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Baba Ji [Baba Somanath] Discovers the Sant Mat Lineage Including the Poet-Saints
"Through the Satsangs of Hazur [Hazur Baba Sawan Singh], Baba Ji was now exposed to an expanded range of bhakti poets of the Sant Mat tradition. The lyrical poetry of several of them was already known to him -- Kabir, Mira Bai and Namdev -- but many were new, such as Guru Nanak and his Successors, Dadu Dayal, Swami Ji Maharaj of Agra, Paltu Sahib, Sehjo Bai, Ravidas and others. Having the poetic temperament himself, he was enchanted with the manner in which they presented the Teachings of the Saints in the form of their banis [hymns]." (new book: The Life of Baba Somanath, Saint and Sage of South India)
My Comments: Right up to the living present, the Masters of traditional Sant Mat have always recommended everyone read the bhakti mystic poetry of the Sants, and even sing their bhajans (hymns). It makes for nice devotional readings for one's daily satsang at home to read a poem or two from one of the Masters, and also helps with meditation practice. On the positive influence of satsang upon our meditations, Shahi Swami once said: "It requires air in the form of satsang to ignite the fire of meditation."
Baba Somanath also has composed many beautiful mystic poems and hymns:
"Ferrying me across the physical, astral and causal realms, Lead me into the region of Parbrahm. In the spiritual pool of Mansarovar, in the region of the Void, Let me bathe in those purifying waters, so that I may become immaculate and whole.
"Giving me the support of the Dhun, the True Shabd, Transport my soul into the Great Void. Drawing me upwards on the stream of Sohang Shabd; reveal the vision of the True Realm, Sat Lok, Where divine strains of the veena fill the air."
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Ratshdjyfuf why are you doing this to me -_-
L - Labour - the cacophony by Paris Paloma
U - Under the influence by chris brown
D - Disco disco by Benny Dayal
I - Impress your creators by Tub Ring
V - Vagina Police 2.0 by Dream Nails
I - Indian summer by Shuba
N - naked poetry by Skylar
E - entammede jimikki kamal by Vineeth Sreenivasan
I - Ivadunarana malsarangal by Shaan Rahmaan
K - kannazhaka by Anirudh Ravichandran
E - Elle m'a dit by Odelly
W - wolves by Selena Gomez
O - odenda odenda - mash up by Sachin Raj
L - LAW by Yoon Mirae
F- fu in my head by Cloudy June
NOW I GOTTA TAG 15 PEOPLE ASSFFGHJK
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Y'all don't gotta respond. This thing is tuff I'm literally dying
tagged by @helliswaiting ahh thank you 🫶
rules: pick a song for every letter of your URL and tag that many people
T-Taroko- August Greenwood
A-Anpanman- bts
K-Keelhauled- Alestorm
O-Oliolioxinfree- Sworn In
C- Cha Cha Cha- Käärijä
A-Arcadia- Lucifer
F-Fake It- Seether
E-Eyes Sewn Shut- Suicide Silence
Tags: @yanderepuck @wekillandwetake @otomedad @anakinfruit @floydsteeth @tangsweet @vivi-ships @lokis-laugh
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(Brian O’Doherty, Speaking in Lines, 2016, Installation View, Simone Subal Gallery, Courtesy of the Artist, P! and Simone Subal Gallery. Photo: Phoebe d'Heurle.)
Brian O'Doherty in conversation with Mira Dayal
A recent show at Simone Subal Gallery, Speaking in Lines, presented a group of works by the artist Brian O'Doherty that had not been on view since the 1960s and ‘70s. Their formal elements included sparse variations of arrangements of lines across mirror, canvas, and paper. Together, they represented the artist's ongoing interrogations of language—its legibility and ability to be layered into visual forms—specifically through the Ogham alphabet, a Medieval Irish script that was traditionally used in epigraphs and inscriptions, composed entirely of straight and slanted dashes aligned horizontally. For O'Doherty, using this alphabet is a way of allowing work to "speak" through a visual register. A series of drawings "written" in the language hung across from four vertical mirrored sculptures engraved with words. Two spare paintings spoke to each other across the room on the subject of hair. With their orderly marks across white surfaces, the drawings (and paintings, actually drawn with watercolor marker on unprimed canvas) seemed to represent networks and textures, a vocabulary with contemporary resonance. I found the show provocative, particularly in a time when language seems to misfire repeatedly or fail to deliver its promises. To discuss these works and the larger ideas they evoked, I visited O'Doherty this spring in the home he shares with his wife, the art historian Barbara Novak. We first discussed his career and perspective on the importance of "diversifying" as an artist and writer, eventually finding our way into conversations on his uses of language in performances, writings, sculptures, and installations.
Mira Dayal: I recently organized a writers' panel on those who work in both art criticism and poetry. Several of the writers we invited discussed the use of opacity in poetry and art, by which they meant resisting the spectator's desire to make meaning of the work in order to reveal the spectator's desire to make meaning at all. You wrote in your book Inside the White Cube: The Ideology of the Gallery Space about the Eye being servant of the mind in conceptual art. I was wondering if you think this kind of opacity is desirable.
Brian O'Doherty: That's an unanswerable question. I'm in favor of clarity...I don't think you can put poetry and art writing or prose together. Poetry is a whole different category of difficulty, in that you are refreshing, reusing, and reinventing language in ways that pursue elusive meanings. But in prose, obscurity is no virtue, none whatever. The effort after meaning—which is a natural imminence—is another matter, useful in many ways, including looking at art.
MD: What about in art itself? In your work, there are many layers of meaning—
BOD: There are mute quasi-spoken conventions of art-making, which are entirely another category of utterance, and there you are free to do what you want to do... But you know, these are different categories, different efforts after meaning. Prose is a language designed to communicate, isn't it?
MD: I was interested in your take on that because you have, of course, written widely about art, but I was also reading that you've been relatively resistant to publishing a lot of your writing on your own art. You would send it to curators, friends, or other artists rather than to magazines. So I saw that as a way of—
BOD: Hold on. I've been doing that this very morning. [He gets up and goes to find something, returning with a stack of papers. They are letters he has written to artists, galleries, friends and others over the years. Some are illustrated with drawings, handwritten notes, and other marks. All are beautifully written.] Here are letters collected by a wonderful writer in Dublin, Brenda Moore-McCann, who's written splendidly about my work. She's trying to get them published.
So, effort after meaning—do you want more on that?
MD: Definitely. Or you could talk about your practice as an artist intersecting with your practice as a writer. Do those feed into each other?
BOD: They do and they don't. I've lived my life in terms of defined categories, because when I was doing medicine, I was making art, and I was writing about art, and I was playing football and being young, drinking, chasing girls. I never let these categories get in each other's way. It's good to have this attack on several fronts. If you're making art and you're blocked there, you can write about it. If you're blocked about writing about art, maybe you can go write a novel, right? And then the blockage on the art side clears up, and you go back to that...time will pass and things will open up again, in a natural way.
That's one of the good things about diversity. Diversity is very important in finance and I think the same thing is true about the individual. I would also add that my theme song, which should be set to music, is that people are capable of infinitely more than society allows them, because in every way, one's future, one's originality, one's diversity, one's fulfillment, is blocked, circumscribed, and—through some weakness in human nature—compressed by "outside forces," the gatekeepers and administrators.
And this whole business of identity with respect to what one is allowed to do…I know that very well because I started in medicine, and that's a huge field, are you going to be an obstetrician, an internist, a geriatrician, a psychiatrist, or a public health official? You have to make choices there, but once you're in that group—and Americans are very much in groups—you're not allowed to get out of your groups.
I've noticed also, speaking about medicine—I mentioned earlier the categories of obstetrician, psychiatrist, internist—that when an internal medicine guy is 50, and he says, "I want to do something different. I'm tired of being an internist. I want to become a writer, a poet," that's not allowed. What a reception he would get from the poetry community: "Shut up and go away." That is one of the biggest things I've noticed in life as I've gone on. So the way I've dealt with that is through diversity. Keep it at the same level of quality in everything you do.
MD: I want to return to your discussion of identity in relation to your work as a doctor, because one of your "alter egos" in your writing was a woman. Now, in a lot of medical practices, people are talking more about the fluidity of gender, and that's also discussed more in contemporary art. Your book of historical fiction, The Crossdresser's Secret, is written from the perspective of "the Chevalier d'Éon, who lived as both man and woman, French spy and European celebrity." I was wondering how you think about these contemporary discussions of gender fluidity, because it seems like you were a predecessor to them, in some ways.
BOD: When I worked in Washington [for the National Endowment for the Arts], I was initially in charge of the visual arts, and then films, television, radio. I was trying to get various programs funded, mostly successfully...but I learned about the profound hostility in America towards gays and lesbians. And I—I'm not a hero here, I'm just doing my job—made many, many efforts to get gay organizations funded. They pay taxes; they've got two legs and a tail like the rest of us. The prejudice that met that was astounding to me.
Fortunately things are better now. That war is still going on. But there's been a swing in the past five years, positively.
MD: And then negatively in the past few months, at least in the discourse from Washington D.C....
BOD: Yes, Trumpism is trying to defund Planned Parenthood, which does so much for women's health.
MD: In relation to that, the genesis of your most well-known alter ego, Patrick Ireland—under whose name you created work for 36 years—was distaste for the political situation in Northern Ireland at the time. I was wondering if you've had any impulse over the past year to create a similar shift in your identities or in the ways in which you're practicing.
BOD: No, that was my battle. Northern Ireland, occupied by the British army, engaged in various repressions, culminating in the killing of 15 peace marchers in Derry in 1972 by a British parachute regiment. The marchers were unarmed...small in terms of Syria and the rest of the world's atrocities, but that was my impetus for changing my name to something that the British have, for hundreds of years, hated, because you hate whom you oppress, I guess. The impetus was that massacre, for which David Cameron, the former British prime minister, after almost 40 years, apologized.
MD: Do you think language has changed much, especially now in regard to the media? So much of your work has to do with the failure of communication, this gap between the communication of images and the communication of language.
BOD: It's always the same. There are always varieties of oppression, varieties of freedom that prevail socially and for individuals. In terms of language and the uses of language, the corruption of language in authoritarian societies is brilliantly analyzed by George Orwell in Politics and the English Language. Now we have such linguistic perversions as "alternative facts."
In 1967, I boiled down my language to three words, the only ones I use in my work: One, Here, and Now. There's a long conversation here about language.
SEE THE REST OVER AT PERFORMA MAGAZINE...
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Fatima Bibi
Fatima Bibi
Indian Women's Judge Judge M.S. Fatima Bewy (born 30 April 1927) was the first female judge appointed by the Supreme Court of India and the first Muslim woman to be appointed to the highest post of the judiciary. He was a member of the National Commission for Human Rights (India) on October 3, 1993, and served as Governor of Tamil Nadu from 1997 to 2001. Early life and education-- Fatima Bewi was born on April 30, 1927 in Pathanamthitta, Travancore, Kerala. Her mother's name is Mira Sahib and her father's name is Khadija Biwi. He was studying at the Catholic School in Pathanamthitta. He holds a bachelor's degree from University College, Trivendam and an LLB from Government Law College, Thiruvananthapuram. Profession-- He began his career as a lawyer on November 14, 1950. He began his professional career in the lower court of Kerala. In 1958, he was appointed as the Deputy Chief Justice of Kerala. He was promoted to judge in 1968. He was appointed Chief Justice Magistrate in 1972, District and Sessions Judge in 1974, a member of the Income Tax Appeals Tribunal in 1980, and a judge in the High Court in 1933. On May 14, 1984, he became a permanent judge of the High Court. He retired from the Supreme Court on April 29, 1989, but was reappointed as a Supreme Court judge on October 6, 1989, and resigned on April 29, 1992. Governor of Tamil Nadu --- He became the Governor of Tamil Nadu on January 25, 1997. Appointing him as the Governor of Kerala, Sukhdev Singh Kang, the Supreme Court of Tamil Nadu and the Jammu and Kashmir High Court, President Shankar Dayal Sharma said that their experience and foresight in the constitution and the law were valuable assets. As governor, he refused the apology of the four perpetrators of the Rajiv Gandhi assassination. The killers applied for a pardon under Section 161 (the Governor's power to pardon).
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FEATURED ARTIST: Mira Dayal, Chine-collé (detail), 2017. Hair, Methyl cellulose, paper. 18 x 24. Courtesy the artist.
www.sculpture-center.org
This post is part of our Connective Tissues series.
-JH
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Updated artists4ceasefire list:
Aasif Mandvi
Abbi Jacobson
Adam Lambert
Aida Rodriguez
Ali Adler
Amandla Stenberg
Adam McKay
Afshan Azad
Ahamed Weinberg
Alan Cumming
Alfonso Cuarón
Alia Shawkat
Allison Russell
Alyssa Milano
Amanda Gorman
Amanda Seales
Amber Tamblyn
America Ferrera
Aminatou Sow
Andrew Ahn
Andrew Garfield
Anees
Ani DiFranco
Aminé
Anoushka Shankar
Aria Mia Loberti
ASAP Nast
Atsuko Okatsuka
Augustus Prew
Ayo Edebiri
Bassam Tariq
Bassem Youssef
Bella Hadid
Belly
Ben Affleck
Bobbi Salvör Menuez
Bonnie Wright
Boots Riley
Bradley Cooper
Brian Cox
Busy Phillipps
Carl Clemons-Hopkins
Caroline Polachek
Cat Power
Cate Blanchett
Channing Tatum
Charm La’Donna
Chase Sui Wonders
Cherien Dabis
Chicano Batman
Chioke Nassor
Clairo
Connie Britton
Cree Summer
Cynthia Nixon
Dan Bucatinsky
Darius Marder
Dave Merheje
David Cross
David Oyelowo
Deb Never
Dev Hynes
Dina Shihabi
Diplo
Dominic Cooper
Dominique Fishback
Dominique Thorne
Drake
Dua Lipa
Ebon Moss-Bachrach
Eisa Davis
Elvira Lind
Elyanna
Emily Gordon
Emily Meade
Emma Seligman
Farah Bsaiso
Farida Khelfa
Fatima Farheen Mirza
Florence Pugh
Fredwreck
Gigi Hadid
Gracie Abrams
Hari Nef
Hasan Minhaj
Hend Sabry
Howard Rodman
Ilana Glazer
Indya Moore
James Schamus
Jay Shetty
Jai Courtney
Jas Lin
Jenna Ortega
Jenni Konner
Jennifer Lopez
Jenny Yang
Jeremy Allen White
Jeremy Strong
Jes Tom
Jessica Chastain
Jessie Buckley
Jesse Peretz
Jesse Williams
Joaquin Phoenix
Jodi Balfour
Joe Alwyn
Joel Edgerton
Joel Kim Booster
John Cusack
Jon Stewart
Jordan Peele
JP Saxe
Judah Friedlander
Judy Reyes
Kathryn Grody
Kathy Najimy
Kaytranada
Kehlani
Kendrick Sampson
K.Flay
Kimiko Glenn
Kimya Dawson
Kirsten Dunst
Kristen Stewart
Kumail Nanjiani
Lauren Jauregui
Lena Waithe
Leo Sheng
Lionel Boyce
Lola Kirke
Louisa Jacobson
Macklemore
Mandy Patinkin
Mahershala Ali
Manish Dayal
Marcia Cross
Margaret Cho
Mark Ruffalo
Mark Rylance
Martin Starr
Massari
May Calamawy
Maysoon Zayid
Maz Jobrani
Megan Boone
Melanie Martinez
Melissa Barrera
Michael Malarkey
Michael Moore
Michael Shannon
Michael Stipe
Michelle Wolf
Mickey Sumner
Miguel
Milla Jovovich
Mira Nair
Miranda July
Misha Collins
Mo Amer
Mona Chalabi
Morgan Spector
Mousa Kraish
Mustafa Ahmed
Naomi Scott
Natalia Cordova
Natalie Merchant
Nia DaCosta
Nicole Ansari Cox
Noah “40” Shebib
Omar Metwally
Omar Sy
Oscar Isaac
Padma Lakshmi
Patti Smith
Peter Gabriel
Poorna Jagannathan
Poppy Liu
Quinta Brunson
Rachel McAdams
Rachel Sennott
Ramy Youssef
Raveena Aurora
Richa Moorjani
River L. Ramirez
Riz Ahmed
Roberta Colindrez
Rooney Mara
Rosaline Elbay
Rosario Dawson
Rosie O’Donnell
Rowan Blanchard
Run The Jewels
Rupi Kaur
Ruth Negga
Ryan Coogler
Ryan Piers Williams
Saagar Shaikh
Sami Zayn
Sandra Oh
Sarah Bahbah
Sarah Jones
Sarah Snook
Sarah Sophie Flicker
Sarita Choudhury
Sasami Ashworth
Sean Miura
Sebastian Silva
Sepideh Moafi
Shailene Woodley
Shaka King
Shruti Ganguly
SimiHaze
Simon Helberg
Snoh Aalegra
Sophia Bush
Stephanie Suganami
Susan Sarandon
Sydney Lemmon
Tahar Rahim
Tanya Selvaratnam
Tarek Bishara
Tavi Gevinson
Taylour Paige
Tessa Thompson
Tommy Genesis
Tony Kushner
Travon Free
V (formerly Eve Ensler)
Vic Mensa
Victoria Monét
Wallace Shawn
Wanda Sykes
Yara Shahidi
Yumi Sakugawa
Zoe Chao
Zoe Lister Jones
070 Shake
I know that there's the whole celebrities aren't our friends thing and I thought I outgrew being disappointed in them, I though I no longer expected anything from famous people
that being said, taika waititi being in support of genocide shocked me, since he was always talking about indigenous pride etc etc
please don't put obsessing over a celebrity and needing them to be good over your own morals
(for people that don't know what I'm talking about - some celebs signed a letter supporting what biden and Israel are doing, and some other celebs signed a letter in support of ceasefire. Taika's name wasn't in the second letter)
i will be deleting insensitive replies and comments, since this isn't just some discourse - it's about ethnic cleansing and active genocide
(edit: also for the 'but he's jewish' comments, being Jewish doesn't equal being in support of genocide. I have plenty of Jewish friends an they're all pro Palestine)
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Mira Nair, Naseeruddin Shah among 300 signatories extend support to students protesting CAA-NRC: ‘Our silence ends now’ - bollywood
More than 300 prominent individuals, including filmmakers Mira Nair, Nandita Das, actors Naseeruddin Shah, Ratna Pathak Shah, Jaaved Jafferi, Homi K Bhabha, Partha Chatterjee, Anita Desai, Kiran Desai, TM Krishna, Ashish Nandy, and Gaytri Chakravorty Spivak, among others, have signed an open letter, expressing their solidarity with the students of India who have been protesting Citizenship Amendment Act (CAA) and against the National Register of Citizens (NRC). Extending their support to the students, the signatories said in their letter, “We stand in solidarity with the students and others who are protesting and speaking out against the Citizenship Amendment Act (CAA) and against the National Register of Citizens (NRC). We salute their collective cry for upholding the principles of the Constitution of India, with its promise of a plural and diverse society. We are aware that we have not always lived up to that promise, and many of us have too often remained silent in the face of injustice. The gravity of this moment demands that each of us stand for our principles.” Also read: Shah Rukh Khan: ‘I am a Muslim, my wife is a Hindu and my kids are Hindustan’. Watch video Here is the complete text of the letter: An open statement from members of the Creative and Scholarly Community in IndiaWe are artists, filmmakers, writers and scholars. Our work reflects people’s lives, struggles and hopes. We offer our dreams to everyone.But what dream can show us the way in the midst of the present nightmare? Our vision for this nation demands that we speak up now, in the name of our democracy and the constitution that protects it. We stand in solidarity with the students and others who are protesting and speaking out against the Citizenship Amendment Act (CAA) and against the National Register of Citizens (NRC). We salute their collective cry for upholding the principles of the Constitution of India, with its promise of a plural and diverse society. We are aware that we have not always lived up to that promise, and many of us have too often remained silent in the face of injustice. The gravity of this moment demands that each of us stand for our principles.The policies and actions of the present government, passed quickly through parliament and without opportunity for public dissent or open discussion, are antithetical to the principle of a secular, inclusive nation. The soul of the nation is threatened. The livelihoods and statehoods of millions of our fellow Indians are at stake. Under the NRC, anyone unable to produce documentation (which, in many cases, does not exist) to prove their ancestry may be rendered stateless. Those deemed“illegal” through the NRC may be eligible for citizenship under the CAA, unless they are Muslim.Contrary to the stated objective of the government, this does not appear to be a benign legislation, only meant to shelter persecuted minorities. The list of exclusions seems to indicate otherwise. Why are minorities from other neighbours like Sri Lanka, China and Myanmar excluded? Isit because the ruling powers in these latter countries are not Muslim? It appears that the legislation believes that only Muslim governments can be perpetrators of religious persecution. Why exclude the most persecuted minorities in the region,the Rohingya of Myanmar or the Uighurs of China? This legislation only acknowledges Muslim perpetrators, never Muslim victims. The aim is transparent: Muslims are the unwelcome Other.This is state-sanctioned religious persecution, and we will not condone it. In Assam and the Northeast, and in Kashmir, the indigenous identity and livelihood is threatened as never before, and we will not condone it. The response of the government and law-enforcement agencies to the distress of its citizens has been callous and high-handed. India has seen the most Internet shutdowns of any democracy in the world. Police brutality has left hundreds injured, including many students from Jamia Milia Islamia University and Aligarh Muslim University. Several citizens have been killed while protesting. Many more have been placed in preventive detention. Section 144 has been imposed in numerous states to curb protests. We need look no further than Kashmir to see how far this government is willing to go to suppress democratic dissent. Kashmir is now living under the longest Internet shutdown ever imposed by a democratic government. Enough is enough.Those of us who have been quiet in the past, our silence ends now. We will be clear-sighted in our dissent. Like our freedom fighters before us, we stand for a secular and inclusive vision of India. We stand with those who bravely oppose anti-Muslim and divisive policies. We stand with those who stand up for democracy. We will be with you on our streets and across all our platforms. We are in solidarity.” Here is a list of some the signatories: Rahman Abbas, Anvita Abbi, Ajayan Adat, Ramona Adhikari, Faraz Ahmad, Anvar Ali, Zaheer Ali, Lalitha Alilu, Shimit Amin, Jyothi Ananthasubbarao, Vidya Das Arora, Sushila Bahanda, Vikas Bajpai, Ritwik Banerjee, Sudeshna Banerjee, Sumanta Banerjee, Susan Barton, Aamir Bashir, Amit Basole, Rakhi Basu, Dev Benegal, Homi Bhabha, Amit Bhaduri, Madhu Bhaduri, Nabakumar Bhattacharyya, Akeel Bilgrami, Rani Day Burra, Sundar Burra, Meena C. K., Priya Sarukkai Chabria, Suresh Chabria, Amitabha Chakrabarti, Pariplab Chakraborty, Sudhir Chandra, Civic Chandran, Indu Chandrasekhar, R.K. Chandrika, Partha Chatterjee, Shoma A. Chatterji, Salil Chaturvedi, Amit Chaudhuri, Neel Chaudhuri, Vasundhara Chauhan, Rajendra Chenni, Anuradha Chenoy, Kamal Chenoy, Zasha Colah, Naresh Dadhich, Vasudha Dalmia, Sumangala Damodaran, Swati Dandekar, Arpita Das, Nandita Das, Vibha Puri Das, Maya Dayal, Naina Dayal, Deena VJ, Anita Desai, Kiran Desai, Sudhanva Deshpande, Meera Devidayal, J. Devika, Asish Dey, Dipak Dholakia, Arundhati Dhuru, Xavier Dias, Anju Dodiya, Atul Dodiya, Jean Dreze, Lillete Dubey, Avalokita Dutt, Indranee Dutta, Walter Fernandes, Arunima G., Karen Gabriel, Ramakrishna Gampalahalli, Leela Gandhi, Mridula Garg, Geetika, Amitav Ghosh, Jayati Ghosh, Persis Ginwalla, Roshmi Goswami, Sheela Gowda, Srinivasa Gowda, Meena Gupta, Rajiv Gupta, Atul Gurtu, Rajan Gurukkal, Leela Hansda, Saba Hasan, Zoya Hasan, Sohail Hashmi, Shabnam Hashmi, Vinita Hembrom, Nataraj Honnavalli, M. G. Husain, Shamsul Islam, Sameera Iyengar, Vikram Iyengar, Jaya Iyer, Jaaved Jaferi, Bharati Jagannathan, Jagmani, N.D. Jayaprakash, K.P. Jayasankar, Pervin Jehangir, Dhirendra Jha, Ram Naresh Jha, Mary John, Mary Joseph, Rajesh Joshi, Jane K., Sushi Kadanakuppe Srinivas Kakkilaya, Vimala Kalagar, Priya Kalapurayil, Rina Kamath, Kalpana Kannabiran, Aman Kanwar, Harsh Kapoor, Ram Kapoor, Geeta Kapur, Manju Kapur, Aruni Kashyap, Suhit Kelkar, Sonal Kellogg, Mukul Kesavan, Faisal Khan, Habib Khan, Shah Alam Khan, Devaki Khanna, Ayesha Kidwai, Santosh Kiro, K John Koshy, Mridula Koshy, Teresa Kotturan, Ancilla Kozhipat, Pradip Krishan, Sumi Krishna, T.M. Krishna, Amitadyuti Kumar, Ashutosh Kumar, Kirtana Kumar, Radha Kumar, Sandhya Kumar, Sitanath Lahkar, Basanti Lakra, Jyotsna Lall, Swapna Liddle, Ania Loomba, N. S. Madhavan, Surabhi Sharma, Jatin Sheth, Mira Shiva, Geetanjali Shree, Dilip Simeon, Devika Singh, Savithri Singh, Preeti Sinha, Sachidanand Sinha, Shantha Sinha, Kita Sinku, Jawhar Sircar, Gayatri Chakravorty Spivak, M. S. Sriram, K. V. Subrahmanyam, Kadayam Subramanian, Sumita, Vivan Sundaram, Sehba Taban, Deepika Tandon, Kiran Tandon, Vikram Tandon, Anand Teltumbde, Anita Thampi, Romila Thapar, P. K. Michael Tharakan, Susie Tharu, Asha Tirkey, Palo Tunti, Ananya Vajpeyi, Vamsi Vakulabharanam, Achin Vanaik, Sankar Varma, Sushma Varma, Sushma Veerappa, Prem Verma, Gauri Vishwanathan, Asha Vombatkere, Sudhir Vombatkere, Salim Yusufji, Ajit Zacharias. Follow @htshowbiz for more Interact with the author @swetakaushal Read the full article
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Daddy cool Shahid Kapoor carries his cute princess Misha as they arrive in NYC for IIFA 2017
We saw Shahid Kapoor leave for New York City with wife Mira Kapoor and daughter Misha yesterday. The Kapoors were clicked at the Mumbai airport by the paps. Well, after a long journey, Shahid and his girls have reached NYC and they don't seem to be a bit exhausted.
Check out Shahid Kapoor, all smiles, as she carries baby Misha around. The little princess of Shahid and Mira herself looks quite refreshed and amused with all the happenings. Isn't that adorable?
Recommended Read: Shahid Kapoor reveals his Padmavati look in this hot picture; wife Mira Rajput is lovestruck
Shahid, who is expected to perform at the awards ceremony, is also nominated for the Best Actor award for his movie Udta Punjab. Other nominess are Ranbir Kapoorfor Ae Dil Hai Mushkil, Shah Rukh Khan for Fan, Sushant Singh Rajput for M.S. Dhoni..., Amitabh Bachchan for Pink and Salman Khan for Sultan.
Among the women, the contenders are Anushka Sharma for Ae Dil Hai Mushkil, Alia Bhatt for Dear Zindagi and Udta Punjab, Sonam Kapoor for Neerja and Taapsee Pannu for Pink.
The 2017 IIFA festival will play host to some of the most celebrated stars and musicians of the Indian film industry.
The IIFA Weekend and Awards will be held July 13-15, and will be a celebration of Indian film, music, fashion and dance. Stars such as Salman Khan, Katrina Kaif, Alia Bhatt, Shahid Kapoor, Sushant Singh Rajput and Kriti Sanon among others are set to rock the stage at the Metlife Stadium. There is also an IIFA Rocks 2017 show, which is a celebration of 25 years of Oscar winning talent A.R. Rahman has been organised. It will also feature a medley of musicians including Rahman, Diljit Dosanjh, Benny Dayal, Javed Ali, Neeti Mohan, Jonita Gandhi and Haricharan Seshadri.
Riteish Deshmukh and Manish Paul will host IIFA Rocks, to be held a day before the main awards event.
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PODCAST: The Origins of Sant Mat, India's Path of the Masters, The Five Names, and the Identity of Tulsi Sahib’s Guru, Part 1 -- Spiritual Awakening Radio with James Bean-- Listen @ Youtube: https://youtu.be/bh1v_mS4W98
Or Click to Listen and/or Download Here: http://download.liveindexer.com/podcasts/HealthyLifeOD/Audio//ECI_AUTO/Jan2017/SPA011717_WMA.mp3
Lately I've been sharing about the Yoga of Sound, which is part of the meditation practice of India's Sant tradition, the Path of the Saints of Love (Bhakti). Today begins the first of five in-depth programs exploring the origins, the history of this Path of the Masters, also known as Sant Mat or Radhasoami (pronounced Ra-Dha-Swam-E), tracing the various lineages of Masters back through the centuries. You will become aware of some research into the origin and usage of the Five Names, the Panch Naam Mantra used by some. This series will even attempt to solve the mystery of who Sant Tulsi Sahib's guru was, and therefore how contemporary Sant Mat interfaces with the earlier Nirguna Bhakti Sant movement founded by Sant Dharam Das and Guru Kabir.
Everyone in contemporary Sant Mat has a clear idea about their own recent history of Masters, at least dating back a few generations. Most trace their lineage of gurus back to Sant Tulsi Sahib of Hathras, India. Tulsi Sahib (1763–1843) is viewed as the adi-guru or founding guru, the “great grandfather” of modern-day Sant Mat. The identity of Sant Tulsi Sahib’s guru has understandably been of great interest to many students of Sant Mat history. It’s quite normal for followers of a spiritual path to be curious about “the family tree” of previous masters, wanting to know where their spiritual path comes from. So, who was the guru of Tulsi Sahib? And who was that individual’s guru? Who was the guru before that? And so on.
I've attempted to do with Sant Mat research what I did which Christianity, lost books of the Bible and Gnostic Gospels, tracing things back to the beginning, collecting and making use of all the texts that are available to arrive at the clearest understanding possible, without regard to orthodoxy, doctrinal conformity or tradition, simply out of curiosity and a love for truth wherever that may lead. Anyone dull of heart and mind, not curious about the history of this family tree of Masters and the ocean of devotional literature, granths, sagars, banis, and bhajans they created, might also not necessarily possess a ruling passion for the teachings and meditation practice of contemporary Sant Mat either. For me, history is not a boring or dry thing. Not at all. Rather it is quite exciting, even spiritual and liberating!
"Beloved, although I was very eager to write to you about our common salvation, I found it necessary to write appealing to you to contend for the faith that was once delivered to the Saints." (New Testament Book of Jude, 1: 3) “There is no end to the number of Sants [Saints] who appeared in the Yugas [Epochs] of Sat, Treta, Dvapar, and Kali [Yuga]. I sing of the celebrated one I have heard of, and bow my head to all the others.” (Jan Gopal, disciple of Sant Dadu Dayal of Rajasthan)
“Listen, O Phool Das, I have given out the same true secrets which Sants like Kabir Saheb, Dadu Saheb, Rai Das Ji, Darya Saheb, Guru Nanak, Soor Das Ji, Nabha Ji and Mira Bai have spoken of. They, too, have composed similar hymns describing the bliss of the highest spiritual region, whose glory I also have sung, blessed by the grace and the dust of the holy feet of Sants”. (Param Sant Tulsi Sahib)
* Podcast Download Page: A Collection of Current Spiritual Awakening Radio Podcasts-On-Demand: http://hosted.EarthChannel.com/HealthyLife/spa-od.html
God is the Ocean of Love and All-Consciousness.
In Divine Light and Sound, Gnosis, Peace, Jai Guru, Jai Sat Naam, Satya Raam, Radhasoami, James
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#sant mat#india#masters of the east#radhasoami#radha soami#radhaswami#meditation#spirituality#history#podcasts#radio#God#spiritual awakening radio#james bean
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Hyperallergic: Visit Open Studios in a Former Officer’s House on Governors Island
Macon Reed, “Bearing Ancestral Witness” (2017) (courtesy the artist)
Want to get some air in the stifling summer heat? Head to Governors Island! This holds especially true this year, as the venerable feminist art nonprofit AIR Gallery has taken over a former military officer’s home for its inaugural artist residency program there. Now that the nine resident artists — Sarah Anderson, Ofri Cnaani, Mira Dayal, Rachel Guardiola, Emily Oliveira, Macon Reed, Barb Smith, Victoria-idongesit Udondian, and Allison Wade — are settled into House 4A in Nolan Park, they’ll be welcoming the public into their secluded island studios on Saturday, July 29 and Sunday, July 30. Come get an early look at the work they’ll be developing over the next eight weeks in an environment that’s a far cry from the converted warehouses of your typical open studio events in Gowanus or Bushwick.
Cynthia Karasek’s “Heaven and Earth” (2015-16) from AIR Gallery’s programs on Governors Island in 2016 (courtesy AIR Gallery)
Visitors who make the ferry trip should seize the opportunity to also explore AIR’s concurrent exhibition featuring five of the residents, Fragmented Imaginaries, which will have its opening reception the afternoon of July 29. Fittingly for an island rich in military history that is also being remade for a future of recreational and cultural uses, the featured works explore disjunctures between real and imagined pasts, and their implications for the present and future.
When: Saturday, July 29 and Sunday, July 30, noon–5pm Where: AIR at Governors Island (House 4A, Nolan Park, Governors Island)
More info here.
The post Visit Open Studios in a Former Officer’s House on Governors Island appeared first on Hyperallergic.
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Shahid Kapoor makes his sister-in-law’s day – find out how!
Shahid Kapoor makes his sister-in-law’s day – find out how!
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There is no doubt that Shahid Kapoor is one doting husband. The Rangoon actor is a devoted family man and now we heard that he is a cool brother-in-law too. Yes, the actor did something special for Mira Rajput’s sister, Priya and her son Vivan. It seems that Mira Rajput’s elder sister Priya and her son Vivan are a huge fan of Voice and they really like Neeti Mohan and Benny Dayal.…
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Shahid Kapoor makes his sister-in-law’s day – find out how!
Shahid Kapoor makes his sister-in-law’s day – find out how!
There is no doubt that Shahid Kapoor is one doting husband. The Rangoon actor is a devoted family man and now we heard that he is a cool brother-in-law too. Yes, the actor did something special for Mira Rajput’s sister, Priya and her son Vivan. It seems that Mira Rajput’s elder sister Priya and her son Vivan are a huge fan of Voice and they really like Neeti Mohan and Benny Dayal. Shahid who had…
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Selections from the Saints and Mystics - Exploring A Treasure-Trove of Spiritual Writings and Teachings - Sant Mat Sampler
"Sant Mat" can be defined as: "The Teachings ('Mat') of the Saints ('Sants') or Sages" or "Path of the Masters". In India it’s common knowledge that the term "Sant Mat" was coined or adapted by Param Sant Tulsi Sahib of Hathras during the 19th-century. "Sant Mat" was adopted and popularized by Tulsi Sahib as a new name for this spiritual path or genre of mysticism, but the Sant tradition, with its many guru-lineages or branches, is a spiritual movement that dates back many centuries to ancient India.
Spiritual Awakening Radio Podcast: Selections from the Saints and Mystics - Exploring A Treasure-Trove of Spiritual Writings and Teachings - Sant Mat Sampler - Listen, Download, Subscribe @ the Podcast Website:
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"There is no end to the number of Sants who appeared in the Yugas [Epochs] of Sat, Treta, Dvapar, and Kali [Yuga]. I sing of the celebrated one I have heard of, and bow my head to all the others." (Jan Gopal, disciple of Sant Dadu Dayal)
"I have given out the same true secrets which Sants like Kabir Saheb, Dadu Saheb, Rai Das Ji, Darya Saheb, Guru Nanak, Soor Das Ji, Nabha Ji and Mira Bai have spoken of. They, too, have composed similar hymns describing the bliss of the Highest Spiritual Region, whose glory I also have sung, blessed by the grace and the dust of the holy feet of Sants." (Sant Tulsi Sahib, Book of Ghat Ramayan)
"The names of some of the perfect and true Sants, Sadhs and Faqirs who manifested themselves during the past seven hundred years are Kabir Saheb, Tulsi Saheb, Jagjiwan Saheb, Garib Das, Paltu Saheb, Guru Nanak, Dadu Saheb, Tulsi Das, Nabhaji, Swami Hari Das, Sur Das and Rai Das. And some of the Muslim names are Shams Tabrez, Maulvi Rumi, Hafiz, Sarmad and Mujaddid Alif Sani. A perusal of their writings would give an idea of their spiritual attainments." (Sar Bachan Radhasoami Prose, A Summary of the Teachings of Soami Ji Maharaj)
"Sacrifice to the magnificent Saints like Kabir, Nanak, Goswami Tulsidas and Tulsi Sahib, Dadu, Sundar Das, Sur Das, Swapach, Ravi Das, Jagjiwan, Paltu, etc..., They are all great benefactors, delivering human beings from the fears of the world, Satguru Devi and other Saints are also highly adorable, Maharshi Mehi sings their magnificence and lies prostrate at their sacred feet with faith and love." (Maharshi Mehi Paramhans, Book of Padavali)
Today on this Sant Mat Satsang Podcast Selected Quotes from Many Different Sant Mat Masters and Spiritual Classics Introducing The Way of the Saints, The Path of the Masters - A Production of Spiritual Awakening Radio.
In Divine Love, Light and Sound,
James Bean
Sant Mat Satsang Podcasts
Spiritual Awakening Radio
https://www.SpiritualAwakeningRadio.com
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#santmatsatsangpodcasts #spiritualawakeningradio #satsang #santmat #sant_mat #spiritualpodcasts #podcasts #spiritualawakening #suratshabdyoga #tulsisahib #soamijimaharaj #huzurmaharajraisaligram #maharshimehi #swamisantsevijimaharaj #swamivyasanand #kirpalsingh #sawansingh #ajaibsingh #santji #thelightofajaib #simran #eknath #rumi #sants #santmatradhasoami
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PODCAST: An Introduction to Sant Mat, The Path of the Masters -- Spiritual Awakening Radio @ Youtube: https://youtu.be/3YuJTU0G71M
OR Stream, and Download, Here: http://download.liveindexer.com/podcasts/HealthyLifeOD/Audio//ECI_AUTO/Feb2018/SPA020618_WMA.mp3
NOTES About Today's PODCAST
“Sant Mat” can be defined as: “The Path of the Masters” or "Way of the Saints and Mystics". In India it’s common knowledge that the term “Sant Mat” was coined or adapted by Param Sant Tulsi Sahib of Hathras during the 19th-century. “Sant Mat” was adopted and popularized by Tulsi Sahib as a new name for this ancient spiritual path or genre of mysticism that dates back many centuries to ancient India.
See my booklet on the Origins of Sant Mat, On the Usage of the Term "Sant Mat" and the Tulsi Sahib Connection: https://medium.com/sant-mat-meditation-and-spirituality/the-origins-of-sant-mat-the-five-names-and-the-identity-of-tulsi-sahib-s-guru-by-james-bean-eaa516deccf9#.z3lajdf42
Seven Teachings of Sant Mat
1. God is Real.
2. God is Love, the Ocean of Love and Compassion.
3. All of the world scriptures teach about the same manifestation of God as inner mystical Light and Sound.
4. Our true identity is soul, the Self. Soul is part of God and therefore is, like God, pure love.
5. During this human existence we have an opportunity to experience God.
6. As we experience communing with God's love during meditation -- Surat Shabd Yoga -- we can rise above body-consciousness and explore Inner Space, the "Kingdom of the Heavens" that are within us. "We travel back from the realm of Darkness to the realm of Light, from the Light to divine Sound, and from the realm of Sound to the Soundless State [Anami, Radhaswami, Anadi Purush, Ram]." (Swami Santsevi Ji Maharaj) The drop merges back into the Ocean of Love.
7. As we get initiated into the Mysteries of the Spirit by a Living Teacher (Master, Sant Satguru), the purpose of our life is fulfilled. Reuniting with God is our reason to be here: "It was for the sake of the God-conscious beings that our True Lord created this earth, and began this play of death and birth". ("Adi Granth") Guru Kabir says: "For millions of years you have slept. This morning, will you not wake?".
Seven Key Practices of Sant Mat Mysticism
1. Satsang (Association with the Saints which Includes the Study of Their Writings and Scriptures);
2. Selfless Service of the Spiritual Master [Seva];
3. Love for God [Bhakti];
4. Moral Rectitude;
5. Purity of the Heart;
6. Japa (Repetition of a Divine Name [Simran]); and,
7. Dhyana [Meditation]. (In the practice of meditation both gross and subtle meditations are described. In subtle meditation is meditation of the bindu-point -- the meditation of Inner Light -- Drishti Yoga [the Yoga of Vision], and Nadanusandhana [the meditation of Inner Sound] -- Surat-Shabda-Yoga [the Yoga of Sound].)
“The teachings of all Saints are essentially the same. They speak of the ‘Kingdom of Heaven’ which is within. They show the path and impart instructions to attain it. They do not claim to teach something new or different from what other Saints have taught. Tulsi Sahab declared that he was giving the same teachings as those of Kabir Sahab, Nanak Sahab, Dadu Sahab and other Saints. Tulsi Sahab, for the first time, used the expression ‘Sant Mat’ or ‘the teachings of Saints’ to stress the basic unity of the teachings of all Saints.” (From the entry for Sant Tulsi Sahib in, “RadhaSoami White Paper on the Religion of Sants and RadhaSoami Faith”, published by Dayal Bagh in Agra)
“Listen, O Phool Das, I have given out the same true secrets which Sants like Kabir Saheb, Dadu Saheb, Rai Das Ji, Darya Saheb, Guru Nanak, Soor Das Ji, Nabha Ji and Mira Bai have spoken of. They, too, have composed similar hymns describing the bliss of the highest spiritual region, whose glory I also have sung, blessed by the grace and the dust of the holy feet of Sants”. (Ghat Ramayan, “Param Sant Tulsi Sahib”, translated by Sant Das Maheshwari, Agra)
Check out the Sant Mat Radhasoami e-Library Online: https://medium.com/sant-mat-radhasoami-books
Seeking information on how to be initiated into the meditation practice (the Inner Light and Sound of God), or trying to locate a satsang meetup in your area? Email me here: James (at) SpiritualAwakeningRadio (dot) com
God is the Ocean of Love.
Jai Sat Naam, Jai Guru, Radhasoami, Satya Raam, In Divine Love, Light and Sound, Peace Be to You, James Spiritual Awakening Radio
* Help Support the Mission of Spiritual Awakening Radio and Sant Mat Satsang Podcasts: https://medium.com/sant-mat-satsang-podcasts/donate-support-the-mission-of-spiritual-awakening-radio-and-podcasts-b7b7636e7146
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* Sant Mat Meditation and Spirituality: This Living School of Spirituality called Sant Mat is also known as: The Way of the Saints and Poet-Mystics, Radhasoami, and, The Path of the Masters. The meditation practice is Surat Shabd Yoga: "Union (Yoga) of the Soul (Surat) with the Inner Light and Sound of God (Shabd).” GO TO: https://medium.com/sant-mat-meditation-and-spirituality/latest
* Introduction to Sant Mat Spirituality and Meditation: http://www.SpiritualAwakeningRadio.com/santmat
* The Sant Mat Radhasoami Blog and Satsang E-Newsletter: https://SantMatRadhasoami.Blogspot.com
#SantMatSatsangPodcast #Satsang #RadhasoamiSatsang #KirpalSingh #SawanSingh #Radhasoami #Radha_Soami #Radhaswami #SantMat #Sant_Mat #SuratShabdYoga #Kabir #gnostics #gnosticism #mystics #mysticism #thirdeye #Religion #JamesBean #SpiritualAwakeningRadio #Podcasts #Spirituality #Meditation #Simran #TulsiSahib #Bhakti #AnuragSagar #InnerLightAndSoundMeditation #QuanYinMethod #GuruKabir #Kabbalah #Sufism #Rumi #SantBaniAshram #Vegetarian #Vegan #India #God #LordOfTheSoul #SatPurusha #Initiation #Masters
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FEATURED ARTIST: Mira Dayal, After DM, 2017. Digital scan. Dimensions variable. Courtesy the artist.
www.sculpture-center.org
This post is part of our Connective Tissues series.
-JH
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FEATURED ARTIST: Mira Dayal
Mira Dayal works at the intersections of drawing, printmaking, photography, and installation. Her recent work has explored hair as a material through which to comment on contemporary political affects. She is interested in excavating decay and desire.
Mira Dayal (b. Franklin, IN) lives and works in New York. She studied at Barnard College of Columbia University in New York, NY. This summer, she was awarded A.I.R. Gallery’s Governor’s Island Residency. In the near future, she will be included in Volley, a group show at Abrons Art Center, and Material Metaphors, a solo exhibition at NARS Foundation.
Mira Dayal, Material Metaphors, 2017. Ginger, string, silk, dirt, salt and pepper, ash, oil, strawberry. Dimensions variable. Courtesy the artist.
www.sculpture-center.org
This post is part of our Connective Tissues series.
-JH
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