#minano
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mangafascination · 1 year ago
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railwaygirl · 9 months ago
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falcemartello · 8 months ago
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"Stai sempre con sto cazzo di telefono in mano"
Se te lo dice è VIOLENZA
Ci son o frasi che sono come schiaffi. Mortificano, umiliano, isolano, disorientano e minano l'autostima delle donne. Non sono solo parole, è violenza psicologica. Fermiamola prima che sia troppo tardi. Chiama i centri antiviolenza per farti aiutare. Un'altra vita è possibile.
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tenjiiku · 1 year ago
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1995 / i do
6k words
masterlist | next
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“I’m never going to trust a man ever again! Never! Never in a million years!”
A woman wails to two of her friends in an empty ramen shop during a chilly Winter night in November. Said ramen shop was aptly named Minano Ramen, a few miles away from Minano Station, Saitama. Said woman had no correlation to the location (as she was a bona fide country-bumpkin, hailing from somewhere in Nagano), nor to the type of provisions being sold at the aforementioned ramen shop (she was in a committed relationship to whole wheat and everything which came from it). Still, her company grounded her — which is why said woman, Amaya Bando, persisted under such shoddy circumstances.
You, being one of Amaya’s closest accomplices, gently pat her back as she lounges across half of the dining table. Her blouse was an utter disaster, and her hair was in an even more uncanny state of disarray. Being as you were sitting in the stool next to her, you were in charge of physical comfort for the night: The Good Cop. Your friend, the owner of the family-owned Minano Ramen shop, Umeko, was overseeing the harsh, motivational talks — as she was across the counter from both of you, wiping down dishes to close up for the night: The Bad Cop.
“Amaya-chan, you will sprain a muscle exerting yourself like this,” you coo, ever-so-softly, gently running a hand through the woman’s chestnut coloured hair.
“So be it! It will just be another tragedy added to the list that is my life! What is one more, anyway!?”
“You’re turning red,” Umeko coolly interjects, passing a glass of ice cold water to the hysterical young woman, “calm down before you burst a blood vessel.”
Amaya, sniffling, finally lifts her head from the counter. She is, indeed, flushed in the face. Her nose is an almost violent shade of burgundy — and she blows it once more in the handkerchief you hand her. Your brows furrow and your lips pout. You did not like seeing your friend like this, even if she currently resembled a spider monkey.
“I just thought—,” a gulp of water, an exhausted moan, “I just thought Sota would—would be the one, you know?”
“For fuck’s sake— he made you pay on the first date. I’m glad he left you.” The Bad Cop chastises.
“You deserve someone so much better, Maya-chan,” The Good Cop consoles.
Amaya’s eyes fill with tears. She opens her mouth — presumably to resume shrieking — but nothing leaves. A few seconds pass just like this, her mouth gaping and her teardrops escaping her eyes to fall on her flushed cheeks.
“You think she’s paralyzed?”
“Umeko— you… don’t say that. She’s upset.”
“Over Sota…”
“Yeah, so?” Umeko shoots you a look which screams ‘Are you serious?’ which makes you snort and murmur a quiet, “What?”
“Sota.”
“I know Maya-chan’s ex-boyfriend’s name, Umeko.”
“The man with the receding hairline. Who made our dear Maya-chan take the bus home — knowing he had a car — from their first date. Which she paid for, by the way.”
Amaya chokes and you jump at the sound, gently patting her back and shooting Umeko a stern glance. Umeko only snatches the napkin you scrunch in your hand away from you and walks away into the back, presumably to throw it out. Or leave you and Amaya to your lonesomes. That too was a possibility.
“Why do you care so damn much about who and who didn’t pay on the first date?!” Amaya hollers, suddenly gaining the strength of twenty bulls when being on the receiving end of Umeko’s cold indifference.
Before you can interject, the woman is already returning to the bar, hot on her heels. You open your mouth — but, like Amaya, excluding the frenzy — nothing falls out.
“That should have been a sign! No good man would have taken you on such a shitty date. And what do you do? Call him an hour after you return home and tell him you had a good time! A good time! Your socks were soaked from the downright torrential rain for god’s sake!”
“Umeko—”
“Yeah?! Well— I—I’m a nice woman! Unlike you! I—I see the good in people. And Sot—So—… whatever-his-name, he—he did many good things after!”
“Amaya—”
“Oh yeah? Like what?”
“Ume—”
“He—He bought me flowers! Took—Took me on other dates that he—he did pay for, by the way! Since money is everything to you!”
You sigh shakily into your cup of coffee and lean your cheek against your palm, grinning when you receive a message notification on your phone.
>> (19:00) Where are you?
“Yeah, he bought you chrysanthemums! You’re allergic to chrysanthemums! He basically tried to kill you!”
“Why—Why are you so mean?!”
“Why are you defending the man who dumped you to be with someone else?!”
A silence befalls the shop after Umeko’s last statement. The two women engaged in the for-some-reason argument recline into themselves. Peering up at them, you shake your head before sending a reply to the message you received moments ago.
>> (19:02) Minano’s. Witnessing Ume and Maya in a brawl. Got off work?
“I think we can all agree here that Sota is the real McCoy of dickheads. And I think we can also agree that Amaya is much too beautiful and kind hearted for half of Earth’s population — and that Umeko can use Benadryl.”
A huff escapes Umeko’s lips and she runs a hand through her dyed yellow-blond hair. Amaya snorts a laugh, snot escaping her nose and the last of her tears pouring from her eye. You squint a little at the sight, and take a tissue from the rusted napkin dispenser to hand it to her.
It is a peaceful quiet for a few seconds. Then Amaya asks, her voice strained with a hint of pure amusement tinted between, “What the hell does being the real McCoy mean?”
“The saying originates from Elijah McCoy. Quite a famous inventor in the late 1800s, owned many patents after a bunch of dupes followed his name.”
Umeko guffaws at your statement. She looks at Amaya. “Can you believe she’s the one in a committed relationship between the three of us?”
You snicker and smile smugly to yourself, with Amaya letting out a chortle of her own. She sighs, scooting her stool closer to yours to rest her head on your right shoulder. You pet her cheek with your left hand, the other holding your phone open.
“Where’d you find such a man like Rin?” Amaya sighs gently, nuzzling into the sherpa of your coat.
Umeko sets down the last bowl on the counter before leaning against it, elbows propped up as she sneaks a glance towards your phone screen. She leans closer, seemingly also wanting to know the answer.
“Find? They’d been attached to the hip since university. If anything, he wouldn’t leave,” Umeko teases. You grin shyly and shrug your shoulders, careful not to exert the gesture and disturb Amaya’s newfound calmness.
“Yeah,” you murmur, “I just got lucky.” Turning towards Amaya you lightly pinch the fat of her cheek, “It’s about to run out. I can feel it.”
The low lighting of the bar sets Amaya’s piqued expression so naturally — it was as though it were her instinctual reaction to everything.
“You’re just a perpetual pessimist. I’d be willfully ignorant and quiet if I were you. Evil eye is a thing, you know.”
“Since when did you become so spiritual?” Umeko retorts.
“Since my ex stole ¥11,000 from my shoebox and left without sparing so much of a goodbye in the middle of the night.”
Umeko and you still for a few seconds. It is so silent you can hear the bellowing of the snow outside the shop. Then, Umeko murmurs, very quietly, “The hell? You never told us that. That’s a crime.”
“It’s fine… he left his Grand Seiko watch.. I bet it will fetch a good price.”
You grin and Umeko huffs. “Good girl, Amaya.”
The chime of the door opening alerts the three of you. Though the closed sign was turned, the establishment remained unlocked. No one had ever dared come inside when the patio lights were off. At least, not until now. The sight of the person at the door, however, pains a pleasant smile on your face. You hop off of the stool, not without a groan from Amaya who has to resume laying on the cold marble of the bar table, wrapping your arms around your body to adjust your coat.
“Yo, Itoshi, we’re closed.” Umeko’s voice hollers from across the shop. Rin grins at the statement, and it grows when you approach him.
“Hello, Honda-san, Bando-san.” he greets formally, taking your purse with his free hand and adjusting it to fit into the crook of his elbow, where his briefcase rests. The side of his mouth lifts as he looks down at you — adjusting the collar of his peacoat.
“It’s Amaya, Rin-kun. A-ma-ya.” The half-drunk woman slurs into her mug of beer. You shoot Rin a teasing smile, making him apprehensively run a hand through his hair and loosen his wool scarf — a bright neon pink colour — which you bought him as a joke years ago, but for whatever reason he wears consistently through the cold season.
“What are you doing here?” You whisper to him as Umeko and Amaya argue on the latter’s alcohol tolerance — or, lack thereof. You place your warm hands on his cheeks, turning his face left and right as you look for any imperfections.
“I was in the neighbourhood. I thought you knew?”
Rin murmurs in the low voice you like so much — the one that leaks in the bedroom. Your eyes widen and you look up, meeting his roguish gaze. You subconsciously cross your legs and shyly adjust your hair and pencil skirt, looking down at your sore feet clad in heels.
“I—I didn’t think you were this close.”
And he really was not. His office was a good twenty minutes away from Minano Station, by train. Thirty, if you consider the harsh Winter blizzard and Friday night traffic. But if Rin Itoshi was anything, he was your overzealous lover.
“I wanted cheesecake,” he says, so casually deflecting your onslaught of guilt. It never hits you. He never lets it.
You laugh at this softly, shaking your head. He leans into your one hand that still cups his cheek and you can feel his smile against your skin.
“Your hair is a mess.” You mutter, bending down to meet his eye.
“You look very pretty.” He replies instantly, making you flustered all over again. Rin has gotten better with pouring out compliments in recent years. It still takes you aback each time you are the receiving end of them.
An obnoxious cry breaks the two of you out of the daze you find yourselves in. You turn to find Amaya glaring at you with disgust, then looking towards Umeko.
“Blah! If you both are going to be in love and whatnot, please do so with a five kilometre distance away from me.” She utters and Umeko resumes to bicker with her regarding what constitutes as too much beer to consume in one sitting for a four foot one woman in her late twenties.
Rin looks at you, confused. He bends down a little bit, to accommodate for the strain you put into your neck. You feel the side of your mouth twitch. You can practically see his tail wagging.
“Breakup. Sota is an asshole.” You explain. Rin hums.
“I never liked him. He tried getting me to invest in Worldcom. Its trajectory is not looking good.”
Amaya, still listening in on your conversation and tuning out Umeko’s incessant lecture, sits up as straight as a brick.
“What? So Sota’ll lose money?” She inquires.
Rin sighs, taking his hand to rest around your shoulder and nodding. “If he still holds, definitely.”
Amaya makes a sound between a choke and a laugh and simultaneously claps her hands. She leans back in her chair and you quickly step forward to catch it — Rin being pulled with you.
“Umeko-chan, keep the celebratory drinks coming!” The woman cheers loudly, chugging her empty mug and presenting it to the tired woman across the counter. Said woman sighs exasperatedly — turning her gaze to Rin and yourself.
“You two should leave. Amaya is an obnoxious drunk and I don’t want to ruin the eve of your 30th birthday.”
You giggle at this, and turn your eyes to Rin. You ask him mentally — “Should we?”. And he gives an answer by positioning your purse and his bag — “We should.”
“Alright. Maya-chan, drink responsibly.” You murmur, placing a kiss on Amaya’s temple. She hisses so you take a step back. You nod towards Umeko. “Umeko, take care.”
“Yeah, yeah. You better send us photos of the celebration tomorrow.” She answers, furrowing her eyebrows when Amaya raises her mug and slurs gibberish on simultaneously wanting to be loved and to be a cat.
As Umeko ushers you both out, the door chimes softly, signalling the end of the raucous camaraderie. The cold night air greets you once again as you step onto the snowy streets, your hand held tightly in Rin’s. Neon lights cast ephemeral shadows on the white canvas beneath your feet, creating a surreal ambiance. Rin’s touch provides a comforting anchor in the quietude of the night. The city, wrapped in its wintry silence, seemed to only amplify the tenderness exchanged.
“You’re so warm…” you whisper to Rin.
“Am I?” He mumbles, his voice deep and smooth. It sends shivers up your spine, “You’re making me incredibly nervous, dressed like that.”
A wind blows by. You blame the sudden gust of cold for the sudden rigidness you find yourself experiencing.
“Rin…” You mumble, hiding your face in his forearm.
He only laughs, and stops walking when the two of you are under a street lamp. Opening your eyes, you find him in front of you — looking as though you have a treasure he desires. He takes your cheek in one hand, caressing your cheekbone with his thumb. You lean into it, placing a kiss against the expanse of his thumb, and you giggle when you see a sudden redness develop on his face and earlobes.
“I love you.” He murmurs, leaning down to capture your cold lips with his warmer ones. You sigh, content at the warmth and the fluttering feeling travelling up and down your frames
When the two of you part, your whisper to him — a want, a need, something you have never received from anyone before. Until him.
“Never leave me.”
When Rin smiles, you know you are safe.
“Always.”
.
.
.
Five minutes after you arrive home, you vomit the contents of Minano Ramen Shop in a spectacularly violent fashion. In the quaint washroom you currently are in — still in your work clothes and with Rin in his half undone peacoat — resides two toothbrushes in a Miffy cup Rin bought for you for Christmas, a poster of the album cover of The Bangles, All Over The Place which the two of you found venturing small thrift shops in the corners of Shinjuku and pencil marks on the door frame — measuring your height for the last two years, bi-monthly (you have only grown half a centimetre. Rin has grown five.)
“Oh, love.” Rin mutters, holding your hair back as you clutch the toilet seat for dear life. You cringe at the smell, tear up and sniffle, then resume emptying the contents of your stomach — unwillingly, “I’m here. Let it out.”
Rin is very patient. You hang your head low, tears soaking your face. You do not want to see what you look like in the mirror. Probably anything but pretty. You can sense Rin bend down onto the soft bathroom mat beside you, massaging your shoulder and running a comforting, large hand down your back.
“Are you alright, darling?”
“Yeah, I—I think,” you gag before you can finish your sentence — and continue vomiting. Rin stays with you, his gentle voice acting as an anchor to ground you.
The whole ordeal lasts nearly a minute — but it felt like one hundred million years to you. By the end of it, Rin is carrying you to your shared one bedroom as you slur your words of protest.
“I can walk, Rin. I puked food… I think. Not blood. So I’m not dying.”
“You talk too much for a sick person.”
“I’m not sick,” you say, holding back another gag when you smell the remnants of vomit on your chin. Rin lays you down on your queen-sized bed, magically pulling wet wipes from his person and cleaning your face off. It is scary how overly attentive he can be at times. You were convinced he possessed psychic abilities for the first few months you started going out. Unfortunately, to your dismay, he was simply born with an innate sense of observation skills.
“Stay here.” He orders you, like you are a wet dog. He stands from his crouched position, and you feel much too dizzy to follow as he leaves the room.
He enters with a thermometer. You grunt.
“Rin… this is ridiculous.”
Of course, he does not listen to your demands. Hooking his index finger and thumb to your chin, he gestures for you to open it. You obey, of course — because you are hoping this attentiveness of his will stay after he is done this checkup of his.
“Your temperature is fine…” He murmurs, gazing down at the device. He looks up at your tear-stained face and his lips twitch, “I will go brew some tea.”
Anyway, he is gone again — and far be it for you to divert him from his rigid mind. You lay there, roughly for five minutes. You wonder if Rin is preparing anything else for you other than tea. You would not put it past him. Something possesses you when you are left to yourself, though. It has been happening for the past few weeks. A sudden intuition or shift in your brain — it tells you: ‘Something is wrong. Something is not right.’
You don’t know what exactly drives you to take a pregnancy test. You just turn your head to your bedside table, open the drawer, and see the plastic bag from the pharmacy. You picked up medicine for your frequent headaches and nausea, but, as stated previously — something possesses you when you are left alone. And, at that moment, it drove you to purchase some pregnancy tests. Plural, because this Thing is quite persuasive and nagging.
Rin returns to the bedroom, a tray with miso soup, warm rice, a cup of jasmine tea and leftover mackerel from this morning in his hands. He does not find you there. He calls for you, with no answer.
“Honey?”
A sound from the bathroom catches his attention. He places the tray on the bedside table, coming to you.
“Darling! What are you—”
You sit on the toilet seat, your hands shaking as you hold one of the tests in your hand. Your eyes are wide, and Rin sees it before you even have to tell him. He falls to his knees in front of you, bracing you by placing his hands on your thighs.
“It’s positive, Rin,” your voice is soft and weak. You can make out the sound among the ringing of your ears, “Am I losing my mind? Are you real?”
“Y/n…” Rin’s voice is even more gone. He opens his mouth, then opens it again. You can hear the tremble in his tone, “Is this real?”
You sniffle and your voice is wrecked as you whimper out, “What? Why are you asking me? I peed on the stupid thing and now it’s saying this. You think this is a sick prank?” You lightly hit Rin at the chest with your hands, but by the fifth swing he is bracing your wrists and looking up at your tear filled eyes with a pair of his own.
“Rin…” you feel your feet grow numb, and the ringing grows louder and louder, “I’m pregnant.”
.
When you were young — you would guess around seven or eight — you had a neighbour, Sana-san, who had a new man over everyday. Or, every night. You would watch her greet them from your parent’s bedroom’s terrace — typically around dinner time. Mama never let you watch television shows around 6:00 pm, so you resorted to watching your very own live reality show.
One particular evening, when papa was working overtime, and after watching Sana-san greet a man — who looked no older than 23 — with a hug and a kiss and a smile, you find yourself seeking out mama who cuts small chunks of potato directly into the hotpot. You only reach her hip, but you manage to fetch your stool so you can reach the counter height and observe as she makes your favourite beef curry.
“Mama,” You ask as she goes to wash her hands, “Why does Sana-san have so many husbands?”
Mama makes a sound between a choke and a grunt. You see her back stiffen and her hairs stand up. She turns to you, and in the softest voice she can manage, she explains to you.
“They—They are not her husbands, kitten.”
“But I saw her kissing them.”
“Where?! Where did you see that?”
“From the terrace. Every time I feed Inari.”
The stressed woman buries her face in the palms of her hands. You tilt your head, and follow her as she gestures to you outside the kitchen. Was she upset that you housed a bush warbler, whom you named Inari? You sit on the couch, as she crouches you in front of you with her apron still on.
“Kitten…” she starts, “Listen to me, Sana-san is a… very peculiar woman. She has her own ordeals and I have mine. I only have papa and she… she chooses to have many lovers.”
“Lovers? What does that mean?”
“It’s in the name. Someone you love. They are your lover.”
You hum at the explanation, then smile widely, “I want to be like Sana-san when I grow up. She has so many of them.”
Mama’s eyes widen the size of saucers, and she clasps your hands on her own. You flinch at the sudden movement.
“Kitten!” She blurts. You tilt your head.
“What?”
“You don’t— You shouldn’t strive for that. I mean, it’s nice, you’re right — she has many… many lovers. But it is even more special if you have one true lover that will stay with you forever and ever — like your Prince Charming. Right?”
You look into mama’s eyes. She seems tense. Strange, considering most of the time she is very much composed. It must be important, then, that you take her word for this situation. Though Sana-san seemed delighted every night, you were never the early bird — so you never saw her expression when her lover for the night would leave in the morning. Was Sana-san aware that they were going to leave? If she knew, how did she manage to say goodbye? Would she even get the chance to if they left without saying anything?
The possibilities all send an unpleasant feeling in your stomach. You want to eat curry and forget about it.
“I guess so…”
And that was it — at least for the night.
The next month, you saw Sana-san for the last time. She had come over, actually. You remember mama telling you to go upstairs when the woman came. But, being the sneaky seven or eight year old you were, you managed to hide yourself around the corner of your living room. You recall seeing Sana-san sob into her hands, and mama holding her small frame. You’d never seen Sana-san cry — not like this, not in general. The woman seemed so much smaller to you at that moment. You did not know what she was crying about, until you were thirteen and were running errands with your mother when you asked in the chip aisle — casually and erratically.
“She got pregnant. Her.. partner at the time wasn’t pleased. Neither were her parents. She moved to Australia, to live with her Grandmother.”
You swore to yourself from that day forward, you would never allow yourself to ever be in Sana-san’s place — even if you had to let go of everything good in life.
.
But you were a naive thirteen year old. You acted like you were thirty at that age. Now that you are twenty nine — you are acting as though you are nine again. Maybe living with your debilitated grandmother would be better than finding out you are pregnant with snot and vomit covering your shirt.
“Y/n.” Rin calls for you, squeezing your hands, “Everything will be okay. This is… it’s all alright. At least, it is to me.”
“You’re fine with this?” You ask, and your voice is drenched in anxiety and an unfamiliar rawness.
“Of course.” Rin expresses, looking down to meet your eyes when you lower your face to avoid his, “Are you?”
“I—I’m going to be a mother, Rin.” You whimper, “You—You’re going to be a father.”
The sudden realisation hits you — and it feels like a million pounds descend on top of you, not giving you any room to breathe. You feel terrified yet ecstatic, all at once. The beginning of an end.
“Oh—Oh,” you fall into Rin’s embrace, and he holds you — all of you, the dirty bits and emotional parts.
“I’m right here,” he whispers, “I love you.”
Through your sobs and whines, you murmur a small anxiety which makes Rin laugh and you feel alright.
“I drank black coffee. An hour ago. What if they’re hurt?”
“I’m sure they’ll be fine.” He whispers, and you feel a wetness fall on the top of your head, “We’ll be fine. Everything will be fine.”
.
.
.
The next morning and late into the afternoon, you decide to take on the role of an interviewer, with Rin being your more than willing subject.
Brushing your teeth together in the one bathroom you have in your shared apartment, staring at each other’s features — trying to see which one falls first:
“What if—What if my feet start to swell? And my boots don’t fit anymore? I’ve heard that happens…”
“We can buy new boots, love.”
Rin, frying an egg for you on the stove as you stir your cup of coffee again and again and again with a spoon — as though your milk and espresso could be anymore amalgamated. The pigeons you shelter in the heated house you impulsively spent two weeks salary on — when you stumbled upon one shivering in the corner of the building entrance — chirping a morning melody for you in the snow-covered balcony. Brrr brrr brrr:
“Where will the—the,” your voice becomes a whisper, as though you are uttering a profanity or a strange secret, “baby,” then it returns to its normal tone, “sleep for the first few months?”
“With us, of course.”
“What if I smack their face? You know I’m a violent sleeper.”
Rin brings you your egg in one hand, and in the other, a bowl of freshly cut strawberries. He places a kiss on your forehead when he leans down towards you, “I am pretty sure there are beds for newborns we can look into to prevent that from happening.”
Standing, frozen, in the food bar of the grocery store — eyeing today’s special: sashimi. Rin directly behind you, reading the discount of chocolate chip cookies — 2 for the price of 1!:
“I am not allowed to eat raw fish. I—I shouldn’t. Well, I don’t know. Mama ate it all the time when she was pregnant with me. I turned out fine, didn’t I?”
“You did.” Rin murmurs, holding your hand but not turning around, making his arm bend in an uncompromising manner, “You turned out beautifully.”
You turn your head to Rin, then back to the sashimi, then back to Rin. You walk up next to him, and wrap your two hands around his forearm, resting your head against his bicep.
“I will eat tempura.” You mumble, and without looking, he pets your cheek as he reads the sale written on the sign.
And, the present — as the two of you sit side-by-side in your childhood bedroom, on your twin-sized bed that still has the same sheets on it as you left it (washed, you hope, if your overzealous mother remained overzealous enough):
Only a lamp is on. Its golden hue sets a peaceful tone. The window is open, the curtains bellowing at the cold Winter breeze filters through the wires. This was your sanctuary for so many years — until you left for university. You shared so many memories in this room, and now your unborn child… (Fetus? Really, what should you refer to them as at this stage? They must be not even the size of an edamame seed) resides in the same room you had your first kiss in.
You sit quietly, just like this. You can feel Rin observing you, as he always does. Except, unlike all of the other times, he gives you your space — room to act as unadulterated as you please.
Your mouth opens, and you can feel your lips tremble when you hear your mother and Rin’s laugh with one another about the wilted tulips outside, on the porch.
“I— we have to tell… our parents.” You say, your voice the quietest it has been today, “Just in case… in case anything happens. They’ll… They’ll have to find out eventually— if—if that happens, right?”
Rin has your left hand in his lap. He holds it with both of his, gently massaging the skin. He picks it up, and places a small kiss, before returning it to rest on his thigh.
“Nothing will happen. But, you’re right. We should tell them, preferably before you start to show. It would be a little… awkward if that were to happen.”
You laugh, and you cannot help but let a few tears leave your eyes. You turn your face to Rin’s, urging him to hold you. He obliges, and runs his thumb across your under-eye to catch your tear before it falls. You cannot believe how hormonal you are already starting to act. You are apprehensive on finding out how you will completely and utterly change as a woman — as a human being — for the months to come.
“Papa is out buying me a cake, right now. And his unmarried daughter is pregnant. God.” You can’t help but laugh at the absurdity of it all.
“Is that what you are worried about? Having a child out of wedlock?”
You snort, “Out of wedlock? What are we? In the 80s?”
“Darling.” Rin whispers, and damn him for calling you that — because he knows you like it so much, “If that is what you are worried about… it’s trivial.”
You are hormonal and cranky and pregnant, so, obviously you flip out on him over a very rational statement with no hidden undertones.
“What? How is that trivial you bastard? Are you going to be a deadbeat father— only visit during holidays and their birthday, is that it—”
Rin cuts you off — shuts you up, for a lack of a better term — with a suggestion so out of left field it almost makes you jump.
“I want to—I want to marry you, Y/n.” He starts, his voice louder than it was before, “And… And I want you to want me to marry you, too.”
For a few seconds, you say nothing. You just stare at him, as the moonlight behind you paints him in an evanescent glow. For a moment you think you are looking at an apparition from a dream. But Rin looks at you — and he looks at you with all the seriousness of a thousand men.
“You propose like this? When I look so hideous?” You say, your voice weak.
“You never look hideous. Ever. For as long as I’ve known you.” Rin mutters, getting off of your twin bed to only bend down on one knee in front of you. His hand plays with the hem of the dress you wear. He kisses the tips of your fingers, each one, looking up into your eyes.
“You—You are serious about this.”
“I am always with you. You know this, more than anyone.”
You feel your breath hitch. You feel the urge to hold him. Do something to sedate this uneasiness within you. So you mutter a half-brained statement, successfully pushing this off of you.
“You… Grandma does not even know who you are. Neither do any of my distant cousins. We—We’d have to let them know, too. Right?”
Rin pauses. His eyes widened. Your lips tremble as he cups your right cheek.
“Is that a yes?”
“I—There’s so many—There’s so many things to take into consideration—,” you start. But Rin does not let you finish this time.
“I know,” he says, voice low and you feel the thousands of pounds lift from your frame. “But is that a yes?”
.
You hold Rin’s hand as the two of you make it downstairs to the living room. You adjust your dress, and Rin his tie. You make sure to stop in front of a mirror to wipe the remnants of red off of Rin’s lips. He only smiles down at you — almost as though he is proud of the current situation.
Really. What the hell was I thinking? Having sex with my parents downstairs, in the bedroom I used to play dolls in. What type of answer is that to someone’s proposal?
“Sweetheart,” you jump when Rin’s father and yours appear from thin air. You instinctively grab onto Rin’s forearm, and his hair falls on his face when he bows to greet your father. The man in turn only holds a hand out, and Rin stands up straight again.
“Happy birthday,” Rin’s father smiles at you, holding out an envelope. Your eyes widen.
“Otousan… you shouldn’t have…”
What leads from that conversation is a lot of back-and-forth. What the etiquettes one should follow on someone’s birthday are — even those who may be close to the birth haver. Your father rehashing his thirties, with Rin’s father going into vivid detail about all of the spicy details and drama which enfolded in the University of Tokyo, where he was taking his masters.
By the time your fathers let the two of you be, your feet are already sore.
“It’s starting, already.” You sigh dramatically, and you can’t help but giggle at Rin’s expression.
“Relax, honey. My feet are just sore. I’m not giving birth at this instant.”
Rin’s eyes widen even more, and he looks around him to make sure no one is listening. He knocks his forehead against yours.
“You’ll be the death of me,” he mumbles, low, eyes flickering between your eyes and lips.
“Keep it in your pants, Itoshi.” You bite back, kissing his cheek. He places a hand on your hip, but before you can even start, a tired voice speaks up behind Rin.
“Still seeing my brother, huh?”
Rin turns and you watch his face drop. You grin and step in front of him.
“You ask that every year, Sae-san.”
“And every year I hope to hear another answer,” The red-haired man retorts. You shake your head as Rin and him start to argue amongst themselves.
Hearing a knock at the front door, you excuse yourself to fetch it.
“I’ll get that.” You say, leaving Rin and his brother to fight in your living room — you have learned you can lead a horse to water but cannot make it drink.
You were not expecting anything when you opened the door. It could be a few other family friends mama invited. You were happy and you were content. You had a loving family, a loving partner, and a cake awaiting your arrival.
But, when you turn the door and your eyes meet the man who stands there — the same as he left you — you are suddenly nineteen again, and going through the first heartbreak of your life.
“Long time no see star-girl,” he says, a nickname you have not heard in nine years.
“Yoichi…”
You were right, last night — your luck was beginning to run out.
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gcorvetti · 11 months ago
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Vi racconto una cosa di Twitter.
Almeno di quando ci lavoravo, anche se non penso che le cose siano cambiate. Non potrei farlo per via di una questione contrattuale, non potrei neanche dire che ho lavorato su twitter per contratto, comunque. C'è, o c'era ma vi ripeto certe cose non cambiano, una policy che si chiama 'gloryfication of violence' dove chi inneggia ad una qualsiasi violenza facendola passare come una cosa buona va punito, di solito cancellando il tweet ma se è a livello profilo anche il profilo va eliminato, per esempio se io scrivo che il baffetto stava facendo una cosa buona con gli ebrei cado in questa policy. Però mi capitò un caso dove la polizia, americana, uccise un tizio perché gli aveva tirato una molotov nella macchina e il tweet recitava tipo "hanno fatto bene ad ucciderlo sto tizio", levando il fatto che mi sono beccato un errore (ma questo è un altro discorso) e che l'analista mi fece rileggere a voce alta alcuni punti della policy, fastidio, tale policy non è applicabile "alle violenze che la polizia perpreta sui civili", al che ho fatto notare all'analista che non è una cosa buona perché così facendo, cioè lasciando le malefatte dei poliziotti sulla piattaforma si istiga all'odio verso la pula, l'analista era d'accordo con me ma siccome il lavoro era quello di seguire le policy mi sono beccato sto errore e sono dovuto stare zitto nonostante sia una cosa assurda. Questo perché come vi ho già detto in passato la piattaforma, come anche le altre made in usa, sono soggette al volere del governo americano, se il governo ti dice che devi seguire una linea tu lo fai se no ti fanno chiudere. Perché vi racconto sta cosa? Perché oggi ho letto un articolo su Ansa che parla di un assalto da parte di ragazzi ad una macchina della polizia, nel giornalino c'è scritto bene e diverse volte 'antagonisti', ma anche anarchici dei centri sociali, che c'azzecca?, perché nell'articolo si dice che non è tollerabile, perché manganellare dei ragazzi inermi è tollerabile? Poi c'è anche scritto che la dirigente di Pisa la spostano a Pescara, un pò come fa la chiesa con i preti pedofili invece di punirli li sospende per un pò e li sposta in un'altra chiesa, così si allarga il danno. Questa è una deriva regalataci dagli amici yankee? Oppure è solo emulazione da parte del governo attuale verso un sistema che fa gola per via del nazi/fascio che hanno intriso dentro? Sempre gli americani ah! Stiamo andando in quella direzione, o come negli stati uniti, dove poliziotti razzisti picchiano i ragazzini di colore malamente? Visto un video sempre su twitter per lavoro e ho dovuto lasciarlo perché non potevo cancellarlo grazie alla policy sopracitata, quindi le forze dell'ordine saranno usati sempre più per punire comportamenti che non piacciono al governo? Portandoli così ad essere odiati e di conseguenza quando succede qualcosa non li chiami perché potrebbero prendersela con te che in realtà ne hai bisogno. Sempre perché il governo attuale ha bisogno di cani rabbiosi, proprio come gli americani hanno bisogno che i sudditi siano cattivi e seguano una linea che porta al disordine e al caos.
Tutto questo accade dopo le dichiarazioni di ursula sul riarmo europeo, sulla guerra, sulle questioni spinose che in questo momento il vecchio continente sta affrontando, sempre grazie ai nostri alleati tossici. Qualcuno dice che sono mosse politiche pre elezioni, può essere, secondo me Ursula sta cercando di prendersi il posto dello stoltonberg a capo della NATO, quindi deve dimostrare di essere in linea con quegli psicopatici paranoici, perché io che sono europeo, come tutti voi, non la volevo questa guerra, non avrei mai voluto una guerra se pur per procura, non è la nostra guerra, se gli stati uniti vogliono distruggere la russia che vadano loro dalla parte dell'Alaska e non vengano qua a rompere i coglioni a noi che abbiamo già da doverci difendere da politici inutili che minano la nostra società. Nessuno vuole che l'Europa sia libera e indipendente per il fatto che una superpotenza con un grande passato e un futuro roseo potrebbe creare problemi a livello mondiale, quindi gli amichetti yankee non potrebbero fare le loro merdate in giro per il mondo, ma direi che è anche ora di levarci di torno sti adolescenti bulli che sanno solo roteare le loro pistole.
Mi fermo qua, perché potrei anche andare all'infinito e ho tante cose da fare oggi.
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ambrenoir · 6 months ago
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Prestate attenzione a chi scegliete di frequentare e con chi decidete di condividere la vostra vita, poiché la prigione più opprimente può essere una casa priva di pace. Il partner che scegliete influenzerà enormemente la vostra felicità, il vostro benessere e la direzione della vostra vita. È vitale scegliere qualcuno che porti serenità e non stress.
Questo è particolarmente importante quando si tratta di narcisisti, spesso noti come "vampiri energetici". Inizialmente, questi individui possono apparire incantevoli e perfetti, usando una tecnica chiamata "love bombing", che consiste nel sommergervi di affetto e attenzioni. Questa strategia può farvi sentire speciali, ma è solo un mezzo per guadagnare rapidamente la vostra fiducia.
Una volta che il narcisista ha ottenuto il vostro affetto, il suo comportamento inizia a cambiare. Subdolamente, comincerà a criticarvi e a manipolarvi, mantenendo comunque un'apparenza di fascino. Questo cambiamento graduale può essere disorientante, facendovi mettere in dubbio le vostre percezioni e sentimenti. I narcisisti sono maestri del "gaslighting", una tecnica manipolativa che vi fa dubitare della vostra realtà e vi rende sempre più dipendenti dalla loro approvazione.
Le relazioni con i narcisisti sono caratterizzate da alti e bassi estremi. Alternano momenti di affetto e validazione con periodi di freddezza e critiche. Questa dinamica vi mantiene costantemente fuori equilibrio, concentrati sul riconquistare la loro approvazione, e può erodere significativamente la vostra autostima col passare del tempo.
Vivere con un narcisista spesso significa convivere con tensioni e conflitti costanti. Questi individui prosperano sul controllo e sul dominio, ignorando i vostri bisogni e sentimenti. La loro mancanza di empatia porta a una scarsa connessione autentica e rispetto reciproco. Questo ambiente può essere emotivamente drenante, minando la vostra pace e felicità.
È cruciale identificare i segni di comportamento narcisistico all'inizio di una relazione per proteggere il vostro benessere. Fate attenzione a segnali come un eccessivo egocentrismo, la mancanza di empatia, il bisogno costante di ammirazione e la tendenza a manipolare e controllare. Fidatevi del vostro istinto e date priorità alla vostra serenità e felicità. Stabilire e mantenere confini sani è essenziale quando si ha a che fare con potenziali narcisisti.
In sintesi, fate attenzione a chi scegliete di frequentare e sposare, perché una casa senza pace è la prigione più grande del mondo. I narcisisti, o vampiri energetici, sono abili nel manipolare le persone per i loro fini. Capendo le loro tattiche e rimanendo vigili, potete proteggervi da relazioni che prosciugano la vostra energia e minano la vostra serenità. La vostra casa dovrebbe essere un rifugio di amore, rispetto e tranquillità, non un campo di battaglia per il dominio. Scegliete con saggezza e mettete la vostra pace al primo posto. 🙏💕
Essere Indaco 💙pagina fb
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curiositasmundi · 4 months ago
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In un’era in cui il potere economico sembra spesso eclissare quello politico emergono inquietanti verità sul ruolo delle grandi aziende nel plasmare – e talvolta minare – i fondamenti stessi della democrazia globale. Un recente rapporto dell’International Trade Union Confederation (Ituc) getta luce su pratiche di cui forse la politica dovrebbe occuparsi con più coraggio. 
Al centro di questa rete di influenza troviamo nomi che quotidianamente entrano nelle nostre vite: Amazon, Tesla, Meta, ExxonMobil, Blackstone, Vanguard e Glencore. Giganti dell’economia mondiale che, secondo l’ITUC, non si limitano a dominare i mercati ma estendono i loro tentacoli fino a toccare le corde più sensibili della politica e della società.
Multinazionali e regole democratiche
Amazon, il colosso dell’e-commerce guidato da Jeff Bezos, si distingue non solo per la sua posizione dominante nel mercato ma anche per le sue pratiche aggressive nei confronti dei sindacati. L’azienda, quinta maggiore datore di lavoro al mondo, è stata accusata di violare i diritti dei lavoratori su più continenti, di eludere le tasse e di esercitare una pressione lobbistica senza precedenti a livello nazionale e internazionale. La sua influenza si estende fino al punto di sfidare la costituzionalità del National Labor Relations Board negli Stati Uniti e di tentare di sovvertire le leggi sul lavoro in Canada.
Non meno controverso è il ruolo di Tesla e del suo eccentrico fondatore, Elon Musk. L’azienda automobilistica, simbolo dell’innovazione tecnologica, si trova al centro di accuse di violazioni dei diritti umani nella sua catena di approvvigionamento e di feroci opposizioni alle organizzazioni sindacali in Stati Uniti, Germania e Svezia. Musk stesso è finito sotto i riflettori per il suo sostegno a figure politiche controverse come Donald Trump, Javier Milei in Argentina e Narendra Modi in India, sollevando interrogativi sul ruolo dei magnati tech nella formazione dell’opinione pubblica e nelle dinamiche politiche globali.
Meta, l’impero dei social media di Mark Zuckerberg, si trova al centro di un ciclone di critiche per il suo ruolo nell’amplificare la propaganda dell’estrema destra e nel facilitare la crescita di movimenti antidemocratici. La piattaforma, che raggiunge miliardi di utenti in tutto il mondo, è accusata di essere un veicolo per la diffusione di disinformazione e odio, minando le basi stesse del dibattito democratico in numerosi paesi.
Multinazionali della finanza e dell’energia
Il rapporto dell’ITUC non risparmia nemmeno i giganti della finanza e dell’energia. Blackstone, guidata dal miliardario Stephen Schwarzman, noto sostenitore di Donald Trump, è accusata di finanziare movimenti politici di estrema destra e di investire in progetti fossili e di deforestazione nell’Amazzonia. ExxonMobil, dal canto suo, è citata per il suo ruolo nel finanziare ricerche anti-climatiche e per le sue aggressive attività di lobbying contro le regolamentazioni ambientali.
Le aziende, con le loro vaste risorse finanziarie e la loro influenza capillare, sembrano in grado di plasmare l’agenda politica globale a loro vantaggio, spesso a discapito dei diritti dei lavoratori, dell’ambiente e della stessa sovranità degli Stati nazionali.
La sfida che si presenta è titanica. Come sottolinea Todd Brogan, direttore delle campagne e dell’organizzazione dell’ITUC, “si tratta di potere, di chi ce l’ha e di chi stabilisce l’agenda”. In un mondo in cui le corporazioni multinazionali spesso superano il potere degli Stati, e in cui non esiste alcuna responsabilità democratica, è fondamentale che i lavoratori e i cittadini si organizzino per contrastare questa deriva.
Il 2024 si preannuncia come un anno cruciale, con 4 miliardi di persone chiamate alle urne in tutto il mondo. In questo contesto, l’ITUC sta spingendo per un trattato internazionale vincolante che possa finalmente rendere le corporazioni transnazionali responsabili ai sensi del diritto internazionale sui diritti umani. Anche da noi Meloni aveva promesso di fare “la guerra alle multinazionali”. Per ora l’abbiamo solo ricevere un premio da Musk. 
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liviavanrouge · 8 months ago
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I’m gonna show you why I’m the devil’s daughter.
Livia is just minding her business when Minano pounces on her and playfully tackles her. Livia tackles her back and teased her that she is stronger than her. Minako teased her back that she will make her eat that back. And livia with a challenging smirk tell her to bring it on. And Minako tries to playfully tackles her-
And Livia wakes up. And realized……
Minako is dead. Livia overbloted and Minako tries to save her but Livia killed her. She’s in an empty house where she is isolated from the world from.
FUCK YOU, FUCK YOU, FUCK YOU FUCK YOU FUCK YOU FUCK YOU!!
I HATE YOU AND YOUR FUTURE CHILDREN AND THEIR FUTURE CHILDREN AND THEIR CHILDRENS CHILDREN AND THEIR CHILDRENS CHILDREN CHILDREN!
YOU ARE SATAN IN MORTAL FORM!!
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mangafascination · 10 months ago
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railwaygirl · 9 months ago
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susieporta · 10 months ago
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LIBERTÀ EMOTIVA: IL CORAGGIO DI ESSERE FRAINTESI
Imparare a stabilire confini è un atto di amore per sé stessi, una necessità che si scontra con la paura di essere fraintesi o di essere abbandonati da persone care. Richiede un coraggio non sempre pronto alla luce, ma proprio in quella vulnerabilità, in quel momento di incertezza, troviamo la chiave per connessioni autentiche. Questo non significa allontanare gli altri, ma accoglierli in uno spazio dove la nostra vera essenza può brillare senza filtri.
Nel nostro lavoro, nelle amicizie, e nelle relazioni d’amore, a volte, la linea tra prendersi cura e perdersi nell’altro può diventare troppo sottile. Imparare a stabilire un “no”, a comunicare ciò di cui abbiamo veramente bisogno, è come prendere una boccata d’aria fresca.
Ad esempio, in una relazione, stabilire un confine può significare riconoscere e comunicare i propri bisogni, anziché adattarsi costantemente ai desideri del partner oppure decidere di non giustificare o scusare comportamenti che minano il nostro benessere, ricordando a noi stessi che meritiamo rispetto e considerazione. Può significare scegliere di non rispondere immediatamente a messaggi di lavoro fuori orario, preservando così serate dedicate a noi stessi o alle persone care. Oppure, potrebbe essere esprimere chiaramente ad un amico che certi argomenti di conversazione ci mettono a disagio e non sono benvenuti, rafforzando così un rapporto di rispetto reciproco.
Questo percorso di auto-scoperta, che ci porta a rivendicare il rispetto che meritiamo, trasforma i confini da muri divisori in ponti verso legami genuini. In essi, l'amore e il rispetto nascono da un'autentica comprensione reciproca.
La vera rivelazione di questo viaggio? Trovare che, oltre i confini che definiamo, esiste un'infinità di possibilità per relazioni profonde e arricchenti. Essere vulnerabili trasforma il nostro modo di interagire, permettendoci di amare ed essere amati per quello che siamo veramente.
È nella sincerità di aprirci, con tutti i nostri limiti, che possiamo costruire connessioni significative. Questo non solo ci sorprende ma apre la strada a un'esistenza in cui ogni legame riflette il nostro vero essere, arricchendoci a vicenda in maniere inaspettate e profonde.
Michele Lanotte
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falcemartello · 8 months ago
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"Si... Ma stai calma!"
Se te lo dice è VIOLENZA
Ci son o frasi che sono come schiaffi. Mortificano, umiliano, isolano, disorientano e minano l'autostima delle donne. Non sono solo parole, è violenza psicologica. Fermiamola prima che sia troppo tardi. Chiama i centri antiviolenza per farti aiutare. Un'altra vita è possibile.
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maci-brainrot · 2 years ago
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Taichihaya week 2023 poems
There are multiple translations of the Hyakunin Isshu poems.
Here there are some of the translations of the poems that are prompts for this year's week.
I'll go in order of day by day of Taichihaya week.
Poem 81: Ho
Hototogisu
Nakitsuru kata wo
Nagamureba
Tada ariake no
Tsuki zo nokoreru
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Poem 46: Yura
Yura no to wo
Wataru funa-bito
Kaji-wo tae
Yukue mo shiranu
Koi no michi kana
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Poem 15: Kimi ga tame ha
Kimi ga tame
Haru no no ni idete
Wakana tsumu
Wa ga koromode ni
Yuki wa furitsutsu
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Poem 34: Tare
Tare wo ka mo
shiru hito ni sen
takasago no
matsu mo mukashi no
tomo naranakuni
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Poem 18: Su
Sumi no e no
Kishi ni yoru nami
Yoru sae ya
Yume no kayoi ji
Hito me yoku ran
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Poem 51: Kaku
Kaku to dani
Eyawa ibuki no
Sashimogusa
Sashimo shiraji na
Moyuru omoi o
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Poem 13: Tsuku
Tsukuba ne no
Mine yori otsuru
Minano-gawa
Koi zo tsumorite
Fuchi to nari nuru
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There are more poems associated with Taichihaya; we had to narrow them down to only 7. But another poem can also be used on day 7 with a "free prompt".
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Other translations and other poems can be found here:
Also, I used some panels for each poem here. But their relation is not unique to those panels; each poem extends to way more moments and aspects of taichihaya.
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innamoratadellenuvole · 6 months ago
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Rispetto all'ask sul rispetto che meritano i no vax bisogna dire che i no vax non meritano alcun rispetto per il fatto che le loro motivazioni non hanno alcun fondamento scientifico e spesso si basano su pretesti creati ad arte ma soprattutto perché la loro esistenza crea enormi problemi di salute pubblica e minano la fiducia nei confronti degli operatori sanitari, operatori sanitari che agiscono nel rispetto del codice deontologico e sulla base di uno studio che inizia dal primo giorno di Università e non si conclude mai, nemmeno dopo la pensione, facendo sacrifici immani.
I no vax si basano sulle notizie fake lette su Facebook, diciamocelo...
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