#mistbuckety

[sevenkittensinatrenchcoat]

Misto’s Mating Dance Partners

Because the White Cat Lift AKA Mating Dance scene of the Jellicle Ball focuses mainly on Victoria and whoever she’s dancing with, what’s going on in the background is often ignored. But, there’s a clear pattern. The other cats pair off, go to the edges of the stage, forming a circle around Victoria and Her Man. They then do...whatever. There don’t seem to be official rules for what the pairs do, so some of them nap, some of the stare out into space, some of them cuddle...

And some of them blatantly fuck.

This scene is often called the Cat Orgy because of the blatant fucking that often occurs. So, you can watch the characters, see who pairs up with who and whether or not they fuck. Because Misto is my favorite character and one of the easiest to identify in even low-quality bootlegs, I went and watched him during this scene in every production in my bootleg collection.

Part One: Failure

In several of the older productions, I couldn’t see anything. Bootleggers and professionals alike tended to zoom in on Victoria and Her Man and stay there for most of the scene. Mexico 1991 mainly did this. Also, Vienna, with its Dark Voids and Weird Editing Choices was impossible to decipher.

Among the newer productions, Madrid was lost to Weird Editing Choices. Most of the dance wasn’t even visible! There were long close ups on Old Deuteronomy and Grizabella doing nothing when they should have been filming Victoria and Plato doing Something. It wasn’t even like they were distracted by an interesting background event. They just held the camera on characters who weren’t doing anything other than Reacting Slightly.

Part Two: Mistoria

Paris and Zurich paired Misto with Victoria for the Mating Dance. There was a slightly different dynamic with Misto and Victoria than there is when Plato or Tumblebrutus is Victoria’s Man. When Plato or Tumble, the most common choices for this part, approach Victoria, they’re awkward, but they still sort of take the lead. Victoria comes across as a bit shy at first, but she quickly gets into it. In the Mistoria versions, Misto is far more nervous approaching and often jumps back startled after touching Victoria. It feels like Victoria takes the lead in these versions, turning her back and basically being like “lift me”. Zurich Misto in particular is practically freaking out and the lift is kind of bizarre to watch because he looks so tiny!

Part Three: You’d Think Misto/Cassandra Would Be a Bigger Ship

Broadway-based productions, which paired Alonzo with Demeter, seemed to love pairing Misto with Cassandra for the Mating Dance. Troika and Buenos Aires did this and they did it in the same way. Misto and Cassandra practically have a dance of their own, performing the same motions when paired together. Usually, these pairs tend to seem like they’re improvising a little, but this specific couple has its own choreography.

The idea to pair Misto and Cassandra most likely comes from Misto later choosing Cassandra as his “lovely assistant” when he brings back Old Deuteronomy. In most productions, they don’t have much interaction outside of that. In Troika, Cassandra is also one of the cats who sometimes stands in for Coricopat and Tantomile, who were cut. Coricopat and Tantomile’s twin stuff was given to Mungojerrie and Rumpleteazer, while a lot of their psychic moments were given to either Demeter or Cassandra. So, in Troika, Misto and Cassandra are both mystical cats of some sort, which brings them together, because it’s something other cats don’t get.

I’m not super into this ship, because I generally don’t ship Misto with women, but the implications of the pairing in the Troika version are interesting.

Part Four: Lonely Misto

Hamburg, The German Tent Tour, and probably Moscow didn’t pair Misto with anyone. He just sat by himself. In Hamburg, there was a reason for this. Just like how Buenos Aires and Troika gave Misto’s role of fetching Old Deuteronomy to Skimble, Hamburg has a Mistotable instead of a Skimbletable.

I probably should’ve listed Moscow as a failure, but I’m still not sure what happened there.

The German Tent Tour just has Misto sitting by himself. He crawls to the Cuddle Pile, does a handstand, and no one cares.

But, the German Tent Tour shows signs of being part of a trend. While earlier, Broadway-based shows liked pairing Misto and Cassandra, newer productions never seem sure who to pair him with, so you have this scene of a lonely Misto surrounded by happy, horny straight couples and looking a bit out of place. This was probably unintentional, but it gives Misto an extra layer of gay coding.

Part Five: More Recent Stuff That Doesn’t Fit in the Other Categories

The 2013 UK Tour does something a bit interesting. Misto just sort of naps during the Mating Dance, but Carbucketty, who’s been following him around and imitating his dance moves for the past few minutes, lies down to nap at his feet. They don’t really interact and they’re barely touching, but it still counts as a pair. This is the closest I’ve gotten to finding a version where Misto’s paired with a tom. Of course, compared to most of the straight couples in any version of this scene, there is no horniness to be found. So, they’re two bros napping next to each other, but not quite cuddling ‘cause they’re not gay :(

Also I think Carbucketty might’ve ditched Misto for Rumpleteazer at the last second. We can never have nice things.

The Broadway Revival, having different choreography and staging for most of the Jellicle Ball is interesting in the way the Broadway Revival is usually interesting (kind of frustrating tbh). In the new choreography, everything from Bomba’s solo through the Mating Dance is basically one scene. Some queens dance, even more queens join them, a bunch of toms show up and pair up with them, the Boys Ballet and Whirlygigs are replaced with a romantic dance, everyone takes a hit of moonlight and things start to resemble other productions a bit more from there.

Because the pairs pair up quickly and stay together for a long time, it’s easy to see all of them. Only most of the cast is paired up, but I can identify, Tugger/Bomba, Munk/Demeter, Alonzo/Cassandra, Skimble/Jenny, Plato/Victoria, Coricopat/Tantomile (why do the siblings always stay together for the horny scenes?), Mungojerrie/Rumpleteazer (they’re probably not siblings in this version, so they get a pass), Pouncival/Electra, and Carbucketty/Sillabub.

Jellylorum, Tumblebrutus, and Mistoffelees are absent. They’re offstage until the Mating Dance properly starts. I have no idea where Tumblebrutus went, but this isn’t about him. Tugger crawls past Misto and they almost interact before Tugger leaves with Bomba. Jellylorum pairs up with Misto, presumably because neither one could find an actually date.

Now, the actress who played Jellylorum in this production has said in interviews that she played Jellylorum as the same age as Tugger. (The actors are besties irl so they made their characters besties too). So, this isn’t quite as weird as if feels when you first read it. Everyone’s the same age in this show, except for the kittens. Electra, Sillabub, and Pouncival were played as literal children in every scene but this one, because no one can escape the cat orgy (except Tumblebrutus, for some reason). But, unlike in 1998, which featured a lot of crack pairings during this scene (Tugger/Jenny, anyone?), pretty much every pairing in the 2016 orgy is the most obvious pairing possible. Anyone who didn’t have an obvious opposite gender counterpart was given one, except for Misto, Jelly, and Tumble. They could’ve brought back Peter (renamed Asparagus) from the opening to be Jelly’s obvious pairing, and then just had Tumble nap on Misto’s feet like 2013 Carbucketty, but they didn’t.

The result is that they created a bunch of comphet pairings but simply couldn’t do so for Misto. All his usual comphet pairing were taken. Cassandra’s with Alonzo and Victoria’s with Plato. Knowing that Tyler Hanes and Ricky Ubeda both shipped Tuggoffelees, they probably didn’t want to do the comphet thing either. Up until this point, this production had actually downplayed Tugger/Bomba, compared to other versions and added Tugger/Misto moments. I think, if it’d been allowed, Tugger and Misto would’ve been paired up there. Bomba can be like 1998, not having her usual partner and just going with whoever’s not paired up, which would be Tumblebrutus this time. Peter could be there for Jelly. Everyone’s happy!

But seriously, Gay Misto Mating Dance Scene when? Somebody get on that. People already find the horniness in Cats to be weird and adding gay horniness won’t make much of a difference.

[sevenkittensinatrenchcoat]

If we’re talking about the London Revival here, duckling Pouncival actually becomes a bit of a ship thing during the Mating Dance:

They pair up while Victoria and Admetus do their thing and they don’t behave much differently from the male/female couples in this scene. They’re on the tamer side, but there’s nuzzles.

There’s also some leg stroking.

I have documented this as the only replica production I’ve seen where Misto is paired with another tom during the mating dance. Duckling Carbuckety got Misto-senpai to notice him!

[sevenkittensinatrenchcoat]

Misto/Carbucketty in the London Revival

I think I might’ve found a Gay Misto Mating Dance Scene!

So, London 2014 Revival. All the pairs spend most of Admetus/Victoria’s dance just lounging, only starting to interact while moving towards the Cuddle Pile. Misto and Carbucketty nap next to each other, as they did in the 2013 UK Tour. But, things get far more interesting...

We have some nuzzles...

Leg fondling...

And Misto has his arm around Carbucketty at the end!

This was played in pretty much the same way the straight couples are usually played.