part1 #Netflix #Saturday #Weekend #January #7th #2022

[mia-japanese-korean]

Chang E Flees to the Moon, Tsukioka Yoshitoshi, 1885, Minneapolis Institute of Art: Japanese and Korean Art

woman in flowing draperies, holding a small brown container, standing on yellow and black clouds; pink ground According to Chinese legend, the archer Hou Yi shot down nine of the ten suns whose combined heat threatened to destroy the earth. As a reward, the Queen Mother of the West gave Hou Yi an elixir of immortality. Hou Yi's wife, Chang-E, unwittingly drank the potion herself. Rising to the moon, she has live there ever since within the crystal walls of her "Cold Palace." During the eighth lunar cycle each year, when the Chinese believe that the moon is at its fullest, they make offerings to Chang-E in the form of small round cakes and sphere-shaped fruit. Although the story of Chang-E is not popular in Japan, Yoshitoshi drew upon the Chinese legend for this design. Size: 12 15/16 × 8 3/4 in. (32.86 × 22.23 cm) (image, vertical ōban) Medium: Woodblock print (nishiki-e); ink and color on paper

https://collections.artsmia.org/art/62539/

[evakcardamom]

(Part four)

When we were going to go to the bus and had to go up the steep hill we had gone down earlier, I decided to go at my own pace at the back. The asthma medicine had not worked yet and I was quite short of breath.

Luckily there were not many hills and I still managed to stay partially close to the others.

I enjoyed the sight of the beautiful water and the boats that were moored by the pier and also the beautiful sight of the sunset.

Arriving at the bus stop, we waited for the bus back to the city center. When it arrived, everyone had to enter the middle door because the rear and front doors did not open - the front door is closed for driver safety in Corona times, while the rear were just closed.

My friend and I ended up in a four-seater in each of our directions on one side next to the bus, while Tarjei, Ida and the two girls we had talked to in the garden ended up in the four-seater on the opposite side of the bus. It was maybe only 1.5 meters between Tarjei and me, but I was not even nervous, as I had been when we arrived Bjørvika and I had seen him sitting there!

We got off together near the railway square, and when my friend and I said goodbye to the others, we went together towards Oslo central station, where she was going down to the subway to take the subway home and I was going to the bus terminal (next to Plaza ) to take my bus home at 22.23.

My conclusion of the evening:

It was very interesting, exciting and nice to have been part of a event like this. This was something completely different than sitting in a theater hall, where you only sit and watch what happens on stage, where you are much more tied to the script. I think it was very nice to experience Tarjei in this setting, to be so close and to experience him and Ida together.

I wish I had dared to talk to Tarjei, but it was never the right time for it and I had most likely stumbled in my own words anyway. I have met him twice before, but seen him on stage more times than I can remember and also saw him in January when he was at a full moon event that Ida and some friends were at youngstorget.

If you have read so far: Thank you very much for reading all the way. This is based on what I remember from what happened, it was never the right time to film / take pictures.

[ninoliahandmade]

Half moon earrings with milti gemstone $22.23 https://etsy.me/3hhvIpv #Halfmoonearrings #rainbow #gypsy #Chandelierearrings #dangledropearrings #Crystal #multicolor #Pride #festival #LGBTQ #ooak https://www.instagram.com/p/CBbEaHvpcMU/?igshid=x8gpny3a7d1f

[mia-japanese-korean]

Midnight Moon at Mount Yoshino: Iga no tsubone, Tsukioka Yoshitoshi, January 1886, Minneapolis Institute of Art: Japanese and Korean Art

one sheet; standing woman seen from back with head turned in profile to PR, wearing white blouse and red-orange skirt, with very long hair tied with yellow cord; flying demon with grey wings, grey hat, grey beard and hair and blue lips in URC, wearing grey flowered garment; some flying autumn leaves; ring of moon, ULC Size: 13 × 8 3/4 in. (33.02 × 22.23 cm) (image, Vertical ōban) 13 15/16 × 9 9/16 in. (35.4 × 24.29 cm) (sheet) Medium: Woodblock print (nishiki-e); ink and color on paper

https://collections.artsmia.org/art/127901/

[evakcardamom]

(Part 4)

When we were going to go to the bus and had to go up the steep hill we had gone down earlier, I decided to go at my own pace at the back. The asthma medicine had not worked yet and I was quite short of breath.

Luckily there were not many hills and I still managed to stay partially close to the others.

I enjoyed the sight of the beautiful water andall the boats that were moored and also the beautiful sight of the sunset.

Arriving at the bus stop, we waited for the bus back to the city center. When it arrived, everyone had to enter the middle door because the rear and front doors did not open - the front door is closed for driver safety in Corona times, while the rear were just closed.

My friend and I ended up in a four-seater in each of our directions on one side next to the bus, while Tarjei, Ida and the two girls we had talked to in the garden ended up in the four-seater on the opposite side of the bus. It was maybe only 1.5 meters between Tarjei and me, but I was not even nervous, as I had been when we arrived Bjørvika and I had seen him sitting there!

We got off together near the railway square, and when my friend and I said goodbye to the others, we went together towards Oslo central station, where she was going down to the subway to take the subway home and I was going to the bus terminal (next to Plaza ) to take my bus home at 22.23.

My conclusion of the evening:

It was very interesting, exciting and nice to have been part of a event like this. This was something completely different than sitting in a theater hall, where you only sit and watch what happens on stage, where you are much more tied to the script. I think it was very nice to experience Tarjei in this setting, to be so close and to experience him and Ida together.

I wish I had dared to talk to Tarjei, but it was never the right time for it and I had most likely stumbled in my own words anyway. I have met him twice before, but seen him on stage more times than I can remember and also saw him in January when he was at a full moon event that Ida and some friends were at youngstorget.

If you have read so far: Thank you very much for reading all the way. This is based on what I remember from what happened, it was never the right time to film / take pictures - but I have a small film clip from when we went to the place we were going to - which I consider maybe posting.