#minidisc collection

[blistexenthusiast]

minidiscs

[wildflowercryptid]

i will never know peace now that i know that tally hall were selling good & evil on minidisc last year and i missed out on grabbing it.

[53v3nfrn5]

MAXWELL: Miffy Collection ‘ミッフィーコレクション’ 80min. Recordable MiniDiscs (2001) Miffy Art: Dick Bruna

[zegalba]

MAXWELL: Miffy Collection ‘ミッフィーコレクション’ 80min. Recordable MiniDiscs (2001)

[velvetvexations]

Do you collect anything for fun/interest? :3

I collect MiniDiscs! New releases mainly, although there's probably a few albums released when MiniDisc was actually used outsides of special releases by niche indie labels I wouldn't mind grabbing. My first'n was Lemon Demon's Spirit Phone. A lot of it tends to be vaporwave, future funk, really "online" music.

I have Do They Still Dream in Heaven? by Panzer Paradise and it's a perfect example as well as some of my very most favorite music:

Crossss my Fingersssss (monogatari) in particular, damn, that goes hard.

[dustedmagazine]

Broadcast — Spell Blanket: Collected Demos 2006 - 2009 (Warp)

The 16-year career of Broadcast elicits not just nostalgia for psychedelia, but for the bygone, awestruck moment when new studio recording technology made it possible to build entire worlds in sound, and in some sense to live in those worlds. Until lead singer Trish Keenan’s untimely death in 2011 at age 42 Broadcast dwelled in sound.

Broadcast was influenced to an outsized degree by one obscure album, the self-titled and only release from the United States of America in 1968. That album brims with the exuberance of some young, newly minted electronic music obsessives, several of whom later made careers as academic composers, avant-garde musicians, or sound artists working in media. That early album is marked by both beauty and no small share of clowning — electronics could be sonically eerie, but they could just as easily generate mechanistic slide whistles or burps.

Broadcast retained the United States of America’s sense of awe and play with sound, though they streamlined this approach through disciplined musicianship as well as a number of stylish signatures, including Keenan’s finely threaded vocals, James Cargill’s forceful drumming, a tendency to write in waltz time (it works) and sometimes an overdriven organ. In place of silliness, Broadcast often inserted something more aloof, but there is not a song in their catalog where they aren’t clearly reveling in sonic atmospheres, just as the United States of America had done. Broadcast’s shows were deeply immersive experiences, as complete and convincing a gesamntkunstwerk as I’ve ever seen from a rock band.

In the years before she died, Keenan kept a kind of sonic diary via MiniDisc, a format which in the 2000s enjoyed a brief moment as a medium of choice for sharing larger files. The entries she made ranged from grainy snippets of vocal melodies to relatively polished song demos recorded with Cargill and others, advanced drafts that might have become songs on a subsequent Broadcast album. As Spell Blanket contains 36 tracks, it is difficult to know which of these sketches were bound for release and which were only fleeting ideas. (Cargill must have endured an emotionally enormous task in curating this material). But a track like “Follow the Light” suggests what might have been. On that recording, Keenan sings a haunting, minor-key melody in gorgeous counterpoint to two organ lines, one high and one low, both swimming in reverb in a way that exemplifies the group’s métier of crafting sonic worlds. “The Games You Play,” with its motorik drums and clouds of recorder grot pitted against the vocals, likewise sounds almost finished. On the other hand, “The Song Before the Song Comes Out” seems to be Keenan sketching a possibility with her voice and whatever device she had at hand. This kind of intimacy is evident on a number of the collection’s tracks.

There will be a final Broadcast album later this year, a recreation by Cargill using the fragments Keenan left behind. In the meantime, we have Spell Blanket, a mostly unexpurgated view inside the process of building worlds in sound, at the sort of unfinished stage that the band’s albums ardently never revealed when they were together.

Benjamin Tausig

[mw-537]

Minidisc Color Collection by Sony via Obsolete Sony

[thundercover]

pink & blue minidiscs from my collection

[solradguy]

What's the deal with these Guilty Gear X cds? I've been looking at buying a copy of X for dreamcast for my collection but it seems that A, there's two versions of the X disc, and B there's a lot of these mini disc's. Were they sound track CDs bundled with them? I've seen that they have 3 variations so I assume there's different stuff on each?

It seems like the minidiscs might have a single track from the soundtrack on them but I don't know anything about what tracks are on them or what's different about the game releases themselves, sorry...

I did find some listings saying that they'll only play on Japanese Dreamcasts though, so that's something to keep in mind before buying one if you wanted to actually play them

[fashionlandscapeblog]

"Since Trish's untimely passing in 2011, James has continued to remember her by sharing unreleased Broadcast demos each year on her birthday, September 28th.

In the spirit of those birthday demos Broadcast present "Spell Blanket - Collected Demos 2006-2009"

The collection comprises songs and sketches drawn from Trish's extensive archive of 4-track tapes and minidiscs. The recordings lay the groundwork for what would have been Broadcast's fifth album, offering an intimate window into the creative process of Trish and James during this period post Tender buttons.

'Spell Blanket - Collected Demos 2006-2009' will be released via Warp Records in early 2024."

Source: Broadcast

[quiggyballs]

minidisc collection,,,,,ooh golly

[cosmicanger]

MAXWELL: Miffy Collection ‘ミッフィーコレクション’ 80min. Recordable MiniDiscs (2001) Miffy Art: Dick Bruna

[thisisrealy2kok]

2000 - Sun Japan Pure Sound Collection  MD74 Purple* by LaBoutiqueDu Minidisc

[53v3nfrn5]

Maxwell: 'Miffy Collection' Recordable 80min. MiniDiscs (2001)

[vedajuno]

It’s absurd that MUSIC isn’t a collectible thing within Splatoon considering it’s importance to the series!! It’s something that’s heavily detailed through outside material but oddly enough doesn’t show up much as a focus within the actual games at any point, there should ABSOLUTELY be some kind of music store where you can buy a bunch of songs on little minidiscs and build playlists that you can listen to in matches and show off with your friends! So I made one myself!

Ickis is the shopkeeper, a longtime Deepsea Metro resident (he’s a hagfish) who, like many denizens of the deep, moved to the surface following the events of Octo Expansion. While integrating into this new society proved difficult, Ickis’ love of inkling music - a passion that had previously kept him entertained for ages in the Metro - was the one thing everyone he met on the surface could reliably connect with him over. Ickis originally opened Deep Blue Beats as a music trading store to help culture his fellow denizens on his passion, but it’s since expanded into THE hottest underground shop in Splatsville for picking up new artists and old classics alike!

(The “info” button is kind of like what Sheldon has, but instead of weapon stats Ickis gives your character a bunch of in-universe gossip about the band in question, to finally integrate all that stuff into the game somehow. Maybe asking him about a band increases the chances he’ll carry more of their songs the next day, or something, to give it some kind of actual use.)

[strathshepard]

SONY: Recordable 74min. MiniDisc ‘Color Collection’ in ‘Sapphire’ (1999)

via 53v3nfrn5